64: The Law of the Large
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From Relay FM, this is Upgrade, episode number 64. Today's show is brought to you
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by Braintree,
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TextExpander, Hover,
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and igloo. My name is Myke Hurley and I'm joined by Mr. Jason Snow.
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Hi Myke, how's it going? I'm very well Mr. Snow, how are you today?
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Pretty good. Busy, busy time, busy week.
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lots of iPad Pro business and we had a busy show last week and I think we're gonna have
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another busy show this week.
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Yep, we're gonna look at the movies later on today.
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Everyone's favorite segment.
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But we do have to do some follow-up and one of the most important pieces of follow-up
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this week is bringing Serenity Korbla back onto the show. Hi Wren.
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So we wanted to do some Apple Pencil follow-up because now both me and Wren have pencils.
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Because we have them.
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The big idea last week was that I was going to rely on you guys to tell me about the Apple
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Pencil. And so we set it all up and nobody could get a pencil. And so we sort of looked at me and
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I was like, I don't know, but now you both have Apple Pencils. So this is perfect because I can
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listen to you who actually care about these things in a way that I will never care. Talk about the
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Apple Pencil. So, Wren, you now have acquired your own pencil and you've
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You've been doing some drawing and stuff with it.
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How are you finding the Apple Pencil
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for the type of stuff that you'd like to do digitally
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from an artistic perspective?
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- Well, I have to prevent myself from squeaking
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on the air right now,
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'cause that's how I feel about the Apple Pencil.
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Honestly, I've been drawing digitally for about 16 years,
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which seems insane to me, by the way.
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And I started with trackpad drawing
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and I progressed to Wacom tablets.
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And when the iPad came out, I did a very--
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I've used a variety of styluses.
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And I think we talked about this last week, where
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there's a lot to be desired from digital drawing.
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You can't really replicate the feeling of drawing on paper.
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It's just not going to happen when you have a glass screen or even
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a plastic screen.
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So the manufacturers have to focus on other aspects.
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They have to focus on the lag and the latency being very small, and they have to make sure
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that the pressure just feels right.
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And the Apple Pencil has managed to nail both of these things better, as good as Wacom,
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or if not very, very close.
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Yeah, I've found that like, so it's still clicky, right?
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Because it's still plastic on glass.
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I've noticed that when I'm... because I come at this from a more of a handwriting perspective,
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so maybe I'm kind of lifting and putting down the pencil more frequently, right?
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So it does make a tapping sound, which isn't as nice, but fundamentally this is better
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than anything that I've used as well.
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And I actually wrote a review of one of the... maybe one or two articles I write in a year.
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I wrote a review for The Pen Addict from the perspective of somebody who is interested
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in using the pencil for handwriting. And I have to say that fundamentally this thing
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is extremely good for handwriting skills. Like to use as something to take digital notes
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more than anything else ever has been before. Like you don't have to zoom in to a specific
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area so you can write in a way that's basically not every word filling up an eighth of the
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screen. The precision that the Apple Pencil is able to give is kind of incredible. Like
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I can write smaller than it seems that the pencil can actually pick up.
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So like I'm making movements, which are my regular hand movements, but the
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pencil tip seems conceivably too thick to make the tiny, tiny text that I'm able to
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get from it.
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Like I am incredibly impressed with how responsive and precise this thing is from
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a handwriting perspective.
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Well, you think about the other iPad styluses when previously we were trying
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to write reasonably sized letters with those big gigantic nibs.
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And even that you could get kind of a simulation of handwriting, but it was just terrible.
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And you know, despite the fact that I use this primarily for drawing, handwriting is
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always the first thing I test with a stylus because it tells me very quickly how just
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how responsive the pen is going to be and how precise the pen is going to be.
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Because it's a much better real world test for having to trace over lines.
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And it is one of the first things I tried with the pencil was writing in big letters,
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writing in smaller letters, and writing in the smallest possible letters that I could
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And not only was it able to write in what I would call four or five point font, but
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I was able to outline and trace over those letters with pinpoint precision, which has
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never happened for a digital stylist that I've used.
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Again, Wacom comes close.
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But the Cintiq, I mean the Cintiq line has always felt big and clunky and overburdened
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Where it's like, okay, there's this big giant display and it's heavy and it has to be tethered
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to your computer.
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And the tablet interface is unfortunately terrible.
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You know, the Cintiq Companion I just wasn't impressed by as a portable solution.
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And here's this thing.
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This thing is probably half the weight of the Cintiq Companion and has a retina screen
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and can connect to your Mac via AstroPad.
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And you can take notes on it on the go and it just, I don't know.
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The more I work with the iPad Pro, especially when paired with the pencil, the more impressed
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I was drawing a birthday card for my little sister this morning.
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And it was just one of those things where prior to this, if I wanted to do a full color
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card for somebody, that would probably be nine or ten hours of work because I would
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do the original sketch.
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Then I would scan or take a photo of the sketch to put it on my device.
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Then if I was working on an iPad, I would just have to suffer through at like 200% zoom
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with one of my styluses and pray that the stroke coming out is the stroke I want.
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If I was using Photoshop, then I'd have to hook up my Intuos to my laptop.
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That would mean I'd have to bring my Intuos.
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I'm on vacation right now, so that's extra stuff and heavy.
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And then so much, so much effort.
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Whereas the iPad, I did that in three hours.
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And I've been doing, I did all of these drawings, I was on the plane, I did three or four live
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sketches, some with some typography in under three hours.
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I think I did three or four.
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And that just, it feels like a real, it doesn't feel like a real pencil in terms of the plastic
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on glass feeling.
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That's not going to happen unless Apple figures out a way to make tactics fool your brain.
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But it feels as close to a real sketchbook as you possibly can with a digital instrument.
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And the thing that really excites me about this is that Apple's just getting started.
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This is a 1.0 product, and it doesn't work the way that the Microsoft Surface does.
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It doesn't work the way that the Wacom does.
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It's using an entirely new type of technology to try and achieve this, which means that
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it can only get better from here.
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And that is mind-blowing to me.
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That is so exciting.
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Because Wacom has been working at this for what, 20 years, 25 years now?
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Apple's on year one publicly.
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Yeah, that's the thing that blows me away as well, is that this is 1.0.
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We've gone from me wanting something to me just having what I wanted.
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But this is the thing that I've wanted since 2010 though, right?
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Like I've wanted to be able to do this since the iPad was introduced, but only now am I
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able to do it.
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it's fine because now I've got what I want and it's perfect.
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And it's perfect, exactly. It's not half fast.
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I don't care that I had to wait.
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It's funny because I've been writing this sort of this experimental series on iMore
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and people responded after my first day with the pencil being like,
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"Yeah, but they should have done it three years ago."
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And I'm like, "No, you know what?
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They started working on this three or four years ago because that's when we started to see patents."
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And I like to get a 1.0 that's perfect,
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I would have so much rather had a 1.0 that was perfect than get a 1.0 that was half-assed
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and felt like every other stylus on the market.
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The fact that Apple—and also, you know what?
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I will defend—a lot of people are like, "Oh man, I love this.
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Now I want it on an iPad Air or a Mini."
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I can definitely see this coming to the iPad Air in future installments, but I will defend
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the 12.9-inch screen with my life the more I use it with the Pro.
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Because for sketching, it is the perfect size.
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It really is.
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It's sketchbook sized.
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And even for writing, you turn it in portrait and then all of a sudden you have a clipboard
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that you can write on.
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It feels so good in my hand.
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And I feel like I'm just heaping praise on this.
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There are definitely things that it doesn't do perfectly.
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But I don't know, I'm just so impressed that Apple was able to do this and make it work
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And even in third party apps, even third party apps that haven't taken full advantage of
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the APIs that Apple's now included for the pencil, it still works well.
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Saying about the perfection thing, we both keep saying it's perfect, and you touched
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on it a little bit.
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When I say it's perfect, the result is perfect.
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I actually think the hardware, the Apple Pencil itself, was an incredible feat.
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Like I was listening to Jason and John on the talk show just before we started, and
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the idea that it just works.
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You just pick it up and it works, you plug it in and it charges.
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There are a couple of things that leave a little bit to be desired.
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For me personally, I think the fact that it is just a cylinder, it doesn't work for me.
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I really wish that they would have put a flat edge on this thing or a clip.
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And I know, I talk about it in the piece that I wrote.
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The way that Apple tried to combat this is to put magnets in the pencil.
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So when you put it down it shouldn't roll away.
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But what I've found is, if you put it down quickly, like if you drop it down on the desk,
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which is something I do, like I'm writing, I just put it down.
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Like I don't place, I put it down.
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If you put it down with any force, the magnets can end up giving the pencil momentum to move
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further, right?
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And it just like, off it goes.
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Like it's just running away from me.
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Which is, you know, I can see why they did it because the magnets also serve a dual purpose
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because, well the bytes are magnets, right?
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So they sort of serve that kind of that dual purpose in the device.
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I would have liked to have seen a clip.
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I'm looking forward to what will inevitably be third party clips, right?
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I just feel like they're going to come.
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There are already Kickstarters.
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I don't doubt that.
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There are probably already just pencil clips and pen clips for other devices, for other
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pens and pencils that you can just clip on the scene and it will work.
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But it's just, you know, we're completely gushing about this because for people that
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care about this thing, it does exactly what we need.
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And one of the things that I keep coming back to is this thing is so perfect, why is it
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so difficult for me to get it?
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I haven't even mentioned how I got this yet.
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They're still not in London.
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Marco Arment bought one of these for me and FedExed it from New York.
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And somehow it got to you.
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That's how I was able to get my hands on one of these things.
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There's still, I'm talking to people in London still about this, like in the business teams,
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they're still not available anywhere in London.
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And it's like this thing is so amazing and I'm talking about it, everybody's writing
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about it, everyone's saying how incredible it is, but nobody can actually buy one still.
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That problem still remains.
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And it's a little bit shocking to me that Apple, it's shocking to me how poorly this
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But my guess is something happened with quality control, where there was just a huge batch
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of pencils that something was wrong.
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And when it comes down to it, just like, would I have rather they shipped it two years ago
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or would I would I rather they shipped it today?
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I would much rather pencils get shipped that didn't have terrible defects in them, because
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then you're looking at a bunch of people who are really upset
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and they're like, oh, these reviewers told me
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this pencil is perfect, but then I pulled it out of the box
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and it has terrible lag, or the pencil tip falls off,
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or the cap-- you know what?
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I honestly wouldn't be surprised if shoddy caps were
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what stopped the whole thing, because I'm still
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frustrated with the cap.
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That's one thing we're talking about, build quality.
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The weight of the pencil feels amazing.
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I love the length.
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It's actually the exact same size as one of my HB pencils,
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which I need to photograph at some point, which
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is so funny to me. But the lack of a clip is annoying. And the stupid cap. I had what
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felt like a near death experience where I moved into, I was coming into the RV, you
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know, where we're staying for vacation, and I dropped all of my stuff on the floor. And
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then I was I picked up my pencil and the cap was gone. And I had this like, my heart leapt
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in my chest and I'm like, "Oh my god, I'm never gonna find it again!" And luckily, it
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wasn't that far away. But I'm like, "This thing could just fall off and I could never
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see it again." And then I just have this ugly little lightning nib that I'm gonna snap off
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inevitably. So that is very frustrating to me. And also, I will say, I love the fact
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that you can charge it with the iPad. Because I was drawing—I forget, I was drawing the
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other night while watching Jessica Jones and not close to any of my chargers. And I got
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a blip on the screen that was like, "Apple Pencil is down to 5%!"
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So all I did was I stuck the pencil into the iPad and set it aside for 10 minutes and that
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charged it up to like 45%.
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That kind of thing is really, it's a really smart idea.
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But Apple, you have a smart connector on the iPad.
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Why lightning and not the smart connector?
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Maybe it's just the quick charge wouldn't work quite as well, but sticking the pencil
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out of the device just does feel very awkward.
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As cool as it is.
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It's still goofy.
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Yeah, exactly. Exactly.
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And very precarious.
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My boyfriend almost snapped it off while we were sitting on the couch and charging it.
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I'm like, "Ah, okay."
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One thing that I find weird about that is it doesn't sit flush.
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No, it doesn't. It pops out a little bit.
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Yeah, which I really don't like that part.
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It's crazy enough not having to do this, but it wobbles in there.
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it doesn't go all the way in and that freaks me out. But I will say
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the same thing. I was taking some notes earlier and I noticed it was down to 10%
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I was just gonna take a break for a bit I just plugged it in 10 minutes later
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and it's at like 60% just like well I mean you know it's like I get why
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they're doing it this way but it you know it still kind of is a little bit
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like ah but it does work right so and it's the way I would do it is I have the
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device with me I'll just plug it in it basically takes no power away from the
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iPad to charge the thing, it works, but it's still super freaky as a thing to do.
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Yeah, exactly. That's the part of it that really feels like a 1.0 to me. And again,
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I wouldn't be surprised if the cap is what's holding up a lot of pencil shipments. I ended
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up getting one, ironically, I had the PR team finally send me one, and then it got delayed
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because of a crazy shipping malfunction.
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So I ran, I heard that pencils in the Northeast
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might have gotten around.
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So I ran to the nearest, my nearest store
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and they had like eight on display.
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And it took all of my gumption not to buy all eight
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and send them to various people that I knew who wanted them.
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But I just, I ended up just getting one.
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And then the other one came the next day.
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So now I have two pencils,
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but one is still in the box because I feel like.
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Yeah, when mine arrived, I was like, "Great, I'll cancel my order."
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So I cancelled my online order and now I've regretted it because I'm like, "Oh, I'm going
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to lose this.
00:15:54
◼
►
I'm going to lose it, I'm going to break it, and then my life's going to be over."
00:15:57
◼
►
So I know I need to track one down now.
00:16:00
◼
►
So I'm probably going to do that.
00:16:01
◼
►
I need a spare.
00:16:02
◼
►
Yeah, I feel like I need a spare because this has so quickly become an integral part of
00:16:07
◼
►
my workflow that if I lose this or break it, I'm going to be so sad because it's so nice.
00:16:16
◼
►
I have sketched more in the past four days than I have sketched in three years.
00:16:23
◼
►
It's fluid, it's natural.
00:16:26
◼
►
I wrote 3,000 words on it on iMore just because it's so easy to and I haven't even done thorough
00:16:32
◼
►
handwriting.
00:16:34
◼
►
I've been doing typography with my drawings, but Myke, it sounds like it's really phenomenal.
00:16:39
◼
►
We haven't even talked about palm rejection, how good palm rejection is.
00:16:43
◼
►
It's magical.
00:16:44
◼
►
So this is the thing, right?
00:16:45
◼
►
So one of the issues that I've always had with palm rejection, like the palm rejection
00:16:48
◼
►
that people build in software is I'm left-handed.
00:16:51
◼
►
And it tends to be that there may be left-handed modes, but they tend not to get the same amount
00:16:55
◼
►
of care and love.
00:16:56
◼
►
But the palm rejection, like I was just testing this, like I was just drawing a line on the
00:16:59
◼
►
pencil and running my other hand all over the iPad and nothing happens.
00:17:03
◼
►
It's like the pencil is the only thing that's recognized.
00:17:07
◼
►
It works perfectly.
00:17:08
◼
►
Like the handwriting, it's just, you know, I write with this thing and it looks the way
00:17:13
◼
►
I would expect it to look and that is the most important part for me.
00:17:16
◼
►
And the palm rejection is 100% perfect for me.
00:17:20
◼
►
I like lay on this thing and write like the same way
00:17:23
◼
►
that I would be laying on a table and writing.
00:17:25
◼
►
But there's one other point, though, that I find really interesting,
00:17:29
◼
►
which is using the pencil as an input method for the iPad forced up.
00:17:35
◼
►
Yes. Like I sit and just use the I use the iPad
00:17:40
◼
►
with a pen. Like it is for stylists constantly and it works great because
00:17:44
◼
►
there are some things where the precision really helps like text
00:17:47
◼
►
selection like hitting a word and dragging the the pointers is way easier
00:17:51
◼
►
with the pencil. I sit and like scroll lists in Tweetbot and one of the reasons
00:17:55
◼
►
this is so comfortable for me is for the last maybe month I've been using a
00:17:59
◼
►
Intuos tablet a Wacom Intuos tablet to control my iMac. Like that is how I now
00:18:05
◼
►
interact with my iMac so it works so perfectly for me to pick up the pencil
00:18:09
◼
►
so I can interact with my iPad in that way.
00:18:12
◼
►
One thing that I tried that I liked
00:18:14
◼
►
was I installed the SwiftKey keyboard
00:18:17
◼
►
and I was using the swipe stuff
00:18:18
◼
►
like as a way to type out messages.
00:18:20
◼
►
You just swipe it, but keyboard support on the iPad
00:18:23
◼
►
sucks so bad that you kind of don't want
00:18:25
◼
►
to really use it seriously.
00:18:26
◼
►
But like eventually when they fix the keyboard problem,
00:18:30
◼
►
it will work even better for me.
00:18:31
◼
►
But like I've just been really pleased
00:18:34
◼
►
with just using this device with a pencil
00:18:38
◼
►
and it works so great for me to just like tap this piece of UI, drag this over here,
00:18:43
◼
►
drop it down, type something with both hands, pick it back up.
00:18:46
◼
►
I could not be happier and it is complete.
00:18:50
◼
►
I mean, I already love the iPad Pro, but now it's like a whole next level.
00:18:54
◼
►
The pencil makes more of a difference to the iPad Pro to me than any hardware
00:19:00
◼
►
keyboard ever will. Whereas the hardware keyboards, they're nice for writing.
00:19:05
◼
►
But you're absolutely right.
00:19:06
◼
►
It's funny to me because I think of the pencil
00:19:09
◼
►
as very much an old world device, right?
00:19:11
◼
►
Pens are one of the earliest things we moved to after touch.
00:19:16
◼
►
It's like, okay, now we're cave painting.
00:19:18
◼
►
Oh, hey, we can sharpen a stick and then write with it.
00:19:21
◼
►
Hey, that works.
00:19:22
◼
►
So it's so funny to me that we're going back
00:19:25
◼
►
to that sort of integral, we're holding an input device,
00:19:29
◼
►
but we're also using our fingers.
00:19:31
◼
►
And we also have the opportunity to use the keyboard.
00:19:33
◼
►
And it really gives like what I love about the iPad Pro right now is that it's giving you the option to choose
00:19:39
◼
►
Which input device is best for you at what particular point and I absolutely agree with you about the input people being like me
00:19:48
◼
►
Mmm stylus is blah blah blah doomed
00:19:50
◼
►
Can go just sit in a corner because here's the thing some people, you know
00:19:55
◼
►
Some people don't want to touch the screen all the time
00:19:58
◼
►
or you're right, absolutely the precision.
00:20:01
◼
►
I've been using the pencil to do a lot of video editing.
00:20:04
◼
►
And what's really, really cool about iMovie on the iPad Pro,
00:20:08
◼
►
and it is very limited,
00:20:10
◼
►
but there are some really great gestures
00:20:13
◼
►
that allow you to do things
00:20:16
◼
►
that you would normally just use keyboard commands for.
00:20:19
◼
►
And one of those things is cutting up clips.
00:20:21
◼
►
You swipe down to cut a clip in two.
00:20:23
◼
►
And I've been using the pencil to cut and move clips around
00:20:26
◼
►
with no problems whatsoever.
00:20:28
◼
►
And I love it. And I also, I love that you can use both the pencil and touch
00:20:32
◼
►
gestures. You know, you can do multiple things at once with it.
00:20:35
◼
►
And it's just, I don't know, it feels so natural.
00:20:39
◼
►
And the fact that this is 1.0 just makes me so excited for
00:20:43
◼
►
all of Apple's problems with 1.0 products in the last year.
00:20:47
◼
►
They're like, we're going to mess up everything else, but the pencil is going to be
00:20:52
◼
►
the one good 1.0 product.
00:20:54
◼
►
You just wait, guys. It's all going to be OK.
00:20:56
◼
►
Now that's how I feel like, you know, we've had so many things on the show
00:21:00
◼
►
recently that have made us sad and angry.
00:21:02
◼
►
Um, but this one, you know, it's, it's filling me with the joy and delight
00:21:06
◼
►
that Apple products should and have done for so many years.
00:21:11
◼
►
And even if you're not a sketch, like someone who draws or someone
00:21:14
◼
►
who writes with any regularity, I really think you should go give a pencil a shot.
00:21:19
◼
►
Like people listening, if you can find one and even just in the demo room,
00:21:22
◼
►
it's so funny to me because I've been giving, you know, I've had my iPad
00:21:25
◼
►
I'd purl around and people are like, "Oh, hey, that's a thing."
00:21:29
◼
►
And I'll hand the pencil to them and step one I say, "You can put your hand on the screen."
00:21:33
◼
►
Because inevitably they start to try and write curved around.
00:21:38
◼
►
And I'm like, "No, put your hand on the screen."
00:21:40
◼
►
And then I say, "Try writing."
00:21:42
◼
►
Because they automatically dismiss writing as something that you could even do with the
00:21:46
◼
►
And their face, like everybody I've handed this to, their faces light up in a way that's
00:21:52
◼
►
really, really impressive to me.
00:21:55
◼
►
The original iPad made some people really excited.
00:21:58
◼
►
Some of my friends really excited and some people were just like, whatever.
00:22:01
◼
►
The pencil, everybody I have tried this is like, Oh my gosh, I could use this.
00:22:07
◼
►
I need this.
00:22:08
◼
►
This is awesome.
00:22:09
◼
►
Like it's universal joy, which is really awesome.
00:22:14
◼
►
Yeah, I'm, we could probably do this forever.
00:22:17
◼
►
But I'm concerned Jason's actually just left the room now.
00:22:20
◼
►
I know Jason's like, I'm bored.
00:22:22
◼
►
He's sleeping.
00:22:23
◼
►
I'm getting a lot of other unrelated work done right now, so thank you.
00:22:28
◼
►
There you go.
00:22:29
◼
►
I did want to say really quickly before we wrap up, I tested the Microsoft Surface Book
00:22:37
◼
►
and Surface Pro 4 against the iPad Pro.
00:22:40
◼
►
Not really against, it was more like I visited the Windows Central offices and was like,
00:22:44
◼
►
"Hey guys, let me draw on your Surface Book for a little while."
00:22:48
◼
►
Because I know some artists who have a Surface right now and are like, "Well, I just spent
00:22:52
◼
►
this money? Should I go over to an iPad Pro? What's different? What's awesome? The Surface
00:22:58
◼
►
is still pretty good. The Ntrig technology that powers the Surface's pen is actually
00:23:04
◼
►
not bad. But I think the Pencil wins hands down in writing, just absolutely. Even though
00:23:13
◼
►
the Surface runs a full operating system, I think that there's so much you can do with
00:23:18
◼
►
the iPad as is and then also you introduce apps like AstroPad which turn your display
00:23:24
◼
►
into a second screen specifically for artist work.
00:23:28
◼
►
So using Photoshop or any app that has those kinds of compatible tools.
00:23:34
◼
►
There's a lot of ways to work around this and there are great native apps on the iPad
00:23:39
◼
►
that you can start a drawing, say in Procreate and export it to Photoshop if you really need
00:23:42
◼
►
to finish in Photoshop.
00:23:45
◼
►
I don't necessarily know if people should trash their Surface and immediately run out
00:23:49
◼
►
and buy an iPad.
00:23:50
◼
►
The Surface is still a pretty good tablet.
00:23:53
◼
►
But I think it's a difference between, "Microsoft, you did a pretty good job.
00:23:58
◼
►
This is not a bad tablet."
00:24:00
◼
►
And it's an interesting concept to, "The iPad Pro is the device that I want to carry around.
00:24:04
◼
►
The Pencil is the device that I would, hands down, buy this in a second, not look back."
00:24:09
◼
►
About a shadow of a doubt.
00:24:10
◼
►
No, I'm sure you're going to continue writing tons of great stuff on iMore.com about all
00:24:15
◼
►
of this. So much, so much. Wren, thank you so much for joining me because Jason
00:24:20
◼
►
wouldn't have given me this level of excitement back. I'm here for you
00:24:25
◼
►
Myke by bringing in other people to be here for you. Wren, thank you so much for
00:24:29
◼
►
joining us. Where else can people find you online? Thanks, Myke. I can be
00:24:34
◼
►
found at @Sattern on Twitter and Instagram and of course on iMore
00:24:39
◼
►
every single day where I'll be writing and drawing lots about the iPad Pro and
00:24:44
◼
►
Pencil. Thank you, Ran. Thank you.
00:24:46
◼
►
All right, Jason, let me take a quick break and thank our first
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sponsor for this week, and that is Braintree Code for Easy Online Payments.
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Thank you so much to Braintree
00:26:20
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for their support of this show.
00:26:22
◼
►
So Jason, would you feel better now
00:26:25
◼
►
if we spoke about some kind of clicky keyboard for a while?
00:26:27
◼
►
Would that make you feel a little bit better?
00:26:29
◼
►
- We talked about the keyboard a lot last time.
00:26:31
◼
►
It's fine, it's good.
00:26:33
◼
►
We're still in the follow-up too, do you realize that?
00:26:35
◼
►
- I am fully aware of that.
00:26:36
◼
►
That was like a, we'll have to come up with some new name
00:26:39
◼
►
for what we just did.
00:26:40
◼
►
- Yeah, I don't know.
00:26:41
◼
►
That's another John Sirakusen not approved adjective to use
00:26:46
◼
►
to describe this thing or preposition, I guess.
00:26:49
◼
►
Follow over.
00:26:50
◼
►
- But there is a piece of follow up.
00:26:52
◼
►
- Yes, there was special guest follow up.
00:26:54
◼
►
It's good, it's exciting.
00:26:55
◼
►
- Special guest follow up.
00:26:56
◼
►
There we go, we got it.
00:26:58
◼
►
There was something from a couple of weeks ago
00:27:00
◼
►
that we mentioned that you ended up digging up,
00:27:01
◼
►
which was you mentioned in passing a week,
00:27:04
◼
►
Or was it a month where Apple basically announced something
00:27:07
◼
►
every day, right?
00:27:09
◼
►
Oh, it was even longer than that.
00:27:11
◼
►
It was a long, long stretch of time
00:27:13
◼
►
where they kept on-- every Tuesday,
00:27:16
◼
►
there'd be another press release that would drop.
00:27:18
◼
►
And at some point, we mentioned to the PR people, hey,
00:27:22
◼
►
it's been three or four weeks in a row with press releases.
00:27:24
◼
►
And they said, we're just getting started.
00:27:26
◼
►
It's going to be a busy year.
00:27:27
◼
►
And we all looked at each other like, seriously?
00:27:29
◼
►
And sure enough, the next week, another press release,
00:27:31
◼
►
and the next week, another press release.
00:27:33
◼
►
went on seemingly forever.
00:27:35
◼
►
- And they have an awful stuff.
00:27:37
◼
►
What are some of your favorite highlights
00:27:38
◼
►
from 2008's press release madness?
00:27:41
◼
►
- So 2008, it turns out, I did dig around
00:27:44
◼
►
and find that 2008 was the right time.
00:27:46
◼
►
2008, at the beginning of the year, let's see,
00:27:51
◼
►
they, on the 8th of January, they introduced a new Mac Pro
00:27:54
◼
►
and they introduced the Xserve.
00:27:55
◼
►
On the 15th, they introduced the MacBook Air time capsule.
00:28:01
◼
►
I think this is basically a Mac World Expo keynote.
00:28:05
◼
►
iPhone software update, iPod touch software update,
00:28:09
◼
►
Apple TV software update.
00:28:11
◼
►
That was the Mac World Expo keynote.
00:28:14
◼
►
On the 22nd of January, they added a pink iPod nano.
00:28:20
◼
►
- Big deal, seriously.
00:28:24
◼
►
- But seriously, that was one of those things
00:28:26
◼
►
where it's like, we need a press release this week,
00:28:28
◼
►
but we're really tired from Mac World Expo.
00:28:30
◼
►
What should we do?
00:28:31
◼
►
just put the pink nano in the press release and that'll be fine. There's a whole press
00:28:34
◼
►
release about "Apple adds pink to the iPod nano lineup." Literally, that is what the
00:28:39
◼
►
press release is. Oh, these were innocent times. On January 30th, they announced that
00:28:44
◼
►
the MacBook Air was shipping, after having announced it 15 days before. On February 5th,
00:28:50
◼
►
they added new iPhone and iPod Touch models, which is that basically they did a 16 gig
00:28:59
◼
►
iPhone and 32 version of the iPod touch. So they added some new sizes of the iPhone and
00:29:07
◼
►
iPod touch. On the 12th, they released Aperture 2. On the 19th, they cut the price of the
00:29:13
◼
►
iPod shuffle and introduced the X-San, which is their crazy storage thing for the X-Serve.
00:29:18
◼
►
On the 26th, they introduced new MacBooks and MacBook Pros.
00:29:22
◼
►
- Are you putting our listeners through the hell now that you had to go through? Is that
00:29:25
◼
►
what's happening here?
00:29:26
◼
►
Then it was March, Myke! And in March, March 6th, they did an iPhone 2.0 software beta.
00:29:34
◼
►
March 12th, they did an announcement about how many developers had downloaded the iPhone
00:29:39
◼
►
SDK. That was a light week, I guess. March 17th, they introduced the new Airport Express.
00:29:44
◼
►
And the next day, they introduced a new version of Safari, a new version of Aperture on March
00:29:48
◼
►
28th. They did some iTunes stuff in the first week of April, so that was kind of a Slack
00:29:55
◼
►
week, but there were two press releases that week anyway. The next week they announced
00:29:59
◼
►
the Final Cut server was shipping. A couple weeks after that, they did their financial
00:30:05
◼
►
results and the week after that, they updated the iMac. So it trailed off in April, but
00:30:11
◼
►
January, February, March, pretty much every week we were scrambling on a Tuesday because
00:30:16
◼
►
there was an Apple product rollout. It was pretty insane because... And we contrast that
00:30:21
◼
►
with what has happened this fall where they had one event and they announced basically
00:30:27
◼
►
everything and we've just been watching it roll out, which is a little bit of a different
00:30:33
◼
►
But then what was quite funny is the June, July of that year was probably one of the
00:30:38
◼
►
most in history most important announcements that Apple ever made, which was the iPhone
00:30:43
◼
►
3G and the App Store and the SDK and all that sort of stuff all came in that year as well.
00:30:48
◼
►
It's a huge, huge year.
00:30:50
◼
►
- Yeah, oh yeah, 'cause yeah, you got the iPhone 3G
00:30:53
◼
►
and they kept on rolling out the SDK
00:30:55
◼
►
and then we had the big launch of the app store
00:30:59
◼
►
and that all happened and then they took a nap.
00:31:03
◼
►
- Yeah, until the end of the year.
00:31:04
◼
►
So it's quite funny, right?
00:31:05
◼
►
We've been inundated over the last couple of months
00:31:09
◼
►
with product releases, but 2008 is an example
00:31:12
◼
►
that it all happened then, but just at the start of the year,
00:31:15
◼
►
they just did everything.
00:31:17
◼
►
- Yeah, and it's funny 'cause in October of that year,
00:31:19
◼
►
They did the unibody MacBook.
00:31:21
◼
►
That was the first unibody MacBook was in October.
00:31:25
◼
►
And then the big news, the big news, Myke,
00:31:27
◼
►
in November, they hired Mark Papermaster.
00:31:32
◼
►
- Everybody's favorite Papermaster.
00:31:33
◼
►
- Several months later, they fired.
00:31:35
◼
►
And then to top it all off in December of that year,
00:31:39
◼
►
that is when they cut all ties with Macworld
00:31:42
◼
►
and announced it was their last year and all of that.
00:31:45
◼
►
That was a, so it was an eventful year,
00:31:47
◼
►
but a pretty crazy start to it.
00:31:49
◼
►
The heady days of 2008, right?
00:31:52
◼
►
Those were wild times.
00:31:54
◼
►
Talking about wild times, you have gone ahead and launched a new subscription.
00:31:59
◼
►
Would you call it a subscription?
00:32:01
◼
►
How are you describing what you've done here with Six Colors?
00:32:04
◼
►
Yeah, so a couple weeks ago I launched it.
00:32:06
◼
►
This is the way for people, I've been hearing from the beginning that people wanted to support
00:32:10
◼
►
me in doing Six Colors and they're not going to be sponsors because they don't have products
00:32:14
◼
►
to sponsor or something like that, but they wanted to find some way to do it.
00:32:16
◼
►
And I listened to that and then got really uncomfortable
00:32:20
◼
►
about asking people for money for quite a while.
00:32:22
◼
►
And then two weeks ago,
00:32:23
◼
►
I launched what I'm calling Six Color Subscriptions.
00:32:26
◼
►
I actually had a whole,
00:32:29
◼
►
there's a whole thought process behind that, right?
00:32:31
◼
►
About whether you call it subscriptions or memberships
00:32:32
◼
►
or the club or what,
00:32:35
◼
►
or support or patronage or something like that.
00:32:37
◼
►
And I decided that subscription was what I wanted to say
00:32:42
◼
►
partially, maybe that's my background
00:32:44
◼
►
of working for a magazine for all that time.
00:32:46
◼
►
But the idea is you are subscribing.
00:32:48
◼
►
It is an ongoing relationship.
00:32:50
◼
►
The reality is you are paying annual or monthly amount
00:32:55
◼
►
of money to get some stuff.
00:32:57
◼
►
And it does have the net effect of supporting the site,
00:33:00
◼
►
but I wanted to not have it just be purely like,
00:33:04
◼
►
give me money because you'll feel good about giving me money.
00:33:07
◼
►
I wanted to have some other things around it.
00:33:09
◼
►
So I just decided to sit on the wording of subscription
00:33:13
◼
►
and subscriber and rather than like a membership and member,
00:33:16
◼
►
which I thought about, I just, I, for whatever reason,
00:33:21
◼
►
this is the, this is the one I was more comfortable with.
00:33:23
◼
►
- That's the world you come from, I think.
00:33:25
◼
►
I think that might be part of it.
00:33:27
◼
►
Like, you know, subscription was the word that you used
00:33:30
◼
►
in your brain to tie this thing together, right?
00:33:33
◼
►
- Yeah, exactly, exactly right.
00:33:35
◼
►
I, well, I decided to go with that theme too.
00:33:37
◼
►
So rather than having a, like, I was gonna do a weekly
00:33:40
◼
►
or a monthly newsletter, and Federico came out with Max Stories, Club Max Stories, and
00:33:47
◼
►
the Max Stories Weekly Newsletter. And I thought, okay, well, do I really want to go down that
00:33:51
◼
►
path of having something that sounds very much like what Federico did, even though,
00:33:56
◼
►
you know, I was working on this before I ever heard that he was working on it. I just delayed
00:34:01
◼
►
it forever, and his delay was less than mine. But I didn't want to seem like I was producing
00:34:06
◼
►
the same thing as Federico because I just didn't want to do that. I didn't want to be
00:34:09
◼
►
seen as a copycat. So I thought about the idea of calling, rather than calling it a
00:34:16
◼
►
newsletter, calling it a magazine, you know, for reference point of where I come from and
00:34:23
◼
►
also that it is a thing that you get, you know, in your box every so often. And by not
00:34:28
◼
►
saying it's weekly or monthly, that gives me some latitude, you know, it's going to
00:34:32
◼
►
be monthly at least, but we could decide to do it more often. And by calling it Six Colors
00:34:37
◼
►
magazine, this newsletter that shows up in your box if you're a subscriber, then I had
00:34:43
◼
►
the leeway to do that, to change the frequency of it as we see fit. So that all kind of was
00:34:48
◼
►
in there. But, you know, rather than calling it a club that you could become a member of,
00:34:53
◼
►
I decided to go with the other approach, again, because reasons, but still, yeah, that was
00:35:00
◼
►
-- you're right, it does go back to sort of like this is the world that I'm from, but
00:35:03
◼
►
I think more than that it's also the world that I'm somewhat identified with, and I kind
00:35:06
◼
►
of wanted to play on that. So as well as the warm fuzzy feeling that you get for
00:35:12
◼
►
supporting you and Dan, right, I assume this will also be helping support Dan
00:35:16
◼
►
Morrow as well as Mr. Jason Snow. Well I mean I'm paying Dan to write for the
00:35:20
◼
►
site and by having if I have more of a budget then then I can I can pay more to
00:35:25
◼
►
Dan and he can help with the magazine newsletter thing and yes so yes is the
00:35:30
◼
►
answer it's not direct because it's basically the way it works at Six Colors
00:35:34
◼
►
is me and it's my company and then I pay Dan. Dan is basically a
00:35:40
◼
►
contractor so more work for Dan is more money for Dan and that's I
00:35:44
◼
►
think that Dan likes that and we like working together and we're it so
00:35:49
◼
►
yeah. So as well as that warm fuzzy feeling people the perk if you would
00:35:54
◼
►
call it is the magazine then right that is the little additional thing
00:35:57
◼
►
that members will get as a thank you for being a member or a subscriber sorry. I
00:36:01
◼
►
I wanted it to be, sure, whatever.
00:36:04
◼
►
I wanted it, I just, I had this strong feeling
00:36:08
◼
►
that I didn't want, I think the primary reason
00:36:11
◼
►
you support a site or a podcast or whatever
00:36:14
◼
►
is because you want to feel good about supporting it.
00:36:16
◼
►
I think that is the number one reason you do it.
00:36:19
◼
►
I didn't want a pure patronage thing where it's like,
00:36:23
◼
►
look, please donate because you'll feel good.
00:36:25
◼
►
I wanted, I wanna give something back.
00:36:28
◼
►
I want there to be something that's part of it
00:36:29
◼
►
that's tangible, even if it's not something,
00:36:32
◼
►
even if people don't ever read the magazine,
00:36:35
◼
►
the newsletter, whatever it ends up looking like,
00:36:38
◼
►
even if they don't actually use that.
00:36:40
◼
►
I was talking to Sean Blanc about this
00:36:42
◼
►
because he's got a membership for his site.
00:36:44
◼
►
And he said, you know, he does a podcast
00:36:49
◼
►
and for members, which I'm not gonna do
00:36:51
◼
►
because there are too many podcasts that I'm on already.
00:36:54
◼
►
But I don't, he expressed to me some skepticism
00:36:59
◼
►
about whether a lot of the members actually listen to the podcast, but it's good that
00:37:03
◼
►
it's there. And I agree completely with that idea that psychologically, I think it's good
00:37:07
◼
►
to feel like you get something out of it. That not only are you doing something good
00:37:11
◼
►
and supportive for something you like, but you do get something in return, even if it's
00:37:15
◼
►
not the, you know, if you didn't know who I was and you didn't care about what I do,
00:37:21
◼
►
and entirely you're viewing it as a transaction that is, I give you money and you give me
00:37:25
◼
►
this newsletter. I don't think that's a good enough balance, right? I think, and I had
00:37:31
◼
►
a couple people email me and say, "Why would I give you $60 a year for a newsletter?" My
00:37:37
◼
►
answer is, if all you're doing is paying the money to get the newsletter, it's probably
00:37:42
◼
►
not a good deal for you. You know, you need to be kind of, this is about supporting me
00:37:48
◼
►
to write more things on the site that I give away for free that you're not going to get
00:37:51
◼
►
as a special. You're going to get it like everybody else gets it, but you're going to
00:37:54
◼
►
one of the people who makes that happen. And as a thank you, there will be some nice things
00:37:59
◼
►
that we do that nobody else can see that you will get to see. But the primary purpose of
00:38:03
◼
►
supporting the site is to give us the ability to write more stuff on the site for everybody
00:38:08
◼
►
to see. And then the bonuses are just a little bit extra because I feel like I didn't want
00:38:14
◼
►
it to be completely intangible, that all you get is warm fuzzies. I want it to be warm
00:38:18
◼
►
fuzzies and other stuff too. And so that's what the that is if we do a if we do a like
00:38:24
◼
►
a membership subscriber only forum at some point that would be a similar thing. If we
00:38:29
◼
►
offer like discounts or deals or something it'll be a similar thing but those are not
00:38:33
◼
►
going to be we're not going to gate stuff on the site nor is that the primary objective
00:38:39
◼
►
of the of the of the membership is it's not to do that and I've I've also heard from people
00:38:44
◼
►
that who have asked, I mean, you get a lot of questions like this, like, "Why can't
00:38:50
◼
►
you charge me less? I don't want to give you $6 a month, but I would give you $2 a
00:38:55
◼
►
month." And my answer is, "I'm asking for $6 a month. That's a decision I made."
00:38:59
◼
►
And you know, that's the threshold. And if you don't feel strongly enough about this
00:39:03
◼
►
to hit the threshold, that's fine. The site's still going to be there. But that's the
00:39:08
◼
►
number that I decided to set, and $60 a year. Also, the site's called Six Colors, so there
00:39:13
◼
►
we're going to be sixes in the prices. That's how it is.
00:39:15
◼
►
Personal brand, right?
00:39:17
◼
►
I guess. I don't have a specific affinity for the number six, and I'm colorblind. And
00:39:23
◼
►
yet here we are.
00:39:24
◼
►
What are you going to do? You're stuck in it now, Jason. You had a good idea for a name
00:39:28
◼
►
and now it controls everything. That's how these things go.
00:39:30
◼
►
The domain was available.
00:39:34
◼
►
The pricing is, you say, $6 a month, $60 a year. So basically you get two months free
00:39:37
◼
►
if you sign up for a year. How have you felt about the reaction so far, the response? Has
00:39:43
◼
►
it been good? Have you been happy with it?
00:39:45
◼
►
Yeah, I think the response has been fantastic. It's been very supportive. It's not too surprising
00:39:51
◼
►
in the sense that one of the reasons that this actually happened is because I heard
00:39:55
◼
►
from so many people who said, "I want to support what you're doing." And right now there's
00:40:00
◼
►
no way to support what you're doing. And we're living in this world where Kickstarter exists
00:40:04
◼
►
and Patreon exists, and I had sponsors on the site, but no direct means of support for
00:40:12
◼
►
readers. And to get back to the subscriber thing, a lot of the people discovered me from
00:40:17
◼
►
a place where there was a subscription relationship, right? It's like, there was a way when you
00:40:23
◼
►
read Macworld, you felt like if you were reading the magazine, you paid for it. And so there
00:40:29
◼
►
was that connection there, and you had ads in it too, but you were a participant in that
00:40:33
◼
►
process. And I learned a lot when I was at IDG about the fact that, especially in harder
00:40:38
◼
►
times when things like sponsorship advertising revenue can drain away, it really is helpful
00:40:43
◼
►
that you've got people who read your stuff and are willing to give you money for it because
00:40:48
◼
►
that is another way you can weather a storm. And a lot of the executives at IDG come from
00:40:54
◼
►
the sales side. Almost all of them originate as being ad salespeople. And it's interesting
00:40:59
◼
►
to see, you know, in good times the business decisions are all made sort of with the audience
00:41:06
◼
►
as a secondary thought. I'll put it nicely, like it's all about the customer or the advertisers,
00:41:13
◼
►
not the readers. The readers are your product basically, they're the audience, but your
00:41:17
◼
►
customers are the advertisers. And it's funny, being through a couple of economic downturns,
00:41:23
◼
►
the great recession and also the dot-com bubble burst. It's amazing how quickly those attitudes
00:41:29
◼
►
change among the business people when the advertisers all kind of disappear. And suddenly,
00:41:36
◼
►
at IDG anyway, having that subscriber base became incredibly powerful, like, "Oh, I didn't
00:41:42
◼
►
realize that people were giving us money." Yes, people, they are your customer too. And
00:41:48
◼
►
And so I've never forgotten that. And I like, as I'm setting out on my own here, between
00:41:56
◼
►
the feedback that I got from people and trying to have a diverse set of places where I make
00:42:02
◼
►
money, that seemed like a good idea to me. The idea that if I can't sell sponsors on
00:42:08
◼
►
the site, that the site still has a way that it's supporting me. And quite honestly, you
00:42:12
◼
►
know, if I had three or four weeks where, which hasn't happened, but if I had three
00:42:16
◼
►
or four weeks where there were no sponsors on the site before, essentially I'm doing
00:42:19
◼
►
Six Colors completely for free at that point, because there was no other means of support.
00:42:23
◼
►
And I know some of this is just psychological, but now I feel like even if I have no sponsors
00:42:28
◼
►
on the site, the site is still operating because I have subscribers. It doesn't matter that
00:42:34
◼
►
I don't have sponsors some weeks, which I've been very fortunate. I have had very few open
00:42:39
◼
►
weeks -- shocking compared to what I expected, actually, when I started -- of sponsors not
00:42:44
◼
►
being on the site, but you get my point that if they were to vanish, I would still have
00:42:49
◼
►
a reason to do the site because the readers are also supporting the site and that makes
00:42:54
◼
►
me feel good. So people have been positive. It's unsurprising given like it was one of
00:43:00
◼
►
my motivators for doing it, that people have been very supportive, very positive. And like
00:43:05
◼
►
I said, I think I've received two emails from people saying, "I don't think I'm going to
00:43:09
◼
►
pay you," which...
00:43:10
◼
►
I think that's a pretty good ratio to be honest, Jason.
00:43:12
◼
►
It's somewhat surprising because the internet
00:43:15
◼
►
is full of people who want to tell you things
00:43:17
◼
►
that they don't need to tell you.
00:43:19
◼
►
That they can just-- it's fine.
00:43:20
◼
►
It's like, seriously, it's fine if you
00:43:22
◼
►
disagree with what I write.
00:43:23
◼
►
It's fine if you don't think that what I do is valuable.
00:43:28
◼
►
That's actually-- it's fine.
00:43:29
◼
►
The site's also not going anywhere.
00:43:30
◼
►
It's free for you anyway.
00:43:32
◼
►
But sometimes people have this behavior on the internet.
00:43:34
◼
►
It's like, well, no, I'm going to tell you
00:43:35
◼
►
that I'm unfollowing you on Twitter.
00:43:37
◼
►
It's like, why?
00:43:38
◼
►
Why do that?
00:43:38
◼
►
I'm going to tell you that I don't think it's worth it.
00:43:40
◼
►
So I had two people who wrote in and said,
00:43:42
◼
►
I don't think it's worth it." And I wrote back very politely and I said, "Well, sort
00:43:46
◼
►
of what I just said to you, which is the site's still going to be there. These are the prices.
00:43:50
◼
►
If you feel like supporting me, you know, you're not just doing it for the newsletter.
00:43:53
◼
►
This isn't like Stratechery where Ben Thompson writes an amazing newsletter five days a week
00:43:59
◼
►
and only one of those gets posted online. It's not the same kind of balance. This is
00:44:02
◼
►
more about supporting the public site and also getting some bonuses. And if you don't
00:44:08
◼
►
feel comfortable with the way that it works, that's fine, the site's still there, please
00:44:12
◼
►
read it and thanks for reading it." So I wrote back to both of those people with that and
00:44:17
◼
►
one of them wrote me back and said they subscribed. And seriously, that's where I am. It's weird,
00:44:23
◼
►
this is a funny world that we live in with patronage, with Patreons and Kickstarters
00:44:28
◼
►
and things like that. But I would say overall it's been positive and I'd say that my initial
00:44:34
◼
►
account of members is pretty much what I hoped it would be. I think it's something to build
00:44:41
◼
►
on. I would like over time to continue to grow the number of members and not feel like
00:44:45
◼
►
-- if you told me that in six months my membership number would be what it is today, more or
00:44:50
◼
►
less, I would be disappointed, but I'm very happy with where it is right now as a starting
00:44:57
◼
►
So it's where you want it to be now, obviously not where you want it to be going forward,
00:45:01
◼
►
that's kind of accepted because it should go up over time.
00:45:07
◼
►
You would hope, I mean, you would hope that I would build subscribers and not lose them.
00:45:12
◼
►
That's always a bad sign.
00:45:13
◼
►
But in the end, if you back up and look at the bigger picture here, I now have two ways
00:45:21
◼
►
that I make money from Six Colors.
00:45:22
◼
►
That allows me to have Six Colors be more prioritized, more part of my job.
00:45:26
◼
►
It allows me to say no to some of the freelance assignments that I've taken.
00:45:30
◼
►
I didn't plan when I quit my job to be a freelancer, I planned to do podcasting on Six Colors,
00:45:35
◼
►
but I had freelance work offered to me and so I took it, but it takes up time that could
00:45:42
◼
►
go to Six Colors. So one of the things that this does in addition to diversifying my income
00:45:47
◼
►
is it allows me to turn away from some work that is not the work that I want to do, which
00:45:54
◼
►
is the work on Six Colors. So it's good. It's been great. It's been a great experience.
00:46:01
◼
►
And I could not stop doing everything else I do and just do Six Colors, and the addition
00:46:07
◼
►
of the membership revenue doesn't really change that. But when I was talking to John Gruber
00:46:12
◼
►
over the weekend on the talk show, I said to him, I think it's a very similar story
00:46:17
◼
►
to the story that he has, which is, I would like it if my job was do the podcast that
00:46:21
◼
►
I do and do six colors. I would like it if that was my entire job and I think that would
00:46:25
◼
►
be great. And right now it's not. I also scramble around and do some freelance stuff too. And
00:46:31
◼
►
some of that freelance work is great. I mean it's fun writing at Macworld every week. I
00:46:34
◼
►
am writing there way more than I ever used to and they pay me and that's also nice. But
00:46:39
◼
►
I also pick up lots of other assignments that are like, "Eh, you know, it's an assignment."
00:46:44
◼
►
I'm not going to denigrate them on the air, right? But some of them are more mercenary
00:46:49
◼
►
than others and I would really rather not do those and pour that effort into Six Colors
00:46:55
◼
►
So people should go and sign up, where can they sign up?
00:46:57
◼
►
You go to sixcolors.com/subscribe or if you just go to sixcolors.com there's a big link
00:47:04
◼
►
at the top of the page that is become a subscriber that would also get you there.
00:47:09
◼
►
And it's as we said six dollars a month or sixty dollars a year.
00:47:12
◼
►
We're using Memberfull which is the same system that Federico uses for Max Stories and that
00:47:17
◼
►
that Ben Thompson uses for Stratechery. It uses Stripe for payments, so it's a credit
00:47:21
◼
►
card payment. You can't use PayPal. I wish there were a way for people to use PayPal,
00:47:27
◼
►
but that's just not how Memberful is set up. And yeah, if you like what I write at Six
00:47:34
◼
►
Colors and want to support me, that would be the best way to do it.
00:47:39
◼
►
listeners who were hanging around on the livestream last week, Jason, they found out a very exciting
00:47:45
◼
►
little easter egg which has occurred. Who is subscriber number one?
00:47:50
◼
►
Who is subscriber number one? Is it you? It is me. Do you remember? Last week? 001, that's
00:47:55
◼
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my number. I'm the subscriber number one. That was a lot of subscribers ago now, Myke.
00:47:58
◼
►
I mean, you're just one of the pack now. One of the many now. One of the horde. Yeah, I
00:48:03
◼
►
have to go way back and review older orders scroll to get back to you but but I appreciate
00:48:09
◼
►
that you were well I turned it on right it was the test uh-huh and I finally turned it
00:48:14
◼
►
on and said hey it's turned on and he went okay I got right in there mr. m hurley there
00:48:19
◼
►
it is ordered member number one Joe Steele your member number four there was one was
00:48:27
◼
►
it all good about this little stuff one very quick thing I want to mention we sell t-shirts
00:48:30
◼
►
at Relay FM, lovely Relay FM t-shirts. We're currently doing a 40% off sale for the holidays.
00:48:36
◼
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I'll put a link in the show notes. You want to use the coupon code "allthegreatshirts"
00:48:39
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at the Relay FM store and you'll get 40% off. We have men and women's shirts in a bunch
00:48:43
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of different sizes. I think we want to do a new design next year, so we're doing a little
00:48:49
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►
bit of a sale for 2015 to kind of get rid of some of that stock. So go in there, all
00:48:53
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►
the great shirts, you get 40% off.
00:48:55
◼
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And we should say there is a plan, there is a plan, early in the new year for an awesome
00:49:02
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upgrade item.
00:49:04
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Piece of apparel.
00:49:06
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►
Seriously this is just the best.
00:49:09
◼
►
So next year.
00:49:10
◼
►
Let me just take our second break for this week and thank our good friends over at Smile
00:49:15
◼
►
and today I want to talk to you about TextExpander.
00:49:17
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If you ever type the same sentences, phrases or words on a regular basis over and over
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again then you need TextExpander in your life.
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TextExpander will be able to save you time and effort by expanding your short abbreviations
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TextExpander is an app that will improve your communication.
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So let's say for example you are somebody who you send a lot of emails and a lot of
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the emails that you send have very similar text in or you know you send some support
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email or maybe you send out maybe you work in HR team and you send out an email which
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asks people for references or maybe you do what I do right like I send a bunch of emails
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to sponsors and I send in information for payment stuff and things like that.
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It is really, really easy with TextExpander to make all of this stuff consistent and quick.
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So you can type in a regular response and you can have little dropdown fields so you
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can personalize them, which I do.
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And what it will do is it just gives you a way to, one, make your communication more
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So you're sending the exact same thing to different people, which is like tweaks if
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you want it.
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But it also allows you to save time because you're not sitting there and writing that
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stuff out all the time.
00:50:22
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Like you know, like at the end of the week I send some stuff out to our sponsors to confirm
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some stuff and I use TextExpander to help me get through that, those pile of emails
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super quickly because otherwise I'll be sitting there for ages and I love TextExpander for
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TextExpander has a new look and feel now with TextExpander 5 and it can help you type even
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I also use TextExpander for common errors that I make.
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So if I make a spelling mistake frequently or if I don't capitalise something correctly,
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like some brands will use like CamelCase and things like that in their words, I throw those
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into TextExpander so I just never get them wrong because TextExpander corrects them for
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You can also sync them amongst multiple devices using iCloud Drive or Dropbox and they're
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available in a bunch of different apps or via the iOS custom keyboard that comes with
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TextExpander for iOS allowing you to use your snippets absolutely anywhere whether an app
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supports TextExpander snippets or not. TextExpander 5 costs $44.95 US and upgrades are available
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for $19.95 for existing users. It's also free to those who purchased on or after January
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1st 2015. You can find out more about TextExpander 5 by visiting smilesoftware.com/upgrade.
00:51:41
◼
►
Thank you so much to Smile and Texas Band of Five
00:51:45
◼
►
for sponsoring this week's episode.
00:51:47
◼
►
Please note that Texas Band of Five requires Yosemite
00:51:49
◼
►
and is ready for El Capitan.
00:51:51
◼
►
So Mr. Jason Snell, today just before the show
00:51:56
◼
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you published your iPad Pro review.
00:51:59
◼
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- I did, I did.
00:52:00
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You published something too.
00:52:02
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- Yeah, I mean, I think we kind of mentioned it
00:52:04
◼
►
in the pencil part. - We did.
00:52:05
◼
►
- Yeah, I also today did my Apple Pencil review
00:52:08
◼
►
on the pen addict, which is also in the show notes
00:52:10
◼
►
if people wanna read that.
00:52:11
◼
►
I didn't write as many words as you did though, you know?
00:52:14
◼
►
- I have to say I'm disappointed your review
00:52:16
◼
►
was actually typed on, in like in text in a webpage
00:52:19
◼
►
when I really expected that it would just be a series
00:52:22
◼
►
of JPEGs of you writing it by hand.
00:52:25
◼
►
- There is one section in the review
00:52:27
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►
which is also handwritten.
00:52:29
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►
So you can see the images in there.
00:52:30
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►
But yeah, my handwriting isn't good enough
00:52:32
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►
that people would be happy to just read it.
00:52:35
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►
It would have been very upsetting
00:52:36
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►
for everybody involved I think.
00:52:37
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►
- Yeah, your handwriting is not, for a pen addict,
00:52:41
◼
►
handwriting is not as good as I would expect. But mine, it's better than mine still. But still.
00:52:48
◼
►
- Hey, I don't think your handwriting has to be great to enjoy pens.
00:52:52
◼
►
- You know, OneNote was able to properly OCR my handwriting, even though my handwriting is terrible.
00:52:58
◼
►
But I found out that what it does is it just makes some really, it indexes, it indexes every
00:53:04
◼
►
possibility for a given word. So you know what you actually wrote. It doesn't know what you actually
00:53:10
◼
►
I wrote but it could have been one of these four things and if you search for any of them
00:53:13
◼
►
It will find it because it doesn't actually know but it's kind of magical to use
00:53:18
◼
►
These one notes automatic search thing where I I wrote a whole page full of notes
00:53:22
◼
►
And then I searched for a word on it and it came up with it. It's pretty cool. Yeah
00:53:25
◼
►
So, okay. So yes iPad Pro review I wrote it
00:53:28
◼
►
Let's get your overall feeling then you spent a bit more time with it than what we spoken about on the show
00:53:34
◼
►
How are you feeling about the iPad Pro?
00:53:37
◼
►
Maybe also in compared to the Mac because I really like the title of your piece isn't no country for old Macs
00:53:43
◼
►
Which is such is very very smart. I like that a lot
00:53:46
◼
►
So explain a little bit to people about what your kind of thought process is here
00:53:50
◼
►
Well, it's a lot of it kind of came out when I wrote that piece
00:53:54
◼
►
last week I wrote a piece about
00:53:57
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►
About who the who the iPad Pro is for and
00:54:04
◼
►
And that one was new tricks for old dogs, which I've been writing a lot of wacky headlines.
00:54:10
◼
►
But the idea that the days of us saying the iPad and iOS can't be used for real work are
00:54:17
◼
►
over, it is undoubtedly capable of using it for real work. And if you stop me and say,
00:54:22
◼
►
but in my industry, I need this, like, yes, yes, of course, there are gonna be things
00:54:27
◼
►
in certain industries that just can't be done. But I think for a huge amount of work, it
00:54:32
◼
►
be done, you can use this. The challenge is, do you want to? And that's sort of the conclusion
00:54:37
◼
►
of the piece, is, you know, this is an unapologetic iPad. It is not--I did a whole section that
00:54:45
◼
►
I actually wrote in the intro, planning to write, and then wrote the whole thing and
00:54:47
◼
►
forgot to write, and I had to insert it last yesterday afternoon when I was finishing this,
00:54:53
◼
►
about the Surface, because everybody talks about the Surface, and, "Oh, this is like
00:54:58
◼
►
the Surface because it's got the keyboard and all of that." But I actually think that
00:55:01
◼
►
this is a startling contrast with the Surface because the Surface is the ultimate compromise.
00:55:09
◼
►
Surface is all about what Microsoft is about, which is Windows, and people who use Windows
00:55:14
◼
►
and people who use PCs. And so the Surface is a PC that is also a tablet. It is not the
00:55:19
◼
►
best PC. It is not the best tablet. It is the best thing that's a tablet and a PC, probably.
00:55:27
◼
►
And Apple has been very clear that this is not how they want to make products. They want
00:55:33
◼
►
to make a Mac that's the best Mac and an iPad that's the best iPad and not a toaster fridge,
00:55:38
◼
►
right? Not something that's in between. And Surface is in between. So I think all of that
00:55:42
◼
►
is true and I think it speaks to what those companies are about. Apple has no reason to
00:55:47
◼
►
do that. Mac sales are great, the iPhone is huge. And if you take the big picture, look
00:55:54
◼
►
out five years or ten years, do we really think we're gonna have like combination devices
00:55:59
◼
►
that are both a classic PC and something else? I don't think so. I think this is all about
00:56:03
◼
►
transitions about how there are gonna be people who are comfortable using a computer and there
00:56:08
◼
►
are people who are comfortable using touchscreen mobile devices and you want to provide tools
00:56:13
◼
►
for both of them. So I think the question for me is could the iPad, could Apple make
00:56:20
◼
►
an iPad that's also a Mac and you know it looks like a MacBook and then you pop the
00:56:25
◼
►
screen off and it's an iPad. It absolutely could. It would definitely feel like a toaster
00:56:31
◼
►
fridge. Would I want one? Possibly. But would that be a better product or would that be
00:56:37
◼
►
some kind of a Frankenstein product that is a hugely weird awkward compromise for a time
00:56:47
◼
►
of compromise. Yeah, I mean that's what it would be, because we are in times of compromise,
00:56:51
◼
►
we're in times of transition, it would be a transitional product. But the bottom line
00:56:56
◼
►
is that's not the iPad Pro. The iPad Pro, and this is where the title comes from, there's
00:57:02
◼
►
a line in the piece that is "The iPad Pro does not exist to give comfort to Mac users."
00:57:06
◼
►
not what it's for. And, you know, I, having used the Mac for 26 years now, am a Mac user,
00:57:17
◼
►
and it is not comfortable using iOS for me, although I'm getting better at it. And, you
00:57:23
◼
►
know, I think that that's one of the problems with evaluating the device, is that it's a
00:57:28
◼
►
pretty great device for what it is. I don't think the smart keyboard is a great buy for
00:57:34
◼
►
for most people because I think you'd be better off just giving a Bluetooth keyboard unless
00:57:37
◼
►
you absolutely need to have a keyboard that you can carry around with you at all times
00:57:41
◼
►
on the device as a cover. That is a very specific use case, but beyond that I think it's actually
00:57:48
◼
►
too expensive and not as good as just buying a Bluetooth keyboard and having like a regular
00:57:52
◼
►
cover that you can use as a stand. But in general, I mean, I can't just say thumbs up
00:57:58
◼
►
thumbs down on the iPad Pro because I think that's the bottom line is do you want to work
00:58:02
◼
►
on the iPad Pro? Do you wanna work on iOS? You can. Do you want to? Do you wanna make
00:58:07
◼
►
the switch? If you're somebody who's like a casual user, somebody who doesn't have a
00:58:13
◼
►
million different workflows and scripts and things like that, if you're somebody who does
00:58:18
◼
►
what I said to Gruber was, you know, it's office work, like capital O office work, Microsoft
00:58:23
◼
►
office work, you could do that on the iPad Pro. And it's pretty great actually. So for
00:58:28
◼
►
a lot of people, you could, you know, you get the benefits of portability, of ultra-portability
00:58:34
◼
►
here, even more than a laptop, and of convertibility, in that you can pop the keyboard off and you've
00:58:41
◼
►
got a tablet, but you, you know, that's the trade-off, is you're out of your Mac metaphor
00:58:48
◼
►
and you're on your iOS metaphor, and that's just what it is.
00:58:51
◼
►
>> CHESNEY There's a couple of pieces in here that I wanted to pick out.
00:58:55
◼
►
>> MARTIN Yup.
00:58:56
◼
►
a couple of quotes that I like and then we can discuss them so I'm gonna be quoting you here.
00:59:00
◼
►
So the first one is "You get used to the size fast. After a week using the iPad Pro,
00:59:05
◼
►
I dropped my iPad Air 2 down onto my trusty old origami workstation and just started to laugh.
00:59:10
◼
►
It's like a tiny baby iPad. On a tabletop or other workspace, the size of the iPad Pro's screen
00:59:16
◼
►
really shines." This to me is just like what it was like when I switched to the 6 Plus.
00:59:24
◼
►
Yeah. So you get used to the size and then it's like this is
00:59:31
◼
►
normal. I mean and I have an iPad Air 2 here as well with me sitting on the desk
00:59:36
◼
►
and it's like a mini and Edina uses a mini and I think that thing is
00:59:40
◼
►
hilarious when I see it now. I know right? It's like why do you even
00:59:45
◼
►
exist mini? You're so small. It puts it in perspective.
00:59:52
◼
►
it's yeah it is there's there's got to be some law that has is named after somebody that's the law
00:59:59
◼
►
of the large it's the law of large displays that the larger a display you get the more
01:00:04
◼
►
unacceptable like i used an 11-inch macbook air as my main computer for so long and i've used the
01:00:10
◼
►
27-inch imac for a year and now and people are always asking don't doesn't the 11-inch air feel
01:00:15
◼
►
cramped? No, it's fine, it's great. Now it feels cramped because I'm used to the bigger
01:00:22
◼
►
screen and the iPad is kind of like that. I mean, I really expected that when I dropped
01:00:27
◼
►
the iPad Air down on the origami workstation that I'd be like, "Oh yeah, see, this is fine
01:00:30
◼
►
with the software keyboard slid away. This is totally fine." And it's fine, but I also
01:00:36
◼
►
laughed and went, "Oh, look at you, you little baby iPad," because it is dramatically smaller
01:00:43
◼
►
than the Pro. It is a huge difference.
01:00:48
◼
►
And I mean, I love the size of the iPad Pro and I know that you know, you talk about in
01:00:55
◼
►
the review the places where you use it and kind of saying that in bed for you and that
01:00:59
◼
►
kind of stuff it doesn't work but for me it does. I'm very happy with it. It's obviously
01:01:04
◼
►
not the easiest. I mean if you're going to talk about what's the best iPad to use from
01:01:08
◼
►
a comfortable perspective when you're laying in bed, it's always the mini because the mini
01:01:11
◼
►
you could throw anything around, there's nothing to it. But you know a lot of
01:01:15
◼
►
devices like you have to accept some kinds of trade-offs and for me it's like
01:01:19
◼
►
yeah the iPad Pro maybe isn't as comfortable when I'm sitting in bed but
01:01:23
◼
►
I love it everywhere like it's fantastic for me it just really really works it's
01:01:27
◼
►
like yeah okay maybe it's a little bit less comfortable to hold maybe I have to
01:01:30
◼
►
somehow change the way that I'm sitting or laying when I'm looking at this
01:01:34
◼
►
device but it really works for me and I really love it for that. It's like
01:01:38
◼
►
carrying a clipboard and you gotta be kind of accepting that it's like carrying a clipboard
01:01:43
◼
►
and when I wake up in the morning and I'm checking Twitter while I'm kind of basically
01:01:47
◼
►
laying down it's not the best. It's not the best ergonomics for me. Sitting up, I don't
01:01:53
◼
►
have a problem with it. Standing up or at a desk or something it works great but in
01:01:59
◼
►
that more reclined kind of position it doesn't, you know, it's not my favorite.
01:02:04
◼
►
I mean, I get that. I totally get why you would feel that way about it. I understand
01:02:10
◼
►
why many people would, but it works well enough for me that I'm happy with it. One thing that
01:02:15
◼
►
I'm not happy about, which I'll have a quote from your review, fuzzy graphics and a keyboard
01:02:20
◼
►
that's hard to type on. This is one of the worst parts about the upscale app problem
01:02:25
◼
►
that we have on the Pro.
01:02:26
◼
►
Yeah. Yeah. There's just a lot of apps that haven't been updated for it yet. And I'm a
01:02:31
◼
►
a little surprised, but this happened with—I launched an app on my iPhone the other day
01:02:36
◼
►
that is still upscaled, the iPhone 5, and that's not good. And we still have some, and
01:02:43
◼
►
it is frustrating, and those all need to get updated, because that is one of the problems
01:02:48
◼
►
that we have with the—you get the weird software keyboard that's the upscaled software
01:02:54
◼
►
keyboard, so now you've got two different software keyboards depending on the context,
01:02:57
◼
►
is something that iPhone users know from the transition to the 6 and the 6 Plus, where
01:03:01
◼
►
you would get—some apps would open, and you're like, "Why is this keyboard different?"
01:03:05
◼
►
And the answer is, "Because it's an upscaled iPhone 5 keyboard." And now that is happening
01:03:09
◼
►
on the Pro, there are upscaled apps from the iPad that—and it's no good. And everything's
01:03:15
◼
►
a little bit fuzzy. And there are a lot of apps that are like that, and it's just—it'll
01:03:21
◼
►
get better over time, but right now it is a problem.
01:03:24
◼
►
- I also like this part where you're comparing the iPads.
01:03:27
◼
►
What's more, the iPad Pro doesn't need to be
01:03:29
◼
►
for a broad category of users.
01:03:31
◼
►
It's not the iPad just one of three different models,
01:03:34
◼
►
each with different characteristics.
01:03:36
◼
►
For most people, the iPad Air 2 is probably the best choice,
01:03:39
◼
►
but that's not a knock on the iPad Pro.
01:03:41
◼
►
It costs more and gives you more,
01:03:42
◼
►
and if you want more, it's the one for you.
01:03:44
◼
►
- Yeah, this is, maybe this is my pet theory,
01:03:48
◼
►
but I feel like the burden is off of a lot of Apple products
01:03:52
◼
►
once they're part of a family,
01:03:53
◼
►
And I really felt this when the iPad mini
01:03:57
◼
►
didn't have to be the iPad.
01:03:59
◼
►
It was the iPad mini.
01:04:01
◼
►
It was like another iPad.
01:04:03
◼
►
And the iPhone 6 Plus doesn't need to be the iPhone.
01:04:07
◼
►
It needs to be an option for iPhone buyers
01:04:10
◼
►
because there's also the iPhone 6
01:04:11
◼
►
and the older models that are also out there.
01:04:13
◼
►
And if they added a smaller iPhone,
01:04:16
◼
►
an updated version of the smaller size,
01:04:17
◼
►
it would be the same deal.
01:04:18
◼
►
It would be an iPhone that you can get.
01:04:20
◼
►
And I think that it used to be the iPhone
01:04:23
◼
►
and the iPad, and there's a whole lot more burden, I think, on that product, because
01:04:26
◼
►
it needs to serve everybody that Apple's trying to reach in that market. And the iPad Pro
01:04:30
◼
►
doesn't need to do that. The iPad Pro is unabashedly a big iPad, and if you don't want it, it's
01:04:35
◼
►
not like there isn't another iPad for you to buy. And I think that's a good place for
01:04:40
◼
►
Apple to be, and I think it's a good place for a product to be. That's one of the things
01:04:43
◼
►
I loved about the first iPad mini, is that it was allowed to be itself, and it didn't
01:04:50
◼
►
have to feel the burden and be compromised in a lot of ways so that
01:04:53
◼
►
everybody would want it because it wasn't made for everybody.
01:04:57
◼
►
And then this was your kind of conclusion and you mentioned this a little bit but I want to read this
01:05:02
◼
►
part and then talk another part about this Frankenstein product and that's why
01:05:07
◼
►
I can't help but ask myself if Apple made a retina MacBook whose screen
01:05:12
◼
►
popped off and became an iPad would I buy it? It seems like such a Frankenstein
01:05:15
◼
►
product so inelegant a concept and so clearly not the way the world is going
01:05:19
◼
►
And yet I would be tempted, not because it's a bold direction forward, but because it's
01:05:23
◼
►
a compromise that grants me some comfort in a time of change.
01:05:27
◼
►
The iPad Pro does not exist to give comfort to Mac users."
01:05:31
◼
►
This combined with that piece that you mentioned that you wrote last week, I get a feeling
01:05:37
◼
►
of nervousness from you that the computing landscape is changing underneath you and there's
01:05:43
◼
►
kind of nothing you can do about it whether you like it or not.
01:05:47
◼
►
I wouldn't say it that way.
01:05:49
◼
►
It is interesting because Gruber's review ends with a similar statement of like, it's
01:05:53
◼
►
not for me, but I am open to the possibility that I'm a dinosaur, right? Which is something
01:05:59
◼
►
I say in the new tricks for old dogs, right?
01:06:01
◼
►
- Steven also wrote a thing on 512, effectively the same kind of idea, where you all sound
01:06:07
◼
►
really scared.
01:06:10
◼
►
- That's not it. I think it's being, I think you need to be able to identify in yourself
01:06:17
◼
►
your own biases and lay them out there and be able to think beyond them. And I suspect,
01:06:23
◼
►
and I think that Steven and John writing similar things also suspect this, I suspect that a
01:06:32
◼
►
lot of the people whose reaction to something like the iPad Pro is, "It's stupid, it's not
01:06:37
◼
►
a computer, you can't use it to get real work done, why are they bothering? It's a waste
01:06:41
◼
►
of time, I suspect that those are people who just don't want to accept that for some people,
01:06:52
◼
►
the touchscreen computing metaphor is what computers are going to be.
01:06:57
◼
►
And that they may have, they may, the thing that they think of as how you interact with
01:07:03
◼
►
computers is now very clearly part of an era and eras have ends and they aren't finite
01:07:11
◼
►
like they aren't sharp ends, they're trail off ends,
01:07:15
◼
►
but it happens just like it happened with going
01:07:18
◼
►
from command lines to GUIs, it happens.
01:07:21
◼
►
And so I think step one is acknowledging that it's true,
01:07:26
◼
►
right, acknowledging that this is a thing that's happening.
01:07:29
◼
►
And I have no fear about it.
01:07:32
◼
►
This is about acknowledging the reality of it.
01:07:36
◼
►
So step one is saying you can work on iOS.
01:07:40
◼
►
and that the reasons that you won't work on iOS
01:07:43
◼
►
are more to do with you and your preferences.
01:07:46
◼
►
And again, that's not judgmental,
01:07:48
◼
►
more to do with how you want to work
01:07:50
◼
►
than it is about the device.
01:07:53
◼
►
And I think that's important,
01:07:54
◼
►
especially if you're somebody who writes about technology,
01:07:57
◼
►
I think you need to be able to say that
01:07:59
◼
►
and understand that.
01:08:01
◼
►
Now, step two is also being flexible enough
01:08:03
◼
►
to try and change and see what it's like.
01:08:07
◼
►
And it may not all work for you,
01:08:08
◼
►
but being able to make those judgments
01:08:11
◼
►
and see what it's like gives you the flexibility
01:08:14
◼
►
to communicate that to other people.
01:08:16
◼
►
So that, I think that's the next step, but part,
01:08:18
◼
►
but to get there,
01:08:19
◼
►
I have to make the acknowledgement within myself
01:08:21
◼
►
that I have a bias here,
01:08:23
◼
►
which is that I've been using computers like the Mac.
01:08:26
◼
►
I've been using the Mac for 26 years.
01:08:28
◼
►
And of course, it's gonna be hard to switch
01:08:31
◼
►
to something like iOS for productivity stuff
01:08:34
◼
►
that I think of as computery stuff.
01:08:36
◼
►
So step one is to say it is,
01:08:38
◼
►
and then you can decide whether you wanna make that effort
01:08:41
◼
►
I don't wanna make that effort to permanently switch
01:08:44
◼
►
because I don't see the need to do that
01:08:47
◼
►
as anything other than a stunt,
01:08:48
◼
►
but to be able to mode switch,
01:08:50
◼
►
to be able to not have to carry around a MacBook Air
01:08:53
◼
►
when I wanna do work elsewhere,
01:08:55
◼
►
but just carry around an iPad, that I see benefits in.
01:08:59
◼
►
So, and I feel like the platform is robust enough
01:09:01
◼
►
that you can do it, even if I don't have the iPad Pro,
01:09:04
◼
►
even I have the Air 2 and an external keyboard.
01:09:06
◼
►
But yeah, I think it's fair,
01:09:10
◼
►
and I mentioned this earlier
01:09:12
◼
►
when I picked up my review unit at Apple
01:09:13
◼
►
and got my briefing,
01:09:15
◼
►
one of the things that they said in the briefing,
01:09:16
◼
►
and it's all kind of backgroundy,
01:09:18
◼
►
so I'm not gonna quote them directly,
01:09:19
◼
►
but I got this vibe from them about the keyboard,
01:09:23
◼
►
the smart keyboard,
01:09:24
◼
►
that it was almost a legacy product.
01:09:27
◼
►
And that was a moment where I thought,
01:09:28
◼
►
oh, huh, interesting.
01:09:31
◼
►
Like, is a hardware keyboard a legacy technology?
01:09:37
◼
►
That's crazy to me.
01:09:39
◼
►
And yet I think it's worth thinking about that.
01:09:42
◼
►
And considering is a hardware keyboard
01:09:45
◼
►
and is a mouse cursor tracking across a screen
01:09:50
◼
►
an old metaphor that is being supplanted.
01:09:53
◼
►
And if it is, what's new and how does the new stuff work?
01:09:57
◼
►
Because the work, you know,
01:09:58
◼
►
people are still gonna need to get their jobs done.
01:10:00
◼
►
It's just, you know, the tools that are,
01:10:03
◼
►
the tools of choice for some people have changed.
01:10:05
◼
►
I don't know, but that's where it comes for me. There's no fear or concern, and change
01:10:14
◼
►
doesn't particularly bother me. I think you need to call it what it is and not pretend
01:10:21
◼
►
that it's not an aspect of anything that somebody who's been writing about computers for a long
01:10:26
◼
►
time, you know, it's part of their frame of reference. And the iPad Pro doesn't care,
01:10:32
◼
►
right? That's the last line there. The iPad Pro doesn't care. It is not like the surface.
01:10:37
◼
►
The surface is meant to make PC users feel better about having a tablet. The iPad Pro
01:10:41
◼
►
doesn't care.
01:10:42
◼
►
Yeah, so screw you buddy, this is my time.
01:10:45
◼
►
Like I look at all of this and I feel like it's safe to say now that the personal computer's
01:10:50
◼
►
time has peaked and it's changing.
01:10:54
◼
►
Well look at the, I mean, take the tablet out of the equation for a minute and look
01:11:00
◼
►
at smartphone numbers and computer numbers, PC numbers. It already peaked. It's been off
01:11:09
◼
►
the peak for a while now. The PC market shrinks and the smartphone market is insanely growing.
01:11:15
◼
►
So you know, and we can, the tablet is a tweener and it's interesting, but it's already happened.
01:11:23
◼
►
People interact with the internet and use technology to do what we consider computer
01:11:26
◼
►
things with smartphones and other devices too, but with smartphones. That is the computer
01:11:33
◼
►
now. And presumably all future or many future computing device innovations are going to
01:11:41
◼
►
be keying off the smartphone because it's the metaphor now in a way that Windows, you
01:11:49
◼
►
know, that the Mac led to Windows 95 and the suddenly that GUI Mac style GUI was everywhere.
01:11:55
◼
►
that was the metaphor. The smartphone is the metaphor now and the iPad is a
01:11:59
◼
►
computer that uses the smartphone metaphor basically. Man, I am very excited
01:12:08
◼
►
about this product. I wished I could take all of my work to it, right? I can't. I can.
01:12:12
◼
►
I can do the podcast stuff on it if I want to jump through a lot of hoops but
01:12:16
◼
►
I'm not ready to do that yet but I see the future of it and I know how happy I
01:12:21
◼
►
I am using this device for the majority of things.
01:12:24
◼
►
Like today, I've been working all day today.
01:12:27
◼
►
I sat down at my iMac just as we were about
01:12:29
◼
►
to start recording the show, but I've been working all day
01:12:31
◼
►
and I've been working on my iPad Pro.
01:12:33
◼
►
- Well, like I said, I think people get obsessed
01:12:35
◼
►
about this idea of switching, like Federico,
01:12:37
◼
►
'cause Federico is the switcher, right?
01:12:39
◼
►
He has switched.
01:12:40
◼
►
But I think that, you know,
01:12:42
◼
►
I think that there's context switching.
01:12:43
◼
►
I think the idea that you might have a computer
01:12:46
◼
►
that you use, like I stopped,
01:12:48
◼
►
when I set up this office, I stop working on my Mac laptop in the house. I very rarely
01:12:55
◼
►
bring my laptop, my MacBook Air, into the house. It basically sits behind me, and I
01:13:00
◼
►
bring it when I go out somewhere where I need to use the computer or I travel. It gets very
01:13:05
◼
►
little use now. And that's in contrast to even when I worked at IDG, and I would bring
01:13:11
◼
►
the laptop home and I would have it and I would do my computery things. Now that I've
01:13:15
◼
►
I've got the desktop, I've got like, if I wanna do work in the Mac framework, I do it
01:13:19
◼
►
here at my desk in the office. In the house, it's the iPad or iPhone, but usually the iPad.
01:13:26
◼
►
And so that's what I start to think about is maybe the iPad is now my thing that I do
01:13:33
◼
►
everything I'm gonna do productively that is out of the desk where I'm sitting right
01:13:38
◼
►
now. And if I go to my mom's house in Phoenix to visit her for a few days, I don't bring
01:13:43
◼
►
a computer, a Mac, I don't bring a MacBook Air, I bring my iPad because I'm out of the
01:13:48
◼
►
house and that's the hump that I'm getting over is not can I switch entirely to the iPad,
01:13:56
◼
►
it's just can I use it when I'm away from my Mac and that's a lower bar.
01:14:01
◼
►
Should we take a break, do some Ask Upgrade? Yeah, let's do it.
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hover.com for their support of this show. So should we do some Ask Upgrade?
01:16:43
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►
Let's do it.
01:16:44
◼
►
We didn't do any last week so I'm sure that people have been clamoring for the only sound
01:16:50
◼
►
that could indicate that Ask Upgrade is occurring, Jason.
01:16:54
◼
►
Well, it would be a sound of lasers, although we got somebody to complain that we should
01:16:58
◼
►
use the sound of real lasers, to which I would say I think actual laser sound effects would
01:17:03
◼
►
be more annoying to more people than us simply saying, "Ask, upgrade!"
01:17:08
◼
►
It's the only way to do it.
01:17:10
◼
►
I would like to know, and this is an iPad Pro related question, "I travel a lot for
01:17:14
◼
►
business and I'm thinking about getting an iPad Pro to replace my laptop.
01:17:17
◼
►
It would be thrown in a bag and into luggage bins, etc. during my travel.
01:17:21
◼
►
Do I have to worry about the ruggedness of the iPad Pro?"
01:17:24
◼
►
So for me, I think one of the key things you have to remember is that this device is basically
01:17:29
◼
►
just a screen.
01:17:31
◼
►
Like a laptop kind of protects itself by closing, so like all of the stuff that could easily
01:17:36
◼
►
get broken is contained within itself, right?
01:17:38
◼
►
The keyboard and the screen.
01:17:40
◼
►
So I think you've got to get a good case, a nice rugged case, and you'll be fine.
01:17:44
◼
►
I have a smart cover on mine.
01:17:45
◼
►
You can pay an incredible amount of money to get the smart case, which goes in the back
01:17:50
◼
►
I don't know just how good at protecting things they are,
01:17:53
◼
►
but I've always had smart covers on my iPads
01:17:56
◼
►
and they've always been fine.
01:17:57
◼
►
But of course, this thing is bigger.
01:17:58
◼
►
It's probably easier to break because of its size.
01:18:01
◼
►
But I, you know, it's pretty tough.
01:18:05
◼
►
- It's pretty rigid in a way that laptop screens aren't
01:18:08
◼
►
because laptop screens, yeah, when you close them,
01:18:10
◼
►
they're also sort of protected by the rigidity
01:18:13
◼
►
of the base of the laptop.
01:18:14
◼
►
And here, the whole, it's an iPad, it feels like an iPad.
01:18:18
◼
►
It's got that aluminum back.
01:18:19
◼
►
it's pretty strong, but you wanna cover the screen
01:18:22
◼
►
so that the screen is protected.
01:18:24
◼
►
And yeah, I've just used a smart cover on all of my iPads.
01:18:27
◼
►
But if you really are gonna be hard on it,
01:18:30
◼
►
then I would say try to get another,
01:18:31
◼
►
something more rugged, something, you know,
01:18:35
◼
►
but that's fine.
01:18:36
◼
►
I think it'll be fine as long as it's in a nice case.
01:18:38
◼
►
The question is what kind of cases
01:18:39
◼
►
are out there right now for the iPad Pro?
01:18:41
◼
►
- I don't think there are many.
01:18:42
◼
►
- You may have to wait a little bit,
01:18:44
◼
►
but I think it'll be fine as long as you get a case for it.
01:18:47
◼
►
- Yep, I completely agree.
01:18:49
◼
►
Mickey would like to know, "Should I choose Apple's keyboard cover or the Logitech Create?"
01:18:53
◼
►
If you actually had any time with Logitech Create.
01:18:57
◼
►
Haven't even seen it.
01:18:58
◼
►
Haven't touched it.
01:18:59
◼
►
So basically, I've spoke to a few different people about this and everyone seems to say
01:19:02
◼
►
the same thing.
01:19:03
◼
►
If you want a good cover that's a keyboard, go for the smart keyboard.
01:19:07
◼
►
If you want a good keyboard that you can put on your iPad, go for the Logitech Create.
01:19:11
◼
►
Yeah, but Logitech Create, I mean, it's sort of, you snap your iPad into it.
01:19:14
◼
►
So you're basically turning your iPad into a laptop by snapping it in.
01:19:17
◼
►
And so, and I mentioned this in my review,
01:19:20
◼
►
I think unless you're somebody who really needs
01:19:23
◼
►
that combination of, I've always got my keyboard with me
01:19:27
◼
►
and it's ready to go at a moment's notice.
01:19:29
◼
►
If you can slip a Bluetooth keyboard in a bag somewhere
01:19:34
◼
►
and bring it out when you need it
01:19:36
◼
►
and not have to walk around,
01:19:38
◼
►
I mean, that's what the smart keyboard
01:19:40
◼
►
and I think the Logitech Create keyboards are good for
01:19:42
◼
►
is like, you're sort of treating it like a laptop.
01:19:44
◼
►
You always wanna have your keyboard with you.
01:19:46
◼
►
but I don't generally use my iPad that way.
01:19:49
◼
►
And so you can save a lot of money
01:19:51
◼
►
and get a better keyboard by buying a Bluetooth keyboard
01:19:55
◼
►
and pairing it.
01:19:56
◼
►
And yeah, you have to charge it or change the batteries,
01:19:58
◼
►
but pairing it with your iPad
01:20:00
◼
►
and then getting something like a smart cover
01:20:03
◼
►
that you can use as a stand.
01:20:05
◼
►
I think in a lot of contexts,
01:20:07
◼
►
that is a perfectly reasonable way to use even the iPad Pro.
01:20:10
◼
►
And it should be part of the conversation.
01:20:12
◼
►
You should think about whether you really need
01:20:15
◼
►
one of these two accessories, just because they're made for the iPad Pro, that's not
01:20:18
◼
►
enough of a reason. You need to, you know, will I use them in a way that makes it necessary
01:20:24
◼
►
that I use them.
01:20:27
◼
►
Luca would like to know how we use Slack at Relay FM and why do we prefer it to iMessage
01:20:32
◼
►
or other messaging platforms. So the reason that I love Slack over anything else is in
01:20:38
◼
►
this one application, I have all types of communication with people. So we have instant
01:20:44
◼
►
So like one-on-one conversations like me and Jason may have it
01:20:47
◼
►
We're just chatting about stuff or maybe we're setting up stuff for a show. We can have instant messages like that
01:20:51
◼
►
We have group chats. So like for connected we have a connected like a private connected group
01:20:56
◼
►
It's me Federico and Steven we talk as a three
01:20:59
◼
►
We talk about things as a three as friends and also talk about things as you know for the show for business
01:21:05
◼
►
Then we have like official business communication channels
01:21:08
◼
►
Which have like everybody in them and we want to say as a business we are doing this
01:21:12
◼
►
we want you to know about this, you should look at this, right? We have
01:21:15
◼
►
official business communication we can do there. We have massive group chats,
01:21:19
◼
►
like we have the general room that all slacks have, ours has like 30
01:21:23
◼
►
people in it, and people just talking about whatever, they could be talking
01:21:27
◼
►
about tech, they could be talking about video games, they could be talking about pens and pencils,
01:21:30
◼
►
no matter whoever may like that or may not, it's all going in there and there's
01:21:34
◼
►
nothing anybody can do about it. Sorry Casey. Sorry Casey, it's just the way it is.
01:21:39
◼
►
and sorry Jason because we have in pension today you did that but that's it
01:21:43
◼
►
right it's just a big chat room that everyone's in so it's basically it's we
01:21:47
◼
►
have all of these different types of communication all in one place it's all
01:21:51
◼
►
searchable it's all archived so in case we need it for later it stops people
01:21:56
◼
►
from having conversations in email and then they get lost and then you continue
01:22:00
◼
►
in IM like it's just a way of keeping all of our communication in one place
01:22:04
◼
►
with and everybody just goes to that place when they want to talk to somebody
01:22:07
◼
►
in our company. It's very, very cool for that. I love it.
01:22:11
◼
►
I mean, the small group conversations could be done in something like
01:22:15
◼
►
iMessage. That would be fine, but the nice thing about about Slack is that
01:22:21
◼
►
you've got the general group too, so you've got a whole bunch of people who
01:22:24
◼
►
are able to have conversations, and then you can set up interest channels and you
01:22:27
◼
►
can set up private groups of different sizes, and it's all in one place. So
01:22:33
◼
►
So I think that's the advantage there. Also, cross-platform, I mean, our friends, the hosts
01:22:39
◼
►
of the material podcast on Relay cannot read those iMessages on their phones, right?
01:22:45
◼
►
>> I'm not sure they can get email on their Android phones either, right?
01:22:49
◼
►
>> Yeah, can they?
01:22:50
◼
►
>> It's only the Gmail, they don't get email.
01:22:52
◼
►
>> Oh, interesting.
01:22:53
◼
►
>> It's a different letter, I think.
01:22:54
◼
►
>> Yeah, I'm sure that's accurate.
01:22:56
◼
►
>> Mm-hmm, email, Jason.
01:22:59
◼
►
Lex Friedman posted a thing the other day about how many different ways people can get
01:23:04
◼
►
in touch with him. And I replied to him. I sent him a Slack message on the incomparable
01:23:09
◼
►
Slack. I sent him an iMessage. I sent him an AOL Instant Messenger IM. I sent him a
01:23:13
◼
►
Google Talk message and I sent him a Facebook message, all saying the same thing as a reply.
01:23:22
◼
►
Because it's true, it could be everywhere. But that's the nice thing about Slack is that
01:23:26
◼
►
you set these groups up for people who are working together on project or other, and
01:23:29
◼
►
it forms like a little mini community, and then you've also got your private messaging
01:23:32
◼
►
that's kind of built in. And if it was just private messaging or just the group chat room,
01:23:36
◼
►
I think it would be less effective. But once, you know, everybody knows to sort of like
01:23:39
◼
►
keep an eye on Slack, then it becomes easier to get their direct attention in Slack by
01:23:45
◼
►
a direct message in a way. Like I don't have the iMessage addresses of a lot of the people
01:23:51
◼
►
that I work with, but I don't need it because I can just see their name in Slack and send
01:23:56
◼
►
them a message or a couple names. And that's been very effective, actually. So I use iMessage
01:24:02
◼
►
a lot less now.
01:24:04
◼
►
>> Joshua would like to know, "What do you think of using SoundCloud for podcast hosting?
01:24:08
◼
►
I'm using Squarespace right now. What better stats?" Now, I would say I have never used
01:24:13
◼
►
SoundCloud and I know that Jason has, so I'll get his input on the actual service itself.
01:24:18
◼
►
I would say if you have a podcast you should be using some sort of service that has statistics.
01:24:23
◼
►
Squarespace is great for creating websites around podcasts and you can host your stuff
01:24:27
◼
►
there and it's fine, but you don't actually get any statistics for the uploads of the
01:24:31
◼
►
files and the downloads of the files, you don't get any of that.
01:24:34
◼
►
So I always say you should use a third party in that scenario.
01:24:38
◼
►
I use Libsyn, we use Libsyn at Relay FM, they've been around forever and their statistics are
01:24:44
◼
►
well trusted.
01:24:45
◼
►
loads of other great services. There's one that I really like as well called
01:24:48
◼
►
Simplecast, which also creates really good-looking websites as well for you, so
01:24:53
◼
►
you can check those guys out. But there is of course SoundCloud, which I know
01:24:56
◼
►
that you've used, Jason. Yeah, SoundCloud, you know, they've been,
01:25:01
◼
►
they've added podcast functionality, but their goal is to sort of be the YouTube
01:25:06
◼
►
of audio, so that they try to drive people to the website. So you can post
01:25:09
◼
►
sounds on a SoundCloud account that's got the premium version that has
01:25:14
◼
►
podcasting built in and it'll generate a feed. I don't like SoundCloud because
01:25:20
◼
►
their attitude, they are very reluctant to share the mp3 file with you. There
01:25:26
◼
►
are ways to get it but like the default is they want you to, if you're seeing a
01:25:33
◼
►
podcast on the web, they want you to use their player to play it. They don't want
01:25:37
◼
►
to provide you with like a download URL which makes it really frustrating if you
01:25:40
◼
►
want to use something like Huffduffer or you just want to download the file for
01:25:43
◼
►
later or most importantly, sometimes there's a download button. So that's okay. But mostly
01:25:48
◼
►
like the download button generates a download URL that doesn't seem to be the permanent
01:25:53
◼
►
download URL. So if you want to link to an MP3 on SoundCloud, they don't want to let
01:25:56
◼
►
you do it. If you want to put it in a different RSS feed, they don't want to let you do it.
01:26:00
◼
►
It's kind of like they want to be a podcast citizen, but they also want the control and
01:26:06
◼
►
I don't love it. And so if you like SoundCloud and it works for you, it's super easy. We
01:26:10
◼
►
to use it for some stuff for Macworld and for the incomparable, but at this point I'm
01:26:14
◼
►
using Libsyn, and it's pretty cheap for the basic plan, and I think that's the--and it's
01:26:21
◼
►
got stats. So I think for most people that's what I recommend at this point is Libsyn,
01:26:27
◼
►
because you can start off with a very cheap plan, and you do have to pay, but it's probably
01:26:33
◼
►
not a lot of money, you know, whatever it is, five bucks, eight bucks a month or something
01:26:38
◼
►
I recommend the $20 a month plan. I know that obviously you're getting into an amount of
01:26:42
◼
►
money there, but the $20 a month plan gives you advanced statistics, which it doesn't
01:26:48
◼
►
let you know a lot of stuff, but you can get geographical breakdown, technology breakdown
01:26:52
◼
►
so you can see what apps people are listening in and stuff like that. I like it for that.
01:26:56
◼
►
You can definitely go with a cheaper plan than that.
01:26:58
◼
►
You can start with $5, and the way it works is it's about how your upload is. So if you've
01:27:03
◼
►
got a short podcast or you only have a couple podcasts a month, the $5 plan, it's $50 a
01:27:08
◼
►
megs in podcast files and for $15 a month it's 250 megs which is perfect for
01:27:13
◼
►
like a weekly podcast.
01:27:16
◼
►
Right so that's Ask Upgrade this week. So this is usually where the episode will end.
01:27:20
◼
►
However we have of course a Myke at the Movies week so we have a special segment
01:27:24
◼
►
and we're about to start talking about the "Sure Thing" which is our Myke at the
01:27:29
◼
►
Movies pick for this week. But Myke at the Movies this time is brought to you
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by our friends over at Igloo who give you the internet you'll actually like.
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Now we're about to start talking about like an 80s movie and some internets look like
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that they were made in the 80s right they were made in the 90s they were made in a time
01:27:45
◼
►
where the internet was a very very different functioning and looking thing and I remember
01:27:51
◼
►
the internet that I used to use in my old corporate job was very much like this.
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It felt very much at home and Internet Explorer right maybe tells you all you need to know
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that was where it did its best.
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But this isn't what igloo makes. Igloo make a great product which feels like it was made
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Thank you so much to Igloo for supporting this show
01:29:34
◼
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and Real AFM.
01:29:35
◼
►
So, Jason, "The Sure Thing" is our pick today.
01:29:42
◼
►
- My first comment about "The Sure Thing"
01:29:45
◼
►
is that it is impossible to find.
01:29:47
◼
►
It is not available for streaming or purchasing online.
01:29:52
◼
►
- So I went into a bit of a panic mode over the weekend
01:29:56
◼
►
as I could not find this movie.
01:29:58
◼
►
I have a theory, also speaking of Slack,
01:30:03
◼
►
our friend Casey had a file in the Slack of this movie.
01:30:07
◼
►
- Did he? I wouldn't know.
01:30:09
◼
►
- Yeah, it's available digitally
01:30:11
◼
►
in the secret Slack channel about this movie.
01:30:14
◼
►
Yeah, I have a theory about it,
01:30:18
◼
►
which is that the music in it has made it difficult to,
01:30:26
◼
►
So it's available, like the DVD is a Shout Factory DVD
01:30:30
◼
►
and a lot of the Shout Factory stuff,
01:30:32
◼
►
it's higher priced than it's like, it lists at $25.
01:30:35
◼
►
It's higher priced.
01:30:36
◼
►
And they do that because they're,
01:30:38
◼
►
the main company doesn't wanna release it
01:30:42
◼
►
because it's gonna be too much to get the music rights.
01:30:45
◼
►
And then Shout Factory basically says,
01:30:46
◼
►
"Okay, we will clear all the music rights
01:30:47
◼
►
and release it at a higher price and a lower volume
01:30:51
◼
►
for the people who really wanna see it."
01:30:52
◼
►
Because the soundtrack to The Sure Thing is staggering.
01:30:55
◼
►
In fact, I think it seems much more impressive now
01:30:59
◼
►
as a representative of the '80s than it did at the time.
01:31:04
◼
►
It feels like songs selected for a movie we'd make today
01:31:10
◼
►
set in the '80s.
01:31:11
◼
►
Like, well, we gotta have a song by these people
01:31:14
◼
►
and that song is very '80s and all of that,
01:31:16
◼
►
but it's just the songs they pick for this movie.
01:31:18
◼
►
By the way, the musical supervisor I looked up
01:31:20
◼
►
while I was watching it for this movie
01:31:22
◼
►
is also the musical supervisor for "Real Genius."
01:31:24
◼
►
So it's the same person picking the songs for both, which also made me laugh.
01:31:28
◼
►
But it's a very 80s soundtrack and my guess is that the music rights are probably very
01:31:34
◼
►
expensive and that may be why it's not available streaming.
01:31:38
◼
►
That is a good theory.
01:31:39
◼
►
I like that theory.
01:31:40
◼
►
There is a lot of music throughout this.
01:31:43
◼
►
When the movie opens, it opens very 80s.
01:31:46
◼
►
It has a very 80s song and has this beautiful 80s font, right?
01:31:52
◼
►
all like fluorescent, streaking across the screen, right? You would know this if you could find the movie, right?
01:31:59
◼
►
Did you end up seeing the movie, Myke? Yes, luckily I did. It stumbled upon me somehow. Somehow. I just
01:32:07
◼
►
want to mention about the music. Rod Stewart, Kiwi Lewis and the News, Sammy Hagar, Quiet Riot, John
01:32:13
◼
►
John Waite, Jay Giles' band, the Eagles, or sorry, Eagles, The Cars, Wang Chung, Lionel
01:32:21
◼
►
Ritchie and Peter Wolf. So it is a, and it's Lights Out by Peter Wolf. So it is a super
01:32:28
◼
►
uber 80s kind of soundtrack. But I could also see why that might be very expensive if they
01:32:33
◼
►
didn't have all the, if they had to re-license all that music for streaming at home video.
01:32:38
◼
►
So the only thing that I knew about this movie or believe that I knew about this movie is
01:32:42
◼
►
you referred to it last week as a sex comedy. So my question before going into this was,
01:32:47
◼
►
is this real genius or is this American Pie? I will find out.
01:32:51
◼
►
- Yeah, and I think the reality is it is like some of the other movies that we've watched,
01:32:59
◼
►
including Say Anything, it is a movie that wants you to think that it's a
01:33:06
◼
►
horny teen sex comedy sort of movie when it's not.
01:33:10
◼
►
Yes, that I will get to this a little bit later on this put a pin in that for now
01:33:14
◼
►
But this one tries harder than say anything does right say anything doesn't really they have the one party scene
01:33:20
◼
►
But say anything really doesn't get too far down the road or sure thing spends a good 25 minutes
01:33:26
◼
►
Really wanting you to think that this is all about a couple of guys who want to get laid
01:33:31
◼
►
Yeah, and the time you realize so the sure thing is
01:33:35
◼
►
The show character the person that the girl who is a sure thing like that
01:33:40
◼
►
We're gonna get our main character junkie sack who plays a character called Gib
01:33:44
◼
►
Walter Gibson is gonna go to his friends college in California because there is this girl there who is a sure thing for him
01:33:51
◼
►
Like his friend Anthony Edwards from ER and Top Gun
01:33:55
◼
►
very young as his friend the dude in going to college in California and
01:34:00
◼
►
And Nicolette Sheridan, who went on to be on like "Knots Landing" and she did a whole bunch of other things.
01:34:05
◼
►
And her role is credited in the credits as the sure thing. That is who she is. She never has a name.
01:34:13
◼
►
She's blonde and beautiful and sits out on the beach and appears in the various fantasy sequences of John Cusack's gib.
01:34:22
◼
►
But before we even finish the credits, there was something that I noticed that really made me smile.
01:34:26
◼
►
executive producer Henry Winkler. Yes. Where did they come from? So it's a funny thing about what
01:34:35
◼
►
Henry Winkler did sort of post Fonz which was get into producing and he produced a bunch of movies
01:34:45
◼
►
that would surprise you and TV series. I believe he was one of the producers on MacGyver, the TV
01:34:50
◼
►
series as well. But he did this film and there was another big movie that he's listed as
01:35:00
◼
►
a producer on. God, what is it? Anyway, yeah, he had a whole--he also directed. He directed
01:35:10
◼
►
some movies and he produced some movies. It was very much his, "Okay, I've been a sitcom
01:35:14
◼
►
star on Happy Days and now I want to do some other things." And so he produced and directed
01:35:19
◼
►
a bunch of stuff so he is listed as one of the executive producers on the sure thing
01:35:23
◼
►
I have no idea.
01:35:24
◼
►
I'm looking at his IMDB page right now there's a ton of stuff like I was thinking oh I'll
01:35:31
◼
►
just go and find out what that thing was I will be here all day.
01:35:34
◼
►
Yeah oh yeah it's crazy the stuff that he's produced so I think that's part of the story
01:35:43
◼
►
is that he did a whole bunch of sort of post fawns things but yeah he's listed as an executive
01:35:48
◼
►
producer on Sure Thing. So I like that it kind of it starts off with Gibb. We
01:35:57
◼
►
should say we should say this is directed by Rob Reiner who we've already seen
01:36:00
◼
►
this is Spinal Tap and and the Princess Bride from and then stars John Cusack who
01:36:05
◼
►
we've already seen with Say Anything. So it starts off Cusack is giving his
01:36:10
◼
►
chat up line to a girl and it's about space and I wonder if this was
01:36:14
◼
►
potential for why you love this movie is that he uses space as a pickup line. He's so
01:36:18
◼
►
bad at it. Yeah, it doesn't work. Consider the universe. He says with his high voice, he's 19
01:36:23
◼
►
in this movie. Very young in this movie. He's four years younger than, this is four years before Say
01:36:27
◼
►
Anything, and his voice hasn't dropped basically yet. And I like that the movie's set up really
01:36:35
◼
►
well. Like, it begins at the ending for these two friends. They've just graduated high school and
01:36:41
◼
►
they're about to go off to college. Like, that's, I really like that as the way that the movie begins
01:36:45
◼
►
because it just puts a pin in where these people are in their lives. They don't do it
01:36:49
◼
►
in a ham-fisted way, they don't do it with a lot of exposition. It's just a couple of
01:36:52
◼
►
minutes and then they move on to the rest of the movie. And I think it sets it up really
01:36:57
◼
►
Did you notice something we talked about when we talked about Say Anything was that that's
01:37:01
◼
►
a movie entirely set in a period which we rarely see in a film, which is the summer
01:37:05
◼
►
after high school and before college. And I laughed when this movie starts in the same
01:37:10
◼
►
place, which is graduation night, and scene two skips all the way to college. And I thought,
01:37:15
◼
►
"Wow, say anything just happened in between those two scenes," because this movie's got
01:37:19
◼
►
to--it's time to move on. The point is shorthand. They're in high school. It's all the expectations
01:37:23
◼
►
of going off to college. There's that funny line where Anthony Edwards is trying to give
01:37:29
◼
►
him a pep talk about how he's going to be more lucky with the ladies in college. He
01:37:34
◼
►
said, "Forget about these high school girls. Pretty soon they'll all be college girls."
01:37:37
◼
►
And he says, "But it's the same girls. They just go to college." And he says, "No, no,
01:37:40
◼
►
no. They'll be college girls then. This dream that is nonsensical about it."
01:37:45
◼
►
It's just so it's so naive and and funny and dumb and and then we cut to he's at an unspecified Northeastern University
01:37:52
◼
►
So he's taken English and I really love his lecturer. Oh
01:37:57
◼
►
Yeah, she is such a fantastic character. She's so full of life and fun
01:38:02
◼
►
And I loved it like, you know
01:38:05
◼
►
She's she wants them to express themselves more in their writing and she says stuff like sleep when you want to not when you think
01:38:11
◼
►
you must make love in a hammock like it's like she's just saying all this
01:38:15
◼
►
stuff like just prancing around the room. She's Swedish so she's got this accent so
01:38:19
◼
►
you're like she's this vaguely European dynamic yeah mm-hmm and I really like
01:38:25
◼
►
that I really like that a lot I also love the swim in pool monologue right so
01:38:30
◼
►
as so at this point Gib has set his sights on Amanda that is who he is
01:38:37
◼
►
really interested in and he's trying to get her to go on a date with him and she
01:38:43
◼
►
is going for a swim in a pool and she's doing lengths and he's just walking up
01:38:47
◼
►
and down the pool in increasing desperation of what like absolute
01:38:52
◼
►
melodrama of why she should give him a shot and how it's like completely end
01:38:56
◼
►
his life and then he jumps into the pool it's like would you save a drowning man
01:38:59
◼
►
like it's all I really like that bit. It's Alison by the way. Alison sorry. You got
01:39:04
◼
►
bad handwriting there, but we knew that.
01:39:06
◼
►
I was trying to do it from memory. He didn't do a very good job.
01:39:10
◼
►
Yeah, so yeah, he follows her. It's sweet. He fancies himself, I think, as a lot of—is
01:39:20
◼
►
this in reality or not? But it's certainly in movies that a lot of teenage young men
01:39:24
◼
►
fancy themselves powerful pickup artist type people where they're like, "Oh, I can get
01:39:31
◼
►
the ladies to go out with me. I've got a line." You know, he's working on his lines and stuff
01:39:34
◼
►
like that. You got to get some new material. And then with her, he has this whole scheme,
01:39:39
◼
►
which is that he's going to get her to help him with his studying, his paper, because
01:39:48
◼
►
he's got to rewrite this paper that he wrote about burning, about not burning the roof
01:39:52
◼
►
of your mouth when you eat pizza. That is what his paper is about, by the way. And the
01:39:57
◼
►
The moment, so she finally agrees.
01:40:00
◼
►
And the moment that they sit down to work
01:40:02
◼
►
on the paper seemingly, he's like,
01:40:03
◼
►
let's get some air, let's get out of here.
01:40:05
◼
►
It is the thinnest tissue paper sham.
01:40:10
◼
►
It is just so, it made me laugh.
01:40:12
◼
►
'Cause it's like, he doesn't even go through the motions
01:40:14
◼
►
of like, we don't see that they've been working on it
01:40:16
◼
►
now that they're leaving after the study session,
01:40:18
◼
►
he's gonna ask her out.
01:40:19
◼
►
He like, he can't wait.
01:40:21
◼
►
He immediately is like, no, no, let's blow this off.
01:40:23
◼
►
And actually go out on a date, which I didn't ask you on,
01:40:25
◼
►
but now I'm gonna ask you one.
01:40:28
◼
►
- I like that when she finally agrees
01:40:29
◼
►
to go on a date with him,
01:40:31
◼
►
they agree on a time and stuff
01:40:34
◼
►
and Alison goes to walk out of the door
01:40:36
◼
►
and Gib says, "Where?
01:40:38
◼
►
Like, where shall I meet you?"
01:40:39
◼
►
Like, this is one of my biggest pet peeves in movies
01:40:42
◼
►
when people set up dates
01:40:43
◼
►
and never arrange a location or a time.
01:40:45
◼
►
- Yeah, or they'll be like,
01:40:47
◼
►
"Yeah, I'll pick you up for lunch."
01:40:48
◼
►
"All right, what?"
01:40:50
◼
►
- Like, where are you?
01:40:51
◼
►
Do you know where she lives?
01:40:52
◼
►
Like, I like that they just put that on there.
01:40:54
◼
►
like it really annoys me when people leave that out in movies it's like just
01:40:58
◼
►
this ambiguous time and all location of where this date will occur yeah and then
01:41:03
◼
►
you know he's kind of psyching himself up like in his dorm room and I really
01:41:07
◼
►
like the scene where his friend is Jimbo is trying to like give him the lines to
01:41:13
◼
►
use for the ladies like you know it is like real sensitive line I feel like
01:41:16
◼
►
we've got his arm and that sort of stuff as he's giving him the the full patter
01:41:20
◼
►
as it were. Which he uses many times throughout this movie on various ladies or at least tries
01:41:29
◼
►
Indeed, and we also at some point in here he also gets the letter from his friend who's
01:41:33
◼
►
at, you know, UCLA or something like that. He's in college in Southern California telling
01:41:39
◼
►
him about how amazing it is out there while it's just the brutal winter and it's getting
01:41:43
◼
►
on toward Christmas and it's the brutal cold has come to the Northeast and his pal is just
01:41:49
◼
►
in a like a parody of almost of what you'd expect because that's how I always viewed
01:41:57
◼
►
it is that even though he goes there and it actually is this way but it is like the dream
01:42:02
◼
►
Southern California college thing which is we don't really go to school and we hang out
01:42:06
◼
►
on the beach and everybody's got there's a beach house and there's a pool and the beach
01:42:11
◼
►
is over there and there are girls in bikinis and we're all just partying and drinking beer
01:42:16
◼
►
and that's all we do all the time at Southern California University, which is not University
01:42:21
◼
►
of Southern California, it's slightly less academic. Anyway.
01:42:26
◼
►
And they have a phone call, don't they? Which I really like. So his friend, what was his
01:42:33
◼
►
friend's name? Lance. Lance. They're having a phone call and Gib is like freezing in a
01:42:39
◼
►
corridor and Lance is like walking outside by a pool in the sun and he's got a Hawaiian
01:42:43
◼
►
shot on and there's girls playing volleyball and it's like it's just fantastic to just
01:42:48
◼
►
watch this like night and day it's like hey it's amazing here and he's like these his
01:42:52
◼
►
friends is is um has a lady in his room and there's various various sounds coming from
01:42:59
◼
►
the room so he's just like completely shut out in this cold corridor listening to his
01:43:04
◼
►
friend being like come on man there's this sure thing over here get your way to California
01:43:09
◼
►
So they start the journey to California, right?
01:43:13
◼
►
And he goes to like this board and it's like some ride?
01:43:16
◼
►
What is that about?
01:43:17
◼
►
What is going on?
01:43:18
◼
►
- Okay, so yeah.
01:43:19
◼
►
So Anthony Edwards tells him, "Come to California."
01:43:20
◼
►
She's got to go on her semester at sea on December 22nd or whatever, which is hilarious
01:43:25
◼
►
'cause that's exactly when you'd start the semester at sea is right before Christmas time.
01:43:28
◼
►
That's not a thing.
01:43:29
◼
►
But anyway, the idea here is you got to get to see her before she goes off and leaves
01:43:35
◼
►
because she's a sure thing.
01:43:36
◼
►
She was in a parochial school or something.
01:43:38
◼
►
She is built up as this basically like, "She's beautiful and we'll have sex with you, so
01:43:43
◼
►
come to California and also it's warm here, but you got to get here by a certain date."
01:43:48
◼
►
And it's about to be the Christmas break, so he goes to the ride share board, which,
01:43:52
◼
►
Myke, this was a thing, that there would be a place that you could go if you were... They
01:43:56
◼
►
had this when I was in college. I never used it, but if you were driving to... I went to
01:44:01
◼
►
school in San Diego, Southern California University, we didn't have the swimming pool and the girls
01:44:04
◼
►
playing volleyball in the swimming pool, I have to say. As somebody who went to a Southern
01:44:07
◼
►
California University, but they would have the board and it would have like driving to
01:44:13
◼
►
LA, you know, and you would, people would like sign up to go with them and you drop
01:44:18
◼
►
them off. And we actually had that when we went to LA for Thanksgiving one year from
01:44:22
◼
►
up here. My wife's sister was at Berkeley and she had a friend and it was like, you
01:44:30
◼
►
know, it was the same idea. It's like we dropped her off along the way because she lived in
01:44:33
◼
►
the northern part of LA. So we kind of went out of our way a little, dropped her off and
01:44:36
◼
►
and then continued on. And back in the day before the internet especially, that was sort
01:44:39
◼
►
of how you did it, is you pinned these messages up and they did like rideshare and you'd share,
01:44:44
◼
►
you know, you'd buy the gas or whatever and so everybody would win and that was how people
01:44:49
◼
►
got maybe not across the country, I don't know, that's kind of extreme, but it would
01:44:53
◼
►
totally, the ridesharing thing would happen.
01:44:56
◼
►
- So they do that, right? They go on a rideshare and the funny thing is, is that when a gift
01:45:03
◼
►
gets in the car, Alison is there, right?
01:45:05
◼
►
Because she is also taking this rideshare in the car that is being driven by a very
01:45:12
◼
►
young Tim Robbins.
01:45:13
◼
►
>> MATT: Yep.
01:45:14
◼
►
And Tim Robbins and his lady are singing show tunes.
01:45:19
◼
►
They are a lovely wholesome couple.
01:45:21
◼
►
And the whole time, Alison and Gib are just at each other's throats because Gib tried
01:45:26
◼
►
to get fresh, I guess, with Alison, and she wasn't having none of it.
01:45:30
◼
►
And so now they don't really like each other so much.
01:45:33
◼
►
But they're miss they're wacky and mismatched in the back of this car with the the husband and wife in the front who are super
01:45:38
◼
►
Perky and don't have kids of their own
01:45:40
◼
►
so they're expecting this is gonna be a really fun road trip with the college kids and the college kids are silent and
01:45:45
◼
►
staring daggers at each other and
01:45:47
◼
►
and there's a lot of funny contrast and they sing the show tunes and
01:45:52
◼
►
And they're totally bringing down the the happy couple
01:45:57
◼
►
And then it gets to the point where they get thrown out onto the road and they have to
01:46:03
◼
►
make their own way, right?
01:46:04
◼
►
Like, Tim Robbins has just had enough and he just chucks them out of the car.
01:46:07
◼
►
So they begin the process.
01:46:09
◼
►
Well, you remember the reason why.
01:46:12
◼
►
Ultimately he goes, Gib, after having a thing where we hear about that she's got this boyfriend,
01:46:17
◼
►
Jason, sounds like a terrible guy, in LA, and they are sharing the hotel room and she's
01:46:25
◼
►
gonna says I've got a schedule. It's very proto when Harry met Sally in some ways, like
01:46:30
◼
►
she's super uptight and he's not. And so she's like, I got a schedule, you'll sleep on the
01:46:36
◼
►
bed and alternating nights and I'll sleep on the floor and we'll alternate but tonight
01:46:39
◼
►
you're on the floor. And he gets really frustrated with that. And he needles her in the car the
01:46:44
◼
►
next day and says, come on, you got to do something spontaneous. And she says, I like
01:46:47
◼
►
to do things that are spontaneous when it's been planned out or whatever she says, it's
01:46:51
◼
►
very funny and then he finally basically gets her to take to lift her shirt up and show
01:46:56
◼
►
her boobs to the on an oncoming bit of traffic and this outrages Tim Robbins and and his
01:47:04
◼
►
wife and they they they throw him out of the car because I get pulled over by the police
01:47:08
◼
►
and he gets a ticket right oh that's true that's true cut cut to he's being written
01:47:14
◼
►
up for indecent exposure and reckless driving and whatever else for things that would not
01:47:19
◼
►
be his fault but he's the driver of the car I guess and at that point they just leave
01:47:23
◼
►
them they leave them by the side of the road in a place that looks suspiciously like where
01:47:27
◼
►
I grew up it's like the the it's very clearly the foothills of Northern California which
01:47:31
◼
►
is where they shot a lot of this movie but it's supposedly out in the middle of the United
01:47:36
◼
►
States somewhere.
01:47:38
◼
►
So because I knew where you grew up and that kind of thing right Gib and Alison go hitchhiking
01:47:45
◼
►
at this point so have you ever hitchhiked?
01:47:48
◼
►
Okay, it seems horrific to me is the thing to do.
01:47:53
◼
►
Like, it seems horrible.
01:47:54
◼
►
I don't like meeting people, Myke, and hitchhiking is meeting people roulette.
01:48:00
◼
►
There's this one scene where Allison and Gib have heard a big argument and she jumps into
01:48:06
◼
►
a van, he tells her not to go, Gib jumps into the back of the truck and Allison is kind
01:48:12
◼
►
of accosted by the gentleman driving the car, and he, and then, so then Gib jumps into the
01:48:17
◼
►
front of the car and like acts like a crazy person. It's a really great scene and it's
01:48:22
◼
►
like I'm talking about a total maniac like it's really fantastic.
01:48:28
◼
►
They try very hard to lighten it because it's very dark that basically she's been picked
01:48:33
◼
►
up by a guy who picks up pretty girl hitchhikers and rapes them. That's a dark way to go but
01:48:40
◼
►
then it's very quickly counterbalanced by the fact that Gib pops up in the back of the
01:48:45
◼
►
the truck and is looking in the window, which is a very funny moment because you're like,
01:48:50
◼
►
"Oh man, he's back there." And then he pops into the--they pull off by the side of the
01:48:54
◼
►
road and he pops into the door and the guy claims that Allison is his wife and so Jock
01:49:00
◼
►
is like, "Oh, your wife!" And he goes like a crazy person and he says, "Now I'm just
01:49:05
◼
►
gonna go out--I'm gonna take my wife--take your wife with me." And he pulls her out and
01:49:10
◼
►
pulls the stuff out of the back as the guy speeds off and it's a nice moment, I guess,
01:49:15
◼
►
where she is willing to forgive some things about him because, you know, he was looking
01:49:20
◼
►
out for her.
01:49:22
◼
►
I like, um, it's kind of interesting to me how this movie at this point becomes like
01:49:30
◼
►
a buddy cop movie. Like, which I wasn't expecting, right?
01:49:35
◼
►
For me, this is the moment where the movie flips over into Brilliant. It's like we've
01:49:39
◼
►
set for half an hour, we've sort of set up that they're in opposition. Really, the pitch
01:49:43
◼
►
of this movie is these two people who don't like each other but actually are going to
01:49:48
◼
►
fall in love are forced to hitchhike across the country when, you know, and this is where
01:49:54
◼
►
it starts. It's really, it's right here.
01:49:56
◼
►
Yeah, because it becomes one of those scenarios where like they grow to love each other and
01:50:00
◼
►
they're pushed apart. Like it's, it becomes that, which I wasn't expecting this movie
01:50:03
◼
►
to be at all. I really love it when, so they're going to get a bus together, right? They end
01:50:11
◼
►
up hitchhiking to a bus station and they're about to get a bus and have their first real
01:50:15
◼
►
heartwarming moment where Allison gives the money to get a bus ticket but she's gonna
01:50:19
◼
►
go earlier than him. So she leaves to get the bus, he sits down, starts watching TV
01:50:25
◼
►
and they quickly just do a quick cut of the camera angle and Allison has gotten off the
01:50:30
◼
►
bus and she's just standing over him watching the TV with him. I really like that moment,
01:50:34
◼
►
that was really nice. Yeah, she doesn't give him the money yet, she offers to give him
01:50:38
◼
►
the money later but he doesn't have the money at that point.
01:50:40
◼
►
Oh, I thought she gave him the money at that point.
01:50:42
◼
►
No, no, she offers to give him like $50 or something like that of her $70 but he refuses
01:50:47
◼
►
and he's basically going to just sort of sit there at the bus station I think is how it
01:50:51
◼
►
is but she can't, this is her opportunity to not leave him behind so she doesn't leave
01:50:58
◼
►
And they're going to go on and you know, go on together and hitchhike the rest of the
01:51:02
◼
►
So then they're kind of like, they're going from place to place, like they're growing
01:51:05
◼
►
closer together right during this period of time they're warming up to each other even
01:51:12
◼
►
to the point where like Gib gets angry that Alison is on the phone to her boyfriend yeah
01:51:18
◼
►
and he goes out and gets drunk yeah in a bar because because he's he thought that they
01:51:24
◼
►
were making that connection but she's still talking to the boyfriend and he comes back
01:51:28
◼
►
and he's super drunk but she like tucks him in at night and that sort of stuff it's kind
01:51:31
◼
►
They're kind of cute and then the next day like he's rushing her to leave and she leaves this scheduled book that she has which
01:51:37
◼
►
Has all of our money in it and she's planned out this whole trip for them. She leaves it in the hotel
01:51:41
◼
►
They go on a few different hitchhiking adventures before they realize that the book has actually been lost and
01:51:48
◼
►
But then it was to rain it starts to rain but the way that they do the schedule book being lost is fantastic
01:51:55
◼
►
She's like right we can eat every 200 miles. So they go to a certain point they go to a cafe
01:51:59
◼
►
They're so excited to go in and eat. They're like talking about what they're gonna order
01:52:01
◼
►
They walk in and the camera just stays on the door for a few seconds
01:52:05
◼
►
And then they stall back out again and gives like how could you lose your schedule book?
01:52:09
◼
►
And I really like that at this point. They've quickly assumed the stereotypical roles of a married couple
01:52:14
◼
►
Mm-hmm, which is really cute
01:52:16
◼
►
Then it starts to rain and they start to like try and find a place and then
01:52:20
◼
►
Allison remembers that she has a credit card that can only be used in emergencies
01:52:25
◼
►
So then cut to this extremely lavish hotel that they're in with this beautiful meal that they're eating
01:52:30
◼
►
They're the only place that took credit cards. Of course, they're eating veal and salmon and this is kind of where the movie
01:52:37
◼
►
Ends up for me like having more heart than I expected
01:52:40
◼
►
Like there's this scene that evening where they're lying in bed together
01:52:44
◼
►
Like usually be one of them on the bed one with them on the floor
01:52:46
◼
►
But this is the first night that they're gonna share a bed together like nothing's really going on because she trusts him
01:52:53
◼
►
She says, you know, this is unlike before.
01:52:55
◼
►
She's like, no, no, you can sleep on the bed too.
01:52:58
◼
►
She's like, there's a level of trust
01:52:59
◼
►
that they have with each other
01:53:00
◼
►
having been through all of this.
01:53:01
◼
►
And in the morning, he wakes up
01:53:04
◼
►
and his arm's kind of around her.
01:53:07
◼
►
And he's super apologetic.
01:53:09
◼
►
Like, I'm sorry, I'm sorry.
01:53:11
◼
►
I didn't mean to do that.
01:53:12
◼
►
I feel really bad.
01:53:12
◼
►
And so he's learned this, you know,
01:53:16
◼
►
he's trying to honor her choices
01:53:18
◼
►
and be a good guy and be a good friend.
01:53:21
◼
►
And her response is like, it's fine, right?
01:53:24
◼
►
Like she, cause she does, she totally trusts him.
01:53:27
◼
►
And they, they, they have built that connection now
01:53:29
◼
►
where it's the complete opposite of that first hotel room
01:53:32
◼
►
scene where he decides he's going to sleep on the bed
01:53:34
◼
►
and she just goes and sleeps on the floor.
01:53:36
◼
►
- And then Gib goes and stands out on the veranda
01:53:38
◼
►
to cool down, I assume.
01:53:39
◼
►
Like, he's just like, I'm going to go stand on the veranda.
01:53:41
◼
►
Like he just goes out there and just stands there
01:53:43
◼
►
for a while.
01:53:44
◼
►
But it's, it's really nice how they like,
01:53:46
◼
►
they warm to each other in this way,
01:53:48
◼
►
but they end up getting to LA.
01:53:51
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So they get into this truck and Allison is asleep,
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or at least they believe that she is asleep.
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And Gib is talking to the truck driver
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and telling him about the sure thing,
01:54:01
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the reason that he's going to California.
01:54:03
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Because at this point, Gib is pretty convinced
01:54:05
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that he hasn't got a shot, right?
01:54:07
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Because Allison seems to still be hung up on her boyfriend.
01:54:10
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- That conversation actually begins with a guy saying,
01:54:14
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you and your girlfriend,
01:54:20
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And he says, "No, she's not my girlfriend.
01:54:22
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She's got a boyfriend in LA."
01:54:23
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And the truck driver says something like,
01:54:25
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"Oh, that's a shame."
01:54:27
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And John Cusack looks back and makes sure she's asleep.
01:54:29
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And he says, "Yeah, it is."
01:54:31
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And it's like, that's his moment of revealing
01:54:33
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that he's written her off and is very sad about it,
01:54:37
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but she's got a boyfriend and that's just how it is.
01:54:38
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And he's got to deal with it.
01:54:40
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And what happens next is that they're talking
01:54:43
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about the sure thing and that's when she wakes up.
01:54:45
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So she doesn't hear him regret the fact
01:54:48
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that he can't be with her because she's got a boyfriend. All she hears is that he's going
01:54:52
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to go to Anthony Edwards' place and meet Nicolette Sheridan.
01:54:57
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But the truck driver puts the foot down, right? He's like, "You can't waste this opportunity."
01:55:01
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Like he's got to get in there.
01:55:02
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No. She's going to be gone in a couple of days. It's like, "All right, if you pay the
01:55:06
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speeding tickets, and off they go with the truck through other parts of California that
01:55:12
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we're being shown."
01:55:13
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And then it's really great. Like, they're in the same university, right? So...
01:55:16
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UCLA apparently yeah. Alison is going to visit her boyfriend who I think's name was Jason.
01:55:21
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Yes he's Jason and he he's really boring and likes tea. Yeah so he's the worst the worst
01:55:28
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and he wears glasses. I just realized that. He is the worst human being any you find a Jason who
01:55:34
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went to college in Southern California drinks tea wears glasses uh super boring boring dump him dump
01:55:40
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him ladies dump him. Why would anybody want to spend time with a guy like that? Um excuse me I'm
01:55:45
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I'm gonna sip my tea now." Yeah, please do. Their nights really diverge at this point.
01:55:48
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Like, Alison is like super bored now of her boyfriend and everything about him. She like is--
01:55:53
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They're playing cards! Yeah. She wants to shotgun a beer because Gib taught her that. And he wants
01:55:59
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to make tea and play cards and when she says "Let's do something exciting," he says "How about I spot
01:56:05
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you 50 points at cards?" So it's insulting because he's saying she's not very good at it
01:56:10
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and still really boring. And then Gib is off at a party right where he meets the sure thing.
01:56:16
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But then Alison sees the party and she wants to go to a party too so she kind of arrives with her
01:56:24
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boyfriend and at this point Gib isn't sure if he wants to go through with the sure thing because
01:56:29
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he's in love with Alison but when he sees them two coming together he's like screw it and there's
01:56:33
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this whole scene where they're like both as couples dancing near each other and then it comes out that
01:56:38
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that Gib is actually a virgin even though he had claims of sexual prowess but it seems
01:56:44
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like that has not been the case.
01:56:46
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Or, I'm not clear on if that's actually the case because they say in the first scene in
01:56:51
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the movie he talks about having sex a few times.
01:56:53
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I think, yeah I know that, I think that was bravado.
01:56:57
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Yeah but I think it's possible though that, because the implication is that Anthony Edwards
01:57:00
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has also downplayed him to the sure thing to make her, I guess, seem more charitable
01:57:06
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toward him. It's, you know, the sexual politics of a teen sex movie from the 80s are questionable
01:57:12
◼
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at best, but I think that's--because he also--Anthony also--Edwards also suggests that he might
01:57:17
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be gay, so that's in the mix here too, which is not, you know, it's not the best. But the
01:57:22
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idea is regardless, Gibb feels insulted by Anthony Edwards, and then it also--there's
01:57:29
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a breakdown between Allison and Jason because she is way too familiar with Gibb and he is
01:57:35
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not aware of the fact that they've been traveling together and sleeping in the same motel rooms
01:57:40
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and all of those things and and so he's like how do you know this how does he know what
01:57:44
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you look like in the morning and you know all of these things right so it's everything
01:57:48
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is kind of falling apart she's like complaining to her boyfriend about how much this boy annoys
01:57:53
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her it's it's absolutely fantastic and then it kind of it kind of cuts to back at university
01:58:02
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right? That back to school.
01:58:03
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Well, so the last scene in LA is he takes Nicolette Sheridan, the sure thing, to the
01:58:12
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bedroom and they're talking. And earlier, I should say, there's a-- he has a series
01:58:16
◼
►
of dream sequences with Nicolette Sheridan that are kind of amusing where there's a really
01:58:20
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great one where he's-- where she is sitting by the side of the pool basically begging
01:58:24
◼
►
him to have more sex with her and he's sitting in this pool chair floating around and saying,
01:58:28
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"No, you know, I'm tired," and all of that. That is, it's staged very amusingly. And then
01:58:34
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there are several of those, which are very, you know, teen boy fantasy kind of scenarios.
01:58:39
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And then the last one, he has that same kind of scenario and it's Allison, right? So that's
01:58:44
◼
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that moment of like, "Oh, he's really got now." So here, he goes up with her like, "This
01:58:50
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►
is the time he's finally going to be able to do it with The Sure Thing," and we cut
01:58:57
◼
►
away and we don't we don't really see a realization of what exactly happens there other than that
01:59:01
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►
we know that he is you know he's thinking about Allison and we cut back to college after
01:59:06
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winter break.
01:59:07
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And Gib has written a paper that the lecturer starts to read a lot.
01:59:11
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Our Swedish lecturer yes.
01:59:13
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It's called The Sure Thing and it explains the whole story up to the point where he says
01:59:18
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that he couldn't go through of it because that's right the sure thing wanted to say
01:59:24
◼
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that he loved her and he couldn't do that because now he knew what love was.
01:59:28
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The answer was no.
01:59:31
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And at that moment she's looking back, Alison was looking back at him
01:59:36
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and he's looking at her and she realizes that uh that he didn't go
01:59:43
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upstairs and uh have sex with the sure thing
01:59:46
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►
because he's in love with her and this is the way he chose to
01:59:48
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express it is several weeks later in an essay in the middle of class being read
01:59:52
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►
by the Swedish lady. The only way to express true love, Jason. As you do. So I really like this movie.
01:59:58
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My problem with this movie is I'd seen Say Anything. Uh yeah, yeah, well it's, it's, it's,
02:00:07
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it's funny too because he's like kind of a proto, he's more intelligent than the guy in Say Anything,
02:00:14
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I think, because in some ways, because he does go off to like an Ivy League college instead of
02:00:18
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sort of staying home and trying not to join the army, but he is a similar kind of character,
02:00:26
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and Allison is very much like the lead in the female lead in "Say Anything," right?
02:00:33
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They're similar. I would say if you--we haven't done "When Harry Met Sally" yet, have we?
02:00:39
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-No. -Have you seen that movie?
02:00:42
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-No. -Okay, maybe we'll do that. That's another
02:00:45
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►
Rob Reiner movie with Meg Ryan and Billy Crystal. And there is, in the beginning of that movie,
02:00:51
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there's a drive from Chicago to New York that they take that also I feel like is very similar,
02:00:58
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and their relationship is very similar to the relationship in this movie. So you see,
02:01:04
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you saw them out of order. I feel like this is like a proto movie of other movies. Like,
02:01:09
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it leads to Say Anything and it leads to When Harry Met Sally. But it is not, and it leads
02:01:15
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to High Fidelity, maybe in some ways, I don't know. But it is earlier, right? So it's, yeah,
02:01:21
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it's not quite as fully formed. Say Anything kind of picks up after two minutes. And here
02:01:26
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I feel like it takes 25 minutes of setup before the movie really starts to crank. And the
02:01:31
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first 25 minutes is not particularly warm or likable because it's about, you know, freshmen
02:01:38
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and in college who are on the make and it's just kind of like that stuff really doesn't
02:01:41
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interest me and then it then it really kicks into gear and then the last whatever the last
02:01:48
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hour of it is spectacular but you're right it is it is like a lot of these other movies
02:01:52
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and Cusack is a lot like he is in Say Anything and that it is a similar kind of mismatch
02:01:58
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relationship and it's just because I loved that movie so much that's a that's a better
02:02:03
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movie than this movie yeah but I did really enjoy this movie I also like that it was like
02:02:08
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hundred minutes that felt right yeah a lot of the movies that we've been
02:02:12
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watching are two hours more so many two hour long movies that are made these
02:02:17
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days and this is 95 and it's it's it's uh tight and bright as they say it is a
02:02:22
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solid you know it sort of sweeps you along it's very it's uh yeah I I like it
02:02:29
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►
a lot I have not seen this one in a very long time and I remember liking it and
02:02:33
◼
►
as I started to watch it I thought oh no what if my memory is faulty and it's not
02:02:36
◼
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that good. But then, like I said, 20 minutes in or somewhere, I'm like, "Oh, yeah. Oh,
02:02:41
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yeah. No, no, this is really great." And I will say my experience actually, part of the
02:02:48
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reason I love this movie is that it's got some resonance for me and it's not because
02:02:50
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there's that boring Jason who drinks tea. It's because my relationship, so I met my
02:02:57
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wife in college and I had a girlfriend and she had a boyfriend. And I see us in this
02:03:02
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movie in the sense that these two characters make a connection but they are not capable
02:03:12
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and it's one-sided and in the case of this well unless you consider the sure thing the
02:03:15
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thing that's pulling him but that she's an illusion I actually really like that that
02:03:19
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although she does exist it is a it is a stand-in for kind of a male fantasy of a woman as opposed
02:03:26
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to a real woman and that's what this movie is about is that he falls in love with a real
02:03:30
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woman and the fantasy is not going to measure up to reality. The reality is better. She's
02:03:36
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a real woman and he loves her and that is the most important thing, right? And it just,
02:03:40
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but I have that mirror because that was exactly the same situation my wife and I were in in
02:03:46
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college where we were dating other people and we formed a really tight connection and,
02:03:52
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you know, there was definitely a moment where she broke up. I heard that she had broken
02:03:59
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up with her boyfriend right after I graduated from college. And it was exactly like the
02:04:03
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moment in the movie where he says, "You broke up with him?" It was like, "Oh, what a relief."
02:04:10
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Well, now there's nothing stopping us from getting together, and that is how this movie
02:04:13
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ends. So that's great too. But I do like that overarching message that for all of the stuff
02:04:18
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at the beginning that's kind of gross, especially, I think, 30 years later about things you say
02:04:23
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►
to get women to go out with you and to get women to sleep with you. In the end, what's
02:04:26
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the core message of this movie. That the sure thing is not what he wants, that she's a fantasy,
02:04:32
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and that Allison is who he wants and she's a real person and she's not perfect for him
02:04:39
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in the sense that she does all sorts of things that he doesn't like and he does all sorts
02:04:42
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of things that she doesn't like, but in the end they're the ones who should be together.
02:04:50
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I like these movies of like the heartwarming love story. I'm a sucker for it and this one ticks those boxes
02:04:56
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So it recommended another great mic at the movies pick Jason you do very well. Thank you
02:05:01
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Thank you. This is I'm happy we could combine Rob Reiner and John Cusack. This is where they come together
02:05:08
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So now we'll the past will diverge again, but but we got it. We got them together right here
02:05:13
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This series is all about Cusack for me. Gotta say we gotta go for high fidelity soon. I think yeah, it's in the 90s
02:05:19
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►
but or maybe even 2000 but it may be we may have to go there we may have to take a time
02:05:24
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►
machine forward to there.
02:05:26
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If you want to find the show notes for this week's episode you want to head on over to
02:05:31
◼
►
relay.fm/upgrade/64.
02:05:36
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Thank you so much to the good people, our lovely sponsors today.
02:05:40
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►
The great people over at Smile with Texas Band of Five, Hover, Igloo and Braintree.
02:05:44
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If you want to find Jason online head on over to SixColors.com.
02:05:47
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Don't forget to sign up for the six color subscription. You can also find Jason. He is at Jason L
02:05:52
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J s ne double L and I am at I Myke I am y k e
02:05:57
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Thanks so much to you for listening as always and we'll be back next time with upgrade until then. Say goodbye Jason