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Roderick on the Line

Ep. 223: "Sequester John!"

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0:00:20hello hi John oh hi Merlin that's going

0:00:23good you sounded really enthused oh not

0:00:29so enthused oh no this is a highlight of

0:00:32my week

0:00:33oh yeah I know just you know and you

0:00:35know how it is

0:00:36yeah sometimes a week well just

0:00:38sometimes the 16 months right now it

0:00:41just was just unfold like like one of

0:00:44those looking to origami life

0:00:46yeah like an advent calendar where every

0:00:49door is just a just to fuck you

0:00:52it didn't okay different kind of animal

0:00:55poop happy holidays coming up to seven

0:00:58that that's Paul Williams with a big

0:01:01middle finger morning

0:01:04yeah so you sound good about that

0:01:10election

0:01:11oh yeah Big Sucker things are fine over

0:01:23here okay yeah it's been raining a while

0:01:26so on them on call this week 40 no jury

0:01:31duty and it's a whole court case it's oh

0:01:33no what is why does that happen to you I

0:01:36haven't been called for jury duty in 24

0:01:38um jury crack I never don't get called I

0:01:42don't understand it

0:01:43I mean I'm know I'm not good at

0:01:44calculating time and stuff but like it

0:01:48feels like it's as soon as i'm eligible

0:01:50it it comes up and i usually get called

0:01:52that's about the last one I dodged a

0:01:54bullet on the last one

0:01:55yeah i think so but remind that's quick

0:01:58i mean basically it was really weird

0:01:59because I've made it through like

0:02:01thursday if you make it past wednesday

0:02:03it's usually like I had their good i can

0:02:04me and then I called the robot said your

0:02:07journey group

0:02:09well appear at superior court 1 p.m.

0:02:12thursday and it's like what

0:02:13who gets called at one p.m. on a

0:02:15thursday yyyy does your robocall sound

0:02:18like James Urbaniak

0:02:21I like that guy i met him yeah yeah you

0:02:27did meet him

0:02:27I think somebody took a photo together

0:02:29yeah you met him in a hotel room in the

0:02:31hotel lobby of the hotel didn't have

0:02:33television television

0:02:34oh my god I was so fucking mad about

0:02:36that haha i took a photo and send it to

0:02:38my daughters like this is where the TV

0:02:39would be this is a normal hotel room it

0:02:42was like a Gitmo sell you have you had a

0:02:44nice when they put you up in the Rain

0:02:45Man sweet but I was down with the proles

0:02:47yeah I otherwise with no TV in my room

0:02:50either instead there was just like there

0:02:52was a soap carving kit and like five

0:02:55curated vinyl albums pictures of bird

0:02:58houses are that mine had a bed which is

0:03:00an ok bed in middle of this room was a

0:03:03small room but I mean it was really

0:03:05funny it was like there were worried I

0:03:07was going to harm myself there were two

0:03:09little tables into little lamps and a

0:03:12closet

0:03:13no no I'm sorry there wasn't a closet

0:03:15there was a shelf it was like he was

0:03:17like some kind of like I don't know what

0:03:19I imagined like if you went to like the

0:03:20nice juvenile detention unit you

0:03:24remember that was the hotel I still kick

0:03:26myself I opened the door and there the

0:03:30room had been cleaned and was in in

0:03:32perfect order except there was a

0:03:33walkie-talkie lying in the islands right

0:03:36and I was like it's the beginning of an

0:03:38adventure it's a call to adventure

0:03:40there's no question about it yeah but I

0:03:42picked it up and you know looked at it

0:03:44and you know turned on nothing nothing

0:03:46on that channel and I took it down the

0:03:48front desk

0:03:48I think I told the story but basically i

0:03:50should we showed up and did the very

0:03:52short version is that a bailiff you know

0:03:55it looks which basically it's it's like

0:03:57a it's like the parks department act he

0:03:59wants in a guy in uniform and goes

0:04:01alright this will now serve as the jury

0:04:03assembly room it's what it was like 230

0:04:05there's like a hundred 50 to 250 people

0:04:09in this room and I was like oh my god is

0:04:10this was so this was the bit you know

0:04:12there's the room you go and sit in while

0:04:14you wait to get called and then you go

0:04:15usually to like a court room to be you

0:04:18know what dear whatever our stuff they

0:04:20do in this case the entire rooms like

0:04:22this will now serve as the jury assembly

0:04:23room for group you know 27 or whatever

0:04:26and a judge came in and said basically

0:04:29you know the bad the the what was that

0:04:33the bad news is we're not gonna

0:04:35need you today or whatever the good news

0:04:36is like this is a multi-month case you

0:04:42are and it's like I i am so torn because

0:04:46I really believe in doing my duty for

0:04:49that it's like you know if you want me

0:04:51for a week

0:04:52I can grossly inconvenience my family I

0:04:55can basically not make money for a week

0:04:58out you know that's okay that's that's

0:05:00part of what you gotta do but that it

0:05:02puts so much pressure on my wife you

0:05:04know I take care of my daughter in the

0:05:06afternoon that's my job and like that's

0:05:09the way the light construction i know

0:05:10that's fancy but that's the dad I need

0:05:13to be and holidays coming up and

0:05:16everything and it's just like oh I can't

0:05:18imagine spending election day sitting in

0:05:20the Superior Court jury room and I i do

0:05:23not find that it's fancy though you

0:05:25don't need to apologize for being fancy

0:05:27yes just sits you to your alternative

0:05:30lifestyle will have you ever gone to

0:05:31jury duty and try to make the case that

0:05:33you shouldn't be on well let me let me

0:05:36just say you're saying you just don't

0:05:37get called Ellen I am the one probably

0:05:41the one person in the world

0:05:42maybe I'm not the one person in the

0:05:44world but i am in the very small

0:05:45minority of people that waits like on

0:05:49baited breath to be called for jury duty

0:05:52it has a strange one time in my life

0:05:55when I was 23 years old and I was

0:05:59sitting in the jury selection room and

0:06:01everyone else is just looking like you

0:06:04know somebody just handed them a garbage

0:06:06bag full of water without a twist tie

0:06:08looks good shit ah and i am sitting in

0:06:15that chair literally bouncing on my

0:06:17hands so the ink I got ready to make up

0:06:18we got we got we got to be under coming

0:06:21it was a murder case I hope it's the

0:06:23last for six months because not only was

0:06:25i think the real to be part of the

0:06:28democratic process for the you know jury

0:06:29of your peers to get $13 the thirteen

0:06:33dollars today and being on a jury for

0:06:35six months would have solved so many of

0:06:37my life problem i would give you so much

0:06:39focus well that i'm also allow you have

0:06:42to have clothes ready

0:06:44you have to think about where you need

0:06:45to be in the morning well maybe they

0:06:47put me up in a hotel because they had to

0:06:49sequester sequester John it because

0:06:51somebody like some mafia thing or

0:06:53whatever like a hit man and I that would

0:06:56have solved the problem of not having a

0:06:58place to live at that boy is yeah and

0:07:00and any time you know any time like a

0:07:03girl was like why haven't I seen you I'd

0:07:04be like sorry I'm injuries like and I

0:07:07can't talk about it i guess yeah exactly

0:07:09right I've been out of every problem it

0:07:12would have just solved everything so I'm

0:07:13bouncing up and down the Chairman Ben

0:07:15and you know i'm watching the attorneys

0:07:17trying to get people i'm like oh man

0:07:20I've got a great answer that question

0:07:22come on come on come on ask me ask me

0:07:24ask me ask me like I i wanted to raise

0:07:26my hand when they were asking other you

0:07:28know like have you ever Hunger Games you

0:07:30ready to get service up his tribute let

0:07:32me go let always have people go home

0:07:33happy to do it on behalf of that little

0:07:36child yes for her and then they were

0:07:38like okay we got our jury it like it's a

0:07:40good print ago I was so defeated I was

0:07:43like that's it

0:07:44do you remember why was it just that

0:07:46they didn't need your body not never got

0:07:48they never got to you never got to me

0:07:51they just made a jury and and I was like

0:07:53will will will you guys gotta meet

0:07:56another jury right like we're all here

0:07:58why don't you just make a jury out of us

0:08:00for the next thing that's good idea and

0:08:02and there was just like go home and so

0:08:05then for a long time I waited for the

0:08:07envelope to come like gotta get it again

0:08:09right it's like this this amazing

0:08:12laughter anything it's not even like the

0:08:13draft like it's one thing to say gosh I

0:08:14hope I'm 1a and i hope i get drafted he

0:08:17will you know what you can always just

0:08:18go join in this case you can't just go

0:08:20show up at the courthouse and say I'm

0:08:21ready to serve right yeah I would have

0:08:24done it a hundred times it's like giving

0:08:25blood

0:08:26yeah and and what's crazy is I'm four

0:08:29out of four voter like that I they know

0:08:32where my address is like I'm i am I

0:08:35couldn't be more of a citizen and yet

0:08:39somehow my bill never gets wrong

0:08:41that's a shame John yeah and they're

0:08:43calling you every third day and it just

0:08:46it feels like it just feels a little bit

0:08:49like an injustice to imagine me on a

0:08:51jury

0:08:51I mean I actually I really I i can it

0:08:54calls to mind so many things I see you I

0:08:56see very quickly by unanimous a claim

0:08:59being made the form and maybe

0:09:00even before they're done seeing people

0:09:02they just clearly this this is the

0:09:03anchorman thank you thank you i mean

0:09:06what i don't understand in a when I see

0:09:09like court cases on TV what you do a lot

0:09:13it's very popular thing to have on TV

0:09:16yeah which in its own way is like weird

0:09:19that a major major feature of what we

0:09:23consider entertaining television is just

0:09:26like watching watching a court case it's

0:09:31really kind of strange idea like right

0:09:33eleven percent of all television shows

0:09:35are just watching the antics of people

0:09:37in a courtroom and I mean I guess it

0:09:39makes sense right it's like it's it's an

0:09:41intellectual I think it's kind of genre

0:09:43it's totally Israel but what I don't

0:09:46understand watching a jury on TV is they

0:09:48just sit there and passively like how

0:09:52boring or i mean are you are you

0:09:55severely restricted to every morning do

0:09:57they say

0:09:57now remember don't raise your hand

0:10:02don't say but but right and don't don't

0:10:05audibly roll your eyes right don't like

0:10:08try and do a better job than the lawyer

0:10:10don't say pulleys like how do you not do

0:10:13those things are now I know 13 and

0:10:15everybody last time i was on for a of

0:10:17the four-day trial and had a buddy and

0:10:20we would just give each other look

0:10:21because you know of course

0:10:23well he can't get into this i don't i

0:10:25don't want to cause trouble for myself

0:10:26but there's all kinds of things you're

0:10:27not supposed to do that everybody does

0:10:29because this is in that case whatever

0:10:32I mean you got a phone and stuff you

0:10:35know they're not so don't do any viral

0:10:37research and look like right

0:10:40I'm not gonna break first thing you do

0:10:42is google the guy right

0:10:43it's google map where the accident

0:10:44happened like the whole nine like I

0:10:46don't know the visibility there is a

0:10:47little strange i think i was going

0:10:49pretty fast and that would do that but

0:10:51yeah my buddy and me we just give each

0:10:53other looks through the whole thing but

0:10:54now I'm you get you know general

0:10:56admonitions about these kinds of things

0:10:57and you know the thing is as part of it

0:10:59that is really are

0:11:01there's several parts of it that are

0:11:02absolutely amazing i mean the the folks

0:11:06who are involved in this the bailiff

0:11:08sand all the the court there's like

0:11:10there's like a guy who's like or a gal

0:11:12who's like the

0:11:13manager of the courtroom you've got the

0:11:16judge is frequently in dingus and then

0:11:18you got the person who like manages the

0:11:19jury stuff and whose i forgot what he

0:11:21called the courtroom not the court

0:11:22reporter but it's the person who like

0:11:23basically manages everything that's

0:11:25happening in the courtroom and that

0:11:27person is amazing to watch as a as a

0:11:30retired project manager i can just say

0:11:31watching somebody like that operate is

0:11:33amazing because our uniform early a

0:11:35madman

0:11:36no no it's it's usually somebody in like

0:11:38you know kind of business casual kind of

0:11:40thing and they're coordinating with all

0:11:41the lawyers they're talking to the judge

0:11:43they're dealing with the jury they are

0:11:44your conduit for dealing if anything

0:11:46comes up like if you know that's who you

0:11:49talk to and if you go to the bathroom

0:11:50what do you have to go to the bathroom

0:11:52you gotta wait what

0:11:54yeah if they're in the middle of

0:11:56something and you're like who knows

0:11:58stuff that's what you are no you have no

0:12:01anything they tell you in the thing is

0:12:04they are very least the ones i've been

0:12:06on their very considerate about saying

0:12:08like you know we try to make this as

0:12:09easy and comfortable as possible but you

0:12:10know the process is the process

0:12:12sometimes there's delays something's get

0:12:14changed you know sometimes some days

0:12:15you're gonna go home a little early some

0:12:16days you're gonna stay a little bit late

0:12:18and you know that's just this is just

0:12:20the nature of how this works but right

0:12:22is you know how it is it's always

0:12:23amazing to watch anybody who's good at

0:12:24their job and somebody who does the same

0:12:26thing over and over every day and

0:12:28clearly has been through the wringer of

0:12:30all different kinds of experiences it's

0:12:32amazing to watch somebody like wow

0:12:33that's why i love watching the live feed

0:12:35of your podcast oh thank you your

0:12:37podcast and they've the thing is they've

0:12:39heard it all is the other thing so you

0:12:41know you go and you might have your

0:12:42protestations about this or that and but

0:12:44like you know the judge and the court

0:12:48room manager person are very good at

0:12:49going like cutting straight to the issue

0:12:52of like you know so they basically

0:12:54anything you come up with like as it's

0:12:56one thing to say like okay like I have I

0:12:58have chemo and here's my notarized

0:13:00statement from a doctor and we're going

0:13:02to going i have mixed feelings about the

0:13:04Civil War and they're like okay so

0:13:05you're telling you cannot make an honest

0:13:07and admit I'm gonna look like such an

0:13:08idiot like my daughter is it's cool and

0:13:11it's like really yeah like you know like

0:13:13can you eat chips in the dream and not

0:13:15supposed to eat chips you're not

0:13:16supposed to even pretend that you have a

0:13:18phone I had a really good spot near a

0:13:19charger so I could I could stay charged

0:13:22the whole way to make you can keep your

0:13:23phone in that

0:13:24yeah but you're not supposed to use it

0:13:26at all even to just sit and play

0:13:28solitaire you know it happens helpful

0:13:30for me to when I'm listening to somebody

0:13:32talk to be also playing minesweeper well

0:13:35for me Alec walking like I would much

0:13:36prefer to be pacing while the whole

0:13:38thing is going they should have like a

0:13:40like a like a big Panther cage you could

0:13:41walk around and I would process the

0:13:43information like that I thought probably

0:13:46distracting that 12 to like it don't

0:13:49know just casing what the cork it's one

0:13:53of those one of those things like the

0:13:54use of the head when they're keeping

0:13:56cage uh Milosevic tuna in a blackberry

0:14:00like a Nuremberg pen that's a good idea

0:14:03i should bring that thing going tomorrow

0:14:05on election day for superior capture its

0:14:08beauty are used

0:14:09oh my god well you know I i emailed you

0:14:12i sent ya included you in a bcc blast

0:14:14email last week to save all of my

0:14:16podcast buddies

0:14:18it's that time again it's basically like

0:14:20my municipal period has come it's time

0:14:22for me to go and see aunt flow at the

0:14:24courthouse like I always have to do the

0:14:26job as part of the year no and so but

0:14:29then I you know to get texted you and

0:14:31said hey you know I called it on friday

0:14:33and i was ok for today but yeah yeah and

0:14:37it'll be fine it'll be fine i mean it's

0:14:40not that I don't want to do it and I

0:14:41don't mean to be precious it i want to

0:14:44do it i just don't want to do it for

0:14:45like months

0:14:46yeah it's very I mean I I don't want to

0:14:49be a dick about it but like that is

0:14:50incredibly disruptive now I'm so happy

0:14:53by giving the western part of town it

0:14:55takes me like almost an hour to get in

0:14:56and almost an hour to get home and then

0:14:58my wife was a big lady job is going to

0:15:00have to like do all this extra heavy

0:15:02lifting during that time it's like I but

0:15:04I feel the selfishness and what I'm

0:15:05saying but at the same time it's like at

0:15:07here's what I don't understand right the

0:15:09only people that end up on jury duties

0:15:11are old people and not people who don't

0:15:15have anything else can move that doesn't

0:15:16stop that's the stereotype but in

0:15:19practice that is not true at all

0:15:20oh very cool very cool well and I have a

0:15:23theory about this just accuse thinks

0:15:25it's because people can tell that I'm

0:15:26impressionable which is probably true

0:15:27also but I mean the things I've done in

0:15:30there like the one the first time that i

0:15:32was on a case that went through to a

0:15:35jury verdict

0:15:36it was like the longest day of my life

0:15:38because you got it I got called for two

0:15:39different jury things got pulled away

0:15:41and finally by like lunchtime we were

0:15:43seated for a trial that was that one day

0:15:46and so is but we were there until like

0:15:48almost ten o'clock to the end of this

0:15:50and it was one of the most Kafka ask

0:15:52frustrating days of my life ever tell

0:15:55you the story were basically it was a it

0:15:57was a pretty clear-cut long story short

0:15:59a guy who was a real dick

0:16:02it was a high school student went and

0:16:04picked a fight with a fellow student

0:16:06before school depicted with organized

0:16:09group there are they over 18

0:16:11no no no they're both their their high

0:16:13school students and school in

0:16:15Tallahassee and this one kid who was

0:16:18kind of a dick when interactive fight

0:16:19with this other kid who'd been i think

0:16:21it was basically just being bullied and

0:16:23the kid bit off part of his ear the bad

0:16:26kid the other kid the kid who had been

0:16:29at attacked and the the so one get

0:16:32started the fight the kids fought back

0:16:34and office here

0:16:36yeah okay so I mean it was that was

0:16:38facts and evidence it was stipulated

0:16:39this is what's going on with the

0:16:41cannibalism in florida by the way

0:16:42there's so much talk about Florida but

0:16:44here's what it came down to you're gonna

0:16:46hear a lot of stuff in here but here's

0:16:47what this comes down to this case comes

0:16:48down to this

0:16:49did this school correctly follow its

0:16:53established policy for teachers

0:16:56supervising students before school

0:16:59started a lot of specificity in that

0:17:01you're not here to decide whether

0:17:03whether ears are good or bad you're not

0:17:05here to decide whether these teachers

0:17:06work hard you have a single fact to

0:17:08determine the single fact is this

0:17:10did the school and its teachers follow

0:17:11the policy of monitoring students and

0:17:14they hadn't because it happened on

0:17:16school ground on school grounds before

0:17:17school and basically a teacher had not

0:17:20been standing in this one spot at the

0:17:22time they're supposed to be standing in

0:17:23this one spot okay so boom game over

0:17:25now you have to decide how much these

0:17:27people should get and then you get to

0:17:30the job much the parents of the bad kids

0:17:33should get for the missing here

0:17:34nope how much this school system will

0:17:38have to pay the kid who bit you got his

0:17:40ear bitten off because he had been

0:17:41improperly supervise

0:17:45so then you get to the really fun part

0:17:47the judge says okay now I realize you

0:17:49you haven't gotten to have your little

0:17:50caesars pizza that arrived right before

0:17:51we call you back and I know you haven't

0:17:53eaten in hours but here's the thing

0:17:54that's gonna take 45 minutes I'm going

0:17:56to read you the jury instructions and I

0:17:58want you to listen very carefully and

0:17:59the judge reads the jury instructions

0:18:01which of course now have you know we're

0:18:03negotiating by by the council and by the

0:18:05judge if it takes 45 minutes to reduce

0:18:08it

0:18:08I want to look at least 20 but i think

0:18:10it was over half an hour and they read

0:18:11to the jury instructions in the same now

0:18:13go back there and decide when you're

0:18:16little caesars pizza at that point at

0:18:17that point the bailiff had already taken

0:18:19the pizza way because they thought it

0:18:20was all done so we didn't get to eat but

0:18:22sounds like a simple trifling matter but

0:18:24you know why I'm either hypoglycemic

0:18:26more impatient depending on who you ask

0:18:27it's so everybody's little loopy it's

0:18:30gonna be past eight o'clock and so you

0:18:32know you did we do the thing we've seen

0:18:34on TV which is we said okay okay we're

0:18:37going to work out you know we're gonna

0:18:38do you know we're gonna do we're gonna

0:18:40find ok that yeah that happened but you

0:18:43know you know you know what you gotta

0:18:44pay a dollar 11 dollar haha one dollar

0:18:48we came back in we gave it yet and we

0:18:51had the same and then have you reached

0:18:52her as anything else yeah yeah yeah we

0:18:54the jury find the case embedded in a

0:18:56state one dollar counsel for the

0:19:00plaintiff who look like Bill Clinton

0:19:02shoots up into the air raises his hand

0:19:05and said some kind of harry potter mumbo

0:19:07jumbo about how he objected because if

0:19:12memory serves I was very very hungry at

0:19:14the time I think he said something like

0:19:15he objected because the the the penalty

0:19:19did not accord with the facts and

0:19:22evidence for the jury instructions right

0:19:24and the judge goes I think he took off

0:19:26his little round glasses off the end of

0:19:28his nose and goes

0:19:29sustained jaw surgery I'm going to read

0:19:37you the jury instructions again and I

0:19:40want you to listen very carefully when

0:19:43we like where we allowed to ask

0:19:45questions about what we did wrong

0:19:46we were not where we were allowed to

0:19:49like basically see where the red marks

0:19:50on our paperwork know you included

0:19:53did you remember to put the date on it

0:19:54all you know what we probably forgot

0:19:56that are we done sign a legal name

0:19:57little brown to write back a long story

0:19:59we had to go back and no people what

0:20:02what was it in the jury instructions

0:20:03that prohibited you from a warning one

0:20:06dollar i don't know i still don't know I

0:20:08was hungry I don't remember we went back

0:20:10we came up with some phony baloney

0:20:11number and then we finally got to the

0:20:12parking garage and go home $1,000 one I

0:20:15honestly have to collect awkward

0:20:17wow yeah so anyway that was that and

0:20:20that's frustrating you really want to

0:20:22award somebody one-dollar it's a shame

0:20:24you can't go and volunteer because I

0:20:25think you'd be great at it you know and

0:20:27it's mine i would go down every couple

0:20:29of months it's interesting your group

0:20:31your original question which is that oh

0:20:33isn't it just like retirees who are

0:20:35looking for somebody to to you know a

0:20:37place to do you somewhere they can get

0:20:39up before in the morning on a necktie

0:20:41her next dress and show up

0:20:43mom I mean use their skills like that

0:20:45Robert De Niro movie where he went

0:20:49it's a movie that you see on an airplane

0:20:50where he went and got a job after he was

0:20:54retired i think is Wi-Fi all right with

0:20:57the girl family miss and was the girl

0:20:58that he was the intern he was the intern

0:21:01right into teaching now in turn he would

0:21:03have been a vice president at a company

0:21:06that made rockets

0:21:08yeah in the very building that she had

0:21:11now started her fashions on my gosh what

0:21:13are the chances and then every morning

0:21:15he got up and he put on his tie is so

0:21:18elegant and then it turned out he knew

0:21:21everything because he was a wise sage

0:21:23yeah he was he was like basically

0:21:24driving miss daisy um but I think the

0:21:28attorneys for each side have something

0:21:30very particular in mind and who they're

0:21:33looking for and and and honestly they

0:21:36don't want somebody who's there to take

0:21:38up a chair

0:21:39they want they want somebody who

0:21:41they might want somebody who's kind of

0:21:43frustrated with the system think about

0:21:44that depending on website or you want

0:21:46somebody who is going to see through you

0:21:49know to not have a preconception about a

0:21:51certain side and if you and maybe you

0:21:53want somebody who's a little cynical

0:21:55about the system

0:21:56what about a guy what about a

0:21:57middle-aged guy who is bouncing up and

0:21:58down in his chair going Oh see on the

0:22:00face of it feels like that should really

0:22:02work right feels it feels like that

0:22:04would be just the thing that would say

0:22:06look at this little fellow here I really

0:22:07want to be here i want to do a good job

0:22:09i will listen to the jury instructions i

0:22:11will really listen to them

0:22:13yeah i will get every little every last

0:22:15every last comment in the jury

0:22:17instructions because that's the type of

0:22:18thing i like to give you a pad of paper

0:22:20that's nice you can write things down

0:22:21you can make notes but no chance there's

0:22:24no chance I can't just go down and like

0:22:25sit out front

0:22:27I should I should go down to the

0:22:28courthouse it out front with a sign and

0:22:30say why like I'm on strike against the

0:22:33court system why I never did know how

0:22:35does taylor swift get called but not you

0:22:37terry taylor swift got called to a jury

0:22:39oh yeah she took selfies with everybody

0:22:41well this is the thing I'm United I

0:22:43wouldn't change it you're both you're

0:22:45both prominent rock musicians if you can

0:22:47take selfies with other jurors I'm gonna

0:22:49be good at that too look I don't think

0:22:50she was probably construction should i

0:22:52do and you would have probably a great

0:22:54outfit every day you look fantastic

0:22:55people think they would be proud to have

0:22:57them to be judged by you to be treated

0:22:58by you

0:22:59thank you i think there'd be you know

0:23:02there'd be a 11 people up there couldn't

0:23:05true and mhm and and and you know i

0:23:09would look like amazing

0:23:10it's too bad you can't just go and like

0:23:12wish it was a little bit more like a

0:23:13cafeteria where you could go and say

0:23:15like you know there's my budget for this

0:23:17like I don't like something it's not too

0:23:19dramatic record be out in 24 days right

0:23:22asian nation in panel juries at the

0:23:24start of the week they should know all

0:23:26their cases

0:23:27mhm and they should say who wants to be

0:23:28on a one-day trial right everybody put

0:23:30their hands up you know and it's like

0:23:32who wants to be on a trial that

0:23:34potentially could go for months

0:23:36yes and they would be there be plenty of

0:23:38people that were like you know what me

0:23:40yeah meet me I want that I oh yeah so

0:23:45anyway you are right here on the cusp of

0:23:48an historic day

0:23:49ya tomorrow yeah it's going to be

0:23:52historic

0:23:53God and everything is happening it's all

0:23:56happening at once all the built up

0:23:58stress of all these months

0:23:59yeah and you're going to be sitting

0:24:00somewhere listening to opening remarks I

0:24:03don't know we'll see i'll find out today

0:24:05find out this afternoon when reloading

0:24:07the website sometimes they put up the

0:24:09notice little bit early

0:24:10mhm oo laga vault is what we say in a

0:24:13situation like this

0:24:14yeah Mazel Tov cocktail yeah and I I i

0:24:18want to wish you good good good speed

0:24:20thank you you sound really good today

0:24:23what's going on you sound the sound did

0:24:25you did you would never make it to the

0:24:26pharmacy I did I did

0:24:28I'm reupped on my on my pharmaceuticals

0:24:31how this is great news

0:24:33yeah and but you know I spent the

0:24:35weekend down in a cabin on the water

0:24:40yeah in the general vicinity of olympia

0:24:43washington uh-huh and I was with the

0:24:45with some friends I brought my daughter

0:24:47my lady friend was there some other pals

0:24:51and we watched the bald eagles fly

0:24:53around all that sounds really nice made

0:24:55some you know is one of those things

0:24:57where you spend eight hours making

0:25:00dinner

0:25:00well that's that's that's a nice day

0:25:02that we decided that we had the big

0:25:04carnival at school this weekend which

0:25:05was which is a lot of work but uh but

0:25:08but it's nice to have something that

0:25:09distracts the mind a little bit with a

0:25:12family that's a nice thing

0:25:13yeah it was it was good and and now i'm

0:25:16back here in the town and this is this

0:25:21is a busy week for me course because

0:25:23several months ago or something someone

0:25:27wrote me an email which often happens

0:25:29and they said hey I've got a great idea

0:25:32why don't you curate a show for election

0:25:36night em and I was like that sounds

0:25:39right up your alley

0:25:40yeah curated show for election night

0:25:41that's a wonderful idea yeah it'll be

0:25:43great curated show for election night

0:25:45okay great but then as time wore on the

0:25:51show is a kind of shit like a regular

0:25:53show that they do and they just have

0:25:55guest curators come in but the Regular

0:25:57Show has a real format

0:25:59ok and so the formatted is not being

0:26:01altered at all for the election night

0:26:04and the format

0:26:06office like okay i guess ii which is

0:26:08what can I ask what the format is well

0:26:10the format is get three songwriters who

0:26:14then sit onstage with one another and

0:26:16interact with each other and like play

0:26:18on one another's tunes which right away

0:26:21is a ton of work for it's a lot more

0:26:25than it sounds like it's yeah you don't

0:26:27just get up and I'll Jam with you on

0:26:28your tune like you have to learn 100

0:26:30songs have to rehearse them you have to

0:26:32care you have to be into it right you

0:26:35can just pick three random musicians

0:26:38they all have to have respect for one

0:26:39another and be into playing on one

0:26:41another songs and play the right part be

0:26:44supportive it's not always going to be

0:26:45George Harrison eric clapton yeah right

0:26:48and I you know I've seen shows where

0:26:50everyone onstage totally respected one

0:26:53another as songwriters but didn't

0:26:55actually want to jam or want to play on

0:27:01one you know that like like i did a tour

0:27:03one time with like some very notable

0:27:06people who were trying to do this thing

0:27:09on to ER and at a certain point one of

0:27:11the songwriters was like you know what

0:27:13this doesn't really i feel like i am not

0:27:17really into these other people's songs

0:27:20that much

0:27:21creatively I know interesting and it was

0:27:23like hmm what about you know like uh

0:27:26well I guess right that that has an

0:27:33internal integrity to it you know like

0:27:35in a way that the because at first

0:27:38you're like that's not being a very good

0:27:40sport but then when you think about it

0:27:42what the comment was effectively was you

0:27:46know music is sacred calling to me and

0:27:50so I feel like I'm doing everyone a

0:27:52disservice by playing half acidly on

0:27:55this stuff that I can't get my whole

0:27:57soul behind and so at the end of the day

0:28:00or like

0:28:02that's taking it more seriously than i

0:28:04was taking it is out under fashion

0:28:06opt-out jangling jangling I mean you

0:28:09know and and so and I wasn't like one of

0:28:12the players I was just I was just a was

0:28:16actually the driver on that tour but

0:28:18anyway so it's a bigger deal than just

0:28:22ya throat three people up there and

0:28:24they're going to gym with each other and

0:28:25then here's the rest of the format

0:28:28there will also be a poet whose onstage

0:28:31with the three musicians are you with me

0:28:35yes so far see where we're going am in

0:28:37two painters who are painting during no

0:28:43really

0:28:44and so I this all kind of like came out

0:28:46gradually like Al i'll do a show and

0:28:49then I'm kind of a month of silence went

0:28:50by and I was like all right we should

0:28:51start talking about that show okay great

0:28:53its election night what I was thinking

0:28:54is that get up there with some friends

0:28:56we play a song that we talked about the

0:28:58election we talk about the thing we

0:29:02rapidly rap about about the the night

0:29:05and then maybe play another song and and

0:29:08the person who runs the thing what came

0:29:10back was like yeah uh except for that's

0:29:15not how we do the show

0:29:16here's how we do the show was like and

0:29:18that with every iteration of like here's

0:29:20how we do the show I was like oh uh yeah

0:29:24alright yeah I get it

0:29:25female poet and and some painters yeah

0:29:29I've been on stage with painters before

0:29:31this is this i don't know man is that

0:29:34this feels gimmicky well sure that's the

0:29:38thing it's a gimmick but I mean it

0:29:41sounds like a project runway and when

0:29:42they ask people to be inspired by a

0:29:44bridge or a theme park ride and yeah I'm

0:29:46not really sure that talent operation

0:29:47works

0:29:48yeah right two good-looking you can you

0:29:50be inspired by the flashcard go

0:29:52yeah and so and and also like it's not

0:29:56at that point it's not me doing a show

0:30:00it's me filling the role

0:30:02for me the shooting me me now neither

0:30:06UMC roll Yeah right

0:30:10and so as time went on like I kind of

0:30:12get less and less interested in it i

0:30:14procured a couple of great musicians for

0:30:16it but you know my butt and they're

0:30:19gonna be amazing but like em I shit my

0:30:23spot wasn't in it like a I i could I can

0:30:26picture it going down and and I can him

0:30:31see a thing like that because I'm not

0:30:32someone who's like the spirit and soul

0:30:34of my emceeing duties pro precludes me

0:30:38from being a part of this like the dog

0:30:41and pony show

0:30:42yeah like no I will emcee your gamer you

0:30:45get out there MC yeah sure the release

0:30:47of the new chevy camaro i would judge

0:30:49that's a that's a show i'll couple the

0:30:52microphone like you could hand me a

0:30:53microphone at add up and a like legal

0:30:57execution and I would be like thanks

0:30:59everybody for coming

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0:33:42uh so is everybody comfortable alright

0:33:45let's get started so but then as time

0:33:49went on it was like now wait a minute

0:33:50this is not just a thing

0:33:52this is not in the category of things

0:33:54that I kind of agreed to do and then

0:33:56just sort of don't want to do as as it

0:33:58gets closer to the show which is which

0:34:00is a a a big category this is actually a

0:34:03night that i would rather be somewhere

0:34:04else because I've been getting a lot of

0:34:07invitations like come to our election

0:34:08night party it's gonna be insane and I'm

0:34:10like I would like to do that rather I

0:34:13would let a rather be a i would rather

0:34:16be somewhere other than onstage with two

0:34:19painters and poets and while you know

0:34:23while three musicians like like

0:34:25good-naturedly labor their way through a

0:34:28show and cologne off Annie just like so

0:34:32this is a song that I wrote a few years

0:34:35back and then everybody else is kind of

0:34:36chin on hand going hm and you know in

0:34:42the end the the main person of the thing

0:34:44is standing in the back around the room

0:34:46is half-full because none of us have

0:34:47bothered to promote it or maybe the room

0:34:49is 18 full which is going to be even

0:34:51better because because its a night where

0:34:53other people also want to be doing

0:34:55something else and the guys are saying

0:34:57this is tomorrow night

0:34:58you have tomorrow and tonight at the

0:35:002016 presidential election that's

0:35:02correct

0:35:03now we're both in an awkward position

0:35:04here this is proof yeah we are and in

0:35:07fact i sent an email this past weekend

0:35:09was like look we haven't really promoted

0:35:10this there aren't that many people

0:35:12coming

0:35:12clearly we haven't prepared at all so

0:35:16why don't we just put postpone this and

0:35:19the person running it wrote me back very

0:35:21carefully was like haha I totally know

0:35:24we're coming from but we've never

0:35:26postponed to show we are no he said we

0:35:28don't postpone these I was like we don't

0:35:32postpone these um like we don't we don't

0:35:37put our elbows on the table we don't we

0:35:40don't take a crap on the table we do it

0:35:42we do it no matter what right and I felt

0:35:45like well if that's the case then you

0:35:47must have a contingency plan for when I

0:35:49don't do it failure is not an option but

0:35:52i don't but i didn't do that of course

0:35:53because I track its porky the MC yeah

0:35:56and so I was like em right have you have

0:35:59you have you attended one of these no

0:36:01okay no because over them they have been

0:36:04doing this for a long time but this is

0:36:06not the kind of show I typically would

0:36:08go to unless someone specifically

0:36:10invited me and it met the following

0:36:13criteria I cared about the performers I

0:36:17didn't have anything else to do i

0:36:20happened to be in the neighborhood right

0:36:22and someone took me by the hand and said

0:36:26I'd never seen the likes of McNamara's

0:36:28and why not come with them now and none

0:36:35of those things that ever happened and

0:36:36so and everything is it takes place in

0:36:40an old church i think and also it has

0:36:44always big league had a sort of churchy

0:36:48vibe in the sense that you know the

0:36:51Seattle music scene 10 years ago 10 to

0:36:5612 years ago there was a new sort of

0:37:00very evangelical element that came into

0:37:04the music scene interesting that was a

0:37:06thing where a lot of kids that had grown

0:37:08up with evangelical parents were in

0:37:11churches where rock and roll was not

0:37:13only permitted but encouraged ok like

0:37:15the the worship band was a rock band

0:37:19rather than on rock band and so it was

0:37:22an element of you know it's like when

0:37:25the minister's started to have tattoos

0:37:26and started to do you remember did you

0:37:29ever see the long winters on tour where

0:37:30Shawn Nelson bought an extreme teen

0:37:33bible and every you know between songs

0:37:35he would just read excerpts final

0:37:37remember that but i have heard about

0:37:38this is a kind of famous Bible yeah the

0:37:40extreme teen bible where all the Bible

0:37:42verses had been written had been

0:37:44rewritten in in terms you know in in

0:37:48what they imagine where the language of

0:37:50extreme team boy and we had one of these

0:37:53a long time ago we it was a it was one

0:37:56of our gimmicks reread it for one tour

0:37:58at the met the Old Testament would be

0:38:01pretty interesting mean really good so

0:38:03many extreme parts and you know Shawn

0:38:06Nelson is a great reader louder and he

0:38:09did a little bit dramatic interp

0:38:11but anyway so the extreme-teen

0:38:13rock-and-roll things started to come

0:38:16into the Seattle music scene kind of

0:38:18heavy it was just sort of they're all of

0:38:21a sudden and those of us who had been in

0:38:23the music scene for a long time like

0:38:24what the who and david bazan being one

0:38:27of the big one of the earliest and sort

0:38:29of most prominence people in this thing

0:38:33but it turned out that segment of the

0:38:36scene which was a large you know twenty

0:38:39percent probably of the music scene at a

0:38:41certain point produced a lot of big rock

0:38:46bands like the head and the heart came

0:38:47out of that and a and father john misty

0:38:51and you know like a lot and a lot of

0:38:53them lost their a as they became more

0:38:57you know basically let's just say drugs

0:39:00and sex whenever the kind of late

0:39:02transition but a lot of people good and

0:39:05so this venue and this experience over

0:39:08there with the painters in the poet and

0:39:09always had a little bit of a vibe of

0:39:11being part of that scene and that seems

0:39:14always been a little difficult to

0:39:15navigate because it's never over to

0:39:19nobody says nobody ever has said that

0:39:21I've seen from the stage anything

0:39:24remotely proselytizing it's just they're

0:39:29like hey everybody thanks for coming to

0:39:30the show and then they play the show and

0:39:32there's all the kind of in coded

0:39:35language in the songs about lifting

0:39:38oneself up that dog was a face you get

0:39:41all the dog whistles within the tunes

0:39:43but all kind of in extreme teen language

0:39:46and so the people better looking for the

0:39:48people that are there because the band

0:39:50is also in their church

0:39:52um they're all like nodding and going

0:39:54like yes

0:39:56like who this past year at the puyallup

0:39:59fair which is the Washington State Fair

0:40:01there was a there's a tent where they do

0:40:04them and the sort of community cultural

0:40:08events like the the tide answers like

0:40:12people that are in their inner in there

0:40:14practicing their own sort of a culture

0:40:18of of a particular community like it

0:40:21there at one point during the day will

0:40:23be ethiopian drummers

0:40:24and then it will be so forth and so you

0:40:26know and I and I went by I went by the

0:40:3110 at one point and there were these

0:40:32wonderful women doing this sort of you

0:40:35this ballet like but modern like they're

0:40:38doing modern ballet across the stage and

0:40:40there's no one in the audience and so I

0:40:44think this is wonderful and obviously

0:40:46I'm with my daughter and sheep is

0:40:48intrigued and all the women are in kind

0:40:51of like different shades of pastel sort

0:40:55of flowing angelic costume and they're

0:41:01doing this wonderful dancing and so we

0:41:03go over we sit down in the chair and

0:41:05there and and they're obviously like

0:41:08both really talented dancers and also

0:41:10really sincere about what they're doing

0:41:12and I was really drawn in and so was a

0:41:18little one and then at one point one of

0:41:23the because because they're be group

0:41:25dancing and then on either side of the

0:41:26stage they would be the dancers in

0:41:28waiting and there was something about

0:41:30the way that they that they constructed

0:41:32their act so that these dancers would

0:41:36move kind of like a wave over in this

0:41:37direction and then they would pick up

0:41:39one of the dancers that was on the side

0:41:41she would join their little motion and

0:41:44they spin around and then wave around

0:41:46and then two of them would drop off the

0:41:48other side of the stage and then they'd

0:41:50spin around and then one of them would

0:41:52come on from you was like really a fluid

0:41:54motion sensor network

0:41:57it was great you know a lot of work and

0:42:01then at one point one of the dancers on

0:42:02the other side i noticed had one hand up

0:42:05in the air palm out and was eyes closed

0:42:09kind of like head lifted into the

0:42:13heavens

0:42:14hi there there exalting a little bit

0:42:16yeah well at first I didn't recognize

0:42:18what it was I thought maybe it was part

0:42:20of the dance and and I was even more

0:42:22intrigued because i thought oh wait are

0:42:24the dancers in waiting on the side of

0:42:26the stage also in the dance and I'm just

0:42:29not paying attention to them but in in

0:42:31standing there watching the dance

0:42:32they're also actually did that they

0:42:34should be regarded as being on

0:42:36per centum yeah there they are part of

0:42:38the offstage as part of the stage

0:42:39because you know it's all exposed and I

0:42:42was like what is going on and then I saw

0:42:44and she was kind of like singing along

0:42:46with the music and then I then I was

0:42:49like oh is that some exaltation is that

0:42:52like some and I maybe a 1.2 put her hand

0:42:56over heart and then I started to see a

0:42:58couple other of the dancers also

0:43:00behaving in this fashion and so I tuned

0:43:03into the music a little bit more and it

0:43:06was because it was rock music it wasn't

0:43:08they were dancing not to classical music

0:43:10but to like a pretty rock and electric

0:43:14pop I tuned in to the music and started

0:43:17to hear that dog whistling lyrics about

0:43:22i mean i can't duplicate the lyrics but

0:43:25definitely like stuff that was about

0:43:27well it probably like like freedom you

0:43:32made eternity being together forever

0:43:36gress people guiding you not you know

0:43:39like the loaves and two fishes which is

0:43:42a great lyric and then I realized oh my

0:43:46goodness this is a rockin modern ballet

0:43:50evangelical troupe who rather than do a

0:43:57kind of Mennonite costume got into super

0:44:00good

0:44:01I mean they're because they're all while

0:44:03women between the ages of 20 and 25 and

0:44:07they're all great dancers and all you

0:44:11know live in this and so I was like what

0:44:14community of evangelical Christians can

0:44:17produce this like what was that what

0:44:20started it was it like in the church and

0:44:23then someone said hey who wants to

0:44:25audition for the dance troupe or was it

0:44:27did it start as a dance troupe and then

0:44:29they all converted Raven but but there's

0:44:32that idea of using one's talents to

0:44:34serve the Lord right it would just which

0:44:37way to that where did that come from

0:44:38yeah and how do you how do you gather

0:44:40unto you onto your flock 25 great dance

0:44:44it wasn't like there was one really good

0:44:45dancer and a bunch of people kind of

0:44:47just winging it

0:44:48yeah it's not it's not just

0:44:49regular people in the church they're

0:44:50like hey let's use dance it was no we're

0:44:53all we all came we all studied and

0:44:55that's a very interesting project

0:44:56because how do you get 25 really good

0:44:59dancers to do anything regardless of

0:45:01like where they're coming from

0:45:03let alone you know I mean it's just like

0:45:06saying we would we're gonna put together

0:45:08a dance troupe of people that you know

0:45:11like of the greatest chess players in

0:45:14the region who also are amazing dancers

0:45:16and I guess there are probably more

0:45:18there are probably more Christian

0:45:21dancers than there are chess-playing

0:45:22dancers or like top shelf just playing

0:45:25games the top but it's hard to know

0:45:27because it's like it's a it's a part of

0:45:30a pie chart it's like a subset of the

0:45:32pie I mean there's not that many of any

0:45:34of those things but then when you get

0:45:35that down to number of people who have

0:45:37an evangelical bent and then the smaller

0:45:39number that are willing to combine those

0:45:41you can do a pretty thin slice of pie

0:45:43well yeah and it's like it's not just

0:45:45dancers right there there were no there

0:45:48were no people up on stage who had

0:45:49majored in hip-hop dance

0:45:51I mean it's like classically trained

0:45:53dancers are they could all go up on

0:45:54point they were all they were all

0:45:56leapers you know so I so within the

0:46:00within the Seattle music scene there's a

0:46:03similar kind of thing like the the rock

0:46:06the Christian rock overlap here is all

0:46:09very beardy it's all very band Joey and

0:46:13it's all like you know tight pants and

0:46:16and what we formerly would have said

0:46:18were chained wallets but they don't you

0:46:20know nobody wears a chain wallet anymore

0:46:22and and so it's a it's this you know

0:46:26it's a scene within a scene which is all

0:46:30to say this is one more very smart i

0:46:32mean i'm i'm not i'm not kept out of

0:46:35that scene at all some of the people in

0:46:36that scene are very good friends and

0:46:38musical even musical collaborators

0:46:40so what that but it's just another small

0:46:43thing that would have kept me from going

0:46:45to see this painter poet thing because

0:46:48it sort of like known you know like I

0:46:51hear your dog whistle but I'm not a dog

0:46:53you know

0:46:55I do the reason keep turning it over in

0:46:58this particular way is like this

0:47:00did the the you you you put it well with

0:47:03that with the first basic layer which is

0:47:04there's going to be these three

0:47:05musicians that are interacting playing

0:47:06to their songs which as you described as

0:47:08is pretty complicated stuff

0:47:10yeah but it doesn't stop there because

0:47:12they don't you you've got the this other

0:47:14like you know there was it the musicians

0:47:16of bremen or whatever one's called

0:47:19remember that were they animal stand on

0:47:20each other shoulders now the musicians

0:47:22of bremen someone's calm i was called

0:47:24something like that but you get the

0:47:25drift I think it's the music I think

0:47:27it's the biggest the lipizzaner play out

0:47:30yeah

0:47:31dr. stocke music yeah the dot-dot-dot

0:47:33because I guess that stock out don't

0:47:36give me it's not a bad idea i'm doctor

0:47:39doctor dresdin a thousand-dollar the

0:47:42Stardust monkey down and yes but then

0:47:45you add in the poly and then yeah I the

0:47:48painter supposed to be painting based on

0:47:50how they feel of what they're watching

0:47:53or the illustrators of the scene because

0:47:55that they're trying to get at is is that

0:47:58I i I'm sometimes intrigued and often

0:48:01very befuddled by the abstract idea of

0:48:04what other people who find entertaining

0:48:06and almost feels like a stoner chef were

0:48:09like you're going to come up with these

0:48:10really crazy ideas that sound really

0:48:12good in your head might actually be kind

0:48:14of fun if you're super high but for

0:48:15somebody who's not that's not

0:48:17you're not going to get a sitter to go

0:48:18to the stoner restaurant and I'm saying

0:48:20instead I think there's this very fairly

0:48:23abstract idea of look what constitutes

0:48:27entertainment because reasons because

0:48:29like you have a certain way of thinking

0:48:31about things but like that sounds like a

0:48:33first draft of an event to me right that

0:48:35does not sound like something I would

0:48:36return to a lot and maybe that's just

0:48:38because I'm not collect enough to

0:48:40appreciate the the beaux-arts all going

0:48:42together like that but that it feels

0:48:44very abstract so this so in my music

0:48:47career this has happened now several

0:48:48times like there's a there's that show

0:48:50in portland that I often do live wire

0:48:52which is sort of a old old-timey radio

0:48:55show but but new tiny but they have you

0:48:58know they have fully artists they have

0:48:59people doing skits left is another show

0:49:02that that sounds kind of like right like

0:49:04radio radio here we come up here comes

0:49:08more

0:49:08just like you do a lot of garrison

0:49:10keillor fans coming up to defend

0:49:12riparian companion to you sure that

0:49:14you've never heard I got a lot i got a

0:49:16lot of like how you know how dare you

0:49:17and I was like I'm not listen I said

0:49:19very clearly i've never heard very own

0:49:21companion i'm just shitting on it from

0:49:23afar as well you know there's a lot in

0:49:27this culture and I'm I'm guilty of this

0:49:28where you're just you're just shooting

0:49:30on things with a t-shirt cannon right

0:49:32like I see that

0:49:33hey you up there this dance with walk up

0:49:35but button so there was a there was a

0:49:40person named Scott pool who was the poet

0:49:44laureate of a lot of the livewire shows

0:49:46i did who watch the show throughout the

0:49:48show and then at the end of the show got

0:49:50up and performed a poem sort of an epic

0:49:52poem that he'd written about the show he

0:49:54just watched oh my goodness he was a

0:49:56talented poet and a funny person and he

0:49:58would read these bones and you'd be like

0:49:59you know I was wincing as you walked up

0:50:02on the stage at the prospect of thinking

0:50:03it but hearing a poem about this show

0:50:05but that was pretty good you know like i

0:50:07like that that was good i don't know if

0:50:09i would buy a book of them but you know

0:50:11so I've done shows where there was an

0:50:14element of this and then a few times

0:50:17I've been on stage with a painter or at

0:50:20least seen a painter onstage with really

0:50:22one time that I feel like this is the

0:50:24first I've ever heard of that now so

0:50:26this is the best I don't know if it's a

0:50:27thing but it's been enough of us can see

0:50:30somebody doodling at a conference i have

0:50:32a friend is one of those people who's

0:50:34he's a doodler and the conference goers

0:50:36and he brings to get together too much

0:50:38wonderful effect will doodle his version

0:50:40of like have this one big one panel a

0:50:42page of a person's talk that can be

0:50:45really illuminating and one of the

0:50:47better summaries of what you've just

0:50:48seen like I could see that like somebody

0:50:50sitting there with a black pen and a

0:50:52piece of paper so that person that

0:50:54you're describing has actually doodled

0:50:56one of my talks all right and and

0:50:59economic on was done by that this game

0:51:01talk about david gray he's a good dude

0:51:04learns that I kind of me that i use

0:51:05everywhere is is from he did the stuff

0:51:08for the Merlin show remember that show

0:51:09that you won't

0:51:10yeah that was that's all him yeah he did

0:51:14me at added the XOXO conference and

0:51:16you're right there's a central drawing

0:51:17and then around a lot of thought bubbles

0:51:19that I i enjoy this but actually at that

0:51:23same talk another person was doing the

0:51:25same thing like multiple people think

0:51:27that that's a generous i think that's

0:51:28kind of genre but this is not that right

0:51:30now this is a painting or above adopt of

0:51:33the bit is an oil painting

0:51:35well there are two painters two sailors

0:51:38it's just like finding a bunch of

0:51:40evangelical dancers how do you find two

0:51:42painters who will a paint in front of

0:51:46people in the space of an hour and a

0:51:49half the two painters is super

0:51:51interesting to me for negative reasons

0:51:53baseball because it certainly could

0:51:55think about like oh you know uh

0:51:56lin-manuel miranda is obviously the guy

0:51:59who plays Hamilton but have your money

0:52:00as his understudy he understands he's

0:52:02the understudy in your house now is that

0:52:05is one of the primary painter and the

0:52:07other one is the backup and if not how

0:52:08is it not a competition and what is a

0:52:10backup paint

0:52:11well it must be that they're both on

0:52:13snare both lieutenant Colonel's painting

0:52:15it's just that you can help ago that was

0:52:18way better

0:52:19well yeah and so are the painters on

0:52:21opposite sides of the stage facing the

0:52:23audience or are they

0:52:24situated next to one another and like

0:52:26looking at each other's painting as

0:52:28they're painting like me that's right is

0:52:30that I'm going to use brown too i don't

0:52:33like haha i don't know i have no idea

0:52:36having never been to the show right it's

0:52:38just like like if somebody came to me

0:52:40and said all right you have to put on an

0:52:42episode of prairie home companion go i

0:52:44would say alright and I'd step to the

0:52:46microphone and say Lake Wobegon is a

0:52:49little old town where everybody has a

0:52:51good day and people are nice to one

0:52:54another and what's done are you really

0:52:56nailed it and you know here is an

0:52:59advertiser false advertisement for some

0:53:01old-timey flower and now we're going to

0:53:03hear some banjo picking from this guy

0:53:07standard brought awareness and banjo

0:53:09picking from this painter while this

0:53:10painter paints them you know and then i

0:53:13might be able to you know

0:53:15t-shirt cannon bullshitter of my way

0:53:17through an hour and a half of that

0:53:18matters are those shows four and a half

0:53:20hours the two hours long as its

0:53:22presented on the public radio and it's

0:53:24probably in it right it's probably

0:53:25careful editing before our long-term my

0:53:28I imagine it's longer than they added it

0:53:30down I

0:53:30I would imagine 16 hours is right that

0:53:32he writes that show everyone and I mean

0:53:34that's the other guy but i mean god I've

0:53:36always admired that about him that he p

0:53:38wrote that show every week now he's

0:53:40retired he's probably driving around in

0:53:42a in a Volvo station wagon that has a

0:53:44Ford v8 motor in it that was given to

0:53:46him by Paul moment well that's nice

0:53:48let me know what that's really nice yeah

0:53:50that is nice but I so the two times I've

0:53:53seen this done

0:53:53one time I was on stage with john

0:53:55hodgman in tucson arizona and there's a

0:53:58local painter who painted an epically

0:54:01sized mural a mural that went across the

0:54:04entire back of the stage so we're

0:54:07talking about 25 to 30 feet long and 10

0:54:11feet tall and he painted it throughout

0:54:14the show and it was a picture of cthulhu

0:54:17and cthulhu was with its many tentacles

0:54:21grabbing both hodgman and me

0:54:25wow really well represented and pulling

0:54:28us you know into its cthulhu nightscape

0:54:32it is that while the show is going on

0:54:34all the show was going on and completed

0:54:37it by the end of the show so that it was

0:54:39like a complete work and like kind of

0:54:43amazing so amazing that it felt like a

0:54:46shame too because it's not a thing that

0:54:49anybody would has even have space for

0:54:52and if you did have space for it

0:54:53probably you don't want to an epically

0:54:56like multi-panel oil painting of me and

0:54:59husband being dragged bike tool so but

0:55:03but it also felt like too big of a too

0:55:05great of a thing to just throw in a

0:55:07dumpster and that was like a really

0:55:11impressive work and in the space of the

0:55:12show it didn't really intrude on the

0:55:15show he just work back there doing his

0:55:17thing and it just gradually produced an

0:55:22effect of wow this is a this has been a

0:55:26great show this and that's pretty that's

0:55:28pretty awesome it was inspiring would

0:55:30have to depend a lot on what the person

0:55:33who is doing that work and how it turned

0:55:35out right right and and and i think a

0:55:37lot of it was the sort of tight wire act

0:55:40of when he first started painting on

0:55:42this giant can

0:55:43dislike what this is going to be awful

0:55:46you know this shows only two hours long

0:55:49how can this possibly turn out and it

0:55:53did but the other time I've seen i was

0:55:57playing in a was playing a big show at

0:56:01in the the Oregon State Capitol at a

0:56:06university there and we were the the

0:56:11headliners of the the universities like

0:56:13spring flame and it was one of the great

0:56:16it was one of the great sort of shows of

0:56:20that era for us because all day long you

0:56:23you felt like it was a it was a stage

0:56:26set up on a big grassy field like the

0:56:28quad and it and the audience was kind of

0:56:32milling around as they so often do at

0:56:34those events like sort of sparse on the

0:56:37ground and we've played these shows as

0:56:40not the headliner before like we played

0:56:42a show it at Central Washington

0:56:44University one time where the headliner

0:56:46was somebody like sir mix-a-lot and we

0:56:49played on a stage where you could have

0:56:52you could have said hello to each

0:56:53audience member by name and spoken to

0:56:56them at length about their day and it

0:56:59wouldn't have intruder on the shell and

0:57:02those are terrible

0:57:03I mean even when you're being paid a lot

0:57:05of money to do them to just stand there

0:57:07and play to an empty grass field is a

0:57:09bad feeling alright so we were here at

0:57:12this university we're playing this we're

0:57:13watching the other bands and it's also

0:57:15like 15 bands on stage and uh we're

0:57:19watching the other bands and know the

0:57:21audience is not very big and it's a big

0:57:25field and we're like this is another one

0:57:28of these bogus bogus things we played a

0:57:30ski resort 12 her

0:57:31actually wait a minute we played to ski

0:57:33resorts both times opening for the

0:57:36presidents of the united states of

0:57:37america and one and one time in front of

0:57:40the day lodge and it was another thing

0:57:42where they were a bunch of people like

0:57:43literally on skis watching us play and

0:57:46it felt like this kind of a bummer and

0:57:49then the presidents of the USA took the

0:57:51stage and all of a sudden there were 900

0:57:53people

0:57:54in ski boots all standing and snow

0:57:58totally rocking out the second time it

0:58:01was a better deal it was at the sundance

0:58:02melts blood i digress and this was the

0:58:06thing where when we took the stage at

0:58:07the show in Oregon all of a sudden there

0:58:09were 900 people there and they were

0:58:11going crazy and it was like this is the

0:58:13greatest night of our lives like how did

0:58:15this happen where did they all come from

0:58:16but anyway the band that played

0:58:19immediately before us was a band that he

0:58:22that you know their name now is is

0:58:25fairly known in in any Rock circles and

0:58:28let's call them like the rainbow

0:58:29happiness band name is somewhat similar

0:58:33to them occasionally rainbow goodtime

0:58:35Charlie happiness band and one of their

0:58:40elements in addition to several other

0:58:42elements there psychedelic music was

0:58:45that one of the members of the band was

0:58:47sort of like des from the happy mondays

0:58:50or there was another band that had that

0:58:53hazel also had a dancer who is just a

0:58:56member of the band

0:58:57yeah but this band had a painter it was

0:59:01a member of the band boy and she painted

0:59:04throughout the show and we're talking

0:59:06about a 45-minute show but made multiple

0:59:09works of art during that time so it was

0:59:11just sort of up there throwing paint and

0:59:13canvas not literally Jackson Pollock and

0:59:16she had brushes but she was like making

0:59:18art is very very kinetic kinetic art

0:59:22related to it wasn't like I'm making art

0:59:25about the music it is i am a member of

0:59:28this art troupe which is making music

0:59:32and also visual arts and it was

0:59:36interesting to watch and at the time

0:59:39like a little bit little bit of a of a

0:59:44of a line somewhere between like is this

0:59:46a gimmick or is this the expression of

0:59:49these people who really maybe all grew

0:59:53up together living in a tree house and

0:59:55maybe they're all brother and sister LOL

0:59:58ok and also kind of feels

0:59:58ok and also kind of feels

1:00:00like something from the mid late sixties

1:00:03late sixties early seventies right it

1:00:05seems like something where you would you

1:00:07would you calm you would all get

1:00:08together and one person would make soup

1:00:10and the other one play the tambourine

1:00:11about it and then somebody would have

1:00:13like an interpretive dance and this guy

1:00:14over here

1:00:15oh and it has no soon and somebody the

1:00:20other day on the internet said that we

1:00:22were a show with a bunch of callbacks in

1:00:24it huh

1:00:25and I was like you know there was a time

1:00:26when I didn't I was very contemptuous of

1:00:29shows that had callbacks

1:00:30yeah it seemed seem lazy but then I

1:00:32realized we do have callbacks and you

1:00:36know go stuff yourself

1:00:37yeah sit on it yeah my cousin our party

1:00:39after nose with a rubber hose

1:00:41yeah Boston Mass go to 134 stifling like

1:00:44how do you like about them apples

1:00:46that's right that's probably the 10,000

1:00:48time i said them apples

1:00:50in any case indicate the thing is here's

1:00:55the thing here's the thing about things

1:00:57and so yeah right it felt like I mean

1:01:01the grateful dead in the early days the

1:01:04people that were doing and i think it's

1:01:05a it's a person whose name is well known

1:01:07within the within these scenes who sort

1:01:10of started doing those oil-based light

1:01:13shows

1:01:14oh yeah sure like Fred look for the

1:01:15electrical a NASA test stuff

1:01:18yeah where they had you know they had

1:01:19they had overhead projector they would

1:01:21do that we think they did that at the

1:01:22Timothy Leary shows here in San

1:01:24Francisco

1:01:25I'm sure they did you know where you

1:01:27know you're dropping will colored oil on

1:01:29the screen and it's making lobe lobular

1:01:31stuff going around and I think that it

1:01:33was at the time while like considered a

1:01:37crucial part of the performance because

1:01:41i don't know if you've ever seen a

1:01:42picture of the grateful dead but looking

1:01:46at them isn't really i mean like they're

1:01:49not like only expand

1:01:51well FML little drummer is kind of

1:01:54good-looking which one

1:01:56yeah the regular guy owned or Joe normal

1:01:59oh yeah sure Bob where he's not he's not

1:02:01handsome person right but where is the

1:02:04handsomest member of the grateful dead

1:02:05but there's always been something in

1:02:07this

1:02:08give up to i think the MIT know the

1:02:09names of up to three people in the

1:02:10Grateful Dead kreutzman mm I got to go

1:02:14Papa Garcia got Jerry Garcia click on

1:02:16daddy where they callin ya daddy bear

1:02:18the brunt midland was the keyboard

1:02:20player for a long time and I got

1:02:21together with directly a pigpen from a

1:02:23clear case but he died also get popped

1:02:25prob Bob Weir is Tiger get Phil lashed

1:02:30on the world's greatest bass player feel

1:02:31less who will let you don't you ever

1:02:34listen to a phil lesh baseline now I

1:02:35don't know but they thought do to do

1:02:38video game do right

1:02:41that's like that's an example of the

1:02:43rare occasions when a phil lesh baseline

1:02:46is not a trip through the 408 both on

1:02:50the second fret supervillain well

1:02:52located the old well she's just so he's

1:02:55just rolling through the tundra I like a

1:02:58baseline yeah and that and those bass

1:03:00lines are very imaginative he's lucky

1:03:02he's quite an exceptional musician

1:03:04whereas a lot of the time i don't know

1:03:07you know like as I was saying from the

1:03:09early days to the very most recent days

1:03:12Bob we're obviously odd man out in that

1:03:16band strangely youthful looking

1:03:19strangely younger than everyone else

1:03:21yeah what's bob doing to watching the

1:03:24dead you're like what's bob doing

1:03:26yeah he's playing parts he's playing

1:03:29parts the whole time but what's he doing

1:03:31really any then the songs he sings are

1:03:34are all very distinctive he's had his

1:03:37share of of Grateful Dead standards but

1:03:41you also sort of crave Gerry's voice I

1:03:45mean like you listening the tunes you're

1:03:47like that was good let's get back to

1:03:49Jerry let's look Jerry is good you do

1:03:51you think that some people are Bob

1:03:52people and some people grant people

1:03:54well I don't let people about people

1:03:57yeah that's what it is

1:03:58I mean most people are Bob people there

1:04:00are some grant has is and everybody are

1:04:02certain grant songs everybody likes and

1:04:03I know you're not dumping mixmeister do

1:04:05but like there's lots of bands that are

1:04:07like that i mean you take something like

1:04:08that particular band like I I wouldn't

1:04:11have Rick Danko to sing every song but

1:04:13the ones he does things like I find

1:04:15really really wonderful moving

1:04:16yeah they get Robertson sometimes

1:04:18pretends to be singing when it's not

1:04:19I think robbie robertson I don't think

1:04:22can sing because a well no way he didn't

1:04:26do last great American whale that was

1:04:27Lou Reed's late period who was rather

1:04:31frequently levon Helm everything about

1:04:33Robbie's eighties hit remember Robbie

1:04:35eighties hell right he did have a he had

1:04:38on Hanley era like a 1985 shit he must

1:04:41have been writing for soundtracks I

1:04:43think

1:04:43yep I and then he he got he got one of

1:04:46those remember in the eighties this was

1:04:48the amazing thing about the eighties

1:04:49yeah there was a market for middle-aged

1:04:55musicians having not just like a

1:04:59sculpture career but here they all come

1:05:02back right like Peter Gabriel so so may

1:05:05need well again but a lot of them like

1:05:06your EEG look at John wait John Waite

1:05:10have been in the babies wasn't the

1:05:11babies

1:05:12oh just wait hold on wait in i don't

1:05:16know if i go back that far which only

1:05:18John

1:05:19and wait accumulated that's in the WA

1:05:22ite man is Anita had that he was he got

1:05:25a new wave at a certain point i'm

1:05:29missing you missing you I ain't missing

1:05:31you and all you miss you know I mean I I

1:05:34tried to write in here Robbie Robertson

1:05:36eighties hit to you know to do a little

1:05:39bit of that Merlin Mann thing where i'm

1:05:41like i'm going to get a ticket be picky

1:05:43during during a thing where i'm also

1:05:45talking

1:05:45yes just amazing that you do sorry but i

1:05:48but I accidentally miss Rhoda because i

1:05:51don't have my glasses on and I wrote

1:05:52robbie robertson eighties hot-rodding

1:05:56Robertson eighties feet

1:05:58Robbie Robertson eighties net worth I

1:06:01got some very strange yeah Robbie

1:06:03Robertson wife height i got this amazing

1:06:05thing that's right

1:06:07white as another one if you did not type

1:06:10of summer is John running it's like John

1:06:13Roderick wife was like third down the

1:06:15line was cooling man

1:06:17it turns out nobody turns out that's

1:06:19just eric carmen that's another one but

1:06:21I robbie robertson hot i suggest you do

1:06:23because there are a lot of websites of

1:06:25people who are saying out some point

1:06:28like Robbie Robbins in the eighties was

1:06:29hot

1:06:30yeah but the hit was somewhere down that

1:06:33crazy river crazy i don't think i know

1:06:36that at all

1:06:37and well you know I suggest you take a

1:06:39look at the at the music video because

1:06:41it is it is mid eighties and and and it

1:06:44is characterized I i think well let's

1:06:48let's just say if our thesis is that

1:06:49Robbie Robertson can't seem his eighties

1:06:52it somewhere just like that's it doesn't

1:06:54sing I feel like I have a gift when I

1:06:56can sometimes tell when someone is

1:06:58pretending to sing there's a friend of

1:06:59mine in a band in Tallahassee and I i'm

1:07:02pretty sure he was fake backup singing

1:07:04and I was like I have a gift for knowing

1:07:08when somebody's just mouthing and we're

1:07:09doing a a top of the pops

1:07:11well there's a thing that I learned from

1:07:14shawn nelson like I've learned a lot of

1:07:16things from shawn nelson as you know and

1:07:18this is one of the things i learned from

1:07:20him

1:07:20which is if you are lip syncing your

1:07:23song while making a music video you have

1:07:27to sing you have to actually sing even

1:07:31if you're not being even if you're so

1:07:33fascinating to me this this already

1:07:35makes sense to me this feels like an

1:07:36Oliver Sacks think we're using a

1:07:38different part of your brain to to

1:07:40lip-synch vs as against the different

1:07:42part of your brain to actually singing

1:07:43even if they're not recording the audio

1:07:44i bet it looks different looks

1:07:46completely different so if you look at

1:07:48the music video for the decemberists 16

1:07:51military wives

1:07:52mm which i recommend you look at because

1:07:54i have a cameo role in the music video

1:07:57of 16 military wives but that's not the

1:08:00one where the teacher that's not the

1:08:01west/andersen one that is the one that

1:08:02I'm not sure of his line

1:08:04yeah the west/andersen themed music a

1:08:07hell of a beard in that one

1:08:08yeah right that was that was during the

1:08:10like I don't give a fuck era the first

1:08:12one

1:08:12no not the first one not anywhere close

1:08:14earlier ones maybe it was well let's

1:08:16just say it was one of the mid-2000s

1:08:18where I had lost my way I had I had made

1:08:21to be ultimatum EP but never released it

1:08:24and I was just laying around all day

1:08:26writing screens and then the December

1:08:30likely be in a music video i was like

1:08:31huh

1:08:33all right but you'll notice in that

1:08:36music video

1:08:37colin Meloy is lip-syncing rather than

1:08:40the singing and you feel like you can

1:08:41really tell you can tell you can tell

1:08:43that it just doesn't quite it's not that

1:08:45it doesn't line up a totally lines up it

1:08:47just doesn't look real

1:08:49it's this thing that you're saying it

1:08:50does it looks fake but if you are

1:08:52singing if you're actually singing your

1:08:54tune it looks right you you you have to

1:08:58do it and then once you've seen it you

1:08:59can't unsee it might be cuz loan

1:09:03I'm really think about this all day now

1:09:04and Sean came to this discovery i think

1:09:08by making music videos and you know one

1:09:11of his music videos maybe was I think

1:09:14one of them was actually directed by

1:09:16john Flansburg like before any of us

1:09:20knew him and was his friend he was going

1:09:22through a phase where it was like I'm

1:09:24directing music videos now what they did

1:09:27just receive a call from John friends

1:09:28right

1:09:28hey Justin I'm gonna be directing this

1:09:30video well i think it was the heat said

1:09:31to his manager like you know I'd get

1:09:33my name out there i'm doing music videos

1:09:34and I think he did some prominent and I

1:09:38think one of them might have been

1:09:39directed by ric ocasek or something you

1:09:41know like Harvey danger had had the

1:09:43money the major label money to get these

1:09:45big name people to direct the music but

1:09:49so Sean had this inside or either

1:09:50someone told him this or he realized it

1:09:52himself by watching himself lip sync and

1:09:56yeah it's transformative and so when you

1:09:59see somebody who's not making sound it's

1:10:02you can tell it now you go back and look

1:10:04at the top of the pops videos from the

1:10:06sixties and some of them like adultery

1:10:10always singing at the top of his lungs

1:10:12right doll trees not ever lip-syncing

1:10:14but a lot of those people like you know

1:10:16a marc bolan or whatever they're just

1:10:19they're just moving their lips right

1:10:21it's hilarious

1:10:23oh I enjoy watching Top of the Pops

1:10:27because it's still fun to just see

1:10:29whoever like early performances by bands

1:10:32you like it's still fun but but but

1:10:34you're going down the old grey whistle

1:10:35test rabbit huh oh my god there's so

1:10:39much a meat-like bands that you just

1:10:41don't think about today like I mean like

1:10:44that some of the performances by like

1:10:46dire straits so good on them while the

1:10:51bee gees I just I just tweeted if you

1:10:56can believe it you

1:10:58yeah a link to an early Bee Gees not

1:11:03early Bee Gees right because the early

1:11:04Bee Gees is from the late sixties like

1:11:06they were very British Invasion yeah

1:11:08they had a hit or likely started at Joe

1:11:11that and also with mining disaster and

1:11:15the mind is an island but it was

1:11:17Waterloo station but there were they had

1:11:18a big hit that well all I got the

1:11:20Massachusetts massive the Sun that's

1:11:24just that's the one that's going really

1:11:27good song big hit in the late sixties

1:11:30and then they had a then we kind of you

1:11:32know went dark for a little bit yeah

1:11:34then came back in the mid-70s well they

1:11:36started you get stuff like Jai I think

1:11:38I've talking was a breakthrough because

1:11:40that's when the very first volume if

1:11:42they got into the funky stuff but also

1:11:43its when Barry started singing falsetto

1:11:46which everybody that was super weird at

1:11:48the time because they were thought of as

1:11:50being like the hollies they were thought

1:11:51of as a vocal supergroup like why is the

1:11:53lead singer in diagonal fees lead singer

1:11:55but why is the one guy singing falsetto

1:11:57now that's so strange

1:11:58hmm falsetto right which was what I mean

1:12:01that I'm saying is what they were well

1:12:02known for to us where you know some of

1:12:04our age you think the BG z Saturday

1:12:06Night Fever was the biggest album of all

1:12:08time

1:12:09big big butt but like you know that was

1:12:11that was really strange to people who

1:12:13thought of them as being this like how

1:12:15would you describe them of not full but

1:12:17like a pop-up british pop act

1:12:19yep yep and oh and you know the thing

1:12:22that I the thing that I tweeted was not

1:12:24old grey whistle test it was the

1:12:26midnight special about how we show and

1:12:29those some of that midnight special

1:12:30stuff like if you go watch heart do

1:12:33barracuda live on the midnight special

1:12:35yeah that's right rubber pretty

1:12:37wonderfully rough like there's a very

1:12:38live feeling 22 that like a cheap trick

1:12:41kind of thing like shows but you really

1:12:44see how good those bands i know how to

1:12:46accomplish that like put together they

1:12:48were there's no backing tracks then

1:12:50rolling tape there's not a metronome

1:12:52they're just going for like these are

1:12:54this is how bands were they were good

1:12:56but um but yeah like like I think a lot

1:13:00of us post Saturday Night Fever we got

1:13:05that bee gees Greatest Hits record and

1:13:09and think of all of that music is being

1:13:11sort of a disco but what's cool about

1:13:15the bee gees is they have that greatest

1:13:17hits and the music did all sound like a

1:13:20continuous sort of bee gees experience

1:13:22and not about what that felt like well

1:13:24this is their weird country phase or

1:13:26this was their weird like art metal

1:13:29phase right didn't do like trans they

1:13:32didn't like those other stage but they

1:13:34better but a lot of those tunes like how

1:13:37can you mend a broken heart whore

1:13:39famously nights on Broadway

1:13:42um that's not from Saturday Night Fever

1:13:45that's way before it

1:13:47yeah and if you go on Midnight Special

1:13:49and watch their version of nights on

1:13:52Broadway

1:13:53yes that's like two years before 7i

1:13:56favor and realize yeah you realize a

1:13:58couple of things one Robin Gibb is

1:14:01actually the because during the doing

1:14:05the disco years Robin and Maurice just

1:14:08seems like the other guys

1:14:09yeah the other guys like Robyn rule not

1:14:11so much Morris but Robin was the star

1:14:14for some of the early ones the

1:14:16funny-looking one that mean connect i

1:14:18sing so you want two nights on broadway

1:14:20on now I just wanna watch beaches videos

1:14:22all day so he so first of all Robin is

1:14:24beautiful at the time not the

1:14:26weird-looking one but somehow like the

1:14:29Charmed in the light one so super

1:14:31beautiful

1:14:32he's singing the really high parts he's

1:14:35actually standing there with no

1:14:36instrument one finger in his very

1:14:38naturally had a as the three of them go

1:14:41the lower voice he was like the not fair

1:14:43to me but he had the lower voice your

1:14:45blower of the three and cracking cells

1:14:47yeah and then buries actually playing

1:14:49the guitar rhythm guitar he's actually

1:14:50setting the whole tone and Maurice is

1:14:53playing a very funky bassline Wow and

1:14:57also singing like the third part and so

1:14:59you walk away from me going ok that's

1:15:01really good songwriting first of all

1:15:03nights on Broadway is a good song

1:15:05great i'm just sitting here purple link

1:15:07so i have watched them do this the

1:15:08midnight special nights on Broadway 1975

1:15:11so i have watched this before

1:15:12yeah and well I suggest you watch again

1:15:15and uh and also they're just a great

1:15:17band like there's no there's nobody on

1:15:19stage with them that doesn't need to be

1:15:21there and there and it's a function so

1:15:25yeah there's a lot I mean I spent a lot

1:15:27of time down those rabbit holes because

1:15:29I'm always intrigued because you go to a

1:15:30show now and everybody's running tracks

1:15:33and everybody's hiding behind a lot of a

1:15:38lot of different sort of screams of

1:15:42production and the only people that

1:15:44aren't really are playing you know like

1:15:48cut very consciously playing strip down

1:15:52rock and roll right like it's not like

1:15:54the white stripes ever ran tracks i

1:15:56don't think

1:15:58but that was their things just like

1:15:59here's our parts around and also to also

1:16:02to keep in mind I'm thinking now of that

1:16:06Ron Howard did that Beatles days a week

1:16:09things on hulu recently it was actually

1:16:11very depressing to watch so depressing

1:16:14because it's just basically about the

1:16:16sad period of the Beatles were they

1:16:17suddenly became unexpectedly popular

1:16:19they all became very unhappy and their

1:16:20live shows

1:16:21I had no idea what I'm you know you

1:16:23always hear about all their drowned out

1:16:24of Shea Stadium what a shitshow what a

1:16:26dangerous dangerous every one of these

1:16:28events people were getting hurt like it

1:16:30was really really bad but like they had

1:16:33to go and be gamers there's they could

1:16:35not hear themselves and i mean the the

1:16:36conventional wisdom about cream in

1:16:38particular what cream was the first band

1:16:40like figured out how to really get the

1:16:41PA thing right but even going into the

1:16:43seventies eighties you could not count

1:16:45on hearing yourself on a monitor

1:16:46there's a who you know they think I

1:16:48think a marshal whatever it was name of

1:16:52Bill Marshall bob marshall i remember

1:16:54his name but I'm but I'm not remembering

1:16:56Marshall Marshall amplifier Marshall

1:16:57yeah Tony Marshall Oh Tony marshal of

1:16:59course english models

1:17:01yeah from the from the marshal Marshall

1:17:02Marshall Burdine but yeah that's right a

1:17:05marshal Bubba patois Marshall yeah I'll

1:17:09take some pain my uh so Marshall became

1:17:14I I think Marshall Johnson's that's I

1:17:17think the who went to him and said

1:17:19listen we need bigger amplifiers and he

1:17:22built the first hundred one amplifier

1:17:24for the who just because they said that

1:17:28we you know we're supporting wasn't

1:17:30Peter I want man

1:17:31yeah well uh i wad I think he started

1:17:35using hi wats little moo maybe later

1:17:38maybe earlier but Marshall Marshall

1:17:40definitely i may be getting this wrong

1:17:43but I'm nobody was just and I'm thinking

1:17:45in particular like you could play loud

1:17:48but it was very difficult for it to be

1:17:50clear i'm more into the late sixties

1:17:53this is what i don't understand because

1:17:54if you watch those beetles those early

1:17:56Beatles things there are no monitors now

1:17:59the whole thought technology of just

1:18:01turning an amp 10 days like an

1:18:03underground stone room like you look at

1:18:06the cavern club and it's basically a

1:18:08cave

1:18:08they're playing and imagine that the

1:18:10acoustics of that room

1:18:11well but I mean that's just the thing

1:18:13where you set your shit up so that you

1:18:16can hear yourself but Shea Stadium where

1:18:18you're playing and the only feedback

1:18:20you're getting is from the sound of the

1:18:23main PA or the sound of like I think

1:18:25them i think the music that was heard by

1:18:28the people in Upper shea stadium was

1:18:30coming through the announcers this

1:18:32planet is sort of like your situation

1:18:34opening the mall where like a monitor

1:18:36that's your hearing in adelaide way is

1:18:39way worse than no monitor at all

1:18:40thousand times worse said that I told

1:18:42you didn't I about Jonathan Colton's

1:18:44first time he played at pax here in

1:18:47seattle where for whatever reason

1:18:50apparently people giving keynote

1:18:52speeches or video game speeches I don't

1:18:56want to dive into that morass who up but

1:18:59don't look that up on your YouTube but

1:19:01it's it's for I don't know why but I've

1:19:04seen this subsequently but there are

1:19:06video monitors at the foot of the stage

1:19:09projecting back-to-back unto you

1:19:13your own performance I don't know if I'd

1:19:16like that at all

1:19:17I've seen this now multiple times well

1:19:19so Colton playing the show had these

1:19:22giant video video monitors at the foot

1:19:24of the stage playing back his own

1:19:26performance with a one-second delay so

1:19:30so he's not not sound but just visual

1:19:34and he's up there like hey here's my

1:19:36zombie song and and he's eq cannot watch

1:19:40it right it's right at your feet and

1:19:41it's like any television that's on your

1:19:43gonna watch because it's you know you

1:19:45know what it is LOL yeah i mean if it's

1:19:47visible yeah yeah it's the it's the drug

1:19:50of the of the youth right i mean

1:19:51television is the electronic little

1:19:53skill scott-heron sure television drug

1:19:56the nation so he huh

1:19:58television yeah television television

1:20:04television

1:20:06I'm not going to Arizona talking the

1:20:08nation so iCarly sun city and that was

1:20:11that I think that was before Colton felt

1:20:13like he had enough a a onstage time to

1:20:18demand what he wanted

1:20:20yeah sure so he was like kind of how he

1:20:22rolls it's not how he rolls but he could

1:20:24have said hey can you turn these off and

1:20:26it would have been super gentle and they

1:20:27would have turned them off right or he

1:20:29could have gotten down as I would have

1:20:31done and just unplug them without asking

1:20:32anybody but you have to think of that

1:20:35and I think they had to they had to

1:20:38think of monitors it wasn't obvious but

1:20:42when we were first starting out when I

1:20:43was first starting out as a band and we

1:20:45would show up at a thing and our amps

1:20:47were too big because we were we were

1:20:49coming from that school like well you

1:20:51need a full stack I mean we're playing

1:20:53for a flame 425 people whom we

1:20:55definitely need eight speakers /

1:20:58musician powered by a hundred and

1:21:00twenty-one amplifiers or your bass amp

1:21:02three hundred waters your friend noise

1:21:04my monitor

1:21:05yeah how is there a way that we can

1:21:07increase the like excruciating high-end

1:21:10like a little razor sharp i and my

1:21:13guitar maybe I got to mesa boogie triple

1:21:16rectifiers and took all of the you know

1:21:20just just posted the mids and highs and

1:21:23took all the base and all just you know

1:21:24just made my made the graphic EQ just a

1:21:28straight 45-degree angle up that's

1:21:31that's a good luck

1:21:32now that's nice let's get the next part

1:21:33right it's like it's on a nice selection

1:21:36yeah it would be like that scene in

1:21:38there in the tom cruise movie a risky

1:21:41business where he slams all the eq

1:21:44straight up right

1:21:45the parametric equations exercise a lot

1:21:48of people crazy to watch it seemed like

1:21:49that yeah that seems really cool but

1:21:50instead of doing that just post the

1:21:52highs and just lower them the lows my

1:21:54mom when she took over when she took

1:21:56over listening to metal in our house

1:21:58when she took over the baton was passed

1:22:00your mom yeah she took over listening to

1:22:02metal in such a way that it was no

1:22:04longer possible for me to listen to

1:22:05metal because i'm not going to be down

1:22:06in my room listening to metal why my mom

1:22:08is listening technically to better metal

1:22:11on a better stereo in her own room

1:22:12laissez-faire that just feels like what

1:22:14what are you this is you are robbing me

1:22:17of my childhood but she didn't care and

1:22:20she had an EQ on her own stereo which I

1:22:23did not have online

1:22:24and she just boosted the base and took

1:22:27everything I mean every frequency that

1:22:31she could above 4k I want five seasons

1:22:34of a network show up on your mom she's

1:22:36just you just put it all down so you

1:22:38hear from her room why would Real Black

1:22:41Sabbath room forever and then 0 0 0 just

1:22:44barely like faintest faintest robert

1:22:47plant that you could imagine

1:22:48uh-huh you like a homeopathic doses per

1:22:52click

1:22:57she's just like how can i get that

1:23:00annoying sound out of my speaker so uh

1:23:04what I what I learned early on was that

1:23:07we just carried an extra amp which was

1:23:10like a pv bass amp amp that none of us

1:23:14really wanted one of those amps that's

1:23:16just hanging around your practice studio

1:23:18they're like where's that damn come from

1:23:20and at first if you ask that question

1:23:23early enough like somebody in your

1:23:26organization will say oh that's that pv

1:23:28bass amp that is that I got from my

1:23:30older brother or my brother's friend and

1:23:33I just needed a place to store because

1:23:35I'd forgotten amp right but if you ask

1:23:38that question after it's been there for

1:23:39six months it was what's the story with

1:23:41this amp it's already too late let the

1:23:43memory how it got here some ring exactly

1:23:46but so we took one of those amps to

1:23:49every show and if the PA was not capable

1:23:53of giving you monitor back you just take

1:23:55a quarter inch out and stick it into the

1:23:58front of this even happen mostly vocals

1:24:00yeah and you just put all the vocals and

1:24:03then you set it down on the basically on

1:24:06the floor in front of you with a

1:24:07cinderblock propping it up there's your

1:24:09there's your vocals

1:24:11I mean it and we never played a room and

1:24:13we were loud we were so much louder than

1:24:15you need to be never played a room where

1:24:17you couldn't hear your vocals if you had

1:24:19a pv base and pointed at your face so I

1:24:23don't understand how that wasn't a

1:24:26technology that was available if you if

1:24:27you took an early tweed fender twin and

1:24:31put it at the feet of John lemon and ran

1:24:33a quarter inch into it with his vocals

1:24:36in

1:24:36a really good question that's a very

1:24:38good question i I'm gonna guess knowing

1:24:40nothing about this i'm gonna guess it

1:24:41has something to do with feedback

1:24:43well yeah but you can control that too i

1:24:46mean even with the technology that they

1:24:48had at the time they would have been

1:24:50able to at least give him some

1:24:52augmentation and at Shea Stadium

1:24:56I mean they're playing through AC

1:24:59thirties I mean you couldn't hear that

1:25:01amp in the first row of it so that had

1:25:04the only thing that people in the stands

1:25:06were hearing was mic'd instruments so

1:25:09their amps actually didn't need to be

1:25:11that loud they are there onstage volume

1:25:13could have been very manageable it

1:25:15would've been if you had just taken some

1:25:18amps and put them at their feet and I

1:25:21just think it was a thing hadn't

1:25:22occurred to them

1:25:23wait maybe maybe we had to you know John

1:25:26Vanderslice hadn't come along would have

1:25:27had to invent him that's a man who knows

1:25:30how to set up a room we did invent John

1:25:32pants is that right that that

1:25:33responsibility is on us we we bear that

1:25:36we bear the cost heavy hangs the eating

1:25:39thing has me in a room and his shows I

1:25:40school with the hottest shows i was just

1:25:42always so amazed with how it sounded it

1:25:46wasn't gonna put this is just exquisite

1:25:49it wasn't too loud you can hear every

1:25:50single note like he really knew like

1:25:52this particular Club this is how to set

1:25:54it up for this room and I wish that

1:25:56everybody had like a John Vanderslice in

1:25:58their life to like make make it sound

1:26:01right for the room and I know that's

1:26:02different for every band but i think he

1:26:04given what he did and they like how how

1:26:06much you value d exquisite subtle sounds

1:26:09and what he was making you know what I

1:26:11mean

1:26:11oh I do because yes I've been on tour

1:26:14with him and also on tour with a lot of

1:26:17other people can spot your trailer

1:26:18included

1:26:19that's right including people know this

1:26:22is strange his trailer he would kill

1:26:25trailer he is just trying to weasel out

1:26:29of paying me the money that I was

1:26:31overdriving to go back to that sometime

1:26:34that was I think we talked about this

1:26:35but all poor sean i'm not sure did we

1:26:37talk about it

1:26:38oh no I'm pretty sure we did because

1:26:43that's that's got to be up there with

1:26:44the north face story

1:26:45oh boy i know that we've talked about it

1:26:48thousand times I just don't know I just

1:26:50didn't know that he's ready to see a

1:26:51side of you that I had not seen I was

1:26:53not ready to see that side of him that I

1:26:55had not seen well sure and I mean I

1:26:57think at the time there was quite a

1:26:59pounding from the from the audience

1:27:01which was what they were five of us

1:27:04there in this abandoned parking lot like

1:27:06Michael Sean that's right now they're

1:27:08forcin you and Madeline was there too

1:27:11yeah

1:27:11oh man was there to do ya and

1:27:13vanderslice and I going back and forth

1:27:15like well i guess i'm going to take this

1:27:16trailer and I'm gonna just drive it into

1:27:17the ocean eyeball-to-eyeball anybody's

1:27:20it was it was barely civil well in

1:27:24what's crazy is he promised me stop to

1:27:26get out of that negotiation that he's

1:27:28been removed on later but I'm not here

1:27:30to talk and hear settle scores let's

1:27:32just say time travel is lonely I think

1:27:34we can all agree on time travel you know

1:27:36vanderslice that was the first time I

1:27:38ever saw a live show where someone was

1:27:41playing tracks it was uh yeah well he

1:27:46made the decision feeling blue billions

1:27:48of the pool while

1:27:50yeah he had that stuff running through

1:27:51the PA and I had never seen it before

1:27:53and you know he wasn't he was an early

1:27:55adopter vanderslice was always an early

1:27:58adopter not just of technology and sound

1:28:01but also you remember his drummer that

1:28:03did the Rising Sun symbol changes you

1:28:08saw those shows right i don't remember

1:28:09that where he hired a drummer from

1:28:11somewhere who was one of those you

1:28:13you've seen the youtube video of the

1:28:15drummer that's in the wrong band you

1:28:19know everything that no google a drummer

1:28:23in the wrong the wrong band

1:28:25let's not do this drummer is at the

1:28:27wrong gig

1:28:28alright yeah drama the wrong gig and

1:28:30better slice hired a drummer at the

1:28:32wrong gig style drummer who first of all

1:28:36how does the whole like playing sharp

1:28:40dressed man yeah

1:28:41oh my god this is fantastic it's ok

1:28:46sorry this is so good opener flies had a

1:28:49guy like this who was a fantastic

1:28:50drummer would be wasn't like a jokey jon

1:28:53wurster throw it in for a little bit of

1:28:55fun this guy was full-on like spin spin

1:28:57the sticks kind of guy

1:28:58this was his show I is dry

1:29:01it was set up in the center of the stage

1:29:03and vanderslice was maybe sitting in a

1:29:06chair on the side of the thing maybe not

1:29:08even in the light and he would do this

1:29:11so he's playing just big big big

1:29:13theatrical drum show and he would change

1:29:20his cymbals midsole he would be playing

1:29:25change his symbols like because he

1:29:28needed to was like breaking a string

1:29:30this was part of the bit

1:29:31yeah he he decided in his interpretation

1:29:35of the music that a certain point in the

1:29:37song he needed a different symbol then

1:29:39he could have never heard of I've never

1:29:40heard that before

1:29:41well because you never will again

1:29:42because it's it's crazy but he would

1:29:45take his symbol off the symbols and now

1:29:48the song is going on and he oh he's

1:29:51continuing to play the drums he would

1:29:55take his symbol off the symbols and

1:29:57unscrew it take it off and then hold it

1:30:00over his head in a in a gesture of the

1:30:06Sun rises in the East reaches its apex

1:30:10and sets in the west like he would hold

1:30:15the symbols as if there's some kind of a

1:30:17movement or dance component absolutely a

1:30:20dance component the Sun would rise in

1:30:21the east set in the West this is all in

1:30:23time with the music he's a great

1:30:25musician and then another symbol would

1:30:28come out of the cymbal bag it would rise

1:30:31in the West my goodness and set in the

1:30:35east upon the cymbal stand where it

1:30:38would then be screwed down and played

1:30:39all this happening in the middle in the

1:30:43middle of time travel is love the 22 so

1:30:52very impressive work but also mean the

1:30:55first time I saw John Vanderslice he had

1:30:56a Chapman Stick player in the hall

1:30:58yes yes yes uh-huh early iteration of

1:31:01his band had a Chapman Stick player who

1:31:03English a trend behind who made Chapman

1:31:06Stick face down everson guitar that's 10

1:31:09times worse than guitar face you ever

1:31:11googled Chapman Stick faith

1:31:13if you use the internet different

1:31:15spelling right now go get six total tony

1:31:21levin is the only person I can think of

1:31:23when I think of a Chapman Stick iik

1:31:26chapman and tony levin is a professional

1:31:29enough musician that he doesn't really

1:31:30make Chapman Stick face not like

1:31:31somebody could he could he could he

1:31:34could do he he has enough bandwidth he

1:31:36could play to chapman sticks and make

1:31:37travels doing amazing god oh my gosh

1:31:41but we do use the internet in different

1:31:42ways and you know people often write a

1:31:44right little tweets to you and me even

1:31:46email sometimes sure where they say John

1:31:49Robert does not know about technology

1:31:51well or they speculate they speculate

1:31:55whether or not i dunno about technology

1:31:58and pretending not to or I just don't

1:32:01know about technology and don't know

1:32:03that I don't know

1:32:04oh that's right they got one person

1:32:05brought the dunning-kruger effect which

1:32:07I know kind of group right and what they

1:32:09don't realize is that i use the internet

1:32:11all the time to look up chat Chapman

1:32:13Stick face and I doubt that they're

1:32:15using internet that way so who knows how

1:32:17do you just sent me a music video that

1:32:19over 30 million people have seen that

1:32:21never seen or heard anything and I

1:32:24battle got more hits than David pumpkins

1:32:26you know drummer who's you know the

1:32:28wrong band watch David pumpkins have you

1:32:30seen that David pumpkins I never saw i

1:32:33missed our animals writing capybaras so

1:32:35that's true yeah you know again we got

1:32:37some nice feedback from people about the

1:32:39capybaras I think we helped a lot of

1:32:40people with that

1:32:41yeah I think we do every episode i think

1:32:43we we are definitely a harbinger for the

1:32:44future here just bringing up this whole

1:32:46issue I mean you've heard a little bit

1:32:47of a chatter about comfort animals but I

1:32:51i think we have really elevated level

1:32:54discussion about this

1:32:55well sure it's it's easy to it's easy to

1:32:58say it's easy to sit with a t-shirt

1:32:59cannon

1:33:00yeah about comfort animals but when you

1:33:02realize comfort animals are the future

1:33:04of civilization now where are you now

1:33:06which internet are you now which and

1:33:08which in turn am I on yeah right which--

1:33:11that's it that's a question we don't ask

1:33:12ourselves enough now which what which

1:33:14internet is my internet there's

1:33:16different internets yeah don't don't

1:33:17think that your internet is the same

1:33:19internet is somebody else's internet

1:33:20even somebody sitting in the same room

1:33:22as you thought about badlipreading you

1:33:23seen this too much you've seen

1:33:27you've seen Santana jams oh yeah okay

1:33:30I've seen those I've seen those what

1:33:32about trying to think of some other ones

1:33:34out what about that the hamsters are

1:33:37eating tiny food have you seen that

1:33:39hmm i think you know hamsters eating

1:33:41tiny food is just like spending a

1:33:43weekend with a man look at the burrito