The Incomparable

341: Might As Well Keep Going


00:00:00   it's not brain science its rocket [TS]

00:00:01   surgery this is the wizard of Mars [TS]

00:00:04   horrors of the red planet the [TS]

00:00:09   Intolerable number 341 februari 2017 [TS]

00:00:15   welcome back everybody to be [TS]

00:00:17   uncomfortable it's time again for our [TS]

00:00:19   wonderful rocket surgery where we watch [TS]

00:00:23   a very bad movie from a specific decade [TS]

00:00:26   to decade is the sixties the movie is [TS]

00:00:28   the wizard of Mars retitled later [TS]

00:00:31   horrors of the red planet from 1965 it [TS]

00:00:36   stars john carradine in the exact way [TS]

00:00:39   that he stars in several films if it as [TS]

00:00:41   a floating head who appears at the end [TS]

00:00:43   of the movie [TS]

00:00:44   I'm Jason Snelling and joining me in [TS]

00:00:46   this very if it's anything like the [TS]

00:00:49   movie boring adventure where nothing [TS]

00:00:50   happens when people get a chance to ask [TS]

00:00:54   Steve let's hello [TS]

00:00:55   yeah so this is a bad bad movie yeah [TS]

00:00:58   yeah yeah yeah it's like we're kinda [TS]

00:01:01   didn't like but I'm jumping ahead just a [TS]

00:01:04   little [TS]

00:01:04   yeah I David jail or hello hello [TS]

00:01:08   I i just want to say let's just leave [TS]

00:01:09   these here they wouldn't have lasted [TS]

00:01:11   very long anyway [TS]

00:01:12   uh-huh Phil Michaels happy new year to [TS]

00:01:17   tooth [TS]

00:01:17   dude i just want to say that there is [TS]

00:01:19   nothing about this episode that is that [TS]

00:01:21   is not ill conceived in the least I [TS]

00:01:24   think I think that's probably true and [TS]

00:01:26   Monty Ashley who watched this movie a [TS]

00:01:28   few weeks ago and said oh I have some [TS]

00:01:31   bad news [TS]

00:01:32   it's super boring marty was right [TS]

00:01:35   haimanti uh-huh [TS]

00:01:38   I'm sorry I feel like somebody turn down [TS]

00:01:39   the oxygen while I was asleep but I just [TS]

00:01:42   crack your oxygen intake that'll fix our [TS]

00:01:44   sweet [TS]

00:01:45   oh dude due to its through their [TS]

00:01:48   students in here so the wizard more as [TS]

00:01:50   we may be struggling although i have [TS]

00:01:51   lots of notes I had nothing else to do [TS]

00:01:53   but right now yeah because nothing [TS]

00:01:55   happened to movie many many notes in [TS]

00:01:57   this thing because i was sure if I [TS]

00:01:59   didn't take extensive notes i would [TS]

00:02:01   immediately forget everything that [TS]

00:02:02   happened in the movie and I was right [TS]

00:02:03   i'm looking at the notes right now and I [TS]

00:02:05   have no recollection of any of this so [TS]

00:02:07   can the rantings of a mad man [TS]

00:02:09   yeah so it's a movie about astronauts [TS]

00:02:11   who crash-land on Mars and then end up [TS]

00:02:15   sort of paralleling ok the premises [TS]

00:02:18   there in hurling up wat no no they [TS]

00:02:21   aren't [TS]

00:02:21   oh the wizard of oz I read and watch the [TS]

00:02:26   wizard alive [TS]

00:02:26   it's nothing like this no story does not [TS]

00:02:29   check out doesn't even sink the Dark [TS]

00:02:31   Side of the Moon friends say yeah and [TS]

00:02:33   you were there and she was there is i [TS]

00:02:35   can see there are exactly 3 references [TS]

00:02:38   in this entire movie to the wizard of oz [TS]

00:02:40   that's how many i have so i don't reject [TS]

00:02:42   that premise so now the the smart thing [TS]

00:02:44   they did is when they when they put this [TS]

00:02:46   movie on video or maybe even later [TS]

00:02:48   releases they retitled The Wizard of [TS]

00:02:50   Mars which makes you think of something [TS]

00:02:52   maybe fantastical and wizard of oz like [TS]

00:02:54   but set on Mars which is not the movie [TS]

00:02:57   we watched they renamed horrors of the [TS]

00:03:00   red planet which is also not the movie [TS]

00:03:02   we watched you know there are Horrors in [TS]

00:03:05   the movie it does lead to the single [TS]

00:03:07   funniest thing in this entire movie [TS]

00:03:08   which is the opening credits read John [TS]

00:03:11   Garrity as horrors of the red planet [TS]

00:03:15   well the best part about that is if the [TS]

00:03:16   original font is this gigantic spacey [TS]

00:03:19   font and it says like all across the [TS]

00:03:21   screen and huge letters starring john [TS]

00:03:23   carradine as and then there's this sad [TS]

00:03:26   little horrors of the red planet that [TS]

00:03:28   pops up yeah Steve I want you to count [TS]

00:03:30   down the parallels between this and [TS]

00:03:31   wizard about ok there may be more than [TS]

00:03:35   three but I've got 32 so honestly if [TS]

00:03:37   you're three is the same as my three so [TS]

00:03:39   my three is one of the characters is [TS]

00:03:41   named Dorothy and wear silver shoes [TS]

00:03:43   there you go nowhere silver shoes [TS]

00:03:45   they're in a spacesuit that doesn't [TS]

00:03:47   count but she's wearing silver shoes in [TS]

00:03:49   the opening in the opening bit and [TS]

00:03:51   certainly her name is Dorothy no one's [TS]

00:03:52   disputing that [TS]

00:03:53   yes right i think the second one is [TS]

00:03:55   probably the yellow brick road [TS]

00:03:58   yes the Golden Road run across the road [TS]

00:03:59   at look like 45 minutes into the movie [TS]

00:04:02   uh-huh and then the third is is floating [TS]

00:04:04   head that's all I had [TS]

00:04:06   I don't think that's enough to say that [TS]

00:04:09   this is a tall based well enough to [TS]

00:04:11   title your movie after the wizard of oz [TS]

00:04:13   apparently i would like to do a dramatic [TS]

00:04:15   reading of the first sentence of the [TS]

00:04:17   IMDb will be descriptions this episode [TS]

00:04:19   is already better than I thought it [TS]

00:04:21   would be [TS]

00:04:22   this is one of the cruelest descriptions [TS]

00:04:24   that I have ever read another visit the [TS]

00:04:26   normally you know let's withhold [TS]

00:04:29   judgment IMDb says in 1974 for [TS]

00:04:32   astronauts silver shoot glad Dorothy [TS]

00:04:34   overweight doc that goofy Charlie and [TS]

00:04:39   wooden Steve wouldn't steal a plane on [TS]

00:04:42   Mars [TS]

00:04:42   yeah I don't know who should be more [TS]

00:04:45   offended doc who is merely big-boned not [TS]

00:04:48   really that overweight you're skiing on [TS]

00:04:50   his overclock he's his spacesuit is very [TS]

00:04:53   tight fitting yeah I'll say that much [TS]

00:04:54   for his broad shoulders know he's a big [TS]

00:04:56   guy he's trying to lead a crew [TS]

00:04:59   I mean charlie is in fact goofy and [TS]

00:05:01   infantile God if they had murdered him [TS]

00:05:03   on the the red planet no one would have [TS]

00:05:05   thought that would have been much better [TS]

00:05:06   movie [TS]

00:05:07   shame on you IMDb for fruit for that I i [TS]

00:05:11   gotta say i enjoyed Charlie's capering [TS]

00:05:13   of all the things in this movie I think [TS]

00:05:15   Charlie was probably one of the less [TS]

00:05:17   execrable he's performing like the [TS]

00:05:20   classic stupid wacky comic relief lines [TS]

00:05:25   but he performs them well yes he's [TS]

00:05:27   supposed to be annoying and he also has [TS]

00:05:29   got nails it [TS]

00:05:31   he has to carry the big emotional scene [TS]

00:05:32   where he has a breakdown and I don't [TS]

00:05:34   think he's up to that amount but they're [TS]

00:05:37   really also has the scene where he [TS]

00:05:39   overcomes his fears and decides to get a [TS]

00:05:43   boost from CD [TS]

00:05:44   yes to put us on orbit a hole to save [TS]

00:05:46   the day we'll get there [TS]

00:05:48   well with one ruin it an astronaut mind [TS]

00:05:52   you sir it reportedly schooled in the [TS]

00:05:55   ways of science and doc is taking his [TS]

00:05:57   rock samples and Charlie's acting on [TS]

00:05:59   racks Rach Rach Rach Rach he's a [TS]

00:06:03   billionaire CEO doesn't care [TS]

00:06:05   no I wasn't there so that we have these [TS]

00:06:07   wonderful for astronauts they're flying [TS]

00:06:09   to Mars in a in a space airplane yeah [TS]

00:06:12   alright little at the front of it looks [TS]

00:06:14   like the front but eighth of an iron [TS]

00:06:17   like a clothes iron and the rear shot [TS]

00:06:21   looks like a tealight a little light [TS]

00:06:23   that's been wedged into one of those [TS]

00:06:25   things Janet Jackson had under nipple [TS]

00:06:26   during the superbowl performance haha [TS]

00:06:29   that's what I took out of it ya know [TS]

00:06:32   it's a [TS]

00:06:33   guess that's the finest space that's [TS]

00:06:35   your Hollywood whether you drive could [TS]

00:06:37   provide yeah and it produces a [TS]

00:06:39   surprising amount of black smoke that [TS]

00:06:41   drifts off into space also a lot of [TS]

00:06:43   lightning and space that day unusual [TS]

00:06:47   lightning was get where we are civilized [TS]

00:06:49   yes there was a storm so it is it is New [TS]

00:06:51   Year's Day 1975 the far future of 10 [TS]

00:06:54   years in the future from the hexagon [TS]

00:06:55   happy new year due to be happy new year [TS]

00:07:00   they say happy new year dude there's no [TS]

00:07:09   delay in the radio signals back home to [TS]

00:07:11   earth [TS]

00:07:11   hey there's it's not you know thank God [TS]

00:07:13   yet but it's just like there are better [TS]

00:07:15   on their CB radio talking to earth and [TS]

00:07:17   we should also discuss the design of the [TS]

00:07:19   inside of Mars probe 1 [TS]

00:07:21   yes it seems to be constructed entirely [TS]

00:07:23   of large sheets of plywood and [TS]

00:07:25   electronic guitar tuners and there are [TS]

00:07:27   also two periscopes for some reason [TS]

00:07:29   because somebody forgot to put in a [TS]

00:07:31   windshield don't forget the view masters [TS]

00:07:33   so that yes and now see what's happening [TS]

00:07:36   with the Cinderella slide that you [TS]

00:07:39   bought that's Dorothy's job we did very [TS]

00:07:41   good of them have a woman on the team [TS]

00:07:43   her job is to also look through a [TS]

00:07:45   periscope yes Dorothy and Doc each get a [TS]

00:07:47   camera scope to be fair which is what [TS]

00:07:50   they call the periscopes that descend [TS]

00:07:51   from the ceiling and there is a small [TS]

00:07:54   viewscreen in the front that the i guess [TS]

00:07:56   the important guys comic relief and [TS]

00:07:59   wooden Steve get to use right and we [TS]

00:08:01   watch a surprising amount of the first [TS]

00:08:03   10 minutes of the movie through that [TS]

00:08:05   little window that takes about one third [TS]

00:08:06   of the screen [TS]

00:08:07   uh-huh to good use of screen real estate [TS]

00:08:09   they're wearing a short-sleeved [TS]

00:08:11   jumpsuits with turtlenecks that's the [TS]

00:08:12   space [TS]

00:08:13   yeah outfit here there's some really [TS]

00:08:15   nice really sweet reel-to-reel tapes [TS]

00:08:17   going on in the ship I i thought i was a [TS]

00:08:19   nice touch [TS]

00:08:20   pretty pretty yeah there's a moment [TS]

00:08:21   where doc he takes a moment out from [TS]

00:08:23   looking through his camera scope to [TS]

00:08:24   stare blankly at the reel-to-reel for no [TS]

00:08:26   apparent reason but it's very important [TS]

00:08:29   because we spend several seconds [TS]

00:08:30   Washington and they have to correlate [TS]

00:08:32   their cameras in order to approach Mars [TS]

00:08:35   where they're going to i wrote at this [TS]

00:08:36   point this this scene has all the [TS]

00:08:38   excitement of watching someone set up [TS]

00:08:40   for a photo shoot like this is that [TS]

00:08:43   are unfolding the tripod we're getting [TS]

00:08:45   out the lights [TS]

00:08:47   gotta run the extension cord it's like [TS]

00:08:49   wow this is really exciting [TS]

00:08:51   they're going to take pictures of Mars [TS]

00:08:52   later this is a space procedural what do [TS]

00:08:55   you want yeah i wrote down some very [TS]

00:08:57   boring talk about image stabilizer [TS]

00:08:59   circuit when they could be establishing [TS]

00:09:00   a character for at least one person and [TS]

00:09:03   for some reason the camera scopes which [TS]

00:09:05   we see the dramatic view through the [TS]

00:09:07   camera scopes as they're being [TS]

00:09:08   correlated feature some sort of an [TS]

00:09:10   overlay or a heads-up display that [TS]

00:09:12   prominently includes letters indicating [TS]

00:09:14   north west east miss out which makes a [TS]

00:09:16   lot of sense in the face of this pre [TS]

00:09:20   printed on the periscopes when they got [TS]

00:09:22   them [TS]

00:09:22   OIC they repurpose those from some other [TS]

00:09:27   program ourselves in that space related [TS]

00:09:29   yeah from from maybe an airplane instead [TS]

00:09:31   of a space airplane [TS]

00:09:32   yes because north south east and west [TS]

00:09:34   make a lot of sense looking out of a sub [TS]

00:09:36   periscope to anyway there's a there's [TS]

00:09:39   there's pulsating light and a lightning [TS]

00:09:41   bolt [TS]

00:09:41   any attempt to even vaguely scientific [TS]

00:09:44   immediately flees the movie we're [TS]

00:09:47   experiencing small pitch small pitch i [TS]

00:09:50   wrote that down too [TS]

00:09:51   yeah he presses a couple of buttons on [TS]

00:09:53   his plywood console and the stabilizers [TS]

00:09:55   corrected but it was a pretty tense [TS]

00:09:57   moment there they did have a technical [TS]

00:09:58   advisor it was Forrest J Ackerman [TS]

00:10:00   legendary hey naturally fan of stuff [TS]

00:10:03   yeah well I hope he got the first dibs [TS]

00:10:06   at the at the at the lunch table or [TS]

00:10:09   something for his work here [TS]

00:10:11   oh there was no lunch on the wizard said [TS]

00:10:13   you don't think so everyone was hungry [TS]

00:10:15   and angry and scarves that were provided [TS]

00:10:20   too much energy to the cast what happens [TS]

00:10:22   next in this film is that a spacecraft [TS]

00:10:25   Mars probe won the first mission to [TS]

00:10:28   orbit Mars and take pictures of it is [TS]

00:10:30   going to go through space lightning and [TS]

00:10:33   crash-land on Mars they are they're [TS]

00:10:36   going to approach something of monstrous [TS]

00:10:38   size so monsters they must turn up the [TS]

00:10:40   scanner and then they then they there is [TS]

00:10:43   an exciting crash scene that happens yes [TS]

00:10:46   so they were not planning on crap on [TS]

00:10:47   landing there at all real no it's gonna [TS]

00:10:49   into na and it all happens because of [TS]

00:10:52   the space light although it took me two [TS]

00:10:53   viewings to realize that now that I've [TS]

00:10:55   described that let me explain to you [TS]

00:10:56   what actually [TS]

00:10:57   happens which is nothing like literally [TS]

00:10:59   you know what we joke about how in Star [TS]

00:11:01   Trek they like shake the camera and the [TS]

00:11:03   people pretended that doesn't happen [TS]

00:11:05   here but the ship doesn't move that we [TS]

00:11:08   see various shots of people in a scream [TS]

00:11:10   they very commonly described that [TS]

00:11:13   they're going down and they and then [TS]

00:11:17   they crash-land now wait that's not [TS]

00:11:19   entirely fair because you're completely [TS]

00:11:20   discounting the scene where overweight [TS]

00:11:22   doc female escorts a fire extinguisher [TS]

00:11:24   at a sparkler that is stuck in the [TS]

00:11:26   rafters there is or there clearly not on [TS]

00:11:29   fire and he stops even though it's still [TS]

00:11:31   sparking it's he does he affectionately [TS]

00:11:34   sprays it in his general direction but [TS]

00:11:36   absolutely does not put it out while he [TS]

00:11:38   realizes that it's not going to be [TS]

00:11:40   cleaned out and he just doesn't want to [TS]

00:11:41   waste any more effort if you got your [TS]

00:11:44   brainpower to other things overweight [TS]

00:11:46   doc the column a day which is also [TS]

00:11:48   interesting because of course who's out [TS]

00:11:50   it's not like you're a boat floating in [TS]

00:11:52   the in the in the Bay or something like [TS]

00:11:54   that made a we're going down this is [TS]

00:11:56   Mars probe one they jettison the main [TS]

00:11:58   stage [TS]

00:11:59   I don't really know why they do that and [TS]

00:12:02   and then as they're going down we see [TS]

00:12:04   more far-off drawings of the surface of [TS]

00:12:06   Mars as if they were getting closer to [TS]

00:12:08   it [TS]

00:12:09   ma and and then they have to put their [TS]

00:12:11   pressure suits on because who knows what [TS]

00:12:12   will happen the the the whole might [TS]

00:12:14   rupture on their descent into Mars so [TS]

00:12:17   they put on their their spacesuits and [TS]

00:12:20   then there's a lot of um I mean they cut [TS]

00:12:23   away to the screen for a very long time [TS]

00:12:25   well while dubbed in dialogue plays a [TS]

00:12:27   very long time but we do see as we're [TS]

00:12:31   descending to the surface of Mars the [TS]

00:12:32   view screen showing a clear blue sky [TS]

00:12:34   rolling over as they put on their [TS]

00:12:37   pressure suits I I don't want to get to [TS]

00:12:41   park out of the riveting plot summary [TS]

00:12:43   here [TS]

00:12:43   yes thank you I budget is green but [TS]

00:12:46   between the the no I mean your day [TS]

00:12:48   you're doing yeoman's effort i don't [TS]

00:12:50   have to come after casting I know the [TS]

00:12:52   problem is pretty fast in this movie so [TS]

00:12:54   you could literally some this movie up [TS]

00:12:57   in about 30 seconds and you you are [TS]

00:12:59   built your building we won't let your [TS]

00:13:00   hair know from not and better you than [TS]

00:13:03   me but between the you mentioned the [TS]

00:13:06   voice-over and the fact [TS]

00:13:08   they're in spacesuits and they could not [TS]

00:13:10   have the director of this movie could [TS]

00:13:13   not have figured out more ways to to put [TS]

00:13:16   you at a removed from the characters by [TS]

00:13:19   not being able to see them or their [TS]

00:13:21   faces or obscuring much of their [TS]

00:13:25   expressions so that all you basically [TS]

00:13:27   here is the the simply adding dialogue [TS]

00:13:29   if the wizard of Mars it it was just a [TS]

00:13:34   disastrous decision after another of of [TS]

00:13:38   how to construct a narrative that know [TS]

00:13:39   how to bring you into a story and [TS]

00:13:41   throughout the movie i SAT there while [TS]

00:13:44   and eventually they're going to have to [TS]

00:13:46   let us see the faces of the people who [TS]

00:13:49   are actually acting in this movie are [TS]

00:13:51   currently no no now they're not that [TS]

00:13:54   would be ill-advised it's you it's so [TS]

00:13:57   bizarre mean one of my notes is this is [TS]

00:13:58   as close as I've ever seen a movie come [TS]

00:14:00   to simply being pushing around still [TS]

00:14:03   photos with narration and looks but it's [TS]

00:14:08   like every person i mean some of them [TS]

00:14:10   are clearly dubbed in most other ppl [TS]

00:14:13   Dorothy feels to be entirely dubbed in [TS]

00:14:15   yes she's totally don't know if she was [TS]

00:14:18   something like Italian model they mad [TS]

00:14:20   and be able to get hurt doc yeah we are [TS]

00:14:23   going to crash on Mars all we got a [TS]

00:14:25   deferential dammit why did we cast her [TS]

00:14:28   you know why the best move when you hire [TS]

00:14:31   an Italian model for your film is to put [TS]

00:14:33   her in a shapeless spacesuit good well [TS]

00:14:36   she's beautiful we're putting her in a [TS]

00:14:38   smock for the movie doc we're going to [TS]

00:14:41   pass on Mars and and the one guy sounds [TS]

00:14:44   like he was recorded in a warehouse yeah [TS]

00:14:46   the whole movie it's not just that [TS]

00:14:48   they're dubbed in because they're [TS]

00:14:49   dumping a lot but there-there dubbed in [TS]

00:14:51   when they cut to that shot as the [TS]

00:14:52   crashing they cut that shot of the [TS]

00:14:53   screen there's like no sound like [TS]

00:14:56   they're just they're there and they're [TS]

00:14:57   in an empty soundstage recording [TS]

00:14:59   dialogue [TS]

00:15:00   for a while it's amazing and then when [TS]

00:15:03   the space shoots you expect kind of like [TS]

00:15:05   some breathing and like maybe a little [TS]

00:15:07   filter on it like they're talking on the [TS]

00:15:09   radio's and all that nope no down [TS]

00:15:11   tonight [TS]

00:15:11   darth vader you yeah nope there's none [TS]

00:15:13   of that either now has anybody else [TS]

00:15:14   bothered by how filthy the spacesuits [TS]

00:15:16   are throughout this entire thing [TS]

00:15:18   well it's a plot point right at the end [TS]

00:15:21   we have to see the trophy spacesuit so [TS]

00:15:22   that we know they start out filthy [TS]

00:15:24   alright well they look like they were [TS]

00:15:26   used for some other show and has dropped [TS]

00:15:28   off at the the costume department and [TS]

00:15:30   then never cleaned it seems like you're [TS]

00:15:32   complaining about the continuity of the [TS]

00:15:34   history of Mars [TS]

00:15:36   well I was complaining about the [TS]

00:15:37   continuity the spacesuits they have [TS]

00:15:38   these nasty filthy what looks like [TS]

00:15:40   diving suits and then is crazy snazzy [TS]

00:15:42   gold motorcycle helmet on the top it's a [TS]

00:15:45   lived-in universe like a star works like [TS]

00:15:47   Star Wars actually it's totally this [TS]

00:15:51   episode of the uncomfortable is brought [TS]

00:15:52   to you in part by blue apron not all [TS]

00:15:55   ingredients are created equal fresh [TS]

00:15:57   high-quality ingredients can make a [TS]

00:15:58   really great difference in the food you [TS]

00:16:01   eat it's important to know where your [TS]

00:16:02   food comes from for less than ten [TS]

00:16:04   dollars per person per meal blue apron [TS]

00:16:06   delivers easy to follow recipes along [TS]

00:16:08   with pre-portioned ingredients courtesy [TS]

00:16:10   of over a hundred and fifty local farms [TS]

00:16:12   ranches and fisheries across the US and [TS]

00:16:15   its delivered right to your door and [TS]

00:16:17   because blue even ships the exact amount [TS]

00:16:19   of each ingredient required for a recipe [TS]

00:16:21   there's no food waste [TS]

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00:16:23   sustainable and delicious home-cooked [TS]

00:16:24   meals in 40 minutes or less some of the [TS]

00:16:27   meals available in February include [TS]

00:16:29   cashew chicken stir-fry with tango [TS]

00:16:31   mandarins and jasmine rice [TS]

00:16:32   I was really good food on noodle soup [TS]

00:16:35   with miso and soft boiled eggs row [TS]

00:16:37   support with apple walnut and farro [TS]

00:16:39   salad and crispy barramundi with quinoa [TS]

00:16:42   and roasted carrot salad those are the [TS]

00:16:44   kinds of things you can make yourself in [TS]

00:16:46   your own kitchen at home in 40 minutes [TS]

00:16:49   or less with blue apron so check out [TS]

00:16:51   this week's menu and get your first 3 [TS]

00:16:52   meals for free with free shipping by [TS]

00:16:55   going to blue apron dot-com / smell [TS]

00:16:58   you'll love how good it feels and tastes [TS]

00:16:59   to create incredible home-cooked meals [TS]

00:17:01   with blue apron would be doing this in [TS]

00:17:03   my house for more than a year now it's [TS]

00:17:04   great it's really added to our menu [TS]

00:17:06   diversity and weary make some of the [TS]

00:17:09   meals and also the great thing about [TS]

00:17:10   blue apron if you look at the meals that [TS]

00:17:13   are available for [TS]

00:17:14   certain we can you don't like it you [TS]

00:17:14   just skip it there's no cost to you so [TS]

00:17:17   it couldn't be simpler [TS]

00:17:18   that's blue apron dot-com / smell blue [TS]

00:17:20   apron a better way to cook I supposed to [TS]

00:17:23   be wise at this point to point out that [TS]

00:17:24   this this was apparently made for [TS]

00:17:26   thirty-three thousand dollars the [TS]

00:17:28   princely sum of thirty three thousand [TS]

00:17:30   dollars and it's show and how much of [TS]

00:17:32   that was spent beyond drunk carrying and [TS]

00:17:35   after it failed as a movie he did it as [TS]

00:17:37   a stage show with special effects for [TS]

00:17:40   the audience which probably cost more [TS]

00:17:42   than 33,000 dollars a night to make I [TS]

00:17:44   can't even imagine they made something [TS]

00:17:46   that vaguely resembles a movie for [TS]

00:17:49   thirty-three thousand dollars i mean i [TS]

00:17:50   think that's somewhat impressive [TS]

00:17:52   yeah i think there's probably somebody [TS]

00:17:54   who's never seen a movie for whom this [TS]

00:17:56   film would be exactly what they think a [TS]

00:17:58   movie might be which is that there's [TS]

00:18:01   people and they have it it is science [TS]

00:18:03   fiction movie they have adventure they [TS]

00:18:05   walk on Mars and meet a man who was a [TS]

00:18:07   floating head what what you want from [TS]

00:18:09   movies mean it does i don't know what [TS]

00:18:11   that means Russian but he's rushing [TS]

00:18:13   apparently that was talking about babies [TS]

00:18:16   but so this was his first one and it [TS]

00:18:18   looks and feels and sounds and plays [TS]

00:18:20   like like a high school project we have [TS]

00:18:23   we did a thing on science fiction films [TS]

00:18:25   and like 11th grade we had to make one [TS]

00:18:27   most of them looked like this yeah right [TS]

00:18:30   a little better you know but it's just a [TS]

00:18:32   thing of okay we're in a spaceship now [TS]

00:18:34   we're walking on the planet and now we [TS]

00:18:36   have the big floating head that sort of [TS]

00:18:38   explains everything and then we leave [TS]

00:18:40   three grand though I mean the film stock [TS]

00:18:42   had to cost almost that much and there's [TS]

00:18:44   a process shot or two in there so there [TS]

00:18:46   are actual effect yeah so when they [TS]

00:18:47   crash-land the crash land is very gentle [TS]

00:18:49   and that we never see it but there you [TS]

00:18:51   know but then they're on the surface of [TS]

00:18:52   Mars they do have a there's a really [TS]

00:18:55   debate a good debate here Charlie who is [TS]

00:18:58   our our malcontents comic relief guy and [TS]

00:19:01   annoying he/she the the Dorothy wants to [TS]

00:19:05   send a mayday call from the surface of [TS]

00:19:07   Mars and Charlie's arguments look lady [TS]

00:19:10   we could call for help or we could go [TS]

00:19:11   outside and wander around on the surface [TS]

00:19:13   of Mars to which i think the captain [TS]

00:19:16   says Charlie's got a good point fellas [TS]

00:19:18   diapers about to now at this point they [TS]

00:19:23   introduced the important plot point of [TS]

00:19:25   oxygen [TS]

00:19:26   yes [TS]

00:19:27   as every other time dimension oxygen [TS]

00:19:29   immediately run away from it actually [TS]

00:19:30   being a problem the the keyline here [TS]

00:19:33   Monty about how much oxygen they have is [TS]

00:19:35   we have about 90 hours of oxygen that's [TS]

00:19:38   less than four days that's just good [TS]

00:19:40   sign good first day Ackerman nods from [TS]

00:19:43   the sidelines yes story checks out for [TS]

00:19:46   us to be accurate sense they're going to [TS]

00:19:47   open their suits intake valves when they [TS]

00:19:50   go outside and the tiny bit of oxygen in [TS]

00:19:53   Mars atmosphere will somehow supplement [TS]

00:19:55   their existing oxygen supplies and also [TS]

00:19:58   turn their oxygen down at night could [TS]

00:19:59   you don't need while you're sleeping [TS]

00:20:01   sure no lord knows you don't need to [TS]

00:20:04   breathe while you sleep [TS]

00:20:05   so now it's off to explore the majestic [TS]

00:20:06   matte paintings of ya [TS]

00:20:08   oh man worthy is mocked for work be [TS]

00:20:10   worried about this whole place they [TS]

00:20:11   crashed by the a canal a Martian canal [TS]

00:20:14   right and so they're going to go by raft [TS]

00:20:18   to the designation they brought right [TS]

00:20:20   exit the ship with these gigantic [TS]

00:20:22   bundles which turned out to be these [TS]

00:20:25   really crappy inflatable rafts like [TS]

00:20:27   every good Mars pro has at least two of [TS]

00:20:29   those because you never know when you're [TS]

00:20:30   gonna need a raft in space they were [TS]

00:20:32   planning on landing i think they were [TS]

00:20:34   just going to go outside and float [TS]

00:20:35   around the whitewater rafting on Mars is [TS]

00:20:37   one of its greatest canals man let me [TS]

00:20:42   see if I i can you so this thing has [TS]

00:20:44   three things like like The Wizard of Oz [TS]

00:20:47   i think i can name three things that has [TS]

00:20:49   that are just like Frankenstein island [TS]

00:20:51   yeah okie also showing killing a key a [TS]

00:20:55   key raft discarding seen yeah we're [TS]

00:20:58   wrapping discarded movies hate raft so [TS]

00:21:01   much you know what the draft for full of [TS]

00:21:02   by the way air [TS]

00:21:04   yeah that's the only thing that the plot [TS]

00:21:06   and below the there's a brain in a jar [TS]

00:21:10   which leads to a floating john carradine [TS]

00:21:12   brain and the chillies green energy i [TS]

00:21:14   was going to suggest the pulsating balls [TS]

00:21:16   of light of which there are plenty and [TS]

00:21:17   Frankenstein island there are many you [TS]

00:21:19   know if they had only thrown in a jock [TS]

00:21:21   oh I would have been sold [TS]

00:21:22   charlie is closed if only Charlie a gun [TS]

00:21:25   haha [TS]

00:21:27   but he didn't go full Jocko he didn't [TS]

00:21:29   get any point now you never go full [TS]

00:21:31   choke out [TS]

00:21:32   no no that this is actually where I I I [TS]

00:21:35   really became angry absolutely yes I [TS]

00:21:38   yeah I I realized what are we about 20 [TS]

00:21:42   minutes into a 25-minute CL and did [TS]

00:21:45   feels like money [TS]

00:21:47   yeah 3 weeks ago and because the premise [TS]

00:21:51   of the movie you're stranded on Mars [TS]

00:21:53   you're running out of air that that's an [TS]

00:21:55   exciting movie you have as well as [TS]

00:21:57   demons as TVs matt damon proved in the [TS]

00:22:00   big screens the Martian hey there the [TS]

00:22:04   classic stories man versus man and man [TS]

00:22:07   versus nature and man vs food where [TS]

00:22:09   you're trying to lose this food I like [TS]

00:22:14   those Looney Tunes cartoons where the [TS]

00:22:16   two stowaways they see each other as hot [TS]

00:22:18   dogs and hamburgers into exactly [TS]

00:22:20   yeah exactly and and and you do not have [TS]

00:22:23   to be rated freaking oh Henry to come [TS]

00:22:26   the story that of that [TS]

00:22:31   where where where you're you're trying [TS]

00:22:33   to get rid of excitement in the starch [TS]

00:22:36   and this manages to actually squander [TS]

00:22:38   the dramatic potential of yeah we're [TS]

00:22:40   going to run out of here soon and then [TS]

00:22:42   boy this really makes makes us take [TS]

00:22:44   stock of who we are because there was [TS]

00:22:46   interminable scenes of them growing [TS]

00:22:48   never wanted row they just sit in their [TS]

00:22:51   raft doesn't immediately once they get [TS]

00:22:53   into these two these two crappy wraps [TS]

00:22:55   that are barely big enough to fit [TS]

00:22:57   basically a billion an inner tube with a [TS]

00:23:00   six pack of budweiser exudes more effort [TS]

00:23:03   than these clowns who are trying to find [TS]

00:23:05   something on Mars doc immediately [TS]

00:23:08   announces the current will keep us in [TS]

00:23:09   midstream what current clearly setting [TS]

00:23:12   it up on and there's zero water movement [TS]

00:23:15   of any content and that's not what the [TS]

00:23:17   current does for a film in which their [TS]

00:23:19   characters are traversing the surface of [TS]

00:23:21   Mars other than when they're walking [TS]

00:23:23   through the sand the all of the raft [TS]

00:23:26   stuff they we are led to believe that [TS]

00:23:28   they're moving but they never moved they [TS]

00:23:30   never moved in the pond and they never [TS]

00:23:32   moved in the cave in fact in the cave at [TS]

00:23:34   one point they fade out on the guy and [TS]

00:23:37   then they fade back in on the guy and [TS]

00:23:40   it's literally the same shot and he says [TS]

00:23:42   well it's been four days and we've gone [TS]

00:23:45   further down into the cave at once I [TS]

00:23:49   won't hesitate it's been pretty says we [TS]

00:23:51   think it's been about four days which [TS]

00:23:53   means they brought rafts and guns but [TS]

00:23:55   not watches and they have watches but [TS]

00:23:57   they stopped working [TS]

00:23:58   yes they did this opportunity that [TS]

00:24:00   simply and turns out we find out why [TS]

00:24:01   these guys are astronauts right so you [TS]

00:24:04   know when they land and the guy says we [TS]

00:24:06   don't know how much daylight we have [TS]

00:24:07   left any one of them should know how [TS]

00:24:09   long a martian day is right it's about [TS]

00:24:11   the same linkers an Earth Day which [TS]

00:24:14   makes it even easier [TS]

00:24:15   well we're going to seek the means [TS]

00:24:16   they're looking for the main stage this [TS]

00:24:17   is what they're doing [TS]

00:24:18   come on like a bunch of idiots at [TS]

00:24:20   bonnaroo i love the part where they're [TS]

00:24:22   there on the river and they drift [TS]

00:24:25   through quote-unquote these fog machines [TS]

00:24:28   going haywire it it's just all of a [TS]

00:24:31   sudden fog and at one point the fall [TS]

00:24:32   completely obstruct everything it's like [TS]

00:24:36   that might be the best seen in movies [TS]

00:24:37   just hey I can't see the movie there [TS]

00:24:40   also we should say they're all the [TS]

00:24:41   dialogue here is dubbed in its this [TS]

00:24:43   we're back to just like and it's dull [TS]

00:24:45   and Phil Phil is exactly right like at [TS]

00:24:48   the amazing thing for a movie that isn't [TS]

00:24:50   a complete failure at every turn at [TS]

00:24:52   every turn [TS]

00:24:53   there's an opportunity to do something [TS]

00:24:55   it's just interesting and nope nope not [TS]

00:24:58   interested in doing that let now we're [TS]

00:25:00   going to shoot this from about quarter [TS]

00:25:01   mile away from the closest thing to [TS]

00:25:04   something interesting in this movie so [TS]

00:25:06   far happens right here where they get [TS]

00:25:08   there they're in the turbulent canal was [TS]

00:25:11   just going home in midstream haha and [TS]

00:25:13   they drift into our first example of [TS]

00:25:16   Martian fauna which i believe is the [TS]

00:25:18   first of the a4 mentioned horrors of the [TS]

00:25:20   red play is Sir they're giant tapeworms [TS]

00:25:24   yeah I thought they were centipede some [TS]

00:25:26   floating paper towel rolls this one look [TS]

00:25:28   at they look like pool noodles that [TS]

00:25:29   somebody has painted white [TS]

00:25:31   they have leaves four feet and one [TS]

00:25:33   climbs onto Charlie in his sleep but it [TS]

00:25:35   it just seems to want to hug it doesn't [TS]

00:25:37   they're not really that that menacing [TS]

00:25:40   the tapeworms Charlie's response is to [TS]

00:25:43   shoot the crap out of them [TS]

00:25:45   well I off-screen is clearly just [TS]

00:25:46   prodding the rafts with one of the pool [TS]

00:25:48   noodles [TS]

00:25:49   it's not the best puppeteering in [TS]

00:25:51   they're a little less articulated than [TS]

00:25:55   the devil dogs that were on mystery [TS]

00:25:57   science theater that's what they [TS]

00:25:59   reminded me of this yes jim has been [TS]

00:26:01   really nailed this one is what you're [TS]

00:26:02   saying [TS]

00:26:03   yeah mrs. so obvious there's just a [TS]

00:26:06   crewmember just off-screen kind of [TS]

00:26:08   feebly poking at the raft with lesbians [TS]

00:26:11   stupid tapeworms we're lucky state [TS]

00:26:12   off-screen they enter the shotgun the [TS]

00:26:15   hell out of them pass and tell captain [TS]

00:26:17   steve says charlie try and fend them off [TS]

00:26:18   while we get back to deeper water at [TS]

00:26:20   which point sharpie stop shooting the [TS]

00:26:22   first time in the last 10 minutes who [TS]

00:26:24   again these guys are in inflatable [TS]

00:26:26   rubber raft while they're going nuts [TS]

00:26:27   with their job yes which to the movies [TS]

00:26:31   credit they actually do mention after [TS]

00:26:33   he's got maybe 30 round ya boy careful [TS]

00:26:36   not to shoot one of the raft [TS]

00:26:38   oh thanks good news everybody they have [TS]

00:26:40   they have arrived at a cave certainly [TS]

00:26:45   infant know how they said wedge between [TS]

00:26:47   a bunch of stalagmites the yeah there's [TS]

00:26:50   a cave this is just stupid i am at how [TS]

00:26:52   stupid I am as they got to the case and [TS]

00:26:54   I thought well now it's gonna take off [TS]

00:26:55   now this is going to improve [TS]

00:26:58   dramatically because if you are really [TS]

00:27:00   studio this is where the movie stops [TS]

00:27:02   they literally are acting as if as if [TS]

00:27:05   that they have been going downstream yet [TS]

00:27:07   they never move from where they're [TS]

00:27:09   sitting in a still pond inside a cave [TS]

00:27:12   they also that the explanations that [TS]

00:27:15   they floated into the cave and now can't [TS]

00:27:17   get can't get back out which doesn't [TS]

00:27:18   make any sense because unless they [TS]

00:27:20   passed out or something they should [TS]

00:27:22   probably be able to like get back out of [TS]

00:27:24   the cave the current isn't running that [TS]

00:27:26   hard guys I think you could get out of [TS]

00:27:29   this is where that it fades out and back [TS]

00:27:30   in and he says well we've been going [TS]

00:27:32   here we've been in here a long time now [TS]

00:27:33   and it's like literally they have not [TS]

00:27:35   moved at all been here five hours five [TS]

00:27:38   hours and no sign of a way out when [TS]

00:27:40   you're just sitting in one place [TS]

00:27:41   not even paddling you idiot there's some [TS]

00:27:43   steam and yes it is supposed to be [TS]

00:27:47   exciting but they they literally I [TS]

00:27:49   cannot for people who have not seen this [TS]

00:27:50   movie I cannot emphasize enough there is [TS]

00:27:53   dialogues that suggests that there is [TS]

00:27:54   excitement happening here but nothing is [TS]

00:27:56   happening like literally nothing nobody [TS]

00:27:59   is moving you're envisioning in your [TS]

00:28:01   head a scene where people are paddling [TS]

00:28:02   through a through cave [TS]

00:28:04   and-and-and-and there's like a different [TS]

00:28:06   camera angles and things [TS]

00:28:08   no they set up inside of a pond in a [TS]

00:28:10   cave and just shot everything as if they [TS]

00:28:12   were pretending to go downstream I don't [TS]

00:28:14   think it's even a pond I think it's not [TS]

00:28:16   more than six inches deep [TS]

00:28:18   I can see why this would be great on [TS]

00:28:19   stage though because literally that's [TS]

00:28:21   what everything is just sitting on a [TS]

00:28:23   state with wraps on a stage in the early [TS]

00:28:25   going i assumed that that they had a [TS]

00:28:27   state had thought that at some point [TS]

00:28:29   somebody was going to make it look like [TS]

00:28:30   they're moving in post but had that been [TS]

00:28:33   the case you would have expected them to [TS]

00:28:35   be moving around as though there was [TS]

00:28:37   some turbulence or some current or [TS]

00:28:39   something and they're not they're just [TS]

00:28:40   sitting in place is just sitting there [TS]

00:28:42   clearly not moving in totally glassy [TS]

00:28:44   water [TS]

00:28:44   yep that's it that's the cave where in a [TS]

00:28:46   cave guys yep it's still ok what I'm [TS]

00:28:48   trying to say this movie is great i mean [TS]

00:28:50   i really felt like I was lost in the [TS]

00:28:52   cave so so they do and again Franklin [TS]

00:28:55   and parent parallel here it is they do [TS]

00:28:57   get rid of the rafts because who needs [TS]

00:29:00   rafts that Monty's point they're [TS]

00:29:01   probably full of oxygen where we're [TS]

00:29:03   going we don't need this weekend we [TS]

00:29:06   might be my native to go down another [TS]

00:29:08   body of water later nope they're like we [TS]

00:29:10   don't need them they wouldn't last much [TS]

00:29:11   longer anyway [TS]

00:29:12   discard the rafts we're done yeah the [TS]

00:29:16   dotted line dialog is no bother with [TS]

00:29:18   that let me go I think the idea is that [TS]

00:29:20   the raft somehow are becoming more [TS]

00:29:22   inflated as they're sitting in them yes [TS]

00:29:25   now they actually mentioned them these [TS]

00:29:27   wraps are about to explode [TS]

00:29:29   yeah and then and it left some of the [TS]

00:29:31   air out of the raft [TS]

00:29:32   yeah but now that it's not it's not [TS]

00:29:35   helping to find somewhere to beach the [TS]

00:29:36   raft [TS]

00:29:37   yeah although i did is exciting to be in [TS]

00:29:39   a cave so it's there's more Frankenstein [TS]

00:29:41   island parallels get so you're right [TS]

00:29:43   damn and many many long pans over the [TS]

00:29:47   cave features that have nothing to do [TS]

00:29:49   with the movie at all now you're right [TS]

00:29:50   that's another man that's another [TS]

00:29:51   parallel just that there are there are [TS]

00:29:53   caves it's basically a pre-k this is the [TS]

00:29:56   point at which i wrote down I wonder if [TS]

00:29:58   mst3k never did this movie just because [TS]

00:30:00   it is so don't like oh maybe there's [TS]

00:30:03   nothing is happening nothing so many MST [TS]

00:30:07   movies though that are similarly dull [TS]

00:30:08   like this like monster ago go and [TS]

00:30:11   sometimes those issues sometimes [TS]

00:30:12   episodes are not good and sometimes they [TS]

00:30:14   are rock climbing now [TS]

00:30:16   rock climbing episode i forgot to write [TS]

00:30:17   more sense storm [TS]

00:30:19   yeah that but this this is basically it [TS]

00:30:22   they looked at the rock climbing segment [TS]

00:30:24   in that movie and said that is way too [TS]

00:30:26   short just wanted to this sequence has [TS]

00:30:29   one of the exciting moments when they [TS]

00:30:30   find a rock formation that doc thanks [TS]

00:30:32   look somehow familiar because it's [TS]

00:30:33   justice to lag might and then they give [TS]

00:30:36   up and walk away from it [TS]

00:30:37   oh I i didn't mention frost rock [TS]

00:30:39   Frankenstein island parallels character [TS]

00:30:41   named doc yeah really [TS]

00:30:43   so it's like here's here's this sequence [TS]

00:30:47   of climbing and walking and walking and [TS]

00:30:50   climbing and you can't do more than that [TS]

00:30:52   and and horrors of of the red planet [TS]

00:30:55   goes hold my beer [TS]

00:30:56   yeah yeah I know I I actually thought [TS]

00:30:58   that you could maybe do a really funny [TS]

00:31:00   rift based on this but you would [TS]

00:31:02   literally have to write just brand new [TS]

00:31:03   dialog for all of the scenes and invent [TS]

00:31:07   your own story i watched it again [TS]

00:31:09   tonight to just refresh my memory and [TS]

00:31:12   and I was doing that ya threw out it was [TS]

00:31:14   just keep because I couldn't not [TS]

00:31:16   yeah I actually think this is pretty [TS]

00:31:17   pretty good material to be honest I've [TS]

00:31:19   seen a lot of riffs / movies just this [TS]

00:31:22   board yeah there's a lot of quiet spots [TS]

00:31:24   that you can make jokes during oh yeah [TS]

00:31:25   yes you can do you can do 30 minutes of [TS]

00:31:28   stand-up in the middle of this movie and [TS]

00:31:29   nobody's this point in the movie I [TS]

00:31:32   actually began to think about Stanley [TS]

00:31:36   Kubrick's use of sound because anything [TS]

00:31:38   to avoid thinking about the actual movie [TS]

00:31:40   is watching [TS]

00:31:42   I started thinking about potatoes and [TS]

00:31:44   the very reality because i was thinking [TS]

00:31:46   about the baseball scores from the 90s [TS]

00:31:48   and people who any wrong be i was [TS]

00:31:53   speaking about um has tried your name [TS]

00:31:56   cabinet officials from the first Reagan [TS]

00:31:58   administration now but i was thinking [TS]

00:32:00   about you know 2001 where they ok later [TS]

00:32:04   the the the absence of sound is actually [TS]

00:32:08   the sound and here the absence of sound [TS]

00:32:10   is just because we don't know how to do [TS]

00:32:12   sound no movie no idea we don't know [TS]

00:32:15   anything about what our movies actually [TS]

00:32:17   in fact as they transition from the cave [TS]

00:32:20   cave to the lava cave which is just a [TS]

00:32:22   cave with occasional stock photos of [TS]

00:32:25   lava as reverse shots and they set fire [TS]

00:32:28   to the parts of the set yep [TS]

00:32:29   soundtrack changes to what I described [TS]

00:32:32   in my notes as the chimes of bali wind [TS]

00:32:36   chimes from the nature company because [TS]

00:32:38   the soundtrack is just like do some wind [TS]

00:32:43   chimes their run through some sort of [TS]

00:32:48   distorting filter but that is [TS]

00:32:49   effectively all the they seem to be I [TS]

00:32:51   think I recognize those wind chimes is [TS]

00:32:53   what i'm saying i think i got a set of [TS]

00:32:55   those for my parents at one point and so [TS]

00:32:58   we've walked through the same 10 yards [TS]

00:33:00   of cave for about 45 minutes only to [TS]

00:33:02   discover stock volcano foot yes and now [TS]

00:33:05   that we're in the volcano they inch [TS]

00:33:07   along the exact same Ledge about 30 time [TS]

00:33:10   do while voiceover tries to explain the [TS]

00:33:12   plot away that we must go forward into [TS]

00:33:15   the flames because the cave leads [TS]

00:33:18   nowhere [TS]

00:33:19   why are they inching the legends like 10 [TS]

00:33:20   feet wide but it's more dramatic because [TS]

00:33:23   fire there's a very dramatic moment we [TS]

00:33:25   don't get to watch where women Steve [TS]

00:33:28   goes on ahead and we just see this other [TS]

00:33:30   3w say oh there he is he's alright he's [TS]

00:33:33   waving at us to come let's go [TS]

00:33:35   we do know its perilous though because [TS]

00:33:37   there's a process shot of somebody [TS]

00:33:38   pouring strawberry jam for the jar on [TS]

00:33:40   the left side of the screen that's right [TS]

00:33:42   that's why wouldnt steve was pretty [TS]

00:33:44   brave going out into the fire like yeah [TS]

00:33:46   she's being that he's would negate your [TS]

00:33:48   attack right on everybody that's what I [TS]

00:33:49   mean it's a darn good thing they do [TS]

00:33:51   hustle out because immediately after [TS]

00:33:53   they get out of that hole in the ground [TS]

00:33:54   somebody likes a roman candle this big [TS]

00:33:56   spark where they have suffered some [TS]

00:33:58   painful part [TS]

00:33:58   oh yeah everything I say we don't know [TS]

00:34:00   how Martian volcanoes work do we [TS]

00:34:03   I don't think so I know that like you [TS]

00:34:06   also get back we might all laughing [TS]

00:34:08   about the science of Mars you've never [TS]

00:34:10   been to Mars [TS]

00:34:11   that's right that's right yeah well and [TS]

00:34:14   that you know what would happen if I was [TS]

00:34:15   on Mars my watches my watches would [TS]

00:34:17   refuse to run as if time were forbidden [TS]

00:34:20   which is what which is what we learn [TS]

00:34:23   here as if they decide that there must [TS]

00:34:25   be a way out of the grounds that all [TS]

00:34:27   these volcanic makers must have been [TS]

00:34:28   somewhere nervous and at that point i [TS]

00:34:31   remembered they're pumping Martian air [TS]

00:34:33   into their suits too huh [TS]

00:34:36   that doesn't sound super healthy know [TS]

00:34:38   also you know it does take human sized [TS]

00:34:42   hole for gas to escape [TS]

00:34:43   yeah if the gas is getting out i can get [TS]

00:34:45   the whole logic of this entire thing is [TS]

00:34:47   we might as well keep going forward [TS]

00:34:48   because I'm sure there's a way out [TS]

00:34:50   well i believe it was NASA's David Bowie [TS]

00:34:53   who wants the house in the research [TS]

00:34:55   paper is there life on Mars and now we [TS]

00:34:58   know it's not exaggerating here when i [TS]

00:35:00   say this i believe that approximately [TS]

00:35:02   one-third of this film's hour and [TS]

00:35:04   fifteen minute running time is for [TS]

00:35:06   astronauts walking into a shot from the [TS]

00:35:08   left stopping saying we've come this far [TS]

00:35:13   we might as well keep going the rest of [TS]

00:35:15   the way and then walking out of the shot [TS]

00:35:17   to the right literally 130 the film is [TS]

00:35:19   exactly that now the backgrounds change [TS]

00:35:22   occasionally ok will do this three or [TS]

00:35:24   four they did this for about 30 minutes [TS]

00:35:25   in a cave then they did it 30 minutes on [TS]

00:35:27   a ledge and now they're about to do a 30 [TS]

00:35:29   minutes through the same to sand dunes [TS]

00:35:31   but it's the exact same shot [TS]

00:35:34   well we might as well keep going you [TS]

00:35:36   know that summer vacation you took when [TS]

00:35:37   you were a kid and you know your parents [TS]

00:35:40   just made you go and and and they they [TS]

00:35:42   made you go in in the raft and sit in [TS]

00:35:44   the raft in the cave and they made you [TS]

00:35:46   walk across and they made you walk past [TS]

00:35:48   the volcano and they made you wear that [TS]

00:35:50   stupid spacesuit that's essentially this [TS]

00:35:52   is the home movie somebody's home movie [TS]

00:35:54   without with our pilot filter i would [TS]

00:35:56   rather watch slides of that summer [TS]

00:35:58   vacation watch this movie ever again and [TS]

00:36:00   then they got out the gas can and set [TS]

00:36:02   fire to some of the local rocks rocks [TS]

00:36:04   rocks are working out their memories of [TS]

00:36:06   that that's what this movie is I'd I [TS]

00:36:08   think it's like Robinson Crusoe were [TS]

00:36:09   devote purposely wrote every day that [TS]

00:36:13   Robinson lived through to create a [TS]

00:36:15   boring tease experience so the reader [TS]

00:36:17   would understand crew shows problem i [TS]

00:36:21   think they decided to do that in this [TS]

00:36:22   movie so the audience would feel like [TS]

00:36:25   they've been deprived of oxygen and [TS]

00:36:26   forced to walk for four solid days [TS]

00:36:29   well mission accomplished i agree with [TS]

00:36:31   you Monty and the reason is with a we [TS]

00:36:33   discovered that their watches are [TS]

00:36:35   useless and they refused to run is this [TS]

00:36:36   time were forbidden and the next few [TS]

00:36:38   scenes go along as if time were [TS]

00:36:40   forbidden as people want to sand it does [TS]

00:36:44   what it says on the tin man there is an [TS]

00:36:45   endless voiceover and yes [TS]

00:36:48   a time for more matte paintings in the [TS]

00:36:52   voiceovers people walking in the sand [TS]

00:36:55   I cannot emphasize how long this goes on [TS]

00:36:57   it goes on a very long time well we've [TS]

00:37:02   come this far [TS]

00:37:03   we might as well keep going as well keep [TS]

00:37:05   going until they finally find he the US [TS]

00:37:08   Air Force BioLab capsule which is [TS]

00:37:12   ironically funny don't you see don't you [TS]

00:37:15   understand and F which point since it's [TS]

00:37:18   not their cat it's another capsule after [TS]

00:37:20   all but just a scout ship [TS]

00:37:21   charlie is very angry and just begins to [TS]

00:37:22   shoot a beer and Charlie's emotional [TS]

00:37:25   breakdown [TS]

00:37:26   Charlie response to every situation he [TS]

00:37:28   shot all those pool noodles and now he [TS]

00:37:30   shot this bio lab this is acting lessons [TS]

00:37:33   Oscar clip man Charlie's good issue for [TS]

00:37:36   Charlie and it's the right move as it [TS]

00:37:37   turns out because he saves the day by [TS]

00:37:39   shooting the the oxygen tank well I mean [TS]

00:37:41   he shoots the stuff around the oxygen [TS]

00:37:43   you probably didn't shoot the tank [TS]

00:37:45   itself we shot the fuel line that was [TS]

00:37:46   connected or the yellow line that was [TS]

00:37:48   connected to the oxygen but they realize [TS]

00:37:49   there's oxygen in the bio lab so that [TS]

00:37:51   they're able to why there is when [TS]

00:37:53   shooting solves everything [TS]

00:37:55   it doesn't know they're able to refill [TS]

00:37:56   refill their their oxygen tanks and not [TS]

00:38:00   die [TS]

00:38:01   thanks hooray i know yeah this is the [TS]

00:38:04   point where I know [TS]

00:38:05   damn it going well [TS]

00:38:10   no they're gonna live everybody we love [TS]

00:38:13   having good advertiser's support our [TS]

00:38:16   show that's one of the things that keeps [TS]

00:38:17   the lights on at the incomparable but in [TS]

00:38:19   order to do that we need your help if [TS]

00:38:21   you could go to pod survey dot-com / [TS]

00:38:25   smell and take a quick anonymous survey [TS]

00:38:27   will help us get to know you a little [TS]

00:38:30   bit better and we can show advertiser's [TS]

00:38:32   how great our listeners are so even if [TS]

00:38:34   you've taken the lister survey before [TS]

00:38:35   this one is new and different it would [TS]

00:38:37   be great if you could give it a try [TS]

00:38:39   take it one more time and once you've [TS]

00:38:41   completed the survey you can enter to [TS]

00:38:42   win a hundred-dollar amazon gift card [TS]

00:38:43   that's pod survey dot-com / smell and [TS]

00:38:47   thank you very much for your help but [TS]

00:38:48   guess what there's a storm coming [TS]

00:38:50   time for more stock lightning you have [TS]

00:38:52   that structure and aniline that you [TS]

00:38:54   might think that maybe inspired George [TS]

00:38:55   Lucas many years later during sander [TS]

00:38:58   gets into everything [TS]

00:38:59   oh i thought it was hey I think I've [TS]

00:39:01   found something that we're gonna be idea [TS]

00:39:05   what [TS]

00:39:05   so the the storm there's it gets dark [TS]

00:39:08   and the storm is brewing and there's [TS]

00:39:09   more lightning and and then the next [TS]

00:39:11   morning they have they they awaken to [TS]

00:39:14   discover that the storm has revealed [TS]

00:39:16   some things is blown sand away and [TS]

00:39:18   revealed things out in the desert where [TS]

00:39:20   they are like a yellow brick road and [TS]

00:39:23   there it is that storm was the tornado [TS]

00:39:25   at the beginning of his 40 reference are [TS]

00:39:28   very good looking for anything else was [TS]

00:39:30   the Kansas period that's why it was so [TS]

00:39:31   bored ok so 42 minutes in 42 minutes in [TS]

00:39:34   we finally have found the yellow brick [TS]

00:39:36   road [TS]

00:39:37   alright yeah where does it lead that's [TS]

00:39:40   what I'd like to know in in my notes [TS]

00:39:41   this is so weird like that they all fall [TS]

00:39:43   asleep there there there on the surface [TS]

00:39:45   of Mars exposed a huge storm is brewing [TS]

00:39:48   they have not found their capsule and [TS]

00:39:50   and then they wake up and suddenly [TS]

00:39:52   everything clears and there's this [TS]

00:39:54   fantastical yellow brick road that leads [TS]

00:39:57   to an alien City at which point i put i [TS]

00:39:59   just wrote down i'm going to assume that [TS]

00:40:01   they all died in the storm and this is [TS]

00:40:03   just like there there this is their [TS]

00:40:05   brain shutting down with that final [TS]

00:40:07   moments oxygen being very when the was [TS]

00:40:10   well-seasoned favors me yeah it is [TS]

00:40:12   exactly it's like an incident at all [TS]

00:40:13   Creek Bridge guy isn't imagining that [TS]

00:40:16   just bookmark that they died they died [TS]

00:40:19   in the USA FBI lab strict but we're [TS]

00:40:22   gonna move on with this [TS]

00:40:24   that's my headcanon anyway and I'm [TS]

00:40:25   sticking to it so Charlie excitedly [TS]

00:40:27   announces yeah but where does it lead [TS]

00:40:29   that's what I'd like to know [TS]

00:40:30   well it leads to another matte painting [TS]

00:40:32   of course doesn't have to spend some [TS]

00:40:36   money on their matte paintings there's [TS]

00:40:37   there's a city the the city has [TS]

00:40:39   apparently i guess had the same blown [TS]

00:40:42   off it in the night that they suddenly [TS]

00:40:44   can see this enormous City or maybe it [TS]

00:40:46   was always there and they just needed [TS]

00:40:47   the yellow brick road to take them there [TS]

00:40:49   they needed the fog machines to turn off [TS]

00:40:51   that could be in the city you know [TS]

00:40:54   what's the best thing about the city in [TS]

00:40:56   the city you can breathe so you can take [TS]

00:40:58   off your spacesuit it's a little musty [TS]

00:41:01   but it's fine [TS]

00:41:02   I i laughed when when they go into the [TS]

00:41:04   city and they find that that everything [TS]

00:41:06   is covered in cobwebs because i was [TS]

00:41:08   laughing like like because they're like [TS]

00:41:10   oh it's been dead for millions of years [TS]

00:41:11   and I'm thinking well the theaters [TS]

00:41:13   cobweb so they're going to be spiders [TS]

00:41:15   and [TS]

00:41:15   no what again again I'm gonna refer to [TS]

00:41:17   you from the research by david bowie for [TS]

00:41:20   NASA the spiders from Mars easy [TS]

00:41:22   this movie has got that one covered [TS]

00:41:24   because they say except for the spiders [TS]

00:41:27   or whatever passes for spiders here and [TS]

00:41:30   I was like wow ok movie you patch the [TS]

00:41:32   single plot hole but where were the [TS]

00:41:34   spiders as I like those flies were [TS]

00:41:38   trying to break our balls like a leper [TS]

00:41:41   messiah yeah all right all in favor of [TS]

00:41:44   breaking Steve sweet and raise your hand [TS]

00:41:46   I'm gonna have to break up the band if [TS]

00:41:49   you do that so i really would recommend [TS]

00:41:51   against it for 45 minutes and we've come [TS]

00:41:54   this far away to keep going [TS]

00:41:55   just take a breath shall we all die they [TS]

00:42:00   all died it's fine [TS]

00:42:01   they just got here and said that oxygen [TS]

00:42:03   thing was too much work for even us [TS]

00:42:05   yes it was just a plot point forget [TS]

00:42:07   entirely right so you'll be shocked to [TS]

00:42:10   learn that they said this lovely [TS]

00:42:13   abandoned ancient castle that is [TS]

00:42:15   apparently chock-full of oxygen consists [TS]

00:42:17   of one Hall one always switch which we [TS]

00:42:20   will walk in front of for the next 20 [TS]

00:42:22   minutes to camera angle which consists [TS]

00:42:25   of just columns and adore you have [TS]

00:42:27   several color several columns but but if [TS]

00:42:30   you if you imagine Steve the grandeur [TS]

00:42:32   that that the movie wants us to believe [TS]

00:42:34   in [TS]

00:42:35   yeah these are a series of passageways [TS]

00:42:38   all leading to some sort of central area [TS]

00:42:42   interesting do you think that's never [TS]

00:42:44   answered what he thinks it's like what [TS]

00:42:46   would that be like the center is no no [TS]

00:42:49   nobody does here no way no how [TS]

00:42:51   but what they discover is that they have [TS]

00:42:53   these columns they're not columns after [TS]

00:42:55   all their tubes and there's something [TS]

00:42:58   inside [TS]

00:42:59   oh and it's a puppet of an alien oh I [TS]

00:43:03   think the guy in a suit [TS]

00:43:04   you think so yeah it's all property to [TS]

00:43:08   me [TS]

00:43:08   yeah well there is that mask in other [TS]

00:43:10   movies that where there's clearly a guy [TS]

00:43:12   inside like there's a guy in there here [TS]

00:43:14   though I think it's just on a planet or [TS]

00:43:16   something yeah yeah if there were a guy [TS]

00:43:18   there were deep more [TS]

00:43:19   the puppet barely move yeah doesn't [TS]

00:43:22   register much in the way of expression [TS]

00:43:25   just started but you didn't call wooden [TS]

00:43:27   Steve a puppet I was too busy at this [TS]

00:43:29   point puzzling over the fact that after [TS]

00:43:31   spending four days in the desert and a [TS]

00:43:34   volcano in those filthy filthy pressure [TS]

00:43:37   suits that their space uniforms [TS]

00:43:39   underneath are still spotlessly clean [TS]

00:43:41   this was nineteen sixty four people knew [TS]

00:43:43   how to live back then i guess so all the [TS]

00:43:45   German army and was like they were [TS]

00:43:47   sealed it was set hermetically sealed [TS]

00:43:48   its fuck they opened up their value yeah [TS]

00:43:50   that's true [TS]

00:43:52   you got me what the point was stealing [TS]

00:43:54   their own juices in with it i had [TS]

00:43:58   choices [TS]

00:43:59   yeah so the cylinder it turns out that i [TS]

00:44:01   guess and this is what game I'm applying [TS]

00:44:03   too much logic to this movie but i guess [TS]

00:44:05   the alien race that is on Mars has for [TS]

00:44:09   some reason place themselves in these in [TS]

00:44:12   these cylinders in a sort of suspended [TS]

00:44:14   animation except the alien puppet is [TS]

00:44:16   looking at them Charlie's convinced it's [TS]

00:44:18   looking right at him but I think doc [TS]

00:44:21   says no no I think it just senses our [TS]

00:44:25   presence like you that i don't like is [TS]

00:44:27   looking at me yeah i can get you it's [TS]

00:44:31   it's let's see you in technical to your [TS]

00:44:33   presence [TS]

00:44:34   it's sensing you with it sighs yeah [TS]

00:44:37   slide is a sense he's looking at me get [TS]

00:44:41   another doctor says medically inaccurate [TS]

00:44:43   he's a doctor he has a dr dancer and [TS]

00:44:45   overweight according to him apparently [TS]

00:44:47   thinks I'm to be body shaming IMDb we [TS]

00:44:51   skip the bit where they discovered the [TS]

00:44:52   door that they somebody yeah i was just [TS]

00:44:54   a relation we had mentioned the little [TS]

00:44:56   fried out outlines of bodies that I mean [TS]

00:45:00   you know there are only six things in [TS]

00:45:02   this movie we really need to go over all [TS]

00:45:03   six of ok ok if we don't honestly [TS]

00:45:08   well there's a there's a wall and [TS]

00:45:10   somebody's been trying to cut through it [TS]

00:45:11   and there's some humanoid shape piles of [TS]

00:45:14   ash nearby that indicate that somebody [TS]

00:45:16   who was trying to cut through it [TS]

00:45:18   apparently got torched yeah and and one [TS]

00:45:20   of the columns also is a it has been [TS]

00:45:23   broken open which is suspicious [TS]

00:45:25   there's a great seat well I say put [TS]

00:45:27   great in some quotes yeah [TS]

00:45:28   Jacqueline literally accidentally turns [TS]

00:45:30   on the cutting torch [TS]

00:45:32   and we've been like 15 seconds watching [TS]

00:45:34   him figure out how to turn it off [TS]

00:45:36   yeah I I thought that checkbox checked [TS]

00:45:39   hops checkups cutting torch because you [TS]

00:45:42   know it's showing up in this part of the [TS]

00:45:44   movie so you know it's gonna figure into [TS]

00:45:46   the the dramatic conclusion section and [TS]

00:45:49   if that wasn't exciting enough now we [TS]

00:45:51   spend 15 seconds debating whether or not [TS]

00:45:53   to bring along the cutting torch [TS]

00:45:55   I've watched this movie twice i don't [TS]

00:45:57   remember the scene at all i think i [TS]

00:45:59   passed out during that scene but it is i [TS]

00:46:01   just found it is it is a real scene [TS]

00:46:03   clearly yeah your body's shutting down [TS]

00:46:05   itself thanks [TS]

00:46:06   that's right what is happening on screen [TS]

00:46:08   but I I remember and I can vouch for [TS]

00:46:11   average tale that Steve is just then [TS]

00:46:13   it's possible you want to edit down [TS]

00:46:15   version that removed several minutes [TS]

00:46:17   I think due to some Geneva Convention [TS]

00:46:19   rules of some kind in a movie like this [TS]

00:46:22   Chekhov's rule doesn't always apply [TS]

00:46:24   because they don't always know it [TS]

00:46:27   no through no I'm not check off the Star [TS]

00:46:31   Trek character not the right way right [TS]

00:46:33   check off it was just involves lots of [TS]

00:46:35   screaming in the agony booth so check [TS]

00:46:37   out of law is please take that out of [TS]

00:46:39   here [TS]

00:46:40   no people don't obey at most they played [TS]

00:46:43   smash into this and i had made us check [TS]

00:46:46   the the whole this whole movie by the [TS]

00:46:50   way that the dorothy is constantly there [TS]

00:46:54   are these long cutaways where she seems [TS]

00:46:56   like she's in a completely different [TS]

00:46:58   scene just looking on at the scene [TS]

00:47:00   that's actually happening and they go on [TS]

00:47:02   a long time she never says anything or [TS]

00:47:04   almost never said anything [TS]

00:47:06   it's super weird it's like situations [TS]

00:47:08   they're all the days so they just have [TS]

00:47:11   her reacting from off-screen I get the [TS]

00:47:13   impression from her expression that she [TS]

00:47:15   wasn't necessarily there during the days [TS]

00:47:17   that she was there that that may be so [TS]

00:47:19   the columns are people and Charlie [TS]

00:47:22   strongly considered shooting the alien [TS]

00:47:24   which pic it's worked out so far yeah it [TS]

00:47:26   seems like a good idea wouldn't steve-o [TS]

00:47:27   gets like a mind-meld with the alien his [TS]

00:47:30   husband he loved the alien hand slides [TS]

00:47:32   up on the little tube and tight and and [TS]

00:47:34   it touches him just like sounds good [TS]

00:47:36   just like Kirk and Spock in answer to [TS]

00:47:38   and I guess surgery into darkness to if [TS]

00:47:41   you really want to gather his eyes roll [TS]

00:47:43   back in his head which is kind of creepy [TS]

00:47:44   and he's bobbing around [TS]

00:47:45   first the problem is that this goes on [TS]

00:47:48   for what 15 seconds and his compatriots [TS]

00:47:50   don't do anything and when it finally [TS]

00:47:53   steps away [TS]

00:47:54   it's like they're they were you know [TS]

00:47:56   they were ok with it wasn't that they [TS]

00:47:58   didn't notice and tried to save him [TS]

00:48:00   there like all right let's see what [TS]

00:48:01   happens [TS]

00:48:02   we could Lucy was having a moment with [TS]

00:48:04   his alien friends we're not gonna [TS]

00:48:06   interrupt that they watched him and went [TS]

00:48:08   oh my god something's finally happening [TS]

00:48:09   there's a couple scenes here to of [TS]

00:48:11   Dorothy staring into space that are so [TS]

00:48:13   there is placed in as well yes this is [TS]

00:48:14   this is what i was thinking of like [TS]

00:48:16   she's just too and also present [TS]

00:48:18   it's alright it's just trying to share [TS]

00:48:21   my mind is what I i wrote that down in [TS]

00:48:24   my note down seem that something that [TS]

00:48:25   steve says that after the aliens try to [TS]

00:48:29   share his mind and not just some [TS]

00:48:31   hallucination i was watching the movie [TS]

00:48:35   and he's learned that these are these [TS]

00:48:39   are important like aliens that that that [TS]

00:48:44   have been around and and that they need [TS]

00:48:47   to go to a central location to learn [TS]

00:48:49   more but we're in some things man [TS]

00:48:52   and then he just turns around and goes [TS]

00:48:53   oh there must be there there's the spot [TS]

00:48:56   so they go they go there to the center [TS]

00:48:58   of the city now that this important [TS]

00:49:00   mind-melds happened his assumption is [TS]

00:49:02   proven out when we see a bunch of what [TS]

00:49:04   appear to be flying handkerchiefs alien [TS]

00:49:06   heads [TS]

00:49:07   floating down the hall to join them in [TS]

00:49:09   the meeting place [TS]

00:49:10   well this is this is your your pulse [TS]

00:49:13   pounding special effects scene i believe [TS]

00:49:15   that there's a there's a founding person [TS]

00:49:19   is a really cool shot where there's a [TS]

00:49:20   spider web that that it pulls like the [TS]

00:49:23   camera pulls out of and then they then [TS]

00:49:25   they push it away which is like that [TS]

00:49:26   that that spiderweb costs money and then [TS]

00:49:29   those little um and those little uh [TS]

00:49:30   alien ghosts guys floating down the hall [TS]

00:49:33   that's a process shot right where it's [TS]

00:49:34   like there's pictures of caves his [TS]

00:49:37   pictures of other scenes in the movie [TS]

00:49:38   basically pictures of the cave seen [TS]

00:49:40   pictures of the alien City scene and [TS]

00:49:43   then and then robot dirt I mean alien [TS]

00:49:45   puppets floating down the hallways and [TS]

00:49:47   sometimes like doubled and tripled and [TS]

00:49:50   quadrupled in a way that it was like you [TS]

00:49:52   know I hope this this will really blow [TS]

00:49:55   their minds in the movie theater i think [TS]

00:49:57   is what the director maybe was [TS]

00:49:59   maybe was thinking and then we cut to [TS]

00:50:01   Charlie with his eyes wide open and a [TS]

00:50:05   picture about of a of the brain that is [TS]

00:50:08   built with a light pulsating above it [TS]

00:50:10   which immediately dissolves into the [TS]

00:50:14   floating head data john carradine the [TS]

00:50:18   star of the movie stars hobby like [TS]

00:50:20   ladies and gentlemen 56 minutes in here [TS]

00:50:22   comes to matt gets me that floating head [TS]

00:50:24   he he makes up for all the rest of the [TS]

00:50:27   acting yeah he likes what he takes hold [TS]

00:50:30   of that scenery and chews it up in 10 [TS]

00:50:33   minutes for like an hour and a half's [TS]

00:50:35   worth which is pretty impressive for [TS]

00:50:36   just ahead i'd say oh yeah I mean he [TS]

00:50:39   chews it up just falls to the bottom of [TS]

00:50:41   the neck [TS]

00:50:41   yeah it lands on that brain he could act [TS]

00:50:45   more with a disembodied head than most [TS]

00:50:47   actors could with a full body he talks [TS]

00:50:49   for a very very long time just john [TS]

00:50:53   carradine have a lower-body I've got [TS]

00:50:55   something about concurred with their the [TS]

00:50:57   people who are on Mars are the [TS]

00:50:58   conquerors of a Thousand worlds they had [TS]

00:51:01   uncovered the mysteries of time i [TS]

00:51:03   noticed that by the way the background [TS]

00:51:04   keeps changing there's like a stock [TS]

00:51:06   photo of space and then they get bored [TS]

00:51:09   after a while and they dissolve in the [TS]

00:51:10   background to a different stock photo of [TS]

00:51:12   the space it's like he's standing in [TS]

00:51:13   front of a slideshow a little bit for a [TS]

00:51:15   lot of his speech there's a galaxy [TS]

00:51:17   superimposed over his mouth and he looks [TS]

00:51:19   like he has a really big milk mustache [TS]

00:51:21   yep and points in in the version i saw [TS]

00:51:24   which is on youtube like half the time [TS]

00:51:28   he's on screen with some kind of nebula [TS]

00:51:31   or whatever or yes showers something is [TS]

00:51:34   just washing out his face you can't even [TS]

00:51:36   see his eyes or his mouth and not your [TS]

00:51:39   that's not your version that's the movie [TS]

00:51:41   that's what you want to do with your big [TS]

00:51:42   name talent you want to put some star [TS]

00:51:44   fields over his head so you can identify [TS]

00:51:45   it [TS]

00:51:46   that may have been one of his [TS]

00:51:47   requirements he has one choir you never [TS]

00:51:51   marry the dressing almond oil is wash [TS]

00:51:54   out my face [TS]

00:51:55   come I say that i was in the field and I [TS]

00:51:58   my note here was that this carotene [TS]

00:51:59   monologue is actually kind of [TS]

00:52:01   disappointing because it appears to have [TS]

00:52:02   actually been written for this movie [TS]

00:52:04   yes I found a completely unsourced [TS]

00:52:07   website claiming that Forrest J Ackerman [TS]

00:52:09   wrote that speech [TS]

00:52:10   oh and I'd like it a random dot edu [TS]

00:52:13   student account webpage it is so [TS]

00:52:17   different from the rest of the movie i [TS]

00:52:19   would buy i would buy two and forrest [TS]

00:52:21   was good i thought was essentially the [TS]

00:52:23   movie stops and john carradine tells you [TS]

00:52:27   a science fiction story or at least the [TS]

00:52:29   outline of a science fiction story and [TS]

00:52:31   it is more imaginative than anything [TS]

00:52:33   else in the movie because they don't [TS]

00:52:35   have to pay for anything they just have [TS]

00:52:36   john carradine they're reading the story [TS]

00:52:38   and it reads like the outline of a a a [TS]

00:52:42   and isaac asimov story or something like [TS]

00:52:44   that conquers of thousand world's [TS]

00:52:45   mysteries of time [TS]

00:52:47   time stopped on Mars which is good [TS]

00:52:49   because again time literally stopped in [TS]

00:52:50   the movie so we're there with them [TS]

00:52:53   how do we stop time again my mind grows [TS]

00:52:55   weary but you know you you will know how [TS]

00:52:59   to start time for it is the symbol of [TS]

00:53:01   time universal to all races [TS]

00:53:04   there's a whole you know tale of how the [TS]

00:53:06   Martians came and then recede or the [TS]

00:53:08   aliens came and then proceeded and ended [TS]

00:53:10   up on this planet that goes on again [TS]

00:53:12   kind of like an outline for a short [TS]

00:53:14   story but instead it's just a Mayflower [TS]

00:53:17   getting head in front of space objects [TS]

00:53:19   are reading the the story to you I had [TS]

00:53:22   two thoughts were watching the scene 1 [TS]

00:53:24   was a boy and he's described as much [TS]

00:53:26   more interesting in the last hour [TS]

00:53:28   yeah I i I've had to live through second [TS]

00:53:31   is charity wasn't Grapes of Wrath and no [TS]

00:53:37   more recently the man who shot liberty [TS]

00:53:40   valance was with he made that living [TS]

00:53:43   memory and here he is sitting like a [TS]

00:53:45   hotel room in a hurdle neck someone is [TS]

00:53:48   clearly waiting a bottle of gin off [TS]

00:53:50   Karen and keep them interested in like a [TS]

00:53:53   job after we stopped rolling Union this [TS]

00:53:56   and it just it I I realize you know [TS]

00:54:00   there's there's a school of thought he [TS]

00:54:01   actors got act and they take whatever [TS]

00:54:03   job gets gets thrown at them but damage [TS]

00:54:06   on carrying he's not doing these they [TS]

00:54:08   must have had some serious personal [TS]

00:54:11   problems and/or debts because yes he [TS]

00:54:14   made some spectacularly terrible movies [TS]

00:54:17   now he he was a world-class alcoholic so [TS]

00:54:20   there you go like you can get more [TS]

00:54:21   alcoholic an old Hollywood [TS]

00:54:23   alcoholic and I gotta say this as you [TS]

00:54:25   know I know I know the theater world a [TS]

00:54:28   lot of these things where he was he was [TS]

00:54:30   trying to get money for his stage [TS]

00:54:32   projects [TS]

00:54:33   yeah that's what a lot of this was two [TS]

00:54:34   and a project like two big ol bottle of [TS]

00:54:38   gin drink on stage i make working on a [TS]

00:54:42   stage as possible i would totally do [TS]

00:54:44   that someone here he's surprised that [TS]

00:54:46   these people come from Earth that which [TS]

00:54:48   he didn't he had only theorize could one [TS]

00:54:51   day evolve intelligence yes they don't [TS]

00:54:54   explain how he knows what the word earth [TS]

00:54:55   name is gonna learn English I expected [TS]

00:54:57   that just be aligned that would be like [TS]

00:54:59   we come from the we come from the third [TS]

00:55:01   planet in this system and and then he's [TS]

00:55:04   like oh I didn't know you came from [TS]

00:55:06   there but no again the movie is just [TS]

00:55:08   like Oh earth [TS]

00:55:09   yes I go to the way he's the one that [TS]

00:55:11   says all what planet sun word from this [TS]

00:55:13   planet is also didn't time stop for them [TS]

00:55:17   yes so how did we advance so much when [TS]

00:55:21   time [TS]

00:55:22   stop I think they are time is stopped on [TS]

00:55:25   Mars but not anywhere else like they're [TS]

00:55:27   locked in time [TS]

00:55:29   well there was still like days like the [TS]

00:55:32   planet still rotated yeah I don't know [TS]

00:55:34   these humans walk through it and use [TS]

00:55:37   oxygen [TS]

00:55:38   I don't know let me see if I understand [TS]

00:55:40   this this azimoff story that the [TS]

00:55:41   floating head tells us yes [TS]

00:55:43   ok their species evolved a whole bunch [TS]

00:55:47   they were really smart [TS]

00:55:48   yes I concur 4,000 wire sort of crumbled [TS]

00:55:53   around them because they were so focused [TS]

00:55:54   on their research so they decided to [TS]

00:55:57   stop time so they could continue to [TS]

00:56:01   probe the mysteries of life but then [TS]

00:56:04   when they probed the final mystery they [TS]

00:56:07   discovered they couldn't get out because [TS]

00:56:08   they were no longer capable of physical [TS]

00:56:11   action to turn the clock I think you [TS]

00:56:13   forgot the most important point Steve [TS]

00:56:14   which is life has no meaning without [TS]

00:56:18   death [TS]

00:56:19   I didn't forget that because he says it [TS]

00:56:20   again at the edge doesn't have a replay [TS]

00:56:22   that part [TS]

00:56:23   yeah so that's a lesson I learned so [TS]

00:56:25   that they need they need humans to [TS]

00:56:27   restart time and the way to turn time [TS]

00:56:31   back on it super-complicated you have to [TS]

00:56:33   put a snow globe in a hole [TS]

00:56:36   so you can see what the problem so so [TS]

00:56:37   the the intellectual puzzle that john [TS]

00:56:39   carradine gives our crew is you will [TS]

00:56:42   know it for it is the symbol for time [TS]

00:56:44   universal to all races and then a song [TS]

00:56:47   the sound of gong happens at that point [TS]

00:56:49   and they said you can get this fear [TS]

00:56:50   Charlie picks up the sphere and drops it [TS]

00:56:54   immediately and I think it's broken but [TS]

00:56:56   it actually reveals that he leaves [TS]

00:56:57   though isn't winner is it even pumps the [TS]

00:56:59   orbits maybe it's stupid Steve yeah [TS]

00:57:02   charl charlie is bickering with [TS]

00:57:03   Charlie's bickering with them maybe [TS]

00:57:06   Steve drops it but it doesn't break out [TS]

00:57:08   my job captain cut off like it's just [TS]

00:57:10   revealed that the snowglobe contains the [TS]

00:57:12   city this turns out the symbol of time [TS]

00:57:14   anyway people that's Universal all [TS]

00:57:16   worlds is like a pendulum clock with a a [TS]

00:57:19   picture of a an anthropomorphic son on [TS]

00:57:22   the face of the of the pendulum yeah a [TS]

00:57:24   bunch of gear and a bunch of gears and [TS]

00:57:26   then a hole in the center that's it [TS]

00:57:28   seems to serve no purpose it's sort of [TS]

00:57:30   like this like maybe like the screw or [TS]

00:57:32   the bolt that holds the whole thing [TS]

00:57:33   together but it turns out if you put the [TS]

00:57:36   snow globe in the hole maybe something [TS]

00:57:39   good will happen [TS]

00:57:39   yeah i've tried that line before [TS]

00:57:42   unfortunately it's too high up they [TS]

00:57:45   can't reach it oh no what everybody guys [TS]

00:57:48   busy just out of reach up there's no way [TS]

00:57:50   they could reach that I can reach it so [TS]

00:57:53   you know what Charlotte yeah Charlie can [TS]

00:57:54   reach me at him give me a hand Steve [TS]

00:57:57   apparently completely off-screen there's [TS]

00:58:00   been some sort of a heroic journey that [TS]

00:58:02   Charlie has been odd because that's how [TS]

00:58:04   they learn to be a true family was at it [TS]

00:58:06   friendship because only when we came [TS]

00:58:08   together as a team that we could boost [TS]

00:58:10   someone feet out [TS]

00:58:12   yep well sort of as a teenage steve [TS]

00:58:14   buscemi but dr. does nothing and nothing [TS]

00:58:17   yeah and Dorothy's in another movie that [TS]

00:58:19   didn't he Steve didn't heat haha i do [TS]

00:58:24   have to say that the big son pendulum is [TS]

00:58:26   actually a pretty good set-piece I feel [TS]

00:58:28   like probably 22,000 the 33,000 went [TS]

00:58:31   into the building hospital [TS]

00:58:32   it doesn't make any sense because time [TS]

00:58:34   is a clock is weird but it-it-it is a an [TS]

00:58:38   actual set-piece eventually i could [TS]

00:58:39   build that for 500 bucks east of the [TS]

00:58:41   cultures on earth before they developed [TS]

00:58:44   blackwork didn't have a concept for time [TS]

00:58:46   according to this Yahoo they stick it in [TS]

00:58:48   the hole people they stick it [TS]

00:58:49   the lunch and the function without being [TS]

00:58:51   dirty about stuff and the pendulum [TS]

00:58:53   begins to swing we were saved [TS]

00:58:56   you know the swinger at which point John [TS]

00:58:58   Kerry's voice appears again to do not [TS]

00:59:00   gaze upon time too long for as you do [TS]

00:59:03   your own destiny awaits you at the end [TS]

00:59:05   of the Golden Road Oh disciples of the [TS]

00:59:07   Golden Road you shall have the power it [TS]

00:59:11   is Little John i would love to stop [TS]

00:59:13   gazing on time for too long but the shot [TS]

00:59:15   goes on for about 35 seconds there's [TS]

00:59:17   nothing i can do I implore you in the [TS]

00:59:19   ocean carried in gives good floating do [TS]

00:59:22   not gaze upon his film for too long [TS]

00:59:24   though I did your own destiny awaits you [TS]

00:59:27   at the popcorn booth [TS]

00:59:29   oh yeah they paid for that big epic [TS]

00:59:30   pendulum they're gonna show everybody [TS]

00:59:32   showing a lot it's actually pretty [TS]

00:59:34   complicated they like the one gear goes [TS]

00:59:36   when it's rotating one way and the other [TS]

00:59:37   goes when it's rotating the other way [TS]

00:59:39   pendulum swings faster and faster until [TS]

00:59:41   it splits apart of there are two [TS]

00:59:43   pendulums that's a weird part [TS]

00:59:45   like all right okay now there's two [TS]

00:59:47   because they do a double exposure sort [TS]

00:59:49   of thing but they have to run now that [TS]

00:59:50   John Kerry is worn them do not gaze upon [TS]

00:59:52   time too long they have to run and this [TS]

00:59:55   is the best seem because it's the last [TS]

00:59:58   one [TS]

00:59:58   one [TS]

01:00:00   as they're running out there is one [TS]

01:00:02   quarter and there are two camera angles [TS]

01:00:04   and they literally just keep running [TS]

01:00:06   through that corridor like six times and [TS]

01:00:10   it's only the two camera angles and it's [TS]

01:00:13   very clearly the same corridor now to [TS]

01:00:15   their credit there they're putting like [TS]

01:00:16   throwing rocks and garbage at them [TS]

01:00:18   because the city supposed to be coming [TS]

01:00:20   down around them helping them apart from [TS]

01:00:22   that painting or dissolving at this [TS]

01:00:24   point it's yes very dire while some key [TS]

01:00:26   grip is chucking stuff [TS]

01:00:28   front from the scene I was envisioning a [TS]

01:00:30   gleeful group of people throwing dirt at [TS]

01:00:32   them he grip unit director on the only [TS]

01:00:36   other guy on the set [TS]

01:00:37   there's a there's a very important scene [TS]

01:00:38   where they reach the door and they have [TS]

01:00:40   to turn around for some reason and [TS]

01:00:42   Charlie drops his gun and we have to [TS]

01:00:44   stop for a second it was just leaving [TS]

01:00:46   Carly will go back and get the gun [TS]

01:00:48   that's drama that success at building [TS]

01:00:49   attention Steve will surely get his gun [TS]

01:00:52   I mean that's what he has like the [TS]

01:00:53   deepest personal connection to and the [TS]

01:00:55   Holy Spirit they can't shoot other [TS]

01:00:57   things to solve problems if they leave [TS]

01:00:59   the gun behind but they do charlie gets [TS]

01:01:01   things done with that gun they they run [TS]

01:01:03   out into the desert we don't actually [TS]

01:01:05   see the all-important transition from [TS]

01:01:07   him leaving the castle going into the [TS]

01:01:09   desert no we never seen any of the [TS]

01:01:12   transitions we just see the results and [TS]

01:01:14   they did the before-and-after shots yeah [TS]

01:01:16   so they're in the city and then there in [TS]

01:01:17   the desert [TS]

01:01:18   I in agony without their home without [TS]

01:01:21   their helmets or anything because it [TS]

01:01:22   doesn't matter anymore because the movie [TS]

01:01:24   is given up but they didn't pass out in [TS]

01:01:27   the sand so maybe there is some [TS]

01:01:29   continuity I I don't know they were [TS]

01:01:32   there feels like they're running for a [TS]

01:01:33   long time but they do they do finally [TS]

01:01:35   collapse they collapse on the yellow [TS]

01:01:37   brick road from before which is just [TS]

01:01:39   over the hill from the right castle [TS]

01:01:41   write something with a little bit of a [TS]

01:01:42   way is right they had to go over the [TS]

01:01:44   hill there Michael as you know there is [TS]

01:01:47   a little bit of oxygen in the Martian [TS]

01:01:48   atmosphere [TS]

01:01:49   come on cut the movies smile but the [TS]

01:01:52   spaces we had watch the stupid people in [TS]

01:01:54   those stupid spaces for the whole movie [TS]

01:01:56   and then the other like it adds fine [TS]

01:01:58   it's fine we forgot the only thing the [TS]

01:02:00   movies about it's like don't you want to [TS]

01:02:03   get out of here sooner just let it go [TS]

01:02:05   they could've just they could have just [TS]

01:02:06   had them vanish in the in the city [TS]

01:02:09   instead of going back out into the [TS]

01:02:10   desert because that's what happens not [TS]

01:02:11   only do they collapse then they just are [TS]

01:02:13   going [TS]

01:02:13   one and they don't even fade away they [TS]

01:02:15   just blinking they're gone they're like [TS]

01:02:16   stopping this out of existence yeah they [TS]

01:02:18   stop the camera had everybody get out of [TS]

01:02:20   the shot and then and then start the [TS]

01:02:23   camera again they disappear and that [TS]

01:02:25   gives us a classic or was it ending to [TS]

01:02:28   the movie which is we are now back on [TS]

01:02:31   Mars probe 10 just like in The Wizard of [TS]

01:02:36   Oz I was wrong [TS]

01:02:37   that's right there's another wireless [TS]

01:02:38   version and and you were there and you [TS]

01:02:42   were there and you weren't there but not [TS]

01:02:44   only not only if an e/m is like Mission [TS]

01:02:47   Control does that Wizard of Oz any [TS]

01:02:50   enemies that respect that and I say come [TS]

01:02:52   on come back Mars probe one or two [TS]

01:02:54   minutes overdue to report and they were [TS]

01:02:57   then the response from the crew is two [TS]

01:02:59   minute two minutes and then John does a [TS]

01:03:02   reprieve and it's the end of the movie [TS]

01:03:03   yeah so so what have we learned as I was [TS]

01:03:09   watching this ending i like to think [TS]

01:03:11   that this was originally pitched as a [TS]

01:03:13   Twilight Zone episode and there were the [TS]

01:03:17   the writer who i believe is also the [TS]

01:03:19   director I believe this week yes pitch [TS]

01:03:21   by David lq it on stage magician david l [TS]

01:03:26   hewitt as right [TS]

01:03:27   yes L shirt and he pitches into rod [TS]

01:03:30   certainly never and and and and there's [TS]

01:03:34   this awkward moment of silence and Rod [TS]

01:03:37   Serling says get out of my office who [TS]

01:03:39   don't understand a thing about my work [TS]

01:03:41   and then for the rest of day Rod Serling [TS]

01:03:43   just sort of sits there staring into [TS]

01:03:45   open space and he you know instead of [TS]

01:03:48   going straight home he started drives [TS]

01:03:49   around and contemplates what his life is [TS]

01:03:51   like and and how how badly his his point [TS]

01:03:56   of view and his artistic uh goals could [TS]

01:03:59   have been misinterpreted by this and and [TS]

01:04:01   you know he sort of sees a billboard [TS]

01:04:03   about you know going in and taking a [TS]

01:04:06   cooking class uses yeah yeah that's what [TS]

01:04:08   I want to do with my life now I don't [TS]

01:04:10   want to make TP anymore and he enrolls [TS]

01:04:12   in a cooking class and he becomes a very [TS]

01:04:14   famous chef and he meet some people and [TS]

01:04:16   goes to Paris and get some [TS]

01:04:18   michelin start anyhow that's what i like [TS]

01:04:20   to think happened to going i want to [TS]

01:04:22   know what happened oh no no I like to [TS]

01:04:23   think that's what happened but here in [TS]

01:04:26   Wizard of Mars that's how we got the [TS]

01:04:28   night kitchen the exact like that is a [TS]

01:04:29   better story than this movie [TS]

01:04:31   don't say that yeah and then john [TS]

01:04:33   carradine appears as a head goes you [TS]

01:04:35   make a sauce do a reduction for your [TS]

01:04:38   steak roadsters just holding the menu [TS]

01:04:40   down below his head his whole body is [TS]

01:04:42   there he just could only see the head [TS]

01:04:43   about the menu [TS]

01:04:44   can I get some appetizers started for [TS]

01:04:46   you perhaps perhaps some asparagus [TS]

01:04:49   have you ever studied Brad severn [TS]

01:04:51   wouldn't you be terrified to order [TS]

01:04:52   anything from chef rod serling though [TS]

01:04:55   well it's great because the ending [TS]

01:04:57   always takes you by surprise [TS]

01:04:59   imagine if you will pork yeah you have [TS]

01:05:02   to keep you in the bag its duction it's [TS]

01:05:03   rod serling's it's a cookbook i know he [TS]

01:05:05   didn't write that one but still they're [TS]

01:05:08   deserters on the wing turns out it was [TS]

01:05:10   brunch Allah [TS]

01:05:14   submitted for your approval a mimosa the [TS]

01:05:22   check we we don't take credit should [TS]

01:05:26   have mentioned that up front I'm not [TS]

01:05:28   very good at reading that restaurant I [TS]

01:05:30   used to be a TV writer than a guy came [TS]

01:05:31   in and pitched gonna answer tomorrow and [TS]

01:05:35   then I started doing this for a living [TS]

01:05:37   so cut me some slack [TS]

01:05:39   I'll take cash please and I'm sorry babe [TS]

01:05:42   he tells this story to everyone welcome [TS]

01:05:44   to Rod Serling's restaurant we have one [TS]

01:05:46   special today it is the monsters are due [TS]

01:05:48   on maple syrup very good haha your [TS]

01:05:55   man'chi go is Archie's I've got out of [TS]

01:06:03   the beholder but i don't i don't know [TS]

01:06:04   any dishes actually involved eyeballs [TS]

01:06:06   time enough at last which is really just [TS]

01:06:08   a plate of the herb I just I i wish i [TS]

01:06:14   had more detailed from the yelp review [TS]

01:06:15   because it just says it's a good thing [TS]

01:06:17   that's a real good joke you made their [TS]

01:06:19   real good [TS]

01:06:23   well well this has been great so I've [TS]

01:06:28   got a story about David do it [TS]

01:06:30   yes I i would like to hear [TS]

01:06:32   are you you have an interesting [TS]

01:06:35   historical note about this film [TS]

01:06:38   alright so this guy was a special [TS]

01:06:41   effects guy and stage magician and he [TS]

01:06:43   had directed something called monsters [TS]

01:06:44   crash the pajama party and you want to [TS]

01:06:47   make a big science fiction epic which [TS]

01:06:49   turned out to be this movie yeah he met [TS]

01:06:52   a bunch of vending machine operator but [TS]

01:06:54   they wanted to get into the business of [TS]

01:06:56   making girly flicks and he talked them [TS]

01:06:58   into no science fiction is where the [TS]

01:07:00   money at [TS]

01:07:00   so they put up their 33,000 colors to [TS]

01:07:02   make this movie and they form a real [TS]

01:07:05   cheap film distribution corporation and [TS]

01:07:08   they need other films along with this [TS]

01:07:10   one so it turns out that they were the [TS]

01:07:12   ones that put up the money to get the [TS]

01:07:14   movie spiderbaby out of the lab jack [TS]

01:07:17   hill made this crazy movie which is much [TS]

01:07:20   more interesting than wizard Myers [TS]

01:07:22   called spider baby and it was being held [TS]

01:07:24   hostage by the lab because he couldn't [TS]

01:07:26   paper the processing fees but thanks to [TS]

01:07:29   wizard of Mars spiders spiderbaby was [TS]

01:07:32   freed and actually toured with this [TS]

01:07:34   movie as the bee movie because it's in [TS]

01:07:36   black and white which means it can't be [TS]

01:07:37   as interesting so man something came out [TS]

01:07:39   of the wizard of Mars so what have we [TS]

01:07:42   learned anything I have learned to the [TS]

01:07:45   john carradine will do anything [TS]

01:07:47   yes that battery that is true pretty [TS]

01:07:50   sure we knew that this is this movie has [TS]

01:07:52   a story credit and a screenplay by [TS]

01:07:53   credit and i want to say the story [TS]

01:07:55   outline of this like we've set a couple [TS]

01:07:58   of times now this could have been a [TS]

01:08:01   perfectly interesting movie without [TS]

01:08:03   really spending a lot more on on the [TS]

01:08:05   budget it could have been shot a little [TS]

01:08:07   bit better but just from dialogues with [TS]

01:08:10   just basic competence of storytelling in [TS]

01:08:13   my direction put a character in just one [TS]

01:08:16   the Charlie counts for like a half maybe [TS]

01:08:18   thirty three thousand dollars guys [TS]

01:08:21   32,000 it's true and 28,000 that was [TS]

01:08:23   spent on vending machines for the crew [TS]

01:08:25   and cast yes it went it went a long way [TS]

01:08:28   back that's 1964 that's a what I've [TS]

01:08:30   learned is that occasionally when we do [TS]

01:08:32   old movie club like I i feel kind of bad [TS]

01:08:34   you didn't [TS]

01:08:36   there's a long movie and I got really [TS]

01:08:38   kind of [TS]

01:08:39   imposing on people that I don't feel bad [TS]

01:08:41   anymore [TS]

01:08:42   good i will never feel bad about [TS]

01:08:45   anything I make you people watch again [TS]

01:08:48   yeah well this at least was a trim hour [TS]

01:08:50   and 15 min yeah hanging out [TS]

01:08:53   it's just people like four hours that [TS]

01:08:55   budget by the way in modern dollars [TS]

01:08:57   would be it's about 250,000 dollar movie [TS]

01:09:00   so hmm doesn't seem so good anymore [TS]

01:09:03   yeah i will say i watch this twice [TS]

01:09:06   because I was drifting off the most of [TS]

01:09:09   the first viewing it on a second [TS]

01:09:11   watching it wasn't nearly so bad because [TS]

01:09:14   i was expecting nothing to happen and so [TS]

01:09:17   I got to really appreciate the random [TS]

01:09:19   shots of dorothy just scary so many off [TS]

01:09:22   to the side of the candy are the camera [TS]

01:09:24   and yea and all the many many same shots [TS]

01:09:27   of the same little two-foot section cave [TS]

01:09:30   that they I mean if you don't have any [TS]

01:09:33   expectation of anything happening [TS]

01:09:35   it could be worse yeah it's administered [TS]

01:09:37   it's not it's not as bad as it was the [TS]

01:09:39   first time through it because because I [TS]

01:09:41   could appreciate the badness of it [TS]

01:09:43   without expecting anything and and like [TS]

01:09:46   i said i think this could have made a [TS]

01:09:48   pretty solid MST episode lots of wide [TS]

01:09:50   open spaces to to fit or whatever [TS]

01:09:55   rambling you want to throw in there long [TS]

01:09:57   long riffs that's where the same thing [TS]

01:10:00   is happening over and over again and you [TS]

01:10:01   can kind of take a little slightly [TS]

01:10:02   different angles on the same material [TS]

01:10:04   yeah that's always unlike the movie [TS]

01:10:06   using very short movie then you get john [TS]

01:10:09   carradine for 10 minutes just just [TS]

01:10:12   ranting MST and roger corman films have [TS]

01:10:15   trained me to expect something going on [TS]

01:10:17   after the walking and the walking is [TS]

01:10:20   going to be long but it's not gonna be [TS]

01:10:21   that long and then something happens and [TS]

01:10:23   then there's more walking in this the [TS]

01:10:25   first time through is just all the [TS]

01:10:27   walking and you know once once you don't [TS]

01:10:30   have to worry about growing hate and [TS]

01:10:32   what comes next [TS]

01:10:33   ok ok so I i think what we're saying is [TS]

01:10:35   the first time you watch it it's bad [TS]

01:10:36   because it's too suspenseful no not that [TS]

01:10:40   not quite [TS]

01:10:43   just saying it's it's easier to deal [TS]

01:10:45   with when you know what you're dealing [TS]

01:10:46   with [TS]

01:10:47   it's like eating one of those Twilight [TS]

01:10:48   Zone dishes but you know you've had it [TS]

01:10:50   before you know how it's gonna end I [TS]

01:10:52   guess it's because on the second viewing [TS]

01:10:54   I was occupying my mind with stupid [TS]

01:10:56   things that i might say we're really [TS]

01:10:57   worried about this thing yeah [TS]

01:10:59   yes I i spent a lot of my viewing doing [TS]

01:11:01   the same i knew i didn't have to [TS]

01:11:03   concentrate on the plot or the action on [TS]

01:11:05   screen or the set or the actors say i [TS]

01:11:09   was paying a lot of attention my second [TS]

01:11:11   time because i want to see if they [TS]

01:11:12   actually explain something like right i [TS]

01:11:14   remember they cared about oxygen and [TS]

01:11:17   then they took their suit off that [TS]

01:11:18   wasn't going to rewind and see what [TS]

01:11:20   happened and in this case it is just one [TS]

01:11:23   line where they say well good thing is [TS]

01:11:25   aaron here it's a breathable no [TS]

01:11:28   particular reason why so having to [TS]

01:11:30   constantly be alive for any chance they [TS]

01:11:33   mention that these sand dunes all look [TS]

01:11:35   alike [TS]

01:11:35   yeah they do because it's the same state [TS]

01:11:37   dude he yeah I think Charlie said it [TS]

01:11:39   best when he announced sure it'll work [TS]

01:11:41   serve no reason why it shouldn't is [TS]

01:11:44   there they're made a plan wasn't going [TS]

01:11:46   to work because the nearest people are [TS]

01:11:48   not four days no nine months away [TS]

01:11:50   no they're talking to that they're [TS]

01:11:52   talking to that thing that's floating in [TS]

01:11:53   space that they say do too right yeah [TS]

01:11:56   what's it gonna do it just gonna say [TS]

01:11:57   dude yeah dude [TS]

01:11:59   well I mean maybe their local to Mars [TS]

01:12:01   maybe they're orbiting Mars and they [TS]

01:12:02   could send something down think so these [TS]

01:12:04   are the first people that will ever [TS]

01:12:05   orbit Mars yeah they say that yes yes [TS]

01:12:08   there Mars probe more from one counting [TS]

01:12:11   backward the last one when I pro by [TS]

01:12:14   something went wrong for this one we [TS]

01:12:16   have reached the end of our discussion [TS]

01:12:18   of the wizard Marley we haven't hung out [TS]

01:12:21   if you've got more Twilight Zone episode [TS]

01:12:23   titles though I'll take those [TS]

01:12:25   haha ok yeah i would like to thank my [TS]

01:12:28   guests mr. Bemis can't do anything with [TS]

01:12:30   that either [TS]

01:12:31   I terrible thank you to my guests for [TS]

01:12:33   being here Phil Michaels I yeah [TS]

01:12:36   don't feel bad about old movie club ever [TS]

01:12:38   again no you're gonna work for you in [TS]

01:12:41   foreign movies next trip you're gonna [TS]

01:12:44   have to read your movie Johnson fare [TS]

01:12:47   Monty Ashley thank you [TS]

01:12:49   the specimen a real jazzy place in its [TS]

01:12:51   time mmm [TS]

01:12:53   David jail or arc like thank you [TS]

01:12:56   has it only been two minutes and Steve [TS]

01:12:59   let's thank you [TS]

01:13:01   yeah we've been here five hours now and [TS]

01:13:03   no sign of a way out Jason to wait I [TS]

01:13:06   think I see the way out up ahead there [TS]

01:13:07   it is [TS]

01:13:08   yeah there's this it's a lava don't [TS]

01:13:09   don't touch the lobby did it and he's [TS]

01:13:11   waving at us [TS]

01:13:12   I have been your host Jason still and I [TS]

01:13:14   until next week i remind you happy new [TS]

01:13:17   year dude do [TS]

01:13:21   [Music] [TS]

01:13:26   Oh Cavender is coming with your meal sir [TS]

01:13:29   where we are it's quite an episode you [TS]

01:13:34   chose to yeah well I'm talking Tina and [TS]

01:13:40   I'll be your waitress for haha for the [TS]

01:13:43   end zone [TS]

01:13:44   hey Phil Phil I'm talking Tina and I'll [TS]

01:13:47   serve you [TS]

01:13:50   terrifying yeah terrifying not so good-- [TS]

01:13:55   not so good it's good [TS]

01:13:58   the grandmothers apple pie it's real [TS]

01:14:00   good real good four of us are dying for [TS]

01:14:03   that dessert we ordered the twist is [TS]

01:14:09   there is no dessert back in the Cylons [TS]

01:14:16   own [TS]