343: Billy Campbell's Soup
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hey everybody at that time of year when
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we encourage you to become an
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favorite podcasts go to V incomparable
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lot of bonus stuff when you sign up as a
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in our membership feed check it out the
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incomparable calm / members
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the incomparable number 343 marks 2017
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welcome back everybody to the
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incomparable i am your host Jason Snell
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we are here to talk about a movie it's a
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classic movie of a sort of cult movie of
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a sort not from that long ago oh god
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it's so long ago now 1991 I was in
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college then and walt disney pictures
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released the rocketeer based on the
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comic books by dave stevens starring
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well i think of it as starring billy
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campbell and jennifer connelly although
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wikipedia would say starring billy
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campbell and alan arkin and also
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jennifer connelly as in it which
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honestly having seen it now yeah that's
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pretty much it she's in its umph anyway
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joining me to talk about this movie some
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people who really love it I have only
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seen it two or three times I think it's
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fun but I know there's some people who
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love love love this movie and guess what
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i asked them to be on this podcast to
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talk about it dan Morin is one of those
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people hi Dan hello Jason better the
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version with billy campbell and jennifer
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connelly than the version with billy
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connolly actually no that would be
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amazing huh interesting he could have
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the alan arkin part also a huge
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Rocketeer fan and I wouldn't do this
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episode without him returning to the
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show for a second time it's casey less
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hi Casey hello i am excited to be here
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excellent excellent i I hope so we're
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gonna talk about the rocketeer for
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pete's sake David J Laura also here with
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us hello David welcome back to infinity
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and beyond that's not quite right you're
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fired off the show now the rugged here
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is not falling with style and Joe
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rosenstiel is also here hi Joe the raka
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who that's one of my favorite line so
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well done well done I use that way more
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than I should given that there are only
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about a half dozen people who I they're
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all almost all right here yeah anybody
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have any opening statements uh I believe
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I saw something in the slack right
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before I apt on the the conversation
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that maybe we should bring up some of
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the the
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how should I put this the fact that this
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is kind of a movie for white guys yep
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four white guys and it's it's very
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obvious from the get-go there's there's
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not a whole lot of dynamism in terms of
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the cast of characters that you see for
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different backgrounds in their lives
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more genders or anything of that nature
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and you could make the case I suppose
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that it is of the era that it's supposed
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to be depicting but I don't think that
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was technically okay for 1991 or it's
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something that would really fly if you
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were to go ahead and do this these days
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and certainly you could look at Joe
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Johnston's other film um Captain America
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the First Avenger yep depending on I
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guess where you were in the the world
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but um that had a little more going on
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than this one does and i I just I kind
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of feel guilty about that or something
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because I really do like this film but I
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can I can definitely understand why it
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would not be appealing to many other
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people well the comment i made in the
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slack was was that although i was
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disappointed that none of our women
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panelist signed up for this at the same
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time i thought it would be kind of
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fitting in the sense that this is not a
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movie where women really participate
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jennifer connelly is in it and she her
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character her character is not bad in
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the sense that like she's not really
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portrayed as a as a in ways that she
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could have been I suppose as a dummy as
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a as a laughingstock kind of thing I
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think she she she's really good at
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hitting people over the head with with
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glass objects she does that twice that
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that's kind of like your default damsel
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yeah right like so it is oh she's
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totally a damsel the movie that I end up
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comparing this to maybe just cuz I
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rewatched it a few weeks ago but it's
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that's very very similar to it is the
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princess bride which is also a movie in
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which the woman is pretty much a person
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who is kidnapped or sought after she has
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a couple good points where she like you
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know hits someone over the head or hits
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any creature with a log and she is
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pretty much the only woman in the entire
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movie with any like substantive role and
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yeah again I don't think this is
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necessarily excusable by saying that it
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of the era I think probably the the best
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you can say is this was not something
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that people would like that the people
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making this movie were thinking about at
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a time and later wrong that's the way it
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is and to add to that i will say that
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after after watching this the other
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night i went and read the entire dave
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stevens rocket to your run cuz it's not
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very long it's like a tissue and holy
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crap is Jennifer Connelly's version of
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this character so much better than her
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in the guy fuck in which basically Dave
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Stevens so Dave Stevens was kind of
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apparently obsessed with Bettie Page the
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pinup model and so the character who is
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named Betty in the comic books is drawn
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as essentially bettie page including
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many many many scenes of her essentially
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posing in let's say less than well
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cheesecake cheesecake yeah us wrap but
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but in cases would like no actual
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clothes on a mini turns cases like
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strategically plays and she is
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incredibly sort of petty and cliff is
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not much better he is kind of a
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boozehound and a super jealous and all
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this like for a cup for a comic that's
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supposed to be sort of a light-hearted
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pulp none of the characters seem very
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sympathetic so yeah I think the movie
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actually does a service to the comic
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book in making this much more of a
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certainly family-friendly movie and
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certainly more palatable and sympathetic
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as far as the characters go so yeah I
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will say that the jennifer connelly role
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certainly under written but could have
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been way worse but yeah this is not
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necessarily a movie that that any
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current movie should aspire to be in and
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Joe I have to say kudos to you for blink
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not blinking an eye when you said that
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it wouldn't fly today when I was
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watching at this afternoon as her name
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comes up i went and jennifer connelly is
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also present I know the writers were so
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happy that they they went to the trouble
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of not making her the screaming helpless
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damsel yeah they didn't really do that
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much but you know yes she is she is
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shake she could be a lot worse but she's
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hardly integral to the story as anything
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except the thing that the two men fight
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over yeah well and she's the
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coincidental link that helps the actor
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find the
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right right right there yet she is the
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coincident look I love jennifer connelly
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she is she's she's my age she went
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apparently went to college with Glenn
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uncle ending by remote is the worst kind
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of way and you know she have went on to
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win an Oscar and she's been a lot of
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stuff and I think she's very good and
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here she does all she can with what
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she's given and she does the way they
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make her up to look like a classic sort
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of a classic movie star starlet she
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looks beautiful but the story again it's
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just one of those things I didn't really
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think about before but when we were
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talking about in slack it's definitely
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the case that like this is a this is a
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boy's story basically a boy's life boys
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a great adventure story in fact I will
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say and this is a tie into our the fact
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that it's our member period here the
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raiders lost ark you know has the same
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issue right we watched raiders of the
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lost ark for a special member episode
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and you know Karen Allen is the only
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woman in that and she hits a guy over
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ahead with a log at one point and she's
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a very spunky capable character but
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again it's the one woman who is the
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heroes love interest who doesn't have a
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lot to do and and Jennifer Connelly is
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stuck in that same in that same spire
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and both movies are you know they're
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specifically aping a certain style and
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period and everything and you know I
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think Raiders at least she's a lot
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sharper she's able to hold her own
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against the characters whereas in this
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she the characters a little bit more
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girly in a preoperative sense and I
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think they went too far thinking well
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how would we do this if it were 1938
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whereas in Raiders it's like you know
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okay this is what we're gonna do we're
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is here they're like well all the
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Germans would be white guys and well all
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the people in Hollywood films would be
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white guys and you know it it's just
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it's like I don't think that was even on
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their radar well right I mean Raiders is
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obviously a huge inspiration point for
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this movie as well very clearly I mean
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this the scene later on with Dalton
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giving Jennifer Connelly the dress is
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Bella yep and Marion oh yes the same
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exact same based on it good call there's
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a number of things like that where I
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might better
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rest of the rocketeer better doesn't
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have that doesn't have the flower on the
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butt but like same thing where it's used
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as like a diversion right like it's a
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trick right like there's a lot of beats
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in here that are basically crib from
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that and they you know as far as the
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production goes it seems to be
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intentional because a lot of what I came
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from what I gather they were pointing to
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Raiders as a successful franchise that
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would let them set this in the 30s
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rather than trying to modernize it as
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some of the earlier arguments were that
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it should be which would have been
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really really bad apparently they wanted
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like a NASA helmet for him was like no
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no no that's kinda not the point you
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know you guys you must have seen a
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different movie than I did because when
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this movie came out I was ten years old
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and I had some very complicated thoughts
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about Jennifer camellias 10 year old oh
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I had very complicated thoughts about
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her as a 20 it was 20 and my thoughts
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about her we're not complicated at all
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case and I say I'd say that jokingly but
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but all snark aside I mean she was 20
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and she wasn't even 21 with us when this
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movie was released so she filmed this
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when she was like 19 or 20 years old and
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in I was barely alive at 20 years old as
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far as I'm concerned I could I could
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barely scrape two words together and
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here was I mean III don't think this is
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an oscar-winning performance because of
[TS]
00:10:14
◼
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all the things you guys had mentioned
[TS]
00:10:15
◼
►
that it wasn't that much of a
[TS]
00:10:16
◼
►
performance but every scene she was in I
[TS]
00:10:18
◼
►
thought she did a phenomenal job and and
[TS]
00:10:20
◼
►
I thought I thought she handled it
[TS]
00:10:22
◼
►
really really well and I thought that
[TS]
00:10:23
◼
►
she was more than as you said than just
[TS]
00:10:25
◼
►
a damsel in distress and and it's funny
[TS]
00:10:27
◼
►
because I would agree that she was not a
[TS]
00:10:30
◼
►
critical role maybe that's not the best
[TS]
00:10:33
◼
►
word for it but she was not she was not
[TS]
00:10:35
◼
►
a frequent seen Yoshi you wouldn't see
[TS]
00:10:40
◼
►
her that much but nevertheless I don't
[TS]
00:10:42
◼
►
reflect on this movie and think that she
[TS]
00:10:44
◼
►
was an afterthought I reflect on it and
[TS]
00:10:46
◼
►
think that this is but yell billy
[TS]
00:10:48
◼
►
connolly or whatever his name is I'll
[TS]
00:10:51
◼
►
see you got my key on my darn head Billy
[TS]
00:10:53
◼
►
Campbell Thank You Billy Campbell
[TS]
00:10:55
◼
►
jennifer connelly well they did date for
[TS]
00:10:56
◼
►
a while so it was it almost went that
[TS]
00:10:58
◼
►
way I agree actually i would say exactly
[TS]
00:11:01
◼
►
what you said casey which is in my mind
[TS]
00:11:03
◼
►
jennifer connelly is a major part of
[TS]
00:11:05
◼
►
this movie and then watch it on I'm
[TS]
00:11:06
◼
►
always disappointed that she's not as
[TS]
00:11:08
◼
►
big a part of it as I remember her being
[TS]
00:11:10
◼
►
and I think that's just because she does
[TS]
00:11:12
◼
►
good job she's very likable she's very
[TS]
00:11:14
◼
►
beautiful and but then the movie like
[TS]
00:11:16
◼
►
doesn't you know it doesn't carry it
[TS]
00:11:18
◼
►
through as much as my memory does like I
[TS]
00:11:20
◼
►
I in the great rewrite in my mind I say
[TS]
00:11:23
◼
►
give Connolly twice as many scenes as
[TS]
00:11:25
◼
►
she's got in the script right but that's
[TS]
00:11:27
◼
►
not actually how the movie is laid out
[TS]
00:11:29
◼
►
unfortunate well and you know watching
[TS]
00:11:31
◼
►
it as a writer and watching it in terms
[TS]
00:11:32
◼
►
of you know how do I pull this apart how
[TS]
00:11:34
◼
►
do i use the component parts and other
[TS]
00:11:35
◼
►
things and you know I certainly have
[TS]
00:11:37
◼
►
done that with this and you know it's
[TS]
00:11:40
◼
►
like I know that it went through many
[TS]
00:11:43
◼
►
many rewrites and many many revisions in
[TS]
00:11:45
◼
►
many many you know let's let's do this
[TS]
00:11:47
◼
►
outline those two that I well they like
[TS]
00:11:49
◼
►
this from the old outline and they've
[TS]
00:11:50
◼
►
you know they just it it's like this
[TS]
00:11:52
◼
►
weird Frankenstein monster of scripts
[TS]
00:11:54
◼
►
and outlines and it almost feels and I'm
[TS]
00:11:59
◼
►
saying this as someone who loves the
[TS]
00:12:00
◼
►
movie it does still feel like it needed
[TS]
00:12:02
◼
►
one more polish or two because it's sort
[TS]
00:12:05
◼
►
of like it's a very linear here's where
[TS]
00:12:07
◼
►
we go from here and this leads to this
[TS]
00:12:09
◼
►
and oh what if she's an actress and she
[TS]
00:12:11
◼
►
connects this and oh what if she's at
[TS]
00:12:13
◼
►
the club when they're doing the thing
[TS]
00:12:15
◼
►
and it's it's very easy i see i disagree
[TS]
00:12:18
◼
►
i'm at very i think it's very yeah is
[TS]
00:12:20
◼
►
very schematic but i think it's also
[TS]
00:12:22
◼
►
very tightly plotted in that way in that
[TS]
00:12:24
◼
►
there there is nothing extraneous about
[TS]
00:12:25
◼
►
it exactly but it could it could use a
[TS]
00:12:27
◼
►
little extraneous it could use a little
[TS]
00:12:30
◼
►
breathing I think it's a Walt Disney
[TS]
00:12:31
◼
►
picture from 1981 that's the amount of
[TS]
00:12:34
◼
►
extraneous that needs the only Campbell
[TS]
00:12:36
◼
►
I went to mention now it Billy Campbell
[TS]
00:12:38
◼
►
is actually a lot older than Jennifer
[TS]
00:12:40
◼
►
Connelly um and and and yet here's the
[TS]
00:12:44
◼
►
thing Billy Campbell is uh he's boyish
[TS]
00:12:48
◼
►
he just is he he's a boyish fellow and
[TS]
00:12:51
◼
►
so I I don't have a problem with that
[TS]
00:12:53
◼
►
part at all the fact that they don't
[TS]
00:12:55
◼
►
feel like they're you know more than a
[TS]
00:12:57
◼
►
decade apart in age because the reason
[TS]
00:13:00
◼
►
that Billy Campbell works in this part
[TS]
00:13:01
◼
►
as cliff who discovers the rocket pack
[TS]
00:13:04
◼
►
and start inputs on and get the helmet
[TS]
00:13:06
◼
►
and starts to fly around and thinks it's
[TS]
00:13:07
◼
►
fun is that he is so boyish and it is
[TS]
00:13:10
◼
►
like I said it's in an adventure story
[TS]
00:13:11
◼
►
like this you kind of want to have that
[TS]
00:13:13
◼
►
golly golly gee whiz your kind of
[TS]
00:13:16
◼
►
harkening back to that era and that's
[TS]
00:13:18
◼
►
that's what Billy Campbell has in spades
[TS]
00:13:19
◼
►
here right like this is what this part
[TS]
00:13:22
◼
►
requires and it's what he gives the part
[TS]
00:13:24
◼
►
after after this movie
[TS]
00:13:26
◼
►
and partly because of Billy Campbell's
[TS]
00:13:28
◼
►
performance I did go back to the you
[TS]
00:13:29
◼
►
know I had always seen the comic but I'd
[TS]
00:13:31
◼
►
never picked it up and I went back and
[TS]
00:13:32
◼
►
read it at the time and was very
[TS]
00:13:34
◼
►
disappointed and now after Stevens
[TS]
00:13:37
◼
►
passed away and there have been more and
[TS]
00:13:38
◼
►
more adaptations of The Rocketeer in
[TS]
00:13:41
◼
►
news stories everything they tend to
[TS]
00:13:44
◼
►
follow the movie style a little better
[TS]
00:13:46
◼
►
which I like they should too because and
[TS]
00:13:49
◼
►
they show having read it it is not it is
[TS]
00:13:51
◼
►
not is some of their stuff patterned
[TS]
00:13:54
◼
►
directly after the comic book like the
[TS]
00:13:56
◼
►
scene with Malcolm being rescued is
[TS]
00:13:58
◼
►
almost taken not exactly that's asleep I
[TS]
00:14:01
◼
►
beat certainly but it just goes told the
[TS]
00:14:04
◼
►
other ELLs also Stevens was kind of I
[TS]
00:14:06
◼
►
want say obsessed but like he was really
[TS]
00:14:07
◼
►
big in the pulp stuff so there are there
[TS]
00:14:09
◼
►
are appearances by notable pulp
[TS]
00:14:11
◼
►
characters who are very specifically not
[TS]
00:14:13
◼
►
named so as to prevent any sort of
[TS]
00:14:15
◼
►
copyright infringement the entire second
[TS]
00:14:17
◼
►
arc of the comic books involves the
[TS]
00:14:20
◼
►
shadow but never named just basically
[TS]
00:14:23
◼
►
alluded to being the shadow but like not
[TS]
00:14:25
◼
►
in just like one or two scenes he's in a
[TS]
00:14:26
◼
►
bunch of it the entire first arc and has
[TS]
00:14:29
◼
►
a bunch of stuff with Doc Savage like oh
[TS]
00:14:30
◼
►
my right yes but like this is you know
[TS]
00:14:34
◼
►
anyways so I think that the movie does a
[TS]
00:14:37
◼
►
nice job of bringing this around to
[TS]
00:14:39
◼
►
something that in fact it's almost as
[TS]
00:14:41
◼
►
though the movie is a better sort of
[TS]
00:14:43
◼
►
adaptation of the Platonic ideal of this
[TS]
00:14:46
◼
►
story if anything the incomparable is
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00:14:48
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00:15:17
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sleep on it literally sleep on it before
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incomparable another thing that we
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00:16:38
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noticed while we were watching this to
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00:16:39
◼
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them Laura and I were watching this last
[TS]
00:16:42
◼
►
night and at one point one of us made
[TS]
00:16:45
◼
►
the comment oh this movie has every
[TS]
00:16:47
◼
►
character actor and yes yes it is a
[TS]
00:16:49
◼
►
remarkable assortment of character
[TS]
00:16:52
◼
►
actress like you could just play hey
[TS]
00:16:53
◼
►
it's that guy the whole movie like just
[TS]
00:16:56
◼
►
to list some of them and will like
[TS]
00:16:58
◼
►
alarcon but he's kind of a major a major
[TS]
00:17:01
◼
►
character and of course Timothy Dalton
[TS]
00:17:02
◼
►
is the villain but Paul Sorvino is in it
[TS]
00:17:04
◼
►
Terry O'Quinn is in it ed lauter John
[TS]
00:17:08
◼
►
Pagano ido William Sanderson wave
[TS]
00:17:10
◼
►
Sanderson from Deadwood my notes here
[TS]
00:17:12
◼
►
are literally you know every few lines
[TS]
00:17:14
◼
►
it's just a name with an exclamation
[TS]
00:17:16
◼
►
point more gardendale Margo Martindale
[TS]
00:17:19
◼
►
she's great my favorite my favorite
[TS]
00:17:21
◼
►
random call out is max Gordon cheek and
[TS]
00:17:25
◼
►
the very first scene as the gangster the
[TS]
00:17:27
◼
►
red-haired gangster who of course went
[TS]
00:17:29
◼
►
on to play rom on deep space nine days
[TS]
00:17:31
◼
►
nine I kept look at that guys like why
[TS]
00:17:34
◼
►
do I know him and then I had to look it
[TS]
00:17:36
◼
►
up afterwards like yes of course and and
[TS]
00:17:39
◼
►
how many of these character actors wind
[TS]
00:17:40
◼
►
up folded in half that's kind of well
[TS]
00:17:43
◼
►
there's also a tiny Ron Taylor who folds
[TS]
00:17:45
◼
►
yeah him inhales him in half yeah he
[TS]
00:17:48
◼
►
plays Merridew who's
[TS]
00:17:49
◼
►
the Grand Nagus is a valid I guess right
[TS]
00:17:53
◼
►
yeah so there's another connection there
[TS]
00:17:55
◼
►
Wow right that's awesome but they're
[TS]
00:17:57
◼
►
like basically everybody's been and
[TS]
00:17:59
◼
►
start wrecking this one I mean no Terry
[TS]
00:18:02
◼
►
O'Quinn like a Clint Howard of course of
[TS]
00:18:06
◼
►
course Terry O'Quinn is Howard Hughes in
[TS]
00:18:09
◼
►
this and it's a fun it's a fun part for
[TS]
00:18:11
◼
►
Terry O'Quinn Theriot Quinn's got more
[TS]
00:18:13
◼
►
hair than we usually see Terry O'Quinn
[TS]
00:18:15
◼
►
winner just kind of it's a good Howard
[TS]
00:18:16
◼
►
Hughes role to it's not me it's it's the
[TS]
00:18:19
◼
►
Howard Hughes saavn know exactly thank
[TS]
00:18:22
◼
►
exactly buddy it's clay it's the Howard
[TS]
00:18:25
◼
►
Hughes version i wrote my notes that
[TS]
00:18:26
◼
►
he's kind of like Nikola Tesla in this
[TS]
00:18:28
◼
►
regard right he's the mythological sort
[TS]
00:18:30
◼
►
of genius inventor and we only get him
[TS]
00:18:32
◼
►
in that sort of role of her yum exactly
[TS]
00:18:36
◼
►
amused but like you know kind of the
[TS]
00:18:38
◼
►
he's wise he's older he's a Jedi Master
[TS]
00:18:42
◼
►
yeah so the Tesla from the prestige like
[TS]
00:18:45
◼
►
that site exactly David David Bowie is
[TS]
00:18:47
◼
►
Tesla yeah he's he's got that he's got
[TS]
00:18:49
◼
►
the wisdom and he he's like advising
[TS]
00:18:52
◼
►
cliff and like admires him from the from
[TS]
00:18:55
◼
►
the the aviation perspective like that
[TS]
00:18:58
◼
►
he's a pilot and all that and he like
[TS]
00:18:59
◼
►
appreciates that and the end he's his
[TS]
00:19:01
◼
►
benefactor and brings in the plane and
[TS]
00:19:03
◼
►
it's a yeah it's a fun part and then
[TS]
00:19:05
◼
►
he's also at in opposition when we see
[TS]
00:19:08
◼
►
him he's in opposition to the the feds
[TS]
00:19:09
◼
►
right because the feds want to
[TS]
00:19:11
◼
►
federalize the jetpack and he basically
[TS]
00:19:13
◼
►
just throws the the plans on the fire
[TS]
00:19:16
◼
►
because he doesn't he doesn't want to
[TS]
00:19:17
◼
►
get into that game with one of my
[TS]
00:19:19
◼
►
favorite lines from this entire movie
[TS]
00:19:21
◼
►
tell them the dream is over tell him
[TS]
00:19:22
◼
►
Howard Hughes said so telling me talks
[TS]
00:19:25
◼
►
in the third person my favorite is that
[TS]
00:19:28
◼
►
right before right before right after
[TS]
00:19:31
◼
►
that the fed is like will you reconsider
[TS]
00:19:32
◼
►
and as we're looking at the plans being
[TS]
00:19:35
◼
►
burnt on a fire no it's not like you can
[TS]
00:19:37
◼
►
go to Backblaze and get another copy of
[TS]
00:19:39
◼
►
these things like this is it guys
[TS]
00:19:40
◼
►
literally yes I yeah I will reconsider
[TS]
00:19:44
◼
►
by reaching my hand into a fire to pull
[TS]
00:19:47
◼
►
out my yeah total call guys Thank sorry
[TS]
00:19:50
◼
►
that was refuse but totally do it Paul
[TS]
00:19:52
◼
►
Sorvino I want to mention because this
[TS]
00:19:54
◼
►
is one of my favorite things in this
[TS]
00:19:55
◼
►
movie every time one of the graves of
[TS]
00:19:58
◼
►
Paul sorvino's shocker I know he's a
[TS]
00:20:00
◼
►
gangster yeah I know I I know
[TS]
00:20:02
◼
►
I believe the Paul Sorvino might be
[TS]
00:20:05
◼
►
planning thanks dad I know the scene
[TS]
00:20:06
◼
►
you're gonna go you know what I'm going
[TS]
00:20:08
◼
►
to say right which is that at the end of
[TS]
00:20:10
◼
►
this movie one of the one of the big
[TS]
00:20:11
◼
►
turns that happens is that the gangsters
[TS]
00:20:13
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have been working for Timothy Dalton and
[TS]
00:20:15
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they get they get cliff cornered then
[TS]
00:20:17
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take away the jetpack and it's like oh
[TS]
00:20:19
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no what's going to happen with cliff and
[TS]
00:20:21
◼
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they reveal that Timothy Dalton is
[TS]
00:20:23
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actually a Nazi and he's working with
[TS]
00:20:24
◼
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all the all the other Nazis to steal the
[TS]
00:20:27
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jet plat pack because they want to take
[TS]
00:20:28
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over the world at which point the
[TS]
00:20:30
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gangsters say well but we're American
[TS]
00:20:33
◼
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gangsters we don't like Nazis and they
[TS]
00:20:35
◼
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turn on the Nazis it's such a it is both
[TS]
00:20:38
◼
►
like wonderful and absurd all together
[TS]
00:20:42
◼
►
which is like yes these are bad guys but
[TS]
00:20:44
◼
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they're our bad guys they're not your
[TS]
00:20:46
◼
►
dad I think I may be crooked but i'm
[TS]
00:20:49
◼
►
amir i got a hundred percent american
[TS]
00:20:51
◼
►
the fantastic shot where he and the Fed
[TS]
00:20:53
◼
►
are next to each other shooting and then
[TS]
00:20:56
◼
►
they sort of pause and y'all can eat all
[TS]
00:20:57
◼
►
right angle shooting the Nazis and
[TS]
00:21:00
◼
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you're like all right that's what kind
[TS]
00:21:02
◼
►
of movie this is yeah it's I mean it's
[TS]
00:21:05
◼
►
ridiculous and yet it's also like it
[TS]
00:21:06
◼
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also is completely in the logic of it
[TS]
00:21:08
◼
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right which is that there yeah they've
[TS]
00:21:11
◼
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been hired to do a job and they're
[TS]
00:21:12
◼
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mobsters and that's fine but then when
[TS]
00:21:14
◼
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they realize they're working for the
[TS]
00:21:15
◼
►
Nazis they're like no no that's not it's
[TS]
00:21:16
◼
►
almost like a public service
[TS]
00:21:17
◼
►
announcement at that point where is like
[TS]
00:21:19
◼
►
I draw the line at working for the Nazis
[TS]
00:21:21
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►
and I think that's a good place to draw
[TS]
00:21:24
◼
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the line guy I may not make it honest
[TS]
00:21:26
◼
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buck but I'm one hundred percent of Mary
[TS]
00:21:27
◼
►
Mary guys that's amazing so good some
[TS]
00:21:30
◼
►
good Paul Sorvino in here for sure um
[TS]
00:21:32
◼
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well it's okay let's talk about Timothy
[TS]
00:21:35
◼
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Dalton he is Neville Sinclair he is a
[TS]
00:21:37
◼
►
film actor very serious he has an
[TS]
00:21:39
◼
►
English accent I mean he's he's Errol
[TS]
00:21:41
◼
►
until the end of the movie he has an
[TS]
00:21:43
◼
►
english movie until the inexact until
[TS]
00:21:45
◼
►
the best chili just start speaking with
[TS]
00:21:47
◼
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a German accent cousins prevailed is
[TS]
00:21:48
◼
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true love is bizarre the meeting would
[TS]
00:21:52
◼
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sense it is acting well if he's got a
[TS]
00:21:55
◼
►
flawless engl English accent why would
[TS]
00:21:57
◼
►
he then go back to his English with a
[TS]
00:21:59
◼
►
German accent once he's uncovered just
[TS]
00:22:01
◼
►
to spite them it doesn't really make you
[TS]
00:22:03
◼
►
showing up Dalton Dalton is meadows cuz
[TS]
00:22:05
◼
►
he can relax now nice new colors finally
[TS]
00:22:08
◼
►
break and let down to how relaxing works
[TS]
00:22:11
◼
►
I always relax to the German exit I
[TS]
00:22:14
◼
►
don't know about yeah I I like Dalton as
[TS]
00:22:16
◼
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a villain he has the right degree of
[TS]
00:22:18
◼
►
suavity and Menace am I years later
[TS]
00:22:22
◼
►
after this he would play a villain in
[TS]
00:22:25
◼
►
chuck is a one of the scene one of the
[TS]
00:22:28
◼
►
seasons of chuck in which he's actually
[TS]
00:22:30
◼
►
great because he goes from being this
[TS]
00:22:32
◼
►
sort of very he's supposed to be the
[TS]
00:22:35
◼
►
sort of friendly ish figure and it's
[TS]
00:22:37
◼
►
revealed at some point that he's a
[TS]
00:22:38
◼
►
villain but he's still kind of like
[TS]
00:22:39
◼
►
thinks he he think does one of those
[TS]
00:22:41
◼
►
great jobs of thinking he's a good guy
[TS]
00:22:42
◼
►
and he's just he's I think he's great in
[TS]
00:22:45
◼
►
this role this is during his James Bond
[TS]
00:22:47
◼
►
tenure I believe her he was then rented
[TS]
00:22:49
◼
►
and you know it's obviously a very
[TS]
00:22:53
◼
►
different side of it's kind of like you
[TS]
00:22:57
◼
►
have an inverse evil James Bond right
[TS]
00:22:59
◼
►
like he's still very charming and very
[TS]
00:23:00
◼
►
suave but he's kind of slimy in in you
[TS]
00:23:03
◼
►
can make there is info charming is he
[TS]
00:23:06
◼
►
swamp like it when when he brings when
[TS]
00:23:08
◼
►
he kidnaps Jenny and brings her back to
[TS]
00:23:11
◼
►
his like I don't know like that belly
[TS]
00:23:13
◼
►
move on the creepy for sure but that's
[TS]
00:23:15
◼
►
the thing like not it strikes me very
[TS]
00:23:18
◼
►
different as a 35 year old that it is a
[TS]
00:23:20
◼
►
10 year old that here he is he brings
[TS]
00:23:23
◼
►
like the kidnapping even as a
[TS]
00:23:24
◼
►
ten-year-old I realized that was
[TS]
00:23:25
◼
►
probably not cool but he brings the book
[TS]
00:23:27
◼
►
to his house and he has like this array
[TS]
00:23:30
◼
►
of women's clothing in like all shapes
[TS]
00:23:33
◼
►
wait am I waiting like I was gonna ask
[TS]
00:23:34
◼
►
you about that I estas it full of
[TS]
00:23:36
◼
►
women's clothes that I my notes is he is
[TS]
00:23:39
◼
►
a large selection of women's clothes I
[TS]
00:23:42
◼
►
am NOT gonna assume anything about his
[TS]
00:23:44
◼
►
life choices what he wants to dress as
[TS]
00:23:46
◼
►
is bad by Lauren just quoted mr. robot
[TS]
00:23:49
◼
►
at me she said that those those are my
[TS]
00:23:51
◼
►
sisters sure I thought I was a tiger but
[TS]
00:23:55
◼
►
he's got the creepy uses welcome to my
[TS]
00:23:58
◼
►
home not a good leaving when you've
[TS]
00:24:00
◼
►
kidnapped someone then he tries to play
[TS]
00:24:01
◼
►
the victim card and then he tries to
[TS]
00:24:03
◼
►
basically use movie lines which I
[TS]
00:24:06
◼
►
actually kind of love this guy is he is
[TS]
00:24:09
◼
►
he maybe he's suave but it's all the act
[TS]
00:24:12
◼
►
right it's right be like I only know how
[TS]
00:24:14
◼
►
to play this part so I'm going to I
[TS]
00:24:16
◼
►
don't even have any original lines i'm
[TS]
00:24:17
◼
►
just going to spew off lines i've used
[TS]
00:24:19
◼
►
in movies because that works in movies
[TS]
00:24:21
◼
►
Jenny doesn't want anything to do with
[TS]
00:24:23
◼
►
the two which is what i love is
[TS]
00:24:24
◼
►
that you know it's not the like standard
[TS]
00:24:26
◼
►
fare 00 Neville you know she calls him
[TS]
00:24:30
◼
►
out on it immediately which I which I
[TS]
00:24:31
◼
►
thought was fantastic so one of things I
[TS]
00:24:33
◼
►
really love about that scene it may be
[TS]
00:24:34
◼
►
my favorite seen the movie there's so
[TS]
00:24:35
◼
►
much going on it first off timothy
[TS]
00:24:37
◼
►
dalton has post chloroform moves which
[TS]
00:24:42
◼
►
is just absurd that's i bring my dates
[TS]
00:24:46
◼
►
home after having chloroform them then i
[TS]
00:24:48
◼
►
try to sweet-talk them which is totally
[TS]
00:24:51
◼
►
insane and then what's nice about what
[TS]
00:24:54
◼
►
what jenny does is i just realized that
[TS]
00:24:57
◼
►
jennifer connelly is playing jenny jenny
[TS]
00:24:59
◼
►
is Jenny we were all born in nineteen
[TS]
00:25:01
◼
►
seventy we're all called Jason and Jenny
[TS]
00:25:03
◼
►
um is she is she makes the line about
[TS]
00:25:06
◼
►
like you're old you're just quoting
[TS]
00:25:07
◼
►
lines from movies which is great but she
[TS]
00:25:09
◼
►
also is acting as as the you know the
[TS]
00:25:14
◼
►
girl in the month he would act in that
[TS]
00:25:16
◼
►
scenario and and then she is swimming
[TS]
00:25:19
◼
►
and then she comments like I finally I
[TS]
00:25:21
◼
►
finally she never was Neville and that
[TS]
00:25:24
◼
►
does i love that the whole thing is both
[TS]
00:25:26
◼
►
of those scenes are great because first
[TS]
00:25:28
◼
►
you have Tim a--they Dalton after she
[TS]
00:25:29
◼
►
agrees to try on the dress and she
[TS]
00:25:31
◼
►
disappears in the bathroom he like winks
[TS]
00:25:33
◼
►
at himself and then sexy teeth in the
[TS]
00:25:35
◼
►
mirror which is just such a perfect
[TS]
00:25:37
◼
►
encapsulation of that character and else
[TS]
00:25:40
◼
►
fake use and in the right my favorite
[TS]
00:25:42
◼
►
punctuation after she delivers the line
[TS]
00:25:44
◼
►
I finally play the seaman Neville
[TS]
00:25:46
◼
►
Sinclair she zips her true her dress
[TS]
00:25:48
◼
►
back up but it's it's clearly over mixed
[TS]
00:25:51
◼
►
because it's super loud but it is a
[TS]
00:25:53
◼
►
great punctuating zip it like yeah that
[TS]
00:25:57
◼
►
is done we rot we're finished with that
[TS]
00:25:58
◼
►
part we're moving on and the whole
[TS]
00:26:00
◼
►
reason that she needed him in there
[TS]
00:26:01
◼
►
ostensibly which obviously was an act
[TS]
00:26:03
◼
►
but was to help her you know get the
[TS]
00:26:05
◼
►
dress off and I'm zat the dress and and
[TS]
00:26:07
◼
►
here it is she clearly could have
[TS]
00:26:08
◼
►
handled it all on myself I and I also
[TS]
00:26:10
◼
►
loved earlier on when when he realizes
[TS]
00:26:13
◼
►
that Jenny is his tie to cliff who is
[TS]
00:26:16
◼
►
who has the rocket when he when he's
[TS]
00:26:18
◼
►
still in the in the like swashbuckling
[TS]
00:26:21
◼
►
acting mode and he has that just
[TS]
00:26:23
◼
►
preposterous wig on and he goes goes to
[TS]
00:26:25
◼
►
walk up to Jennie like fluffs this like
[TS]
00:26:27
◼
►
hearin aid of just ridiculous hair but
[TS]
00:26:30
◼
►
he has to fluff it before he walks up to
[TS]
00:26:31
◼
►
her like it really makes a difference
[TS]
00:26:32
◼
►
the man it's so good I mean keep in mind
[TS]
00:26:35
◼
►
that this is a guy who concealed his
[TS]
00:26:38
◼
►
bookcase entrance behind the conquests
[TS]
00:26:40
◼
►
of casa oh man another thing I didn't
[TS]
00:26:44
◼
►
really appreciate until very reactive a
[TS]
00:26:47
◼
►
yeah definitely take some time I just
[TS]
00:26:50
◼
►
want to say one thing about the set
[TS]
00:26:51
◼
►
design oh I love his lair I love the
[TS]
00:26:55
◼
►
South Seas club I love the Bulldog cafe
[TS]
00:26:58
◼
►
all of this looks so good this looks
[TS]
00:27:01
◼
►
like what I imagined of these kind of
[TS]
00:27:03
◼
►
adventures when I was a kid I just I
[TS]
00:27:05
◼
►
love all the sets yeah you know I
[TS]
00:27:07
◼
►
commented to my wife when we were
[TS]
00:27:08
◼
►
watching this the other day that cliffs
[TS]
00:27:11
◼
►
leather jacket which if you look at it
[TS]
00:27:14
◼
►
and really think about it is a trust me
[TS]
00:27:16
◼
►
curious and terrible jacket but God does
[TS]
00:27:19
◼
►
just bill campbell pull it off so well
[TS]
00:27:21
◼
►
and i really really want one i really
[TS]
00:27:23
◼
►
get it like it looks as though there's a
[TS]
00:27:25
◼
►
series of buttons up the sides and then
[TS]
00:27:28
◼
►
across the top how does he get the
[TS]
00:27:30
◼
►
rocket pack on and/or off in any sort of
[TS]
00:27:33
◼
►
timely fashion with all these buttons in
[TS]
00:27:34
◼
►
the way like that must have taken an
[TS]
00:27:35
◼
►
hour that occurred to me too in the
[TS]
00:27:37
◼
►
another scene that I think is pulled
[TS]
00:27:39
◼
►
from Raiders which is when he goes back
[TS]
00:27:41
◼
►
in the south sea club he's running away
[TS]
00:27:42
◼
►
he runs back into the laundry room where
[TS]
00:27:44
◼
►
he stashed the rocket pack and where he
[TS]
00:27:46
◼
►
left it in a laundry bag and now there's
[TS]
00:27:48
◼
►
a bunch of laundry bags which is
[TS]
00:27:49
◼
►
basically the basket scene from Raiders
[TS]
00:27:51
◼
►
he's like diving in and trying to find
[TS]
00:27:53
◼
►
the right one but i agree with Casey
[TS]
00:27:54
◼
►
like I thought to myself there are a
[TS]
00:27:56
◼
►
couple scenes where he disappears that
[TS]
00:27:57
◼
►
comes back and he's like we've seen that
[TS]
00:27:59
◼
►
he puts it on and they like buttons the
[TS]
00:28:01
◼
►
thing over it and at one point that when
[TS]
00:28:03
◼
►
the Germans take it from him they
[TS]
00:28:04
◼
►
unbutton the like epaulets traps on his
[TS]
00:28:07
◼
►
shoulders to my god this thing must take
[TS]
00:28:09
◼
►
forever to get on and off it's like a
[TS]
00:28:11
◼
►
suit of armor usually don't want it to
[TS]
00:28:12
◼
►
fly off that would be awkward yeah yes
[TS]
00:28:14
◼
►
wrap it on securely so i have a question
[TS]
00:28:16
◼
►
that this is a little bit out of band
[TS]
00:28:18
◼
►
but i can't help but ask when when
[TS]
00:28:20
◼
►
Neville Sinclair accidentally stabs the
[TS]
00:28:24
◼
►
other actor oh yes swashbuckling scene
[TS]
00:28:26
◼
►
we were talking earlier about how this
[TS]
00:28:28
◼
►
film has like no superfluous bits
[TS]
00:28:30
◼
►
whatsoever and by and large I agree with
[TS]
00:28:32
◼
►
that but what was the purpose of the
[TS]
00:28:34
◼
►
stabbing of the of the other leading
[TS]
00:28:36
◼
►
actor what did that serve any purpose at
[TS]
00:28:39
◼
►
all it is to show how magnanimous he is
[TS]
00:28:41
◼
►
he's taking charge he makes sure
[TS]
00:28:43
◼
►
everything is set up get the ambulance
[TS]
00:28:45
◼
►
take him here to my personal doctor yeah
[TS]
00:28:48
◼
►
yeah you know um he's like I'm big man
[TS]
00:28:50
◼
►
on campus sir but there's something
[TS]
00:28:51
◼
►
about it that's slightly sinister as I
[TS]
00:28:53
◼
►
wrote in my notes because the illini guy
[TS]
00:28:55
◼
►
the guy says is did you think I was
[TS]
00:28:57
◼
►
stealing the scene and can't quite tell
[TS]
00:29:00
◼
►
if he's being like he doesn't seem like
[TS]
00:29:02
◼
►
he's joking like there's an edge to it
[TS]
00:29:05
◼
►
that makes it sound like oh I know you
[TS]
00:29:07
◼
►
stabbed me and I know you know you
[TS]
00:29:09
◼
►
stabbed me like it was done on purpose
[TS]
00:29:11
◼
►
you're you're a dick like it could be
[TS]
00:29:14
◼
►
that knowing that the Zeppelin is coming
[TS]
00:29:17
◼
►
and knowing that he's after the rocket
[TS]
00:29:20
◼
►
pack if he stabs his fellow leading
[TS]
00:29:21
◼
►
actor then there's time off from
[TS]
00:29:23
◼
►
shooting the movie ah there's nothing he
[TS]
00:29:26
◼
►
has to get to step away from well and
[TS]
00:29:28
◼
►
some of it is also as you point out
[TS]
00:29:29
◼
►
playing a role right because not a
[TS]
00:29:31
◼
►
flight two minutes after that we have
[TS]
00:29:33
◼
►
the scene where he's trying to chase
[TS]
00:29:35
◼
►
cliff down you know trying to find him
[TS]
00:29:37
◼
►
because he's overheard the conversation
[TS]
00:29:38
◼
►
about the rocket pack and he like starts
[TS]
00:29:41
◼
►
shoving all of the crew people aside as
[TS]
00:29:44
◼
►
he's running literally like bodily
[TS]
00:29:45
◼
►
shoving people it's like he's clearly
[TS]
00:29:47
◼
►
not a nice guy like that's an act yeah
[TS]
00:29:51
◼
►
what I love about that is it wouldn't be
[TS]
00:29:54
◼
►
that hard to get around any of these
[TS]
00:29:55
◼
►
people but he's like a mandolin all up
[TS]
00:29:59
◼
►
it's great do you think the extras of
[TS]
00:30:02
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that scene that had to do like the
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overly emphasized infomercial style like
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aggressive fall do you think after that
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was over they said to their you know
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00:30:09
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spouse's or whatever I acted in the
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00:30:12
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scene with Timothy Dalton finally
[TS]
00:30:14
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updated mean with Timothy title yep
[TS]
00:30:16
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timothy zahn that that scene actually
[TS]
00:30:22
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also the scene on the hollywood said I
[TS]
00:30:23
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feel like has some of the better lines
[TS]
00:30:25
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in there were like more memorable lines
[TS]
00:30:26
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I enjoy the rapport between the director
[TS]
00:30:29
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or producer I don't know what his role
[TS]
00:30:31
◼
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is and though the actress who can't act
[TS]
00:30:34
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um the acting is acting like you're not
[TS]
00:30:37
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acting right to do that yeah I I enjoy
[TS]
00:30:40
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that I enjoy some of the that her
[TS]
00:30:45
◼
►
terrible delivery the ladies in waiting
[TS]
00:30:47
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we're waiting
[TS]
00:30:49
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it's corny but it's it's super corny but
[TS]
00:30:53
◼
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for whatever reason it's a nice comic
[TS]
00:30:55
◼
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relief scene and of course the whole
[TS]
00:30:56
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thing is crib we mentioned the errol
[TS]
00:30:58
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flynn connection before but like this
[TS]
00:31:00
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whole thing is clearly click crib from
[TS]
00:31:01
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robin hood Oh in arilinn pitch perfect
[TS]
00:31:04
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anyway it's looks so good it looks in
[TS]
00:31:07
◼
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fact for years I thought it was supposed
[TS]
00:31:10
◼
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to be that movie because I'd only like
[TS]
00:31:12
◼
►
seeing the clips well I love I want to
[TS]
00:31:15
◼
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know more about the Laughing bandit I'm
[TS]
00:31:17
◼
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like yeah I want to see that movie where
[TS]
00:31:19
◼
►
is that movie its original sorry now you
[TS]
00:31:22
◼
►
know it's spoiler let me take a break to
[TS]
00:31:23
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tell you that this is the time of year
[TS]
00:31:25
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when we remind you about how you can
[TS]
00:31:27
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support this podcast we only do it once
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a year here it is you can become a
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00:31:30
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member of the incomparable sign up for a
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00:31:32
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you only want your credit card charged
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go to the incomparable calm / members
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and sign up you'll be asked to pick the
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support if you just check the box for
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00:31:48
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entire contribution will come here but
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00:31:49
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if you listen to some of our other
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podcasts check those boxes too and your
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00:31:52
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money will be spread out across all of
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00:31:54
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them now as a thank you for supporting
[TS]
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us members receive extras including
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00:31:57
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exclusive bonus audio a live bootleg
[TS]
00:32:00
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feet of the incomparable and a
[TS]
00:32:01
◼
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members-only slack group which is pretty
[TS]
00:32:03
◼
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fun I have to say since this is pledged
[TS]
00:32:06
◼
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season this month many of the shows on
[TS]
00:32:07
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the network will be posting bonus
[TS]
00:32:08
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episodes just for members there's so
[TS]
00:32:11
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many that we've already done there's a
[TS]
00:32:12
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two-hour commentary track we did for
[TS]
00:32:14
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raiders of the lost ark featuring john
[TS]
00:32:15
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Siracusa Dan Moore and David Lauren mati
[TS]
00:32:17
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Ashley along with me we did a 20 minute
[TS]
00:32:20
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long rough draft addition of a
[TS]
00:32:21
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forthcoming radio theatre episode Scott
[TS]
00:32:23
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McNulty and Joe rosenstiel broke down an
[TS]
00:32:25
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animated episode from Star Trek on
[TS]
00:32:28
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random Trek there's a special unjustly
[TS]
00:32:30
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►
maligned a special 3 plus our total
[TS]
00:32:33
◼
►
party kill bonus session sophomore lit
[TS]
00:32:35
◼
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game show d focused lazy Doctor Who game
[TS]
00:32:39
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show the villain edit is going to talk
[TS]
00:32:41
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about a 70s reality show Tim Goodman is
[TS]
00:32:43
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programming his own streaming service on
[TS]
00:32:45
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the TV talk machine and Phil and Lisa
[TS]
00:32:47
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will be ruining a movie so so much is
[TS]
00:32:50
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available for members please if you are
[TS]
00:32:53
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interested support the incomparable five
[TS]
00:32:56
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ten or twenty dollar per month levels
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00:32:58
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there are annual equivalents available
[TS]
00:33:00
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and if you're already a member you can
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00:33:01
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go to that same page
[TS]
00:33:03
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and increase to a higher level and get
[TS]
00:33:04
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some extra goodies it's the incomparable
[TS]
00:33:06
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calm / members thanks for listening and
[TS]
00:33:09
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now I will be quiet about this for
[TS]
00:33:11
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another year somebody mentioned the set
[TS]
00:33:14
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design was that you David set design
[TS]
00:33:16
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early out I like the set design some of
[TS]
00:33:18
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the sets feel almost amusement park like
[TS]
00:33:22
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to me like more like a ride of his music
[TS]
00:33:25
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work they're like oh maybe a little too
[TS]
00:33:26
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Sethi for me I mean they look they vary
[TS]
00:33:30
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their their stylized and their art deco
[TS]
00:33:32
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and their period and it's all it's all
[TS]
00:33:34
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fine but but some of them work better
[TS]
00:33:36
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than others I do enjoy the South Seas
[TS]
00:33:38
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club and the scene there where Billy
[TS]
00:33:43
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Campbell is the world's worst waiter is
[TS]
00:33:47
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especially enjoyable I feel like he
[TS]
00:33:50
◼
►
improved some of that like the scene
[TS]
00:33:52
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where he like starts just messing with
[TS]
00:33:54
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the flowers oh it's so bad it's so bad
[TS]
00:33:56
◼
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he's just fluffing the flowers yeah I
[TS]
00:33:59
◼
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really love what are you yeah what are
[TS]
00:34:01
◼
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you doing I don't know I'm not a waiter
[TS]
00:34:03
◼
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in the soup that just he brings soup and
[TS]
00:34:05
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it's like I'll give you a note and then
[TS]
00:34:06
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I'll put cine slops the soup everywhere
[TS]
00:34:08
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and then he's told to go away and then
[TS]
00:34:10
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he decides to rearrange the flowers a
[TS]
00:34:12
◼
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little bit likely because it's it's a
[TS]
00:34:14
◼
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bad plan and he executed badly and
[TS]
00:34:17
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that's fine if that's not what he's
[TS]
00:34:19
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supposed to be like he doesn't know what
[TS]
00:34:21
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he's doing he is just coming up with
[TS]
00:34:23
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this on the spot and in that sense it
[TS]
00:34:25
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works perfectly like you know meet me by
[TS]
00:34:28
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the big fish it's nothing and then you
[TS]
00:34:33
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like when she walks by the plants you
[TS]
00:34:35
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like those it's almost like a cartoonish
[TS]
00:34:36
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like what into the hand like it's funny
[TS]
00:34:39
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to me though that uh that it was in this
[TS]
00:34:41
◼
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scene that was the second gratuitous
[TS]
00:34:44
◼
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shot of Jennifer Connelly's chest in a
[TS]
00:34:46
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Disney film which I thought was a little
[TS]
00:34:48
◼
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bit ridiculous which also probably
[TS]
00:34:50
◼
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contributed to my complicated feelings
[TS]
00:34:52
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as a ten-year-old but but it seems an
[TS]
00:34:55
◼
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extremely tasteless and unnecessary big
[TS]
00:34:58
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right it was kind of comical that would
[TS]
00:35:01
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when the what's the WC Fields whatever
[TS]
00:35:03
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says you're double a charmed but really
[TS]
00:35:06
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unnecessary in the great I things
[TS]
00:35:08
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definitely did not like get that as a
[TS]
00:35:11
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kid like watching this movie I didn't
[TS]
00:35:13
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really understand entirely the innuendo
[TS]
00:35:14
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of it but yeah I agree for
[TS]
00:35:16
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Disney movie it seems unnecessarily
[TS]
00:35:18
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crude like Pixar I can't think of an
[TS]
00:35:21
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example where Pixar is crude but when
[TS]
00:35:24
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you have that like adults only joke in a
[TS]
00:35:26
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Pixar film yellow the modern era it's
[TS]
00:35:29
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it's much more tastefully done whereas
[TS]
00:35:32
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this was just straight-up crude like you
[TS]
00:35:33
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said well I mean I would compare this
[TS]
00:35:36
◼
►
more probably the like Roger Rabbit than
[TS]
00:35:38
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a Pixar film sure that's fair but yeah I
[TS]
00:35:41
◼
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think the soup scenes one of my favorite
[TS]
00:35:43
◼
►
scenes and that was what we named we do
[TS]
00:35:46
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►
you focus episode we called a very
[TS]
00:35:48
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classy suit because it seems like such a
[TS]
00:35:50
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ridiculous thing that he would wheel /
[TS]
00:35:53
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soup that's from a fan like what what
[TS]
00:35:56
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►
fans as you see TT yeah you find a soup
[TS]
00:36:00
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into a terrine of tomato soup of like
[TS]
00:36:03
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►
campbell's soup there's its Billy can't
[TS]
00:36:06
◼
►
Billy Campbell Pete Campbell's yeah oh
[TS]
00:36:08
◼
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my god it's all making sense now I'll
[TS]
00:36:11
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meet you over by the fish I do enjoy all
[TS]
00:36:14
◼
►
the scenes at the at the South Seas club
[TS]
00:36:16
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►
as well from the giant clam which he
[TS]
00:36:20
◼
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gets knocked over in the subsequent
[TS]
00:36:22
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action scene to the the music actually
[TS]
00:36:24
◼
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which is a kid I think I kind of skipped
[TS]
00:36:26
◼
►
over but the the I really actually love
[TS]
00:36:28
◼
►
some of the songs and I think as we
[TS]
00:36:30
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noted in one of our discussions earlier
[TS]
00:36:32
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that's the actress Melora Hardin who's
[TS]
00:36:33
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actually singing and is on stage there
[TS]
00:36:37
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and it's a really good delivery of those
[TS]
00:36:41
◼
►
although even if you're Timothy Dalton I
[TS]
00:36:44
◼
►
don't recommend trying the don't you
[TS]
00:36:46
◼
►
hear the music I'm not a good move that
[TS]
00:36:50
◼
►
is not a good move never not work I I
[TS]
00:36:52
◼
►
will admit i actually went out and got
[TS]
00:36:55
◼
►
the soundtrack at the time just for just
[TS]
00:36:58
◼
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for her singing partly because her first
[TS]
00:37:00
◼
►
appearance she's singing a Cole Porter
[TS]
00:37:02
◼
►
song and that was the way to my heart in
[TS]
00:37:03
◼
►
1991 oh okay let's let's talk some more
[TS]
00:37:06
◼
►
hardened by the way if people don't
[TS]
00:37:07
◼
►
recognize that name you may remember her
[TS]
00:37:09
◼
►
as GN from the office that's where I
[TS]
00:37:10
◼
►
think a lot of people know her the the
[TS]
00:37:13
◼
►
soundtrack though talking about that so
[TS]
00:37:15
◼
►
this is this is james horner midway
[TS]
00:37:18
◼
►
between Star Trek to the wrath of khan
[TS]
00:37:19
◼
►
and titanic and i have to say there are
[TS]
00:37:23
◼
►
there is at least one Q in this movie
[TS]
00:37:26
◼
►
that is lifted straight from Star Trek
[TS]
00:37:28
◼
►
to it is not even
[TS]
00:37:30
◼
►
and a lot of the cues are very much in
[TS]
00:37:34
◼
►
fact I got and I wasn't offended by I
[TS]
00:37:36
◼
►
was kind of excited of like oh wow there
[TS]
00:37:38
◼
►
is extra music that I could just put in
[TS]
00:37:39
◼
►
my star trek to the wrath of khan
[TS]
00:37:41
◼
►
soundtrack playlist cuz it's basically
[TS]
00:37:42
◼
►
the same and then there's a couple
[TS]
00:37:44
◼
►
moments that I I'm like oh am I see
[TS]
00:37:46
◼
►
where he's going with Titanic and ten
[TS]
00:37:48
◼
►
years right James Horner is kind of
[TS]
00:37:50
◼
►
infamous among score composers for
[TS]
00:37:52
◼
►
lifting his own stuff he does it a lot I
[TS]
00:37:55
◼
►
have many of his soundtracks and a lot
[TS]
00:37:58
◼
►
of them borrow heavily from each other
[TS]
00:38:00
◼
►
that said this is one of my favorites of
[TS]
00:38:03
◼
►
his scores and I've had it I've owned
[TS]
00:38:04
◼
►
the CD of it for 20-odd years and it's
[TS]
00:38:07
◼
►
because for no other reason than that
[TS]
00:38:09
◼
►
second the second track on the CD which
[TS]
00:38:11
◼
►
is basically covers the rescue of
[TS]
00:38:13
◼
►
Malcolm The Rocketeer theme in of itself
[TS]
00:38:15
◼
►
is a fantastic piece of music this
[TS]
00:38:18
◼
►
entire genre i think is yeah great huh
[TS]
00:38:20
◼
►
but that in particular is a standout
[TS]
00:38:23
◼
►
every time I watch it I walk away
[TS]
00:38:24
◼
►
humming the theme it's yet such a good
[TS]
00:38:27
◼
►
solid hero theme in a way that a lot of
[TS]
00:38:31
◼
►
I think you know I put this up against
[TS]
00:38:33
◼
►
you know we've talked about Captain
[TS]
00:38:34
◼
►
America briefly in Joe Johnston's role
[TS]
00:38:36
◼
►
in that I'm hard pressed you pick out a
[TS]
00:38:38
◼
►
theme in that movie which is kind of
[TS]
00:38:40
◼
►
disappointing to me because I feel like
[TS]
00:38:41
◼
►
it should have a very strong definitive
[TS]
00:38:43
◼
►
one and this score blows that and pretty
[TS]
00:38:46
◼
►
much every Marvel movie score out of the
[TS]
00:38:49
◼
►
water yep yeah and you know I'm not a
[TS]
00:38:51
◼
►
terribly sophisticated film watcher
[TS]
00:38:52
◼
►
which means I have no business being on
[TS]
00:38:54
◼
►
this program right now but what what
[TS]
00:38:56
◼
►
struck me about this soundtrack was that
[TS]
00:38:58
◼
►
it was so well it lends itself so well
[TS]
00:39:01
◼
►
to the happy moments the sad moments the
[TS]
00:39:03
◼
►
intense moments and it was the same
[TS]
00:39:05
◼
►
general riff that was used and not all
[TS]
00:39:08
◼
►
the entire way through the movie but in
[TS]
00:39:09
◼
►
so many different scenes throughout the
[TS]
00:39:10
◼
►
movie and and and just like you guys
[TS]
00:39:12
◼
►
said yeah when the when the opening
[TS]
00:39:15
◼
►
scene happens when the Walt Disney
[TS]
00:39:16
◼
►
Pictures presents whatever it is is
[TS]
00:39:18
◼
►
shown on screen and then the then the
[TS]
00:39:20
◼
►
the hangar doors part in the you know
[TS]
00:39:22
◼
►
the words part with it and you hear that
[TS]
00:39:25
◼
►
that opening riff like that that just
[TS]
00:39:26
◼
►
immediately puts me in the mood for this
[TS]
00:39:29
◼
►
movie and it's just it's constant
[TS]
00:39:31
◼
►
throughout the whole movie now sometimes
[TS]
00:39:32
◼
►
it's intense sometimes it's not
[TS]
00:39:33
◼
►
sometimes it's happy sometimes it's sad
[TS]
00:39:35
◼
►
but it's still that same riff and oh god
[TS]
00:39:37
◼
►
I think it's just so so well done
[TS]
00:39:40
◼
►
called a motif yes indeed one of my
[TS]
00:39:42
◼
►
favorite cues from this movie though is
[TS]
00:39:44
◼
►
another I feel like I can't tell
[TS]
00:39:47
◼
►
entirely if it's a hunter pretend
[TS]
00:39:48
◼
►
intentional but the scene where at the
[TS]
00:39:50
◼
►
very end Sinclair takes the jetpack
[TS]
00:39:52
◼
►
flies off and it starts to explode there
[TS]
00:39:56
◼
►
is a high-pitched string section that I
[TS]
00:39:58
◼
►
am convinced is an homage to the end of
[TS]
00:40:01
◼
►
Raiders where the there were they open
[TS]
00:40:03
◼
►
the ark what's the immolation if you
[TS]
00:40:06
◼
►
listen to the sound of the like they are
[TS]
00:40:08
◼
►
very very close and again with this
[TS]
00:40:12
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movie pulling so much from from Raiders
[TS]
00:40:14
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in terms of thematic and like tonal
[TS]
00:40:16
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stuff I would not at all be surprised
[TS]
00:40:18
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that that was done as sort of a tip of
[TS]
00:40:20
◼
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the hat leave a mission radios few times
[TS]
00:40:22
◼
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but you guys know Johnson worked on yeah
[TS]
00:40:26
◼
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he was a second unit director ed our art
[TS]
00:40:30
◼
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director our director ok yeah and I
[TS]
00:40:33
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think effects at ILM but I have to check
[TS]
00:40:36
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yep I believe so yeah oh it's funny you
[TS]
00:40:39
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bring up the ilm because I was just
[TS]
00:40:41
◼
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thinking to myself that even though
[TS]
00:40:43
◼
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these special effects are very clearly
[TS]
00:40:46
◼
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like particularly the rocketeer when
[TS]
00:40:48
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he's flying is clearly stop motion I
[TS]
00:40:51
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actually am not terribly bothered by it
[TS]
00:40:54
◼
►
even in 2017 like it's it's not flawless
[TS]
00:40:58
◼
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by any stretch but it's not in the
[TS]
00:41:00
◼
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uncanny valley either that's so many
[TS]
00:41:02
◼
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older films like this one jeez
[TS]
00:41:04
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unfortunately is now is they it's it's
[TS]
00:41:08
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in that ok area where yeah ok it's it's
[TS]
00:41:10
◼
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a little bit corny but it works I don't
[TS]
00:41:13
◼
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know if you guys felt the same way or if
[TS]
00:41:14
◼
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you were deeply offended by the stop
[TS]
00:41:15
◼
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motion but I'm okay with it for me I
[TS]
00:41:18
◼
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come from theater right I'm used to
[TS]
00:41:20
◼
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suspending disbelief I you know I know I
[TS]
00:41:22
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can't do a guy flying through the air
[TS]
00:41:24
◼
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over the audience in the theater but for
[TS]
00:41:28
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me it's the story it's the characters if
[TS]
00:41:29
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that works for me i can overlook cheesy
[TS]
00:41:32
◼
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effects i can overlook stop motion and
[TS]
00:41:34
◼
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this isn't that bad for all that i like
[TS]
00:41:37
◼
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you know the the propulsion of the look
[TS]
00:41:40
◼
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a rocket pack a jetpack is not a thing
[TS]
00:41:42
◼
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that would make any sense in physics I'm
[TS]
00:41:44
◼
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sorry to tell everybody it kind of
[TS]
00:41:46
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doesn't make any sense and so really
[TS]
00:41:48
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what the hell you say what use made it
[TS]
00:41:51
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we talked about Joe Johnson directing
[TS]
00:41:53
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Captain America and when that was
[TS]
00:41:55
◼
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announced I thought oh that's perfect
[TS]
00:41:56
◼
►
because it is one of the things I love
[TS]
00:41:58
◼
►
that movie and one of the reasons I love
[TS]
00:41:59
◼
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it is because it is a period piece that
[TS]
00:42:01
◼
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embraces the kind of the tropes of the
[TS]
00:42:04
◼
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period and like like The Rocketeer it is
[TS]
00:42:06
◼
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a perfect was a perfect choice but in
[TS]
00:42:08
◼
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this one the just like a superhero power
[TS]
00:42:11
◼
►
the rocket pack kind of all you really
[TS]
00:42:13
◼
►
want to do is have it feel exciting and
[TS]
00:42:17
◼
►
and you just got to put aside the fact
[TS]
00:42:19
◼
►
that that no that's not how a rocket
[TS]
00:42:21
◼
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pack would actually look because it
[TS]
00:42:23
◼
►
would not it doesn't make any sense and
[TS]
00:42:25
◼
►
so for me there's some logic to like
[TS]
00:42:27
◼
►
he's zipping around he's flying around
[TS]
00:42:28
◼
►
and he kind of steers and he gets where
[TS]
00:42:30
◼
►
he needs to be and it's like it's enough
[TS]
00:42:32
◼
►
for me to make sense of it and accept it
[TS]
00:42:34
◼
►
and just kind of be like cuz cuz really
[TS]
00:42:37
◼
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the moment that I started questioning
[TS]
00:42:38
◼
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the the veracity of the portrayal of a
[TS]
00:42:42
◼
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freakin rocket pack it's like come on
[TS]
00:42:44
◼
►
lately gets a rocket packets if there is
[TS]
00:42:47
◼
►
no real with the rocket pack so I accept
[TS]
00:42:50
◼
►
that it's just it looks great it's funny
[TS]
00:42:51
◼
►
zipping around sure it's a jetpack when
[TS]
00:42:55
◼
►
they go to all the trouble of saying
[TS]
00:42:56
◼
►
okay now now you have the helmet
[TS]
00:42:58
◼
►
wherever you turn your head that's where
[TS]
00:43:00
◼
►
you steer and you're gonna go that way
[TS]
00:43:02
◼
►
and then it almost never works that way
[TS]
00:43:04
◼
►
if you watch carefully especially when
[TS]
00:43:06
◼
►
he's flying around in the club no I
[TS]
00:43:08
◼
►
don't point out how that if you're
[TS]
00:43:09
◼
►
flying like hundreds or thousands of
[TS]
00:43:12
◼
►
feet up in the air and you have a
[TS]
00:43:13
◼
►
problem your metal helmet will not save
[TS]
00:43:16
◼
►
you okay will not make a damn bit of
[TS]
00:43:20
◼
►
difference as every reviewer at the time
[TS]
00:43:22
◼
►
also pointed out his feet would catch on
[TS]
00:43:24
◼
►
fire right weight is back well I figure
[TS]
00:43:28
◼
►
that's actually that's one of the things
[TS]
00:43:28
◼
►
I really like about them testing so one
[TS]
00:43:30
◼
►
of the things that happens in this movie
[TS]
00:43:31
◼
►
is they saw I saw down a statue and they
[TS]
00:43:34
◼
►
attach the jtag the statue of Charles
[TS]
00:43:36
◼
►
Lindbergh yeah and I like that because
[TS]
00:43:38
◼
►
that's like thee is this gonna set me on
[TS]
00:43:40
◼
►
fire test and the answers don't know for
[TS]
00:43:42
◼
►
some reason the jets that are shooting
[TS]
00:43:44
◼
►
out right at my butt are it's not a
[TS]
00:43:47
◼
►
problem and they make the point of
[TS]
00:43:49
◼
►
saying it's still cool how are you right
[TS]
00:43:51
◼
►
Howard Hughes man what's hilarious about
[TS]
00:43:53
◼
►
that is there's the scene if you pay
[TS]
00:43:55
◼
►
attention to the scene where he's flying
[TS]
00:43:56
◼
►
around inside the South Seas club
[TS]
00:43:58
◼
►
there's he's flying over the tables the
[TS]
00:44:00
◼
►
tables are bursting in Japanese
[TS]
00:44:03
◼
►
that you're like wait if its speed art
[TS]
00:44:06
◼
►
Catching Fire how the hell did that work
[TS]
00:44:08
◼
►
and that's his suit is like that it's
[TS]
00:44:10
◼
►
just sure surely gonna do that the scene
[TS]
00:44:13
◼
►
where he's climbing up the laundry chute
[TS]
00:44:14
◼
►
and he turns the engines on and you're
[TS]
00:44:16
◼
►
like everybody in that theme would
[TS]
00:44:18
◼
►
immediately burn to death I gotta say
[TS]
00:44:23
◼
►
though to build on Timon what you were
[TS]
00:44:24
◼
►
saying a moment ago like how cool does
[TS]
00:44:26
◼
►
this rocket pack look again a
[TS]
00:44:27
◼
►
ten-year-old oh my word this was the
[TS]
00:44:30
◼
►
coolest movie device I think I'd seen in
[TS]
00:44:31
◼
►
my whole ten years of living it was
[TS]
00:44:34
◼
►
amazing the best vacuum cleaner I've
[TS]
00:44:36
◼
►
ever seen what you guys I mean I love
[TS]
00:44:40
◼
►
pointing out and I've gotten to where
[TS]
00:44:42
◼
►
I've trained the boys to figure this out
[TS]
00:44:44
◼
►
when they're watching something the
[TS]
00:44:46
◼
►
Chekhov's gun rule that if something is
[TS]
00:44:48
◼
►
if they make a point of pointing out
[TS]
00:44:49
◼
►
something it will be important later
[TS]
00:44:51
◼
►
right up in the beginning chewing gum
[TS]
00:44:54
◼
►
isn't gonna keep your ass up in the air
[TS]
00:44:55
◼
►
and of course chewing gum is like the
[TS]
00:44:58
◼
►
thing for the rest of the movie well i
[TS]
00:45:00
◼
►
was getting i had a bunch of notes about
[TS]
00:45:02
◼
►
the gum because i think it's funny how
[TS]
00:45:04
◼
►
it is one most consistent plot points in
[TS]
00:45:06
◼
►
the movie yeah cuz the very first scene
[TS]
00:45:07
◼
►
he sticks it on the back of the the
[TS]
00:45:09
◼
►
rudder of his lane before he takes off
[TS]
00:45:10
◼
►
and it's clearly like a good luck thing
[TS]
00:45:13
◼
►
right peavey pulls it off and what
[TS]
00:45:14
◼
►
happens he crashes the play he says what
[TS]
00:45:17
◼
►
do you want to do crash and then he
[TS]
00:45:18
◼
►
sticks the rihanna right before right
[TS]
00:45:20
◼
►
after he puts it on the rudder and and
[TS]
00:45:22
◼
►
just like you said Peavy takes it off
[TS]
00:45:23
◼
►
and then sure enough he crashed crashes
[TS]
00:45:25
◼
►
but I love that it's used to plug the
[TS]
00:45:27
◼
►
bullet hole in the rocket actly and then
[TS]
00:45:29
◼
►
it becomes the operative part at the end
[TS]
00:45:31
◼
►
where he played peels it off and that's
[TS]
00:45:33
◼
►
how Neville Sinclair blows himself up
[TS]
00:45:34
◼
►
and then we get Howard Hughes tosses him
[TS]
00:45:36
◼
►
a pack of gum at the end and like don't
[TS]
00:45:39
◼
►
fly without this and you're like it's a
[TS]
00:45:40
◼
►
fish where if this were an actual gum
[TS]
00:45:42
◼
►
brand that we're still sold this would
[TS]
00:45:44
◼
►
be product placement and and I am so
[TS]
00:45:46
◼
►
proud that my 15 year old pointed out
[TS]
00:45:48
◼
►
does that make it Chekhov's gum oh
[TS]
00:45:51
◼
►
that's my boy Joe I think we need your
[TS]
00:45:56
◼
►
diagnosis on the jet pack what do you
[TS]
00:45:58
◼
►
think about the jetpack scenes I think
[TS]
00:46:00
◼
►
it's fine and and the puppet that they
[TS]
00:46:03
◼
►
used is is all right they don't get too
[TS]
00:46:05
◼
►
close to the puppet yeah which is
[TS]
00:46:06
◼
►
something you shouldn't do with puppets
[TS]
00:46:08
◼
►
but I think the thing that holds it back
[TS]
00:46:10
◼
►
is this is right on the cusp of when
[TS]
00:46:12
◼
►
movies were moving from optical
[TS]
00:46:14
◼
►
compositing to digital compositing
[TS]
00:46:17
◼
►
so there there are some unpleasant Matt
[TS]
00:46:19
◼
►
lines and integration issues in a couple
[TS]
00:46:21
◼
►
scenes it's not so bad as it is in a few
[TS]
00:46:25
◼
►
other titles you could probably come up
[TS]
00:46:27
◼
►
with and they fill late 90s but uh I'm
[TS]
00:46:29
◼
►
sorry in the late eighties and early
[TS]
00:46:30
◼
►
nineties but it does it does hold it
[TS]
00:46:34
◼
►
back from being really very good instead
[TS]
00:46:38
◼
►
so I would say that that's a that's a
[TS]
00:46:40
◼
►
negative there's also the model work for
[TS]
00:46:41
◼
►
the Zeppelin was up when I'm which is
[TS]
00:46:43
◼
►
which is an unexpected fun moment that
[TS]
00:46:46
◼
►
you get to see the Zeppelin and it
[TS]
00:46:48
◼
►
explodes in a way that doesn't make any
[TS]
00:46:50
◼
►
sense and they're like I think that I
[TS]
00:46:53
◼
►
think there's a series of hydrogen
[TS]
00:46:54
◼
►
chambers from the front to the back and
[TS]
00:46:56
◼
►
they're igniting one by one exploding
[TS]
00:46:58
◼
►
that's I think actually a design for
[TS]
00:47:02
◼
►
Zeppelin's you know oh the humanity we
[TS]
00:47:05
◼
►
have to say also are those implants yes
[TS]
00:47:07
◼
►
so why would we not love this movie
[TS]
00:47:08
◼
►
there is epling xin it but my 15 year
[TS]
00:47:11
◼
►
old when this is like the ultimate
[TS]
00:47:12
◼
►
incomparable adventure moon when I'm
[TS]
00:47:14
◼
►
yeah the Zeppelin has a couple of my
[TS]
00:47:17
◼
►
favorite bits on it including my
[TS]
00:47:18
◼
►
favorite this is the finest pilot and
[TS]
00:47:20
◼
►
all of Germany working great it's a deal
[TS]
00:47:25
◼
►
with the guy just like ah falls out and
[TS]
00:47:27
◼
►
everybody stares at the wheels Vinnie
[TS]
00:47:29
◼
►
back and forth great comic timing moment
[TS]
00:47:32
◼
►
lothar is Keith Lothar is a great he's
[TS]
00:47:35
◼
►
like the he's the walk out what's the
[TS]
00:47:38
◼
►
guy's name from die hard Alexander good
[TS]
00:47:41
◼
►
no Alexander good enough he's the like I
[TS]
00:47:43
◼
►
won't the the henchmen who won't die
[TS]
00:47:45
◼
►
right that's if probably the TV Tropes
[TS]
00:47:47
◼
►
name in that like you keep thinking he's
[TS]
00:47:50
◼
►
been dispatched and of course he keeps
[TS]
00:47:51
◼
►
coming back so outlandish more like jaws
[TS]
00:47:54
◼
►
from a gem from the James go gay yeah
[TS]
00:47:56
◼
►
yeah that's good captain yeah especially
[TS]
00:47:58
◼
►
with the the heavy prosthetic mask thing
[TS]
00:48:01
◼
►
yeah doesn't move it's we're all like a
[TS]
00:48:04
◼
►
couple of scenes were that's an issue
[TS]
00:48:06
◼
►
yeah watching this couple days ago it
[TS]
00:48:08
◼
►
was striking how bad the like dubs or
[TS]
00:48:11
◼
►
whatever or how much his face was not
[TS]
00:48:13
◼
►
moving when he was taught ostensibly
[TS]
00:48:15
◼
►
talking yeah it was rough but bringing
[TS]
00:48:17
◼
►
up Lothar one of my favorite pieces of
[TS]
00:48:20
◼
►
trivia about this movie is that when
[TS]
00:48:22
◼
►
cliff I think after the Malcolm rescue
[TS]
00:48:24
◼
►
is is whizzing through like a cornfield
[TS]
00:48:27
◼
►
or some sort of field well it's an
[TS]
00:48:28
◼
►
orange grove I think in a corn
[TS]
00:48:30
◼
►
you know jason is a token California
[TS]
00:48:32
◼
►
directly adjacent Justin show both
[TS]
00:48:34
◼
►
actually but anyway um he's whizzing
[TS]
00:48:36
◼
►
through all this and uh in in all of a
[TS]
00:48:38
◼
►
sudden you see these two like farmers
[TS]
00:48:40
◼
►
and one of them a shorter one says big
[TS]
00:48:42
◼
►
gopher gopher well the other farmer is
[TS]
00:48:44
◼
►
Lothar apparently which if you look
[TS]
00:48:47
◼
►
closely yeah you can realize it but I
[TS]
00:48:49
◼
►
never knew that until I went Leo looking
[TS]
00:48:51
◼
►
through IMDb a few years ago and sure
[TS]
00:48:53
◼
►
enough the taller of the two farmers I
[TS]
00:48:55
◼
►
think he does not say big gopher he's
[TS]
00:48:57
◼
►
the other one that's Lothar or whatever
[TS]
00:48:59
◼
►
time I brought whatever the doctors
[TS]
00:49:00
◼
►
names my my favorite cameo is Dave
[TS]
00:49:03
◼
►
Stevens creator The Rocketeer appears in
[TS]
00:49:05
◼
►
the propaganda Nazi propaganda film he's
[TS]
00:49:07
◼
►
the german test pilot who blows up in
[TS]
00:49:11
◼
►
the film I didn't know that that's
[TS]
00:49:13
◼
►
awesome yeah which that plot that
[TS]
00:49:15
◼
►
propaganda film was really well done
[TS]
00:49:16
◼
►
kind of grace scarily well done I love
[TS]
00:49:19
◼
►
that film so much just the animation the
[TS]
00:49:22
◼
►
not you know the typical the Nazis
[TS]
00:49:24
◼
►
spreading out over Europe first Europe
[TS]
00:49:26
◼
►
then the world and the animated flying
[TS]
00:49:30
◼
►
soldier that's realistic goods really
[TS]
00:49:32
◼
►
some movie German just like writers a
[TS]
00:49:34
◼
►
Lost Ark some very good high school
[TS]
00:49:35
◼
►
German happening in it why I mean it's
[TS]
00:49:38
◼
►
it's convenient that they had a pretty
[TS]
00:49:39
◼
►
decent animation studio to work with
[TS]
00:49:41
◼
►
just saying uh-huh no it's it's nice and
[TS]
00:49:44
◼
►
they do some people Nazi rocket man are
[TS]
00:49:47
◼
►
gonna take over the world and again you
[TS]
00:49:49
◼
►
know people died getting that out
[TS]
00:49:50
◼
►
getting that cartoon out of Germany so
[TS]
00:49:52
◼
►
one thing I think every time I watch
[TS]
00:49:54
◼
►
this movie I wish Joe Johnston had
[TS]
00:49:57
◼
►
directed the shadow I still like the
[TS]
00:49:58
◼
►
shadow I mean I styes to like the shadow
[TS]
00:50:00
◼
►
it's imperfect but I like it but I wish
[TS]
00:50:02
◼
►
he had directed it would have been much
[TS]
00:50:04
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better I like the guy who yells at
[TS]
00:50:08
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sinclair in german a lot on the zeppelin
[TS]
00:50:11
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who had my notes is called the cheap
[TS]
00:50:13
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tote imitator from except of course he
[TS]
00:50:16
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just gets thrown out of the other
[TS]
00:50:17
◼
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zeppelin only needed to drop ballast why
[TS]
00:50:19
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wouldn't you toke egg there's the weight
[TS]
00:50:22
◼
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i do enjoy the the the whole premise
[TS]
00:50:25
◼
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that the the German Zeppelin is on a
[TS]
00:50:28
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tour but they're going to use it to get
[TS]
00:50:31
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this jetpack and the Zeppelin goes down
[TS]
00:50:34
◼
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in flames because that's what happened
[TS]
00:50:36
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with Zeppelin's and and it does it over
[TS]
00:50:39
◼
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Griffiths observe Griffith Observatory
[TS]
00:50:40
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apparently and it's just it's just of
[TS]
00:50:43
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course there
[TS]
00:50:44
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Zeppelin at the hollywood sign and a
[TS]
00:50:46
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climactic thing and yes they just it
[TS]
00:50:48
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that's how the land got knocked off the
[TS]
00:50:49
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Hollywood land sign right I mean it's
[TS]
00:50:53
◼
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just of course of course this is how the
[TS]
00:50:55
◼
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movie ends with a Zeppelin flaming
[TS]
00:50:57
◼
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Zeppelin another Raiders pastiche is the
[TS]
00:51:00
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fight between cliff and Lothar on top of
[TS]
00:51:02
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the Zeppelin which is like the fight
[TS]
00:51:04
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►
with a good big bruiser while the
[TS]
00:51:06
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airplane in raleys even got a wrench
[TS]
00:51:07
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ranch yup down yeah I like the line you
[TS]
00:51:12
◼
►
know when he when cliff is fighting
[TS]
00:51:14
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Neville in the Zeppelin the where's your
[TS]
00:51:17
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stunt man now Sinclair so good to my own
[TS]
00:51:19
◼
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stunts one one one thing I really love
[TS]
00:51:23
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►
them this is that you know it builds to
[TS]
00:51:24
◼
►
this impossible thing right the rocket
[TS]
00:51:26
◼
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pack is gone there are no parachutes the
[TS]
00:51:29
◼
►
the Zeppelin's going down and you know
[TS]
00:51:31
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what are they gonna do and all of a
[TS]
00:51:33
◼
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sudden howard hughes in pv show up just
[TS]
00:51:36
◼
►
because why where and you know so he get
[TS]
00:51:39
◼
►
he actually gets to save the day which
[TS]
00:51:40
◼
►
is now lower the lower the ladder the
[TS]
00:51:43
◼
►
ladder that um that gyrocopter thing
[TS]
00:51:45
◼
►
actually appears in the comic as well
[TS]
00:51:47
◼
►
but it's not connected to howard hughes
[TS]
00:51:50
◼
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at all but yeah it's a the thing so one
[TS]
00:51:53
◼
►
thing that we have talked about that i
[TS]
00:51:54
◼
►
want to mention too is the there there
[TS]
00:51:55
◼
►
is a lot of stuff especially early on
[TS]
00:51:57
◼
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between Billy Campbell and Alan Arkin
[TS]
00:51:59
◼
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who we haven't really talked about Alan
[TS]
00:52:01
◼
►
Arkin it's a fun part he's the he's
[TS]
00:52:04
◼
►
Peavy he's the mentor and there's lots
[TS]
00:52:07
◼
►
of uh I love that kind of like they've
[TS]
00:52:10
◼
►
got a plan they got this they got the
[TS]
00:52:13
◼
►
plane they're working on they're gonna
[TS]
00:52:15
◼
►
have a system they're gonna this is how
[TS]
00:52:17
◼
►
they're making their money and they're
[TS]
00:52:18
◼
►
like they enjoy being like aircraft
[TS]
00:52:20
◼
►
mechanics and racers and all of that and
[TS]
00:52:23
◼
►
that feels I i love the quaintness of
[TS]
00:52:26
◼
►
that because that that's like from an
[TS]
00:52:28
◼
►
era where airplanes were just an
[TS]
00:52:31
◼
►
incredible novelty and that's for a
[TS]
00:52:34
◼
►
while that was a thing you could be is
[TS]
00:52:36
◼
►
just like an airplane mechanic and racer
[TS]
00:52:39
◼
►
whether that was ever really the case or
[TS]
00:52:42
◼
►
not it feels very you know early 20th
[TS]
00:52:45
◼
►
century story it was I've done research
[TS]
00:52:48
◼
►
on this for another project and it's it
[TS]
00:52:51
◼
►
is a fascinating thing to look into the
[TS]
00:52:53
◼
►
the barnstorming and the early days of
[TS]
00:52:56
◼
►
airline air
[TS]
00:52:57
◼
►
planes sort of a subculture here like a
[TS]
00:53:00
◼
►
ham radio subculture some things that
[TS]
00:53:02
◼
►
this is the the airplane mechanic and
[TS]
00:53:04
◼
►
fly and races and wear dress up like a
[TS]
00:53:07
◼
►
clown and flyer and and that's that's
[TS]
00:53:10
◼
►
something that back when I you know the
[TS]
00:53:11
◼
►
first few times I saw this I didn't have
[TS]
00:53:13
◼
►
that basis if you know it felt authentic
[TS]
00:53:15
◼
►
it felt like okay you know it's great
[TS]
00:53:16
◼
►
and the more I've read the word I've
[TS]
00:53:18
◼
►
looked into this and it's like wow they
[TS]
00:53:20
◼
►
really nailed that that really works and
[TS]
00:53:23
◼
►
and i love the chemistry between
[TS]
00:53:25
◼
►
campbell and arc and i love whatever it
[TS]
00:53:29
◼
►
is alan arkin is doing with his accent
[TS]
00:53:31
◼
►
because that's not his normal speaking
[TS]
00:53:32
◼
►
voice it's just delightful no he's got
[TS]
00:53:34
◼
►
thee it's got a slight accent do and I
[TS]
00:53:36
◼
►
really enjoy the folks eNOS of it yes my
[TS]
00:53:39
◼
►
favorite line from him is cliff when you
[TS]
00:53:41
◼
►
borrow something to know tell a buddy
[TS]
00:53:43
◼
►
they call it yeah oh here's the best
[TS]
00:53:46
◼
►
lines in the whole yeah it does have the
[TS]
00:53:48
◼
►
best lines in the movie I think we're
[TS]
00:53:49
◼
►
gonna need a helmet like it at the end
[TS]
00:53:51
◼
►
when they're when they're having the big
[TS]
00:53:53
◼
►
romantic kiss new 0 he's describing the
[TS]
00:53:55
◼
►
plans velasquez hey are you over there
[TS]
00:53:58
◼
►
how about we look at the holidays got
[TS]
00:54:00
◼
►
his his um I really want to know his
[TS]
00:54:03
◼
►
backstory cuz he talks about bit you
[TS]
00:54:04
◼
►
know cliff makes fun of him for not
[TS]
00:54:06
◼
►
having had a date in years he's like ah
[TS]
00:54:07
◼
►
this flora Maxwell wasn't a point dating
[TS]
00:54:10
◼
►
anybody after her and you like ma'am
[TS]
00:54:11
◼
►
what is this guy's story like what was
[TS]
00:54:14
◼
►
he doing the funny thing about the the
[TS]
00:54:17
◼
►
Aeronautics and all that is that the the
[TS]
00:54:20
◼
►
racer the gb that that they were I guess
[TS]
00:54:23
◼
►
building or or you know preparing for
[TS]
00:54:25
◼
►
nationals that was a real thing it was a
[TS]
00:54:27
◼
►
gb model z and apparently it was
[TS]
00:54:29
◼
►
impossibly hard to fly and I don't
[TS]
00:54:31
◼
►
recall the specifics but I looked into
[TS]
00:54:33
◼
►
this a couple years ago when i went
[TS]
00:54:34
◼
►
spelunking into Rocketeer trivia and and
[TS]
00:54:37
◼
►
i guess it is a real thing and it was
[TS]
00:54:39
◼
►
very very difficult to fly and that's
[TS]
00:54:42
◼
►
why it was such a big deal in the
[TS]
00:54:44
◼
►
beginning that cliff was taking this up
[TS]
00:54:46
◼
►
and taking it for its first flight and
[TS]
00:54:47
◼
►
whatnot because it was it was renowned
[TS]
00:54:50
◼
►
apparently for killing its pilots so you
[TS]
00:54:53
◼
►
know this is not doing a good job
[TS]
00:54:55
◼
►
because i don't think anyone really knew
[TS]
00:54:56
◼
►
that trivia but it's it's kind of
[TS]
00:54:58
◼
►
establishing a cliff as you know like a
[TS]
00:55:00
◼
►
cracker yeah that's better word for a
[TS]
00:55:04
◼
►
daredevil pilot yeah i think it's the
[TS]
00:55:06
◼
►
one of the things that they don't
[TS]
00:55:08
◼
►
normally talk about is that if you fly
[TS]
00:55:10
◼
►
your plane
[TS]
00:55:11
◼
►
or a car chase it's going to get shot
[TS]
00:55:13
◼
►
you're gonna probably have trouble
[TS]
00:55:16
◼
►
because I like that cuz then he comes
[TS]
00:55:17
◼
►
back to the air feelings like oh that
[TS]
00:55:19
◼
►
doesn't look good and there's smoke
[TS]
00:55:20
◼
►
coming out of it's like they don't even
[TS]
00:55:22
◼
►
know he flew over a car chase and the
[TS]
00:55:24
◼
►
bullets written riddle book the bottom
[TS]
00:55:26
◼
►
of this plane that's why it's in trouble
[TS]
00:55:28
◼
►
and then of course you know it's
[TS]
00:55:29
◼
►
collapses on the AMA as its landing and
[TS]
00:55:32
◼
►
the landing gear go flying and it skids
[TS]
00:55:35
◼
►
in on its belly and is destroyed I love
[TS]
00:55:37
◼
►
the shot where he has to punch the
[TS]
00:55:38
◼
►
cockpit yeah yeah because you can see
[TS]
00:55:40
◼
►
you know and that is it's sort of like
[TS]
00:55:43
◼
►
again sort of a throwback to like I
[TS]
00:55:45
◼
►
think of Lindbergh you know flying
[TS]
00:55:46
◼
►
spirit of st. Louis which did not have a
[TS]
00:55:48
◼
►
windshield essentially and if you wanted
[TS]
00:55:50
◼
►
to see where he's going yet to stick his
[TS]
00:55:51
◼
►
head out the side like you know that
[TS]
00:55:54
◼
►
with all the things we take for granted
[TS]
00:55:55
◼
►
in a modern day aircraft right are not
[TS]
00:55:57
◼
►
present here because this is a the 1930s
[TS]
00:56:00
◼
►
and it is dangerous it is still kind of
[TS]
00:56:03
◼
►
untested and even though we do have like
[TS]
00:56:05
◼
►
we do have like that brief commercial
[TS]
00:56:07
◼
►
airliner that he flies by on his first
[TS]
00:56:09
◼
►
trip as the rocketeer you know a this is
[TS]
00:56:13
◼
►
the unexplored frontier of this era and
[TS]
00:56:16
◼
►
I really enjoy that part of it yo
[TS]
00:56:17
◼
►
speaking of hardware and tangentially
[TS]
00:56:20
◼
►
related to set design one thing I
[TS]
00:56:21
◼
►
noticed when I watch this a couple days
[TS]
00:56:22
◼
►
ago is that like every car in this movie
[TS]
00:56:25
◼
►
has suicide doors which is so here and
[TS]
00:56:28
◼
►
such like a 30 s era thing to have these
[TS]
00:56:31
◼
►
doors that open your kind of behind you
[TS]
00:56:33
◼
►
instead of pivoting in front of you and
[TS]
00:56:35
◼
►
I don't know why that struck me so that
[TS]
00:56:37
◼
►
what did when I watched it this week but
[TS]
00:56:39
◼
►
it's just such it's something you never
[TS]
00:56:41
◼
►
see and in fact the the the car that I
[TS]
00:56:44
◼
►
forget the guy's name but the one who
[TS]
00:56:45
◼
►
ended up playing a role in deep space 9
[TS]
00:56:47
◼
►
not only to save suicide doors but has a
[TS]
00:56:49
◼
►
rumble seat in the battle how freakin
[TS]
00:56:51
◼
►
cool is that I it feels like they were
[TS]
00:56:53
◼
►
like what what can we do to convey that
[TS]
00:56:55
◼
►
this isn't not like the old days as much
[TS]
00:56:58
◼
►
as possible I thought you're gonna
[TS]
00:56:59
◼
►
mention the hardware also from the the
[TS]
00:57:01
◼
►
weaponry my two favorite weaponry notes1
[TS]
00:57:03
◼
►
the mauser of course which is what the
[TS]
00:57:04
◼
►
rocketeer used at the end he never gets
[TS]
00:57:06
◼
►
to fire it because it gets knocked out
[TS]
00:57:08
◼
►
of his hand as soon as he gets on the
[TS]
00:57:09
◼
►
Zeppelin but that is I believe the
[TS]
00:57:11
◼
►
weapon on which han sol was blaster is
[TS]
00:57:13
◼
►
Liz base is the body of it I thought
[TS]
00:57:17
◼
►
this was a special effect thing that
[TS]
00:57:19
◼
►
caught me the first time in this one
[TS]
00:57:21
◼
►
it's a very beginning when the feds are
[TS]
00:57:23
◼
►
chasing the gangsters there's a sea
[TS]
00:57:25
◼
►
where they sort of run out of the hangar
[TS]
00:57:26
◼
►
and you see the feds shooting there's no
[TS]
00:57:28
◼
►
muzzle flash on the gun and it's clearly
[TS]
00:57:30
◼
►
like a Foley didn't sound later it was
[TS]
00:57:33
◼
►
just the most glaring thing to me in the
[TS]
00:57:35
◼
►
first five minutes of the movie is like
[TS]
00:57:36
◼
►
the feds are like shooting with these
[TS]
00:57:38
◼
►
revolvers and like there is clearly
[TS]
00:57:40
◼
►
nothing coming out that gun it is a step
[TS]
00:57:43
◼
►
above people going bang bang what have
[TS]
00:57:46
◼
►
we not covered that we should cover
[TS]
00:57:48
◼
►
before we rest of my things Jason I know
[TS]
00:57:51
◼
►
well this is your chant this year too I
[TS]
00:57:52
◼
►
will say I mentioned it earlier the that
[TS]
00:57:54
◼
►
ludicrous scene where after the
[TS]
00:57:57
◼
►
chloroform he he puts the tries to put
[TS]
00:57:59
◼
►
the moves on on Jennifer Connelly and
[TS]
00:58:02
◼
►
says at one point I'm as much a victim
[TS]
00:58:04
◼
►
as you are that one made me laugh out
[TS]
00:58:06
◼
►
loud that is such it such a great great
[TS]
00:58:08
◼
►
line and then I'm gonna say the thing my
[TS]
00:58:11
◼
►
wife said that was the best when he when
[TS]
00:58:12
◼
►
he opens up that closet to reveal all of
[TS]
00:58:15
◼
►
the women's clothing in it is she said
[TS]
00:58:17
◼
►
nothing makes a girl feel special like
[TS]
00:58:19
◼
►
used lingerie later is not a scene after
[TS]
00:58:25
◼
►
that where she realizes that he's a Nazi
[TS]
00:58:28
◼
►
in it maybe she says Neville Sinclair is
[TS]
00:58:30
◼
►
a spy saboteur fascists all of the above
[TS]
00:58:34
◼
►
why would you identify yourselves all
[TS]
00:58:36
◼
►
the things I feel like that is not good
[TS]
00:58:38
◼
►
marketing and how do i hear her through
[TS]
00:58:40
◼
►
the door which was closed while she's
[TS]
00:58:42
◼
►
whispering yeah he's that he's got a
[TS]
00:58:45
◼
►
great ears Joe he's got great year I
[TS]
00:58:47
◼
►
love that bookshelf though I'm a sucker
[TS]
00:58:49
◼
►
for the hidden for hidden yep Oh shelves
[TS]
00:58:52
◼
►
and it's a great one into his evil Nazi
[TS]
00:58:54
◼
►
layer that he keeps behind there that
[TS]
00:58:55
◼
►
with a radio with Germans on it yep
[TS]
00:58:57
◼
►
especially in a Frank Lloyd Wright house
[TS]
00:58:58
◼
►
yeah except the ice snail at the South
[TS]
00:59:02
◼
►
Sea shoes joy that it's dumb but the
[TS]
00:59:06
◼
►
Steamworks of flying around it so no he
[TS]
00:59:08
◼
►
ends up on the giant ice sculpture rides
[TS]
00:59:10
◼
►
it out I went one of the things I love
[TS]
00:59:13
◼
►
in the South Seas club is the giant clam
[TS]
00:59:15
◼
►
yes which is almost certainly there only
[TS]
00:59:19
◼
►
city can fly behind it and knock it shut
[TS]
00:59:21
◼
►
yeah pretty much which is it's beautiful
[TS]
00:59:23
◼
►
it still works I also speaking of weird
[TS]
00:59:26
◼
►
things done with the rocket pack when
[TS]
00:59:27
◼
►
he's he's trying to fly away from her
[TS]
00:59:30
◼
►
escape him and Peavy from the like press
[TS]
00:59:33
◼
►
and in Valentine's crew and the pickup
[TS]
00:59:36
◼
►
won't start and he says put it in
[TS]
00:59:38
◼
►
neutral you steer all
[TS]
00:59:39
◼
►
oh my goodness I love that I like that
[TS]
00:59:41
◼
►
one that's right after my favorite joke
[TS]
00:59:44
◼
►
bit in the movie which is where he flies
[TS]
00:59:46
◼
►
up next to the airliner was saluted back
[TS]
00:59:51
◼
►
yeah I just love it cuz again it's dumb
[TS]
00:59:54
◼
►
he doesn't know what he's doing yeah and
[TS]
00:59:56
◼
►
easy like there's just a moment of the
[TS]
01:00:00
◼
►
another great line from Terry O'Quinn
[TS]
01:00:03
◼
►
congratulations gentlemen thanks to the
[TS]
01:00:05
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dillons is the FBI this particular oh so
[TS]
01:00:10
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good Oh every line from Terry O'Quinn is
[TS]
01:00:12
◼
►
golden it really it will fly I also
[TS]
01:00:16
◼
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loved how thick the FBI agent CIA
[TS]
01:00:20
◼
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however they were put it on with the
[TS]
01:00:22
◼
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like 30 Zarah lingo like cliff takes a
[TS]
01:00:25
◼
►
swipe at one of them when when he says
[TS]
01:00:27
◼
►
oh you should get a real job and I'm
[TS]
01:00:29
◼
►
probably gonna get the slightly wrong
[TS]
01:00:30
◼
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buddy buddy the the one FBI agent says
[TS]
01:00:32
◼
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the other that fly boy lands one on my
[TS]
01:00:35
◼
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kisser and you just let him waltz the
[TS]
01:00:37
◼
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exact such very like stereotypical lingo
[TS]
01:00:40
◼
►
right why boy kisser let'em what you
[TS]
01:00:43
◼
►
think that's bad dude do read the comic
[TS]
01:00:45
◼
►
book which is just wall-to-wall thirties
[TS]
01:00:49
◼
►
jargon it is kind of terrible yeah
[TS]
01:00:53
◼
►
goodness also my other favorite line
[TS]
01:00:55
◼
►
which is also also an alan arkin we
[TS]
01:00:58
◼
►
don't have a house clifford we have a
[TS]
01:00:59
◼
►
gazebo just a delivery Arkans delivery
[TS]
01:01:06
◼
►
is pitch perfect in that scene we
[TS]
01:01:08
◼
►
haven't mentioned the diner though on
[TS]
01:01:11
◼
►
your field it's got its got a cute
[TS]
01:01:14
◼
►
bulldog facade and Millie who hit
[TS]
01:01:17
◼
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somebody with a pan because again it's a
[TS]
01:01:19
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►
it's a what Lauren said is that's one of
[TS]
01:01:21
◼
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the allowed items that you can as that a
[TS]
01:01:23
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woman can hit people with you got
[TS]
01:01:25
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►
there's a pan or a vase and Jennifer
[TS]
01:01:27
◼
►
Connelly's got the vase thing down so
[TS]
01:01:29
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►
and a statue she hits a guy with a
[TS]
01:01:31
◼
►
statue right and so Millie gets the the
[TS]
01:01:33
◼
►
frying pan for that that's margo
[TS]
01:01:35
◼
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martindale who's been in a million
[TS]
01:01:37
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things and it's great and she's got this
[TS]
01:01:39
◼
►
little part in the rocketeer it was fun
[TS]
01:01:40
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►
to see her there well in watching it
[TS]
01:01:42
◼
►
watching it in retrospect knowing her
[TS]
01:01:43
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who she is now and knowing that she's a
[TS]
01:01:45
◼
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pretty damn good actress if you watch
[TS]
01:01:48
◼
►
justified she is Americans and the
[TS]
01:01:51
◼
►
Americans William Sanderson is one of
[TS]
01:01:53
◼
►
the fly boys who of course I didn't know
[TS]
01:01:55
◼
►
when I first watched this but watched it
[TS]
01:01:57
◼
►
having just watched Deadwood the past
[TS]
01:01:59
◼
►
year was like it's the mayor from Ted
[TS]
01:02:01
◼
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foot no it's Larry's remover hard and
[TS]
01:02:04
◼
►
he's also an ugly Brenner yeah I was
[TS]
01:02:06
◼
►
gonna say you know seeing margo
[TS]
01:02:08
◼
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martindale now and watching this and
[TS]
01:02:09
◼
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going oh my god all she's doing is
[TS]
01:02:11
◼
►
squealing and
[TS]
01:02:12
◼
►
sping and she can do so much more also
[TS]
01:02:15
◼
►
character actor bit for you Casey Eddie
[TS]
01:02:17
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Jones as Malcolm who is of course also
[TS]
01:02:20
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in sneakers he sense of what who did he
[TS]
01:02:22
◼
►
played sneakers he's one of he's one of
[TS]
01:02:24
◼
►
Ben Kingsley's thugs he's the real bad
[TS]
01:02:26
◼
►
the the jerky thug the big who knocks
[TS]
01:02:30
◼
►
Robert Redford out several times in the
[TS]
01:02:32
◼
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trunk he is oh yeah he also played the
[TS]
01:02:35
◼
►
dad on Lois and Clark he was he was
[TS]
01:02:38
◼
►
Clark's dad that's where I knew him I
[TS]
01:02:39
◼
►
was like look it's Jonathan Kent there
[TS]
01:02:42
◼
►
is no way how did not even yet I didn't
[TS]
01:02:44
◼
►
even mention him any chance you see he
[TS]
01:02:46
◼
►
was on the parade of character actors he
[TS]
01:02:48
◼
►
was yep I don't mention him but I should
[TS]
01:02:50
◼
►
have cuz he's dead yeah listen Clark
[TS]
01:02:51
◼
►
absolutely up it was such a good way
[TS]
01:02:54
◼
►
that he sabotaged their third date by
[TS]
01:02:57
◼
►
revealing what it actually happened to
[TS]
01:02:59
◼
►
the G Blaine he could not read the room
[TS]
01:03:02
◼
►
yeah he's a drunk but you also get the
[TS]
01:03:07
◼
►
idea that he's maybe like not not all
[TS]
01:03:09
◼
►
all there yeah like there's cuz he talks
[TS]
01:03:12
◼
►
about the getting shot down by the Red
[TS]
01:03:14
◼
►
Baron I love that he's like telling
[TS]
01:03:16
◼
►
Patsy the girl I ever tell you the story
[TS]
01:03:18
◼
►
about getting shot down by the Red Baron
[TS]
01:03:19
◼
►
and she starts nodding and then Margo
[TS]
01:03:21
◼
►
Martindale's like shaking her head
[TS]
01:03:23
◼
►
behind him and then she changes to
[TS]
01:03:25
◼
►
shaking her head yeah it's uh I enjoy
[TS]
01:03:28
◼
►
any then he shoots he throws the the
[TS]
01:03:30
◼
►
wheel of the plane in the soup it's a
[TS]
01:03:32
◼
►
soup call back yeah unfortunately it's
[TS]
01:03:34
◼
►
not very hygienic to lick that and then
[TS]
01:03:37
◼
►
hand it to a child it was the 30s Joe it
[TS]
01:03:40
◼
►
was building her immunity come on you
[TS]
01:03:42
◼
►
know what it's speaking of one thing
[TS]
01:03:43
◼
►
that that also struck me when watching
[TS]
01:03:46
◼
►
this this week is cliff is really a
[TS]
01:03:49
◼
►
terrible boyfriend like a very muscley
[TS]
01:03:52
◼
►
bad Voyager I wrote that he's just he's
[TS]
01:03:55
◼
►
a trip he is such a drip yeah I do he he
[TS]
01:03:59
◼
►
said to jetty you know um oh this time
[TS]
01:04:01
◼
►
you have lines or something like that or
[TS]
01:04:03
◼
►
and he was like a real jerk about how he
[TS]
01:04:07
◼
►
didn't want to see her movies which you
[TS]
01:04:09
◼
►
know of course is to some degree at rope
[TS]
01:04:10
◼
►
but I don't know it was just it was
[TS]
01:04:12
◼
►
stunning to me that he is a real turd
[TS]
01:04:14
◼
►
which I guess was preparing him for that
[TS]
01:04:15
◼
►
movie with Jennifer Lopez many many many
[TS]
01:04:18
◼
►
years later when he was colossally evil
[TS]
01:04:21
◼
►
what was the name of that movie I can't
[TS]
01:04:22
◼
►
remember that Bill Campbell was in and
[TS]
01:04:24
◼
►
it doesn't matter but anyway uh
[TS]
01:04:26
◼
►
striking to me that that you know jenny
[TS]
01:04:28
◼
►
is so nice and that he's such a turd to
[TS]
01:04:31
◼
►
her it's really unfortunate all right uh
[TS]
01:04:33
◼
►
before we go I thought it would go
[TS]
01:04:35
◼
►
around and ask everybody for the final
[TS]
01:04:36
◼
►
impressions of the rocketeer any other
[TS]
01:04:38
◼
►
closing statements that need to be made
[TS]
01:04:41
◼
►
could be made now David what about you I
[TS]
01:04:43
◼
►
love it I love it I mean I it's it's one
[TS]
01:04:47
◼
►
of the things that I used as an
[TS]
01:04:48
◼
►
inspiration radio theatre I just you
[TS]
01:04:50
◼
►
know increased the number of women
[TS]
01:04:51
◼
►
involved in it but yeah you know uh it's
[TS]
01:04:55
◼
►
it is a delightful story and it's and it
[TS]
01:05:00
◼
►
inspired several comics which i enjoy
[TS]
01:05:02
◼
►
reading now and happens to also include
[TS]
01:05:05
◼
►
p dave stevens comics which I do not
[TS]
01:05:07
◼
►
read um it's it's just nice it's it's a
[TS]
01:05:12
◼
►
pitch perfect recreation of that era and
[TS]
01:05:14
◼
►
that style it's not Raiders but if i'm
[TS]
01:05:18
◼
►
not watching raiders i can do this you
[TS]
01:05:20
◼
►
know this movie is is a movie as i've
[TS]
01:05:22
◼
►
mentioned a couple times that I've grown
[TS]
01:05:23
◼
►
up with in you know I first saw it
[TS]
01:05:24
◼
►
probably not long after it came out when
[TS]
01:05:26
◼
►
I was when I was a little boy and and I
[TS]
01:05:28
◼
►
and I've watched it probably a couple
[TS]
01:05:31
◼
►
times a year ever since and I just I
[TS]
01:05:33
◼
►
love this movie and it's hard to put my
[TS]
01:05:35
◼
►
finger on specifically why I love it so
[TS]
01:05:37
◼
►
much but it's to put in perspective how
[TS]
01:05:41
◼
►
much I love this movie the first time I
[TS]
01:05:42
◼
►
went to Los Angeles which was probably
[TS]
01:05:44
◼
►
2010 one of the things I ensured that i
[TS]
01:05:48
◼
►
did when i was there was go to griffith
[TS]
01:05:50
◼
►
observatory which by the way is freaking
[TS]
01:05:52
◼
►
cool it's beautiful in such a cool place
[TS]
01:05:54
◼
►
to visit but i wanted to go there
[TS]
01:05:56
◼
►
specifically so i could stand where
[TS]
01:05:58
◼
►
ostensibly you know this this big
[TS]
01:06:00
◼
►
zeppelin attack or whatever happened and
[TS]
01:06:03
◼
►
oh my god i'm so glad i did this movie
[TS]
01:06:05
◼
►
is also weird for me because as someone
[TS]
01:06:07
◼
►
who is probably not too far away from
[TS]
01:06:09
◼
►
uncultured swine this was my first real
[TS]
01:06:11
◼
►
this was my first real exposure to
[TS]
01:06:15
◼
►
timothy dalton like I'd ever seen a
[TS]
01:06:17
◼
►
Timothy Dalton bond until well after I'd
[TS]
01:06:19
◼
►
seen this movie I this my first exposure
[TS]
01:06:21
◼
►
down at alan arkin to jennifer connelly
[TS]
01:06:23
◼
►
I mean Bill Campbell is I think a much
[TS]
01:06:26
◼
►
less prominent star but him as well you
[TS]
01:06:28
◼
►
know so many people I associate them
[TS]
01:06:30
◼
►
with this movie before any other in the
[TS]
01:06:33
◼
►
thing I love about the rocketeer and the
[TS]
01:06:36
◼
►
only way I can describe how I
[TS]
01:06:37
◼
►
what I like so much about it is that in
[TS]
01:06:41
◼
►
many ways it feels me feel the same way
[TS]
01:06:45
◼
►
that being at disney world does in that
[TS]
01:06:47
◼
►
it's like this this unadulterated like
[TS]
01:06:50
◼
►
childlike joy that that I I only feel
[TS]
01:06:55
◼
►
like maybe at the holiday time or when
[TS]
01:06:57
◼
►
I'm at Disney World or when I'm watching
[TS]
01:06:58
◼
►
a movie like this that not only did I
[TS]
01:07:00
◼
►
loved as a kid but I continue to love as
[TS]
01:07:03
◼
►
an adult and yeah there's foibles with
[TS]
01:07:06
◼
►
it we've talked about plenty of them but
[TS]
01:07:07
◼
►
by and large is just a fun happy movie
[TS]
01:07:10
◼
►
and I in in this era when you know I'll
[TS]
01:07:14
◼
►
tell you that I love movie oohs TV
[TS]
01:07:16
◼
►
series like Breaking Bad which is not a
[TS]
01:07:18
◼
►
happy movie series and having something
[TS]
01:07:21
◼
►
like this that's that's in many ways
[TS]
01:07:22
◼
►
just pure saccharine it just makes me so
[TS]
01:07:25
◼
►
happy and in the moment I hear that
[TS]
01:07:27
◼
►
opening line that opening music like we
[TS]
01:07:29
◼
►
were talking about earlier it's just I'm
[TS]
01:07:31
◼
►
instantly transported to my happy place
[TS]
01:07:33
◼
►
and and I just love this movie so much
[TS]
01:07:36
◼
►
for that it's funny how movie locations
[TS]
01:07:38
◼
►
can can be a thing that guides you
[TS]
01:07:40
◼
►
because like when I when I was in New
[TS]
01:07:42
◼
►
York a few years ago I went to the steps
[TS]
01:07:45
◼
►
of the New York Public Library like
[TS]
01:07:46
◼
►
literally to look at the Lions and all
[TS]
01:07:48
◼
►
that because of ghostbusters because it
[TS]
01:07:50
◼
►
Ghostbusters it was the reason I stood
[TS]
01:07:51
◼
►
on the steps of the public library is
[TS]
01:07:53
◼
►
because it goes buster so III I hear you
[TS]
01:07:56
◼
►
Joe what do what are your feelings about
[TS]
01:07:58
◼
►
the rocketeer having rewatched it to
[TS]
01:08:01
◼
►
extend something that a casey had said
[TS]
01:08:03
◼
►
it actually kind of reminds me of
[TS]
01:08:06
◼
►
disneyland they have this thing called
[TS]
01:08:08
◼
►
California Adventure the lesser
[TS]
01:08:10
◼
►
interesting place you could go and it
[TS]
01:08:13
◼
►
has a an area called carthay circle
[TS]
01:08:15
◼
►
which is just sort of this weird art
[TS]
01:08:18
◼
►
deco throwback thing and you just walk
[TS]
01:08:20
◼
►
through there and it's like streetcars
[TS]
01:08:23
◼
►
and also other stuff is just like this
[TS]
01:08:24
◼
►
is very strange but somehow comforting
[TS]
01:08:26
◼
►
and I enjoy that aspect of this the sort
[TS]
01:08:30
◼
►
of Americana mythos of this film it's
[TS]
01:08:34
◼
►
it's fun I mean it's not real when I
[TS]
01:08:36
◼
►
won't don't want to live there but it's
[TS]
01:08:39
◼
►
it's it's a fun romp to to experience
[TS]
01:08:43
◼
►
and just in terms of Los Angeles
[TS]
01:08:45
◼
►
locations that I appreciate much more
[TS]
01:08:47
◼
►
now than I did back then I I do also
[TS]
01:08:50
◼
►
have to echo the Griffith Observatory is
[TS]
01:08:52
◼
►
pretty neat and I like one thing I
[TS]
01:08:56
◼
►
didn't realize was that there's the
[TS]
01:08:58
◼
►
drive up to Griffith Observatory is very
[TS]
01:09:02
◼
►
similar to the rebel without a cause
[TS]
01:09:03
◼
►
drive up which apparently has also been
[TS]
01:09:05
◼
►
reproduced inside of lala land it was
[TS]
01:09:07
◼
►
like wow there's a lot of people driving
[TS]
01:09:08
◼
►
up to this building I am I enjoy I enjoy
[TS]
01:09:12
◼
►
it and I I think that it would be fun to
[TS]
01:09:16
◼
►
see more things that are a little
[TS]
01:09:19
◼
►
lighter be made along these lines where
[TS]
01:09:22
◼
►
it's not necessarily like completely
[TS]
01:09:24
◼
►
childish but it's it's sort of a fun in
[TS]
01:09:29
◼
►
an enjoyable experience yeah and I think
[TS]
01:09:31
◼
►
there's somebody said like you said said
[TS]
01:09:33
◼
►
Joe it's the it's the mythos of this
[TS]
01:09:35
◼
►
this period in American history and was
[TS]
01:09:38
◼
►
it really like this probably not but but
[TS]
01:09:43
◼
►
it is we know this feeling of Americana
[TS]
01:09:46
◼
►
right like all mostly it's like a Norman
[TS]
01:09:48
◼
►
Rockwell painting or whatever it is that
[TS]
01:09:50
◼
►
kind of feel and that's what this movie
[TS]
01:09:51
◼
►
that's what this movie takes to heart
[TS]
01:09:53
◼
►
also Griffiths Griffith Observatory is
[TS]
01:09:55
◼
►
great watch for the falling Zeppelin's
[TS]
01:09:57
◼
►
that's also watch out for the zone oh
[TS]
01:09:59
◼
►
that's that's just good advice every one
[TS]
01:10:02
◼
►
thing you gotta watch out for Dan bring
[TS]
01:10:04
◼
►
it home well unsurprisingly one of my
[TS]
01:10:05
◼
►
favorite movies possibly in my top 10
[TS]
01:10:08
◼
►
I've had the rocketeer in my bio my
[TS]
01:10:12
◼
►
twitter bio i think pretty much since
[TS]
01:10:14
◼
►
I've been on Twitter and so I love this
[TS]
01:10:18
◼
►
movie unabashedly it's funny I hope
[TS]
01:10:20
◼
►
racking my brains trying to remember the
[TS]
01:10:22
◼
►
first time I saw it and I honestly
[TS]
01:10:23
◼
►
cannot remember if I saw it in the
[TS]
01:10:24
◼
►
theater or not is you know just for some
[TS]
01:10:27
◼
►
reason it is lost in the mists of time
[TS]
01:10:28
◼
►
but I've seen it so many times since
[TS]
01:10:30
◼
►
then that it's all kind of blurred
[TS]
01:10:32
◼
►
together and I agree with what everybody
[TS]
01:10:34
◼
►
said about this being light-hearted and
[TS]
01:10:36
◼
►
being robbed it taps into a few things
[TS]
01:10:38
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that I think are just fundamental and a
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lot of people one is the basic idea
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flight right like who doesn't want to
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find a jet pack like the idea of the
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freeing you know freeing yourself from
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flight in the same way that we think of
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Superman or any sort of superhero I
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think having that power is something
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that appeals to a lot of people and a
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you know
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being an average Joe for whatever reason
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that they're not hey not that that joke
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about average Joe you know fine you
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stumbling across something extraordinary
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is I think you know a basic story
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premise that we can all kind of get
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behind I think also in the ways of that
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mythos this is a black and white movie
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there's not a lot of shades of grey the
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bad guys are bad the good guys are good
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even if the good guy is somewhat of a
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dolt at times about being a you know a
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crappy boyfriend there's not a lot of
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moral gray area right like you know it's
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pretty clear cut and that's that's one
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of the reasons Nazis tend to make good
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cartoon villains is because up until
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recently it seemed like oh yeah there
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you know who can be offended by not
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seats so i think that there's a lot to
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love about this movie held my mom loved
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this movie and she is not a huge like
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super here or a pulp comic fan but she
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I've watched this with her on multiple
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occasions and I know that she really
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likes it and so for me you know it takes
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a lot of boxes it sort of fits in the
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superhero genre but without being overly
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superhero II it's got the 1940s
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aesthetic to it it's got that mythos of
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a simpler time and all of that sort of
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combines that with the fantastic score
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the special effects the cinematography
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all of that wraps together in a package
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that I think is just incredibly
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appealing and I do wish there were more
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movies made like this that you know it's
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not to say that there is no place for
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movies that challenge you and make you
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think but in sometimes you want to sort
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of sit back relax and catch something
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that is that it's simple and like tugs
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it that part of you that longs for a a
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more black and white era where the
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heroes are larger than life and and good
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and the bad guys are easily defined and
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easily compatible one that I got into a
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conversation on Twitter about that today
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that there just aren't enough movies now
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where the hero is heroic simply because
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it's the right thing to do right they
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have to have a complicated backstory or
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it has to be they have to be somewhat
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morally gray and they do heroic things
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because it's part of their jobs
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I you know where where our role models
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where where are those characters we can
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look up to and aspire to be like and if
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we bring all the heroes down to our
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level who are we aspiring towards that's
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one reason I give a plug to Captain
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01:13:21
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America and Joe Johnson's work on that
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right that is that is kind of what
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they're going for with all of those
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movies is he is supposed to be morally
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unimpeachable and you can have a
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discussion about what that means and
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whether or not that's true but I think
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01:13:33
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for the most part especially in the
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first couple movies he comes out pretty
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much being the closest thing we have to
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the that simple square-jawed hero who
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just does what's right because it is
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what's right that first captain america
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movie and and i would say this even if I
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01:13:49
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didn't know that Joe Johnston directed
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01:13:51
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it and the rocketeer but like that is
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01:13:53
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one of the closest movies I can find to
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01:13:56
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the rocketeer in terms of your chill
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01:13:58
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sequel right like really is right yeah
[TS]
01:14:00
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and and for a period piece and it feels
[TS]
01:14:04
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like I told somebody who is skeptical
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about I said it's like a propaganda oh
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01:14:08
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it's like world war two propaganda film
[TS]
01:14:09
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in a lot of ways and it's just enjoyable
[TS]
01:14:11
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like it is it is it is not shying away
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01:14:14
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from what kind of a story it's telling
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01:14:18
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about Steve Rogers buena being the
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01:14:20
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scrawny kid who becomes the hero and and
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01:14:22
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punches Nazis and you know it that
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01:14:24
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that's exactly what it is and it's great
[TS]
01:14:26
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and it and it does have a Peggy Carter
[TS]
01:14:29
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much more active participant in in that
[TS]
01:14:32
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movie then then Jennifer Connelly is
[TS]
01:14:34
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allowed to be as Jenny and this one it's
[TS]
01:14:37
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a fine-tuned course corrected remake
[TS]
01:14:40
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yeah this been great it was fun to
[TS]
01:14:42
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revisit this film this is a this film is
[TS]
01:14:44
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a lot of fun and I'm glad that we could
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01:14:46
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talk about it too so I would like to
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01:14:47
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thank my guests before we go David Laura
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01:14:49
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thank you thank you i'm off to chew some
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01:14:52
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gum and look at some plans I got em all
[TS]
01:14:54
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out of plans I did show rosenstiel thank
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01:14:57
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you thank you for having me den Morin
[TS]
01:15:01
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thank you son of a bitch will fly yeah
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01:15:04
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Casey list uh thanks for being on again
[TS]
01:15:07
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I guess when we do our sneakers episode
[TS]
01:15:09
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you'll be back right oh it would be my
[TS]
01:15:11
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pleasure and thank you so much for
[TS]
01:15:12
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having me alright and that's it for this
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01:15:14
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edition of the uncomfortable we'll be
[TS]
01:15:16
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back next week with more but until then
[TS]
01:15:17
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this is jason snelling off by everyone
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01:15:24
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[Music]
[TS]