The Incomparable

00:00:00 ◼   ► it's not brain science its rocket [TS]

00:00:02 ◼   ► surgery this is johnny mnemonic [TS]

00:00:08 ◼   ► [Music] [TS]

00:00:10 ◼   ► the entire terminal number 300 well [TS]

00:00:14 ◼   ► August 2016 welcome back everybody to be [TS]

00:00:20 ◼   ► uncomfortable rocket surgery edition [TS]

00:00:22 ◼   ► where we look at a questionable film [TS]

00:00:25 ◼   ► from a recent or past decade and discuss [TS]

00:00:29 ◼   ► its mid-nineties the nineties is now in [TS]

00:00:32 ◼   ► our in our sites we revisit the 2010s [TS]

00:00:34 ◼   ► with kool Kat and now it's the nineties [TS]

00:00:36 ◼   ► and johnny mnemonic from a height of [TS]

00:00:39 ◼   ► cyberpunk mania ok from several years [TS]

00:00:42 ◼   ► after the heights but a cyberpunk baby [TS]

00:00:44 ◼   ► comes [TS]

00:00:46 ◼   ► Keanu Reeves in a film based on a short [TS]

00:00:50 ◼   ► story by William Gibson Gibson also [TS]

00:00:52 ◼   ► credited with the screenplay for a [TS]

00:00:55 ◼   ► screenwriter he's a very fine novelist [TS]

00:00:57 ◼   ► so joining me to talk about Johnny [TS]

00:01:01 ◼   ► mnemonic are three brave people David [TS]

00:01:05 ◼   ► lure hello i just want to say I saw a [TS]

00:01:07 ◼   ► cool cat twice twice this is not about [TS]

00:01:11 ◼   ► cool cat [TS]

00:01:12 ◼   ► dammit are all your comments gonna be [TS]

00:01:15 ◼   ► about the cat instead of da day he is [TS]

00:01:19 ◼   ► Joe rosenstiel is here Joe I have faxed [TS]

00:01:22 ◼   ► information to you so it's in the facts [TS]

00:01:25 ◼   ► / look for it no tax but i'll check the [TS]

00:01:27 ◼   ► three anime images that i have and [TS]

00:01:30 ◼   ► compared against the 16 gigabytes I have [TS]

00:01:33 ◼   ► stored in the data doubler inside my [TS]

00:01:34 ◼   ► brain [TS]

00:01:35 ◼   ► okay well done and also uh hey Baldy its [TS]

00:01:40 ◼   ► mahdi actually because of when I was [TS]

00:01:43 ◼   ► born just the mention of Yakuza and [TS]

00:01:45 ◼   ► black ice makes things sound cool [TS]

00:01:48 ◼   ► yeah it's true it's true though study [TS]

00:01:50 ◼   ► those the tropes that our work here in [TS]

00:01:53 ◼   ► Johnny mnemonic so yeah I will give us [TS]

00:01:56 ◼   ► the road short story called Johnny [TS]

00:01:57 ◼   ► mnemonic i remember reading it was in [TS]

00:01:59 ◼   ► his burning chrome collection and then [TS]

00:02:03 ◼   ► they decided not to make a movie of [TS]

00:02:06 ◼   ► neuromancer his groundbreaking and [TS]

00:02:07 ◼   ► famous famous novel which the rights [TS]

00:02:10 ◼   ► were sold to somebody else and they [TS]

00:02:12 ◼   ► never made a movie over it but uh but [TS]

00:02:14 ◼   ► instead [TS]

00:02:15 ◼   ► somebody said oh but we have the rights [TS]

00:02:17 ◼   ► to this other thing called Johnny [TS]

00:02:18 ◼   ► mnemonic we could make a movie of that [TS]

00:02:19 ◼   ► and they hired robert longo to direct it [TS]

00:02:23 ◼   ► robert longo a painter and sculptor not [TS]

00:02:25 ◼   ► a director but what hey what the heck [TS]

00:02:28 ◼   ► and cass Keanu Reeves four years before [TS]

00:02:32 ◼   ► the matrix a very this is like the movie [TS]

00:02:34 ◼   ► The Matrix it's like that all the wrong [TS]

00:02:36 ◼   ► and it makes you realize what a magical [TS]

00:02:39 ◼   ► miracle the matrix is so yeah whats it's [TS]

00:02:43 ◼   ► not even that they hired him apparently [TS]

00:02:44 ◼   ► he and Gibson got together [TS]

00:02:47 ◼   ► well yeah and then they couldn't find [TS]

00:02:48 ◼   ► enough money so they got somehow 30 [TS]

00:02:51 ◼   ► times the money which is bizarre [TS]

00:02:53 ◼   ► they wanted to make a weird [TS]

00:02:54 ◼   ► one-million-dollar art film based on [TS]

00:02:56 ◼   ► Johnny mnemonic and instead they [TS]

00:02:58 ◼   ► couldn't get funding for that but they [TS]

00:02:59 ◼   ► could get what is it uh tristar to put [TS]

00:03:03 ◼   ► in like 30 million sure this is why [TS]

00:03:09 ◼   ► tristar doesn't exist or didn't exist in [TS]

00:03:11 ◼   ► a they no longer use it very often [TS]

00:03:14 ◼   ► most of the time but it's part of sony [TS]

00:03:16 ◼   ► pictures entertainment so it's all that [TS]

00:03:18 ◼   ► money they had in the nineties right [TS]

00:03:19 ◼   ► after they set up the studio and boy [TS]

00:03:22 ◼   ► what a what a total waste of other [TS]

00:03:25 ◼   ► movies that we've seen on on the rocket [TS]

00:03:27 ◼   ► surgery I have to say it is the most [TS]

00:03:29 ◼   ► like super mario brothers from two years [TS]

00:03:31 ◼   ► before there's something about those bad [TS]

00:03:33 ◼   ► movies from the nineties something about [TS]

00:03:36 ◼   ► its it's not quite as well lit while the [TS]

00:03:38 ◼   ► other so the other way think so i think [TS]

00:03:40 ◼   ► is the max headroom connection that [TS]

00:03:41 ◼   ► Super Mario Brothers was by the [TS]

00:03:43 ◼   ► directors of the original max headroom [TS]

00:03:44 ◼   ► TV movie from the UK and they brought [TS]

00:03:47 ◼   ► some of the perhaps even literally the [TS]

00:03:50 ◼   ► sets from Max Headroom into into super [TS]

00:03:54 ◼   ► mario brothers John mnemonic also [TS]

00:03:56 ◼   ► reminds me of Max Headroom because Mad [TS]

00:03:58 ◼   ► Max Headroom was one of the better [TS]

00:03:59 ◼   ► realize sort of cyberpunk visions it you [TS]

00:04:03 ◼   ► know and and the sad thing about Johnny [TS]

00:04:05 ◼   ► mnemonic is it was it's a major motion [TS]

00:04:07 ◼   ► picture made almost ten years after the [TS]

00:04:11 ◼   ► 30 million made almost ten years after [TS]

00:04:13 ◼   ► max headroom was was done on television [TS]

00:04:15 ◼   ► and I it is not does not look better in [TS]

00:04:20 ◼   ► basically anyway max headroom understood [TS]

00:04:23 ◼   ► that the way to make something look cool [TS]

00:04:25 ◼   ► and computer-generated was to make a [TS]

00:04:28 ◼   ► background and then put rubber hair on a [TS]

00:04:30 ◼   ► person who would act weird you know [TS]

00:04:32 ◼   ► well yeah but but even even just the the [TS]

00:04:35 ◼   ► hello world of it does not look as [TS]

00:04:37 ◼   ► futuristic or I mean it's just it looks [TS]

00:04:40 ◼   ► like they're driving through newark yeah [TS]

00:04:42 ◼   ► we would be greater than actually shot [TS]

00:04:44 ◼   ► in newark they didn't have to do that [TS]

00:04:46 ◼   ► and then apply canada at one point that [TS]

00:04:48 ◼   ► says free city of newark and you think [TS]

00:04:50 ◼   ► oh here comes the futuristic dystopian [TS]

00:04:51 ◼   ► new work they're going to make fun of [TS]

00:04:53 ◼   ► New Jersey and it really really just [TS]

00:04:55 ◼   ► kinda looks like a city [TS]

00:04:56 ◼   ► it looks like present a dystopian newark [TS]

00:04:58 ◼   ► know the difference is and my maximum [TS]

00:05:00 ◼   ► taught me this is if there is our fires [TS]

00:05:02 ◼   ► going on in trash barrels and it's a [TS]

00:05:05 ◼   ► dystopian future and boy they got that [TS]

00:05:07 ◼   ► they got him inside to which everybody [TS]

00:05:09 ◼   ► would die of the smoke by the way for [TS]

00:05:11 ◼   ► that but it doesn't matter somehow it's [TS]

00:05:12 ◼   ► all good inside so I sure should i [TS]

00:05:16 ◼   ► should i summarize the plot as we go as [TS]

00:05:19 ◼   ► we do [TS]

00:05:20 ◼   ► does that sound like I think I should do [TS]

00:05:21 ◼   ► now is is there enough plot to summarize [TS]

00:05:24 ◼   ► we can spend about 20 minutes making [TS]

00:05:25 ◼   ► final the opening crawl and then we went [TS]

00:05:27 ◼   ► through the rest of the movie the [TS]

00:05:29 ◼   ► opening crawl is pretty much all you [TS]

00:05:31 ◼   ► need like we were watching it and the [TS]

00:05:34 ◼   ► fourteen-year-old goes there's a movie [TS]

00:05:36 ◼   ► after that that's the story there's a [TS]

00:05:38 ◼   ► lot of words it takes forever [TS]

00:05:41 ◼   ► it's it's really ugly its garish it's [TS]

00:05:44 ◼   ► like it's daring you to read it and then [TS]

00:05:47 ◼   ► at that point I'm still optimistic I'm [TS]

00:05:48 ◼   ► like oh this is the movie version of the [TS]

00:05:51 ◼   ► magazine mando 2000 except without the [TS]

00:05:54 ◼   ► coherence there's too much text in [TS]

00:05:57 ◼   ► general and it's also too much text to [TS]

00:05:58 ◼   ► use that font and it's also too much [TS]

00:06:00 ◼   ► text to use God raised that's shoot out [TS]

00:06:03 ◼   ► from the middle of the screen as the [TS]

00:06:05 ◼   ► text scrolls up through it I really [TS]

00:06:06 ◼   ► quickly I can't imagine how excited the [TS]

00:06:11 ◼   ► intern was when he was given the task to [TS]

00:06:13 ◼   ► do this and how excited the director was [TS]

00:06:16 ◼   ► when you saw how cool and it was in [TS]

00:06:18 ◼   ► dailies but in the film this is a bad [TS]

00:06:21 ◼   ► idea [TS]

00:06:21 ◼   ► yeah we bought an amiga use every button [TS]

00:06:24 ◼   ► on it [TS]

00:06:25 ◼   ► yea crowd tells us a lot about this [TS]

00:06:28 ◼   ► world that we're in I guess there's [TS]

00:06:30 ◼   ► nerve attenuation syndrome which is a [TS]

00:06:32 ◼   ► terrible disease that people seem to [TS]

00:06:35 ◼   ► have there are ppl code below techs who [TS]

00:06:38 ◼   ► are apparently red rebels against the [TS]

00:06:42 ◼   ► corporations that rule world in the year [TS]

00:06:45 ◼   ► in the far-off future of 20 21 by the [TS]

00:06:48 ◼   ► way [TS]

00:06:48 ◼   ► yeah it's also a capital L lowercase o [TS]

00:06:51 ◼   ► capital t e KS yeah so you know just [TS]

00:06:55 ◼   ► just just to really make it like Future [TS]

00:06:57 ◼   ► II can't be low-tech people it's gonna [TS]

00:06:59 ◼   ► be low tex yes [TS]

00:07:01 ◼   ► oh yeah oh yeah and again I'm just [TS]

00:07:04 ◼   ► saying this is 25 years in the future [TS]

00:07:05 ◼   ► from when they from when they made it [TS]

00:07:07 ◼   ► and that was a really bad 25 years i [TS]

00:07:11 ◼   ► guess that that now there's just flames [TS]

00:07:14 ◼   ► and in oil barrels everywhere in the in [TS]

00:07:17 ◼   ► the city anyway so after the kraal which [TS]

00:07:20 ◼   ► is big and looks awful [TS]

00:07:23 ◼   ► we are taken to the internet 21 there's [TS]

00:07:29 ◼   ► a considerable lon Moore man [TS]

00:07:31 ◼   ► uh-huh I can accept that as good as [TS]

00:07:33 ◼   ► lawnmower man even though this was made [TS]

00:07:35 ◼   ► earlier I wrote down it looks like an [TS]

00:07:37 ◼   ► episode of reboot the saturday morning [TS]

00:07:40 ◼   ► cgi cartoon we fly through the internet [TS]

00:07:44 ◼   ► and end up through this really kind of [TS]

00:07:47 ◼   ► dumps 3d stuff we end up in the new [TS]

00:07:52 ◼   ► darwin in where Johnny mnemonic well [TS]

00:07:55 ◼   ► johnny is his name he wakes up he's got [TS]

00:07:58 ◼   ► there's a girl there she's wearing a [TS]

00:07:59 ◼   ► nightgown [TS]

00:08:00 ◼   ► she says I gotta go get some ice there's [TS]

00:08:02 ◼   ► already ice in the room she doesn't come [TS]

00:08:04 ◼   ► back so that's that's our welcome to [TS]

00:08:08 ◼   ► johnny is he's I don't know he's getting [TS]

00:08:13 ◼   ► dumped [TS]

00:08:14 ◼   ► he's getting dumped by the girl from [TS]

00:08:17 ◼   ► last night who knows a girl from five [TS]

00:08:20 ◼   ► minutes ago I and I'd quite frankly [TS]

00:08:24 ◼   ► don't know he won't remember her five [TS]

00:08:26 ◼   ► minutes from now they do not go out of [TS]

00:08:27 ◼   ► their way to establish anything about [TS]

00:08:29 ◼   ► Johnny's personality your tastes [TS]

00:08:31 ◼   ► now what so it comes really out of [TS]

00:08:33 ◼   ► nowhere when late in the movie has a [TS]

00:08:35 ◼   ► breakdown set and apparently he likes [TS]

00:08:36 ◼   ► room service and luxury [TS]

00:08:38 ◼   ► yeah it was done with that now yeah [TS]

00:08:40 ◼   ► other at this point so that then we've [TS]

00:08:43 ◼   ► got this so we've got we had the 3d [TS]

00:08:45 ◼   ► fly-through and we've got establishing [TS]

00:08:47 ◼   ► shots that he's in this hotel and I was [TS]

00:08:50 ◼   ► already in despair about this movie when [TS]

00:08:52 ◼   ► we get to this point to the point where [TS]

00:08:54 ◼   ► i wrote down in my notes like six lines [TS]

00:08:56 ◼   ► down so early i wrote I take back [TS]

00:08:59 ◼   ► everything bad i ever said about blade [TS]

00:09:01 ◼   ► runner haha [TS]

00:09:02 ◼   ► this is the point in the movie where I [TS]

00:09:03 ◼   ► think boy they really want to be Blade [TS]

00:09:07 ◼   ► Runner and they are not even like not [TS]

00:09:09 ◼   ► even close to being blade runner yeah [TS]

00:09:11 ◼   ► this is like a bunch of high school kids [TS]

00:09:12 ◼   ► in 1989 making a a school project [TS]

00:09:16 ◼   ► version of blade runner except i think [TS]

00:09:18 ◼   ► that would turn out better too [TS]

00:09:19 ◼   ► yeah I like that the USA Network's when [TS]

00:09:22 ◼   ► they would they used to have those those [TS]

00:09:23 ◼   ► late-night syfy things that they would [TS]

00:09:25 ◼   ► make in Canada is almost eerily eerily [TS]

00:09:28 ◼   ► similar to this [TS]

00:09:29 ◼   ► yeah it's probably the same people [TS]

00:09:31 ◼   ► working on it sort of the skill level of [TS]

00:09:32 ◼   ► alien from LA [TS]

00:09:34 ◼   ► yeah the for the NXT fans the kathy [TS]

00:09:37 ◼   ► ireland faces so the story is that that [TS]

00:09:39 ◼   ► Johnny is a neuro courier and he stores [TS]

00:09:42 ◼   ► data in his head through an implant but [TS]

00:09:44 ◼   ► in order to get it installed he had to [TS]

00:09:46 ◼   ► lose some of his memories so he wants to [TS]

00:09:48 ◼   ► get his memories back he tells his [TS]

00:09:50 ◼   ► broker or buddy or whatever he is that [TS]

00:09:52 ◼   ► he wants is he wants it all back but he [TS]

00:09:55 ◼   ► doesn't have enough money to do with the [TS]

00:09:56 ◼   ► price got raised so he has to have one [TS]

00:09:58 ◼   ► more job do one more run and then he'll [TS]

00:10:02 ◼   ► be he'll have enough to get the implants [TS]

00:10:03 ◼   ► taken out and he can retire because [TS]

00:10:05 ◼   ► that's totally what happens in movies [TS]

00:10:07 ◼   ► I mean it's a very unique plot and I [TS]

00:10:10 ◼   ► certainly haven't heard of anything like [TS]

00:10:11 ◼   ► this with something trying to get out of [TS]

00:10:13 ◼   ► this sort of situation but it but you [TS]

00:10:17 ◼   ► know Ralphie's played by you know that [TS]

00:10:19 ◼   ► guy who's in that stuff you know it's it [TS]

00:10:21 ◼   ► can't even say mutoko here [TS]

00:10:24 ◼   ► yeah he's it is it a ton of things so [TS]

00:10:27 ◼   ► immediately recognizes 08 hey it's that [TS]

00:10:29 ◼   ► guy [TS]

00:10:30 ◼   ► yeah I don't trust him that's a no Kier [TS]

00:10:32 ◼   ► maybe it's one of those things where if [TS]

00:10:36 ◼   ► we were supposed to on any level at all [TS]

00:10:38 ◼   ► trust this person then I don't think the [TS]

00:10:40 ◼   ► casting was it was a good choice or the [TS]

00:10:42 ◼   ► the weird sort of like a breathy way of [TS]

00:10:45 ◼   ► communicating nearly everything in a [TS]

00:10:48 ◼   ► smoke-filled a video escape to Johnny [TS]

00:10:52 ◼   ► this is sort of like yes this guy's [TS]

00:10:54 ◼   ► totally going to screw you over and you [TS]

00:10:56 ◼   ► were going to be in trouble so to [TS]

00:10:58 ◼   ► totally have faith in him so I Ralphie [TS]

00:11:03 ◼   ► tells him that there's a new job and [TS]

00:11:05 ◼   ► this is what he's going to do he needs [TS]

00:11:06 ◼   ► to go to central Beijing tomorrow night [TS]

00:11:09 ◼   ► don't don't be late got all the [TS]

00:11:12 ◼   ► information is good [TS]

00:11:13 ◼   ► central Beijing very small in Beijing [TS]

00:11:15 ◼   ► not that big a town really and the [TS]

00:11:17 ◼   ► central part is really just like you [TS]

00:11:18 ◼   ► just hang around central Beijing and uh [TS]

00:11:22 ◼   ► it'll all be fine [TS]

00:11:24 ◼   ► yes it's like what may remain in central [TS]

00:11:26 ◼   ► if it's the corner [TS]

00:11:28 ◼   ► yeah the first street know how expensive [TS]

00:11:30 ◼   ► this whole system is to operate where [TS]

00:11:32 ◼   ► you have to start by flying somebody [TS]

00:11:34 ◼   ► that China it's not very pressure so [TS]

00:11:37 ◼   ► huger so he goes to central Beijing [TS]

00:11:39 ◼   ► there are there are people riding [TS]

00:11:41 ◼   ► wearing and at wearing like hospital [TS]

00:11:43 ◼   ► masks and stuff there's a riot going on [TS]

00:11:44 ◼   ► outside the hotel there's like there's [TS]

00:11:47 ◼   ► like taxis and stuff and and what does [TS]

00:11:50 ◼   ► he do Joey just like walks over the [TS]

00:11:51 ◼   ► walks over the hood of the taxis or [TS]

00:11:54 ◼   ► something in the riot to get to the [TS]

00:11:55 ◼   ► hotel [TS]

00:11:56 ◼   ► it's bizarre because they're completely [TS]

00:11:58 ◼   ► surrounded by people so you think you'd [TS]

00:12:00 ◼   ► have the taxicab just be like hey stop [TS]

00:12:02 ◼   ► here before you get to this throng of [TS]

00:12:03 ◼   ► people but somehow i guess they slowly [TS]

00:12:06 ◼   ► and patiently work their way through [TS]

00:12:07 ◼   ► with the car so that he was near the [TS]

00:12:10 ◼   ► building but not quite there and not [TS]

00:12:11 ◼   ► like the rest of the way [TS]

00:12:12 ◼   ► yeah it is just it's ridiculous it's [TS]

00:12:16 ◼   ► just poured directing and have no idea [TS]

00:12:20 ◼   ► what that's supposed to communicate [TS]

00:12:21 ◼   ► other than theirs civil and rest which [TS]

00:12:23 ◼   ► has no impact these people don't seem to [TS]

00:12:26 ◼   ► be suffering from the network attached [TS]

00:12:28 ◼   ► storage problems that's sweeping the [TS]

00:12:31 ◼   ► world but they just seem to be unhappy [TS]

00:12:33 ◼   ► people who are protesting things and he [TS]

00:12:35 ◼   ► goes into the hotel and there's [TS]

00:12:36 ◼   ► immediately [TS]

00:12:37 ◼   ► none of that all swept away and we have [TS]

00:12:39 ◼   ► the the weird interaction with the kids [TS]

00:12:42 ◼   ► and the fish bowl is a big circular fish [TS]

00:12:45 ◼   ► tank and there's a couple of cuties a [TS]

00:12:47 ◼   ► kid or is it a twins who were behind it [TS]

00:12:50 ◼   ► and he looks at them through the fish [TS]

00:12:51 ◼   ► tank as he's getting in the elevator hee [TS]

00:12:55 ◼   ► hee laborious Lee pulls out a little [TS]

00:12:58 ◼   ► thing and presses the button that that [TS]

00:13:01 ◼   ► is his memory doubler which takes his 80 [TS]

00:13:04 ◼   ► gigabytes of memory and makes it a [TS]

00:13:06 ◼   ► hundred and 60 gigabytes of memory i [TS]

00:13:08 ◼   ► want to talk about this okay because [TS]

00:13:10 ◼   ► that more than any visual element it [TS]

00:13:13 ◼   ► takes this movie to within about a [TS]

00:13:16 ◼   ► two-year span [TS]

00:13:18 ◼   ► when memory doublers were a huge thing I [TS]

00:13:23 ◼   ► remember this because my mother worked [TS]

00:13:25 ◼   ► for a company called stack that create a [TS]

00:13:26 ◼   ► thing called stacker which would double [TS]

00:13:28 ◼   ► the space on your drive and then [TS]

00:13:30 ◼   ► microsoft bought it or stolen or [TS]

00:13:32 ◼   ► something i forget what [TS]

00:13:33 ◼   ► anyway my point is this clearly because [TS]

00:13:37 ◼   ► none of this memory double stuff happens [TS]

00:13:38 ◼   ► in the story clearly somebody related to [TS]

00:13:41 ◼   ► the movie was saying well what does it [TS]

00:13:43 ◼   ► matter if he downloads too much memory [TS]

00:13:45 ◼   ► just get a memory Doppler like I just [TS]

00:13:47 ◼   ► got so they have to put in this whole [TS]

00:13:50 ◼   ► rigmarole about him installing a memory [TS]

00:13:53 ◼   ► doubler and his brain to go from 80 gig [TS]

00:13:55 ◼   ► to a hundred and 60 gig and it's [TS]

00:13:57 ◼   ► mentioned like six times throughout the [TS]

00:13:59 ◼   ► movie where they just go on and on about [TS]

00:14:01 ◼   ► how even after the memory doubler could [TS]

00:14:05 ◼   ► just not had the memory doubler it [TS]

00:14:08 ◼   ► really doesn't make anything any better [TS]

00:14:10 ◼   ► and we get the the weird little port you [TS]

00:14:13 ◼   ► know it's not quite a headphone jack but [TS]

00:14:15 ◼   ► a but it's close [TS]

00:14:17 ◼   ► so again something that they got wrong [TS]

00:14:19 ◼   ► about the near future is all the things [TS]

00:14:21 ◼   ► that are like headphone jacks will be [TS]

00:14:22 ◼   ► gone by then [TS]

00:14:23 ◼   ► well this is a little thing they could [TS]

00:14:25 ◼   ► one of many things this movie does worse [TS]

00:14:27 ◼   ► than the matrix in this movie [TS]

00:14:29 ◼   ► he's got ahead jump a port in his head [TS]

00:14:32 ◼   ► that you Jack something into just have [TS]

00:14:34 ◼   ► to sweep his hair aside and poke a tiny [TS]

00:14:35 ◼   ► little needle thing into it but in the [TS]

00:14:38 ◼   ► matrix it's this giant port that you've [TS]

00:14:40 ◼   ► pic with let's look at gasoline hose [TS]

00:14:42 ◼   ► into the back of your head that looks [TS]

00:14:44 ◼   ► cool in in either case i think it's safe [TS]

00:14:47 ◼   ► to say Keanu was not made by happen [TS]

00:14:49 ◼   ► the UH the memory w a tram doubler was [TS]

00:14:54 ◼   ► like in the mid-nineties to that's [TS]

00:14:56 ◼   ► absolutely well yeah I just yeah it is [TS]

00:15:00 ◼   ► I just it's so absurd that's like why do [TS]

00:15:03 ◼   ► we go through this extra stage but it's [TS]

00:15:04 ◼   ► cool it's a cool idea man somebody i [TS]

00:15:06 ◼   ► read i read somebody who said that that [TS]

00:15:09 ◼   ► they thought this was a like they wanted [TS]

00:15:14 ◼   ► to make a David Lynch movie but at some [TS]

00:15:16 ◼   ► point somebody perhaps even the studio [TS]

00:15:18 ◼   ► said no no it needs to be as literal and [TS]

00:15:21 ◼   ► linear as possible that it might have [TS]

00:15:24 ◼   ► even been william gibson who I know said [TS]

00:15:25 ◼   ► something similar to that [TS]

00:15:26 ◼   ► hehe says that there's a cut of this [TS]

00:15:28 ◼   ► that he liked we were saying yesterday [TS]

00:15:30 ◼   ► when we were why [TS]

00:15:31 ◼   ► doing this Joe it's hard to imagine that [TS]

00:15:33 ◼   ► there is a kind of a cut of this that [TS]

00:15:35 ◼   ► could possibly be any good but perhaps [TS]

00:15:37 ◼   ► if it was more nonsensical it would be a [TS]

00:15:40 ◼   ► better movie because your brain could [TS]

00:15:42 ◼   ► fill in the gaps with things like [TS]

00:15:44 ◼   ► perhaps even double your brain could [TS]

00:15:47 ◼   ► double the quality inn in your mind but [TS]

00:15:51 ◼   ► as it is it's just all very linear and [TS]

00:15:54 ◼   ► and boring and it's also just surprising [TS]

00:15:57 ◼   ► because if there is a better cut of this [TS]

00:15:59 ◼   ► would have to use entirely different [TS]

00:16:00 ◼   ► footage with different performances [TS]

00:16:01 ◼   ► because it where their alternate takes [TS]

00:16:05 ◼   ► that were way better than they left on [TS]

00:16:06 ◼   ► the cutting room floor for this with the [TS]

00:16:07 ◼   ► studio's like no no that's too edgy [TS]

00:16:09 ◼   ► let's go back to the one where they [TS]

00:16:11 ◼   ► barely get the lines out yeah i have [TS]

00:16:13 ◼   ► read another script by william gibson he [TS]

00:16:16 ◼   ► wrote an alien 3 script that was [TS]

00:16:19 ◼   ► floating around for a while they did not [TS]

00:16:22 ◼   ► use it for the movie because it was [TS]

00:16:24 ◼   ► completely unfilmable one of the [TS]

00:16:26 ◼   ► features of it was that Ripley was on [TS]

00:16:28 ◼   ► screen but comatose for the entire movie [TS]

00:16:30 ◼   ► so they would have had to pay Sigourney [TS]

00:16:33 ◼   ► Weaver whatever exhibited some she asked [TS]

00:16:36 ◼   ► for to not do anything [TS]

00:16:38 ◼   ► yeah well like I said he held a novelist [TS]

00:16:41 ◼   ► and sure he really understands cinema so [TS]

00:16:47 ◼   ► the courier is late these people up in [TS]

00:16:49 ◼   ► the hotel they're angry because the [TS]

00:16:50 ◼   ► careers late and then Keanu arrives and [TS]

00:16:53 ◼   ► he he said he holds his briefcase and [TS]

00:16:56 ◼   ► says double cheese anchovies [TS]

00:16:58 ◼   ► mm okay like the pizza delivery guy he's [TS]

00:17:04 ◼   ► mr. Smith though not to be confused with [TS]

00:17:06 ◼   ► agent smith and the matrix because that [TS]

00:17:08 ◼   ► is again a much better movie on all [TS]

00:17:11 ◼   ► dimensions the end that and that leads [TS]

00:17:14 ◼   ► him that so so these guys they're [TS]

00:17:15 ◼   ► they're a bunch of guys in this room and [TS]

00:17:17 ◼   ► I think there's at least one woman in [TS]

00:17:18 ◼   ► there and there and there there it turns [TS]

00:17:20 ◼   ► out there like scientists and they're [TS]

00:17:21 ◼   ► trying to give him something to smuggle [TS]

00:17:23 ◼   ► that's he's the this is the big score [TS]

00:17:25 ◼   ► this is what he's going to do they need [TS]

00:17:26 ◼   ► to get 320 gigabytes to newark it's [TS]

00:17:29 ◼   ► extremely dangerous if that's too much [TS]

00:17:30 ◼   ► capacity we know that he only has 160 [TS]

00:17:33 ◼   ► gigabytes of free space with his memory [TS]

00:17:35 ◼   ► doubler but he still agrees to it which [TS]

00:17:37 ◼   ► is apparently extremely dangerous but he [TS]

00:17:39 ◼   ► does it anyway there is a funny moment [TS]

00:17:41 ◼   ► in here where kyon who says question [TS]

00:17:45 ◼   ► you don't look like the people I usually [TS]

00:17:46 ◼   ► work with which i think is interesting [TS]

00:17:48 ◼   ► because that's totally not a question [TS]

00:17:50 ◼   ► now and it's a statement and AE says [TS]

00:17:53 ◼   ► question like to as like a prefix to [TS]

00:17:57 ◼   ► several things that he says is this film [TS]

00:17:59 ◼   ► is and it's like you don't need to say [TS]

00:18:00 ◼   ► that something is the question [TS]

00:18:02 ◼   ► interrogative just yeah they were [TS]

00:18:04 ◼   ► worried he wasn't being robotic enough [TS]

00:18:06 ◼   ► so there's I just to go all the way with [TS]

00:18:07 ◼   ► it no you're too human [TS]

00:18:09 ◼   ► dial it back but the way I don't [TS]

00:18:11 ◼   ► understand that motivation behind that [TS]

00:18:13 ◼   ► all is the real head scratcher and the [TS]

00:18:16 ◼   ► you can tell it's really a future place [TS]

00:18:19 ◼   ► because there are sealed mini blinds in [TS]

00:18:22 ◼   ► a burgundy wall and some giant rear [TS]

00:18:26 ◼   ► screen projection of some anime that's [TS]

00:18:28 ◼   ► going on huh [TS]

00:18:29 ◼   ► it's it's it's really strange what they [TS]

00:18:32 ◼   ► chose to do with this and I e I don't [TS]

00:18:37 ◼   ► even understand the dialogue that he's [TS]

00:18:38 ◼   ► having where they would be like okay [TS]

00:18:40 ◼   ► we're going to agree to give you this [TS]

00:18:42 ◼   ► amount of data and you won't even tell [TS]

00:18:44 ◼   ► us how much you could store he's just [TS]

00:18:46 ◼   ► like it's enough it's like this this is [TS]

00:18:48 ◼   ► a weird sort of equipment measuring [TS]

00:18:50 ◼   ► question like this this is an actual [TS]

00:18:52 ◼   ► like you need to do this in order to [TS]

00:18:54 ◼   ► fill this job and a he's just blows it [TS]

00:18:58 ◼   ► off as if it was nothing and it's very [TS]

00:19:01 ◼   ► peculiar how they chose to do that no [TS]

00:19:04 ◼   ► one will be seated during the thrilling [TS]

00:19:05 ◼   ► technical specification seen you get the [TS]

00:19:09 ◼   ► sense that he is trying to you know he [TS]

00:19:15 ◼   ► doesn't care if it's dangerous to him [TS]

00:19:17 ◼   ► because he's just trying to do this one [TS]

00:19:18 ◼   ► last job and they may be are desperate [TS]

00:19:21 ◼   ► because as far as they know they're [TS]

00:19:23 ◼   ► going to get shot to death by the Yakuza [TS]

00:19:25 ◼   ► in a very short amount of time so that [TS]

00:19:27 ◼   ► all that all I you know you could you [TS]

00:19:29 ◼   ► could headcanon some of that a little [TS]

00:19:30 ◼   ► bit but you're right it seems if this is [TS]

00:19:32 ◼   ► incredibly important information with [TS]

00:19:34 ◼   ► that could change the world which is [TS]

00:19:35 ◼   ► what what it turns out to be that having [TS]

00:19:37 ◼   ► your shifty courier who showed up late [TS]

00:19:39 ◼   ► pretending that is a briefcase is a [TS]

00:19:41 ◼   ► pizza box and says no no it's fine it's [TS]

00:19:44 ◼   ► fine it's fine i'm sure it's fine [TS]

00:19:46 ◼   ► you might have some questions for him [TS]

00:19:47 ◼   ► but they just kinda like let it go he [TS]

00:19:49 ◼   ► puts on the VR goggles the the [TS]

00:19:52 ◼   ► encryption system they've got is three [TS]

00:19:55 ◼   ► frames from the TV as they click around [TS]

00:19:57 ◼   ► with their clicker [TS]

00:19:59 ◼   ► on the TV and they they they get those [TS]

00:20:01 ◼   ► images and then they fax those to Newark [TS]

00:20:03 ◼   ► because faxing it apparently is is much [TS]

00:20:06 ◼   ► its likes to factor authorization [TS]

00:20:08 ◼   ► two-factor authentication that you've [TS]

00:20:10 ◼   ► got a fax machine and it's really cool [TS]

00:20:12 ◼   ► features they can they can send a [TS]

00:20:13 ◼   ► picture that's awesome you know my I [TS]

00:20:16 ◼   ► love that little device that the prop [TS]

00:20:18 ◼   ► master made for this [TS]

00:20:19 ◼   ► he's if he's got this thing that looks [TS]

00:20:21 ◼   ► like a photobooth series of photos of [TS]

00:20:24 ◼   ► the three photos and there's this little [TS]

00:20:25 ◼   ► flat reader thing that supposed to suck [TS]

00:20:28 ◼   ► it in [TS]

00:20:29 ◼   ► it's exactly sized for this photo to be [TS]

00:20:32 ◼   ► faxed it's like what else were you [TS]

00:20:33 ◼   ► faxing with this sounds awfully one [TS]

00:20:35 ◼   ► purpose that single purpose but it is it [TS]

00:20:39 ◼   ► is a bizarre direction to go with this [TS]

00:20:43 ◼   ► because even in 1995 like there were [TS]

00:20:47 ◼   ► better ways to transmit a series of [TS]

00:20:50 ◼   ► photos than that so 88 idea i don't [TS]

00:20:53 ◼   ► understand how that was supposed to be [TS]

00:20:54 ◼   ► the future when I i love watching him [TS]

00:20:57 ◼   ► when he's got the VR helmet on or VR [TS]

00:20:59 ◼   ► goggles on and it's not be missing right [TS]

00:21:02 ◼   ► and he's just like our the whole time I [TS]

00:21:05 ◼   ► keep going back and forth to like what [TS]

00:21:06 ◼   ► he's seeing and then and everybody's [TS]

00:21:09 ◼   ► singing and finally we all went there [TS]

00:21:12 ◼   ► making him watch Johnny mnemonic yeah [TS]

00:21:14 ◼   ► that's what is this edition of the [TS]

00:21:16 ◼   ► incomparable is brought to you by Casper [TS]

00:21:18 ◼   ► asleep brand that has created a perfect [TS]

00:21:20 ◼   ► mattress sold directly to consumers [TS]

00:21:21 ◼   ► eliminating those horrible Commission [TS]

00:21:24 ◼   ► driven sales and inflated prices it's an [TS]

00:21:27 ◼   ► award-winning sleep surface it was [TS]

00:21:28 ◼   ► developed in-house and Casper has a [TS]

00:21:30 ◼   ► sleek design and is delivered in this [TS]

00:21:32 ◼   ► amazingly small like how did they do [TS]

00:21:35 ◼   ► that small-sized box in addition to the [TS]

00:21:37 ◼   ► mattress by the way Casper also offers [TS]

00:21:39 ◼   ► an adaptive pillow and soft breathable [TS]

00:21:41 ◼   ► sheets they are on my bed right now and [TS]

00:21:44 ◼   ► they are glorious [TS]

00:21:46 ◼   ► listen mattresses can often cost over [TS]

00:21:48 ◼   ► fifteen hundred dollars but casper [TS]

00:21:49 ◼   ► mattresses cost 500 for twin all the way [TS]

00:21:52 ◼   ► up to 954 King a shockingly fair price [TS]

00:21:55 ◼   ► they combined spring latex with support [TS]

00:21:57 ◼   ► of memory foam to create an [TS]

00:21:59 ◼   ► award-winning sleep surface with just [TS]

00:22:00 ◼   ► the right sink and just the right [TS]

00:22:02 ◼   ► balance time magazine named it one of [TS]

00:22:04 ◼   ► the best inventions of 2015 [TS]

00:22:06 ◼   ► it's the most awarded mattress at the [TS]

00:22:07 ◼   ► decade and you can sleep on at the [TS]

00:22:10 ◼   ► in-house team of engineers spent [TS]

00:22:11 ◼   ► thousands of hours to [TS]

00:22:12 ◼   ► open the casper and it's breathable [TS]

00:22:14 ◼   ► design helps sleep cool to regulate your [TS]

00:22:16 ◼   ► temperature through the night [TS]

00:22:18 ◼   ► this hot summer months that's very [TS]

00:22:19 ◼   ► important and buying Casper's risk-free [TS]

00:22:23 ◼   ► Casper offers free delivery and free [TS]

00:22:24 ◼   ► returns with a hundred knight home trial [TS]

00:22:26 ◼   ► if you don't love it i'll pick it up and [TS]

00:22:27 ◼   ► refund you but you're going to like it [TS]

00:22:29 ◼   ► because i like mine and I think you will [TS]

00:22:31 ◼   ► be like me and enjoy the good feeling of [TS]

00:22:34 ◼   ► a Casper mattress so get fifty dollars [TS]

00:22:37 ◼   ► toward any mattress purchased by [TS]

00:22:38 ◼   ► visiting Casper dot-com / smell and [TS]

00:22:41 ◼   ► using offer code smell terms and [TS]

00:22:43 ◼   ► conditions apply thank you Casper for [TS]

00:22:45 ◼   ► sponsoring the uncomfortable I feel bad [TS]

00:22:47 ◼   ► about making fun of a show movie for not [TS]

00:22:49 ◼   ► getting the future correct because [TS]

00:22:50 ◼   ► that's famously difficult but it's so [TS]

00:22:52 ◼   ► weird watching a movie that insisted [TS]

00:22:55 ◼   ► futuristic while having you know 320 [TS]

00:22:57 ◼   ► gigabytes is a huge amount and we fact [TS]

00:23:00 ◼   ► things and all the phones still have [TS]

00:23:02 ◼   ► your standard touch tone buttons [TS]

00:23:05 ◼   ► there's nothing like voice control of [TS]

00:23:07 ◼   ► anything that even the AT&T logo is the [TS]

00:23:11 ◼   ► current 1986 AT&T logo the VR goggles by [TS]

00:23:14 ◼   ► the way look exactly like yeah like [TS]

00:23:17 ◼   ► modern brand-new like oculus rift [TS]

00:23:20 ◼   ► goggles there like Bennett nail bad that [TS]

00:23:22 ◼   ► that actually looked pretty good that [TS]

00:23:24 ◼   ► they got that one right [TS]

00:23:25 ◼   ► I really felt bad for their lack of [TS]

00:23:27 ◼   ► voice control when I had to pause the [TS]

00:23:28 ◼   ► movie to go into another room and I was [TS]

00:23:30 ◼   ► watching on my xbox and I could just say [TS]

00:23:33 ◼   ► Xbox pause the movie and Paula while he [TS]

00:23:37 ◼   ► was trying to dial a phone [TS]

00:23:39 ◼   ► oh man and David groans earlier that's [TS]

00:23:44 ◼   ► actually the sound Connery's makes he [TS]

00:23:46 ◼   ► makes ya horrible groans as he's [TS]

00:23:49 ◼   ► watching the VR having it loaded into [TS]

00:23:52 ◼   ► his head anyway so he goes he's freaking [TS]

00:23:54 ◼   ► out because he's just been loaded with [TS]

00:23:56 ◼   ► way too much data so he goes to the [TS]

00:23:58 ◼   ► bathroom does a little kungfu is he get [TS]

00:24:01 ◼   ► his some bleeding from his nose which is [TS]

00:24:02 ◼   ► the universal sign of something wrong in [TS]

00:24:04 ◼   ► your brain is if you get a little [TS]

00:24:05 ◼   ► nosebleed and the meanwhile the actors i [TS]

00:24:08 ◼   ► have come we've been watching them come [TS]

00:24:09 ◼   ► up in the elevator it's a very slow [TS]

00:24:11 ◼   ► elevator sometimes it's as exciting as [TS]

00:24:14 ◼   ► it sounds [TS]

00:24:14 ◼   ► yeah yeah they uh they come in and and [TS]

00:24:18 ◼   ► kill everybody basically they're they're [TS]

00:24:21 ◼   ► killing people shooting people there the [TS]

00:24:22 ◼   ► chopping people it and arms off and [TS]

00:24:25 ◼   ► stuff like that with this my [TS]

00:24:26 ◼   ► no filament with that guy that was the [TS]

00:24:29 ◼   ► coolest thing in the world to me when I [TS]

00:24:32 ◼   ► read the story [TS]

00:24:33 ◼   ► see he's got a detachable thumb and a [TS]

00:24:36 ◼   ► mono- monomolecular filament attached to [TS]

00:24:40 ◼   ► it and it just slices through anything [TS]

00:24:42 ◼   ► and everybody at my crowd thought that [TS]

00:24:45 ◼   ► was the most amazing idea but we never [TS]

00:24:47 ◼   ► quite got the idea right because we [TS]

00:24:50 ◼   ► never remember it was monomolecular [TS]

00:24:52 ◼   ► filament for some reason we thought it [TS]

00:24:54 ◼   ► was monofilament for a long time fishing [TS]

00:24:57 ◼   ► line [TS]

00:24:57 ◼   ► yeah after reading the story in which [TS]

00:24:59 ◼   ► this guy's thumb string cut people's [TS]

00:25:01 ◼   ► heads off and slices through concrete it [TS]

00:25:04 ◼   ► we were like that's where they sell this [TS]

00:25:07 ◼   ► in walmart but that that's a point where [TS]

00:25:10 ◼   ► the coolest thing in the world is just [TS]

00:25:11 ◼   ► made boring by this movie it's true the [TS]

00:25:14 ◼   ► the movies good at that happens a lot [TS]

00:25:17 ◼   ► it is and I I kept expecting kiana to [TS]

00:25:19 ◼   ► just as they walk into just for him to [TS]

00:25:21 ◼   ► go out of the bathroom right behind them [TS]

00:25:23 ◼   ► and just leave but instead he fight he [TS]

00:25:25 ◼   ► does he does some fighting because I [TS]

00:25:27 ◼   ► guess he does he knows kung foo write [TS]

00:25:29 ◼   ► another echoes of echoes of the matrix [TS]

00:25:32 ◼   ► they uh but but he he escapes and they [TS]

00:25:37 ◼   ► torture essentially some of the people [TS]

00:25:40 ◼   ► who are still alive to tell him to tell [TS]

00:25:42 ◼   ► them where he's taking the data and they [TS]

00:25:45 ◼   ► finally give up the important [TS]

00:25:46 ◼   ► information work also interrupt the [TS]

00:25:50 ◼   ► factors that they took like a chop the [TS]

00:25:52 ◼   ► monofilament blade chops the three [TS]

00:25:54 ◼   ► Polaroids into two chunks of two and one [TS]

00:25:58 ◼   ► so he can reuse ends up with one and [TS]

00:26:03 ◼   ► then they lose they lose the other [TS]

00:26:05 ◼   ► it's like partially burned or something [TS]

00:26:07 ◼   ► the other pictures and and the facts [TS]

00:26:10 ◼   ► doesn't go through all the way and then [TS]

00:26:13 ◼   ► and then at that point we cut to the [TS]

00:26:16 ◼   ► free city of newark which is a bunch of [TS]

00:26:19 ◼   ► buildings and then some like you know [TS]

00:26:22 ◼   ► like i said fires in trash cans [TS]

00:26:24 ◼   ► it doesn't seem to make a whole lot of [TS]

00:26:25 ◼   ► sense though because they keep talking [TS]

00:26:27 ◼   ► about the feds and federal authorities [TS]

00:26:28 ◼   ► couple times and they have like a plane [TS]

00:26:31 ◼   ► system that operates into the city so it [TS]

00:26:34 ◼   ► it's weird this separation but it seems [TS]

00:26:37 ◼   ► like a lawless uh like and [TS]

00:26:40 ◼   ► not part of any government and yet they [TS]

00:26:42 ◼   ► he's got a whole passport check that he [TS]

00:26:44 ◼   ► goes through in his implants are scanned [TS]

00:26:46 ◼   ► and all that well i don't know if you [TS]

00:26:49 ◼   ► noticed that are not Jason but [TS]

00:26:50 ◼   ► everything is legal in New Jersey [TS]

00:26:52 ◼   ► interesting even flying the Concorde yes [TS]

00:26:55 ◼   ► she does travel on the Concorde to to [TS]

00:26:58 ◼   ► newark that's a good discount futuristic [TS]

00:27:00 ◼   ► i know i did I playing that had stopped [TS]

00:27:02 ◼   ► being in use but that's right this movie [TS]

00:27:04 ◼   ► was made [TS]

00:27:05 ◼   ► they're gonna bring it back just it is a [TS]

00:27:07 ◼   ► retro look for the the Concord to it [TS]

00:27:09 ◼   ► just looks like the old concord I we we [TS]

00:27:11 ◼   ► take a visit very briefly to the tower [TS]

00:27:13 ◼   ► headquarters of pharma com in the in the [TS]

00:27:16 ◼   ► three City of Newark where they decided [TS]

00:27:18 ◼   ► that they need the head of the career [TS]

00:27:21 ◼   ► Johnny they don't just want to take the [TS]

00:27:23 ◼   ► data out of him they want to cut off his [TS]

00:27:25 ◼   ► head and so they're going to send [TS]

00:27:27 ◼   ► somebody have one of the download codes [TS]

00:27:29 ◼   ► and they are going to get his head [TS]

00:27:33 ◼   ► Joe you have any comments about the [TS]

00:27:34 ◼   ► farmer Comte our first appearing here [TS]

00:27:37 ◼   ► this is the worst model building it up [TS]

00:27:40 ◼   ► ever seen [TS]

00:27:42 ◼   ► I can't believe that they did this it is [TS]

00:27:44 ◼   ► is one of those things where you'd be [TS]

00:27:47 ◼   ► like if you know a kid or teenager I put [TS]

00:27:50 ◼   ► this together for like some sort of [TS]

00:27:51 ◼   ► school report to be like that that's [TS]

00:27:52 ◼   ► neat but in a film it does not hold up [TS]

00:27:55 ◼   ► photographically at all [TS]

00:27:57 ◼   ► I i don't know i don't understand why it [TS]

00:27:58 ◼   ► wasn't just a photo of some other [TS]

00:28:00 ◼   ► building and then they just put pharma [TS]

00:28:02 ◼   ► com on top of it they have towers I mean [TS]

00:28:05 ◼   ► even compare it to something like [TS]

00:28:07 ◼   ► Robocop or something like that where [TS]

00:28:08 ◼   ► they've had to make fake skyscrapers [TS]

00:28:10 ◼   ► before movies have done this even before [TS]

00:28:13 ◼   ► the the groundbreaking effects work done [TS]

00:28:16 ◼   ► in Johnny mnemonic IHS is indescribable [TS]

00:28:20 ◼   ► be painful for me that they keep cutting [TS]

00:28:22 ◼   ► to this establishing shot it's not even [TS]

00:28:23 ◼   ► like different angles because it's a [TS]

00:28:25 ◼   ► three-dimensional model the cup to the [TS]

00:28:27 ◼   ► same angle of this thing over and over [TS]

00:28:30 ◼   ► and over again until the final time they [TS]

00:28:32 ◼   ► cut to it when something unfortunate [TS]

00:28:34 ◼   ► happens to the model but a a can't [TS]

00:28:36 ◼   ► fathom why they chose to do this is [TS]

00:28:38 ◼   ► bizarre never seen metropolis there's a [TS]

00:28:41 ◼   ► pretty good fake tower that that's like [TS]

00:28:42 ◼   ► 70 years earlier i love the conversation [TS]

00:28:47 ◼   ► inside the tower because it's one of [TS]

00:28:49 ◼   ► those things where they have to tell [TS]

00:28:50 ◼   ► someone you speak English [TS]

00:28:52 ◼   ► I'll keep speaking Japanese and then [TS]

00:28:55 ◼   ► they have one of those weird movie [TS]

00:28:57 ◼   ► conversations you sometimes get where [TS]

00:28:58 ◼   ► one person speaks one language and the [TS]

00:29:00 ◼   ► other person speaks the other language [TS]

00:29:02 ◼   ► and were left to assume they're both [TS]

00:29:03 ◼   ► fully fluent in each other's languages [TS]

00:29:05 ◼   ► so they don't have to spawn at any point [TS]

00:29:07 ◼   ► just can't speak it [TS]

00:29:08 ◼   ► yep doesn't have that off and it's not [TS]

00:29:11 ◼   ► that interesting a scene either now and [TS]

00:29:14 ◼   ► add Dennis who plays shinji as I don't [TS]

00:29:19 ◼   ► know the exact region of Canada but it [TS]

00:29:21 ◼   ► is definitely a Canadian accent it [TS]

00:29:25 ◼   ► almost sounds very sort of looks like [TS]

00:29:27 ◼   ► and it's so he has his is sort of i'm [TS]

00:29:32 ◼   ► sorry about your kid you know and it's [TS]

00:29:35 ◼   ► like don't talk about my kid and that is [TS]

00:29:38 ◼   ► vaguely related to the plot as it [TS]

00:29:40 ◼   ► unfolds because his daughter died of [TS]

00:29:43 ◼   ► nerve attenuation syndrome you see [TS]

00:29:45 ◼   ► yes black shakes man a bit it's not [TS]

00:29:50 ◼   ► enough to sway him later except kind of [TS]

00:29:51 ◼   ► sort of maybe but only was dying it its [TS]

00:29:54 ◼   ► it's weird that they bring it up here [TS]

00:29:55 ◼   ► and then almost do nothing with it other [TS]

00:29:57 ◼   ► than bring it up one more time for a [TS]

00:29:59 ◼   ► very long time until they need it so [TS]

00:30:00 ◼   ► they bring that they we know when they [TS]

00:30:02 ◼   ► wrote the script they put it put this in [TS]

00:30:03 ◼   ► back earlier because they knew they [TS]

00:30:05 ◼   ► would need it later I guess [TS]

00:30:06 ◼   ► hey keanu reeves is going to he needs [TS]

00:30:10 ◼   ► some help from a nerdy scientist and who [TS]

00:30:12 ◼   ► better to play nerdy doctors scientists [TS]

00:30:14 ◼   ► then Henry Rollins sure as as you do [TS]

00:30:19 ◼   ► typical computer nerd role for him every [TS]

00:30:21 ◼   ► Rollins so bad in this even for this [TS]

00:30:24 ◼   ► movie [TS]

00:30:25 ◼   ► he is noticeably terrible yeah spider [TS]

00:30:28 ◼   ► this isn't even the best Henry Rollins [TS]

00:30:30 ◼   ► acting performance that I've seen i [TS]

00:30:33 ◼   ► would i would gladly watch bad boys to [TS]

00:30:35 ◼   ► Henry Rollins over this this is this is [TS]

00:30:38 ◼   ► not a tour de force performance that [TS]

00:30:41 ◼   ► he's delivering here but nobody's really [TS]

00:30:42 ◼   ► on their a game in this movie except you [TS]

00:30:44 ◼   ► know [TS]

00:30:45 ◼   ► dina meyer admire the one who delivers [TS]

00:30:48 ◼   ► the best performance in the whole film [TS]

00:30:50 ◼   ► was also introduced in the same scene [TS]

00:30:52 ◼   ► here with with Henry Rollins and that's [TS]

00:30:54 ◼   ► surprising because the Empire it so it's [TS]

00:30:59 ◼   ► it's interesting that that you know I is [TS]

00:31:02 ◼   ► that I could hold on to latch onto her [TS]

00:31:05 ◼   ► the emotional driving force in all of [TS]

00:31:08 ◼   ► the scenes that she said and no Keanu [TS]

00:31:11 ◼   ► and definitely on Henry Rollins and [TS]

00:31:13 ◼   ► anyone else i would argue that iced tea [TS]

00:31:15 ◼   ► has several moments huh and and then for [TS]

00:31:19 ◼   ► the most part he manages to sell this [TS]

00:31:22 ◼   ► this sort of tone of I can't believe I'm [TS]

00:31:25 ◼   ► doing this but ok here's the dialogue [TS]

00:31:27 ◼   ► he's playing basically the same role he [TS]

00:31:29 ◼   ► doesn't take girl except now he's not [TS]

00:31:31 ◼   ► true wearing kangaroo makeup so that is [TS]

00:31:34 ◼   ► good i would like to say that my [TS]

00:31:38 ◼   ► girlfriend riots has also just watched [TS]

00:31:40 ◼   ► Henry Rollins movie called he never died [TS]

00:31:42 ◼   ► and she says he's great in it [TS]

00:31:45 ◼   ► there he is an old angry person which [TS]

00:31:47 ◼   ► seems more his speed [TS]

00:31:49 ◼   ► yeah yeah I think he's he seems really [TS]

00:31:51 ◼   ► really really really miss cast for this [TS]

00:31:55 ◼   ► part of a spider the doctor lines in [TS]

00:31:58 ◼   ► this where he tries to not sound angry [TS]

00:32:01 ◼   ► or but he winds up sounding angry even [TS]

00:32:04 ◼   ► though he shouldn't it's it's very odd [TS]

00:32:07 ◼   ► he's good at angry but some of those [TS]

00:32:10 ◼   ► lines should just be like oh what's this [TS]

00:32:13 ◼   ► but no it's more like God's this and we [TS]

00:32:16 ◼   ► also see Deena myers Jane here is she [TS]

00:32:19 ◼   ► she's uh she's got she's obviously [TS]

00:32:22 ◼   ► suffering from the early effects of [TS]

00:32:24 ◼   ► nervous situation syndrome she's mad [TS]

00:32:26 ◼   ► because she wants to be the Ralphie's [TS]

00:32:30 ◼   ► bodyguard instead of the the two [TS]

00:32:33 ◼   ► bodyguards God but she's she's not [TS]

00:32:35 ◼   ► qualified cuz she's got the shakes and [TS]

00:32:38 ◼   ► we also see iced tea is introduced about [TS]

00:32:42 ◼   ► here as j-bone classic ice-t roll [TS]

00:32:46 ◼   ► can we talk about Jane really quick yes [TS]

00:32:47 ◼   ► yes in the story [TS]

00:32:50 ◼   ► her character is Molly millions who is [TS]

00:32:53 ◼   ► one of my favorite fictional characters [TS]

00:32:55 ◼   ► of all time [TS]

00:32:56 ◼   ► she also appears in neuromancer yep and [TS]

00:32:59 ◼   ► she is the coolest cyberpunk easiest she [TS]

00:33:03 ◼   ► is the epitome of cyberpunk will say [TS]

00:33:05 ◼   ► that cyberpunk is all about mirrored [TS]

00:33:06 ◼   ► shades it's basically because Molly [TS]

00:33:09 ◼   ► millions had mirrored shades although [TS]

00:33:11 ◼   ► really what she had was just the lenses [TS]

00:33:14 ◼   ► implanted over her eyes [TS]

00:33:16 ◼   ► and this movie took a great character [TS]

00:33:21 ◼   ► and just jump down the gutter and yeah [TS]

00:33:26 ◼   ► well it's not again I i think because [TS]

00:33:29 ◼   ► neuromancer is right film rights had [TS]

00:33:31 ◼   ► been sold [TS]

00:33:32 ◼   ► they couldn't have Molly millions right [TS]

00:33:34 ◼   ► so instead they just kind of its Jane [TS]

00:33:36 ◼   ► she's fine she doesn't have her cool [TS]

00:33:38 ◼   ► fingernail razor blades doesn't have [TS]

00:33:41 ◼   ► anything [TS]

00:33:41 ◼   ► no and you know she she's fine but the [TS]

00:33:46 ◼   ► entire movie I'm furious that she's not [TS]

00:33:49 ◼   ► Molly I've read neuromancer but I didn't [TS]

00:33:53 ◼   ► piece together the that she was supposed [TS]

00:33:56 ◼   ► to be like that care there's no way [TS]

00:33:58 ◼   ► stroll [TS]

00:33:58 ◼   ► there's no way you could because there's [TS]

00:34:00 ◼   ► nothing left of that character yeah you [TS]

00:34:01 ◼   ► have read johnny mnemonic and see that [TS]

00:34:03 ◼   ► the character is named Molly and she's [TS]

00:34:05 ◼   ► Molly there [TS]

00:34:07 ◼   ► yeah but it's so I didn't find her as [TS]

00:34:10 ◼   ► disappointing because she was she was [TS]

00:34:13 ◼   ► actually a breath of fresh air [TS]

00:34:14 ◼   ► comparatively most of the time and I [TS]

00:34:17 ◼   ► like the scene with her and Ralphie and [TS]

00:34:19 ◼   ► the bodyguards where she tries to [TS]

00:34:21 ◼   ► demonstrate that she's good enough that [TS]

00:34:23 ◼   ► she's faster and better than the the [TS]

00:34:25 ◼   ► other it aging supposedly bodyguards [TS]

00:34:29 ◼   ► that that he has and she can't hold her [TS]

00:34:32 ◼   ► her hand still so it that it's a [TS]

00:34:34 ◼   ► tonight's little test their doesn't [TS]

00:34:38 ◼   ► involve any killing or doing anything [TS]

00:34:40 ◼   ► specific you just can't hold the hand [TS]

00:34:41 ◼   ► still she's got the shakes Baldy whoo [TS]

00:34:45 ◼   ► yeah what is that is that Ralphie is [TS]

00:34:47 ◼   ► called Baldy at this point on others [TS]

00:34:49 ◼   ► Baldy Baldy see what else what else [TS]

00:34:55 ◼   ► happens around here my notes are [TS]

00:34:56 ◼   ► increasingly incoherent because i think [TS]

00:34:58 ◼   ► i just started to write a suicide note [TS]

00:35:00 ◼   ► the movie is increasingly and career and [TS]

00:35:02 ◼   ► this is eighty percent of the way [TS]

00:35:05 ◼   ► through my notes [TS]

00:35:06 ◼   ► wow haha I so the we also have the the [TS]

00:35:11 ◼   ► scene with a j-bone that you had [TS]

00:35:12 ◼   ► described where counter reaches going to [TS]

00:35:14 ◼   ► the place that Ralphie told him to go to [TS]

00:35:15 ◼   ► be writing the video call that they had [TS]

00:35:18 ◼   ► and he owned by the way a video call how [TS]

00:35:22 ◼   ► you make a phone call in this world is [TS]

00:35:24 ◼   ► you get in your VR goggles and we'll see [TS]

00:35:27 ◼   ► this again later in detail you get your [TS]

00:35:28 ◼   ► VR goggles and your VR [TS]

00:35:30 ◼   ► but in all your VR equipment you bring [TS]

00:35:31 ◼   ► up a screen and then there's a [TS]

00:35:33 ◼   ► touch-tone pad in it that you dial in [TS]

00:35:35 ◼   ► the air and then that's created a [TS]

00:35:38 ◼   ► picture of years are such a long scene [TS]

00:35:41 ◼   ► of him [TS]

00:35:42 ◼   ► miming things moving things around with [TS]

00:35:45 ◼   ► his hands which instead of being seen [TS]

00:35:48 ◼   ► that the matrix would do much better [TS]

00:35:49 ◼   ► it's a scene that Minority Report would [TS]

00:35:52 ◼   ► do much better right [TS]

00:35:53 ◼   ► it's a scene that parks and recreation [TS]

00:35:55 ◼   ► would do much to see that shields and [TS]

00:35:56 ◼   ► Yarnell with you [TS]

00:35:58 ◼   ► anyone I'm and so yeah we have we have [TS]

00:36:02 ◼   ► the attempted death here we're gonna [TS]

00:36:06 ◼   ► extract his head by chopping it off this [TS]

00:36:08 ◼   ► is the argument we're gonna cut off your [TS]

00:36:09 ◼   ► head [TS]

00:36:10 ◼   ► there's a line that they have one he [TS]

00:36:12 ◼   ► strapped down which is a time to die a [TS]

00:36:16 ◼   ► time and then there's a big explosion [TS]

00:36:19 ◼   ► ok that was nonsensical I i really hate [TS]

00:36:21 ◼   ► how he checks his watch is like time and [TS]

00:36:25 ◼   ► then need an eclipse the the thing on [TS]

00:36:27 ◼   ► the watching it wasn't the explosion at [TS]

00:36:28 ◼   ► the explosive device that we saw and put [TS]

00:36:30 ◼   ► on the outside but we need to get the [TS]

00:36:31 ◼   ► explosives from you just went through [TS]

00:36:32 ◼   ► security screening he's just that good [TS]

00:36:35 ◼   ► the other inexplicable bit of dialogue [TS]

00:36:37 ◼   ► here is I want you to do something for [TS]

00:36:39 ◼   ► me say bye and then he get the hashed [TS]

00:36:43 ◼   ► well it's every time he says something [TS]

00:36:45 ◼   ► it's like i'm going to show off with my [TS]

00:36:47 ◼   ► clever put out [TS]

00:36:49 ◼   ► uh-huh every one of those moments so the [TS]

00:36:52 ◼   ► point is that uh that uh there there's a [TS]

00:36:55 ◼   ► there's another fight i first get [TS]

00:36:58 ◼   ► chianti when they hit him on the head [TS]

00:37:00 ◼   ► and they said oh not on the head [TS]

00:37:02 ◼   ► we got cut off his head so that they're [TS]

00:37:05 ◼   ► gonna cut off his head and that is when [TS]

00:37:07 ◼   ► Jane crashes down through the ceiling [TS]

00:37:09 ◼   ► vent saves Johnny slices the bad guys [TS]

00:37:12 ◼   ► friend and I is a slice of the bad guy [TS]

00:37:14 ◼   ► friend in half with the monofilament or [TS]

00:37:16 ◼   ► who gets sliced with the mono the model [TS]

00:37:20 ◼   ► i feel i think you're combining these [TS]

00:37:21 ◼   ► two attacks [TS]

00:37:22 ◼   ► oh yeah this is so that the one to get [TS]

00:37:24 ◼   ► Keanu and then there's the one where she [TS]

00:37:25 ◼   ► saves Keanu and they happen back-to-back [TS]

00:37:27 ◼   ► hear this but this for these fight [TS]

00:37:30 ◼   ► scenes combine two flaws you can't tell [TS]

00:37:33 ◼   ► what's going on and also you don't care [TS]

00:37:35 ◼   ► what's going on not accurate [TS]

00:37:38 ◼   ► yeah you're a lot of points but you know [TS]

00:37:40 ◼   ► after gonna get out of the situation and [TS]

00:37:43 ◼   ► he takes here the one guy and then he's [TS]

00:37:45 ◼   ► fighting the other guy and iced tea has [TS]

00:37:47 ◼   ► his buddy who gets shot by accident on [TS]

00:37:50 ◼   ► an iced tea you take the guy and like [TS]

00:37:52 ◼   ► we're even [TS]

00:37:53 ◼   ► you know don't mess with me it's like [TS]

00:37:55 ◼   ► well you tell me something about you [TS]

00:37:57 ◼   ► because i'm going to point a gun at you [TS]

00:37:59 ◼   ► know mrs. i run heaven over there at the [TS]

00:38:01 ◼   ► bridge and he turns around he's gone [TS]

00:38:03 ◼   ► oh yeah that's the towel that works and [TS]

00:38:05 ◼   ► also the bridge is ridiculous because [TS]

00:38:07 ◼   ► it's a suspension bridge so I don't know [TS]

00:38:09 ◼   ► how those cables were staying up but [TS]

00:38:11 ◼   ► they did they were I I can't even [TS]

00:38:15 ◼   ► remember what happens after that scene [TS]

00:38:16 ◼   ► but they kinda way to but we should [TS]

00:38:20 ◼   ► probably just skip ahead [TS]

00:38:21 ◼   ► yeah for the second fight from here i [TS]

00:38:24 ◼   ► have three more line three more notes [TS]

00:38:26 ◼   ► this is where she saved him and this is [TS]

00:38:30 ◼   ► where he gets busted that she's gonna go [TS]

00:38:33 ◼   ► back in and confront Ralphie and he is [TS]

00:38:36 ◼   ► trying to get this stuff from Alfea but [TS]

00:38:39 ◼   ► the you know easy stretch strapped down [TS]

00:38:41 ◼   ► to the table now and they have her go [TS]

00:38:45 ◼   ► through the ceiling vent and drop down [TS]

00:38:47 ◼   ► and save him and it's like i'll pay you [TS]

00:38:49 ◼   ► 20,000 yes to make it fifty thousand and [TS]

00:38:52 ◼   ► okay deal [TS]

00:38:54 ◼   ► so that's this great and then they get [TS]

00:38:56 ◼   ► out of there yeah yeah and then the the [TS]

00:39:00 ◼   ► use a guy who's very upset that the guy [TS]

00:39:03 ◼   ► stood in the way with the door and the [TS]

00:39:05 ◼   ► door closed and then eat instead of [TS]

00:39:07 ◼   ► using the the the mono wire to open the [TS]

00:39:11 ◼   ► door he turns around and kills Ralphie [TS]

00:39:15 ◼   ► close relatives right the the slice and [TS]

00:39:18 ◼   ► dice them three times and then you get a [TS]

00:39:21 ◼   ► nice little cut of him sliding apart [TS]

00:39:25 ◼   ► yes as if this were a japanese anime [TS]

00:39:28 ◼   ► with somebody had been just slice three [TS]

00:39:29 ◼   ► times with the the very sharp samurai [TS]

00:39:32 ◼   ► sword but then he's out of there chasing [TS]

00:39:36 ◼   ► them they run they run locked gonna have [TS]

00:39:39 ◼   ► higher and running [TS]

00:39:41 ◼   ► gunfire and running and you make a gun [TS]

00:39:44 ◼   ► futuristic not by making it smaller but [TS]

00:39:45 ◼   ► by making it bulkier you can't really [TS]

00:39:47 ◼   ► tell what kind of gun it is [TS]

00:39:48 ◼   ► yeah um [TS]

00:39:49 ◼   ► and they just keep shooting things and [TS]

00:39:51 ◼   ► running past tons of of uncollected [TS]

00:39:54 ◼   ► trash and they arrive at a little [TS]

00:39:58 ◼   ► stronger and put that you gotta pick it [TS]

00:39:59 ◼   ► up and put it in the burning pin and [TS]

00:40:01 ◼   ► then burn the trash for fuel [TS]

00:40:04 ◼   ► oh well somebody should tell New Jersey [TS]

00:40:06 ◼   ► that yeah but yeah they they get to the [TS]

00:40:09 ◼   ► low-tech stronghold and yes oh it's it's [TS]

00:40:11 ◼   ► it's it's iced tea again and he protects [TS]

00:40:15 ◼   ► them and they because he and Jane know [TS]

00:40:19 ◼   ► one another and she used to run with [TS]

00:40:21 ◼   ► them [TS]

00:40:21 ◼   ► what a coincidence all this is coming [TS]

00:40:23 ◼   ► together right so the low-techs are able [TS]

00:40:25 ◼   ► to protect them from the Yakuza and send [TS]

00:40:28 ◼   ► them down into the steam tunnels [TS]

00:40:31 ◼   ► something like an abandoned subway [TS]

00:40:34 ◼   ► yeah and they they start walking through [TS]

00:40:38 ◼   ► the abandoned subway if you were the [TS]

00:40:40 ◼   ► Yakuza and you're like where did they go [TS]

00:40:42 ◼   ► and be like probably along the path of [TS]

00:40:44 ◼   ► the abandoned subway because it's it's a [TS]

00:40:47 ◼   ► tunnel but they don't go looking for [TS]

00:40:51 ◼   ► them necessarily and they have a very [TS]

00:40:55 ◼   ► long seen here we have the first sort of [TS]

00:40:57 ◼   ► like memory flashback from his memory [TS]

00:40:58 ◼   ► seepage problem and she lets him sleep [TS]

00:41:01 ◼   ► and he's very upset about it because [TS]

00:41:02 ◼   ► that it you shouldn't because he's on [TS]

00:41:05 ◼   ► he's on a timer from from all of this [TS]

00:41:06 ◼   ► from the flashbacks to the Bible on the [TS]

00:41:08 ◼   ► windows that she really cares yeah you [TS]

00:41:12 ◼   ► know that this is this is a great [TS]

00:41:13 ◼   ► relationship because both of them have [TS]

00:41:15 ◼   ► seizures in sequence here first [TS]

00:41:18 ◼   ► he has his seizure and she takes care of [TS]

00:41:20 ◼   ► him and then later she has her her [TS]

00:41:23 ◼   ► little ad network attached storage [TS]

00:41:25 ◼   ► seizure of her own that he gets to watch [TS]

00:41:28 ◼   ► so you know their bodies have a buddy [TS]

00:41:31 ◼   ► and honey system [TS]

00:41:32 ◼   ► really yeah meanwhile by the way this is [TS]

00:41:34 ◼   ► the point where Takashi get spoken to by [TS]

00:41:36 ◼   ► a computer program of some sort in the [TS]

00:41:38 ◼   ► in the form of a of a lady's face [TS]

00:41:40 ◼   ► yes that's him yeah and you go huh [TS]

00:41:44 ◼   ► and then it cut away and it will be [TS]

00:41:47 ◼   ► we'll come back to that later apparently [TS]

00:41:48 ◼   ► la also he asks his office admin about [TS]

00:41:53 ◼   ► what happened about seeing this and [TS]

00:41:58 ◼   ► and there's this whole long scene where [TS]

00:42:00 ◼   ► she's like that was the Swedish [TS]

00:42:02 ◼   ► whatever-it-was who ran the company [TS]

00:42:04 ◼   ► founder of the company [TS]

00:42:06 ◼   ► yeah and she had her mind uploaded in [TS]

00:42:09 ◼   ► Zurich to the thing by the Geneva [TS]

00:42:11 ◼   ► whatever AI convention she's the it is a [TS]

00:42:14 ◼   ► whole long rambling expository thing of [TS]

00:42:18 ◼   ► how she came to be and it's like the [TS]

00:42:20 ◼   ► cheese should do anything in the film [TS]

00:42:22 ◼   ► she just shows up every hour and shouts [TS]

00:42:23 ◼   ► of people who remind you that reminds [TS]

00:42:24 ◼   ► people of things and again you've got [TS]

00:42:26 ◼   ► this really kind of interesting [TS]

00:42:27 ◼   ► cyberpunk backstory that we are entirely [TS]

00:42:29 ◼   ► just holed up in a in a download and [TS]

00:42:33 ◼   ► this is the sort of thing that never [TS]

00:42:34 ◼   ► happens in the william gibson story [TS]

00:42:36 ◼   ► started early one because he's all about [TS]

00:42:38 ◼   ► really short declarative sentences and [TS]

00:42:41 ◼   ► moving things along and having stuff [TS]

00:42:44 ◼   ► happened there are no times in neuro [TS]

00:42:48 ◼   ► enter or burning chrome where everyone [TS]

00:42:49 ◼   ► just stops and someone delivers a [TS]

00:42:51 ◼   ► five-minute backstory speech [TS]

00:42:53 ◼   ► yeah even the staging of this she's [TS]

00:42:55 ◼   ► sitting in a chair reading off of like a [TS]

00:42:58 ◼   ► clipboard with her head down looking at [TS]

00:43:01 ◼   ► the clipboard so she's not even the the [TS]

00:43:03 ◼   ► camera is looking at the top of her head [TS]

00:43:04 ◼   ► to the weird but that she has on top and [TS]

00:43:07 ◼   ► he's sitting against his desk and they [TS]

00:43:10 ◼   ► just cut back and forth between the two [TS]

00:43:12 ◼   ► of them it's like why would you staged [TS]

00:43:14 ◼   ► something like this it is it is beyond [TS]

00:43:16 ◼   ► bizarre it is so uninteresting in every [TS]

00:43:18 ◼   ► way [TS]

00:43:19 ◼   ► what is being said what you're shooting [TS]

00:43:20 ◼   ► it is is tedious but that anyway that [TS]

00:43:24 ◼   ► scene bothers me [TS]

00:43:25 ◼   ► they you know recover and they go to go [TS]

00:43:31 ◼   ► to this thing through the abandoned mall [TS]

00:43:33 ◼   ► food court [TS]

00:43:34 ◼   ► wherever they walk through is that was i [TS]

00:43:36 ◼   ► I thought that was kind of a fun touch [TS]

00:43:38 ◼   ► the the big they walk through a mall [TS]

00:43:41 ◼   ► yeah that the mall seen better days uh [TS]

00:43:42 ◼   ► oh and Johnny explains that he had to [TS]

00:43:45 ◼   ► dump a chunk of his long-term memory his [TS]

00:43:48 ◼   ► childhood was dumped in order to get his [TS]

00:43:50 ◼   ► get his implants put in but now he needs [TS]

00:43:53 ◼   ► to get to a computer [TS]

00:43:55 ◼   ► he says they walk through the the [TS]

00:43:56 ◼   ► shopping mall that has been colonized by [TS]

00:43:58 ◼   ► people people living in it now the [TS]

00:44:00 ◼   ► abandoned shopping mall and I my note [TS]

00:44:02 ◼   ► here is you need to get to a computer [TS]

00:44:03 ◼   ► and I thought if only there were some [TS]

00:44:05 ◼   ► sort of mobile device that can get you [TS]

00:44:07 ◼   ► on the internet and 20 [TS]

00:44:09 ◼   ► he's about to say a word that does is [TS]

00:44:13 ◼   ► not the word it sounds like it's time to [TS]

00:44:15 ◼   ► build a pc no one will be seated during [TS]

00:44:18 ◼   ► the exciting building a virtual reality [TS]

00:44:20 ◼   ► pc scene where there's exciting music we [TS]

00:44:23 ◼   ► see a lot of different products [TS]

00:44:25 ◼   ► including one called the Thompson iphone [TS]

00:44:27 ◼   ► which made me laugh but i think its eyes [TS]

00:44:30 ◼   ► like it goes on your eyes therein he [TS]

00:44:32 ◼   ► assembles this this thing he's got a [TS]

00:44:34 ◼   ► data gloves and he's got is because we [TS]

00:44:36 ◼   ► are thing is to put it all together [TS]

00:44:37 ◼   ► because he's gotta make this make this [TS]

00:44:40 ◼   ► phone call and and then we get to see [TS]

00:44:42 ◼   ► the EV amazing vr interface which is [TS]

00:44:45 ◼   ► that there's a globe that he grabs and [TS]

00:44:47 ◼   ► then he dials on a keypad invr pretty [TS]

00:44:50 ◼   ► are and then he has a phone call my [TS]

00:44:53 ◼   ► favorite piece of technology is the GPL [TS]

00:44:55 ◼   ► stealth module um you know your your [TS]

00:44:58 ◼   ► graphics you want to have to be as [TS]

00:45:00 ◼   ► stealthy as possible you want anyone to [TS]

00:45:01 ◼   ► detect your graphics it is it is weird [TS]

00:45:04 ◼   ► the way they came up with these mangled [TS]

00:45:05 ◼   ► sentences for these the stuff i liked [TS]

00:45:08 ◼   ► the scene of him building this the [TS]

00:45:11 ◼   ► computer out of the random stuff they [TS]

00:45:12 ◼   ► found in that room because it reminded [TS]

00:45:14 ◼   ► me of every episode of the a-team except [TS]

00:45:17 ◼   ► the music was as inspiring and i'm [TS]

00:45:19 ◼   ► usually got with the close-ups of people [TS]

00:45:21 ◼   ► welding things together to turn a [TS]

00:45:22 ◼   ► tractor into it [TS]

00:45:24 ◼   ► impregnable tank that shot potatoes [TS]

00:45:26 ◼   ► there's a weird conversation vr but if [TS]

00:45:29 ◼   ► there's a huge plots which is the fax [TS]

00:45:31 ◼   ► modem has a buffer and so some of the [TS]

00:45:34 ◼   ► fat thing that was facts remember the [TS]

00:45:36 ◼   ► facts earlier that was in fact a plot [TS]

00:45:39 ◼   ► point tax-related foot point maybe in [TS]

00:45:42 ◼   ► the buffer in newark copy shop or or [TS]

00:45:44 ◼   ► should I say the newark copy shop [TS]

00:45:47 ◼   ► because it's referred to as the copy [TS]

00:45:49 ◼   ► shop there's only the one is in the [TS]

00:45:51 ◼   ► future there you know who needs copies [TS]

00:45:54 ◼   ► is interaction of a hacking into the [TS]

00:45:57 ◼   ► hotel so that he can get this [TS]

00:45:58 ◼   ► information [TS]

00:45:59 ◼   ► he's just grabbing these these parts of [TS]

00:46:02 ◼   ► this triangular block and turning them [TS]

00:46:04 ◼   ► and that's like okay I'm unlock now it's [TS]

00:46:06 ◼   ► like a commonly it's like he's a he's [TS]

00:46:08 ◼   ► crossed safecrackers and also he's like [TS]

00:46:10 ◼   ► he goes to the the lobby of the virtual [TS]

00:46:12 ◼   ► reality of the hotel and then and and [TS]

00:46:15 ◼   ► then dials into well it's like you have [TS]

00:46:18 ◼   ► to solve a rubik's cube to hack in we [TS]

00:46:20 ◼   ► have [TS]

00:46:20 ◼   ► no idea but they didn't appear on unix [TS]

00:46:22 ◼   ► yeah they didn't want to make it too [TS]

00:46:24 ◼   ► complicated to it's like a two by two by [TS]

00:46:26 ◼   ► two Rubik's Cube instead it is peculiar [TS]

00:46:29 ◼   ► because also when he goes on to hack [TS]

00:46:30 ◼   ► some other stuff later on it it is just [TS]

00:46:32 ◼   ► just physically manipulating some things [TS]

00:46:35 ◼   ► a couple times and it's like okay attack [TS]

00:46:37 ◼   ► now it's like I don't really think that [TS]

00:46:40 ◼   ► that is that is a good way to do any of [TS]

00:46:42 ◼   ► this but a and I certainly don't think [TS]

00:46:45 ◼   ► it helps to communicating to the [TS]

00:46:46 ◼   ► audience but i guess it would have been [TS]

00:46:47 ◼   ► too complicated and too you know for [TS]

00:46:50 ◼   ► boring not this movie is afraid of doing [TS]

00:46:52 ◼   ► boring you know how to communicate and [TS]

00:46:54 ◼   ► either way of doing it i'm not going to [TS]

00:46:56 ◼   ► show how to really hack things it's a [TS]

00:46:58 ◼   ► bite block but it's in virtual reality [TS]

00:47:00 ◼   ► so that makes it a high-security no it's [TS]

00:47:04 ◼   ► just a bike lock you just turn it it [TS]

00:47:06 ◼   ► pops right off and then you can access [TS]

00:47:08 ◼   ► into the buffer zone fax machines i [TS]

00:47:10 ◼   ► guess this is why you have to entrust [TS]

00:47:12 ◼   ► your data to someone to physically walk [TS]

00:47:13 ◼   ► around the planet yeah it turns out this [TS]

00:47:15 ◼   ► fax machines have more memory in them [TS]

00:47:17 ◼   ► that he does ridiculous so they put a [TS]

00:47:22 ◼   ► virus on them [TS]

00:47:23 ◼   ► yeah black ice that sounds like bad news [TS]

00:47:26 ◼   ► yeah and and also the the cars are [TS]

00:47:28 ◼   ► coming to get them the acura cars their [TS]

00:47:30 ◼   ► electric cars apparently because they [TS]

00:47:32 ◼   ► dumped in a kind of high-pitched [TS]

00:47:33 ◼   ► electrical whine as they're coming [TS]

00:47:36 ◼   ► together so you can tell they're [TS]

00:47:38 ◼   ► electric cars it's the future because [TS]

00:47:40 ◼   ► the future they'll be electric cars ok [TS]

00:47:42 ◼   ► alright fair enough [TS]

00:47:43 ◼   ► good job Johnny mnemonic alright that [TS]

00:47:46 ◼   ► reminds me of free Jack where the other [TS]

00:47:48 ◼   ► to make some turistic was put some giant [TS]

00:47:51 ◼   ► foam stuff all over the cars and that [TS]

00:47:54 ◼   ► one that looks like a tank anyway I [TS]

00:47:57 ◼   ► would get us into free jet that also [TS]

00:48:00 ◼   ► movie with problems how shy but it's not [TS]

00:48:04 ◼   ► take Jagger's dat the AI face dead ghost [TS]

00:48:09 ◼   ► lady in the computer the ghost in the [TS]

00:48:10 ◼   ► machine says oh they're coming you've [TS]

00:48:12 ◼   ► got to go and warn them off and they [TS]

00:48:16 ◼   ► have to run away because the electric [TS]

00:48:17 ◼   ► cars are coming [TS]

00:48:18 ◼   ► this is when we're introduced to another [TS]

00:48:19 ◼   ► one of our key characters in the film it [TS]

00:48:23 ◼   ► is the hairy Jesus murderer known as [TS]

00:48:26 ◼   ► street preacher played by Dolph Lundgren [TS]

00:48:30 ◼   ► and he's great in this he is [TS]

00:48:33 ◼   ► I love this character it is interesting [TS]

00:48:36 ◼   ► too because this is apparently after he [TS]

00:48:38 ◼   ► had improved his english speaking [TS]

00:48:43 ◼   ► abilities so that he's very articulate [TS]

00:48:46 ◼   ► as the preacher in comparison to see you [TS]

00:48:48 ◼   ► know like master the university manor [TS]

00:48:50 ◼   ► something so E is actually a much better [TS]

00:48:54 ◼   ► than you would imagine Dolph Lundgren to [TS]

00:48:56 ◼   ► be if I were to tell you that Dolph [TS]

00:48:58 ◼   ► Lundgren was a murderous preacher in a [TS]

00:49:00 ◼   ► movie so I I like him in this [TS]

00:49:02 ◼   ► oh yeah he's a long way from I must [TS]

00:49:04 ◼   ► break you [TS]

00:49:06 ◼   ► well I think he's super super fun and [TS]

00:49:07 ◼   ► this is he is a lot of fun i would say [TS]

00:49:10 ◼   ► is probably the best actor in the movie [TS]

00:49:11 ◼   ► he legitimately seems to have some kind [TS]

00:49:14 ◼   ► of inner life which certainly nobody [TS]

00:49:16 ◼   ► else does [TS]

00:49:17 ◼   ► yes and he enjoys his work he has [TS]

00:49:20 ◼   ► motivation that he apparently kills [TS]

00:49:22 ◼   ► people for money so we can keep adding [TS]

00:49:24 ◼   ► more cyber implants to himself and keep [TS]

00:49:27 ◼   ► getting more and more powerful [TS]

00:49:29 ◼   ► yep and occasionally something about [TS]

00:49:30 ◼   ► Jesus that you get you got it that you [TS]

00:49:33 ◼   ► nailed him I owe at this point jane says [TS]

00:49:37 ◼   ► I know I know this guy a spider he can [TS]

00:49:42 ◼   ► fix your and she has the her her seizure [TS]

00:49:47 ◼   ► her shakes but it's a black shapes yeah [TS]

00:49:51 ◼   ► it's the it's the Naas I think [TS]

00:49:54 ◼   ► somebody's baby playing at Coachella one [TS]

00:49:56 ◼   ► of these years the black shape yeah [TS]

00:49:58 ◼   ► anything lately black shake bone and so [TS]

00:50:05 ◼   ► Henry Rollins going home or wait I got [TS]

00:50:07 ◼   ► one more [TS]

00:50:08 ◼   ► that was good news McHale says black [TS]

00:50:10 ◼   ► shakes her back haha it's just it's [TS]

00:50:14 ◼   ► quitting flavored you would know you've [TS]

00:50:18 ◼   ► attenuated my nerves now monitor and [TS]

00:50:20 ◼   ► Henry Rollins tries to help her [TS]

00:50:25 ◼   ► the ghost in the machine appears again [TS]

00:50:26 ◼   ► the street Street picture appears and [TS]

00:50:28 ◼   ► kills a guy there inside with more [TS]

00:50:31 ◼   ► burning trash cans which as I said [TS]

00:50:33 ◼   ► before is a sign of the apocalypse but [TS]

00:50:35 ◼   ► also not healthy on the inside to burn [TS]

00:50:38 ◼   ► your trash cans [TS]

00:50:39 ◼   ► leave that outside folks what if they're [TS]

00:50:41 ◼   ► weird high-tech trash that he met oxygen [TS]

00:50:43 ◼   ► when they're burnt no interesting we we [TS]

00:50:46 ◼   ► learned [TS]

00:50:47 ◼   ► origin of dr. all come who is maybe the [TS]

00:50:50 ◼   ► person that they need to find out the [TS]

00:50:52 ◼   ► secrets from about about Johnny's [TS]

00:50:56 ◼   ► implants and because they remember [TS]

00:50:58 ◼   ► Johnny remember that he had implants we [TS]

00:50:59 ◼   ► sort of forgot because there was a lot [TS]

00:51:01 ◼   ► of nonsense going on dr. all come it [TS]

00:51:03 ◼   ► turns out your spider says is actually [TS]

00:51:06 ◼   ► just a medical term for when they don't [TS]

00:51:08 ◼   ► want to freak people out when there's [TS]

00:51:09 ◼   ► something incredibly difficult and scary [TS]

00:51:11 ◼   ► happening at the hospital they'll page [TS]

00:51:13 ◼   ► dr. all come which means everybody needs [TS]

00:51:16 ◼   ► to come because something bad just [TS]

00:51:17 ◼   ► happened so that was a nice little bit [TS]

00:51:19 ◼   ► of medical trivia [TS]

00:51:22 ◼   ► thanks Henry Rollins somebody writing [TS]

00:51:25 ◼   ► the script had the United 95 equivalent [TS]

00:51:28 ◼   ► of wikipedia encarta sure and said oh I [TS]

00:51:32 ◼   ► gotta work this into my next movie by [TS]

00:51:34 ◼   ► whatever means necessary [TS]

00:51:36 ◼   ► there's there's some trust issues [TS]

00:51:38 ◼   ► between ken Reeves and entering ones [TS]

00:51:42 ◼   ► especially this is your moral dilemma of [TS]

00:51:43 ◼   ► the movie really which is that what [TS]

00:51:46 ◼   ► Henry Rollins basically says look you've [TS]

00:51:47 ◼   ► got the cure for naas in there that's [TS]

00:51:50 ◼   ► what this is this company with their [TS]

00:51:53 ◼   ► with their fake tower pharma com they [TS]

00:51:56 ◼   ► have found the cure but they don't want [TS]

00:51:58 ◼   ► to save anybody with it because they're [TS]

00:52:00 ◼   ► havin they're making too much money from [TS]

00:52:02 ◼   ► their various drugs and so this is the [TS]

00:52:05 ◼   ► way where the corporations are screwing [TS]

00:52:06 ◼   ► the little guy we can get it out we're [TS]

00:52:10 ◼   ► rip your your uh your implants out and [TS]

00:52:12 ◼   ► get the Cure out but you will maybe not [TS]

00:52:15 ◼   ► die but you'll have some you know you [TS]

00:52:18 ◼   ► have no long-term memory and probably [TS]

00:52:19 ◼   ► some problems with your movement but uh [TS]

00:52:22 ◼   ► but hey you'll save millions of people [TS]

00:52:25 ◼   ► and you're probably gonna die regardless [TS]

00:52:26 ◼   ► of what happens [TS]

00:52:28 ◼   ► so what do you say and then this is it [TS]

00:52:31 ◼   ► this is the moral dilemma for Johnny I [TS]

00:52:34 ◼   ► guess which is you know does he let them [TS]

00:52:36 ◼   ► you know crippled him or kill him in [TS]

00:52:38 ◼   ► exchange for the secure which i think [TS]

00:52:40 ◼   ► basically never gets resolved because [TS]

00:52:43 ◼   ► Harry Jesus murder Dolph Lundgren [TS]

00:52:46 ◼   ► attacks them and then it doesn't matter [TS]

00:52:48 ◼   ► but I thought that was an interesting [TS]

00:52:49 ◼   ► attempt to have at least some sort of [TS]

00:52:52 ◼   ► moral dilemma for Johnny yeah and he's [TS]

00:52:56 ◼   ► got to be selfless not that was ever [TS]

00:52:58 ◼   ► into that being [TS]

00:52:59 ◼   ► an issue before this I guess strongly [TS]

00:53:03 ◼   ► now is like ma like Monty said he has is [TS]

00:53:06 ◼   ► his break down shortly after this where [TS]

00:53:08 ◼   ► has all this responsibility that he [TS]

00:53:09 ◼   ► didn't want to have to deal with when [TS]

00:53:11 ◼   ► they take spiders dump truck thing and [TS]

00:53:14 ◼   ► go over to heaven and the the E he gets [TS]

00:53:20 ◼   ► very frustrated and lays it all out [TS]

00:53:22 ◼   ► there all this pent-up rage that he has [TS]

00:53:25 ◼   ► about room service etc that Monty [TS]

00:53:27 ◼   ► discussed and so it was sort of strange [TS]

00:53:30 ◼   ► that the dilemma isn't as tethered to [TS]

00:53:34 ◼   ► the rest of the things that you know [TS]

00:53:36 ◼   ► it's not like he's been selling people [TS]

00:53:39 ◼   ► out the whole entire time that we've [TS]

00:53:41 ◼   ► seen on screen because we've only seen [TS]

00:53:43 ◼   ► this one transaction right yeah he's [TS]

00:53:45 ◼   ► purposely enigmatic to us is his name is [TS]

00:53:48 ◼   ► Johnny he doesn't even have a last name [TS]

00:53:51 ◼   ► and he doesn't remember but to this past [TS]

00:53:54 ◼   ► so I felt like they were purposely [TS]

00:53:55 ◼   ► saying he's nobody [TS]

00:53:58 ◼   ► and then all of a sudden he has to make [TS]

00:54:01 ◼   ► a decision that has nothing to do with [TS]

00:54:02 ◼   ► him and it seems like bad mood because [TS]

00:54:05 ◼   ► you do you think made you think that yes [TS]

00:54:08 ◼   ► as surprised maybe a little bit uh oh [TS]

00:54:12 ◼   ► Dolph Lundgren attacks they run they [TS]

00:54:15 ◼   ► want to set up a meet to baby again [TS]

00:54:17 ◼   ► still trying hoping against hope that [TS]

00:54:19 ◼   ► there's going to be a way out of this [TS]

00:54:20 ◼   ► turns out though that he's not talking [TS]

00:54:21 ◼   ► to real person he's talking to a puppet [TS]

00:54:23 ◼   ► being controlled by a virtual reality [TS]

00:54:26 ◼   ► they a fake person he's talking to [TS]

00:54:29 ◼   ► it's happened to all of us the ghost [TS]

00:54:31 ◼   ► machine appears again and bugs takahashi [TS]

00:54:34 ◼   ► about about doing the right thing and [TS]

00:54:37 ◼   ► his and his daughter i think at this [TS]

00:54:39 ◼   ► point and then we get to the scene that [TS]

00:54:42 ◼   ► makes the movie if you thought the movie [TS]

00:54:44 ◼   ► was slow before it stops the movie [TS]

00:54:46 ◼   ► gentleman's tracks which is the action [TS]

00:54:49 ◼   ► set piece where they try to get up into [TS]

00:54:51 ◼   ► the bridge which is being patrolled by a [TS]

00:54:53 ◼   ► couple of idiots [TS]

00:54:55 ◼   ► it's the comic relief because it's been [TS]

00:54:59 ◼   ► so tense and dramatic up until now we [TS]

00:55:01 ◼   ► need these dopes there was neither [TS]

00:55:03 ◼   ► comedy no relief that occurred in the [TS]

00:55:05 ◼   ► scene III there there that there is an [TS]

00:55:09 ◼   ► idiot the bridge speaking things we can [TS]

00:55:11 ◼   ► I can't even understand [TS]

00:55:12 ◼   ► and they are looking down at are our [TS]

00:55:16 ◼   ► heroes who are down below at one point [TS]

00:55:19 ◼   ► there's a mistake and they drop a car on [TS]

00:55:24 ◼   ► the van but they came over in and blow [TS]

00:55:27 ◼   ► it up which should mean something and [TS]

00:55:29 ◼   ► doesn't it doesn't mean they just sort [TS]

00:55:32 ◼   ► of sets up the the fact that they have [TS]

00:55:34 ◼   ► some sort of defensive measure where [TS]

00:55:36 ◼   ► they can drop this car which they use [TS]

00:55:38 ◼   ► one other time after this there's [TS]

00:55:40 ◼   ► another car exactly like this car that [TS]

00:55:42 ◼   ► also blows things up i did like that [TS]

00:55:44 ◼   ► Jane was just standing there kind of [TS]

00:55:45 ◼   ► staring off into the distance and Johnny [TS]

00:55:48 ◼   ► had to come save her from that she's his [TS]

00:55:50 ◼   ► bodyguard and she did not notice the [TS]

00:55:54 ◼   ► flaming VW Bug plummeting from the sky [TS]

00:55:56 ◼   ► I don't know how much of it has to do [TS]

00:55:58 ◼   ► with the way they decided to make the [TS]

00:56:00 ◼   ► film i'm assuming that in the short [TS]

00:56:02 ◼   ► story she was a she was much more of the [TS]

00:56:05 ◼   ► person protecting him then is featured [TS]

00:56:07 ◼   ► here because it seems almost like this [TS]

00:56:09 ◼   ► is the sort of your traditional latino [TS]

00:56:11 ◼   ► guy has to protect the girl even though [TS]

00:56:13 ◼   ► she's supposed to be a ridiculously [TS]

00:56:15 ◼   ► awesome person you can do anything [TS]

00:56:17 ◼   ► yeah and yeah yeah weird thats that's [TS]

00:56:20 ◼   ► exactly right then iced tea comes down [TS]

00:56:23 ◼   ► his little platform yeah it comes to get [TS]

00:56:24 ◼   ► them we we have we do have a moment in [TS]

00:56:26 ◼   ► here where Johnny this is this is the [TS]

00:56:29 ◼   ► more I find it very bizarre that we're [TS]

00:56:31 ◼   ► suddenly supposed to sort of I Jenna [TS]

00:56:32 ◼   ► identify with johnny is a person right [TS]

00:56:34 ◼   ► because this is where he says now I'm [TS]

00:56:35 ◼   ► responsible for the whole world he rants [TS]

00:56:38 ◼   ► about wanting laundered shirts or [TS]

00:56:41 ◼   ► hookers [TS]

00:56:42 ◼   ► ok always laundry your hooker shoes [TS]

00:56:46 ◼   ► that's right you don't know where [TS]

00:56:49 ◼   ► they've been tip your shirts in to them [TS]

00:56:51 ◼   ► so yeah so I see comes down to get them [TS]

00:56:55 ◼   ► he's wearing like ski goggles I I [TS]

00:56:56 ◼   ► thought that was a good look for him now [TS]

00:56:59 ◼   ► I felt like this might i I can't defend [TS]

00:57:02 ◼   ► this but I felt like this maybe wasn't [TS]

00:57:04 ◼   ► supposed to be iced tea or one of the [TS]

00:57:08 ◼   ► earlier Henry Rollins is wasn't supposed [TS]

00:57:10 ◼   ► to be Henry Rollins this is the third [TS]

00:57:12 ◼   ► time we run into ice tea and we went [TS]

00:57:15 ◼   ► running ran into Henry Rollins a couple [TS]

00:57:17 ◼   ► times yes and I don't know it just like [TS]

00:57:21 ◼   ► I didn't have enough characters [TS]

00:57:24 ◼   ► like why is this the same guy he ran [TS]

00:57:26 ◼   ► into twice before because we paid money [TS]

00:57:29 ◼   ► for a skipper is it's also weird because [TS]

00:57:33 ◼   ► it seems like every time they meet [TS]

00:57:35 ◼   ► it's like the first time they've ever [TS]

00:57:37 ◼   ► met yeah there's a lot of who's this guy [TS]

00:57:40 ◼   ► well you just saw that cut out all of [TS]

00:57:42 ◼   ► the previous ice-t scenes in this film [TS]

00:57:44 ◼   ► and it's just been this introduction [TS]

00:57:46 ◼   ► here it would play exactly the same [TS]

00:57:48 ◼   ► which is which is very peculiar in terms [TS]

00:57:51 ◼   ► of like the with a chose to do with this [TS]

00:57:53 ◼   ► and also if you cut out all the other [TS]

00:57:55 ◼   ► seen step for the low-tech thing you'd [TS]

00:57:57 ◼   ► be like oh LOL a nicety cameo that has [TS]

00:57:59 ◼   ► nothing to do with anything but he's [TS]

00:58:00 ◼   ► here and then he's gone and it had [TS]

00:58:01 ◼   ► nothing to do with anything and then the [TS]

00:58:03 ◼   ► very beginning same thing I have no idea [TS]

00:58:05 ◼   ► why they chose to make it so that it [TS]

00:58:09 ◼   ► doesn't build at all to anything and so [TS]

00:58:12 ◼   ► is a maybe they were just like I don't [TS]

00:58:13 ◼   ► know if the scene is gonna work so we [TS]

00:58:14 ◼   ► better construct every time we meet him [TS]

00:58:16 ◼   ► so that it's just we can be exercised or [TS]

00:58:19 ◼   ► something it is very peculiar maybe he [TS]

00:58:21 ◼   ► just has bad short-term memory [TS]

00:58:23 ◼   ► yeah well he has memory problems like [TS]

00:58:25 ◼   ► shakes uh Johnny almost has a memory of [TS]

00:58:28 ◼   ► his childhood here he and Gina almost [TS]

00:58:32 ◼   ► kiss in and totally honored way but then [TS]

00:58:34 ◼   ► they don't you just summed up the [TS]

00:58:37 ◼   ► remains of the day [TS]

00:58:38 ◼   ► yeah haha inside this place and also [TS]

00:58:43 ◼   ► this is very much like the remains of [TS]

00:58:45 ◼   ► the day inside the ICU check place they [TS]

00:58:47 ◼   ► have a bunch of tvs oh I love this set [TS]

00:58:50 ◼   ► design it's just a million TVs a million [TS]

00:58:53 ◼   ► tvs that reminds me Monty of a a public [TS]

00:58:57 ◼   ► art project you'd see at UC San Diego [TS]

00:58:59 ◼   ► oh and I'm serious this this is very [TS]

00:59:02 ◼   ► nostalgic for when a million TVs [TS]

00:59:04 ◼   ► everywhere was a thing you could do like [TS]

00:59:06 ◼   ► you're putting on your low budget play [TS]

00:59:09 ◼   ► what we do for the set million tvs are [TS]

00:59:13 ◼   ► wired together so that they are like a [TS]

00:59:14 ◼   ► color or something [TS]

00:59:16 ◼   ► yeah yeah so they've got that and then [TS]

00:59:18 ◼   ► but I ste explains know whether the [TS]

00:59:20 ◼   ► video comes in and then we remix it and [TS]

00:59:23 ◼   ► then we and we like extracted and then [TS]

00:59:25 ◼   ► we provide broadcast it out and in lots [TS]

00:59:27 ◼   ► of other junk that he says here because [TS]

00:59:29 ◼   ► it's like super cool man [TS]

00:59:31 ◼   ► which I kept thinking that the plot was [TS]

00:59:34 ◼   ► going to be that since they were [TS]

00:59:35 ◼   ► recording the three images to unlock his [TS]

00:59:38 ◼   ► memory at a loss of the television that [TS]

00:59:41 ◼   ► if they got one of the images they could [TS]

00:59:43 ◼   ► know when it they could figure out like [TS]

00:59:44 ◼   ► when it aired and what the other [TS]

00:59:46 ◼   ► channels were and they could figure out [TS]

00:59:47 ◼   ► how to unlock the code that totally [TS]

00:59:49 ◼   ► didn't you you're being too smart to one [TS]

00:59:51 ◼   ► way to go [TS]

00:59:52 ◼   ► I I think he's just like rebroadcasting [TS]

00:59:55 ◼   ► all the law and order and and Special [TS]

00:59:57 ◼   ► Victims Unit episodes over and over [TS]

00:59:59 ◼   ► again [TS]

00:59:59 ◼   ► again [TS]

01:00:00 ◼   ► that's what from the future yeah we have [TS]

01:00:02 ◼   ► it but it's the movies past ok maybe you [TS]

01:00:04 ◼   ► know there's a totally sane rational [TS]

01:00:06 ◼   ► explanation for why they don't do any of [TS]

01:00:08 ◼   ► that Jason and that is because they have [TS]

01:00:10 ◼   ► a navy operative who is very Jones [TS]

01:00:14 ◼   ► specifically trained in dealing with the [TS]

01:00:16 ◼   ► sort of stuff in dealing with a criminal [TS]

01:00:18 ◼   ► and and it's it's a cyborg dolphin it's [TS]

01:00:21 ◼   ► it is and are with no major friend that [TS]

01:00:29 ◼   ► is my last note of the movie that's 100 [TS]

01:00:36 ◼   ► yes Jones is a dolphin and with with [TS]

01:00:40 ◼   ► cyborg kind of parts they attach Johnny [TS]

01:00:44 ◼   ► to the virtual reality the Yakuza those [TS]

01:00:46 ◼   ► guys never give up [TS]

01:00:48 ◼   ► they attack my notes say fights comma [TS]

01:00:51 ◼   ► nonsense it is directed so poorly [TS]

01:00:55 ◼   ► you have no idea what hang and the [TS]

01:00:57 ◼   ► matrix that people are dressed like [TS]

01:00:59 ◼   ► they're in the matrix there's guys in [TS]

01:01:01 ◼   ► cool black trench coats there fighting [TS]

01:01:02 ◼   ► Keanu Reeves and man is a terrible it's [TS]

01:01:06 ◼   ► terrible and boring and nonsensical the [TS]

01:01:08 ◼   ► ghost in the machine appears again and [TS]

01:01:11 ◼   ► tells Takashi that his daughter died of [TS]

01:01:13 ◼   ► the disease he needs to he needs to make [TS]

01:01:16 ◼   ► a difference now he gets shot [TS]

01:01:18 ◼   ► there's more shooting there they hang [TS]

01:01:21 ◼   ► that one point they're being chased and [TS]

01:01:23 ◼   ► they end up it is like trap door goes [TS]

01:01:25 ◼   ► open and they're hanging over the water [TS]

01:01:28 ◼   ► under the bridge but the the model of [TS]

01:01:31 ◼   ► the monofilament cable cuts the the the [TS]

01:01:35 ◼   ► bad guy so they're they're saved but oh [TS]

01:01:39 ◼   ► the preacher street preachers there and [TS]

01:01:43 ◼   ► he's got he's got Jane and Takashi has [TS]

01:01:47 ◼   ► been shot as we saw before but he has [TS]

01:01:51 ◼   ► the second photo and he said about his [TS]

01:01:53 ◼   ► dead daughter who died of the horrible [TS]

01:01:55 ◼   ► disease and then I have a line that i [TS]

01:01:58 ◼   ► believe i've never written before which [TS]

01:02:00 ◼   ► is dolphins apps him very slowly but [TS]

01:02:04 ◼   ► this is literally at we we are led to [TS]

01:02:06 ◼   ► believe that their that since the street [TS]

01:02:09 ◼   ► preachers there things are are in dire [TS]

01:02:11 ◼   ► straits and then [TS]

01:02:13 ◼   ► are they going to get out of this and [TS]

01:02:14 ◼   ► what happens is very very very slowly [TS]

01:02:17 ◼   ► they maneuver the dolphin and Keanu [TS]

01:02:20 ◼   ► Reeves so that the dolphin can use his [TS]

01:02:22 ◼   ► sonic wave power amplified through an [TS]

01:02:26 ◼   ► antenna to microwave the street preacher [TS]

01:02:29 ◼   ► basically but it's so slow it is the it [TS]

01:02:33 ◼   ► is it is the opposite of action it is [TS]

01:02:36 ◼   ► just very very methodically this happen [TS]

01:02:39 ◼   ► for a long stretch of time before [TS]

01:02:41 ◼   ► finally Dolph Lundgren burst into flames [TS]

01:02:45 ◼   ► and is in like 20 seconds is just a [TS]

01:02:47 ◼   ► desiccated microwave corpse on the [TS]

01:02:49 ◼   ► ground [TS]

01:02:50 ◼   ► I thought it was a magnet not a [TS]

01:02:51 ◼   ► microwave like I thought it was pulling [TS]

01:02:53 ◼   ► his nanotechnology out of it I that [TS]

01:02:56 ◼   ► could be why don't i don't know that [TS]

01:02:58 ◼   ► would have been more into amplified [TS]

01:02:59 ◼   ► dolphin waves though that are doing it [TS]

01:03:02 ◼   ► as far as i can tell that doesn't make [TS]

01:03:04 ◼   ► the microwaves anymore that makes it is [TS]

01:03:06 ◼   ► microwave scientifically sound as [TS]

01:03:08 ◼   ► microwaves because of the transmitter [TS]

01:03:09 ◼   ► was a microtransmitter but i might be [TS]

01:03:12 ◼   ► wrong all of us may be wrong because [TS]

01:03:14 ◼   ► it's really technically making me sad [TS]

01:03:16 ◼   ► situation like a very strong very low [TS]

01:03:18 ◼   ► wattage microwave he slowly gets burned [TS]