160: Super-Secret Sony MiniDiscs
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we finally made incomparable t-shirts
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it's true but they're only on sale until
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october 7 2013 visit the incomparable
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dot-com / shirt to learn all about them
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the incontrovertible number 160
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September's 2013 automatically
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uncomfortable and host Jason snail and
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tonight we're gonna be talking about a
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movie i guess this is the latest in our
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series of kind of talking about classic
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movies from movies from the past that we
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think about fondly and this is the movie
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where we take the red pill is that the
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red pill that's the good still red pill
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ok take a little blue pill now a little
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blue pill and you just you go back in
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the matrix which is what we're talking
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about nineteen ninety nines epic sci-fi
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movie The Matrix what we're not talking
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about by the way except maybe obliquely
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are the sequel's because i don't want to
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bring it down
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what's equal so what now their sequels
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there we go that's the stuff that's
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that's what i was looking for exactly
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so let me and let me introduce the
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people they find people who are here to
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talk about the matrix with me tonight
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we've got David lower David welcome back
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again we can't get rid of you now you're
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on every episode of the new dan Morin
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I'm the new dan morn I'm I'm oranges the
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new dan morning okay fair enough it's
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good to have you here John Syracuse's
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here as well hi John
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hello Jason you mentioned that this is
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going to be sure we talk about movies
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for the past that they're classics and
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that we love
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I may be on the wrong well yeah I did I
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say that they are loved or they're
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generally loved I loved the matrix when
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it came out but we can this is this will
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be very interesting st let's also here
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hi Steve would evening mr. Snell thank
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you very good and we have we have a new
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guest who has not been on before she is
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one of the hosts of the very excellent
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doctor who podcast Verity it's erica and
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sign hi Erica I it's great to be here
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thank you for being here
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I appreciate it you saw the matrix lots
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of times in the theater didn't you
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I saw it nine times nine times mrs.
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bueller exactly you know i saw i saw
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only once in the theater but what I
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remember is I was teaching a class at a
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web web
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design class back in the nineties that
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was a thing we wanted was a web design
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HTML to a bunch of grad students and i
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remember one day all of the max screen
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savers in the class we taught had been
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converted to the matrix screensaver and
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I was like what the heck is this
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and then like four of them came up to me
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and said oh man you gotta see the matrix
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it's the best movie ever to blow your
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I was like all right okay and we went
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inside and I like it a lot
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this is the first time I've seen it in
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in years though and I thought that was
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that was pretty interesting i think i
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think this movie is very influential and
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sometimes we cover these movies and and
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things that really blew your mind at the
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time sometimes you look back on them
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later and they don't seem as impressive
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because everybody's copied them and once
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you've seen it in a million beer ads in
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the superbowl it's the bullet time is a
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little less exciting but i still have a
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lot of fun this with the matrix so we're
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going to talk about it we all watched it
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right we all watched it again
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did we recently oh yeah we did alright
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goodnight together but we all we all
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watched it
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well where to start does anybody have
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any opening remarks i guess i should ask
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before i met john does so for we get
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into you better write how did you know
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this is why i asked John often likes to
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set the stage and tell us what could
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paint a little picture of where we're
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about to go the journey were about to
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take ya there
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I have a more casual ordinary Marx's two
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things aside first is that enemy control
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talk about this template but what are
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experience was seeing with first time
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and for me the memory of seeing matrix
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for the first time is defined by me
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knowing nothing about the movie like all
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I knew was that it will blow your mind
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and there was a screensaver the I didn't
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even know that this is this is the
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before times kids when it was possible
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to go into a movie not even knowing that
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there was anything to no I cannot even
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knowing that someone said it to me there
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was a door that the and all the answer
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was like what is the matrix so it don't
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explain anything and i add nothing I i
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think i saw the poster while walking you
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know in into the theater in hand so
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actually goes in he was in the movie I
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knew absolutely nothing about it and
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that I think is the ideal way to go into
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a movie i think it's an experience it's
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probably not possible unless you're very
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listen to go into a movie like this at
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the very least you're gonna know that
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there's something about this movie
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there's some sort of big revelation that
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some kind of twist something and even
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just knowing that if your mind works the
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way mine does can ruin some of the
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surprise so that's that was exciting
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interesting and it and it really gave
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that movie more punch and the second
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thing is that for a long long time I
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Harvard very bad feelings about the
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matrix mostly because it was so lauded
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by the the people you know in my sort of
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circles and nerds everything is being
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this amazing movie and everything and I
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could not get over the ridiculousness of
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the premise like that I expected so much
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more of the movie 22 you know with it
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wanted to do everything right and yet
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the foundation of the movie made no
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ok guys this is a setup Syracuse's here
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to get us yeah and and that bothered me
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now but what I can say is that when I
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rewatched the movie not for this podcast
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actually i rewatch it on my own like a
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couple of weeks before you suggest three
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watching it I had much better feelings
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about it
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rewatching it like getting some distance
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from my anger about that you know the
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backlash like all the everyone loves the
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matrix and you know and I I didn't like
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it because there was like and I I mean I
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did like it i do had a good feeling
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something now getting some distance and
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being able to see it's sort of see it
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again for the first time I felt better
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about so that's what we'll talk about
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today yeah well I mean and that's a good
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thing that we should probably talk about
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now I i mentioned that i had the grad
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students say oh and blow your mind man
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and Johns told his story
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Erica we touched on the fact that you
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saw a bunch of times I guess that means
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you liked it
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yeah i'm not that masochistic I saw the
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first time and I didn't know I didn't
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know anything that I had seen I think
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one of the teaser ads where you saw
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Morpheus jump and then no sounds whoa
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and that was it but that's the key on
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right as the whole movie you know
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anything that's really all you need to
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know but yeah and i think i think going
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along with what John said that that was
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one of the things that worked for me
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that so much about the movie i loved
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back in the day being able to go into a
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theater not know anything and in this
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this one not only did I not know
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anything when I walked into the theater
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I still didn't know very much about half
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an hour into it and I thought that was
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fantastic it was sort of a reverse
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dramatic
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irony like the characters knew what was
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going on
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most most of them but but I didn't and I
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thought that was awesome
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Steve what was your matrix experience
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did you have some grad students come up
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to you like I tried to keep my distance
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from gravity smart they were playing
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they're paying me to be close to them so
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yeah it's there will be the only reason
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in ya know I didn't get around to seeing
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this until two thousand six as usual
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because i was forced to for other
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reasons that i actually wanted to see it
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you missed the matrix entirely why did I
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think I i think both of the horrible
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they theorized horrible sequels that
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don't actually exist
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no not yet come out they had both come
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out and I was already aware that I was
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probably setting myself up for
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disappointment might want to see all
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trilogy so but i sat down and watched
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knowing already basically that I
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thatthat's there's a computer simulation
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and everybody lives in it
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what I didn't know was the bit where
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Keanu is actually pulled from the matrix
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and emerges from his part of goo & and
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that part i was very entertained by
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because I i had not been properly
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prepared for it so you know i watch the
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whole movie with pretty much my brain
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turned off trying not to pay too much
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attention to the mutterings of Morpheus
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and really enjoyed it
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this this time i watched it twice in the
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run-up to this podcast and I thought a
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little bit more about some of the things
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that were being said and tried to
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determine whether the plot actually made
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any sense and enjoyed it slightly less
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but yeah as a as a spectacle as it just
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entertainment
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it's a great movie I can't deny that if
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you if you're willing to turn your brain
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off and you're willing to overlook the
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main actor then when it's a great film
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whoa wait a second ok you want to
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overlook the main actor
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this is Point Break are the peak of his
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career he has not sad yes now but we
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talked about concluding last time these
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are the rules that he was made for this
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is Bill intent this bill intent and like
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yeah Point Break like he is perfect in
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his room key so perfect
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every other roles he is terrible but
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these girls is perfect is terrible and
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everything it fits in bill and ted in
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this he's a piece of wood and I I cannot
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watch this movie without thinking how
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much better with this movie be with
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somebody who could act
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oh no I think we ruin it yeah maybe i
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don't know i think you need somebody
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who's pretty much just blank lifer
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well not tonight easiest place is
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embarrassingly earnest is embarrassingly
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earnest a movie that really if the
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production values with lower one
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basically be a b-movie right but it's
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not i assume that that they did some
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work on the script knowing who their
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lead actor was because it means the best
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example being when the Oracle says he's
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not too bright
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he first signed the Oracle knows what
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she's talking about
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if you have a smarter seeming kind of
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actor that character would have to be
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different because that is one of the
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beauties of this is that he kind of
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bumbles along as like not really getting
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it and not wanting to get it and just
[TS]
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being this dude who's got this you know
[TS]
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◼
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it is it's fulfilling this prophecy and
[TS]
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I you know I don't know whether that
[TS]
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◼
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character would work better if it had
[TS]
00:09:54
◼
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been a more intelligent character
[TS]
00:09:56
◼
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because they would have to change the
[TS]
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◼
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script to make it the dynamic a little
[TS]
00:10:00
◼
►
bit different i think because I think
[TS]
00:10:01
◼
►
that's why it works it is the forest
[TS]
00:10:03
◼
►
gump of this movie I don't think he has
[TS]
00:10:04
◼
►
to be more intelligent I just think he
[TS]
00:10:06
◼
►
has to be slightly less monotone and I
[TS]
00:10:08
◼
►
think there are ways to do
[TS]
00:10:09
◼
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monotone and confused and and and being
[TS]
00:10:12
◼
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a cipher without necessarily I mean with
[TS]
00:10:15
◼
►
with some character growth and with
[TS]
00:10:17
◼
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Keanu his first line is what anything
[TS]
00:10:20
◼
►
means that draft tone and delivery for
[TS]
00:10:23
◼
►
the next hundred and twenty-nine minutes
[TS]
00:10:24
◼
►
and it just for me not my thing i'd like
[TS]
00:10:29
◼
►
to see somebody with a bit more range
[TS]
00:10:31
◼
►
he's not my favorite I mean there's
[TS]
00:10:32
◼
►
there's very little change in you know
[TS]
00:10:36
◼
►
at what the two hours and 10 minutes or
[TS]
00:10:39
◼
►
whatever it is 16
[TS]
00:10:40
◼
►
yeah i mean i like i like I'm just
[TS]
00:10:43
◼
►
trying but yeah he's he's just serve on
[TS]
00:10:46
◼
►
that plane and and you know even when
[TS]
00:10:48
◼
►
he's changed when he's evolved and when
[TS]
00:10:50
◼
►
he you know he realizes that he could be
[TS]
00:10:52
◼
►
the one he still is
[TS]
00:10:55
◼
►
who's talking like this whoa and you
[TS]
00:10:58
◼
►
know he gets a little angrier you know a
[TS]
00:11:00
◼
►
little more like I am the one but it's
[TS]
00:11:04
◼
►
like okay to clear your throat that's
[TS]
00:11:06
◼
►
what he's like an action figure because
[TS]
00:11:08
◼
►
like that get together and the movie is
[TS]
00:11:10
◼
►
that he expresses the change in his
[TS]
00:11:13
◼
►
character through his actions i think
[TS]
00:11:14
◼
►
that the most one of my favorite parts
[TS]
00:11:16
◼
►
of the movie one of the most important
[TS]
00:11:17
◼
►
parts and i watched it many times again
[TS]
00:11:19
◼
►
i don't think it was supposed to be as
[TS]
00:11:21
◼
►
important as I made it is you know the
[TS]
00:11:23
◼
►
movies like a like and understand the
[TS]
00:11:25
◼
►
world works and then he learns the truth
[TS]
00:11:26
◼
►
and then they're trying to give it to me
[TS]
00:11:27
◼
►
the one he's not sure he goes all this
[TS]
00:11:29
◼
►
stuff but the key point the movie i
[TS]
00:11:31
◼
►
think is when the helicopters going over
[TS]
00:11:34
◼
►
the edge right and this is the Rope
[TS]
00:11:36
◼
►
that's dangling out of the helicopter
[TS]
00:11:37
◼
►
it's going over the edge and it's kind
[TS]
00:11:39
◼
►
of slow motion and it's at a certain
[TS]
00:11:41
◼
►
point what he decides to do is
[TS]
00:11:47
◼
►
by the way spoilers for the matrix it's
[TS]
00:11:50
◼
►
been a 14 freaking years spoiling ok ok
[TS]
00:11:54
◼
►
the helicopters going over the edge of
[TS]
00:11:55
◼
►
the building kind of slow motion and and
[TS]
00:11:57
◼
►
that it everything is very slow and he
[TS]
00:11:59
◼
►
in decision-making processes head you
[TS]
00:12:01
◼
►
can see it going is he decides to pick
[TS]
00:12:03
◼
►
up the Rope is attached a helicopter
[TS]
00:12:06
◼
►
with the intention that he is going to
[TS]
00:12:08
◼
►
stop the helicopter from falling off the
[TS]
00:12:10
◼
►
edge of the building which is it soon
[TS]
00:12:12
◼
►
you would never make in our in the real
[TS]
00:12:14
◼
►
world and that's the point when he
[TS]
00:12:16
◼
►
realizes hey wait a second i can grab
[TS]
00:12:18
◼
►
this rope and stop the helicopter want
[TS]
00:12:21
◼
►
the end because this is not the real
[TS]
00:12:22
◼
►
world this is some you don't think he's
[TS]
00:12:24
◼
►
just assuming that she's gonna tie
[TS]
00:12:25
◼
►
together into her and and jump off even
[TS]
00:12:28
◼
►
that wouldn't work in the real world
[TS]
00:12:29
◼
►
either because I'm they do if you watch
[TS]
00:12:31
◼
►
it again you'll see that they don't
[TS]
00:12:33
◼
►
linger on it but if you spend a little
[TS]
00:12:35
◼
►
bit of time because in no no real world
[TS]
00:12:38
◼
►
even in action movie that's preposterous
[TS]
00:12:40
◼
►
the only reason it works is because he
[TS]
00:12:42
◼
►
figures out finally
[TS]
00:12:44
◼
►
oh I can be an agent of my own you know
[TS]
00:12:47
◼
►
destiny in ways that have no bearing on
[TS]
00:12:50
◼
►
reality because I'm strapped in a chair
[TS]
00:12:51
◼
►
with the thanks of in the back of my
[TS]
00:12:53
◼
►
in fairness he does play the role very
[TS]
00:12:55
◼
►
much like a man who's had a metal spike
[TS]
00:12:57
◼
►
shift into the base circle like there's
[TS]
00:13:00
◼
►
no there's no dialogue in that scene he
[TS]
00:13:01
◼
►
doesn't think to himself he doesn't have
[TS]
00:13:03
◼
►
a voiceover he doesn't have a
[TS]
00:13:04
◼
►
conversation about it and all of his
[TS]
00:13:06
◼
►
transformation as the character is done
[TS]
00:13:08
◼
►
through his actions in deciding what to
[TS]
00:13:09
◼
►
do with his big dorky looking body and
[TS]
00:13:11
◼
►
his funny little bouncy walk
[TS]
00:13:13
◼
►
that's very true most actors wouldn't be
[TS]
00:13:15
◼
►
brave enough to play a completely flat
[TS]
00:13:17
◼
►
face like that they would actually show
[TS]
00:13:18
◼
►
some kind of emotion or shows and
[TS]
00:13:21
◼
►
spatially varying unfailing fair to
[TS]
00:13:23
◼
►
Kyoto let's be honest this isn't really
[TS]
00:13:25
◼
►
a film about character development
[TS]
00:13:26
◼
►
really seriously the characters they're
[TS]
00:13:30
◼
►
all archetypes
[TS]
00:13:31
◼
►
I mean you've got the wise leader and
[TS]
00:13:33
◼
►
the clues hero the mysterious woman the
[TS]
00:13:35
◼
►
tech guy i mean this would make a really
[TS]
00:13:37
◼
►
good RPG party they don't even have real
[TS]
00:13:39
◼
►
names so it's not that kind of film so
[TS]
00:13:42
◼
►
I'm really okay with a wooden and I
[TS]
00:13:44
◼
►
completely agree that he's wooden and
[TS]
00:13:46
◼
►
doesn't really did not very much at all
[TS]
00:13:48
◼
►
I'm all right with that because it fits
[TS]
00:13:49
◼
►
in this kind of film their avatars I
[TS]
00:13:51
◼
►
mean they're literally avatar yes that's
[TS]
00:13:54
◼
►
what their did before we get into the
[TS]
00:13:56
◼
►
plot uh David you have any any matrix
[TS]
00:13:59
◼
►
story did you see it in the theater and
[TS]
00:14:00
◼
►
I did not see it but I bought it before
[TS]
00:14:05
◼
►
it came out on DVD i pre-ordered you
[TS]
00:14:07
◼
►
know I was like all right you have to
[TS]
00:14:08
◼
►
get countable I watched it the night it
[TS]
00:14:11
◼
►
came out yet see what the grad students
[TS]
00:14:13
◼
►
are talking about exactly
[TS]
00:14:14
◼
►
well we don't have great students but we
[TS]
00:14:16
◼
►
have a lot of college student like whoa
[TS]
00:14:17
◼
►
yeah sir robin and except they don't pay
[TS]
00:14:21
◼
►
me so I don't go near them all our
[TS]
00:14:22
◼
►
listeners our grad students and we just
[TS]
00:14:24
◼
►
a little but yes we apologize the
[TS]
00:14:27
◼
►
granite with your answer the world all
[TS]
00:14:28
◼
►
right but yeah no I mean when it came
[TS]
00:14:30
◼
►
out you know all anyone knew about it
[TS]
00:14:32
◼
►
was a science fiction film by the
[TS]
00:14:34
◼
►
Wachowskis and you know and I had seen
[TS]
00:14:36
◼
►
bound right i thought well what kind of
[TS]
00:14:39
◼
►
science fiction film where they going to
[TS]
00:14:41
◼
►
do because i mean it came out of nowhere
[TS]
00:14:42
◼
►
right and so when I saw it and and again
[TS]
00:14:47
◼
►
part of the curiosity was just really
[TS]
00:14:50
◼
►
they're doing sci-fi yeah okay but I
[TS]
00:14:53
◼
►
mean bound is a good just you know solid
[TS]
00:14:56
◼
►
pulp thriller yeah with some nice hooks
[TS]
00:15:00
◼
►
so to speak and so when i'm with you i'm
[TS]
00:15:05
◼
►
watching the movie i'm going wow this is
[TS]
00:15:08
◼
►
this pretty good i like this you know
[TS]
00:15:10
◼
►
and it's got its got a little bit of
[TS]
00:15:12
◼
►
fake Philip dick but it's not Philip
[TS]
00:15:14
◼
►
dick and it's better than all of the
[TS]
00:15:16
◼
►
actual adaptations of Philip dick that
[TS]
00:15:18
◼
►
are anything like Philip dick so you
[TS]
00:15:20
◼
►
know I really like that you mentioned
[TS]
00:15:22
◼
►
you mentioned bound I i also saw bound
[TS]
00:15:25
◼
►
before I saw the matrix and the opening
[TS]
00:15:28
◼
►
of this movie is carrie-anne moss in
[TS]
00:15:31
◼
►
leather em in in the in what she in the
[TS]
00:15:34
◼
►
building in the heart is the heart of
[TS]
00:15:35
◼
►
the city hotel with the city heart of
[TS]
00:15:37
◼
►
the city hotel
[TS]
00:15:38
◼
►
actually before that you get the cold
[TS]
00:15:39
◼
►
open where it's just voiceover right and
[TS]
00:15:41
◼
►
it turns out here it's joe pantoliano
[TS]
00:15:42
◼
►
and the numbers are there and we go into
[TS]
00:15:45
◼
►
the matrix and you can hear that phone
[TS]
00:15:46
◼
►
call that's going on the back which I
[TS]
00:15:48
◼
►
only mentioned for the sake of symmetry
[TS]
00:15:50
◼
►
because they echo it again at the very
[TS]
00:15:52
◼
►
near the end of the film right right
[TS]
00:15:54
◼
►
first sign there in the matrix should
[TS]
00:15:55
◼
►
have been the phone number with the 555
[TS]
00:15:57
◼
►
perfect that's that's the somebody
[TS]
00:15:59
◼
►
somebody on Twitter today was saying how
[TS]
00:16:01
◼
►
when you re watch it you realize how
[TS]
00:16:04
◼
►
much of how much of the plot involves
[TS]
00:16:06
◼
►
you know telephones and phone booths and
[TS]
00:16:09
◼
►
wired a flyer phones and they do have
[TS]
00:16:11
◼
►
cell phones but I said well this is why
[TS]
00:16:13
◼
►
the machines
[TS]
00:16:14
◼
►
headed in 1999's because they needed to
[TS]
00:16:16
◼
►
have phone boots i guess it a
[TS]
00:16:19
◼
►
coincidence that shortly after this film
[TS]
00:16:20
◼
►
came out public phone booth started
[TS]
00:16:22
◼
►
disappearing finals think so you think
[TS]
00:16:24
◼
►
so you think the machines they figured
[TS]
00:16:26
◼
►
they figured that so we see we see
[TS]
00:16:27
◼
►
Trinity in the heart of the city and and
[TS]
00:16:30
◼
►
i watch this with my wife and she said
[TS]
00:16:31
◼
►
that she quoted dialogue in my wife
[TS]
00:16:34
◼
►
likes lots of movies but she doesn't
[TS]
00:16:36
◼
►
generally quote sci-fi movie dialogue at
[TS]
00:16:38
◼
►
back at me I'm the one who tends to do
[TS]
00:16:40
◼
►
that in this relationship and and she
[TS]
00:16:43
◼
►
she turns to me as as we're watching it
[TS]
00:16:45
◼
►
and says lieutenant your men are already
[TS]
00:16:47
◼
►
dead which is such a wonderful thing
[TS]
00:16:51
◼
►
because there's the police that kind of
[TS]
00:16:52
◼
►
that police guy who says that my guys
[TS]
00:16:55
◼
►
can handle a little girl he is this just
[TS]
00:16:57
◼
►
complete awful obnoxious cop and and and
[TS]
00:17:00
◼
►
we meet agent smith and and he says your
[TS]
00:17:02
◼
►
men are already dead and then we see
[TS]
00:17:04
◼
►
Trinity dispatch all of these all of
[TS]
00:17:06
◼
►
these guys and and then we get that huge
[TS]
00:17:10
◼
►
chasing and it's it's a quite a
[TS]
00:17:12
◼
►
statement this movie makes right at the
[TS]
00:17:14
◼
►
top that this is not maybe the kind of
[TS]
00:17:18
◼
►
movie that you're expecting me at the
[TS]
00:17:19
◼
►
strong female character who is in this
[TS]
00:17:22
◼
►
action sequence and the chase and and
[TS]
00:17:24
◼
►
and does some pretty amazing things that
[TS]
00:17:27
◼
►
you like how is that possible right and
[TS]
00:17:30
◼
►
and then that leads off to her running
[TS]
00:17:32
◼
►
to a phone booth and car smashing into
[TS]
00:17:34
◼
►
it and it's like what did I just see but
[TS]
00:17:36
◼
►
it's a it really is a spectacular action
[TS]
00:17:39
◼
►
scene to start a movie and i love it oh
[TS]
00:17:41
◼
►
yeah no I I with the other night when I
[TS]
00:17:43
◼
►
rewatched and i watched it with my 11
[TS]
00:17:46
◼
►
year old who you know again had no idea
[TS]
00:17:48
◼
►
what he was in for and and and he you
[TS]
00:17:52
◼
►
know he's already doing the thing where
[TS]
00:17:53
◼
►
he'll have a tablet or a d/s or
[TS]
00:17:56
◼
►
something while he's watching and and as
[TS]
00:17:59
◼
►
that's going on he's just looking over
[TS]
00:18:01
◼
►
the top of it and finally just turns it
[TS]
00:18:02
◼
►
off and put it down
[TS]
00:18:03
◼
►
yeah it's like that yeah okay okay
[TS]
00:18:08
◼
►
and the thing that really struck me
[TS]
00:18:10
◼
►
especially like looking at some of the
[TS]
00:18:11
◼
►
lighting and the just the
[TS]
00:18:14
◼
►
framing of shots especially when she's
[TS]
00:18:17
◼
►
in the midst of the fight and and on the
[TS]
00:18:19
◼
►
roof later I don't need all these things
[TS]
00:18:21
◼
►
is that this really is a comic book yeah
[TS]
00:18:26
◼
►
you know and it is it's maybe one of the
[TS]
00:18:28
◼
►
best-looking you know most comic book
[TS]
00:18:31
◼
►
looking movies I've ever seen
[TS]
00:18:33
◼
►
yeah that scene is that's where i bought
[TS]
00:18:35
◼
►
in I mean yeah we can we can credit the
[TS]
00:18:37
◼
►
fact that I thought nine times in the
[TS]
00:18:39
◼
►
theater is very expensive summer for
[TS]
00:18:42
◼
►
movies come back two minutes came out
[TS]
00:18:43
◼
►
that you're too good grief see only so
[TS]
00:18:46
◼
►
that once
[TS]
00:18:47
◼
►
yeah I that nine times as well I'm that
[TS]
00:18:51
◼
►
geek so wait you earlier said you
[TS]
00:18:52
◼
►
weren't a masochist
[TS]
00:18:54
◼
►
haha we all did face at the time that we
[TS]
00:18:58
◼
►
might regret later Steve will just never
[TS]
00:19:02
◼
►
never all very excited about the Phantom
[TS]
00:19:03
◼
►
Menace when it came out
[TS]
00:19:04
◼
►
yes but I I thought it was really bold
[TS]
00:19:08
◼
►
to start the film with like you said
[TS]
00:19:11
◼
►
Jason a female character because that's
[TS]
00:19:13
◼
►
not something that actually that's not
[TS]
00:19:14
◼
►
something you still see in the movies
[TS]
00:19:16
◼
►
very often and I was just not only blown
[TS]
00:19:19
◼
►
away by the fact that it's it's a woman
[TS]
00:19:21
◼
►
thats its kicking ass but how much she
[TS]
00:19:23
◼
►
was kicking ass and i also have to
[TS]
00:19:25
◼
►
mention another little bit of symmetry
[TS]
00:19:27
◼
►
because that's the kind of stuff that
[TS]
00:19:28
◼
►
really gets me going when she lands at
[TS]
00:19:30
◼
►
the bottom of the stairs in this thing
[TS]
00:19:31
◼
►
you know get opportunity
[TS]
00:19:32
◼
►
get up that's echoed again at the end of
[TS]
00:19:35
◼
►
the movie which will get to write and i
[TS]
00:19:37
◼
►
love that moment to because we've seen
[TS]
00:19:38
◼
►
her at that moment when she's at the
[TS]
00:19:40
◼
►
bottom of the stairs laying on her back
[TS]
00:19:42
◼
►
with guns pointed up at the window
[TS]
00:19:44
◼
►
waiting for that agent to come through
[TS]
00:19:45
◼
►
this we've seen her do things that seem
[TS]
00:19:48
◼
►
super human and we definitely have seen
[TS]
00:19:49
◼
►
the agent do things that seem super
[TS]
00:19:51
◼
►
human they've left the police behind and
[TS]
00:19:53
◼
►
there's that moment where immediately
[TS]
00:19:55
◼
►
following this superhuman chase she's
[TS]
00:19:57
◼
►
laying at the bottom of the stairs and
[TS]
00:19:58
◼
►
she's vulnerable and she's scared and
[TS]
00:20:01
◼
►
she's waiting for that horrible monster
[TS]
00:20:02
◼
►
to come through the window and then she
[TS]
00:20:04
◼
►
has to kind of like talk yourself into
[TS]
00:20:05
◼
►
getting to the next thing and that's a
[TS]
00:20:07
◼
►
great combination to because we've just
[TS]
00:20:09
◼
►
seen her super part and now we see her
[TS]
00:20:12
◼
►
as you obviously she is vulnerable
[TS]
00:20:13
◼
►
there's something that that these super
[TS]
00:20:15
◼
►
people that we're watching are afraid of
[TS]
00:20:18
◼
►
and i love that combination then she
[TS]
00:20:21
◼
►
runs you know runs down the street it's
[TS]
00:20:22
◼
►
it's a indelible scene i love that scene
[TS]
00:20:25
◼
►
ok let's step out of the matrix brief
[TS]
00:20:28
◼
►
lean back into the real world so i can
[TS]
00:20:30
◼
►
tell you about this week's sponsor its
[TS]
00:20:32
◼
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00:20:34
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00:20:36
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00:20:38
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00:20:39
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00:20:41
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00:20:43
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00:20:45
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00:20:47
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00:20:51
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namecheap.com has been offering an
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00:20:53
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00:20:54
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[TS]
00:20:56
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00:20:57
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00:21:00
◼
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[TS]
00:21:03
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00:21:03
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00:21:06
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[TS]
00:21:07
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[TS]
00:21:10
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[TS]
00:21:12
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00:21:14
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00:21:16
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[TS]
00:21:19
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and a dot-com dotnet or.org domain for
[TS]
00:21:22
◼
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only 6 99 but in order to do this you
[TS]
00:21:25
◼
►
have to visit my favorite URL in the
[TS]
00:21:28
◼
►
world this week it's namecheap.com /
[TS]
00:21:31
◼
►
incomparable that's named cheap dot-com
[TS]
00:21:34
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/ and comfortable when you go there you
[TS]
00:21:36
◼
►
will see our logo are Zeppelin is there
[TS]
00:21:39
◼
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are rocket is there are dragging our
[TS]
00:21:40
◼
►
robot all the cool and comfortable stuff
[TS]
00:21:42
◼
►
is there and there's also a really great
[TS]
00:21:44
◼
►
deal for you so thank you to
[TS]
00:21:45
◼
►
namecheap.com the place where I
[TS]
00:21:47
◼
►
registered my own intertext dot-com
[TS]
00:21:49
◼
►
domain for sponsoring the incomparable
[TS]
00:21:51
◼
►
ok now everybody take the red pill one
[TS]
00:21:54
◼
►
of the many reasons that the geeks like
[TS]
00:21:56
◼
►
this movie as the reason that makes like
[TS]
00:21:58
◼
►
a lot of movies is that it doesn't it
[TS]
00:22:02
◼
►
assumes a level of intelligence and
[TS]
00:22:05
◼
►
being able to follow the plot that many
[TS]
00:22:07
◼
►
blockbuster action movies do not and so
[TS]
00:22:09
◼
►
the the opening of the movie where they
[TS]
00:22:11
◼
►
don't explain who is this person
[TS]
00:22:13
◼
►
why are these people chasing her why can
[TS]
00:22:14
◼
►
they do these things a lesser popcorn
[TS]
00:22:17
◼
►
action movie would have to set up all
[TS]
00:22:20
◼
►
those things before you see a dramatic
[TS]
00:22:21
◼
►
action scene at least explain to you
[TS]
00:22:23
◼
►
that the people are maybe if you don't
[TS]
00:22:24
◼
►
explain it because it's a it's a
[TS]
00:22:25
◼
►
franchise movie and everyone knows who
[TS]
00:22:27
◼
►
Batman is that you can have an opening
[TS]
00:22:28
◼
►
scene and people has accepted his batman
[TS]
00:22:30
◼
►
no explanation of who these people are
[TS]
00:22:32
◼
►
what's at stake why they're chasing each
[TS]
00:22:34
◼
►
other why they can do these things in
[TS]
00:22:35
◼
►
the premise of the movie or in the
[TS]
00:22:37
◼
►
advertising or anything because in them
[TS]
00:22:40
◼
►
in a movie like a good boy
[TS]
00:22:41
◼
►
the story unfolds and you learn things
[TS]
00:22:43
◼
►
but that is so counter to the way
[TS]
00:22:45
◼
►
blockbuster movies are done so any movie
[TS]
00:22:47
◼
►
that gives you any credit to be able to
[TS]
00:22:48
◼
►
follow plot and and revealing
[TS]
00:22:50
◼
►
information later that you know let's
[TS]
00:22:52
◼
►
look back in earlier scenes and explain
[TS]
00:22:53
◼
►
them get such a big thumbs-up from
[TS]
00:22:55
◼
►
nerves especially when its i5 it's like
[TS]
00:22:57
◼
►
finally you're not talking down to me as
[TS]
00:22:59
◼
►
badly as you usually are
[TS]
00:23:01
◼
►
and I I definitely felt that in this
[TS]
00:23:03
◼
►
opening scene because again going in
[TS]
00:23:05
◼
►
knowing nothing I knew these weren't
[TS]
00:23:06
◼
►
franchise characters it's not based on
[TS]
00:23:08
◼
►
you know anything that our life is it
[TS]
00:23:10
◼
►
was based on a comic book or property to
[TS]
00:23:12
◼
►
I hadn't heard of or anything and they
[TS]
00:23:14
◼
►
just went right into it here we are
[TS]
00:23:15
◼
►
they're fighting you did you learn later
[TS]
00:23:18
◼
►
why they're fighting and it will make
[TS]
00:23:19
◼
►
sense and sure enough you did and I like
[TS]
00:23:22
◼
►
yeah that's exactly the reverse dramatic
[TS]
00:23:23
◼
►
irony i was talking about it i like
[TS]
00:23:25
◼
►
movies like that because it makes me
[TS]
00:23:27
◼
►
feel like my time was worth something
[TS]
00:23:29
◼
►
yeah I've accomplished something it's
[TS]
00:23:30
◼
►
not like you know captain info dump at
[TS]
00:23:32
◼
►
the beginning of the movie telling me
[TS]
00:23:34
◼
►
everything I should know and and the
[TS]
00:23:35
◼
►
thing that's that's really striking is
[TS]
00:23:37
◼
►
that you know because it's not based on
[TS]
00:23:39
◼
►
an existing thing because we don't know
[TS]
00:23:41
◼
►
who this is because it's not either of
[TS]
00:23:44
◼
►
the two big names who are advertised in
[TS]
00:23:45
◼
►
every piece of marketing it's not
[TS]
00:23:47
◼
►
laurence fishburne it's not Keanu Reeves
[TS]
00:23:49
◼
►
who is this
[TS]
00:23:50
◼
►
maybe the thing maybe the truck really
[TS]
00:23:52
◼
►
did kill her when it crashed into the
[TS]
00:23:53
◼
►
phone booth
[TS]
00:23:54
◼
►
you know we have no idea who this is and
[TS]
00:23:57
◼
►
suddenly we realize that any one of
[TS]
00:23:59
◼
►
these characters could die at any moment
[TS]
00:24:01
◼
►
and suddenly there are steaks where
[TS]
00:24:03
◼
►
james bond is not gonna die
[TS]
00:24:05
◼
►
why are these phones so important to
[TS]
00:24:07
◼
►
people in front of them even of the
[TS]
00:24:09
◼
►
truck is gonna smash and then you know
[TS]
00:24:11
◼
►
again spoiling later when Keanu dies and
[TS]
00:24:17
◼
►
you go wait a minute and then suddenly
[TS]
00:24:19
◼
►
he's not dead so they've even changed
[TS]
00:24:21
◼
►
that rule by the end of the movie
[TS]
00:24:26
◼
►
we're Keanu Reeves doesn't die at the
[TS]
00:24:30
◼
►
end of again thanks for catching I'm
[TS]
00:24:33
◼
►
sorry to ruin a spin-out 414 not that
[TS]
00:24:37
◼
►
you know so that we cut me cut and we
[TS]
00:24:40
◼
►
get that we meet women Keanu Reeves and
[TS]
00:24:43
◼
►
he is this kind of shlumpy programmer
[TS]
00:24:45
◼
►
guy living in his little apartment and
[TS]
00:24:47
◼
►
there's a knock on the door and there's
[TS]
00:24:48
◼
►
some kind of there's a there's a really
[TS]
00:24:51
◼
►
douchey guy who wants to do was like a
[TS]
00:24:54
◼
►
disc or something and talks about
[TS]
00:24:55
◼
►
mescaline that support more than most
[TS]
00:24:57
◼
►
embarrassing lines in the entire movie
[TS]
00:24:59
◼
►
it's the only way to fly his clothing
[TS]
00:25:01
◼
►
ginger who has the audacity to call
[TS]
00:25:03
◼
►
kiadó reefs whiter than you yeah i know
[TS]
00:25:05
◼
►
now and uh by the but the the girl who's
[TS]
00:25:09
◼
►
with him
[TS]
00:25:09
◼
►
she's got the white rabbit tattoo and
[TS]
00:25:11
◼
►
he's gotten his mysterious text glowing
[TS]
00:25:13
◼
►
green text message on his computer that
[TS]
00:25:15
◼
►
says to follow the white rabbit and so
[TS]
00:25:16
◼
►
we get what and what I really now I
[TS]
00:25:20
◼
►
think about it is this descent into the
[TS]
00:25:21
◼
►
mystery of the matrix but at the time
[TS]
00:25:22
◼
►
I'm thinking oh this is what the story
[TS]
00:25:25
◼
►
is going to be the first time this movie
[TS]
00:25:26
◼
►
unfolds it's like you know now I'm
[TS]
00:25:28
◼
►
understanding what I'm seeing is a
[TS]
00:25:29
◼
►
regular guy who you know it's almost
[TS]
00:25:32
◼
►
like what's the Martin Scorsese movie
[TS]
00:25:34
◼
►
after hours with griffin dunne right
[TS]
00:25:36
◼
►
where it's a regular guy who gets in the
[TS]
00:25:37
◼
►
series of ridiculous situations and goes
[TS]
00:25:40
◼
►
further and further into the underworld
[TS]
00:25:41
◼
►
and that's originally that's what I
[TS]
00:25:43
◼
►
thought is that what it is and now we
[TS]
00:25:45
◼
►
know it's really just him getting to the
[TS]
00:25:48
◼
►
nightclub so that he can meet Trinity
[TS]
00:25:50
◼
►
right that establishes his character as
[TS]
00:25:53
◼
►
not the character that the geeks will
[TS]
00:25:55
◼
►
identify with the moment that he
[TS]
00:25:57
◼
►
credulous Lee believes that he doesn't
[TS]
00:25:59
◼
►
like an actual nerd would be like that's
[TS]
00:26:02
◼
►
an actual coincidence that my brain is
[TS]
00:26:04
◼
►
applying significance to it because it
[TS]
00:26:06
◼
►
seems like whoa that must mean like they
[TS]
00:26:08
◼
►
totally just said white rabbit and some
[TS]
00:26:09
◼
►
other way around no but he is credulous
[TS]
00:26:11
◼
►
and he is stupid and like these the
[TS]
00:26:15
◼
►
forest gump of the movie and so he goes
[TS]
00:26:16
◼
►
long as it's all right right out the
[TS]
00:26:18
◼
►
gate we know
[TS]
00:26:19
◼
►
ok I'm not identifying with me oh he
[TS]
00:26:21
◼
►
also goes out he's not a skeptical
[TS]
00:26:23
◼
►
marathon so I do like the needed a
[TS]
00:26:26
◼
►
super-secret sony mini discs in a
[TS]
00:26:28
◼
►
hollowed-out copy of simulacra and
[TS]
00:26:30
◼
►
simulation yeah open to the page on me
[TS]
00:26:33
◼
►
ilysm i love the sony minidisc thing by
[TS]
00:26:35
◼
►
the way that looks better and better as
[TS]
00:26:37
◼
►
time received like what kind of crazy
[TS]
00:26:39
◼
►
fuck is this that's the second layer of
[TS]
00:26:41
◼
►
this movie is that when you know I
[TS]
00:26:42
◼
►
showed it to my son as well the idea of
[TS]
00:26:44
◼
►
like nineties technology phone booths
[TS]
00:26:48
◼
►
that the nokia cell phone that snaps
[TS]
00:26:50
◼
►
open what has to be impressive like all
[TS]
00:26:52
◼
►
that kind of retro-futuristic it was
[TS]
00:26:55
◼
►
impressive that was super impressed when
[TS]
00:26:57
◼
►
honking phone to it makes a great sound
[TS]
00:27:00
◼
►
when it clicks as it and I'm very
[TS]
00:27:01
◼
►
excited that's what you want moving no
[TS]
00:27:03
◼
►
you're right it is I remember so this is
[TS]
00:27:05
◼
►
one of my references Jason always makes
[TS]
00:27:07
◼
►
on podcast it's not about the Micronauts
[TS]
00:27:09
◼
►
it's about Max Headroom but max headroom
[TS]
00:27:10
◼
►
the art direction is lots of weird
[TS]
00:27:13
◼
►
anachronistic stuff so there's like
[TS]
00:27:15
◼
►
there's like Studebakers that everybody
[TS]
00:27:17
◼
►
drives and stuff and I what I like about
[TS]
00:27:19
◼
►
it is it's like this bizarre combination
[TS]
00:27:21
◼
►
of things
[TS]
00:27:22
◼
►
the matrix watching it now i feel more
[TS]
00:27:24
◼
►
of that like when they're in the matrix
[TS]
00:27:25
◼
►
it's eight at the time it was there in
[TS]
00:27:27
◼
►
the present day and now it's like
[TS]
00:27:28
◼
►
they're in a simulation of 1999 and it
[TS]
00:27:31
◼
►
feels like it actually kind of works
[TS]
00:27:33
◼
►
that they've got the mini discs in the
[TS]
00:27:35
◼
►
and the cell phones and all of that
[TS]
00:27:37
◼
►
well it here's the thing with
[TS]
00:27:38
◼
►
perspective so I'm watching it with my
[TS]
00:27:39
◼
►
son and you know neo gets the little bit
[TS]
00:27:42
◼
►
of the computer wakes up with the
[TS]
00:27:43
◼
►
messages and he goes that's a
[TS]
00:27:46
◼
►
weird-looking I message it didn't
[TS]
00:27:48
◼
►
because it didn't you know of course the
[TS]
00:27:50
◼
►
computers going to talk to you
[TS]
00:27:52
◼
►
yeah i miss you know that's not a
[TS]
00:27:53
◼
►
computer that's less you're going to be
[TS]
00:27:55
◼
►
if it's just the hoop
[TS]
00:27:57
◼
►
here's a message from your friend
[TS]
00:27:58
◼
►
Morpheus ok so Neil goes to work he's
[TS]
00:28:00
◼
►
accused of cubical drone is specifically
[TS]
00:28:03
◼
►
a program writer for a respectable
[TS]
00:28:04
◼
►
software company whatever that is I i
[TS]
00:28:07
◼
►
left meets Trinity we should say that he
[TS]
00:28:10
◼
►
meets trinity at the at the club v
[TS]
00:28:13
◼
►
Trinity Jason and there's a nice scene
[TS]
00:28:15
◼
►
there where where he says I thought you
[TS]
00:28:17
◼
►
were a guy she says most guys do
[TS]
00:28:19
◼
►
yeah beauty is a couple of a couple of
[TS]
00:28:21
◼
►
good lines that movie still stand up
[TS]
00:28:23
◼
►
yeah but then he ends up in the cubicle
[TS]
00:28:25
◼
►
farm and we see his soul crushing job
[TS]
00:28:27
◼
►
with his soul crushing boss and so he
[TS]
00:28:30
◼
►
gets the FedExed cell phone and it
[TS]
00:28:34
◼
►
immediately rings and you're mad that
[TS]
00:28:36
◼
►
the serious thing in this movie is what
[TS]
00:28:38
◼
►
if somebody sent you a phone in the mail
[TS]
00:28:40
◼
►
when you open the box
[TS]
00:28:41
◼
►
well it could be they've been calling
[TS]
00:28:43
◼
►
every fire and it's a nokia was a hook
[TS]
00:28:46
◼
►
so we answered it and it's Morpheus and
[TS]
00:28:49
◼
►
and I really like that scene where
[TS]
00:28:51
◼
►
we're Morpheus tells me exactly what to
[TS]
00:28:54
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do like you can see every single thing
[TS]
00:28:55
◼
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and knows the sequence of events and and
[TS]
00:28:58
◼
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you know go now and the runs across and
[TS]
00:29:00
◼
►
it's very tense but it's also like how
[TS]
00:29:02
◼
►
is this possible how is this guy doing
[TS]
00:29:04
◼
►
this and he leads him to the window and
[TS]
00:29:06
◼
►
and he goes out on the ledge and then
[TS]
00:29:09
◼
►
you know again kind of going against
[TS]
00:29:11
◼
►
your expectations key hunters like now
[TS]
00:29:13
◼
►
forget it and then next next scene is
[TS]
00:29:15
◼
►
with the agents and his boss and it's
[TS]
00:29:16
◼
►
like right now I'm not going I'm not
[TS]
00:29:18
◼
►
gonna I'm not gonna follow this Morpheus
[TS]
00:29:20
◼
►
guy who is this guy
[TS]
00:29:22
◼
►
I don't have it at this point we still
[TS]
00:29:23
◼
►
have no idea what's at stake
[TS]
00:29:25
◼
►
why they're chasing him why he is
[TS]
00:29:27
◼
►
important in any way like because he
[TS]
00:29:29
◼
►
doesn't know and we don't know at what
[TS]
00:29:30
◼
►
why do people catch him what are they
[TS]
00:29:32
◼
►
gonna do when they catch him what
[TS]
00:29:33
◼
►
anything is this process you know the
[TS]
00:29:36
◼
►
criminals is he a criminal they're gonna
[TS]
00:29:37
◼
►
kill him are they part of his boss his
[TS]
00:29:39
◼
►
work is it a computer and we know
[TS]
00:29:40
◼
►
nothing which is great like you've got
[TS]
00:29:42
◼
►
so long into the movie without them
[TS]
00:29:43
◼
►
explaining it to you
[TS]
00:29:44
◼
►
I like that scene because you're right
[TS]
00:29:47
◼
►
we don't know anything but at that point
[TS]
00:29:48
◼
►
I no longer feel like I'm alone in not
[TS]
00:29:51
◼
►
knowing anything because that's when neo
[TS]
00:29:52
◼
►
really joins us as the audience in being
[TS]
00:29:55
◼
►
like WTF have no idea what's happening
[TS]
00:29:57
◼
►
right yeah this is the first place where
[TS]
00:29:59
◼
►
I kind of started having problems with
[TS]
00:30:00
◼
►
the movie having three watched it a few
[TS]
00:30:02
◼
►
times if the computers running this
[TS]
00:30:04
◼
►
whole simulation shouldn't hiding from
[TS]
00:30:05
◼
►
the agents be basically impossible i
[TS]
00:30:08
◼
►
think the agents I think I mean
[TS]
00:30:09
◼
►
obviously the premise of the movie is
[TS]
00:30:11
◼
►
that the agents the agents are our
[TS]
00:30:13
◼
►
artificial intelligence that they work
[TS]
00:30:15
◼
►
within the make their loose within the
[TS]
00:30:17
◼
►
system and that's that it Smith even
[TS]
00:30:18
◼
►
says later you know I i hate the smell
[TS]
00:30:20
◼
►
and and that they're obviously clearly
[TS]
00:30:22
◼
►
getting some kind of information from
[TS]
00:30:25
◼
►
their little headsets right but the
[TS]
00:30:26
◼
►
matrix did they like they have to play
[TS]
00:30:28
◼
►
by the rules
[TS]
00:30:29
◼
►
he's he's almost like a virus that's why
[TS]
00:30:31
◼
►
they have to have headsets yeah i think
[TS]
00:30:33
◼
►
that i think that's I mean otherwise
[TS]
00:30:34
◼
►
what's the point of the movie if there's
[TS]
00:30:36
◼
►
just and then a hand appeared out of the
[TS]
00:30:38
◼
►
sky and picked up neo and crushed him
[TS]
00:30:40
◼
►
and the end right today after them their
[TS]
00:30:43
◼
►
day they can break the rules but they
[TS]
00:30:44
◼
►
still have to be in the world and play
[TS]
00:30:46
◼
►
bye-bye to some degree the physics of
[TS]
00:30:48
◼
►
the world and that's just the premise we
[TS]
00:30:49
◼
►
have to go through stiii psalm is sort
[TS]
00:30:51
◼
►
of sort of like a virus that you sort of
[TS]
00:30:53
◼
►
stick in there that's working as a free
[TS]
00:30:57
◼
►
so to speak um right I you know who
[TS]
00:31:00
◼
►
knows how intentionally they put that in
[TS]
00:31:02
◼
►
there if they ever did sequels they
[TS]
00:31:03
◼
►
might have explained it but
[TS]
00:31:05
◼
►
yeah again sadly I mean someday
[TS]
00:31:07
◼
►
something deadly has everybody seen the
[TS]
00:31:11
◼
►
the imagine sequels they don't know what
[TS]
00:31:14
◼
►
you're talking about yes i have i have
[TS]
00:31:16
◼
►
seen all the man i don't deny the
[TS]
00:31:17
◼
►
existence as always although they are
[TS]
00:31:19
◼
►
terrible but I like they had they had
[TS]
00:31:21
◼
►
seeds of possible things
[TS]
00:31:24
◼
►
yeah they had they had an interesting
[TS]
00:31:25
◼
►
ideas it just completely portal and
[TS]
00:31:27
◼
►
actually argued that the first half of
[TS]
00:31:28
◼
►
the trilogy is good because i think the
[TS]
00:31:30
◼
►
first half of the second movie is
[TS]
00:31:31
◼
►
actually pretty good and then it comes
[TS]
00:31:33
◼
►
to a screeching halt and never resumed I
[TS]
00:31:36
◼
►
think that good popcorn movies they're
[TS]
00:31:38
◼
►
just fun to watch not funded i can think
[TS]
00:31:40
◼
►
about the car chase in matrix reloaded
[TS]
00:31:43
◼
►
is amazing it's just that any architect
[TS]
00:31:46
◼
►
appears yeah yeah there's this great
[TS]
00:31:48
◼
►
action scenes buddy you have to you have
[TS]
00:31:50
◼
►
to figure out it like for the first
[TS]
00:31:52
◼
►
movie is a clear arc they will travel
[TS]
00:31:54
◼
►
through of like be you know a beginning
[TS]
00:31:55
◼
►
middle end we see you know we be the
[TS]
00:31:57
◼
►
beginning you don't know that you do
[TS]
00:31:58
◼
►
know it's revealed and there's a climax
[TS]
00:32:00
◼
►
and blah blah and I just didn't come up
[TS]
00:32:02
◼
►
with that for the next two movies they
[TS]
00:32:03
◼
►
just wanted to finish telling the story
[TS]
00:32:04
◼
►
but didn't figure out oh then we have
[TS]
00:32:06
◼
►
two more movies in each one of those
[TS]
00:32:08
◼
►
movies needs to be a satisfying
[TS]
00:32:09
◼
►
self-righting story that's pretty
[TS]
00:32:11
◼
►
continues the plot and they said now
[TS]
00:32:12
◼
►
we're not gonna do that
[TS]
00:32:13
◼
►
just working downloading happening in
[TS]
00:32:15
◼
►
those movies in terms of mythology and
[TS]
00:32:19
◼
►
stuff instead of really more satisfying
[TS]
00:32:22
◼
►
stories in effect of the third movie
[TS]
00:32:23
◼
►
ends up being a giant like my neck
[TS]
00:32:26
◼
►
gunbattle kind of thing is sort of this
[TS]
00:32:28
◼
►
morning although although you could say
[TS]
00:32:30
◼
►
that about the end of this movie too and
[TS]
00:32:32
◼
►
maybe well maybe we'll get there
[TS]
00:32:33
◼
►
although we're going through slowly
[TS]
00:32:34
◼
►
through it I they put a bug in him they
[TS]
00:32:37
◼
►
put up they put a bug in him and that he
[TS]
00:32:39
◼
►
wakes up and and and I feel like we're
[TS]
00:32:41
◼
►
still at the point in this movie where
[TS]
00:32:43
◼
►
there's a question about whether
[TS]
00:32:44
◼
►
anything truly fantastical is going on
[TS]
00:32:47
◼
►
we're sort of in that easy is the
[TS]
00:32:49
◼
►
imagining this what's the reason behind
[TS]
00:32:51
◼
►
this is is this the real world and i
[TS]
00:32:53
◼
►
feel like the moment where the moment
[TS]
00:32:58
◼
►
where he gets what it his mouth come
[TS]
00:33:00
◼
►
across somebody mouthful and they still
[TS]
00:33:01
◼
►
bugging and all of that it's like oh my
[TS]
00:33:03
◼
►
god what is happening now that's that
[TS]
00:33:04
◼
►
moment where it's just like the mouth
[TS]
00:33:06
◼
►
closed up you're like okay is this movie
[TS]
00:33:08
◼
►
this movie have magic something is or is
[TS]
00:33:11
◼
►
this or is this all like a drug trip or
[TS]
00:33:13
◼
►
hallucination because previously
[TS]
00:33:14
◼
►
everything had been
[TS]
00:33:16
◼
►
you know guns fighting but no no like
[TS]
00:33:18
◼
►
fantasy elements and then once his mouth
[TS]
00:33:20
◼
►
closed over like that like it's either a
[TS]
00:33:22
◼
►
horror movie your fantasy movie or the
[TS]
00:33:24
◼
►
some sort of drug thing and it'syou by
[TS]
00:33:26
◼
►
saying okay now he wakes up
[TS]
00:33:27
◼
►
maybe he dreamed all that it seemed like
[TS]
00:33:29
◼
►
a dream sequence didn't it and you're
[TS]
00:33:30
◼
►
still not sure what's going on but now
[TS]
00:33:31
◼
►
you don't even know what genre the
[TS]
00:33:32
◼
►
movies anymore yeah great
[TS]
00:33:34
◼
►
the first sign that things are not quite
[TS]
00:33:35
◼
►
right is for me the best thing in the
[TS]
00:33:38
◼
►
movie and that's the way that Hugo
[TS]
00:33:39
◼
►
Weaving talks he's amazing oh yeah
[TS]
00:33:42
◼
►
halting he's got that kind of weird half
[TS]
00:33:44
◼
►
accidenti his little paws here and there
[TS]
00:33:47
◼
►
it's like he's struggling to figure out
[TS]
00:33:48
◼
►
how humans talk
[TS]
00:33:50
◼
►
he's trying to wrap his programming
[TS]
00:33:52
◼
►
around and it's wonderfully done and it
[TS]
00:33:54
◼
►
really racks up the tension I think the
[TS]
00:33:57
◼
►
thing i noticed for the first time
[TS]
00:33:58
◼
►
during the scene where they insert the
[TS]
00:34:00
◼
►
bug this time out there is this funky
[TS]
00:34:03
◼
►
little divot a little up into the left
[TS]
00:34:05
◼
►
of Keanu Reeves belly button
[TS]
00:34:07
◼
►
it's like a bonus navel it's really
[TS]
00:34:10
◼
►
weird i think the reason this guy talks
[TS]
00:34:12
◼
►
so where is he was grown in a lab yeah
[TS]
00:34:14
◼
►
that's a stem that's where he was
[TS]
00:34:17
◼
►
plucked off both kiana tree it's just
[TS]
00:34:19
◼
►
odd i wasn't sure if it was some weird
[TS]
00:34:21
◼
►
pieces so I they just threw into confuse
[TS]
00:34:23
◼
►
me or what the deal is Steve yurikano
[TS]
00:34:25
◼
►
sort of horror movies so i'm sure there
[TS]
00:34:27
◼
►
have been lots of belly button related
[TS]
00:34:29
◼
►
horror things and passed movies but i
[TS]
00:34:31
◼
►
love when they extract the the bug that
[TS]
00:34:34
◼
►
big it's kind of like we're going to
[TS]
00:34:36
◼
►
stick its like the belly button is a God
[TS]
00:34:38
◼
►
stay away from the belly button but no
[TS]
00:34:39
◼
►
such a sensitive area it's a it's a
[TS]
00:34:41
◼
►
really effective
[TS]
00:34:42
◼
►
I know I know if it's really effective
[TS]
00:34:44
◼
►
but it's like blah
[TS]
00:34:46
◼
►
every time I just think it comes out and
[TS]
00:34:47
◼
►
it's sloshing around in that purplish
[TS]
00:34:49
◼
►
sludge yeah in the two in the two would
[TS]
00:34:51
◼
►
be more effective if his line was
[TS]
00:34:53
◼
►
delivered a little better Jesus Christ
[TS]
00:34:55
◼
►
things real see that's what I'm talking
[TS]
00:34:57
◼
►
about yeah yeah that's the sort of thing
[TS]
00:34:59
◼
►
where somebody other than kiana would
[TS]
00:35:00
◼
►
improve out the secret is not to give
[TS]
00:35:02
◼
►
him lines that's right he should just be
[TS]
00:35:04
◼
►
going huh
[TS]
00:35:07
◼
►
just a lot of that a lot of growing this
[TS]
00:35:09
◼
►
scene by the way this grossest and the
[TS]
00:35:10
◼
►
the grossest and the horror of this
[TS]
00:35:12
◼
►
scene in this thing is excellent
[TS]
00:35:15
◼
►
it gets even better once you realize
[TS]
00:35:17
◼
►
that all that you know what's inside a
[TS]
00:35:19
◼
►
computer simulations like why does why
[TS]
00:35:20
◼
►
does it have to be that gross and
[TS]
00:35:22
◼
►
horrible it's like well again to some
[TS]
00:35:24
◼
►
degree you have to play by the rules of
[TS]
00:35:26
◼
►
the thing and the physical referent is
[TS]
00:35:28
◼
►
physical representation of you know
[TS]
00:35:29
◼
►
hacking or modifying the code of a
[TS]
00:35:33
◼
►
running system is so much better when
[TS]
00:35:34
◼
►
you abstract entirely from real code
[TS]
00:35:36
◼
►
because God forbid you try just throw
[TS]
00:35:37
◼
►
someone doing real hacking which they
[TS]
00:35:39
◼
►
did I think one of the sequel's or maybe
[TS]
00:35:40
◼
►
in this movie too and remember it's so
[TS]
00:35:42
◼
►
much better when you say no this is a
[TS]
00:35:44
◼
►
metaphor for they put a bug on him and
[TS]
00:35:46
◼
►
we're going to extracted and the
[TS]
00:35:48
◼
►
metaphor is disgusting in terrible but
[TS]
00:35:50
◼
►
really what's going on is you're just
[TS]
00:35:51
◼
►
changing 10 is in a program and this is
[TS]
00:35:53
◼
►
just the manifestation of that right
[TS]
00:35:55
◼
►
that's like another seen that look at
[TS]
00:35:57
◼
►
that becomes more interesting and
[TS]
00:35:58
◼
►
retrospective when you first see it it's
[TS]
00:36:00
◼
►
just gross and weird when you realize it
[TS]
00:36:01
◼
►
was all fake it takes on a new meaning
[TS]
00:36:03
◼
►
and it becomes even more interesting i
[TS]
00:36:05
◼
►
think well and obviously one watching
[TS]
00:36:07
◼
►
this movie this time i noticed the again
[TS]
00:36:10
◼
►
this is probably why the graduate
[TS]
00:36:12
◼
►
students for telling me well blow your
[TS]
00:36:14
◼
►
mind man is when we know now goes to
[TS]
00:36:17
◼
►
Morpheus and they drive him to tim
[TS]
00:36:19
◼
►
burton's batman and Morpheus talk to my
[TS]
00:36:22
◼
►
notes I've got my notes in front of me
[TS]
00:36:23
◼
►
for that I took while I was watching
[TS]
00:36:25
◼
►
this and what i have written down is
[TS]
00:36:27
◼
►
more peace talks like a fortune cookie
[TS]
00:36:29
◼
►
yeah well said it's just it's hilarious
[TS]
00:36:33
◼
►
that and I think you know again I kind
[TS]
00:36:35
◼
►
of like it I like that he is a spouting
[TS]
00:36:38
◼
►
off like philosophical at like
[TS]
00:36:40
◼
►
everything he says will is made to blow
[TS]
00:36:42
◼
►
your mind that's what his job is to be
[TS]
00:36:45
◼
►
that guy who is going to say these
[TS]
00:36:48
◼
►
things and Laurence Fishburne says them
[TS]
00:36:50
◼
►
incredibly well and they're these crazy
[TS]
00:36:52
◼
►
things but what I noticed this time and
[TS]
00:36:55
◼
►
I mean I noticed the first time but what
[TS]
00:36:56
◼
►
I really noticed this time is is clearly
[TS]
00:36:59
◼
►
what the Wachowskis goal and message of
[TS]
00:37:02
◼
►
this movie is the underlying message is
[TS]
00:37:04
◼
►
that you know he mortgaged talks about
[TS]
00:37:06
◼
►
paying your tab you see it every time
[TS]
00:37:08
◼
►
you pay your taxes in the matrix is
[TS]
00:37:10
◼
►
society it blots individualism and free
[TS]
00:37:14
◼
►
the matrix is the system it is it is
[TS]
00:37:16
◼
►
society it is the world around us and of
[TS]
00:37:18
◼
►
course that's the moment where you're
[TS]
00:37:19
◼
►
like you guys are out there you think
[TS]
00:37:22
◼
►
you're not in the matrix but you are in
[TS]
00:37:24
◼
►
the matrix which is the message I mean
[TS]
00:37:27
◼
►
it's not necessarily the the most
[TS]
00:37:29
◼
►
shocking and deep of messages but that
[TS]
00:37:30
◼
►
that clearly is what they want you
[TS]
00:37:32
◼
►
thinking about this entire rest of the
[TS]
00:37:34
◼
►
movie is you know are you in your own
[TS]
00:37:38
◼
►
personal matrix and Morpheus is your
[TS]
00:37:40
◼
►
guide to kind of like dress it up and
[TS]
00:37:42
◼
►
of some psychedelia but it really is
[TS]
00:37:44
◼
►
like you know when he says it's when you
[TS]
00:37:46
◼
►
pay your taxes it's like haha ok I get
[TS]
00:37:49
◼
►
what you're doing this is a
[TS]
00:37:50
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i-don't-know-what a and with the bugs
[TS]
00:37:53
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government agent bugs to is this a kind
[TS]
00:37:56
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of libertarian anarchist kind of that's
[TS]
00:37:59
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actually that's actually two prominent
[TS]
00:38:00
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mentions of paying taxes and like the
[TS]
00:38:02
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first 20 minutes of the film
[TS]
00:38:04
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yeah and Smith mentioned that you know
[TS]
00:38:05
◼
►
and trinity famously hack the IRS
[TS]
00:38:07
◼
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database right that's right well like
[TS]
00:38:11
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they do balance it off they are
[TS]
00:38:13
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self-aware enough to balance it because
[TS]
00:38:14
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Morpheus does talking a fortune cookie
[TS]
00:38:16
◼
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spots all this crap but there are
[TS]
00:38:17
◼
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characters they intentionally put in a
[TS]
00:38:19
◼
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movie who are like that Morpheus guy is
[TS]
00:38:21
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nuts right like like even his crew
[TS]
00:38:23
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around him is like alright movies like
[TS]
00:38:25
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they they realize he talks like a
[TS]
00:38:27
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fortune cookie they realize how
[TS]
00:38:28
◼
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ridiculous isn't so the skeptics in the
[TS]
00:38:30
◼
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movie like we're not supposed to take
[TS]
00:38:32
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him seriously obviously he takes himself
[TS]
00:38:33
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totals you seriously but the people
[TS]
00:38:34
◼
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around him are like he's looking at more
[TS]
00:38:37
◼
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of these guys a little bit off and you
[TS]
00:38:38
◼
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know i may or may not believe all that
[TS]
00:38:40
◼
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crazy craft that he's pouting and it's
[TS]
00:38:41
◼
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amusing or whatever so he is balanced by
[TS]
00:38:44
◼
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that and i think the movie is not like
[TS]
00:38:46
◼
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they're clearly that's more visas role
[TS]
00:38:47
◼
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but I don't think it's the filmmakers
[TS]
00:38:49
◼
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position that you know hey man you're in
[TS]
00:38:51
◼
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the matrix has you every time you pay
[TS]
00:38:53
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your taxes that's what that's a one
[TS]
00:38:54
◼
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character in the movie says and other
[TS]
00:38:56
◼
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characters think he's nuts and like they
[TS]
00:38:57
◼
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just you know try to find the balance
[TS]
00:38:58
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between is Morpheus nuts are the
[TS]
00:39:01
◼
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skeptics right or what is the real
[TS]
00:39:02
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situation I appreciate that a lot of the
[TS]
00:39:04
◼
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drive for Joey pants turning turncoat on
[TS]
00:39:08
◼
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them is he just can't take more faces PS
[TS]
00:39:11
◼
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exactly because like he is annoying is
[TS]
00:39:13
◼
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pumping the pompous ass and he's he
[TS]
00:39:15
◼
►
wants a steak and he's tired of the
[TS]
00:39:16
◼
►
fortune cookie didn't didn't realize
[TS]
00:39:19
◼
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what he was signing up for joe
[TS]
00:39:20
◼
►
pantoliano Joey pants who's who is safer
[TS]
00:39:23
◼
►
and betrays everybody
[TS]
00:39:25
◼
►
yeah he wants a steak and he didn't
[TS]
00:39:27
◼
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realize what he was signing up for
[TS]
00:39:28
◼
►
speaking of Morpheus originally
[TS]
00:39:30
◼
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originally val kilmer was supposed to
[TS]
00:39:32
◼
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play that part of the better they wanted
[TS]
00:39:34
◼
►
every time I want right now I constantly
[TS]
00:39:36
◼
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like I'm picturing val kilmer and you
[TS]
00:39:38
◼
►
know what I think that he could I think
[TS]
00:39:40
◼
►
you can have a pretty well I saw the
[TS]
00:39:42
◼
►
doors he could totally do it but unlike
[TS]
00:39:44
◼
►
Laurence Fishburne he doesn't have the
[TS]
00:39:45
◼
►
texture of a fortune cookie so it
[TS]
00:39:47
◼
►
doesn't work as well the what else what
[TS]
00:39:50
◼
►
else we also so they he takes the red
[TS]
00:39:53
◼
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pill right
[TS]
00:39:55
◼
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thank you to take the blue pill you go
[TS]
00:39:56
◼
►
back and we've got all our all our hole
[TS]
00:39:58
◼
►
Alice in Wonderland returns here and the
[TS]
00:40:03
◼
►
next scene again reason a really
[TS]
00:40:05
◼
►
memorable scene and John mentioned
[TS]
00:40:07
◼
►
earlier is my notes say Nia wakes up in
[TS]
00:40:10
◼
►
his googoo coffin he is covered in goo
[TS]
00:40:13
◼
►
and he's bald and I mean I don't know
[TS]
00:40:16
◼
►
whether they shot this out of sequence
[TS]
00:40:18
◼
►
so he could seem like emaciated but he
[TS]
00:40:20
◼
►
seems so messed up in these scenes that
[TS]
00:40:24
◼
►
it's actually really great aesthetics or
[TS]
00:40:25
◼
►
something on his chest yeah he was here
[TS]
00:40:27
◼
►
yesterday
[TS]
00:40:28
◼
►
yeah he has to look different and like
[TS]
00:40:30
◼
►
yeah this this was the point of the
[TS]
00:40:32
◼
►
movie like right up to the pill point
[TS]
00:40:34
◼
►
he's spouting all this crap like what
[TS]
00:40:35
◼
►
the hell is he talking about because it
[TS]
00:40:37
◼
►
sounded like just terrible BS or never
[TS]
00:40:39
◼
►
as soon as they showed him in the goo
[TS]
00:40:41
◼
►
I think pretty much every side finer is
[TS]
00:40:43
◼
►
like 600 everything every single piece
[TS]
00:40:45
◼
►
falls into place you don't need to see
[TS]
00:40:47
◼
►
the end of the GU seen as soon as you
[TS]
00:40:48
◼
►
see a bald guy with tools like all right
[TS]
00:40:50
◼
►
now I understand the whole movie and
[TS]
00:40:52
◼
►
like at that point the acceleration of
[TS]
00:40:53
◼
►
saying I understand everything that has
[TS]
00:40:55
◼
►
come before and I know exactly where
[TS]
00:40:56
◼
►
this movie is going now go like that
[TS]
00:40:58
◼
►
that was an exhilarating turn of events
[TS]
00:41:00
◼
►
whereas I think nan sci-fi nerds at that
[TS]
00:41:03
◼
►
point in the movie have not had enough
[TS]
00:41:05
◼
►
explanation at all because that fortune
[TS]
00:41:07
◼
►
cookie crap makes no sense to know
[TS]
00:41:09
◼
►
what's going on and like some of them
[TS]
00:41:11
◼
►
make it through the whole rest of the
[TS]
00:41:12
◼
►
movie like you know i'm looking up
[TS]
00:41:13
◼
►
throwing my parents on the bus but it
[TS]
00:41:15
◼
►
holds the whole rest of the movie
[TS]
00:41:16
◼
►
without understanding the promise and
[TS]
00:41:18
◼
►
other people have to wait for the you
[TS]
00:41:20
◼
►
know the explanation later and see more
[TS]
00:41:22
◼
►
of it for it to sink in so everyone has
[TS]
00:41:24
◼
►
something you put them on like a bell
[TS]
00:41:25
◼
►
curve like how long after you see read
[TS]
00:41:27
◼
►
good you do you understand what is going
[TS]
00:41:30
◼
►
on in the matrix and that could go out
[TS]
00:41:32
◼
►
to infinity on the right side versus
[TS]
00:41:33
◼
►
when they're in the matrix where they
[TS]
00:41:35
◼
►
park their spaceship exactly like their
[TS]
00:41:38
◼
►
that problem does exist
[TS]
00:41:40
◼
►
yeah I I suppose he does he does move
[TS]
00:41:42
◼
►
pretty good for a guy who's never used
[TS]
00:41:44
◼
►
his muscles before though I to say well
[TS]
00:41:46
◼
►
you know they keep they have to keep
[TS]
00:41:48
◼
►
them a certain strength yes and this is
[TS]
00:41:49
◼
►
also the point where my little nerd
[TS]
00:41:51
◼
►
brain started going and I started to
[TS]
00:41:52
◼
►
turn against the movies because the
[TS]
00:41:54
◼
►
whole time now i will briefly give Mike
[TS]
00:41:56
◼
►
complain about the promises like if you
[TS]
00:41:58
◼
►
are a computer you know artificial
[TS]
00:42:00
◼
►
intelligence that wants to rule the
[TS]
00:42:04
◼
►
the worst thing for you to do is to keep
[TS]
00:42:06
◼
►
your only potential rival for the planet
[TS]
00:42:08
◼
►
alive in any
[TS]
00:42:09
◼
►
a possible way for any reason that is
[TS]
00:42:11
◼
►
the worst decision you could ever make
[TS]
00:42:13
◼
►
it and in the movie you can see in the
[TS]
00:42:15
◼
►
comic book that explained it in the
[TS]
00:42:16
◼
►
animatrix winner in the movie there is
[TS]
00:42:18
◼
►
no explanation why a super intelligent
[TS]
00:42:20
◼
►
machine would keep humans around any
[TS]
00:42:22
◼
►
capacity of them to create dramatic
[TS]
00:42:24
◼
►
tension even if even if living things
[TS]
00:42:26
◼
►
were were batteries which there now I'm
[TS]
00:42:30
◼
►
not even i'm not even getting why not
[TS]
00:42:32
◼
►
how's that why not a long one is the
[TS]
00:42:37
◼
►
collective geothermal heat like
[TS]
00:42:39
◼
►
elephants the worst thing you can do is
[TS]
00:42:41
◼
►
keep humans around and like I'm not even
[TS]
00:42:43
◼
►
getting into like is it about good to
[TS]
00:42:45
◼
►
get energy from living things like not
[TS]
00:42:47
◼
►
even discussing that just saying like
[TS]
00:42:48
◼
►
the worst thing you can do is keep
[TS]
00:42:50
◼
►
humans around get rid of the humans job
[TS]
00:42:52
◼
►
0 this is the skynet AI version of the
[TS]
00:42:56
◼
►
villain not killing James Bond before he
[TS]
00:42:58
◼
►
tells a mysterious guy that had the
[TS]
00:43:00
◼
►
right idea what its kind want to do kill
[TS]
00:43:02
◼
►
every 10 minutes longer be simple and
[TS]
00:43:04
◼
►
what is the point again if of having to
[TS]
00:43:06
◼
►
feed the battery people this dream world
[TS]
00:43:08
◼
►
and are going to control it just goes
[TS]
00:43:10
◼
►
down it'll go to pot yeah it just goes
[TS]
00:43:12
◼
►
downhill from there once you once you've
[TS]
00:43:14
◼
►
got that premise giving a false sense
[TS]
00:43:15
◼
►
anything follow later like are gonna
[TS]
00:43:17
◼
►
take the science out i actually like i
[TS]
00:43:18
◼
►
like i like to believe and this is again
[TS]
00:43:21
◼
►
going outside of the scope of the movie
[TS]
00:43:23
◼
►
but I like to believe that what's really
[TS]
00:43:24
◼
►
going on here is that the machines know
[TS]
00:43:27
◼
►
that they lack creativity and they know
[TS]
00:43:29
◼
►
that they that they need humans but they
[TS]
00:43:31
◼
►
want to subjugate them and that the
[TS]
00:43:33
◼
►
matrix exists to get that you know get
[TS]
00:43:35
◼
►
the human element and get that get the
[TS]
00:43:37
◼
►
creativity and the things the machines
[TS]
00:43:38
◼
►
lack and and siphon it off in in this
[TS]
00:43:41
◼
►
controlled environment i like to believe
[TS]
00:43:43
◼
►
that that is what's going on there but
[TS]
00:43:45
◼
►
it's never said in the movie it's more
[TS]
00:43:47
◼
►
just like we give this thing for you to
[TS]
00:43:48
◼
►
play around in while we use you as a
[TS]
00:43:50
◼
►
battery and that that's a nice statement
[TS]
00:43:52
◼
►
of like human life has been reduced to
[TS]
00:43:53
◼
►
being a Duracell battery there's a
[TS]
00:43:56
◼
►
product placement by the way the problem
[TS]
00:43:57
◼
►
is that they try to explain a lot
[TS]
00:43:59
◼
►
they explained just enough that you feel
[TS]
00:44:02
◼
►
like okay well he's thought about some
[TS]
00:44:03
◼
►
of this but then they stopped when i
[TS]
00:44:05
◼
►
levitate they can't get past the purpose
[TS]
00:44:07
◼
►
of keeping humans around believe in the
[TS]
00:44:08
◼
►
comic book they tried to sidestep that
[TS]
00:44:10
◼
►
by saying that the brainpower of the
[TS]
00:44:12
◼
►
humans was being you know used as a
[TS]
00:44:15
◼
►
computational aid to like to give them
[TS]
00:44:17
◼
►
more computing power because they
[TS]
00:44:18
◼
►
couldn't you know the hardware wasn't
[TS]
00:44:20
◼
►
sufficiently need to use organic brains
[TS]
00:44:21
◼
►
to help them
[TS]
00:44:22
◼
►
computer and that's why they needed
[TS]
00:44:23
◼
►
these human brains that doesn't really
[TS]
00:44:25
◼
►
hold up either like my favorite take on
[TS]
00:44:27
◼
►
this is and probably we could talk about
[TS]
00:44:29
◼
►
this more at the end why these two
[TS]
00:44:31
◼
►
things about this equals the animatrix
[TS]
00:44:33
◼
►
animated movies which are prequels to
[TS]
00:44:35
◼
►
yes they are i like them better
[TS]
00:44:37
◼
►
yeah because I like anime i like them
[TS]
00:44:39
◼
►
better than the first matrix movie and
[TS]
00:44:41
◼
►
and they're shorter well so that's
[TS]
00:44:43
◼
►
exactly is right up my alley is so it's
[TS]
00:44:45
◼
►
not surprising that i like that because
[TS]
00:44:46
◼
►
in those movies explains how this AI
[TS]
00:44:51
◼
►
comes to be and that AI really wants to
[TS]
00:44:54
◼
►
kill the humans and then it kind of
[TS]
00:44:55
◼
►
towards the end you know it's going to
[TS]
00:44:57
◼
►
lead offer to this premise where you
[TS]
00:44:58
◼
►
keep humans around for some reason but
[TS]
00:44:59
◼
►
you can pretend that doesn't ever
[TS]
00:45:01
◼
►
actually happen so i recommend everyone
[TS]
00:45:03
◼
►
to watch those that can find I just
[TS]
00:45:06
◼
►
think I would've been even better if
[TS]
00:45:06
◼
►
they had said even less about why the
[TS]
00:45:08
◼
►
humans were being kept around and just
[TS]
00:45:10
◼
►
left a complete mystery
[TS]
00:45:11
◼
►
we don't understand the ways of the
[TS]
00:45:13
◼
►
machines
[TS]
00:45:15
◼
►
well yeah especially if if the agents
[TS]
00:45:16
◼
►
aren't really the machines they're just
[TS]
00:45:18
◼
►
the security agents running in the
[TS]
00:45:19
◼
►
matrix then yeah it would be better if
[TS]
00:45:21
◼
►
it was really just like we don't even
[TS]
00:45:23
◼
►
understand why they do what they do
[TS]
00:45:24
◼
►
because it's a terrible decision its
[TS]
00:45:26
◼
►
ability i assumed it was like the the
[TS]
00:45:29
◼
►
dream state and the creativity of you
[TS]
00:45:33
◼
►
know it's one thing to be in a coma but
[TS]
00:45:35
◼
►
it's another thing to be actively living
[TS]
00:45:38
◼
►
in creating and dreaming in that dream
[TS]
00:45:39
◼
►
state and that that was what really
[TS]
00:45:42
◼
►
charged up the batteries as it were that
[TS]
00:45:45
◼
►
you know it wasn't enough for them to
[TS]
00:45:47
◼
►
just be living breathing pumping blood
[TS]
00:45:51
◼
►
they had to be creative to I don't think
[TS]
00:45:54
◼
►
that about this is into the it's not
[TS]
00:45:56
◼
►
it's not the magic of the magic of
[TS]
00:45:58
◼
►
emotion and thought that somehow there's
[TS]
00:46:00
◼
►
this extra physical world in which our
[TS]
00:46:02
◼
►
emotions that are you know are harnessed
[TS]
00:46:04
◼
►
into energies that are beyond the powers
[TS]
00:46:06
◼
►
of machines and blah blah blah but just
[TS]
00:46:08
◼
►
fine if you're going to do a superhero
[TS]
00:46:09
◼
►
movie with telekinetic stuff or whatever
[TS]
00:46:11
◼
►
but if you're going to a sci-fi movie
[TS]
00:46:12
◼
►
not so great right side of film with
[TS]
00:46:15
◼
►
great spectacle is that you're willing
[TS]
00:46:18
◼
►
to say alright well i'm enjoying the
[TS]
00:46:22
◼
►
what's going on here enough that i'm
[TS]
00:46:24
◼
►
just going to stop thinking at this
[TS]
00:46:25
◼
►
point about the major plot holes and the
[TS]
00:46:28
◼
►
things that they aren't explaining and
[TS]
00:46:30
◼
►
I'm just gonna go i do that when the
[TS]
00:46:31
◼
►
battery thing comes up on my computer
[TS]
00:46:32
◼
►
but ok yeah yeah
[TS]
00:46:35
◼
►
something that I'm willing to do with
[TS]
00:46:36
◼
►
the matrix because the film is so well
[TS]
00:46:38
◼
►
done in other ways
[TS]
00:46:39
◼
►
okay uh let's see what else we got here
[TS]
00:46:42
◼
►
I i wanted to mention the the prophecy
[TS]
00:46:47
◼
►
stuff i'm not a big fan of the youthful
[TS]
00:46:49
◼
►
prophecy thing although i do I think
[TS]
00:46:51
◼
►
they do some very nice things with it in
[TS]
00:46:52
◼
►
this in this movie especially that
[TS]
00:46:55
◼
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moment in the plot where joe pantoliano
[TS]
00:46:57
◼
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is basically about to pull the plug on
[TS]
00:47:00
◼
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me oh and and there's that whole
[TS]
00:47:02
◼
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questions like well this can't be
[TS]
00:47:04
◼
►
because we know that he's the prophecy
[TS]
00:47:05
◼
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guy and they're gonna prove him wrong
[TS]
00:47:07
◼
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here and so they they they push that to
[TS]
00:47:09
◼
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the limit
[TS]
00:47:10
◼
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I'd even though the actual prophecy
[TS]
00:47:12
◼
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doesn't really make a whole sense
[TS]
00:47:13
◼
►
because they say that like there was a
[TS]
00:47:15
◼
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great prophet early on and waiting for
[TS]
00:47:16
◼
►
him to return which is you know it's a
[TS]
00:47:20
◼
►
very very you know Christian image you
[TS]
00:47:23
◼
►
know and so is neo of reincarnation of
[TS]
00:47:25
◼
►
somebody or is he you know it's not
[TS]
00:47:28
◼
►
explain but it just seems it seems to me
[TS]
00:47:30
◼
►
like it's sort of slapped in there like
[TS]
00:47:31
◼
►
we need something kind of mystical but
[TS]
00:47:34
◼
►
will you know i'll explain later
[TS]
00:47:36
◼
►
it is what i liked it because the the
[TS]
00:47:39
◼
►
prophecy and the first of the Oracle
[TS]
00:47:40
◼
►
actress is great but like I liked it
[TS]
00:47:42
◼
►
because like Morpheus is crap you're
[TS]
00:47:44
◼
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like come on now is expected to believe
[TS]
00:47:46
◼
►
this crap like it's unreliable no it's
[TS]
00:47:48
◼
►
not accepted at face value and in many
[TS]
00:47:50
◼
►
points in the mood like they don't tell
[TS]
00:47:52
◼
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you this is the prophecy is totally
[TS]
00:47:53
◼
►
between the whole time you like this
[TS]
00:47:54
◼
►
sounds like crap and other characters
[TS]
00:47:56
◼
►
like yeah it does kind of sound like
[TS]
00:47:57
◼
►
crap and then things happen that seems
[TS]
00:47:59
◼
►
to counteract the prophecy like see that
[TS]
00:48:01
◼
►
property stuff was crap like they kind
[TS]
00:48:03
◼
►
of I want to have the cake and eat it
[TS]
00:48:04
◼
►
too making you disbelieve the Prophet
[TS]
00:48:06
◼
►
just like neo doesn't and you believe it
[TS]
00:48:08
◼
►
and even when it all comes to fruition
[TS]
00:48:09
◼
►
you're like what was that the prophecy
[TS]
00:48:11
◼
►
or was that just what happened but I
[TS]
00:48:12
◼
►
like that it's like they you know they
[TS]
00:48:14
◼
►
don't provide you with the prophecy
[TS]
00:48:16
◼
►
expect you to swallow it whole they
[TS]
00:48:17
◼
►
expect fully that you're going to hear
[TS]
00:48:19
◼
►
this prophecy will sound like bogus crap
[TS]
00:48:20
◼
►
and they got wonderful singing in the
[TS]
00:48:23
◼
►
kitchen plays off of that I think
[TS]
00:48:25
◼
►
deliciously requiring again counties to
[TS]
00:48:27
◼
►
do nothing except look like an idiot the
[TS]
00:48:28
◼
►
whole time which is great
[TS]
00:48:30
◼
►
while that actress you know what's
[TS]
00:48:32
◼
►
really going to crumble your cookie
[TS]
00:48:33
◼
►
later or whatever you know that that'll
[TS]
00:48:35
◼
►
take your noodle bake your noodle and
[TS]
00:48:36
◼
►
take your needle like it could get much
[TS]
00:48:38
◼
►
more baked but they were actually they
[TS]
00:48:40
◼
►
were sort of threading that throughout
[TS]
00:48:42
◼
►
the film and i like that they sort of
[TS]
00:48:45
◼
►
walked a fine line and said that you
[TS]
00:48:47
◼
►
don't necessarily need
[TS]
00:48:48
◼
►
to believe this but even at the
[TS]
00:48:50
◼
►
beginning the you know the turkey guy at
[TS]
00:48:53
◼
►
the beginning says you're my own
[TS]
00:48:54
◼
►
personal Jesus Christ and then you got
[TS]
00:48:56
◼
►
him you know flying away at the end he
[TS]
00:48:58
◼
►
he he's definitely some sort of you know
[TS]
00:49:00
◼
►
he dies christ-like superhero figure
[TS]
00:49:03
◼
►
rises again at least his name isn't like
[TS]
00:49:05
◼
►
John John John Carroll or something like
[TS]
00:49:09
◼
►
that it's like oh cincinnati another
[TS]
00:49:12
◼
►
joke anti in here is like the I believe
[TS]
00:49:14
◼
►
it's the end of the harbor Lord of the
[TS]
00:49:16
◼
►
Rings somewhere in the chair will tell
[TS]
00:49:17
◼
►
you where again all says to guess the
[TS]
00:49:20
◼
►
propagandist of the billboards sure you
[TS]
00:49:21
◼
►
don't disbelieve the prophecies just
[TS]
00:49:23
◼
►
because you had a part in bringing them
[TS]
00:49:24
◼
►
about again I'll speak thing is like
[TS]
00:49:26
◼
►
hopping out bubbles like them i did all
[TS]
00:49:27
◼
►
this stuff look what I did is like what
[TS]
00:49:29
◼
►
doesn't mean the prophecy wasn't true
[TS]
00:49:30
◼
►
just because you helped bring it about
[TS]
00:49:31
◼
►
you know you are two of the prophecy
[TS]
00:49:33
◼
►
versus being your own free agent again
[TS]
00:49:35
◼
►
often the Oracle would have some
[TS]
00:49:36
◼
►
disagreements about prophecy
[TS]
00:49:37
◼
►
well I mean that that's one of the
[TS]
00:49:39
◼
►
things that really tickled me the first
[TS]
00:49:41
◼
►
time i watch tattoo is again just seeing
[TS]
00:49:43
◼
►
all the little religious allegories and
[TS]
00:49:45
◼
►
little things they stuck in there and
[TS]
00:49:47
◼
►
not from any one particular religion
[TS]
00:49:49
◼
►
it's all over the place and and not
[TS]
00:49:51
◼
►
taken too seriously like the whole
[TS]
00:49:52
◼
►
oracle seen idea like actually is great
[TS]
00:49:55
◼
►
because more pieces so serious about it
[TS]
00:49:57
◼
►
and she totally the Oracle totally
[TS]
00:49:59
◼
►
diffuses it like this now yeah that's
[TS]
00:50:01
◼
►
not a serious with a cookie
[TS]
00:50:02
◼
►
have a cookie or not to parade have a
[TS]
00:50:04
◼
►
cook and just the fact that she
[TS]
00:50:05
◼
►
completely completely sober during your
[TS]
00:50:07
◼
►
expectations as being you know
[TS]
00:50:08
◼
►
oh my gosh we're going to see the Oracle
[TS]
00:50:10
◼
►
the Oracle the Oracle it's so exciting
[TS]
00:50:12
◼
►
and then you get there and she's just
[TS]
00:50:13
◼
►
this this cute little lady whose baking
[TS]
00:50:16
◼
►
cookies in a very nondescript department
[TS]
00:50:18
◼
►
and she lives in the in the brady bunch
[TS]
00:50:20
◼
►
of kitchen
[TS]
00:50:21
◼
►
mmm yeah and and she and she also
[TS]
00:50:23
◼
►
completely count contradicts Morpheus
[TS]
00:50:25
◼
►
right she's like now
[TS]
00:50:26
◼
►
sorry kid you're not the one which is
[TS]
00:50:28
◼
►
like oh what a relief Keanu is not the
[TS]
00:50:30
◼
►
one and they had like what did she tell
[TS]
00:50:32
◼
►
Morpheus she never actually said that
[TS]
00:50:33
◼
►
though it can I don't know exactly what
[TS]
00:50:35
◼
►
she said she never she just says kind of
[TS]
00:50:37
◼
►
like looks like you're waiting for
[TS]
00:50:39
◼
►
something yeah disappointment
[TS]
00:50:40
◼
►
yeah yeah I know it's great in and
[TS]
00:50:43
◼
►
that's so i can talk about like oh you
[TS]
00:50:45
◼
►
know there was a person before and all
[TS]
00:50:47
◼
►
that but I feel like that's the setup
[TS]
00:50:48
◼
►
right it's like we're supposed to buy
[TS]
00:50:49
◼
►
into Morpheus is create a super excited
[TS]
00:50:52
◼
►
it's like i finally this is my thing i
[TS]
00:50:54
◼
►
find the 1i finally found its really
[TS]
00:50:56
◼
►
awesome and then you go there and it's
[TS]
00:50:57
◼
►
like man don't get too excited about it
[TS]
00:50:59
◼
►
and then Morpheus doesn't want to hear
[TS]
00:51:01
◼
►
what he does
[TS]
00:51:01
◼
►
to hear about it like that don't tell me
[TS]
00:51:03
◼
►
what she told you know he's not a
[TS]
00:51:04
◼
►
resident I know it's awesome but you
[TS]
00:51:07
◼
►
can't tell me but it's super awesome
[TS]
00:51:09
◼
►
although I I again I have a note down
[TS]
00:51:12
◼
►
here is like is that who is the Oracle
[TS]
00:51:13
◼
►
issue program or something but i think
[TS]
00:51:15
◼
►
that's what the sequel's talk about and
[TS]
00:51:17
◼
►
it's it's sort of but i like i like that
[TS]
00:51:19
◼
►
anyway they leave the Oracle and we get
[TS]
00:51:20
◼
►
the we get the black cat who's the
[TS]
00:51:22
◼
►
glitch in the matrix which is every now
[TS]
00:51:24
◼
►
and then I see a black cat out in the
[TS]
00:51:25
◼
►
street and I'm like is that it is
[TS]
00:51:26
◼
►
glitching major Mason taboo makes me
[TS]
00:51:30
◼
►
paranoid
[TS]
00:51:32
◼
►
it's like when I pay my taxes i know
[TS]
00:51:34
◼
►
that never happens I don't think about
[TS]
00:51:35
◼
►
the matrix when I pay my taxes we
[TS]
00:51:38
◼
►
skipped over there is no spoon which you
[TS]
00:51:40
◼
►
know has become like a catchphrase
[TS]
00:51:42
◼
►
although at the time I was like yeah
[TS]
00:51:43
◼
►
there's weird kids with a with a spoon
[TS]
00:51:46
◼
►
because the whole training sequence and
[TS]
00:51:47
◼
►
stuff to that goes on before that oh
[TS]
00:51:49
◼
►
yeah i should say i know kung foo way I
[TS]
00:51:51
◼
►
sorry I skipped right over that which is
[TS]
00:51:52
◼
►
the instant the instant learning of my
[TS]
00:51:54
◼
►
favorites and great seemingly yeah the
[TS]
00:51:55
◼
►
whole interesting concept and the end
[TS]
00:51:58
◼
►
there in the white room and they're
[TS]
00:51:59
◼
►
doing their they're training and that's
[TS]
00:52:00
◼
►
that's you really like your virtual
[TS]
00:52:02
◼
►
reality movie and this is that I think I
[TS]
00:52:04
◼
►
looked it up i think crashing height
[TS]
00:52:06
◼
►
tiger hidden dragon came up and the
[TS]
00:52:08
◼
►
following year in 2000's so I think this
[TS]
00:52:10
◼
►
is the first movie I really saw with
[TS]
00:52:12
◼
►
extensive wirework and this style of
[TS]
00:52:14
◼
►
fighting as somebody who didn't see a
[TS]
00:52:16
◼
►
lot of Hong Kong action movies or
[TS]
00:52:18
◼
►
anything like that it's a very it's it's
[TS]
00:52:20
◼
►
the same choreographer
[TS]
00:52:22
◼
►
yeah so we've seen it we've seen it
[TS]
00:52:23
◼
►
sense but at the time I was like whoa
[TS]
00:52:25
◼
►
this is not like anything I think me and
[TS]
00:52:27
◼
►
a lot of Western audiences never seen in
[TS]
00:52:29
◼
►
terms of fighting but not just the
[TS]
00:52:31
◼
►
action like they did the genre of like
[TS]
00:52:32
◼
►
the the kungfu movie you'd see like in
[TS]
00:52:35
◼
►
the afternoon of saturday mornings when
[TS]
00:52:36
◼
►
we were kids you know your ground with
[TS]
00:52:37
◼
►
the wirework makes it more impressive
[TS]
00:52:39
◼
►
but the basic premise of like Oh your
[TS]
00:52:40
◼
►
master and student being taught stop
[TS]
00:52:42
◼
►
trying to hit me and hit me like that
[TS]
00:52:44
◼
►
fits in any concrete movie I watched her
[TS]
00:52:46
◼
►
grow the karate don't need you don't
[TS]
00:52:48
◼
►
need virtual reality you don't need wire
[TS]
00:52:49
◼
►
foods just like and that's the great
[TS]
00:52:51
◼
►
thing about these movies with virtual
[TS]
00:52:52
◼
►
realities within them
[TS]
00:52:54
◼
►
you can have as many small jar movies as
[TS]
00:52:55
◼
►
you want it's not the hallowed XO
[TS]
00:52:57
◼
►
they're not going to be like detectives
[TS]
00:52:58
◼
►
in the forties but like they could be I
[TS]
00:53:00
◼
►
wanted so right in the middle of this
[TS]
00:53:01
◼
►
movie they had a tiny masters student
[TS]
00:53:04
◼
►
training sequence in which the student
[TS]
00:53:05
◼
►
has to believe it fails and he tries to
[TS]
00:53:07
◼
►
do the jump and that's that just tickles
[TS]
00:53:09
◼
►
me that you can you can just mix another
[TS]
00:53:11
◼
►
genres that movie and they would go on
[TS]
00:53:13
◼
►
to movies later to squander that Prime
[TS]
00:53:15
◼
►
despite not using it again that's kind
[TS]
00:53:17
◼
►
of the genius of the film that that they
[TS]
00:53:18
◼
►
can really do whatever it is that they
[TS]
00:53:20
◼
►
want because they're in the matrix so
[TS]
00:53:21
◼
►
they can they can massage in any way I
[TS]
00:53:23
◼
►
have to say I don't like action
[TS]
00:53:25
◼
►
sequences that's one of the things that
[TS]
00:53:27
◼
►
I'm kind of well known for amongst my
[TS]
00:53:28
◼
►
friends I think they're boring i can't
[TS]
00:53:30
◼
►
stand fight scenes and gunfights and car
[TS]
00:53:32
◼
►
chases and all that kind of stuff but I
[TS]
00:53:34
◼
►
love almost every single action sequence
[TS]
00:53:36
◼
►
in this film and I was thinking about it
[TS]
00:53:38
◼
►
today and I think I realized why it's
[TS]
00:53:39
◼
►
because i don't like action movies
[TS]
00:53:42
◼
►
well I like action sequences but i do
[TS]
00:53:44
◼
►
like dance movies whether it be from
[TS]
00:53:46
◼
►
like Fred Astaire and Ginger Rogers back
[TS]
00:53:48
◼
►
in the forties or something obnoxious
[TS]
00:53:50
◼
►
you know with you know stupid got served
[TS]
00:53:54
◼
►
to the west side story must be your
[TS]
00:53:56
◼
►
favorite movie
[TS]
00:53:57
◼
►
actually can you believe don't musicals
[TS]
00:53:59
◼
►
but I think like what you know like
[TS]
00:54:01
◼
►
center stage or save the last dance was
[TS]
00:54:04
◼
►
really you know bad ones and I feel like
[TS]
00:54:06
◼
►
I feel like the action sequences were
[TS]
00:54:08
◼
►
almost Bell leick I mean we be with the
[TS]
00:54:11
◼
►
wire work with the slow motion with the
[TS]
00:54:13
◼
►
easy interesting camera movements and
[TS]
00:54:15
◼
►
they're very personal it's you know
[TS]
00:54:17
◼
►
especially the training secrets One it's
[TS]
00:54:19
◼
►
one-on-one and I was just riveted I
[TS]
00:54:22
◼
►
think this is the first movie that I was
[TS]
00:54:23
◼
►
ever that into the action of it it's
[TS]
00:54:26
◼
►
like the princess bride or Empire
[TS]
00:54:28
◼
►
Strikes Back where there is a there is a
[TS]
00:54:30
◼
►
story going on between two characters in
[TS]
00:54:33
◼
►
the fight scene is the way in which they
[TS]
00:54:34
◼
►
express that story rather than just like
[TS]
00:54:36
◼
►
I hate you I hate you we will have
[TS]
00:54:38
◼
►
conflict in victorville like not let up
[TS]
00:54:40
◼
►
there is there is a scene that takes
[TS]
00:54:42
◼
►
place during the fight and the fighting
[TS]
00:54:44
◼
►
is the backdrop for you know how how
[TS]
00:54:46
◼
►
they progress in their understanding of
[TS]
00:54:48
◼
►
each other or whatever and that the
[TS]
00:54:49
◼
►
action scenes that people get bored as
[TS]
00:54:50
◼
►
there is nothing going on there is no
[TS]
00:54:53
◼
►
there is no story to be told there is no
[TS]
00:54:55
◼
►
you don't even need to necessarily have
[TS]
00:54:56
◼
►
dialogue but there's just nothing like
[TS]
00:54:57
◼
►
we said the premises guys hate each
[TS]
00:54:59
◼
►
other one guy maybe one guys chasing and
[TS]
00:55:02
◼
►
one guys running away or vice versa or
[TS]
00:55:04
◼
►
they're going to fight each other until
[TS]
00:55:05
◼
►
someone's dead and then it just plays
[TS]
00:55:07
◼
►
out and that's boring versus you know
[TS]
00:55:08
◼
►
the princess bride duel or the end of
[TS]
00:55:10
◼
►
empire strikes back with his story
[TS]
00:55:12
◼
►
element going on during the fight well
[TS]
00:55:15
◼
►
and also if you watch every action
[TS]
00:55:18
◼
►
sequence in the matrix breaks the rules
[TS]
00:55:21
◼
►
of action sequences it it sort of
[TS]
00:55:23
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assumes that you know the genre it
[TS]
00:55:25
◼
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assumes that you know how this is
[TS]
00:55:27
◼
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supposed to work
[TS]
00:55:28
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and then oh my god she can fly through a
[TS]
00:55:31
◼
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oh my god we didn't know she could do
[TS]
00:55:33
◼
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that or you know they can fling each
[TS]
00:55:35
◼
►
other by the the ankles and you know
[TS]
00:55:37
◼
►
throw them across the room and you know
[TS]
00:55:40
◼
►
every one of those action sequences
[TS]
00:55:42
◼
►
breaks the clichés of what should
[TS]
00:55:44
◼
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happen or they did at the time that not
[TS]
00:55:47
◼
►
so much anymore right
[TS]
00:55:48
◼
►
that's true in comic books one of the
[TS]
00:55:50
◼
►
most boring things boring conventions is
[TS]
00:55:53
◼
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heroes meet and then they fight each
[TS]
00:55:55
◼
►
other and then they realize that they're
[TS]
00:55:56
◼
►
on the same side it may stop fighting
[TS]
00:55:58
◼
►
but they have to fight because you've
[TS]
00:56:00
◼
►
got to have that moment where it's like
[TS]
00:56:01
◼
►
boy was an awesome with when Thor and
[TS]
00:56:03
◼
►
Iron Man fought each other before they
[TS]
00:56:05
◼
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realize they were friends
[TS]
00:56:07
◼
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well so that the fight scene between
[TS]
00:56:08
◼
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Morpheus and neo in the matrix
[TS]
00:56:11
◼
►
I mean it's training right so it's the
[TS]
00:56:13
◼
►
same kind of thing and and i always find
[TS]
00:56:15
◼
►
those things really boring to absolutely
[TS]
00:56:17
◼
►
and and that that helps this too is that
[TS]
00:56:20
◼
►
you're so caught up in the xhilaration
[TS]
00:56:22
◼
►
of of neo learning kung foo and having
[TS]
00:56:26
◼
►
this fight that is its of a kind that
[TS]
00:56:29
◼
►
you have probably haven't seen before
[TS]
00:56:30
◼
►
that it doesn't matter that it it's all
[TS]
00:56:33
◼
►
not not real not only in the sense that
[TS]
00:56:35
◼
►
it's not real because it's in virtual
[TS]
00:56:36
◼
►
reality but not real in the sense that
[TS]
00:56:38
◼
►
they're just sparring and there are no
[TS]
00:56:40
◼
►
stakes and it doesn't matter
[TS]
00:56:42
◼
►
the stakes are will kneel learn exactly
[TS]
00:56:44
◼
►
like that he's not he's not teaching him
[TS]
00:56:46
◼
►
coming for his teaching them he's trying
[TS]
00:56:48
◼
►
to like that's a proxy teaching the
[TS]
00:56:50
◼
►
audience because like he's trying to
[TS]
00:56:52
◼
►
bring the audience the audience who has
[TS]
00:56:53
◼
►
not yet caught up and taunting me with
[TS]
00:56:55
◼
►
lack of understanding even though you
[TS]
00:56:57
◼
►
know intellectually understand it
[TS]
00:56:58
◼
►
doesn't really understand that's the
[TS]
00:56:59
◼
►
type of thing that we're at the audience
[TS]
00:57:01
◼
►
mean to actually understand how to
[TS]
00:57:02
◼
►
measure for us but they don't believe it
[TS]
00:57:03
◼
►
a root level so when Morpheus talks Neon
[TS]
00:57:05
◼
►
says you think that's air you're
[TS]
00:57:07
◼
►
breathing when he's like out of breath
[TS]
00:57:08
◼
►
like just had trying to have her home
[TS]
00:57:11
◼
►
like you don't understand you're not
[TS]
00:57:13
◼
►
actually here even though it looks like
[TS]
00:57:14
◼
►
you are you know the scene looks like a
[TS]
00:57:16
◼
►
kung fu seen you are not actually here
[TS]
00:57:18
◼
►
and neyo can't get it because his stump
[TS]
00:57:20
◼
►
and a lot of the audience has it hasn't
[TS]
00:57:23
◼
►
quite internalize that either you know
[TS]
00:57:25
◼
►
it was like we know like maybe like okay
[TS]
00:57:27
◼
►
I understand this is a simulation but
[TS]
00:57:28
◼
►
during the action you caught up with it
[TS]
00:57:30
◼
►
you like I wonder if he's gonna fight
[TS]
00:57:32
◼
►
that wait a second why are they why they
[TS]
00:57:33
◼
►
even fighting at all why why is there
[TS]
00:57:35
◼
►
any conflict always right well i think
[TS]
00:57:37
◼
►
that the payoff at the end or Italy News
[TS]
00:57:39
◼
►
you know we'll get to it but it is what
[TS]
00:57:41
◼
►
why are we fighting each other by
[TS]
00:57:42
◼
►
hitting each other makes no sense
[TS]
00:57:44
◼
►
stop the conflict value is is ratcheted
[TS]
00:57:46
◼
►
up a little bit because you are then
[TS]
00:57:48
◼
►
joined by the other characters on the
[TS]
00:57:50
◼
►
ship you know
[TS]
00:57:51
◼
►
Morpheus is fighting neo and like you
[TS]
00:57:53
◼
►
know switch jumps over the trees oh man
[TS]
00:57:56
◼
►
it's like this
[TS]
00:57:58
◼
►
the gathering around great fighter
[TS]
00:57:59
◼
►
cabinet in the arcade there
[TS]
00:58:02
◼
►
yeah or or or mr. Spock and dr. McCoy
[TS]
00:58:04
◼
►
watching Captain Kirk fight the Gordon
[TS]
00:58:06
◼
►
but I'm very old anyway I was real Jason
[TS]
00:58:10
◼
►
22 comments on Neos training regimen
[TS]
00:58:13
◼
►
first of all if you want to keep the new
[TS]
00:58:15
◼
►
guys from freaking out when they learn
[TS]
00:58:17
◼
►
what the matrix is you might be
[TS]
00:58:18
◼
►
well-served not to drop them in the
[TS]
00:58:20
◼
►
middle of a wasteland and a heavy lines
[TS]
00:58:22
◼
►
on them like welcome to the desert of
[TS]
00:58:24
◼
►
the real Morpheus lives for that though
[TS]
00:58:28
◼
►
you know I'm Orpheus's his theatrical
[TS]
00:58:31
◼
►
underneath the surface yeah he's
[TS]
00:58:33
◼
►
theatrical and dramatic and very excited
[TS]
00:58:35
◼
►
about prophecies and he's like I'm gonna
[TS]
00:58:37
◼
►
be the right I'm gonna be that guy
[TS]
00:58:39
◼
►
that's my job i'm gonna let me in that
[TS]
00:58:41
◼
►
guy but at the same time he has to
[TS]
00:58:43
◼
►
apologize to him later because they
[TS]
00:58:45
◼
►
don't pull guys out of the matrix when
[TS]
00:58:46
◼
►
they're over a certain age because they
[TS]
00:58:48
◼
►
react poorly and writing he would know
[TS]
00:58:49
◼
►
that before doing this baby a moment to
[TS]
00:58:51
◼
►
hold this time to begin the training see
[TS]
00:58:54
◼
►
this is Morpheus babying him you should
[TS]
00:58:56
◼
►
see what he does to those kids
[TS]
00:58:57
◼
►
boo so i wanna i want to talk about when
[TS]
00:59:02
◼
►
Joey pants cipher makes his move and
[TS]
00:59:06
◼
►
they get to the room with the telephone
[TS]
00:59:09
◼
►
to get a get out of the matrix and he
[TS]
00:59:12
◼
►
cuts them off and he and he starts
[TS]
00:59:14
◼
►
killing people because this is this is a
[TS]
00:59:17
◼
►
i like i like this scene but it is a
[TS]
00:59:19
◼
►
terrifying horrible scene at but i think
[TS]
00:59:24
◼
►
very powerful and this is the moment
[TS]
00:59:25
◼
►
where we get ultimately the you know is
[TS]
00:59:29
◼
►
the prophecy full of crap that you know
[TS]
00:59:31
◼
►
do with was what the what the Oracle
[TS]
00:59:33
◼
►
said you know what she suggested the new
[TS]
00:59:36
◼
►
is the one and is Morpheus making a
[TS]
00:59:38
◼
►
terrible mistake here and but in the
[TS]
00:59:40
◼
►
run-up to that we do get this you know
[TS]
00:59:42
◼
►
it awful and yet kind of quiet and and
[TS]
00:59:46
◼
►
and beautiful in a strange way scene
[TS]
00:59:48
◼
►
where the people are being unplugged out
[TS]
00:59:51
◼
►
in the ship but in the
[TS]
00:59:53
◼
►
in the building they're just kind of
[TS]
00:59:55
◼
►
falling to the ground and it'sit's
[TS]
00:59:56
◼
►
horrifying and yet in a way that is very
[TS]
00:59:59
◼
►
different
[TS]
00:59:59
◼
►
different
[TS]
01:00:00
◼
►
from again as somebody who doesn't
[TS]
01:00:02
◼
►
really appreciate seeing people get kind
[TS]
01:00:03
◼
►
of mowed down by a hail of bullets
[TS]
01:00:06
◼
►
this is a I think it's more awful and
[TS]
01:00:08
◼
►
terrifying and memorable that these
[TS]
01:00:10
◼
►
people just fall down dead as the voice
[TS]
01:00:14
◼
►
on the other end of the line is talking
[TS]
01:00:16
◼
►
to trinity about what he's doing it's a
[TS]
01:00:17
◼
►
it's a really powerful scene that has
[TS]
01:00:20
◼
►
stuck with me and particularly bit worse
[TS]
01:00:22
◼
►
which turns and says not like this
[TS]
01:00:24
◼
►
oh yeah oh my god as i said before this
[TS]
01:00:26
◼
►
is not a film about character
[TS]
01:00:27
◼
►
development and I think this machine is
[TS]
01:00:29
◼
►
one of the few real emotional beats we
[TS]
01:00:31
◼
►
get in this film and I think it stands
[TS]
01:00:33
◼
►
out all the more because of it because
[TS]
01:00:35
◼
►
the rest of the film is it more about
[TS]
01:00:36
◼
►
sort of the story in the doings and less
[TS]
01:00:39
◼
►
about the feelings it's finally they get
[TS]
01:00:41
◼
►
to the point where they think most of
[TS]
01:00:42
◼
►
the audience understands the separation
[TS]
01:00:44
◼
►
and then they have somebody kill
[TS]
01:00:45
◼
►
somebody in the really real world for
[TS]
01:00:47
◼
►
realsies right and then and hammering
[TS]
01:00:50
◼
►
home the point that when you go into the
[TS]
01:00:51
◼
►
matrix you give up agency of your actual
[TS]
01:00:53
◼
►
physical body the one that counts like
[TS]
01:00:55
◼
►
all this playing in the matrix and all
[TS]
01:00:57
◼
►
these skills that you have in the way
[TS]
01:00:58
◼
►
you're dressed there and all the
[TS]
01:00:59
◼
►
fanciness while you're doing that you
[TS]
01:01:01
◼
►
can't stop him from unplugging your head
[TS]
01:01:03
◼
►
because you're there and because of the
[TS]
01:01:04
◼
►
rules of the things you gotta get to the
[TS]
01:01:05
◼
►
landline and everything so they you know
[TS]
01:01:08
◼
►
it's kind of like they're now stranded
[TS]
01:01:09
◼
►
like they've just you know it's the
[TS]
01:01:11
◼
►
ghost or and and locking key right
[TS]
01:01:13
◼
►
they've they've separated their body
[TS]
01:01:15
◼
►
still exists there but they're not in
[TS]
01:01:17
◼
►
control of it anymore it doesn't really
[TS]
01:01:18
◼
►
do anything that should technically kill
[TS]
01:01:20
◼
►
the missions that their consciousness is
[TS]
01:01:21
◼
►
no longer attached to their body and
[TS]
01:01:23
◼
►
then he disconnects the to write so I
[TS]
01:01:24
◼
►
once they were so powerful being able to
[TS]
01:01:26
◼
►
do all this wire food inside the matrix
[TS]
01:01:28
◼
►
but really they're content i early
[TS]
01:01:30
◼
►
powerless because their bodies are in
[TS]
01:01:31
◼
►
these chairs and they're in their
[TS]
01:01:32
◼
►
terrible target sweatpants got a second
[TS]
01:01:37
◼
►
we must talk about the target sweat but
[TS]
01:01:39
◼
►
my wife is emitter and she actually
[TS]
01:01:41
◼
►
noticed this time something she'd it
[TS]
01:01:42
◼
►
wasn't a knitter in 1999 she's like wow
[TS]
01:01:45
◼
►
in the future
[TS]
01:01:46
◼
►
they've got all of this distressed
[TS]
01:01:47
◼
►
knitting and his birth that was
[TS]
01:01:49
◼
►
everywhere and it's weird because
[TS]
01:01:50
◼
►
they've got a machine that can knit
[TS]
01:01:51
◼
►
human muscle but they can't put together
[TS]
01:01:53
◼
►
a decent sweatshirt it's because the
[TS]
01:01:56
◼
►
machine is working on muscles yeah yeah
[TS]
01:01:58
◼
►
that the the muscle machine works but
[TS]
01:02:00
◼
►
the knitting machines on the fritz
[TS]
01:02:03
◼
►
it's hard to get good cotton in the
[TS]
01:02:04
◼
►
desert of the real they actually had to
[TS]
01:02:07
◼
►
take the knitting the shirt knitting
[TS]
01:02:08
◼
►
machine and you know to jack it up to
[TS]
01:02:11
◼
►
work on muscles because the original
[TS]
01:02:12
◼
►
muscle machine broke
[TS]
01:02:14
◼
►
yeah only the only the only knitting
[TS]
01:02:16
◼
►
machine and in the future is in zion and
[TS]
01:02:18
◼
►
it's hard to get stuff from zion i guess
[TS]
01:02:21
◼
►
but shipping is a bitch
[TS]
01:02:23
◼
►
yeah I like it though I like I like that
[TS]
01:02:25
◼
►
I like the art direction and in the
[TS]
01:02:27
◼
►
other world but the fact that it's you
[TS]
01:02:29
◼
►
know if this movie were made today after
[TS]
01:02:30
◼
►
after like traffic came out i think the
[TS]
01:02:32
◼
►
film grade would be much more aggressive
[TS]
01:02:34
◼
►
i think not to get too morbid movie
[TS]
01:02:36
◼
►
nerdy but like it would be even bluer
[TS]
01:02:39
◼
►
and colder and an even warmer inside the
[TS]
01:02:42
◼
►
matrix than it already is but I i like
[TS]
01:02:44
◼
►
that it looks different and it feels
[TS]
01:02:46
◼
►
different and it really is crappy and
[TS]
01:02:47
◼
►
that helps you understand kind of the
[TS]
01:02:50
◼
►
motivation of of Joey pants I think more
[TS]
01:02:52
◼
►
than the desert of the real have seen
[TS]
01:02:54
◼
►
well it is not successfully just starts
[TS]
01:02:57
◼
►
out here they did green in the matrix
[TS]
01:02:59
◼
►
right is very off-putting and I think
[TS]
01:03:01
◼
►
they did ramp it up like this now when i
[TS]
01:03:02
◼
►
watched like boy they really green it up
[TS]
01:03:04
◼
►
in the matrix didn't I suppose you're
[TS]
01:03:06
◼
►
right be be off-putting like it looks
[TS]
01:03:08
◼
►
different but it's also it looks it
[TS]
01:03:10
◼
►
looks a little bit on the wrong yeah why
[TS]
01:03:12
◼
►
is it green
[TS]
01:03:13
◼
►
that's that's actually one of my
[TS]
01:03:14
◼
►
favorite parts of the film just how
[TS]
01:03:15
◼
►
completely stylized and immersive it is
[TS]
01:03:18
◼
►
you get you know that the greenish
[TS]
01:03:20
◼
►
yellow versus the blue and the matrix
[TS]
01:03:22
◼
►
feels very almost nor you've got a lot
[TS]
01:03:24
◼
►
of rain and thunder and these tall
[TS]
01:03:26
◼
►
buildings and and the phones we keep
[TS]
01:03:27
◼
►
talking about the phones or another
[TS]
01:03:29
◼
►
thing you see and you know detective
[TS]
01:03:30
◼
►
movies and stuff and then on the other
[TS]
01:03:32
◼
►
side it feels so different not only does
[TS]
01:03:34
◼
►
it look different but it just has this
[TS]
01:03:36
◼
►
sort of like you just feel damp watching
[TS]
01:03:38
◼
►
it like it's just like I'm you get cold
[TS]
01:03:41
◼
►
yeah it's unpleasant it'sit's you should
[TS]
01:03:43
◼
►
be excited like who were on a hovercraft
[TS]
01:03:45
◼
►
in the future things should be awesome
[TS]
01:03:46
◼
►
now and it's not it's it's it's great
[TS]
01:03:49
◼
►
it's dirty and crappy and they're kind
[TS]
01:03:51
◼
►
of food they're interviewers yeah then
[TS]
01:03:53
◼
►
welding stuff together and it's a and
[TS]
01:03:55
◼
►
bad knitting distress knitting in the
[TS]
01:03:57
◼
►
future killed so so it's everything is
[TS]
01:03:59
◼
►
you know the future is here and it's
[TS]
01:04:01
◼
►
terrible it's got the end of the alien /
[TS]
01:04:03
◼
►
you know star wars / the abyss kind of
[TS]
01:04:07
◼
►
dirty grim future and i think that like
[TS]
01:04:09
◼
►
they're they're shipped a little
[TS]
01:04:10
◼
►
hardship is a cool-looking ship and it's
[TS]
01:04:12
◼
►
interesting that the most futuristic
[TS]
01:04:14
◼
►
things in the movie
[TS]
01:04:15
◼
►
you're not inside the matrix because
[TS]
01:04:17
◼
►
that's just plain old 1999 with you know
[TS]
01:04:19
◼
►
with agents but outside there's the
[TS]
01:04:21
◼
►
possibility of really cool stuff like
[TS]
01:04:23
◼
►
that you know the the body called The
[TS]
01:04:24
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Sentinel squid the Sentinels they look
[TS]
01:04:26
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really cool this looks really cool like
[TS]
01:04:28
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the you know inside the matrix anything
[TS]
01:04:30
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can happen killing machine designed for
[TS]
01:04:32
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one thing and that one thing is search
[TS]
01:04:35
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and destroy a student there pretty good
[TS]
01:04:39
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they're pretty like they're scary and
[TS]
01:04:40
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intimidating and you know and menacing
[TS]
01:04:43
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also you started out by calling it a
[TS]
01:04:44
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killing machine
[TS]
01:04:45
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wouldn't that be the one thing for
[TS]
01:04:48
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killing so also somebody in the chatroom
[TS]
01:04:50
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points out and I did not know this but
[TS]
01:04:52
◼
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he says newer dvds of the matrix have
[TS]
01:04:54
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actually ramped up the film grade to
[TS]
01:04:57
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match the film great in the sequels and
[TS]
01:04:59
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that originally it wasn't quite as green
[TS]
01:05:00
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which I didn't I don't know if that's
[TS]
01:05:02
◼
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true or not because an interesting idea
[TS]
01:05:04
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of that could explain why with a greener
[TS]
01:05:05
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didn't even ison yeah i just i suppose I
[TS]
01:05:08
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you know I i suppose what I was
[TS]
01:05:09
◼
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expecting it will now that we live in a
[TS]
01:05:11
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world where there's so much aggressive
[TS]
01:05:13
◼
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film film grading in movies color color
[TS]
01:05:16
◼
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shifts that the the real world would be
[TS]
01:05:19
◼
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much more aggressively kind of cold and
[TS]
01:05:22
◼
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the matrix would be more warm and really
[TS]
01:05:24
◼
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but instead its your right it's sort of
[TS]
01:05:25
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like you can go into our weird cold
[TS]
01:05:27
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green world or are weird cold blue
[TS]
01:05:29
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oh and there's no comfort zone in either
[TS]
01:05:32
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place and maybe that's maybe that's what
[TS]
01:05:34
◼
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they intended
[TS]
01:05:35
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they didn't find anything out like it i
[TS]
01:05:37
◼
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think about traffic when I think about
[TS]
01:05:39
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this even before like 300 remember the
[TS]
01:05:40
◼
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movie traffic like yeah where they just
[TS]
01:05:42
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blew it out with like it's almost like a
[TS]
01:05:45
◼
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black-and-white movie with yellow and
[TS]
01:05:46
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just huge film grain know the reason
[TS]
01:05:49
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we're in Mexico ever know i think i
[TS]
01:05:50
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mentioned traffic a couple minutes ago
[TS]
01:05:52
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that mean that was the start of the over
[TS]
01:05:54
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south of the border everything is yellow
[TS]
01:05:56
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now right it's just like the film grade
[TS]
01:05:58
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became the storytelling yeah and they do
[TS]
01:06:01
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that you know to lesser extent in
[TS]
01:06:03
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individual scenes when you're showing
[TS]
01:06:04
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war footage of stuff like that better
[TS]
01:06:06
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then and they culminate something like
[TS]
01:06:08
◼
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300 words like okay this isn't actually
[TS]
01:06:10
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you know this is a painting
[TS]
01:06:12
◼
►
yeah every every frame has been
[TS]
01:06:13
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photoshopped or or sin city you know
[TS]
01:06:15
◼
►
whatever
[TS]
01:06:15
◼
►
alright so so they they're moving ahead
[TS]
01:06:18
◼
►
they decide so so I'm Morpheus has been
[TS]
01:06:21
◼
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taken by agent smith yes because for
[TS]
01:06:24
◼
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some reason the leader of every ship is
[TS]
01:06:25
◼
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given coach designs mainframe mainframe
[TS]
01:06:27
◼
►
they're still using meter through
[TS]
01:06:29
◼
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supposed to turn your brain off by this
[TS]
01:06:31
◼
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Barford everybody just can't handle it
[TS]
01:06:33
◼
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for its own safety you should have hid
[TS]
01:06:35
◼
►
is there a moment where bliss and
[TS]
01:06:37
◼
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somebody goes click like I'm in like
[TS]
01:06:40
◼
►
willow and buffy the vampire slayer it's
[TS]
01:06:41
◼
►
like every hacker scene ever
[TS]
01:06:43
◼
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i'm in i'm into the secret mainframe of
[TS]
01:06:46
◼
►
never mind anyway so they get Morpheus
[TS]
01:06:48
◼
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and what this means is that they can set
[TS]
01:06:50
◼
►
up this thing where we're supposed to
[TS]
01:06:52
◼
►
abandon Morpheus neo is the one more
[TS]
01:06:53
◼
►
fees and important anymore he's
[TS]
01:06:54
◼
►
fulfilled its purpose is found the one
[TS]
01:06:56
◼
►
and and that makes me so no I'm gonna go
[TS]
01:06:59
◼
►
get I'm gonna go get Morpheus and he
[TS]
01:07:02
◼
►
gets lots of guns and they say nobody's
[TS]
01:07:04
◼
►
ever done this before my work
[TS]
01:07:07
◼
►
yeah and we get that we get the
[TS]
01:07:08
◼
►
interplay where there's i really like
[TS]
01:07:10
◼
►
but I think they're to interrogation
[TS]
01:07:12
◼
►
intercut scenes between Smith and
[TS]
01:07:14
◼
►
Morpheus were more pieces tied to the
[TS]
01:07:16
◼
►
chair and I i mentioned it earlier i
[TS]
01:07:18
◼
►
love the I hate this place
[TS]
01:07:20
◼
►
it's the smell and he says I fear I've
[TS]
01:07:23
◼
►
been infected by it which i really like
[TS]
01:07:25
◼
►
it's like maybe these agents are getting
[TS]
01:07:27
◼
►
worse because they're getting more like
[TS]
01:07:28
◼
►
us i love that like that he says it's
[TS]
01:07:30
◼
►
the smell if there even is such a thing
[TS]
01:07:33
◼
►
yeah he touches his sweat and gets it on
[TS]
01:07:35
◼
►
his hand and he smells it the blow and
[TS]
01:07:38
◼
►
we are we're spared the terrible
[TS]
01:07:40
◼
►
dialogue that would have existed if they
[TS]
01:07:41
◼
►
had Morpheus arguing with them you'll
[TS]
01:07:43
◼
►
never get anything for me what is
[TS]
01:07:44
◼
►
marvelous do the whole scene looks like
[TS]
01:07:45
◼
►
he's basically all these I having a
[TS]
01:07:48
◼
►
yes which is which is the best we could
[TS]
01:07:50
◼
►
hope for there are no fortune cookies
[TS]
01:07:51
◼
►
for a situation like this because you
[TS]
01:07:53
◼
►
can't have him like arguing i will never
[TS]
01:07:55
◼
►
Bend here with like that would be
[TS]
01:07:57
◼
►
terrible it's my wise man remained as
[TS]
01:07:59
◼
►
sido wheezing you know do is sort of
[TS]
01:08:01
◼
►
soliloquy wiping the sweat off his face
[TS]
01:08:04
◼
►
with his fingers like that's that's what
[TS]
01:08:06
◼
►
makes that scene
[TS]
01:08:07
◼
►
yeah he's got mercury running through
[TS]
01:08:09
◼
►
his veins at that point so he's kind of
[TS]
01:08:10
◼
►
busy trying to just keep it together
[TS]
01:08:12
◼
►
yeah yeah exactly but I love that I love
[TS]
01:08:14
◼
►
that so that this is the moment this is
[TS]
01:08:16
◼
►
for Agent Smith to shine where we see
[TS]
01:08:18
◼
►
that he's he's he has this great disdain
[TS]
01:08:22
◼
►
not just for humans but for the matrix
[TS]
01:08:24
◼
►
itself like I don't want to be here i
[TS]
01:08:26
◼
►
want to get out of here get me the codes
[TS]
01:08:28
◼
►
to the mainframe and I can leave you
[TS]
01:08:30
◼
►
stupid humans and your stinky stinky
[TS]
01:08:32
◼
►
matrix behind it's great but the guns
[TS]
01:08:36
◼
►
the guns think so this is I remember um
[TS]
01:08:38
◼
►
first time I saw this I i think the
[TS]
01:08:41
◼
►
Roger Ebert review of this is fairly
[TS]
01:08:42
◼
►
positive
[TS]
01:08:43
◼
►
he mentions that all the street names or
[TS]
01:08:44
◼
►
chicago street names and and at one
[TS]
01:08:46
◼
►
point one of the intersections in the
[TS]
01:08:48
◼
►
movie that's mentioned is where the
[TS]
01:08:50
◼
►
movie theater is that he saw the movie
[TS]
01:08:51
◼
►
while they were watching it needs like
[TS]
01:08:53
◼
►
half expected them to run into the movie
[TS]
01:08:55
◼
►
theater during this but he died i
[TS]
01:08:57
◼
►
believe it's the ebert review that says
[TS]
01:08:59
◼
►
for a movie that's so innovative in so
[TS]
01:09:02
◼
►
many things the fact that there's this
[TS]
01:09:04
◼
►
large section at the climax of the movie
[TS]
01:09:05
◼
►
that is just a spray of hundreds and
[TS]
01:09:08
◼
►
hundreds of bullets and exploding like
[TS]
01:09:11
◼
►
marble in the especially in the lobby
[TS]
01:09:13
◼
►
I think that I and I agree that I think
[TS]
01:09:15
◼
►
that scene is the weakest scene in the
[TS]
01:09:17
◼
►
movie I i think it was really my
[TS]
01:09:20
◼
►
favorite line and I think it's boring i
[TS]
01:09:22
◼
►
think i think that there is a lot of
[TS]
01:09:24
◼
►
dancing I feel really bad about I I feel
[TS]
01:09:26
◼
►
really bad about the security guards are
[TS]
01:09:28
◼
►
they real people who are dying in their
[TS]
01:09:30
◼
►
little goo pods or are they just they
[TS]
01:09:32
◼
►
are better than one layer tear your
[TS]
01:09:34
◼
►
earlier in the movie they're part of the
[TS]
01:09:35
◼
►
program Jason you're not supposed to
[TS]
01:09:37
◼
►
feel bad for them no I don't know any
[TS]
01:09:39
◼
►
single one of them could turn into an
[TS]
01:09:41
◼
►
injury-time so the idea is to kill as
[TS]
01:09:43
◼
►
many as fast as possible suggestion that
[TS]
01:09:46
◼
►
seems too gentle on you long for me
[TS]
01:09:48
◼
►
acceptable losses etc that's a second
[TS]
01:09:51
◼
►
comic book reference and i love the
[TS]
01:09:52
◼
►
vodka i love the beginning yeah i know
[TS]
01:09:54
◼
►
i'm impressed I'm impressed John um I i
[TS]
01:09:57
◼
►
love the beginning
[TS]
01:09:58
◼
►
we're putting the bag full of guns and
[TS]
01:10:01
◼
►
the metal detector that is wonderful
[TS]
01:10:03
◼
►
that is wonderful i just feel like that
[TS]
01:10:04
◼
►
the slow-motion the you know shells
[TS]
01:10:07
◼
►
falling to the floor the entire lobby is
[TS]
01:10:10
◼
►
demolished and then they get in I feel
[TS]
01:10:11
◼
►
like it goes on too long and it's not
[TS]
01:10:13
◼
►
that there are way more interesting
[TS]
01:10:15
◼
►
action sequences in it so that's my
[TS]
01:10:16
◼
►
smile even disagree go for it
[TS]
01:10:19
◼
►
like I said I guess I usually don't like
[TS]
01:10:21
◼
►
action scenes at all and for some reason
[TS]
01:10:23
◼
►
there's something about this one in
[TS]
01:10:25
◼
►
particular that was just always my
[TS]
01:10:26
◼
►
favorite this the scene was almost one
[TS]
01:10:28
◼
►
of the main reasons I kept going back to
[TS]
01:10:30
◼
►
see the movie again and again because I
[TS]
01:10:31
◼
►
wanted to see each piece of this it and
[TS]
01:10:35
◼
►
I think sound for this particular scene
[TS]
01:10:37
◼
►
has a lot to do with it
[TS]
01:10:38
◼
►
the music and the sound mixing like you
[TS]
01:10:42
◼
►
mentioned that the shells falling to the
[TS]
01:10:43
◼
►
oh yeah i mean they just a tinkle it was
[TS]
01:10:45
◼
►
just this sweet music and you know on
[TS]
01:10:49
◼
►
this backdrop of you know hard-driving
[TS]
01:10:51
◼
►
whatever propellerheads or something
[TS]
01:10:53
◼
►
song in the background and it
[TS]
01:10:55
◼
►
it to me it really does kind of read
[TS]
01:10:57
◼
►
more like a dance number an action
[TS]
01:10:59
◼
►
sequence so for heroes are you
[TS]
01:11:01
◼
►
well I mean when he starts doing like
[TS]
01:11:04
◼
►
cartwheel kind of stuff it is
[TS]
01:11:06
◼
►
yeah essentially essentially that I yeah
[TS]
01:11:09
◼
►
okay well they found they found a
[TS]
01:11:11
◼
►
material like the pillars the pillars I
[TS]
01:11:12
◼
►
think you're supposed to be made of
[TS]
01:11:13
◼
►
marble but they look like they're made
[TS]
01:11:15
◼
►
of like a compressed newspaper
[TS]
01:11:17
◼
►
insulation or something and it makes
[TS]
01:11:19
◼
►
reading
[TS]
01:11:20
◼
►
yeah it makes for visually interesting
[TS]
01:11:22
◼
►
things happening during the scene even
[TS]
01:11:25
◼
►
before people start flipping around like
[TS]
01:11:27
◼
►
they have the long trench coats is kind
[TS]
01:11:28
◼
►
of a cliché like that it became more
[TS]
01:11:30
◼
►
efficient at the long trench coat shells
[TS]
01:11:32
◼
►
falling to the ground a lot of this is
[TS]
01:11:33
◼
►
from anime a lot of a lot of the things
[TS]
01:11:35
◼
►
you see in this movie had been you know
[TS]
01:11:36
◼
►
clichés anime for years and years
[TS]
01:11:38
◼
►
before I and it's a fight sequence that
[TS]
01:11:41
◼
►
had things going on
[TS]
01:11:43
◼
►
visually there were different than most
[TS]
01:11:44
◼
►
fight sequences that it's been seen up
[TS]
01:11:46
◼
►
to that point and then would become very
[TS]
01:11:48
◼
►
common afterwards it does go on maybe a
[TS]
01:11:50
◼
►
little bit long
[TS]
01:11:51
◼
►
I but there is no like because the enemy
[TS]
01:11:54
◼
►
is faceless there is no story happening
[TS]
01:11:58
◼
►
during this thing is merely they want to
[TS]
01:12:00
◼
►
continue their progression to get up two
[TS]
01:12:02
◼
►
or more fuses and these faces people
[TS]
01:12:04
◼
►
want to stop them they're gonna make it
[TS]
01:12:06
◼
►
through they're either going to make it
[TS]
01:12:07
◼
►
through or they're not and so it's not
[TS]
01:12:09
◼
►
as interesting as you know the training
[TS]
01:12:10
◼
►
scene where there's something happening
[TS]
01:12:11
◼
►
with the characters I i kinda because
[TS]
01:12:14
◼
►
you don't think there's a security guard
[TS]
01:12:15
◼
►
going but I was two days for production
[TS]
01:12:18
◼
►
right does not no no comedy relief it's
[TS]
01:12:20
◼
►
taken very seriously you know I think
[TS]
01:12:22
◼
►
maybe I found this to be sort of
[TS]
01:12:24
◼
►
transport ivann a sheerly aesthetic
[TS]
01:12:26
◼
►
level visually because yeah and that's
[TS]
01:12:29
◼
►
that's really something that's either
[TS]
01:12:30
◼
►
going to hit you or it's not so I can
[TS]
01:12:32
◼
►
completely understand why this would not
[TS]
01:12:33
◼
►
be your favorite scene in this movie but
[TS]
01:12:35
◼
►
I mean I almost wish I did drugs so that
[TS]
01:12:38
◼
►
I could just get high and watch that
[TS]
01:12:40
◼
►
scene over and over again because i feel
[TS]
01:12:42
◼
►
like that would make it even cooler if
[TS]
01:12:44
◼
►
you'd be better off watching Crouching
[TS]
01:12:45
◼
►
Tiger i think doing this andrea yeah I
[TS]
01:12:48
◼
►
do need to see that at some point
[TS]
01:12:49
◼
►
are you definitely need 20 yeah yeah
[TS]
01:12:52
◼
►
there's so much there's so much I don't
[TS]
01:12:54
◼
►
know maybe it's just a reaction the guns
[TS]
01:12:55
◼
►
but you know all this come through and
[TS]
01:12:58
◼
►
yet you're just going to kind of open up
[TS]
01:12:59
◼
►
with the spray bullets and I don't know
[TS]
01:13:01
◼
►
if there's something about it that just
[TS]
01:13:02
◼
►
it doesn't doesn't excite me so much as
[TS]
01:13:05
◼
►
the other action scenes in the movie but
[TS]
01:13:07
◼
►
I get it certainly is indelible mr
[TS]
01:13:08
◼
►
remember every every single shot in that
[TS]
01:13:12
◼
►
absolutely and the quiet and the silence
[TS]
01:13:15
◼
►
at the end right and that's a little
[TS]
01:13:16
◼
►
comedy when like it all ends and you
[TS]
01:13:18
◼
►
realize that you've certainly what just
[TS]
01:13:19
◼
►
happened and other little piece of
[TS]
01:13:20
◼
►
charcoal Marvel's also yeah yeah the
[TS]
01:13:22
◼
►
elevator opens and yeah he picks up the
[TS]
01:13:25
◼
►
duffel bag drops the gun turned on his
[TS]
01:13:26
◼
►
heel and walks to the elevator
[TS]
01:13:28
◼
►
yeah and then he says there is no spoon
[TS]
01:13:29
◼
►
and blows up the elevator for no reason
[TS]
01:13:31
◼
►
no no he blows up the ground floor so
[TS]
01:13:34
◼
►
that they can't send any reinforcements
[TS]
01:13:36
◼
►
up higher into the building that's why
[TS]
01:13:37
◼
►
they do that is they bloody
[TS]
01:13:38
◼
►
reinforcements they've already taken
[TS]
01:13:39
◼
►
haha well the rest of the matrix right
[TS]
01:13:41
◼
►
there still everybody else in the matrix
[TS]
01:13:43
◼
►
except at the subway station which is
[TS]
01:13:44
◼
►
totally abandoned but we'll get to that
[TS]
01:13:46
◼
►
in a second but yeah that's that's the
[TS]
01:13:48
◼
►
rationale so that so then they get up on
[TS]
01:13:50
◼
►
the roof because that's where you go and
[TS]
01:13:52
◼
►
they take out the guys on the roof and
[TS]
01:13:53
◼
►
there's that amazing bullet-time stuff
[TS]
01:13:55
◼
►
which again like I said it's like more
[TS]
01:13:57
◼
►
thing where like morphing and terminator
[TS]
01:13:59
◼
►
2 is like well what's going on and then
[TS]
01:14:01
◼
►
it was in every commercial and it was in
[TS]
01:14:02
◼
►
Michael Jackson videos and all these
[TS]
01:14:04
◼
►
other things that was much less
[TS]
01:14:05
◼
►
interesting then this is like that where
[TS]
01:14:07
◼
►
the bullet time stuff
[TS]
01:14:09
◼
►
this was so groundbreaking when it was
[TS]
01:14:11
◼
►
done and now it's like not that exciting
[TS]
01:14:13
◼
►
but that it's still really nice to see
[TS]
01:14:15
◼
►
that scene where you know he's
[TS]
01:14:17
◼
►
essentially what would it be like if you
[TS]
01:14:18
◼
►
could dodge bullets like this is what it
[TS]
01:14:20
◼
►
would be like and then when it's all
[TS]
01:14:21
◼
►
said and done
[TS]
01:14:22
◼
►
he's laying on the ground and she says
[TS]
01:14:24
◼
►
how'd you do that mr. Crowe you know i
[TS]
01:14:26
◼
►
got it made a hole in my in my jacket so
[TS]
01:14:29
◼
►
I didn't do it good enough right it's
[TS]
01:14:31
◼
►
great it's great but it's been done now
[TS]
01:14:33
◼
►
to death
[TS]
01:14:34
◼
►
yeah actually i just watched this a
[TS]
01:14:36
◼
►
couple months ago with my spouse and he
[TS]
01:14:38
◼
►
had never seen it before and I just the
[TS]
01:14:42
◼
►
movie did not have the same punch for
[TS]
01:14:44
◼
►
him because he has seen all of the the
[TS]
01:14:48
◼
►
things that have sort of try to redo it
[TS]
01:14:50
◼
►
in most cases not as well this is the
[TS]
01:14:52
◼
►
first one of those 90 and I can he said
[TS]
01:14:55
◼
►
he said I know I tried to keep that in
[TS]
01:14:57
◼
►
my head and if i had seen this at the
[TS]
01:15:00
◼
►
time I probably would have affected me
[TS]
01:15:02
◼
►
more but so he cerebral hehe was able to
[TS]
01:15:04
◼
►
understand that it was cool but it just
[TS]
01:15:06
◼
►
didn't affect him on a gut level dodging
[TS]
01:15:09
◼
►
the bullets one works story wise though
[TS]
01:15:10
◼
►
even though they linger on the effect
[TS]
01:15:12
◼
►
longer than they need to for modern
[TS]
01:15:13
◼
►
audiences because we're not that
[TS]
01:15:14
◼
►
impressed by the fact that it
[TS]
01:15:16
◼
►
spontaneously occurs to him to attempt
[TS]
01:15:18
◼
►
to do this and that he doesn't quite do
[TS]
01:15:20
◼
►
it right and you
[TS]
01:15:21
◼
►
almost gets shot anyway and doesn't
[TS]
01:15:23
◼
►
can't explain why he did it is nice and
[TS]
01:15:25
◼
►
yeah it's in better than you know like
[TS]
01:15:28
◼
►
I'm suddenly imagine like this is a nice
[TS]
01:15:30
◼
►
ramp for him from being the doofus to
[TS]
01:15:32
◼
►
being the guy who puts up his hand at
[TS]
01:15:33
◼
►
the end of the movement and she says you
[TS]
01:15:35
◼
►
you move like them and we when we see
[TS]
01:15:37
◼
►
that move its not understandable it's
[TS]
01:15:39
◼
►
like they got three heads or four arms
[TS]
01:15:41
◼
►
in their half
[TS]
01:15:42
◼
►
opaque and it's very confusing and then
[TS]
01:15:44
◼
►
we see it from his perspective
[TS]
01:15:45
◼
►
essentially what we're really happening
[TS]
01:15:47
◼
►
is time slows down and I'm able to do
[TS]
01:15:49
◼
►
this and so it's like oh that's what
[TS]
01:15:52
◼
►
he's doing he's falling over when he
[TS]
01:15:53
◼
►
does it too
[TS]
01:15:54
◼
►
he's like he's like I am i falling but
[TS]
01:15:56
◼
►
i'm not actually falling I'm kind of
[TS]
01:15:57
◼
►
fallen at the end of the thing he does
[TS]
01:15:59
◼
►
fall on his buddies on the action is
[TS]
01:16:00
◼
►
like good you know it was not
[TS]
01:16:02
◼
►
particularly graceful know nobody
[TS]
01:16:04
◼
►
managed to dodge mostly and just get a
[TS]
01:16:05
◼
►
hole in his sleep i actually what i
[TS]
01:16:07
◼
►
really love in this scene i'd forgotten
[TS]
01:16:09
◼
►
how much i love it is when the
[TS]
01:16:10
◼
►
helicopter smashes into the building and
[TS]
01:16:12
◼
►
that I wrote in my nose ring that is a
[TS]
01:16:14
◼
►
spectacular explosion and the ripple of
[TS]
01:16:16
◼
►
the glass and all that that if i'm going
[TS]
01:16:18
◼
►
to see an action movie and I'm gonna get
[TS]
01:16:19
◼
►
a big explosion
[TS]
01:16:20
◼
►
I want that explosion that is a great
[TS]
01:16:22
◼
►
explosion and then the ripple effect is
[TS]
01:16:24
◼
►
great i love the explosion but the rest
[TS]
01:16:26
◼
►
of that scene of them you know shooting
[TS]
01:16:28
◼
►
into the room with morpheus and somehow
[TS]
01:16:30
◼
►
not hitting him but hitting all agents
[TS]
01:16:32
◼
►
um yeah that's that's the most boring
[TS]
01:16:35
◼
►
action sequence for to my road down
[TS]
01:16:37
◼
►
there they're awfully careful with their
[TS]
01:16:39
◼
►
indiscriminate machine gun fire from a
[TS]
01:16:41
◼
►
helicopter video and slow time so we can
[TS]
01:16:43
◼
►
probably a improperly in that time that
[TS]
01:16:46
◼
►
they spend a lot of time looking at the
[TS]
01:16:47
◼
►
shell casings fall into the water which
[TS]
01:16:49
◼
►
again is a very animate anime type of
[TS]
01:16:52
◼
►
thing to do because anime action scenes
[TS]
01:16:53
◼
►
are all about putting the camera not on
[TS]
01:16:55
◼
►
what's happening but on some tangential
[TS]
01:16:57
◼
►
thing and complying with this happened
[TS]
01:16:59
◼
►
and they do a live action version of
[TS]
01:17:00
◼
►
that we're just fine it's very stylized
[TS]
01:17:02
◼
►
and yeah but you know wasn't what people
[TS]
01:17:03
◼
►
expected to see I did you expect that
[TS]
01:17:06
◼
►
scene where where they wear Morpheus
[TS]
01:17:08
◼
►
like sees them and tip tilts his chair
[TS]
01:17:10
◼
►
over or something but instead he's just
[TS]
01:17:13
◼
►
sitting there the whole time as they
[TS]
01:17:14
◼
►
you're right
[TS]
01:17:15
◼
►
yeah that is I thought about that too
[TS]
01:17:17
◼
►
it's like bit that silly but I love when
[TS]
01:17:19
◼
►
the helicopter smashes in and and that
[TS]
01:17:21
◼
►
is a fun scene where he ties it would be
[TS]
01:17:24
◼
►
really funny if he tied the the hose or
[TS]
01:17:26
◼
►
whatever is the rope to himself in the
[TS]
01:17:28
◼
►
AL the Haunted yank the budget and only
[TS]
01:17:30
◼
►
one again because because you can't stop
[TS]
01:17:33
◼
►
but and the ripple effect when it hits
[TS]
01:17:35
◼
►
the building another great thing where
[TS]
01:17:36
◼
►
they don't then explain to wait why did
[TS]
01:17:38
◼
►
the building ripple like that that
[TS]
01:17:39
◼
►
wasn't stuck to some people think it was
[TS]
01:17:41
◼
►
a badly done effect and they didn't know
[TS]
01:17:42
◼
►
how to do a good effect like and the
[TS]
01:17:44
◼
►
reason it's put there is to remind you
[TS]
01:17:46
◼
►
once again even though you think you're
[TS]
01:17:47
◼
►
watching an action scene of this is
[TS]
01:17:49
◼
►
really happening and it doesn't need to
[TS]
01:17:51
◼
►
be an explanation of why this big ripple
[TS]
01:17:52
◼
►
effect happen because it's all big
[TS]
01:17:53
◼
►
computer program and it's just you know
[TS]
01:17:55
◼
►
it's like it's like a game when there's
[TS]
01:17:57
◼
►
like clipping effects for a fire fire
[TS]
01:17:59
◼
►
effect clips through a wall that it
[TS]
01:18:01
◼
►
shouldn't or whatever you accepted in
[TS]
01:18:02
◼
►
the game is like well it's all made up
[TS]
01:18:04
◼
►
anyway the simulation is not perfect
[TS]
01:18:05
◼
►
alright i guess that takes us to the
[TS]
01:18:07
◼
►
subway and like I said the matrix is
[TS]
01:18:09
◼
►
full of people but the subway station is
[TS]
01:18:12
◼
►
not but nobody in the natives takes
[TS]
01:18:15
◼
►
public transportation i think this is
[TS]
01:18:16
◼
►
what we necessary bummed turn into the
[TS]
01:18:18
◼
►
agent and that and the driver of the
[TS]
01:18:20
◼
►
train of the train right that's right
[TS]
01:18:22
◼
►
but uh you know it's a it's this is our
[TS]
01:18:25
◼
►
this is our big climactic fight scene
[TS]
01:18:27
◼
►
and and I like the scale of it we've had
[TS]
01:18:31
◼
►
the Giant action scene on the top of the
[TS]
01:18:33
◼
►
building this is the smaller scale
[TS]
01:18:35
◼
►
version where we get where we get Smith
[TS]
01:18:38
◼
►
and neyo fighting in the train station
[TS]
01:18:41
◼
►
and doing some kung foo and some
[TS]
01:18:42
◼
►
smashing into things and destroying into
[TS]
01:18:46
◼
►
destroying walls and things like that he
[TS]
01:18:48
◼
►
had a little hint of another genre as
[TS]
01:18:50
◼
►
well you've got sort of the spaghetti
[TS]
01:18:51
◼
►
western sort of thing instead of a
[TS]
01:18:53
◼
►
double yeah this is my guardian
[TS]
01:18:55
◼
►
newspaper injured but that's that total
[TS]
01:18:57
◼
►
yeah you're right you're right where's
[TS]
01:18:58
◼
►
all that wouldn't compromise show
[TS]
01:18:59
◼
►
Dancing train there's a train yeah sure
[TS]
01:19:01
◼
►
and the story in this fight seems like
[TS]
01:19:03
◼
►
there actually is a story otherwise be
[TS]
01:19:04
◼
►
boring story in this entire fight scene
[TS]
01:19:06
◼
►
is you know as as narrated slightly
[TS]
01:19:08
◼
►
ham-fisted Lee by whoever was watching
[TS]
01:19:09
◼
►
like neo is starting to believe and neyo
[TS]
01:19:11
◼
►
decides like after after you know we'd
[TS]
01:19:13
◼
►
already had the revelation of like I can
[TS]
01:19:15
◼
►
pick up this you know I'm gonna stop
[TS]
01:19:16
◼
►
this helicopter mechanic now he's like
[TS]
01:19:18
◼
►
alright if i can grab a helicopter was
[TS]
01:19:20
◼
►
falling off the building
[TS]
01:19:21
◼
►
why can't I fight this guy what what
[TS]
01:19:23
◼
►
does he have that I don't have it so now
[TS]
01:19:25
◼
►
i'm going to actually fight him and it's
[TS]
01:19:27
◼
►
fun that it doesn't work out quite the
[TS]
01:19:29
◼
►
way he wanted to like he barely escaped
[TS]
01:19:31
◼
►
with his life more or less I like that
[TS]
01:19:33
◼
►
they end up on the tracks because that's
[TS]
01:19:34
◼
►
just a primal fear of anybody who's
[TS]
01:19:36
◼
►
waited for a train anywhere so don't
[TS]
01:19:38
◼
►
know know the to Coast tracks don't go
[TS]
01:19:40
◼
►
there are the tracks no but of course it
[TS]
01:19:42
◼
►
doesn't
[TS]
01:19:43
◼
►
meo has had the crap beat out of him but
[TS]
01:19:45
◼
►
he's finally won
[TS]
01:19:46
◼
►
and of course what happens is the driver
[TS]
01:19:48
◼
►
steps off the train
[TS]
01:19:49
◼
►
annotations Smith and that's the moment
[TS]
01:19:50
◼
►
when he was like okay I'm gonna run now
[TS]
01:19:53
◼
►
yeah but he's like wait why am I even
[TS]
01:19:54
◼
►
find these guys because like if I just
[TS]
01:19:57
◼
►
like how in if I win have I won because
[TS]
01:19:59
◼
►
you know that you hit he thinks he's
[TS]
01:20:01
◼
►
like I figured out i can beat them and
[TS]
01:20:03
◼
►
his way now what am I thinking they can
[TS]
01:20:04
◼
►
become anybody this is stupid
[TS]
01:20:06
◼
►
yeah and so then we end up we end up
[TS]
01:20:09
◼
►
with the last sequence of the movie
[TS]
01:20:10
◼
►
which is do in the building and the
[TS]
01:20:14
◼
►
heart of the heart of the city hotel
[TS]
01:20:16
◼
►
again motel and and then intercut with
[TS]
01:20:19
◼
►
the Sentinel attack Sentinel strike on
[TS]
01:20:21
◼
►
the hovercraft where they're they're
[TS]
01:20:24
◼
►
cutting into the ship and and they're
[TS]
01:20:27
◼
►
ready to blast the EMP which will kill
[TS]
01:20:29
◼
►
me oh but it also you know kill the
[TS]
01:20:31
◼
►
Sentinels and um and what i wrote down
[TS]
01:20:34
◼
►
here is the prophecies saved the day i
[TS]
01:20:37
◼
►
love prophecies they always they always
[TS]
01:20:39
◼
►
a they got your back prophecies have
[TS]
01:20:41
◼
►
your prophecies and love ya last-minute
[TS]
01:20:44
◼
►
declarations of love it's your love
[TS]
01:20:46
◼
►
prophecies are the ones that really
[TS]
01:20:47
◼
►
saved the day because trinity of course
[TS]
01:20:48
◼
►
says that's right it doesn't mind it
[TS]
01:20:50
◼
►
doesn't say i love prophecies it's just
[TS]
01:20:51
◼
►
love prophecies sit save the day because
[TS]
01:20:53
◼
►
she says if they told me I would fall in
[TS]
01:20:56
◼
►
love with you and I'm in love with you
[TS]
01:20:57
◼
►
so you've got to be the one and she
[TS]
01:20:58
◼
►
kisses him when he comes back to life
[TS]
01:20:59
◼
►
and it's nice you know it's funny that
[TS]
01:21:01
◼
►
the Oracle told me Oh exactly what he
[TS]
01:21:03
◼
►
needed to hear and then everybody else
[TS]
01:21:05
◼
►
who went to see her got exactly the
[TS]
01:21:08
◼
►
yep just not neo he only got what you
[TS]
01:21:10
◼
►
needed here now cookie and it in a very
[TS]
01:21:12
◼
►
crunchy cookie to crack but seriously I
[TS]
01:21:17
◼
►
really did not like the like the ending
[TS]
01:21:19
◼
►
the first few times I saw this because i
[TS]
01:21:21
◼
►
didn't like the idea of it being all
[TS]
01:21:23
◼
►
schmaltzy love saves the day at the end
[TS]
01:21:26
◼
►
because I kind of think tends to bother
[TS]
01:21:28
◼
►
me especially in a science fiction movie
[TS]
01:21:29
◼
►
but over the years having watched a few
[TS]
01:21:32
◼
►
more times I've managed to sort of
[TS]
01:21:34
◼
►
retcon it a little bit in my head
[TS]
01:21:37
◼
►
because these are the things that I have
[TS]
01:21:39
◼
►
to do to make it work with me but I feel
[TS]
01:21:42
◼
►
like maybe it's not that she it's not
[TS]
01:21:47
◼
►
her loving him is is what does it
[TS]
01:21:49
◼
►
perhaps he actually just has to die
[TS]
01:21:52
◼
►
within the matrix in order to achieve
[TS]
01:21:54
◼
►
his full potential because he's not
[TS]
01:21:56
◼
►
going to be able to recognize
[TS]
01:21:59
◼
►
that you know that he's able to sort of
[TS]
01:22:01
◼
►
like splitting the connection between
[TS]
01:22:03
◼
►
between reality and the matrix because
[TS]
01:22:05
◼
►
he can clearly hear Trinity I mean not
[TS]
01:22:07
◼
►
only the right jack declaration of love
[TS]
01:22:09
◼
►
which sort of kicks into gear but after
[TS]
01:22:11
◼
►
that when he's you looking after the
[TS]
01:22:13
◼
►
agents and she tells neo and he turns
[TS]
01:22:15
◼
►
around and comes right back to her so I
[TS]
01:22:17
◼
►
think maybe the the thing that makes him
[TS]
01:22:20
◼
►
the one is the fact that he at this
[TS]
01:22:22
◼
►
point in the trilogy non trilogy is the
[TS]
01:22:25
◼
►
fact that he's able to exist in both
[TS]
01:22:27
◼
►
worlds simultaneously therefore his
[TS]
01:22:29
◼
►
death doesn't actually become a death
[TS]
01:22:31
◼
►
right so it doesn't really help that
[TS]
01:22:33
◼
►
much to do with the prophecy the
[TS]
01:22:34
◼
►
prophecy just told us it was gonna
[TS]
01:22:35
◼
►
happen it's not because she loves him
[TS]
01:22:37
◼
►
just that's that's an effect rather than
[TS]
01:22:39
◼
►
a cause but it's kind of a shame that
[TS]
01:22:41
◼
►
she falls in love with no because like
[TS]
01:22:43
◼
►
this character that you were so excited
[TS]
01:22:44
◼
►
by the beginning quickly falls into the
[TS]
01:22:46
◼
►
role of main characters girlfriend you
[TS]
01:22:48
◼
►
know reason and they have no chemistry
[TS]
01:22:49
◼
►
and there's no reason they would be
[TS]
01:22:51
◼
►
hidin at this read and share hobbies
[TS]
01:22:53
◼
►
come foo fighting been impressive
[TS]
01:22:57
◼
►
machine overlords leather pants really
[TS]
01:23:00
◼
►
stupid looking sunglasses distressed
[TS]
01:23:01
◼
►
knitting I I loved the fact that it ends
[TS]
01:23:04
◼
►
with her basically giving him a kiss and
[TS]
01:23:06
◼
►
waking him up because you've got all
[TS]
01:23:08
◼
►
these and they then they're exposing
[TS]
01:23:10
◼
►
sleeping beauty
[TS]
01:23:11
◼
►
yes because they have my alice in
[TS]
01:23:13
◼
►
wonderland and they have the wizard of
[TS]
01:23:15
◼
►
oz throughout and they they're very
[TS]
01:23:17
◼
►
blatant about those and then here's
[TS]
01:23:19
◼
►
Sleeping Beauty sneaking in at the end
[TS]
01:23:21
◼
►
and they don't really they don't force
[TS]
01:23:23
◼
►
it there just like because they're
[TS]
01:23:26
◼
►
waking everybody up from the matrix
[TS]
01:23:28
◼
►
whoa well fuck man you got to see this
[TS]
01:23:31
◼
►
movie it's really the climax of the
[TS]
01:23:35
◼
►
movie for me was not the you know love
[TS]
01:23:37
◼
►
conquers all seen but the 1si is
[TS]
01:23:40
◼
►
actually awake the final the final
[TS]
01:23:42
◼
►
revelation on his path during the entire
[TS]
01:23:44
◼
►
movie or not knowing what's going on is
[TS]
01:23:46
◼
►
when they all shoot bullets at me put up
[TS]
01:23:48
◼
►
a tent and says no and like that that
[TS]
01:23:51
◼
►
you know makes ridiculous every fight
[TS]
01:23:53
◼
►
scene had come before it because again
[TS]
01:23:56
◼
►
like you know with that it was kind of
[TS]
01:23:57
◼
►
really goes when he was learning the
[TS]
01:23:59
◼
►
kungfu stuff you think that's air you're
[TS]
01:24:00
◼
►
breathing it's like but why are we even
[TS]
01:24:01
◼
►
punching each other this is a computer
[TS]
01:24:03
◼
►
program i don't have to play this game
[TS]
01:24:05
◼
►
at all they can shoot the bolts on
[TS]
01:24:06
◼
►
they'll be like no it's not gonna happen
[TS]
01:24:09
◼
►
let's stop fall to the ground and they
[TS]
01:24:10
◼
►
need to tilt his head to the side and
[TS]
01:24:12
◼
►
they have the hallway bow out and do all
[TS]
01:24:14
◼
►
these effects yeah that is the
[TS]
01:24:16
◼
►
culmination of you know really
[TS]
01:24:18
◼
►
understanding that there is no spoon it
[TS]
01:24:20
◼
►
was a thought was a fitting way to
[TS]
01:24:21
◼
►
finish the movie and the love plot is
[TS]
01:24:22
◼
►
just like all right yeah do that too
[TS]
01:24:25
◼
►
it's well that's it you know it's
[TS]
01:24:27
◼
►
intercutting it and you you're getting
[TS]
01:24:28
◼
►
those two different texts also I while I
[TS]
01:24:30
◼
►
was watching this again with the having
[TS]
01:24:32
◼
►
not seen in a few years it's like oh
[TS]
01:24:34
◼
►
yeah that's why the Daleks stopped the
[TS]
01:24:37
◼
►
bullets in Doctor Who in that same
[TS]
01:24:41
◼
►
it's like that was a Matrix right i
[TS]
01:24:44
◼
►
remember this is the first time i saw
[TS]
01:24:45
◼
►
that scene which may be reused a few
[TS]
01:24:47
◼
►
times like right right that's where that
[TS]
01:24:50
◼
►
comes from this such and that's the
[TS]
01:24:52
◼
►
thing that somebody who sees this for
[TS]
01:24:53
◼
►
the first time now might not realize
[TS]
01:24:54
◼
►
because again we've seen that all of
[TS]
01:24:57
◼
►
these things a million times now it's so
[TS]
01:24:58
◼
►
much many of these things were
[TS]
01:25:00
◼
►
immediately taken an drift on by
[TS]
01:25:02
◼
►
everybody else because he was and and
[TS]
01:25:06
◼
►
granted that it was not a wholly
[TS]
01:25:07
◼
►
original thing there's lots of things
[TS]
01:25:08
◼
►
that were being crude from anime and
[TS]
01:25:10
◼
►
crib from it you know Asian cinema but
[TS]
01:25:12
◼
►
for Western audiences and I think
[TS]
01:25:14
◼
►
Western a lot of Western filmmakers and
[TS]
01:25:16
◼
►
TV makers this was that revelatory
[TS]
01:25:18
◼
►
moment of like oh my god did you see
[TS]
01:25:20
◼
►
that senior this senior this scene and
[TS]
01:25:22
◼
►
it spawned a whole then again that the
[TS]
01:25:24
◼
►
matrix was in Doctor Who in 1977 that's
[TS]
01:25:26
◼
►
true create this in the best title of
[TS]
01:25:29
◼
►
any doctor who episode ever
[TS]
01:25:30
◼
►
the deadly assassin because that's how I
[TS]
01:25:34
◼
►
like my assassins deadly can play well
[TS]
01:25:36
◼
►
they're effective been killing machines
[TS]
01:25:38
◼
►
at the end the employees his phone call
[TS]
01:25:40
◼
►
on answering machine for the matrix and
[TS]
01:25:42
◼
►
but what I really love about it is he
[TS]
01:25:45
◼
►
says what you know something about a
[TS]
01:25:46
◼
►
world without your control and it ends
[TS]
01:25:48
◼
►
with the the system failure and I had
[TS]
01:25:51
◼
►
that moment of like get it get it
[TS]
01:25:53
◼
►
the system is going to fail a system
[TS]
01:25:56
◼
►
line is a failure haha bling pay your
[TS]
01:26:00
◼
►
taxes and then any any flies only flies
[TS]
01:26:04
◼
►
up with that that's great right because
[TS]
01:26:05
◼
►
it's like the final culmination like he
[TS]
01:26:07
◼
►
could fly and stuff now one of course
[TS]
01:26:09
◼
►
you can see why would I wouldn't fly
[TS]
01:26:11
◼
►
why wouldn't you fly the whole time in
[TS]
01:26:12
◼
►
fact in sequels I butterflies the whole
[TS]
01:26:14
◼
►
time stops always doesn't do that no but
[TS]
01:26:16
◼
►
imagine if there was a sequel what would
[TS]
01:26:19
◼
►
how awesome that we don't really like
[TS]
01:26:20
◼
►
that the promise they can't fulfill
[TS]
01:26:21
◼
►
because once you've wrapped him up to
[TS]
01:26:23
◼
►
infinite power the sequel's either would
[TS]
01:26:25
◼
►
have to change
[TS]
01:26:26
◼
►
Jules entirely or be boring and instead
[TS]
01:26:27
◼
►
they kind of went back to like all right
[TS]
01:26:29
◼
►
well we've established you can fly but
[TS]
01:26:31
◼
►
it would be better if he struggled by
[TS]
01:26:32
◼
►
fighting and punching a little bit more
[TS]
01:26:33
◼
►
that's what we know that is more
[TS]
01:26:35
◼
►
interesting and maybe we can get a car
[TS]
01:26:37
◼
►
chase and that was a hell of a car chase
[TS]
01:26:38
◼
►
but it's like didn't we just do this the
[TS]
01:26:40
◼
►
the first movie that's what signals
[TS]
01:26:42
◼
►
don't work because you can't you can't
[TS]
01:26:43
◼
►
go anywhere from that T's at the end
[TS]
01:26:45
◼
►
like in some respects i was excited
[TS]
01:26:46
◼
►
about the next movie but then I quickly
[TS]
01:26:48
◼
►
realized they can't go anywhere for this
[TS]
01:26:50
◼
►
is over they should just stop i had
[TS]
01:26:51
◼
►
heard rumors that the second movie was
[TS]
01:26:53
◼
►
going to be that the the real world that
[TS]
01:26:55
◼
►
they got out into was actually another
[TS]
01:26:58
◼
►
facet of matrix and they had to get out
[TS]
01:27:00
◼
►
of that that I probably would have liked
[TS]
01:27:01
◼
►
a lot better
[TS]
01:27:02
◼
►
yeah that was the obvious way they could
[TS]
01:27:03
◼
►
go in with the way that many other
[TS]
01:27:05
◼
►
movies gone since it's like how many
[TS]
01:27:07
◼
►
layers and inception obviously like this
[TS]
01:27:08
◼
►
even so that would have been a retread
[TS]
01:27:10
◼
►
so it still would have been kind of a
[TS]
01:27:11
◼
►
letdown
[TS]
01:27:12
◼
►
so about the same time this movie came
[TS]
01:27:13
◼
►
out there was a chris carter the guy who
[TS]
01:27:16
◼
►
did the x-files did a very short-lived
[TS]
01:27:17
◼
►
Marshall series called harsh room right
[TS]
01:27:20
◼
►
which was a reality a reality of virtual
[TS]
01:27:23
◼
►
reality kind of show there was a Terry
[TS]
01:27:25
◼
►
O'Quinn was a dictator inside the
[TS]
01:27:27
◼
►
virtual reality world and how did I miss
[TS]
01:27:30
◼
►
this is it was gone for like a month
[TS]
01:27:33
◼
►
it was on for very little time I loved
[TS]
01:27:35
◼
►
it actually I really gotta really
[TS]
01:27:37
◼
►
thought we could a good show and in the
[TS]
01:27:39
◼
►
moment i bring this up not only because
[TS]
01:27:41
◼
►
of similarities to the matrix and about
[TS]
01:27:42
◼
►
the same time but but one of the really
[TS]
01:27:44
◼
►
great things about it and in actually
[TS]
01:27:46
◼
►
Terry Terry O'Quinn is Santiago the
[TS]
01:27:48
◼
►
dictator is pretty awesome
[TS]
01:27:50
◼
►
I i highly recommend that alone but one
[TS]
01:27:53
◼
►
of the plot twists that I really loved
[TS]
01:27:55
◼
►
in harsh room right before it it went
[TS]
01:27:57
◼
►
off the air and this is DB sweeney is
[TS]
01:27:58
◼
►
basically the star is scott bairstowe in
[TS]
01:28:00
◼
►
DB sweeney is the whole idea was that he
[TS]
01:28:04
◼
►
was trapped that he was a soldier
[TS]
01:28:05
◼
►
trapped in this harsh realm the virtual
[TS]
01:28:07
◼
►
reality that was based on like a
[TS]
01:28:10
◼
►
government process or something is chris
[TS]
01:28:12
◼
►
carter there's lots of conspiracies but
[TS]
01:28:13
◼
►
there's a moment where you about five
[TS]
01:28:16
◼
►
episodes in where you realize that there
[TS]
01:28:18
◼
►
are some characters who can come in and
[TS]
01:28:20
◼
►
out of the virtual world and there and
[TS]
01:28:22
◼
►
you get a glimpse of the real world and
[TS]
01:28:24
◼
►
it starts being about that which is
[TS]
01:28:26
◼
►
about like the matrix you're coming in
[TS]
01:28:28
◼
►
and out and I always thought that that
[TS]
01:28:29
◼
►
would be a really great place for the
[TS]
01:28:30
◼
►
matrix to go which is neo like being
[TS]
01:28:34
◼
►
able to step back and forth between the
[TS]
01:28:36
◼
►
worlds and having it be like more like a
[TS]
01:28:37
◼
►
doorway and that
[TS]
01:28:38
◼
►
all the old rules of you having to jack
[TS]
01:28:40
◼
►
into the matrix no longer apply and it
[TS]
01:28:43
◼
►
would be a very different kind of kind
[TS]
01:28:45
◼
►
of thing like harsh room because that
[TS]
01:28:46
◼
►
was a really great twist and harsh realm
[TS]
01:28:48
◼
►
yeah check out harsh realm if it's out
[TS]
01:28:49
◼
►
there somewhere look for used dvds now
[TS]
01:28:52
◼
►
the more you talk about it the more I
[TS]
01:28:54
◼
►
think maybe I did want to see it yeah
[TS]
01:28:56
◼
►
yeah but it came out the same time as
[TS]
01:28:57
◼
►
the matrix it was funny it was very
[TS]
01:28:59
◼
►
similar kind of premises
[TS]
01:29:00
◼
►
oh I want to say before we before we
[TS]
01:29:03
◼
►
wrap up in anything that you guys wanna
[TS]
01:29:05
◼
►
wanna get off your chest still we should
[TS]
01:29:06
◼
►
we should do that but i wanted to
[TS]
01:29:07
◼
►
mention one random thing that occurred
[TS]
01:29:09
◼
►
to me while I was watching this we just
[TS]
01:29:10
◼
►
I really love how to how it was a tank
[TS]
01:29:13
◼
►
always answers operator that I find that
[TS]
01:29:17
◼
►
charming because he's you know he's the
[TS]
01:29:19
◼
►
guy on the other phones are everywhere
[TS]
01:29:20
◼
►
in everything they do and every time the
[TS]
01:29:23
◼
►
answers its operator I just like their
[TS]
01:29:25
◼
►
indicate he actually is to know this is
[TS]
01:29:27
◼
►
tank of the resistance hello can I help
[TS]
01:29:30
◼
►
operator does he does he get other calls
[TS]
01:29:33
◼
►
if you would like the codes to design
[TS]
01:29:35
◼
►
mainframe i can get those words like I
[TS]
01:29:36
◼
►
don't have that this is not comcast I
[TS]
01:29:39
◼
►
can't cancel your sorry i can't cancel
[TS]
01:29:41
◼
►
your cable so anything we we didn't
[TS]
01:29:44
◼
►
cover that that we should we should
[TS]
01:29:47
◼
►
cover before I would kind of like to
[TS]
01:29:48
◼
►
film nerd out for a second yeah just
[TS]
01:29:50
◼
►
talk about every time i watch this movie
[TS]
01:29:52
◼
►
I noticed something something new
[TS]
01:29:54
◼
►
something different and i think that i
[TS]
01:29:55
◼
►
noticed this time was sort of the theme
[TS]
01:29:58
◼
►
of reflections if you notice almost
[TS]
01:30:01
◼
►
everything in the matrix is reflective
[TS]
01:30:03
◼
►
so much stuff and nothing in the real
[TS]
01:30:04
◼
►
world you don't even see a mirror but in
[TS]
01:30:07
◼
►
a matrix you've got you know everybody's
[TS]
01:30:09
◼
►
sunglasses
[TS]
01:30:10
◼
►
you've got you know it in the Morpheus
[TS]
01:30:12
◼
►
sunglasses you've got a different
[TS]
01:30:13
◼
►
reflection in each each eye of the
[TS]
01:30:15
◼
►
sunglasses right you got a different
[TS]
01:30:17
◼
►
pill in the different lenses yeah that's
[TS]
01:30:19
◼
►
a nice shot reaching for the one that's
[TS]
01:30:20
◼
►
no he's going for the red one actually a
[TS]
01:30:22
◼
►
pill case itself that he's twirling
[TS]
01:30:24
◼
►
around a super reflective even the pills
[TS]
01:30:26
◼
►
themselves are kind of shiny crazy p
[TS]
01:30:28
◼
►
mirror that his hand gets stuck in
[TS]
01:30:30
◼
►
exactly and that's that's the part that
[TS]
01:30:32
◼
►
just really got me this time you know
[TS]
01:30:34
◼
►
reflections aren't real and neither is
[TS]
01:30:36
◼
►
the matrix it's a great feeling sort of
[TS]
01:30:38
◼
►
distorted thing for it there and then
[TS]
01:30:40
◼
►
you've got the mirror that kind of goes
[TS]
01:30:42
◼
►
all wonky and starts climbing up his arm
[TS]
01:30:44
◼
►
the literal reflection is the physical
[TS]
01:30:47
◼
►
manifestation of his distress at that
[TS]
01:30:49
◼
►
point I just I thought that was really
[TS]
01:30:51
◼
►
awesome
[TS]
01:30:51
◼
►
there is no spoon it is only yourself
[TS]
01:30:53
◼
►
and you know because your faces in it
[TS]
01:30:55
◼
►
oh yeah Wow on the operator point that
[TS]
01:31:00
◼
►
you brought up yes or operandi
[TS]
01:31:02
◼
►
my take is that he was not saying that
[TS]
01:31:04
◼
►
he's Lily Tomlin like the operator at
[TS]
01:31:06
◼
►
the end of the phone it was like an IRC
[TS]
01:31:08
◼
►
channel when you've got ops i think
[TS]
01:31:09
◼
►
that's what they were going for since it
[TS]
01:31:11
◼
►
was the nineties that he is the is the
[TS]
01:31:13
◼
►
channel operating system yeah he's the
[TS]
01:31:15
◼
►
dual it's a dual meaning but it is that
[TS]
01:31:17
◼
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he is the lily tomlin operator the whole
[TS]
01:31:19
◼
►
idea is they dial out and make it the
[TS]
01:31:21
◼
►
operator
[TS]
01:31:22
◼
►
one ringy dingy one reading into and
[TS]
01:31:24
◼
►
then you're out of the matrix time-life
[TS]
01:31:26
◼
►
books would you like to order a 13-part
[TS]
01:31:27
◼
►
series on ghosts and ghouls that's how
[TS]
01:31:31
◼
►
they keep you in the matrix that's how
[TS]
01:31:32
◼
►
does this is the age testing our
[TS]
01:31:34
◼
►
audience to make this contemporary comic
[TS]
01:31:36
◼
►
references and go back to only time when
[TS]
01:31:37
◼
►
the operator looking at but it's
[TS]
01:31:39
◼
►
probably a YouTube kid like to apologize
[TS]
01:31:41
◼
►
again to the other grad students who are
[TS]
01:31:43
◼
►
listening for sorry that they already
[TS]
01:31:45
◼
►
had to look at mr. wizard after watching
[TS]
01:31:46
◼
►
this movie that's good i did want to
[TS]
01:31:50
◼
►
mention it's so fast i never noticed it
[TS]
01:31:52
◼
►
before but when agent smith explodes
[TS]
01:31:54
◼
►
part of his face flies by and it's dead
[TS]
01:31:56
◼
►
screaming oh yeah I loved that bit
[TS]
01:32:00
◼
►
that's a really counterintuitive ending
[TS]
01:32:02
◼
►
to where he dives into the agent you
[TS]
01:32:04
◼
►
like what is going on you again the
[TS]
01:32:07
◼
►
reason why not grab sushi far out man
[TS]
01:32:09
◼
►
yeah programming he said exactly that
[TS]
01:32:11
◼
►
he's he's going right inside and and
[TS]
01:32:13
◼
►
tearing them into little pieces and
[TS]
01:32:15
◼
►
reprogramming him exactly what I i
[TS]
01:32:17
◼
►
wonder if he comes back in the next
[TS]
01:32:19
◼
►
movie he does uh home but but you know
[TS]
01:32:22
◼
►
he can't beat the many conventional way
[TS]
01:32:24
◼
►
and so now he has given up and and I
[TS]
01:32:26
◼
►
it's a nice moment to where the other
[TS]
01:32:27
◼
►
agents look at you two there and like
[TS]
01:32:29
◼
►
yeah we're out of here
[TS]
01:32:30
◼
►
this is we don't know how that we're not
[TS]
01:32:32
◼
►
prepared to deal with this guy so we're
[TS]
01:32:33
◼
►
we're outta here
[TS]
01:32:34
◼
►
yeah that's that's a really nice weird
[TS]
01:32:37
◼
►
everytime i see that Mike densest range
[TS]
01:32:39
◼
►
just dives into him and then he's gone
[TS]
01:32:41
◼
►
and any big guy blows up and that he
[TS]
01:32:43
◼
►
flexes his muscles in the whole the
[TS]
01:32:45
◼
►
hallway bends the I kind of like the non
[TS]
01:32:48
◼
►
matrix world a lot more towards and be
[TS]
01:32:50
◼
►
like when the Sentinel is tearing its
[TS]
01:32:51
◼
►
way through like you know while the
[TS]
01:32:54
◼
►
little love scene is going on there as
[TS]
01:32:55
◼
►
the Sentinels tearing its way through
[TS]
01:32:57
◼
►
the the thing that I find menacing and
[TS]
01:32:59
◼
►
interesting those mechanical real-world
[TS]
01:33:01
◼
►
devices tearing through with lasers like
[TS]
01:33:04
◼
►
I'm in the Terminator ass kind of way
[TS]
01:33:06
◼
►
you know that's what he does is all he
[TS]
01:33:07
◼
►
does America that there's your shiny
[TS]
01:33:10
◼
►
thing in the real world the only shiny
[TS]
01:33:12
◼
►
reflective thing in the real world of a
[TS]
01:33:13
◼
►
super shiny beautiful sentinels that are
[TS]
01:33:15
◼
►
actually threat india the ports on the
[TS]
01:33:18
◼
►
back of their heads are the only thing
[TS]
01:33:19
◼
►
yes I just something you know created by
[TS]
01:33:22
◼
►
you know that the the robots and then
[TS]
01:33:24
◼
►
the way you get into the major this
[TS]
01:33:26
◼
►
basically have the the dark Jony ive
[TS]
01:33:28
◼
►
doing all their designs
[TS]
01:33:29
◼
►
yeah I think that's obviously that's why
[TS]
01:33:31
◼
►
they need the matrix is the creativity
[TS]
01:33:33
◼
►
of the of Johnny I me in the matrix app
[TS]
01:33:36
◼
►
version of Apple because for a while it
[TS]
01:33:38
◼
►
was all like leather and felt in wood
[TS]
01:33:40
◼
►
was really weird now that was the fall
[TS]
01:33:43
◼
►
of humanity was the skeuomorph orgasm
[TS]
01:33:44
◼
►
and then the the matrix it was the
[TS]
01:33:47
◼
►
decadent times as seen in the animatrix
[TS]
01:33:49
◼
►
yeah but then they but they made the
[TS]
01:33:51
◼
►
beautiful beautiful sentinels that will
[TS]
01:33:52
◼
►
come and kill you with lasers but
[TS]
01:33:56
◼
►
they're beautiful
[TS]
01:33:57
◼
►
the little squid guys are pretty awesome
[TS]
01:33:58
◼
►
always get confused about I always like
[TS]
01:34:01
◼
►
to think that the ship is like a
[TS]
01:34:02
◼
►
submarine and it's in the water but it's
[TS]
01:34:03
◼
►
not it's a hovercraft and they say it's
[TS]
01:34:05
◼
►
a hovercraft and yet I the way the
[TS]
01:34:07
◼
►
Sentinels move they move like and they
[TS]
01:34:09
◼
►
look like shit we did everything looks
[TS]
01:34:10
◼
►
like it's in looks like they're in the
[TS]
01:34:11
◼
►
water but they're not but they would
[TS]
01:34:13
◼
►
look like if they can crawl and it's not
[TS]
01:34:15
◼
►
clear that they would it be able to fly
[TS]
01:34:17
◼
►
getting out of their design but once
[TS]
01:34:19
◼
►
they land they look like it's like
[TS]
01:34:20
◼
►
20,000 Leagues Under the Sea like the
[TS]
01:34:22
◼
►
submarine you know yes
[TS]
01:34:23
◼
►
yeah whole thing they're doing yeah yeah
[TS]
01:34:25
◼
►
but when they cut a hole water doesn't
[TS]
01:34:27
◼
►
come in because it's not actually a
[TS]
01:34:28
◼
►
submarine
[TS]
01:34:29
◼
►
so yeah all right I think we've reached
[TS]
01:34:32
◼
►
the end and we're not going to do 2
[TS]
01:34:36
◼
►
single sheet the rage against the
[TS]
01:34:38
◼
►
machine riff that's really a recent
[TS]
01:34:40
◼
►
seriously but this is this has been
[TS]
01:34:43
◼
►
great and it was it was fun i mean i
[TS]
01:34:45
◼
►
don't know about you it was fun for me
[TS]
01:34:46
◼
►
revisiting it been a little while since
[TS]
01:34:48
◼
►
i saw the matrix like I bought the
[TS]
01:34:49
◼
►
blu-ray but it was kind of fun to watch
[TS]
01:34:51
◼
►
in HD with the surround sound and all
[TS]
01:34:53
◼
►
that and I haven't seen it a little
[TS]
01:34:54
◼
►
while and I remember all the things i
[TS]
01:34:56
◼
►
like about it and there are some things
[TS]
01:34:57
◼
►
that I grant well you know it's not not
[TS]
01:34:59
◼
►
that that scene is not great all that
[TS]
01:35:02
◼
►
but it's such an influential movie and
[TS]
01:35:04
◼
►
it's still fun to watch and and the
[TS]
01:35:05
◼
►
fights are are are beautiful and it's
[TS]
01:35:08
◼
►
kind of fun to watch Morpheus be a
[TS]
01:35:10
◼
►
fortune cookie and and the Oracle called
[TS]
01:35:13
◼
►
neo not too bright and all of those
[TS]
01:35:15
◼
►
things are so I i really enjoy don't
[TS]
01:35:17
◼
►
know about you guys I really
[TS]
01:35:18
◼
►
enjoyed the doing rewatch oh yeah I
[TS]
01:35:20
◼
►
hadn't actually seen it since since I
[TS]
01:35:22
◼
►
was it was in the theater that was the
[TS]
01:35:24
◼
►
last time my god was time to come for
[TS]
01:35:26
◼
►
you until a couple months ago when I
[TS]
01:35:28
◼
►
watched it with my husband and I hate to
[TS]
01:35:30
◼
►
describe him as an albatross but I feel
[TS]
01:35:33
◼
►
like watching by myself just just this
[TS]
01:35:36
◼
►
past couple days wasn't much more fun
[TS]
01:35:39
◼
►
experience because I could just relive
[TS]
01:35:42
◼
►
it the way that I know him the way that
[TS]
01:35:44
◼
►
I remembered it and I didn't have sort
[TS]
01:35:46
◼
►
of this pressure of my god is he gonna
[TS]
01:35:47
◼
►
like it is the easy getting this part
[TS]
01:35:49
◼
►
does he understand what's going on
[TS]
01:35:51
◼
►
well you know when you show something
[TS]
01:35:53
◼
►
you love to two people who are important
[TS]
01:35:57
◼
►
to you at you know your kind of late
[TS]
01:35:59
◼
►
letting yourself open for their judgment
[TS]
01:36:01
◼
►
and it's a but moment of vulnerability i
[TS]
01:36:04
◼
►
found this out when I showed real genius
[TS]
01:36:05
◼
►
just syracuse show it to me is x alli
[TS]
01:36:08
◼
►
you know I just making a joke with but
[TS]
01:36:10
◼
►
yeah it is
[TS]
01:36:11
◼
►
I I totally get that I've done that when
[TS]
01:36:13
◼
►
I've tried to expose somebody to a movie
[TS]
01:36:15
◼
►
or TV show that I really love and I'm
[TS]
01:36:16
◼
►
like oh you gotta watch this and then if
[TS]
01:36:18
◼
►
you're watching it with them especially
[TS]
01:36:20
◼
►
it's like oh man you know I hope it goes
[TS]
01:36:22
◼
►
away they are they liking it are they
[TS]
01:36:24
◼
►
uncomfortable and its really
[TS]
01:36:26
◼
►
nerve-wracking so I don't think you got
[TS]
01:36:28
◼
►
it you got to be very careful not to
[TS]
01:36:29
◼
►
oversell it you gotta lay out something
[TS]
01:36:31
◼
►
like that hey you should be okay check
[TS]
01:36:33
◼
►
this out i stir fried with onions and I
[TS]
01:36:36
◼
►
here but I didn't work very well I ended
[TS]
01:36:38
◼
►
up just becoming more invested in his
[TS]
01:36:40
◼
►
reaction to it then the movie itself
[TS]
01:36:41
◼
►
you're watching him not the movie then
[TS]
01:36:43
◼
►
right yeah so why don't I myself was I
[TS]
01:36:45
◼
►
think i was able to recapture all the
[TS]
01:36:48
◼
►
excitement and glory and squeeze that I
[TS]
01:36:51
◼
►
felt the very first time I saw it in
[TS]
01:36:53
◼
►
theatres and the subsequent eight times
[TS]
01:36:55
◼
►
and next we could do the same with the
[TS]
01:36:57
◼
►
Phantom Menace you know what I just
[TS]
01:36:59
◼
►
might i have like that fit within the
[TS]
01:37:01
◼
►
theater your turn back
[TS]
01:37:03
◼
►
be prepared disappointment having we
[TS]
01:37:05
◼
►
just we did we did that free watch that
[TS]
01:37:07
◼
►
was not know we'll see i'm very good at
[TS]
01:37:10
◼
►
am very good at sort of slotting myself
[TS]
01:37:12
◼
►
back into a place and time in my mind so
[TS]
01:37:15
◼
►
if I'm able to do that successfully I
[TS]
01:37:17
◼
►
might just be able to recapture the the
[TS]
01:37:20
◼
►
excitement of the moment and not pay too
[TS]
01:37:22
◼
►
much attention to the specifics of the
[TS]
01:37:24
◼
►
film a team of social workers will be
[TS]
01:37:27
◼
►
headed to your house in two out of three
[TS]
01:37:29
◼
►
states that
[TS]
01:37:30
◼
►
take the blue pill
[TS]
01:37:33
◼
►
yeah take the point help figure of dead
[TS]
01:37:35
◼
►
well will said oK we've reached the end
[TS]
01:37:37
◼
►
of our time but i want to thank my
[TS]
01:37:38
◼
►
guests for taking the red pill and
[TS]
01:37:40
◼
►
joining us in the matrix and we will
[TS]
01:37:41
◼
►
continue to fight against the machines
[TS]
01:37:45
◼
►
uh-huh David Laura thanks for being here
[TS]
01:37:48
◼
►
and entering the matrix with us
[TS]
01:37:50
◼
►
Thank You mr. Snell okay he took it he
[TS]
01:37:53
◼
►
took Agent Smith so you guys can't John
[TS]
01:37:56
◼
►
syracuse oh thank you for being here and
[TS]
01:37:58
◼
►
take this opportunity to recommend once
[TS]
01:37:59
◼
►
more the animate animatrix it's good yes
[TS]
01:38:02
◼
►
in a and I matrix it is too animated
[TS]
01:38:06
◼
►
shorts I don't have no idea where you
[TS]
01:38:08
◼
►
can get them but if you do a Google
[TS]
01:38:09
◼
►
search watching this movie again i was
[TS]
01:38:12
◼
►
able to let go of my anger at the
[TS]
01:38:13
◼
►
premise and just enjoy it but i still
[TS]
01:38:15
◼
►
enjoy those two animated shorts more so
[TS]
01:38:17
◼
►
if you've never heard of them and never
[TS]
01:38:18
◼
►
seen them like animation at all highly
[TS]
01:38:21
◼
►
recommend yeah it's actually it's a
[TS]
01:38:22
◼
►
whole DVD of nine
[TS]
01:38:25
◼
►
yeah it's a bunch of bunch of ya
[TS]
01:38:26
◼
►
different animated yeah I just me I just
[TS]
01:38:29
◼
►
I'm sorry I'm you're right I'm I've
[TS]
01:38:31
◼
►
misidentified I'm saying the second
[TS]
01:38:32
◼
►
Renaissance part 1 and 2 or the size the
[TS]
01:38:35
◼
►
ones I'm talking about not all the
[TS]
01:38:36
◼
►
animated shorts which are very reason
[TS]
01:38:38
◼
►
quality a second Renaissance part 1 and
[TS]
01:38:40
◼
►
to thank you for reminding me
[TS]
01:38:42
◼
►
you seek those out check them out
[TS]
01:38:44
◼
►
they're awesome ok Steve let's thank you
[TS]
01:38:47
◼
►
there is no IRS will remember that well
[TS]
01:38:52
◼
►
because of your mind man
[TS]
01:38:54
◼
►
it became auto from the simpsons there
[TS]
01:38:56
◼
►
for a second i think well that's good
[TS]
01:39:01
◼
►
yeah Erica and sign
[TS]
01:39:04
◼
►
thank you for being here thank you very
[TS]
01:39:06
◼
►
much for having me
[TS]
01:39:07
◼
►
I i wish i could do a line how about I'm
[TS]
01:39:10
◼
►
just another guy girl
[TS]
01:39:12
◼
►
there you go ok that works that works
[TS]
01:39:15
◼
►
it was great to have you here I thank
[TS]
01:39:16
◼
►
you for thanks for coming on i know that
[TS]
01:39:17
◼
►
you saw this movie so many times in the
[TS]
01:39:19
◼
►
theater it was really great to have that
[TS]
01:39:20
◼
►
perspective to which we don't don't
[TS]
01:39:22
◼
►
usually get around here and I and and
[TS]
01:39:24
◼
►
anything that you would like to plug i
[TS]
01:39:26
◼
►
mentioned Verity which is a really great
[TS]
01:39:27
◼
►
doctor who podcast is that the then you
[TS]
01:39:30
◼
►
have anything else that you'd like to
[TS]
01:39:31
◼
►
promote arms are getting very
[TS]
01:39:33
◼
►
podcast.com for the podcast i am also on
[TS]
01:39:37
◼
►
Twitter as Holly go darkly if you want
[TS]
01:39:40
◼
►
to chat with me there and I have my own
[TS]
01:39:41
◼
►
blog which is fangirl
[TS]
01:39:42
◼
►
knit scarf at wordpress.com which I
[TS]
01:39:45
◼
►
update occasionally about geeky stuff
[TS]
01:39:48
◼
►
and not so much knitting so don't worry
[TS]
01:39:50
◼
►
about that so much the knitting the
[TS]
01:39:51
◼
►
distressed knitting of the matrix though
[TS]
01:39:52
◼
►
i think is the topic of time and energy
[TS]
01:39:54
◼
►
source here sometime in the in the far
[TS]
01:39:56
◼
►
future we're going to need blogs about
[TS]
01:39:58
◼
►
admitting we are clearly i think i think
[TS]
01:40:00
◼
►
we're all set there you have to wear
[TS]
01:40:02
◼
►
ragged Snoopy snow hats around our
[TS]
01:40:04
◼
►
Nebuchadnezzar want to grow on thanks to
[TS]
01:40:09
◼
►
yeah and I am Jason smell as always for
[TS]
01:40:12
◼
►
the uncomfortable thanks everybody for
[TS]
01:40:13
◼
►
listening we'll see you next time in the
[TS]
01:40:15
◼
►
matrix work with on a podcast
[TS]
01:40:22
◼
►
hey we made incomparable t-shirts that's
[TS]
01:40:28
◼
►
right there's one with our logo we call
[TS]
01:40:29
◼
►
this one the siracusa and for fans of
[TS]
01:40:32
◼
►
rigid airships there's also one with our
[TS]
01:40:34
◼
►
Zeppelin on it
[TS]
01:40:35
◼
►
we call this one the Zeppelin because
[TS]
01:40:36
◼
►
we're really creative
[TS]
01:40:38
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anyway they're on sale until october 7
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01:40:41
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2013 at two p.m. eastern time so order
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01:40:45
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before then or be eternally sad visit
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01:40:48
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the incomparable dot-com / shirt to
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01:40:52
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learn more
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