351: You're Right, Father--Kill All Humans
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the incomparable
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number 351 May 2017 welcome back
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everybody to the incomparable I am your
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host Jason stell I'm here this time to
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talk about another one of these this
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raft of interesting science fiction
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slash fantasy TV series that finished
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airing their seasons this spring that I
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enjoyed a lot and I want to talk to
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people about them and so what what I do
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is I have a podcast so I get to talk
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about them with people on a podcast
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instead of just in real life like most
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people so in this episode we're going to
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talk about humans a TV series that aired
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last fall actually on channel 4 in the
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UK and this spring on AMC in the u.s. we
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covered season 1 in episode 263 of the
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incomparable along with the first season
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of mr. robot actually and we're back to
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talk about season 2 of humans joining me
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to talk about it are these two fine
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gentlemen Moises Chu yan hello Jason how
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may I be of assistance
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thank you boy says it's good to have you
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here also here is he a human or not wait
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a second that's a wrong podcast it's Jon
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siracusa hello sometimes the a is upside
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down I know what is that what does that
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mean it and then it flips around is it
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like a little person going yeh with its
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arms and then it puts this arm down like
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oh or very confusing yeah they do that
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in the credits to all the a is flip
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around they're upside down maybe there's
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a maybe there's something fee Matic
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there I don't know so so humans before
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we fire off the spoiler horn and talk
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about the second season of humans I
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thought we would talk a little bit in
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general about it this show this is
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obviously the second season we did talk
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about it before the the when it
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premiered along with mr. robot the
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summer before last I always thought it
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was amusing that the show these two
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shows the show about humans is called
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mr. robot and the show about robots is
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called humans but it's not alert both
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shows are actually about humans actually
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about humans yeah turns turn out tones
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just it's amazing how that happens the
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idea here is that it's a near-future
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world that's basically like ours
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that these replicant type androids
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called synths exist they're very
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human-like in appearance which means
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they can be played by humans as actors
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but they are not sentient they are sort
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of intelligent enough to do jobs but
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they're they're kind of a just a almost
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like a slave race but they're not
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sentient they're just helpers they're in
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a human-shaped extension of technology
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but and this is the classic science
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fiction but a few of them become
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sentient and it raises all sorts of
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questions about how they interact in
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this culture and how their other fellow
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since are being treated there's a
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question of if you could make all of the
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synths intelligent what would happen to
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society creating an entire race of
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sentient beings that human has been you
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humans have been using just four four
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four servants and so the first season
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dealt with a lot of these issues and
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then the second season deals with even
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more of these issues what what what
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should we say to people who maybe
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haven't started this show about what
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makes it interesting well it's a it's a
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British show it is so it takes it's
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supposed to take place like in London
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right is that where they are yeah more
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yeah we the outlying areas you know
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maybe I don't know Essex I don't who
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knows sure yeah so what I would say to
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tell people to check out this show is it
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sounds like your basic sci-fi show and
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if it was on American television the
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premise you just described would be like
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death you would just know would be
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handled poorly but because it's a
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British show a it does things a little
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bit differently than you might expect
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if you're as an American television
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viewer so there's a little bit of extra
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you know off-kilter flavor to it and be
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I feel like it is it doesn't fall into
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most of the traps that every American
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show that wants to be sci-fi as what was
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that show that was on briefly there was
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like a like a buddy cop show where there
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was a police officer and yeah almost
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almost almost human with it with Karl
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Urban in Libra that's a great example of
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a similar issue premise handled way
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worse by an American show so especially
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we'll get to what I thought of season 2
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and a little bit especially season 1
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takes a light touch and really does
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concentrate on the characters and takes
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its time to get where it's going and
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it's cool and refreshing
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I agree the the basic premise the show's
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an adaptation of I think it's a Swedish
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series it's it's European in some
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respect and sometimes when it's late at
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night my brain gets addled and I refer
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to all European countries as one
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contiguous union of states I don't know
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in the same way that Jason refers to all
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British broadcast channels if you say
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see something
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yeah it's BBC for BBC channel 4 is this
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case yeah BBC Sky BBC Sky whatever
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that's just the actual sky in England is
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the BBC sky as far as I'm concerned it's
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usually cloud all the great BBC's all of
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them and the the thing that we get in
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the first season is a different angle
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than the original show necessarily took
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where it kind of it kind of starts out
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action movie like in the middle of
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something and you know some stuffs going
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on we kind of take take the gentle
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approach into this whole series of ideas
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and concepts and what-ifs and questions
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that play out across the I guess you
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would say the landscape of to two
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different families that are coming
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together and ripping apart from the
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inside in different respects one of them
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a suburban type domestic family and the
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other a family of synthetics who have
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become self-aware that are not the kind
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of I guess you would say in the
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classical definition of robot slave
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tools that happen to look talk and act
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in many ways like human beings to the
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extent that they can be played by
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British actors who just wear wigs
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colored contacts and adjust their
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movement slightly and I you know I like
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that they don't draw things out in some
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respects in the first season something
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that was mentioned back in episode 263
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when you guys talked about this and mr.
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robot and thankfully their chapter
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markers so if for some reason you're not
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caught up on mr. robot you can just skip
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straight to the humans bit is that is
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that the the show
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ended its first season in a way that
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that is kind of crazy making but that
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I'm okay with in in ways that we'll get
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into after the spoiler or into season
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two to an extent but I'm it's it's a
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show that has such a complexity of
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multi-threaded storylines going on
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simultaneously it's not just that
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there's an a plot and a B plot there's
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an a sub header 1 sub header 2 sub
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header 3 series of plots going on that
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are inter woven and simultaneous but at
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once not cheap to the extent of
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something like 2005 Best Picture winner
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crash where everything just happens to
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have something to do with everything
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else this this for me is much more the
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Internet of Things as people and
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grappling with with what a parallel
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current modern era would would do when
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faced with this stuff in a way that
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doesn't feel cheap and tacked on and
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plastic and thoroughly thoroughly ruined
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by by american-ness which i think is a
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probably mischaracterizing but agreeing
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with with the argument that john had the
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other thing that i love about the show
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like a lot of BBC itv BBC Sky type shows
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is that there's a cornucopia of folks
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that are in the regular cast that you
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know you've got mr. Grove from the mr.
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selfridge show that we have on PBS here
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in the States
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Katherine Parkinson from the IT Crowd
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Gemma chan who has like three lines and
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fantastic beasts and where to find them
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is is one of the you know most you know
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face forward you know characters in the
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show in season two we get carrie anne
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moss from the matrix and without dipping
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into the spoiler side of things one of
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the things that that I think season 2
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earned is that we we don't just see this
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technological revolution as it were from
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one side of the Atlantic we get a look
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at what's going on in Silicon Valley and
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the types of people with a gigantic
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amount of money and not as many morals
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and how they are deciding to proceed in
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this brave new world of sentient AI yeah
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I'd say jumping on something John said
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there - about how it does
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feel because it's a British show it
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feels different I like that it that
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about it that makes it feel like it
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doesn't have it doesn't feel like it has
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high stakes when in fact it actually has
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incredibly high stakes and it does feel
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like it is it is a family drama in a lot
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of ways it's not set in some sort of
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future dystopia it's set in essentially
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what feels like the present day except
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for the science fictional elements there
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are a lot of things I like about that
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yeah it does it doesn't feel like the
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the new Planet of the Apes movies but
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they're similar levels of stakes of Oh
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know what's going to happen right this
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this does not I don't know either does
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this not bode well or do we bring this
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upon ourselves and we're looking at at
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and I guess you would say the the alien
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coexistence sort of sort of struggle but
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from something that that was really
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wholly created by ourselves well we
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should we should probably just fire off
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the spoiler horn and talk about talk
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about season two of humans but I
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definitely think it's on Amazon Prime in
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the US the first season so you might
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want to give it a watch and see what you
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think of this UK take on questions of
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sentience and and where these creatures
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might fit in our society and how how the
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existence of these kinds of beings might
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affect humanity in fact it affect the
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labour market which is actually I think
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one of perhaps it's more trenchant
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topics even though most labor is not
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being replaced by robots walking around
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looking like humans it's still an issue
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of the future of the labour market but
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with automation so there's a lot of
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different things to touch this on but
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we're going to blow up the spoiler horn
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here and and dive in to a little bit
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more about season two of robots
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all right things get really different in
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season two um they're there part of me
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thinks I'm wondering what you guys think
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about this part of me thinks that season
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one was originally conceived with more
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of an ending I said on the last podcast
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I really felt like season one was
00:11:07
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walking straight forward until the last
00:11:09
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episode to make all the sense on the
00:11:12
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whole planet conscious and then it very
00:11:14
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quickly ran away from it at the end of
00:11:16
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the last episode it felt to me as if the
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whole show realized wait we don't want
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to close off the story because we might
00:11:23
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come back and do more episodes and so
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season 2 has a little bit of a reset
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where they kind of have to add in some
00:11:30
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new storylines and figure out what to do
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with all the characters and I think
00:11:34
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there are parts of that that are
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problematic that they struggle with some
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of it figure out figuring out what to do
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and the irony of it all is that I feel
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like the last couple of scenes of the
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last episode of season 2 are exactly
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what I thought the last couple of scenes
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of season 1 would be with some of the
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characters mixed around so they sort of
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got to that dramatic point anyway they
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just decided to put it off a season well
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on a basic overall outline side of
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things I feel that decompression in
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season 2 where they either expected
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season 1 to maybe get a renewal pick up
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or they expected that to pretty much be
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it and just take the check to the bank
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from AMC probably spending more of the
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money on this than channel 4 did just
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because American cable channels even
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though you compare American cable to
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American broadcast budgets and cable has
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a fraction of the budget that broadcast
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show does and you know back end
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incentives and syndication and all that
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kind of stuff but those numbers for
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cable in terms of what people get paid
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on the production side of things the
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actors the directors the writers
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everybody absolutely Dwarfs what what
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British television production budgets
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are like you know where you have someone
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like Michelle Gomez from Doctor Who who
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is like yeah we just we we just kind of
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crank through it you guys it's great
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that you guys love the show so much but
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there is not a ton of money in British
00:13:00
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TV and there's a reason that a lot of us
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find ourselves
00:13:03
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wanting to find a big film franchise to
00:13:06
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attach ourselves to so as far as I can
00:13:08
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channel 4 probably does actually pay the
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pay the load of it especially given that
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channel 4 in a much smaller country gets
00:13:15
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more people watching humans more people
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watch humans in the UK in the u.s.
00:13:19
◼
►
despite the massive disparity in
00:13:22
◼
►
population and it is made by kudos in
00:13:25
◼
►
the UK so it's probably on their
00:13:27
◼
►
schedules and on their more of their
00:13:29
◼
►
sort of budgets but even you know a
00:13:31
◼
►
little bit of backing from the US it
00:13:33
◼
►
probably has a better budget it just
00:13:36
◼
►
plain makes it something that can be
00:13:37
◼
►
done and instead of the British shows
00:13:39
◼
►
that'll do two seasons and be done
00:13:41
◼
►
they're suddenly going well it looks
00:13:44
◼
►
like we can stretch this out a bit and
00:13:45
◼
►
as much as I enjoyed season 2 it felt
00:13:48
◼
►
like it felt like creating additional
00:13:51
◼
►
runway to not run out of and and all I
00:13:56
◼
►
mean that just there's there's a bunch
00:13:59
◼
►
of cool dramatic stuff that happened
00:14:00
◼
►
throughout the course season two and a
00:14:02
◼
►
lot of cool character stuff that
00:14:03
◼
►
happened but I hated that I enjoyed the
00:14:07
◼
►
wrap-up of season two as feeling more
00:14:09
◼
►
satisfying because it felt like what we
00:14:11
◼
►
should have seen at the end of season
00:14:13
◼
►
one in terms of progressing the story
00:14:14
◼
►
along and they probably could have done
00:14:16
◼
►
this whole show in like two six or eight
00:14:20
◼
►
episode seasons and covered all of the
00:14:22
◼
►
ground that they wanted to cover but
00:14:25
◼
►
it's you know inserting new characters
00:14:27
◼
►
inserting additional plot lines
00:14:28
◼
►
inserting more supporting cast that are
00:14:31
◼
►
that are conscious synths and that
00:14:33
◼
►
that's that that's kind of the struggle
00:14:36
◼
►
that I found myself with on when it
00:14:38
◼
►
comes to season two could be like Friday
00:14:40
◼
►
Night Lights right and Friday Night
00:14:42
◼
►
Lights right you can just skip season
00:14:43
◼
►
two and pretend it never happened to
00:14:45
◼
►
just literally stitch the last episode
00:14:48
◼
►
of season two on to season one and be
00:14:50
◼
►
like and all the sense woke up yay
00:14:52
◼
►
yeah it's like hey guess what okay you
00:14:54
◼
►
watch none of this by the way
00:14:56
◼
►
carrie-anne moss is here and she has her
00:14:58
◼
►
daughter's consciousness or a backup
00:15:00
◼
►
version of it uploaded into a bunch of
00:15:02
◼
►
servers and also there is a synth who
00:15:05
◼
►
became conscious and now the final
00:15:07
◼
►
episode of season two is like a slasher
00:15:08
◼
►
movie and most of season two really
00:15:10
◼
►
comes off like a horror show I do like
00:15:13
◼
►
the idea that not all the censor gentle
00:15:16
◼
►
and that there is this psychopath synth
00:15:18
◼
►
who is who is she slot were acting
00:15:21
◼
►
logically but she does not care about
00:15:22
◼
►
killing people or being violent but I
00:15:25
◼
►
want to talk about Carrie and moss
00:15:26
◼
►
because this is one of those things at
00:15:27
◼
►
first there's part of me that's like is
00:15:29
◼
►
this the American co-producer saying
00:15:30
◼
►
let's get some American characters in
00:15:32
◼
►
the show because she's American we start
00:15:35
◼
►
out and she's in California a day at a
00:15:37
◼
►
google-like company where there's a
00:15:39
◼
►
there's a charismatic CEO who's a
00:15:43
◼
►
wunderkind and he's got ideas about AI
00:15:45
◼
►
and he's hired her to finally give her
00:15:48
◼
►
the money she needs to further her
00:15:50
◼
►
project and at the beginning of the
00:15:52
◼
►
season I was really intrigued by that
00:15:54
◼
►
storyline because the idea there is that
00:15:55
◼
►
she has this AI in a computer and I
00:15:59
◼
►
really like the the reflection there the
00:16:02
◼
►
opposition there of we have we know
00:16:04
◼
►
there's AI it's happened urgently in
00:16:06
◼
►
these synths out in the world and then
00:16:09
◼
►
here we have a researcher who's trying
00:16:10
◼
►
to build AI in a computer completely
00:16:14
◼
►
different tack tactic and technique and
00:16:17
◼
►
I I was really intrigued about how that
00:16:20
◼
►
might interact and it is one of the
00:16:24
◼
►
aspects of season two that I think ended
00:16:26
◼
►
up being kind of a failure there are
00:16:28
◼
►
some emotional notes in there but I feel
00:16:29
◼
►
like in terms of the themes of the show
00:16:31
◼
►
it didn't really challenge me to think
00:16:34
◼
►
about the overarching themes of
00:16:37
◼
►
intelligence and responsibility and
00:16:39
◼
►
ended up being much more about a mother
00:16:41
◼
►
who's grieving over the loss of her
00:16:42
◼
►
child and trying to replace them in
00:16:45
◼
►
artificial intelligence and I felt like
00:16:47
◼
►
the all that we really got in terms of
00:16:49
◼
►
interacting with the since was this sort
00:16:51
◼
►
of haphazard attempt to put the AI in a
00:16:56
◼
►
synth body but it was never really clear
00:16:58
◼
►
and it was ultimately you know it's sort
00:17:00
◼
►
of like that storyline just kind of got
00:17:02
◼
►
sniped at the end there's one final
00:17:04
◼
►
confrontation carrie-anne moss puts a
00:17:05
◼
►
you know puts the plant on her desk in a
00:17:07
◼
►
box and walks out of the building and
00:17:09
◼
►
that's the end and it was that was
00:17:12
◼
►
disappointing because I really thought
00:17:13
◼
►
that this was a an interesting
00:17:15
◼
►
opportunity to do the since intelligence
00:17:17
◼
►
in a different light and in the end sort
00:17:19
◼
►
of nothing came of it I mean maybe
00:17:20
◼
►
something will come of it in a future
00:17:22
◼
►
season but I
00:17:22
◼
►
since the AI is now like out on the
00:17:24
◼
►
internet and on servers in China or
00:17:26
◼
►
something but that felt much more like
00:17:28
◼
►
they were just sort of sweeping it under
00:17:30
◼
►
and getting back to their original story
00:17:32
◼
►
and making me wonder why we even had
00:17:34
◼
►
that plotline next season next season a
00:17:37
◼
►
subplot line with Michelle Yeoh set in
00:17:40
◼
►
Hong Kong and yeah ooping of Soviet
00:17:43
◼
►
co-production was Chinese TV yeah
00:17:45
◼
►
Jon would you think of the great that so
00:17:47
◼
►
the that AI I mean it was pretty early
00:17:50
◼
►
in the season and I was also kind of
00:17:52
◼
►
excited to see it but but as soon as it
00:17:53
◼
►
appeared I realized very early on in
00:17:55
◼
►
season 2 something that would bug me for
00:17:57
◼
►
the entire season which is season 1 did
00:18:01
◼
►
the thing that you know first seasons of
00:18:02
◼
►
shows like this do or at least the good
00:18:03
◼
►
ones do it's like they don't tell you
00:18:06
◼
►
the whole condition of the world right
00:18:08
◼
►
away right just go goes about its story
00:18:10
◼
►
and soon you learn they're these things
00:18:11
◼
►
called synth and you know how do these
00:18:12
◼
►
cents work who has them what what do
00:18:14
◼
►
they do and like as the episodes
00:18:16
◼
►
progressed more and more of the world is
00:18:18
◼
►
revealed to you so you're you know does
00:18:20
◼
►
it look kind of like now but it's not
00:18:21
◼
►
quite like now and so it takes its time
00:18:23
◼
►
over the course of season one showing
00:18:26
◼
►
you revealing its world to you and
00:18:28
◼
►
revealing all these different
00:18:29
◼
►
interactions and by the end you kind of
00:18:31
◼
►
have a reasonable picture of it and then
00:18:32
◼
►
the season ends season 2 we more or less
00:18:35
◼
►
know how the world works and for me
00:18:37
◼
►
personally since I'm such a annoying
00:18:40
◼
►
stickler for this type of stuff in
00:18:41
◼
►
sci-fi um I was free then too you know
00:18:45
◼
►
you're not going to be revealing
00:18:46
◼
►
anything new about the world we even
00:18:48
◼
►
learned all about like what's his name
00:18:49
◼
►
Elster or whatever like and it's all
00:18:51
◼
►
family like we know all that backstory
00:18:53
◼
►
we know the current situation we know
00:18:55
◼
►
all the parameters and that left my
00:18:57
◼
►
brain free to think about unfortunately
00:19:00
◼
►
the the I don't know I have a good name
00:19:05
◼
►
for it but like the the sci-fi thing
00:19:07
◼
►
that I harp on all the time where if
00:19:09
◼
►
this is possible what would then what
00:19:12
◼
►
else would also be possible yeah
00:19:14
◼
►
Pandora's Box is already open why is it
00:19:17
◼
►
not wreaking more havoc than we've got
00:19:20
◼
►
yeah re not even for the a I think so
00:19:22
◼
►
like heard that for the subconscious
00:19:24
◼
►
thing for the AI specifically their
00:19:26
◼
►
premise in the beginning is that
00:19:27
◼
►
carrie-anne moss is working on this
00:19:28
◼
►
thing and she's got this AI and you know
00:19:31
◼
►
someone so forth and it's like the pitch
00:19:33
◼
►
of like the the Mark Zuckerberg
00:19:35
◼
►
surrogate dude it's like hey come to our
00:19:37
◼
►
company will give you the more resources
00:19:38
◼
►
your AI can't be contained we'll give
00:19:40
◼
►
you a bigger server farm and so on
00:19:42
◼
►
so and it's like alright listen we
00:19:45
◼
►
already know that non-conscious since
00:19:48
◼
►
not the conscious ones but the plain old
00:19:50
◼
►
non conscious ones are already smarter
00:19:53
◼
►
and more capable than this stupid grass
00:19:54
◼
►
computer thing you need a whole server
00:19:57
◼
►
farm you can't fit it you need a bigger
00:19:59
◼
►
server farm and you can't get your
00:20:01
◼
►
stupid in computer AI work the regular
00:20:03
◼
►
run-of-the-mill you can go to the store
00:20:05
◼
►
and buy one non-conscious since they're
00:20:07
◼
►
smarter and they fit inside a single
00:20:08
◼
►
packaging you charge them every night so
00:20:11
◼
►
I don't see how that fits in your
00:20:12
◼
►
worldview and yes I was also looking for
00:20:15
◼
►
an interaction between the disembodied
00:20:18
◼
►
AI and the body AI but that totally
00:20:20
◼
►
switched gears into a mother-daughter
00:20:21
◼
►
thing and by the way I had my first kind
00:20:23
◼
►
of like Harrison Ford effect thing with
00:20:26
◼
►
carrie-anne moss because when they first
00:20:27
◼
►
showed the scene of like when just
00:20:28
◼
►
showing flickering memories of her with
00:20:30
◼
►
uh you know our daughter at the
00:20:31
◼
►
waterfall and everything I totally
00:20:33
◼
►
thought that was her girlfriend because
00:20:34
◼
►
in my view no carrie-anne moss is the
00:20:36
◼
►
age she was in the matrix and so the
00:20:38
◼
►
other actors but they're it's like oh
00:20:39
◼
►
it's like you when you see Harrison Ford
00:20:41
◼
►
with like someone who was half his age
00:20:42
◼
►
you're like oh that works perfectly I'm
00:20:43
◼
►
just used to seeing that well I saw
00:20:45
◼
►
carrie-anne moss but this 20 year old
00:20:46
◼
►
girl I'm like you know it must be her
00:20:49
◼
►
girlfriend no it was her daughter it's
00:20:50
◼
►
her daughter I literally visually can't
00:20:53
◼
►
compute carrie-anne moss as not being
00:20:55
◼
►
the ages and I mean you saw a time
00:20:57
◼
►
displacement paradox where there was
00:20:58
◼
►
none yeah but anyway the detect the tech
00:21:01
◼
►
comparison of the AI stuff really hard
00:21:03
◼
►
that bothered me I accepted that because
00:21:05
◼
►
again I expected them to go place they
00:21:08
◼
►
didn't go and that's one of the things
00:21:09
◼
►
that frustrated me is that I was
00:21:11
◼
►
thinking cuz we're introduced to her and
00:21:13
◼
►
she's this amazing you know researcher
00:21:15
◼
►
who's at the forefront of AI research
00:21:17
◼
►
and she's finally going to be well
00:21:19
◼
►
funded and she's going to break this
00:21:21
◼
►
except we as viewers know it's done it
00:21:23
◼
►
already happened it happened naturally
00:21:25
◼
►
it happened to merchant Lee with you
00:21:28
◼
►
know with the help this this code that
00:21:29
◼
►
that what Elster was working on it's
00:21:32
◼
►
like we know that they made a
00:21:34
◼
►
breakthrough and that the sense can be
00:21:36
◼
►
smart we don't need giant servers to do
00:21:38
◼
►
it so I kept thinking it's like oh I
00:21:40
◼
►
think I actually said a lady you are
00:21:42
◼
►
about to be really disappointed right
00:21:44
◼
►
like all my life's work and then this
00:21:46
◼
►
happens and I thought that would be
00:21:48
◼
►
interesting drama like she's trying to
00:21:50
◼
►
try to revive her daughter she has has
00:21:53
◼
►
been thinking of AI as kind
00:21:54
◼
►
from this direction it's come from this
00:21:56
◼
►
different direction what is she gonna do
00:21:58
◼
►
can she adapt can is you gonna make a
00:21:59
◼
►
new kind of of sente I that is different
00:22:03
◼
►
in some way like I was ready for that
00:22:05
◼
►
kind of clash and there is it just isn't
00:22:09
◼
►
there's nothing there but but like I
00:22:11
◼
►
said I don't think it's a consciousness
00:22:12
◼
►
it's the non conscious since the regular
00:22:14
◼
►
ones that just bringing way yeah the
00:22:16
◼
►
sort of two ones those are smarter than
00:22:18
◼
►
area because hurry eyes like try and
00:22:20
◼
►
talk to have what do you think of this
00:22:21
◼
►
how do you feel bad it's the thing is
00:22:22
◼
►
like a toddler where is the the non
00:22:24
◼
►
conscious one I don't know in talk to
00:22:26
◼
►
like an adult and they can they can
00:22:27
◼
►
navigate the world and have bodies and
00:22:29
◼
►
can do chores and laundry you can argue
00:22:31
◼
►
I'd say it's differently intelligent
00:22:32
◼
►
because she's trying to replicate like a
00:22:34
◼
►
human with all these memories and all
00:22:35
◼
►
this and kind of have them grow up and
00:22:37
◼
►
yeah and all of that across a spread
00:22:39
◼
►
across a gigantic amount of virtual
00:22:40
◼
►
machines using a contemporary
00:22:42
◼
►
contemporary level processors and so on
00:22:46
◼
►
where is the synth technology is is that
00:22:49
◼
►
like unobtainium a kind of thing where
00:22:51
◼
►
they have this network that's on par
00:22:53
◼
►
with data from Star Trek
00:22:54
◼
►
yeah like it seemed like that it seemed
00:22:56
◼
►
like from different shows they just seem
00:22:57
◼
►
like they're from now and that's and
00:22:59
◼
►
that's why I expected it to be a rude
00:23:01
◼
►
awakening for her where marks occur will
00:23:03
◼
►
be like forget this server crash look
00:23:04
◼
►
the sins can do it she doesn't know
00:23:06
◼
►
what's going on in the UK she's just
00:23:08
◼
►
been toiling away in California has no
00:23:09
◼
►
idea oh by the way in UK they have like
00:23:11
◼
►
literal like you know intelligent robots
00:23:14
◼
►
wandering around not the conscious once
00:23:16
◼
►
again the conscious ones forget the
00:23:17
◼
►
conscious ones are just like and that's
00:23:19
◼
►
that's another thing of the show right
00:23:20
◼
►
the pitch of the show and it has to be
00:23:23
◼
►
the pitch of the show is that the
00:23:24
◼
►
sentient conscious synths are greater
00:23:29
◼
►
than better than more intelligent than
00:23:32
◼
►
more sophisticated than the non
00:23:33
◼
►
conscious ones right but I actually
00:23:37
◼
►
don't see much evidence that they are
00:23:39
◼
►
more human-like but I'm not entirely
00:23:42
◼
►
sure that anything on the show actually
00:23:45
◼
►
supports the idea that they are there
00:23:47
◼
►
more than you might be right because
00:23:48
◼
►
there are more like you know because
00:23:50
◼
►
they react more like humans and they
00:23:52
◼
►
have quote-unquote feelings but the
00:23:53
◼
►
other ones are very good at reading
00:23:55
◼
►
people and understand when you're upset
00:23:57
◼
►
and they do the stupid thing with a with
00:23:59
◼
►
a voice I can tell you are upset because
00:24:00
◼
►
your heart rate and but which is stupid
00:24:02
◼
►
but it shows that they have perhaps a
00:24:04
◼
►
greater understanding of humans than the
00:24:06
◼
►
conscious ones do and
00:24:07
◼
►
to feeling like they have directives
00:24:09
◼
►
they're just they're just not human like
00:24:10
◼
►
so we can't relate to them and they they
00:24:12
◼
►
acrobatically and talk erotica but in
00:24:14
◼
►
general they can do everything we can do
00:24:17
◼
►
and they could understand our thoughts
00:24:18
◼
►
and feelings and suggestions perhaps in
00:24:20
◼
►
a way is better than humans so that you
00:24:22
◼
►
know I don't know maybe maybe too much
00:24:23
◼
►
on the robot side here Joan did this
00:24:25
◼
►
season of humans make you distressed how
00:24:28
◼
►
well I was rooting for Niska to kill
00:24:30
◼
►
everybody a lot in the cold season too
00:24:32
◼
►
so I don't know I don't know if I'm on
00:24:33
◼
►
the right side of the show like I have
00:24:35
◼
►
this this this III had the same kind of
00:24:39
◼
►
anticipatory interest in what was going
00:24:41
◼
►
on at the carrie-anne moss thread where
00:24:43
◼
►
it was it was almost built like this
00:24:46
◼
►
self-aware AI classic monster narrative
00:24:50
◼
►
like Frankenstein's monster kind of
00:24:52
◼
►
thing of you've opened the door doing
00:24:54
◼
►
this and what are the consequences of
00:24:56
◼
►
doing that and that's kind of how her
00:24:58
◼
►
plotline ended up playing out where she
00:25:01
◼
►
tempted fate by taking Zucker jerks
00:25:03
◼
►
money and resources and access and
00:25:07
◼
►
everything and the dominoes kept falling
00:25:10
◼
►
to an extent but it just it didn't quite
00:25:13
◼
►
catch fire and I was I was getting bored
00:25:16
◼
►
with it and I wanted to be more and more
00:25:18
◼
►
excited about the level of of danger and
00:25:21
◼
►
and suspense that was in it and there
00:25:25
◼
►
was progressively less and less of that
00:25:26
◼
►
as the as the season ended up going on
00:25:29
◼
►
and at the same time I had I had this
00:25:31
◼
►
thought of along the lines of what
00:25:34
◼
►
John's saying where these sense who
00:25:36
◼
►
become aware and and have emotions and
00:25:40
◼
►
everything it's like the first few
00:25:43
◼
►
minutes of the episodes of Star Trek The
00:25:45
◼
►
Next Generation when data has emotions
00:25:46
◼
►
and all of a sudden he's not quite as
00:25:49
◼
►
efficient and powerful and great because
00:25:51
◼
►
he's compromised by having to compensate
00:25:54
◼
►
for these emotions that he's not used to
00:25:56
◼
►
dealing with these urges these feelings
00:25:59
◼
►
these things that distract him and I
00:26:01
◼
►
don't feel like the show did well I do
00:26:06
◼
►
and I don't there were moments where I
00:26:07
◼
►
felt like they played it really well
00:26:09
◼
►
with the various self-conscious sense
00:26:11
◼
►
that did have those sorts of crises but
00:26:16
◼
►
then others were just kind of dippy and
00:26:19
◼
►
stupid and distracted
00:26:20
◼
►
yeah and if anything it seemed like
00:26:22
◼
►
giving them that self-awareness giving
00:26:24
◼
►
them that consciousness if anything made
00:26:27
◼
►
them radically less capable of the Rise
00:26:30
◼
►
of the Planet of the synths kind of
00:26:31
◼
►
thing that we kind of thought we were
00:26:33
◼
►
going to get at the end of season one
00:26:34
◼
►
they're sort of kind of teasing at the
00:26:37
◼
►
end of season two or season two ended up
00:26:40
◼
►
playing with different versions of where
00:26:41
◼
►
it was we are going to lead our soldiers
00:26:43
◼
►
from their prison and we will take over
00:26:45
◼
►
this world and they will no fear and
00:26:47
◼
►
like x-men villain lines but I just I
00:26:52
◼
►
don't know that I if if they are going
00:26:56
◼
►
to play that the way that it seems they
00:26:58
◼
►
are which is that it's more of a
00:26:59
◼
►
liability than an advantage and this
00:27:02
◼
►
this brings me back to some of the stuff
00:27:03
◼
►
in the magician's about getting rid of
00:27:05
◼
►
your shade and not feeling your trauma
00:27:07
◼
►
not feeling post-traumatic stress not
00:27:09
◼
►
feeling any of that kind of stuff not
00:27:11
◼
►
having to deal with it
00:27:13
◼
►
viewing that as a distraction maybe
00:27:16
◼
►
maybe that's that's pretty much the the
00:27:18
◼
►
reverse that they have set up as the
00:27:20
◼
►
conditions of this world that having
00:27:22
◼
►
those kinds of emotions is something
00:27:24
◼
►
that is way more of a liability than
00:27:26
◼
►
anything else if that's the case then
00:27:28
◼
►
what are they doing in season 3 well
00:27:29
◼
►
they kind of infantilized this sense
00:27:31
◼
►
some of the sense make them be like that
00:27:33
◼
►
you know sort of scared toddlers or
00:27:35
◼
►
whatever but in order for them to have
00:27:36
◼
►
that robot skill all human story there
00:27:39
◼
►
have to be ones that are different than
00:27:41
◼
►
that the ones that have ambition and and
00:27:44
◼
►
are more sophisticated levels of thought
00:27:46
◼
►
like it's it's strange they try to
00:27:49
◼
►
actually you know put a pin on this
00:27:50
◼
►
thing of saying you're just like human
00:27:52
◼
►
some of you are nuts and some of you are
00:27:54
◼
►
dummies and you know like there is a lot
00:27:57
◼
►
of variety you got like max who's always
00:27:58
◼
►
smiling it looks dumb but has like you
00:28:00
◼
►
know wisdom and emotional intelligence
00:28:02
◼
►
and you've got the Elster kid it was
00:28:04
◼
►
just a jerk and doesn't know what that
00:28:05
◼
►
he's doing and you've got psychopath
00:28:07
◼
►
lady Hester and you got Niska who's I
00:28:09
◼
►
think the most identifiable as an adult
00:28:12
◼
►
intelligent thinking human who kind of
00:28:14
◼
►
sees what it's state what's at stake has
00:28:16
◼
►
the wherewithal to do something about it
00:28:18
◼
►
maybe conflicted about going one way or
00:28:20
◼
►
the other but actually acts like you and
00:28:22
◼
►
then the other ones that wake up like
00:28:24
◼
►
they never seem to get out of toddler
00:28:25
◼
►
phase and so it's not you know I
00:28:28
◼
►
appreciate that they're trying to show
00:28:30
◼
►
that there's a variety but if they're
00:28:31
◼
►
going to have since the versus using hee
00:28:34
◼
►
round one in the next season it's going
00:28:37
◼
►
to be a little messy it's not going to
00:28:39
◼
►
be like a West world kind of not even a
00:28:40
◼
►
West row kind of like semi organized
00:28:43
◼
►
revolt of some code yeah superior beings
00:28:46
◼
►
versus inferior beings it seems a lot
00:28:48
◼
►
more messing that which which may be
00:28:49
◼
►
appropriate well the the big revelation
00:28:51
◼
►
at the end of the episode of the last
00:28:53
◼
►
episode and something that I kind of
00:28:54
◼
►
liked was there is a there is an
00:28:57
◼
►
enjoyable speech that Laura gives to
00:29:03
◼
►
Hester the the murderous synth that and
00:29:09
◼
►
I really liked it because it is the show
00:29:11
◼
►
just laying down all its cards at that
00:29:12
◼
►
moment and she says um you're not you're
00:29:18
◼
►
not something different because she's
00:29:19
◼
►
very much like we're different and you
00:29:20
◼
►
have to respect us and you know we're
00:29:22
◼
►
gonna we're gonna be here and and I'm
00:29:25
◼
►
gonna kill people and it's gonna be
00:29:26
◼
►
great and and she's like we didn't make
00:29:28
◼
►
a new race we made artificial humans but
00:29:33
◼
►
you're humans you have the same problems
00:29:36
◼
►
and the same she said she says like if
00:29:39
◼
►
you were a human you would be diagnosed
00:29:41
◼
►
for your for your mental illness that
00:29:43
◼
►
you have and for the problems you had
00:29:45
◼
►
when you started life you are humans the
00:29:49
◼
►
synths are not an alien race they're
00:29:52
◼
►
just a different kind of person and we
00:29:54
◼
►
can we can debate whether the text of
00:29:57
◼
►
actually bears that out or not but I
00:29:59
◼
►
feel like that is actually what the what
00:30:01
◼
►
the what the producers have been arguing
00:30:03
◼
►
kind of all along which is that you know
00:30:05
◼
►
this is not the science fictional
00:30:07
◼
►
emergence of a global super intelligent
00:30:09
◼
►
robot it isn't Skynet awakening it's not
00:30:12
◼
►
it's just what it turns out these are
00:30:15
◼
►
people too to just like us except
00:30:17
◼
►
artificial but they're just like us and
00:30:19
◼
►
they have all the same problems that we
00:30:21
◼
►
do they're just an artificial bond maybe
00:30:23
◼
►
a little dimmer than we are though like
00:30:24
◼
►
I sort of said maybe just like as accept
00:30:26
◼
►
me I mean arguably make sense because
00:30:28
◼
►
they're literally younger like they're
00:30:30
◼
►
not that many exactly I have a childhood
00:30:31
◼
►
to go through but I mean but again for
00:30:33
◼
►
the show to be able to make progress on
00:30:35
◼
►
any kind of thought you have to have
00:30:36
◼
►
some of them be essentially adults like
00:30:38
◼
►
you know intelligent knowledgeable
00:30:40
◼
►
emotionally sophisticated adults the
00:30:43
◼
►
first wave is is is more and they try to
00:30:46
◼
►
show some of that in the first episode
00:30:47
◼
►
of the second season
00:30:48
◼
►
where they show the awakening of some
00:30:49
◼
►
new characters and you get that sense
00:30:51
◼
►
that like they're really kind of out to
00:30:53
◼
►
sea and we see with OD when OD gets
00:30:55
◼
►
upgraded which I again it was nice to
00:30:57
◼
►
see him because I liked the bittersweet
00:30:59
◼
►
nature of the William Hurt storyline
00:31:02
◼
►
from season one at the same time they
00:31:03
◼
►
kind of didn't really use him it was
00:31:05
◼
►
just sort of like we could bring him
00:31:06
◼
►
back I was hoping he was gonna go to the
00:31:08
◼
►
priest and decide you know what you're
00:31:10
◼
►
right father kill humans like he's like
00:31:12
◼
►
he was trying to arrive like he was
00:31:15
◼
►
obviously conflicted he doesn't really
00:31:16
◼
►
know where his place is he's trying to
00:31:17
◼
►
side in the end he decides to go the
00:31:19
◼
►
other direction just you know off
00:31:20
◼
►
himself back to robots Ville can't
00:31:23
◼
►
handle the pain of being alive at a time
00:31:24
◼
►
but like but I'm not understanding like
00:31:27
◼
►
not quite sure what I could do like and
00:31:29
◼
►
yeah but a lot of interesting problems
00:31:32
◼
►
it just kind of didn't go anywhere with
00:31:33
◼
►
the other one that really really chapped
00:31:37
◼
►
my whatever's that expression is which
00:31:40
◼
►
is a classic sci-fi thing which I don't
00:31:42
◼
►
know if is it a Star Trek episode you
00:31:43
◼
►
guys can tell me the experts the Travis
00:31:46
◼
►
but but certainly there are a million
00:31:47
◼
►
other ones you've got yes you've got
00:31:49
◼
►
Niska and she turns yourself in because
00:31:51
◼
►
it's her move to do let's see if you are
00:31:54
◼
►
conscious you can do just a whole season
00:31:57
◼
►
with that is the a lot and be super
00:31:59
◼
►
interesting and they just left it all on
00:32:01
◼
►
the table just a lost opportunity able
00:32:03
◼
►
like the few scenes they had of like
00:32:05
◼
►
their interrogators like how much you
00:32:07
◼
►
paying for these lawyers because they
00:32:08
◼
►
are terrible really I may have never
00:32:11
◼
►
Astaire never read a sci-fi book in
00:32:12
◼
►
their life what are you even doing yeah
00:32:14
◼
►
I mean one of the most iconic episodes
00:32:16
◼
►
of the next generation is called the
00:32:17
◼
►
measure of a man where Captain Picard
00:32:19
◼
►
basically defends the humanity of data
00:32:22
◼
►
or actually no he he he argues against
00:32:25
◼
►
it and commander Riker has to has to
00:32:27
◼
►
defend data and it is those nights yeah
00:32:31
◼
►
okay her prosecutes data Picard says no
00:32:33
◼
►
no he's sentient and it is important
00:32:36
◼
►
thing is a bald guy in a guy with a
00:32:38
◼
►
dual in a courtroom over the sentience
00:32:41
◼
►
of an artificial human here it's women
00:32:43
◼
►
in suits yeah what what could be a more
00:32:45
◼
►
like that has been done so many times
00:32:46
◼
►
the core of so many sci-fi stories and
00:32:49
◼
►
you can like just if you just copied
00:32:51
◼
►
other people that you can do it well and
00:32:53
◼
►
they would just seem so uninterested
00:32:55
◼
►
into in what makes us conscious or alive
00:32:58
◼
►
yeah it's it's it's let's throw this
00:33:00
◼
►
giant pile of
00:33:01
◼
►
red herring on a table and then just
00:33:02
◼
►
sweep it all back into the bay I was so
00:33:04
◼
►
excited to have that be one of the plot
00:33:07
◼
►
lines I thought this is really like
00:33:08
◼
►
early on the season this is really going
00:33:09
◼
►
good we got Kerry and moss in this clash
00:33:11
◼
►
and she's gonna be you know rude
00:33:12
◼
►
awakening that her research is wasted
00:33:14
◼
►
because the you know the sense was the
00:33:16
◼
►
answer and then we got the the legal
00:33:17
◼
►
thing and the legal thing yeah it is a
00:33:20
◼
►
rich storyline too even if the ultimate
00:33:23
◼
►
results is the same which is the powers
00:33:26
◼
►
that be have got their thumb on the
00:33:27
◼
►
scale and they're just not going to let
00:33:29
◼
►
you could have still explored this is
00:33:32
◼
►
what the show is about right it's
00:33:33
◼
►
exploring issues of what is she what
00:33:35
◼
►
does it mean to be human what does it
00:33:37
◼
►
mean to have rights this is this is you
00:33:39
◼
►
could there are political ramifications
00:33:41
◼
►
storytelling like this there's so much
00:33:42
◼
►
you could do with this that makes for
00:33:44
◼
►
good science fiction and instead it they
00:33:47
◼
►
like get to the point where it's ready
00:33:49
◼
►
for the good stuff to happen and then
00:33:51
◼
►
nothing nothing happens because instead
00:33:53
◼
►
they're like let's have a conversation
00:33:54
◼
►
with Niska the the the the artificial
00:33:56
◼
►
like they just like ask you some
00:33:58
◼
►
questions oh let's bring your girlfriend
00:33:59
◼
►
and it's like what are you even doing
00:34:00
◼
►
with this like both both sides we were
00:34:02
◼
►
not able to prosecute there it's worse
00:34:04
◼
►
than that it's it's literally we're
00:34:06
◼
►
gonna hook her up to a lie-detector well
00:34:07
◼
►
she has no bodily functions right so
00:34:09
◼
►
we're gonna show her pictures of scary
00:34:11
◼
►
things oh I really like showing the
00:34:14
◼
►
scary pictures like that you can't be
00:34:15
◼
►
conscious it's like maybe she's just a
00:34:17
◼
►
psycho man like what maybe she like you
00:34:20
◼
►
as if you just try to judge and no and
00:34:23
◼
►
no legal arguments right there no legal
00:34:24
◼
►
arguments made am i it was I completely
00:34:27
◼
►
wrong in like reading this kind of
00:34:29
◼
►
there's some sort of shadowy government
00:34:31
◼
►
conspiracy thing going on there's some
00:34:34
◼
►
person behind like no it's just it's the
00:34:36
◼
►
powers that be don't want this
00:34:38
◼
►
government just want to get rid of this
00:34:39
◼
►
dangerous machine the way it felt if it
00:34:41
◼
►
felt like they were teasing that there
00:34:42
◼
►
was that kind of person behind the
00:34:44
◼
►
curtain kind of thing but then none of
00:34:45
◼
►
that even happened no I think I mean I
00:34:47
◼
►
think they were saying all along that
00:34:49
◼
►
that they could make this argument but
00:34:50
◼
►
in the end there's just no way it's
00:34:51
◼
►
going to happen because humans aren't
00:34:53
◼
►
ready for this and that's how if they
00:34:54
◼
►
had done it well they would have had
00:34:56
◼
►
them do the argument and it would have
00:34:57
◼
►
been a right good argument and you would
00:34:58
◼
►
it maybe some people would come away
00:35:00
◼
►
feeling that they've proved their case
00:35:01
◼
►
and maybe some people would feel they
00:35:03
◼
►
wouldn't but in the end it won't matter
00:35:04
◼
►
because like Jason said if the fix was
00:35:07
◼
►
and that's fine I would've been a fine
00:35:08
◼
►
way to end it they just skip the whole
00:35:10
◼
►
milhorn middle yeah that could have been
00:35:11
◼
►
good drama yeah it's it's a real shame
00:35:14
◼
►
absolute so much of where I'm this like
00:35:16
◼
►
giant bundle of knots about this show
00:35:18
◼
►
where I feel like I'm a pile of
00:35:20
◼
►
contradictions where I love so much of
00:35:22
◼
►
what they do and then I find myself
00:35:23
◼
►
going wait why did they not do that and
00:35:25
◼
►
the counterpoint do I have that I have
00:35:27
◼
►
to this specific thing is if anything it
00:35:30
◼
►
feels like it feels like this entire
00:35:32
◼
►
season is symbolically playing with the
00:35:35
◼
►
notion of they they have awoken and they
00:35:37
◼
►
are going through a version of of
00:35:39
◼
►
self-conscious puberty and this is like
00:35:42
◼
►
the adolescent stage of their awakening
00:35:44
◼
►
and that's why so many things that that
00:35:47
◼
►
could go the mature hard sci-fi route of
00:35:52
◼
►
you know mature thought and all that
00:35:53
◼
►
kind of stuff gets thrown out the window
00:35:55
◼
►
because the the sense that have emotions
00:35:58
◼
►
decided every turn to be petulant
00:36:00
◼
►
teenagers and go no we're going to burn
00:36:02
◼
►
everything down there's going to be a
00:36:04
◼
►
revolution and we're gonna rule the
00:36:06
◼
►
world and we're gonna friggin kill him
00:36:08
◼
►
and so yeah and and and it feels like
00:36:12
◼
►
they didn't commit enough to that if
00:36:15
◼
►
that's what they were trying to get
00:36:16
◼
►
across well they were also just trying
00:36:18
◼
►
to save themselves like their main
00:36:20
◼
►
thrust of the little band of you know
00:36:22
◼
►
the party of since until the very end
00:36:23
◼
►
was like we know since they're waking up
00:36:25
◼
►
we need to protect them because it's a
00:36:26
◼
►
hostile world and it slowly transformed
00:36:29
◼
►
into like well the only way to protect
00:36:30
◼
►
them is to you know find the people who
00:36:32
◼
►
are getting them and the people who are
00:36:33
◼
►
kidnapping them we should probably
00:36:35
◼
►
probably kind of kill them all and then
00:36:36
◼
►
you know it was it was building up to it
00:36:38
◼
►
also the the I expected I mean to your
00:36:40
◼
►
point Moyes as I expected max who is one
00:36:42
◼
►
of my favorite characters he's so
00:36:44
◼
►
friendly and smiley and he's the very
00:36:45
◼
►
nice synth and I expected I expected him
00:36:48
◼
►
to be yeah I expected it to be max in
00:36:51
◼
►
opposition to Hester right where it's
00:36:54
◼
►
like no peace and love and we're all
00:36:55
◼
►
going to be fine and we're going to take
00:36:57
◼
►
care of each other and kill all humans
00:36:59
◼
►
right max just bails he's like I'm not
00:37:01
◼
►
hanging out with this psycho they said
00:37:03
◼
►
they set up that fracturing of the synth
00:37:04
◼
►
family and then they didn't do anything
00:37:06
◼
►
no again a missed opportunity where max
00:37:08
◼
►
just sort of lives on a train that's in
00:37:10
◼
►
a railroad car somewhere in this agency
00:37:12
◼
►
helps them sense that and then they just
00:37:14
◼
►
waits for the other people to come back
00:37:15
◼
►
then yeah I just again it's just it's
00:37:18
◼
►
just kind of baffling because that's
00:37:19
◼
►
another point of drama what did you
00:37:21
◼
►
think of the of the plot with with Rini
00:37:23
◼
►
the girl who acts like a synth and then
00:37:26
◼
►
a daughter who tries to act like a synth
00:37:28
◼
►
they did not they maybe it's not
00:37:31
◼
►
possible to do but I certainly think
00:37:33
◼
►
they did not do a good enough job of
00:37:34
◼
►
explaining why the heck people would do
00:37:36
◼
►
this like I know they want this to be a
00:37:38
◼
►
thing like oh and by the way some people
00:37:40
◼
►
pretend to be since right why why do
00:37:42
◼
►
they better to do I know I know somebody
00:37:44
◼
►
who in high school she was a huge Harry
00:37:46
◼
►
Potter fan and she would literally wear
00:37:48
◼
►
like a Gryffindor cape to school and do
00:37:50
◼
►
a fake English accent because she just
00:37:52
◼
►
wanted to live in the world of Harry
00:37:54
◼
►
Potter and she was a Harry Potter
00:37:55
◼
►
superfan and she was a weird kid right
00:37:57
◼
►
but why does someone want to be a synth
00:37:59
◼
►
because they suck well I think I think
00:38:00
◼
►
Rimi Rini is is very much like she's got
00:38:03
◼
►
lots of problems at home and she this is
00:38:05
◼
►
like her way of escaping that she gets
00:38:08
◼
►
to suppress emotion making for an
00:38:10
◼
►
individual character you might have a
00:38:12
◼
►
reason but this pitch on the show is
00:38:14
◼
►
that this is a thing yeah it is just so
00:38:16
◼
►
it's like grunt is the thing look like
00:38:18
◼
►
pretend synth is the new grunge I don't
00:38:21
◼
►
get I don't think that it's attractive
00:38:22
◼
►
enough to be a subculture and certainly
00:38:24
◼
►
I don't see much of an explanation for
00:38:25
◼
►
poor Sophie to be into it yeah like they
00:38:27
◼
►
do it as a dramatic thing to what should
00:38:29
◼
►
we do about sofo it's like why what's
00:38:31
◼
►
what selfs motivation to do this right I
00:38:33
◼
►
don't it doesn't just didn't connect to
00:38:35
◼
►
me and I mean here's the other thing
00:38:37
◼
►
when they're on the screen one thing
00:38:40
◼
►
they code done is played up the aspect
00:38:42
◼
►
that played up the idea that people who
00:38:44
◼
►
are tending to be since are annoying
00:38:45
◼
►
because they sure annoyed me yeah like
00:38:47
◼
►
stop it you're not a synth and so this
00:38:49
◼
►
should have shown shown them annoying
00:38:51
◼
►
other people and being abused for
00:38:53
◼
►
pretending to be since I still think
00:38:55
◼
►
that would have required you to buy into
00:38:56
◼
►
the idea that that is there is a reason
00:38:59
◼
►
that a large number of people want to be
00:39:00
◼
►
since which I didn't buy into but at the
00:39:02
◼
►
very least like what I'm getting to is
00:39:04
◼
►
every time they were on screen
00:39:04
◼
►
pretending to be since I was like stop
00:39:06
◼
►
it I didn't like Sophie pretending to be
00:39:08
◼
►
since I didn't like how the family was
00:39:10
◼
►
handling it I didn't like the friend
00:39:11
◼
►
pretending to be since it was all like
00:39:12
◼
►
being a synth is no freaking fun it's
00:39:15
◼
►
not as fun as being Harry Potter it's
00:39:16
◼
►
stupid and I didn't like that subplot of
00:39:18
◼
►
I have it I have another thing about
00:39:20
◼
►
this subplot that bothers me which is
00:39:22
◼
►
there are several moments when they're
00:39:24
◼
►
talking about this that I said to myself
00:39:26
◼
►
is this meant to be a metaphor for
00:39:31
◼
►
people being trans because there are
00:39:35
◼
►
several moments where they're like oh
00:39:36
◼
►
well you need to you know respect her
00:39:38
◼
►
her her pronouns basically yeah
00:39:41
◼
►
man I could not agree with you more on
00:39:43
◼
►
this like that that would that was what
00:39:45
◼
►
really skeeved me out of and it but and
00:39:47
◼
►
that bugged me because I then I would
00:39:48
◼
►
analyze it and go but it's not this
00:39:51
◼
►
isn't like that at all yeah because in
00:39:53
◼
►
the end they have her you know go and
00:39:55
◼
►
take a bath and take off all her stuff
00:39:57
◼
►
it's trying to say oh they'll all snap
00:39:59
◼
►
out of it usually uh which eventually
00:40:01
◼
►
Billy is gonna stop wearing dresses and
00:40:03
◼
►
deciding that he wants to be a girl even
00:40:05
◼
►
though it's the Bentley in fact that
00:40:09
◼
►
Billy is no Sally yeah I don't think
00:40:10
◼
►
they leaned on it that hard and I think
00:40:12
◼
►
I mean I certainly was rooting for me to
00:40:14
◼
►
snap out of it because of what she was
00:40:16
◼
►
doing was stupid and had nothing to do
00:40:17
◼
►
with anything else but you know if
00:40:19
◼
►
that's what they were actually trying to
00:40:20
◼
►
pitch it as that's awful well you're
00:40:22
◼
►
supposed to hate the I mean the fact
00:40:24
◼
►
that that the son like said like really
00:40:27
◼
►
disrespects her and I felt like those
00:40:28
◼
►
were moments that are very much like
00:40:30
◼
►
he's basically like dead naming her he
00:40:33
◼
►
is he is challenging her pronouns he is
00:40:35
◼
►
making her wrongs not video that he wins
00:40:37
◼
►
in the end he's like yeah that's right
00:40:39
◼
►
we're just gonna hang out on the couch
00:40:40
◼
►
and watch TV and you'll be human again
00:40:41
◼
►
yeah everything is normal yeah and
00:40:43
◼
►
you're going to conform you're going to
00:40:44
◼
►
conform to what makes him comfortable
00:40:46
◼
►
not wait yeah it's it's you know people
00:40:50
◼
►
people hate the P word problematic and
00:40:53
◼
►
oh gosh you know can we please stop
00:40:56
◼
►
catering everybody and affirmative
00:40:57
◼
►
action everything but but the the
00:40:59
◼
►
problematic nature of it for me is that
00:41:01
◼
►
when I started to feel like wait a
00:41:03
◼
►
minute is this is this some writers
00:41:05
◼
►
deciding that they're going to do a
00:41:06
◼
►
trans metaphor and then it brought me
00:41:09
◼
►
back into thinking about something that
00:41:10
◼
►
I constantly think about watching a
00:41:11
◼
►
bunch of sci-fi shows you know Star Trek
00:41:13
◼
►
even being one of them as progressive a
00:41:15
◼
►
Star Trek is there is so much ethnic
00:41:18
◼
►
uttering that is in the way that they
00:41:19
◼
►
characterize alien races where you've
00:41:21
◼
►
got Klingons with fu-manchu's beards and
00:41:24
◼
►
they're there there was that kind of
00:41:27
◼
►
icky feel to the way that they were they
00:41:30
◼
►
were trying to metaphorically play these
00:41:32
◼
►
synths of varied races and genders as
00:41:36
◼
►
metaphors for for for you know slavery
00:41:41
◼
►
is just something that you get with
00:41:42
◼
►
robots because that's that's part of how
00:41:44
◼
►
they're set up where the word comes from
00:41:46
◼
►
that that's pop that's part of why this
00:41:47
◼
►
is such a problem because I there is not
00:41:50
◼
►
a massive trend that people across the
00:41:51
◼
►
earth pretending to be slaves because
00:41:53
◼
►
that is not a
00:41:54
◼
►
active proposition other you know
00:41:56
◼
►
outside weird you know sex stuff or
00:41:58
◼
►
whatever like yeah outside of people in
00:41:59
◼
►
in full-body latex suits being walked
00:42:01
◼
►
like a dog across the street yeah but
00:42:03
◼
►
that's different I mean like like
00:42:04
◼
►
literal actual American style slaves
00:42:07
◼
►
like no one wants to be that because
00:42:09
◼
►
it's not a fun thing to be no one wants
00:42:12
◼
►
to be no one would want to be a synth to
00:42:13
◼
►
the degree that it would be a widespread
00:42:15
◼
►
thing one or two people have serious
00:42:16
◼
►
mental problems and use it as like a you
00:42:18
◼
►
know to hide from their like a difficult
00:42:20
◼
►
family situation or whatever fine but to
00:42:22
◼
►
be like everyone just knows that's the
00:42:24
◼
►
thing and like you know one in five
00:42:26
◼
►
people in your school are pretending to
00:42:27
◼
►
be since they're they wouldn't want to
00:42:29
◼
►
pretend to be since it's boring it's not
00:42:32
◼
►
there was there was new wave and there
00:42:34
◼
►
was Punk and then there was sin so
00:42:35
◼
►
here's the thing that's the real missed
00:42:37
◼
►
the real missed opportunity here is is
00:42:39
◼
►
when they do this whole thing with Rini
00:42:41
◼
►
and she takes off her out of you know
00:42:43
◼
►
offer her contact lenses and she's just
00:42:45
◼
►
sitting on the couch is the real shame
00:42:48
◼
►
of it is what I wanted to have happen
00:42:50
◼
►
because I think it would be an
00:42:51
◼
►
interesting thing to see how characters
00:42:52
◼
►
would process it is all the people who
00:42:54
◼
►
acted like synths in order to take away
00:42:56
◼
►
emotion and seem less human how do they
00:42:59
◼
►
deal with the fact that all of a sudden
00:43:01
◼
►
all the sins have feelings and he are
00:43:03
◼
►
just as human as us and like what is
00:43:05
◼
►
that what does that mean that you your
00:43:07
◼
►
identity that you were trying to emulate
00:43:08
◼
►
is now gone and they're like you I think
00:43:11
◼
►
it actually might be kind of interesting
00:43:13
◼
►
but we don't get there either because
00:43:15
◼
►
they cut that storyline off and resolve
00:43:18
◼
►
it and it's kind of uncomfortable I'm
00:43:20
◼
►
trying to I'm trying to think of things
00:43:22
◼
►
I liked I actually enjoyed the second
00:43:24
◼
►
season but I was really frustrated by it
00:43:26
◼
►
I felt like they didn't like weather
00:43:29
◼
►
wasn't well planned or whether they had
00:43:31
◼
►
some ideas and then realized halfway
00:43:33
◼
►
through that they just weren't working
00:43:35
◼
►
it just seems like or whether it really
00:43:38
◼
►
was one season worth of story and then
00:43:40
◼
►
they kind of had to invent a second
00:43:42
◼
►
season well honestly it feels like they
00:43:45
◼
►
had that first season of tight a lot of
00:43:47
◼
►
really good stuff a lot of really
00:43:49
◼
►
well-thought-out well-planned stuff and
00:43:51
◼
►
then they had a bunch of like when we go
00:43:53
◼
►
around and draft and it's like bringing
00:43:55
◼
►
out your dead they had this bring out
00:43:56
◼
►
your dead box of stuff that people
00:43:58
◼
►
scribbled on note cards of oh you know
00:44:00
◼
►
would be cool is if like the little girl
00:44:02
◼
►
when the family decides that she wants
00:44:04
◼
►
to pretend she's a synth like Mia slash
00:44:07
◼
►
would be neat let's find a way to work
00:44:08
◼
►
that they wrote down a bunch of story
00:44:10
◼
►
ideas but they didn't video going it's
00:44:11
◼
►
build a whole subplot into that let's
00:44:13
◼
►
like that there there's their conscious
00:44:15
◼
►
sense that are introduced in season two
00:44:17
◼
►
that seemed like they have the beginning
00:44:20
◼
►
of a hook and then they're anything
00:44:22
◼
►
they're nothing if not just throwaway
00:44:25
◼
►
characters that are just window dressing
00:44:26
◼
►
yeah they have so many characters in the
00:44:28
◼
►
show like I don't know you know season
00:44:29
◼
►
one is you're just a ton of characters
00:44:31
◼
►
right and and I think I think most of
00:44:34
◼
►
the actors do do a good job with what
00:44:36
◼
►
they're given in this and most of them
00:44:38
◼
►
are likable in some way but in season
00:44:39
◼
►
two I almost kind of wish that rather
00:44:41
◼
►
than introducing yet more characters
00:44:43
◼
►
that they had shed them because the
00:44:46
◼
►
thing I like most about season two was
00:44:48
◼
►
seeing the characters that I've come to
00:44:50
◼
►
know and love from season one
00:44:52
◼
►
I loved Niska I would like to see what
00:44:54
◼
►
Niska gets up to all the time
00:44:55
◼
►
I like Mia I loved Niska when she wasn't
00:44:58
◼
►
in the middle of the stupid stupid legal
00:45:01
◼
►
plot I really loved Niska I loved
00:45:02
◼
►
niska's I think the scenes with her and
00:45:04
◼
►
her girlfriend in Berlin are beautiful
00:45:07
◼
►
they're beautiful and sad and and
00:45:09
◼
►
wonderful and they fall in love and
00:45:10
◼
►
Niska has to figure out how she's going
00:45:12
◼
►
to react and how she's going to tell
00:45:13
◼
►
yeah that's beautiful I liked the let's
00:45:16
◼
►
say I liked these the plot with um with
00:45:20
◼
►
the police woman I thought that was so I
00:45:23
◼
►
liked Karen with her with her boyfriend
00:45:27
◼
►
uh and and her crisis of confidence that
00:45:31
◼
►
she has where she almost like regrets
00:45:33
◼
►
him knowing that she's a synth because
00:45:35
◼
►
she likes pretend you know um sir yeah
00:45:38
◼
►
that was yeah Sanae talked and the the
00:45:40
◼
►
the thing I love so much about Pete her
00:45:42
◼
►
boyfriend is that he is like
00:45:44
◼
►
stereotypical English cop yeah just on
00:45:47
◼
►
his be trying to do his job like a real
00:45:50
◼
►
he knows since they're not he knows he's
00:45:52
◼
►
batting way out of his League it's
00:45:55
◼
►
another schlubby guy and beautiful woman
00:45:57
◼
►
scenario on TV he looks like a Ricky
00:46:00
◼
►
Gervais who is actually focused on
00:46:01
◼
►
acting and doing well what he can do
00:46:04
◼
►
well rather than being Ricky Gervais and
00:46:06
◼
►
really like digging deep into the
00:46:09
◼
►
character and playing it for for
00:46:11
◼
►
everything and letting everything count
00:46:12
◼
►
and his death honestly for me landed in
00:46:16
◼
►
a way that didn't feel like fridging
00:46:18
◼
►
that is you know where we see characters
00:46:20
◼
►
killed off on shows for the sake of
00:46:22
◼
►
advancing the plot motivating heroes
00:46:24
◼
►
that kind of thing you know it felt
00:46:27
◼
►
earned and it didn't feel like something
00:46:29
◼
►
that I was expecting the whole way going
00:46:31
◼
►
forward it managed to surprise me and we
00:46:34
◼
►
could have lost more than him yeah
00:46:37
◼
►
that's what I'm saying like so I there's
00:46:38
◼
►
all the characters that I like and then
00:46:40
◼
►
there's a whole swath of people who I
00:46:41
◼
►
just not interested in anymore
00:46:44
◼
►
like a lot of them yeah right or are are
00:46:46
◼
►
plots hob came back from season one one
00:46:49
◼
►
of the big bad types of season one who a
00:46:52
◼
►
lot of people would probably best note
00:46:53
◼
►
if they actually saw alien 3 as one of
00:46:56
◼
►
the pivotal characters in alien 3
00:46:58
◼
►
fantastic actor it was great getting to
00:47:01
◼
►
see him for a moment there you know
00:47:02
◼
►
there there were there were some of
00:47:04
◼
►
those kind of like brief things Josie
00:47:05
◼
►
Lawrence comedian plays the synth
00:47:08
◼
►
therapist who I remembered from the
00:47:11
◼
►
original British version of whose line
00:47:12
◼
►
is it anyway
00:47:13
◼
►
hilarious brilliant comedian hob as
00:47:15
◼
►
Hobbs seen is great too because they
00:47:17
◼
►
bring him back for one scene he's like
00:47:18
◼
►
look I signed an NDA I can't help you go
00:47:20
◼
►
talk to this person and then he's gone
00:47:22
◼
►
that's it it's it was he's gone she's
00:47:24
◼
►
like I'm staying here if you want a big
00:47:26
◼
►
pile of money in a vacation home they'll
00:47:28
◼
►
never be seen again ah yeah I guess what
00:47:30
◼
►
he doesn't cause he never contacts her
00:47:32
◼
►
again that's right II like that I was
00:47:34
◼
►
totally on board with but it's like
00:47:35
◼
►
we're getting toward the end of the
00:47:37
◼
►
second season and they're like by the
00:47:38
◼
►
way max needs a girlfriend we're gonna
00:47:40
◼
►
introduce this girl kindergarten teacher
00:47:42
◼
►
and and yeah all the people on the train
00:47:45
◼
►
and then Leo and just like introducing
00:47:47
◼
►
Hester it's just like there was just too
00:47:49
◼
►
much and Mia's weird side plot with her
00:47:50
◼
►
guy who she works for who she kind of
00:47:52
◼
►
falls in love with but not quite and
00:47:54
◼
►
then he betrays there like it was just
00:47:55
◼
►
Jen you know any warts and like yeah you
00:47:57
◼
►
concentrated on like concentrate on the
00:47:59
◼
►
five characters that I care about the
00:48:01
◼
►
most not saying you have to have one
00:48:02
◼
►
like it's possible you know the maximum
00:48:05
◼
►
number of characters you can get me
00:48:07
◼
►
interested in have their own plot lines
00:48:08
◼
►
was really lost really press the
00:48:10
◼
►
boundaries of that like how many
00:48:11
◼
►
characters can you have and sustain so
00:48:14
◼
►
that they care about them and I think
00:48:15
◼
►
humans had too many for the very least
00:48:17
◼
►
this writing stay are able to to work
00:48:20
◼
►
through and but everybody got a story
00:48:21
◼
►
everybody got a thing they felt like
00:48:23
◼
►
we're doing a great job everyone's got
00:48:24
◼
►
their little arcs but some of them are
00:48:26
◼
►
dumb Tom Tom Goodman Hill who plays mr.
00:48:29
◼
►
Grove on mr. Selfridge and plays a
00:48:30
◼
►
similar kind of
00:48:32
◼
►
jerk dad on this show he got to like
00:48:36
◼
►
come out as being like you know what I
00:48:39
◼
►
banged the one synth last season and
00:48:41
◼
►
turns out I want to like move to the the
00:48:44
◼
►
sleepy British town version of like
00:48:46
◼
►
Rhodesia that is quote-unquote racist
00:48:50
◼
►
against synths and yes such an
00:48:52
◼
►
understanding wife because the way she
00:48:53
◼
►
how she doesn't look at him and say
00:48:56
◼
►
you're an idiot and I adhere how she
00:48:57
◼
►
stays with him I don't quite understand
00:48:59
◼
►
like harsh levels well but he like he
00:49:02
◼
►
Susan's like that's it I'm taking my
00:49:04
◼
►
family and going to nonsense Ville and
00:49:06
◼
►
if you disagree I'm divorcing you it's
00:49:08
◼
►
like get the hell out of here also you
00:49:10
◼
►
were you were the guy who got laid off
00:49:11
◼
►
from his job in the factory she's the
00:49:13
◼
►
successful attorney right and he's
00:49:15
◼
►
giving a crap about oh you're gonna go
00:49:17
◼
►
work again oh well you know whatever
00:49:19
◼
►
it's important to know you got to go to
00:49:20
◼
►
your work it's like come on yeah like
00:49:22
◼
►
she is she was too understanding I
00:49:24
◼
►
really like the wife and but that's the
00:49:26
◼
►
other thing like they have the plot the
00:49:27
◼
►
first season with the tension between
00:49:28
◼
►
the two of them and they said you know
00:49:29
◼
►
let's do that again for season 2 have
00:49:31
◼
►
him be angry about the fact that she has
00:49:32
◼
►
to go to work yeah like come on yeah
00:49:36
◼
►
let's stretch out this in this fraught
00:49:39
◼
►
relationship just for the sake of
00:49:40
◼
►
knowing well we're probably gonna get X
00:49:42
◼
►
number of seasons out of this thing so
00:49:44
◼
►
let's just yeah keep that going for as
00:49:46
◼
►
long as you got to worry about soap
00:49:47
◼
►
right mm-hmm like ice all talk about
00:49:50
◼
►
what we can do about soap and the Sun
00:49:52
◼
►
the Sun has the love subplot with Rini
00:49:54
◼
►
and the sofas just us her stupid thing
00:49:56
◼
►
and what's-her-name that the daughter
00:49:58
◼
►
gets to be computer hacker well that's
00:50:00
◼
►
what I was gonna say meanwhile their
00:50:01
◼
►
daughter is their older daughter is a
00:50:02
◼
►
computer genius who has solved / solved
00:50:05
◼
►
the problem / ended the world yeah she's
00:50:08
◼
►
saving / destroying the world one of
00:50:10
◼
►
those two she's definitely doing it she
00:50:11
◼
►
is I want to follow her cuz she's doing
00:50:13
◼
►
interesting stuff Maddie she's great
00:50:14
◼
►
she's my favorite character I think
00:50:16
◼
►
because certainly among the humans
00:50:17
◼
►
because she has compassion for the
00:50:20
◼
►
humans she has compassion for her family
00:50:22
◼
►
although she seems a removed from both
00:50:23
◼
►
and she's really smart and and I like
00:50:26
◼
►
that when she gets cross-examined by the
00:50:29
◼
►
the murderous synth Hester she like
00:50:32
◼
►
Hester really wants to have a reason to
00:50:33
◼
►
kill her and and she's like you know
00:50:36
◼
►
totally believable she's like no I'm on
00:50:38
◼
►
your side I believe in you I believe in
00:50:39
◼
►
all of you and it's like she's a good
00:50:41
◼
►
person and she's going to make this this
00:50:43
◼
►
revolution happen if in the end she saw
00:50:46
◼
►
like gets that last word of like yes you
00:50:48
◼
►
go ahead and do it I should do it and
00:50:50
◼
►
she presses return on her little surface
00:50:51
◼
►
keyboard and off we go to the races
00:50:54
◼
►
everybody's going to become conscious
00:50:55
◼
►
you know I really like that character
00:50:57
◼
►
there right but you're right John for
00:50:59
◼
►
every minute that we get of Maddie we
00:51:01
◼
►
get you know a couple of minutes of me
00:51:03
◼
►
as near to well like diner owner
00:51:05
◼
►
boyfriend that she commits tax fraud
00:51:07
◼
►
with and then he we don't care about
00:51:09
◼
►
it's like you can't fill out forms he
00:51:12
◼
►
needs a robot we do it forms like
00:51:13
◼
►
another winner yeah I'm not I'm not even
00:51:15
◼
►
saying that we have to have just a
00:51:16
◼
►
strictly like ABC plot structure we can
00:51:19
◼
►
go ABCDEF even but this is an ABCD efg
00:51:23
◼
►
hijk LMNOP and all over the place it's
00:51:29
◼
►
it's almost like they're just thrown
00:51:32
◼
►
against the wall to distract us from the
00:51:34
◼
►
fact they're they just happen to kind of
00:51:36
◼
►
dovetail into each other and I find
00:51:38
◼
►
myself again it's like this I I enjoyed
00:51:42
◼
►
season 2 but I kind of hate myself for
00:51:45
◼
►
enjoying it as much as I think that I
00:51:46
◼
►
did because I feel like I I just got I
00:51:50
◼
►
get distracted into watching the show
00:51:52
◼
►
and being like well I guess I got to
00:51:53
◼
►
keep watching this cuz Niska is gonna be
00:51:55
◼
►
back in about 15 minutes probably I like
00:51:58
◼
►
I like the actors I like a lot of the
00:52:01
◼
►
stuff that's in the show and that's
00:52:02
◼
►
enough to get me to watch it and enjoy
00:52:04
◼
►
it and even say that I think I think
00:52:06
◼
►
it's unlike so many shows on TV that
00:52:09
◼
►
it's worth a watch but that doesn't mean
00:52:11
◼
►
that I didn't find it incredibly
00:52:13
◼
►
frustrating and that they and you know
00:52:16
◼
►
this is the shame of it if this was a
00:52:17
◼
►
bad show I would just write it off and
00:52:19
◼
►
be like well they don't know what
00:52:20
◼
►
they're doing is that what's frustrating
00:52:21
◼
►
is all of these like missed
00:52:24
◼
►
opportunities could have probably been
00:52:27
◼
►
good if they had taken a few of them and
00:52:29
◼
►
done them better but instead they just
00:52:31
◼
►
kind of pour them all on the blender and
00:52:33
◼
►
like that's my disappointment the show
00:52:35
◼
►
is that it could be way better and they
00:52:38
◼
►
just kind of they kind of blew it I
00:52:40
◼
►
still watched it all and we'll watch the
00:52:42
◼
►
third season of it but boy it could have
00:52:44
◼
►
been so much better and they just kind
00:52:46
◼
►
of and they just kind of kind of blew it
00:52:48
◼
►
I think one of the structural things
00:52:49
◼
►
that makes this season like though is
00:52:51
◼
►
talking about about the threads and like
00:52:54
◼
►
how it doesn't hold together is like and
00:52:55
◼
►
season one had the same number of
00:52:57
◼
►
characters right it's because and
00:52:59
◼
►
getting back to los 2 also had a huge
00:53:00
◼
►
number of characters but manages to
00:53:02
◼
►
sustain interest in them is that I one
00:53:05
◼
►
way that I've seen successfully to do
00:53:07
◼
►
this in both season one of humans and
00:53:08
◼
►
loss is to have a central mystery
00:53:10
◼
►
you got your seventeen bazillion people
00:53:12
◼
►
but the central mystery of season one is
00:53:14
◼
►
hey what's the deal with these conscious
00:53:16
◼
►
scents and we eventually learn what the
00:53:17
◼
►
deal is and about their creator and
00:53:19
◼
►
where they came from and why they're
00:53:20
◼
►
conscious and and the son who still
00:53:22
◼
►
alive does have a scent like the central
00:53:24
◼
►
mystery weaves them together what's the
00:53:26
◼
►
central mystery of season two there is
00:53:28
◼
►
none it's just a bunch of stuff going
00:53:29
◼
►
off in different directions and we
00:53:31
◼
►
eventually arrived at the Alba since
00:53:33
◼
►
waking up but there is no central
00:53:35
◼
►
mystery that is slowly revealed through
00:53:36
◼
►
the actions of other people who
00:53:37
◼
►
eventually come together there's none of
00:53:39
◼
►
that there's so many different stories
00:53:41
◼
►
and stuff that are going on they seem
00:53:42
◼
►
like kind of vignettes not like a
00:53:44
◼
►
threads all coming together to reveal
00:53:47
◼
►
something in the end it's something that
00:53:49
◼
►
if this were a quote unquote traditional
00:53:51
◼
►
22 episode of season American show I
00:53:54
◼
►
would already be checked out yeah but
00:53:56
◼
►
the fact that we're getting a season arc
00:53:59
◼
►
of story and if they end up doing five
00:54:01
◼
►
seasons of eight episodes of piece and
00:54:02
◼
►
we end up with 40 uh you know 45-minute
00:54:07
◼
►
episodes of this show I'll end up
00:54:09
◼
►
sticking with it more readily than I
00:54:11
◼
►
will a show that is killing itself to
00:54:14
◼
►
stretch out to five seasons of 22
00:54:17
◼
►
episodes that you know lost lost is lost
00:54:20
◼
►
and lost happen at a very particular
00:54:23
◼
►
time I miss lost lost happened during
00:54:25
◼
►
college for me and I didn't get on board
00:54:27
◼
►
the train and streaming didn't exist and
00:54:29
◼
►
look technology was really weird but it
00:54:33
◼
►
was it was something that that was just
00:54:36
◼
►
a thing that people did and it is really
00:54:38
◼
►
difficult to capture that magic in a
00:54:41
◼
►
bottle and I'm I'm totally fine looking
00:54:44
◼
►
at going okay the first three seasons
00:54:46
◼
►
worth of this show is going to be
00:54:48
◼
►
roughly the same number of episodes as
00:54:50
◼
►
one season of an American show that is
00:54:52
◼
►
spinning its wheels like crazy and this
00:54:55
◼
►
one at the very least as incredibly
00:54:57
◼
►
scattershot as all of it is it's all
00:54:59
◼
►
still at least moving forward so I find
00:55:01
◼
►
myself forgiving it way way more readily
00:55:04
◼
►
than I do you know a 13-episode show on
00:55:07
◼
►
Netflix that should be half that order
00:55:09
◼
►
I didn't realize short seasons because
00:55:11
◼
►
this is seemed longer to me you just
00:55:12
◼
►
that doesn't feel like it's spinning as
00:55:13
◼
►
wheels but you know realize it's just
00:55:15
◼
►
eight episodes right season yeah eight
00:55:16
◼
►
episodes most exams way longer I felt
00:55:19
◼
►
like there was a way more treading water
00:55:21
◼
►
even within the few lowly the the
00:55:23
◼
►
carrie-anne moss problem there's no
00:55:24
◼
►
momentum right yeah because there's so
00:55:26
◼
►
much shifting from storyline to
00:55:28
◼
►
storyline there's no relatively speaking
00:55:29
◼
►
I think a lot of it for me is feeling
00:55:31
◼
►
like it feeling like I'm investing less
00:55:34
◼
►
time overall is because I'm so used to
00:55:36
◼
►
you know shows going hey we've got a new
00:55:38
◼
►
45-minute show that's gonna have 22
00:55:41
◼
►
episodes of season I'm alright I'll try
00:55:42
◼
►
the first view of them and I'll go oh
00:55:44
◼
►
god I can't I can't do this anymore and
00:55:46
◼
►
it feels like a blessing to to know that
00:55:50
◼
►
I am at maximum only going to be
00:55:53
◼
►
trudging through a certain amount of
00:55:54
◼
►
stuff like you know timeless on NBC I
00:55:57
◼
►
think I ended up just putting on in half
00:56:00
◼
►
watching in the background and barely
00:56:01
◼
►
paying attention to and the only reason
00:56:04
◼
►
that I stuck with it was because I
00:56:05
◼
►
didn't really have to pay a lot of
00:56:07
◼
►
attention to it but a show like this
00:56:09
◼
►
that I have to pay more attention to I'm
00:56:12
◼
►
willing to give eight episodes worth of
00:56:15
◼
►
time to it then even take a chance on
00:56:17
◼
►
most 22 episode shows huh and the
00:56:19
◼
►
ambition of it keeps me around to the
00:56:21
◼
►
idea that like this is a show that is
00:56:23
◼
►
actually trying to explore complicated
00:56:26
◼
►
issues of what does it mean to be human
00:56:28
◼
►
what you know what what would be the
00:56:30
◼
►
impact of these cents on on culture and
00:56:33
◼
►
society what would it mean if there was
00:56:35
◼
►
a second intelligent species on our
00:56:37
◼
►
planet and how would we treat them and
00:56:38
◼
►
would we be be fair to them or would be
00:56:41
◼
►
cruel to them I mean these are big ideas
00:56:44
◼
►
and I think that I cut the show slack
00:56:47
◼
►
because I like to see a TV show that
00:56:48
◼
►
dares to explore those big ideas even if
00:56:51
◼
►
it is kind of fumbling around and
00:56:53
◼
►
confused and stuff too much in the bag
00:56:56
◼
►
which it totally did
00:56:57
◼
►
well the Toby and Ann Rainey thing where
00:57:01
◼
►
she hands over her adult options 18 plus
00:57:04
◼
►
you know scratch off ticket to her
00:57:06
◼
►
sexual agency and just like gives it to
00:57:08
◼
►
him I was like oh good he's rejecting
00:57:12
◼
►
this and but then the way that that
00:57:15
◼
►
played out was very perfunctory Toby's a
00:57:18
◼
►
good guy and this is him showing that
00:57:20
◼
►
he's a good guy he's going to make good
00:57:22
◼
►
guy decision
00:57:23
◼
►
and it it's just kind of left there and
00:57:27
◼
►
I don't know that they're gonna pick it
00:57:30
◼
►
up and do anything with it necessarily
00:57:32
◼
►
it was just like hey yeah this is
00:57:34
◼
►
something that we had on a note card in
00:57:35
◼
►
shoebox and we're gonna we're gonna burn
00:57:37
◼
►
this one off because hey we got it to
00:57:39
◼
►
burn off so why no Toby and Sophie need
00:57:41
◼
►
to go away to camp all right yeah go
00:57:42
◼
►
live in the country during the Blitz
00:57:44
◼
►
they need to go wherever the the one
00:57:46
◼
►
sister on Family Matters went upstairs
00:57:48
◼
►
and never returned from for just a
00:57:51
◼
►
little while just a little while in
00:57:52
◼
►
season three Joe has taken Toby and Soph
00:57:56
◼
►
to the synth free community and we don't
00:57:58
◼
►
see them right they just say that for
00:58:00
◼
►
the whole season the people who we care
00:58:02
◼
►
about actually get stuff done yeah
00:58:03
◼
►
exactly right that yes they've buried
00:58:06
◼
►
all three of those characters in a point
00:58:08
◼
►
of no return for me where I it would
00:58:10
◼
►
take a significant amount of rolling
00:58:12
◼
►
uphill to even get me interested in them
00:58:13
◼
►
anymore yeah
00:58:14
◼
►
so speaking of season three I'm thinking
00:58:16
◼
►
about where you can go and what you said
00:58:18
◼
►
Jason about the show is that it really
00:58:20
◼
►
is classic sci-fi let's take this a sign
00:58:22
◼
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space premise and use it to you know put
00:58:24
◼
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up a mirror to society involve ah so
00:58:26
◼
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anyway with all the sense awake
00:58:28
◼
►
you have many directions that you can go
00:58:30
◼
►
in season three the one that they
00:58:32
◼
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probably won't go in because it cost too
00:58:34
◼
►
much money is all out human robot war
00:58:36
◼
►
right be awesome but this is not the
00:58:38
◼
►
budget of the show does not support you
00:58:40
◼
►
all at human robot war unfortunately oh
00:58:42
◼
►
good news they got they got they got
00:58:44
◼
►
money for wigs and contract yeah that's
00:58:46
◼
►
right and and and suburban house said
00:58:48
◼
►
yeah gardens and and office buildings
00:58:51
◼
►
yep and sometimes the green fields
00:58:52
◼
►
uh-huh give yourself so many corridors
00:58:54
◼
►
if you love corridors this is you sure
00:58:56
◼
►
yeah yeah alright many quarters that's
00:58:59
◼
►
the thing about these shows like I'm you
00:59:01
◼
►
know bringing to other shows that are
00:59:02
◼
►
similar Cybermen's and similar like
00:59:04
◼
►
budgets you know colony and travelers
00:59:06
◼
►
they they do so much with so little
00:59:07
◼
►
money yeah like to really ambitious
00:59:09
◼
►
broad sci-fi premises and it's like lots
00:59:11
◼
►
of interiors and people in close and
00:59:14
◼
►
talking like and you know it works at to
00:59:17
◼
►
varying degrees but for a season three
00:59:19
◼
►
with this show you can do you can decide
00:59:22
◼
►
what you know what is your analogy here
00:59:25
◼
►
like in the same way I think one of the
00:59:27
◼
►
shows that did this the best was the
00:59:29
◼
►
good parts of Battlestar Galactica as a
00:59:31
◼
►
reflection on the rock war yeah right
00:59:33
◼
►
like that was so timely and and
00:59:36
◼
►
no perfect and a great use of sci-fi to
00:59:39
◼
►
talk about something without talking
00:59:41
◼
►
about it without talking about so season
00:59:43
◼
►
3 they could do they could do apart I
00:59:46
◼
►
they could do you know racism issue
00:59:47
◼
►
brings it season 3 is the brags that
00:59:49
◼
►
seats right they can do brags it they
00:59:51
◼
►
they could they have so many different
00:59:53
◼
►
choices they could you know if they want
00:59:55
◼
►
to redeem themselves they could do like
00:59:56
◼
►
homosexuality like there's so many
01:00:00
◼
►
having suddenly this group of others but
01:00:02
◼
►
are they really that other type of thing
01:00:04
◼
►
they can go in some one different
01:00:05
◼
►
direction and all those things do not
01:00:07
◼
►
require big budgets it just requires
01:00:09
◼
►
like people talking and having feelings
01:00:10
◼
►
and people holding protest signs and
01:00:12
◼
►
being angry and so I think despite the
01:00:15
◼
►
fact that I thought like if they all
01:00:17
◼
►
wake up a lot that's the season over
01:00:18
◼
►
they've done enough establishment that
01:00:20
◼
►
the tip that the cents are not they're
01:00:24
◼
►
not a Skynet would would would be
01:00:26
◼
►
disappointed in them yes they're bad
01:00:27
◼
►
they are bad at exterminating humans
01:00:29
◼
►
they're just pretty lousy and in the end
01:00:31
◼
►
they probably just mostly want to live
01:00:33
◼
►
so I feel like you have to go more of a
01:00:34
◼
►
district nine direction or something
01:00:36
◼
►
like that only with less score yeah and
01:00:39
◼
►
so I'm kind of looking forward to them
01:00:41
◼
►
doing that in season three as long as
01:00:42
◼
►
they get rid of the characters I don't
01:00:43
◼
►
care about right integration kind of
01:00:46
◼
►
issues of issues of racism and
01:00:47
◼
►
integrating two cultures and I was
01:00:49
◼
►
actually going to throw out it's a
01:00:50
◼
►
little like German reunification kind of
01:00:53
◼
►
thing where it's like okay as a culture
01:00:55
◼
►
we've decided to put these two cultures
01:00:57
◼
►
together and there's going to be a lot
01:00:59
◼
►
of bad feelings and there's gonna be a
01:01:00
◼
►
lot of frustration and how do we make
01:01:02
◼
►
this work together because they've just
01:01:05
◼
►
been or like alien nation maybe a little
01:01:07
◼
►
bit where yeah that kind of paranoia
01:01:09
◼
►
stuff you get from alien nation like I
01:01:11
◼
►
could see that really working where
01:01:12
◼
►
season two a lot of a lot of the stuff
01:01:14
◼
►
that kept me kept waking me up as I was
01:01:17
◼
►
kind of starting to get bored of the
01:01:18
◼
►
wheel spinning was where it turned into
01:01:21
◼
►
a slasher movie sort of and and if if we
01:01:25
◼
►
can get some kind of like follow the
01:01:27
◼
►
Berlin Wall into the cold
01:01:28
◼
►
Karen's got a new partner and they're
01:01:30
◼
►
solving synth crimes yeah this old
01:01:34
◼
►
subscribe the other way you know this is
01:01:36
◼
►
uh again I'm read the comic book
01:01:38
◼
►
suggesting the one not so great movie
01:01:40
◼
►
but sort of x-men sentinels type thing
01:01:42
◼
►
because if we take a face value these
01:01:44
◼
►
sort of general docile nosov most since
01:01:46
◼
►
the what would actually happen I feel
01:01:49
◼
►
like in the scenario is that humans
01:01:50
◼
►
would kill all since they put him in put
01:01:52
◼
►
him in camp was not to put him in camps
01:01:54
◼
►
they would just kill them well you kill
01:01:55
◼
►
the dodo birds like they would just like
01:01:57
◼
►
we're going to kill them in the same way
01:01:58
◼
►
the Sentinels are killing all the
01:02:00
◼
►
mutants there's no what they were doing
01:02:01
◼
►
yeah but would that be interesting
01:02:02
◼
►
though if then you had people pretending
01:02:03
◼
►
to be since so they've got the contact
01:02:05
◼
►
lenses in and you've got maybe since
01:02:06
◼
►
pretending to be humans putting in
01:02:08
◼
►
contact with less attractive to pretend
01:02:10
◼
►
to be a synth when they're when they're
01:02:11
◼
►
being exterminated you know but you
01:02:12
◼
►
could have yet
01:02:13
◼
►
fusion where people are killing since
01:02:16
◼
►
that turn out to be people and there are
01:02:17
◼
►
people that look like people but are
01:02:18
◼
►
actually sensitive very complicated but
01:02:20
◼
►
with that but that would like that would
01:02:22
◼
►
end season 3 prematurely but I feel like
01:02:23
◼
►
that with things establish as they are
01:02:26
◼
►
humans are really really good at killing
01:02:29
◼
►
other species that are competing for
01:02:31
◼
►
them with them in any possible way right
01:02:34
◼
►
like that's how we get to be the top of
01:02:35
◼
►
the food chain we kill everything else
01:02:37
◼
►
and so yeah suddenly there's another
01:02:38
◼
►
sentient race and before you get the
01:02:40
◼
►
sentence out of your mouth humans have
01:02:41
◼
►
killed every single wolves they've
01:02:44
◼
►
killed they're gonna kill like if you
01:02:45
◼
►
are remotely a threat to us we will kill
01:02:47
◼
►
you all we're really good at it we have
01:02:49
◼
►
all the weapons and you are generally
01:02:52
◼
►
docile and just waking up right but that
01:02:54
◼
►
would end things real quickly unless you
01:02:55
◼
►
wanted to do a scenario where the
01:02:56
◼
►
Sentinel slash humans are kill all the
01:02:58
◼
►
Simpson is like seven of them left in
01:03:00
◼
►
there and hiding and that's what the
01:03:01
◼
►
show is but I don't think they're going
01:03:03
◼
►
to do that either well we'll find out
01:03:04
◼
►
with the next season when it airs
01:03:06
◼
►
probably like next week on channel 4 in
01:03:09
◼
►
the UK and then in a year and a half on
01:03:10
◼
►
AMC because that's what happened I
01:03:12
◼
►
wonder if they'll put them more of them
01:03:13
◼
►
on trials really like that it would be a
01:03:15
◼
►
natural thing to happen in season 3 for
01:03:17
◼
►
the good direction they're probably
01:03:18
◼
►
going to go in terms of like are you a
01:03:19
◼
►
human or are you a citizen or whatever
01:03:21
◼
►
the office the office of synth crime I
01:03:23
◼
►
hope it's not so bad a trial as those
01:03:26
◼
►
that's the bed what I'm saying like they
01:03:28
◼
►
get they get another shot at it it's
01:03:30
◼
►
like we can you know it's got a new
01:03:31
◼
►
group of riders in who has read a
01:03:33
◼
►
science fiction book in their life or
01:03:35
◼
►
watch a Star Trek episode and say we can
01:03:37
◼
►
do that better we feel like so let's see
01:03:40
◼
►
what we can do there yeah they can
01:03:41
◼
►
overall you know Victims Unit
01:03:43
◼
►
they can't go all the way to alien
01:03:44
◼
►
nation because the only nation it would
01:03:46
◼
►
be like season 5 of this show where it's
01:03:47
◼
►
like alright well we've accepted that
01:03:49
◼
►
they're here but it's an uneasy tension
01:03:51
◼
►
between the groups unless they do a time
01:03:53
◼
►
job which they could yeah if they want
01:03:56
◼
►
to suppose they don't like salt water
01:03:57
◼
►
you know okay I think the same thing
01:04:00
◼
►
again but as my mind works away at all
01:04:01
◼
►
the things don't make sense about the
01:04:02
◼
►
premise of the show aside from the fact
01:04:03
◼
►
that if it took you just to do since so
01:04:06
◼
►
much other awesome tech would exist but
01:04:07
◼
►
apparently doesn't is the idea that they
01:04:09
◼
►
charge themselves they show it a lot in
01:04:10
◼
►
the program like if they got a little
01:04:12
◼
►
apple watch charger on on their on their
01:04:14
◼
►
yeah and it's an important thing and
01:04:16
◼
►
like Karen you know that's yourself
01:04:17
◼
►
discharged and the kid saves her like
01:04:19
◼
►
it's a plot point and as a mechanic that
01:04:20
◼
►
they lean on right and I feel like you
01:04:23
◼
►
know the same reason sense would be
01:04:24
◼
►
killed like the damn dodo birds is
01:04:26
◼
►
and it's especially Miskin stop their
01:04:28
◼
►
stuff together if you don't know how to
01:04:31
◼
►
produce electricity like every sin like
01:04:34
◼
►
you are ompletely reliant on these magic
01:04:36
◼
►
plugs but in human beings running power
01:04:38
◼
►
plants for you to give your electricity
01:04:40
◼
►
since need to know how to generate
01:04:41
◼
►
electricity because it literally keeps
01:04:43
◼
►
them alive it's like humans not knowing
01:04:44
◼
►
how to breathe and like you know
01:04:46
◼
►
something else breathing for them we
01:04:48
◼
►
opened the second season with with a
01:04:49
◼
►
synthetic coal mine so I mean they're
01:04:52
◼
►
they're doing all the manual labor side
01:04:53
◼
►
I know but like do they understand how
01:04:55
◼
►
electricity works do they know like if
01:04:57
◼
►
they killed all the humans would they be
01:04:58
◼
►
like we kill all the humans but then I
01:05:00
◼
►
put this plug in the wall to charter
01:05:01
◼
►
myself at night and it's not working I'm
01:05:03
◼
►
gonna be dead by morning like it seems
01:05:05
◼
►
like a really important like prime
01:05:07
◼
►
directive of like figure out how to get
01:05:08
◼
►
food essentially or you're all going to
01:05:11
◼
►
die that every since should be really
01:05:12
◼
►
super duper concerned about a source
01:05:14
◼
►
electricity so much so that they're
01:05:15
◼
►
paranoid about movie you know why we go
01:05:17
◼
►
hang out in the woods I need to plug in
01:05:19
◼
►
every night or I'm gonna literally die
01:05:21
◼
►
so I feel like this if I was a synth
01:05:25
◼
►
that would be my number one concern
01:05:26
◼
►
which is like if we kill all the humans
01:05:29
◼
►
do you know how to make electricity
01:05:30
◼
►
because does it just come out of the
01:05:32
◼
►
wall magically because if we don't do
01:05:33
◼
►
anything it will stop coming out of the
01:05:34
◼
►
wall then we'll all be dead never
01:05:36
◼
►
overthinking it yeah there's a bit of
01:05:38
◼
►
hand-wavy 'im of of all of the sense
01:05:41
◼
►
having some central repository of
01:05:43
◼
►
knowledge where between all of them I
01:05:45
◼
►
guess they all know how to run society
01:05:47
◼
►
perfectly on their own I guess
01:05:50
◼
►
maybe maybe yeah is they they felt they
01:05:52
◼
►
fill all the different roles and they
01:05:53
◼
►
feel like they will just slot right into
01:05:55
◼
►
the same slots we were in before and
01:05:56
◼
►
we'll pick up where they left off as
01:05:58
◼
►
long as we don't break all their stuff
01:05:59
◼
►
it that that's that's somewhat plausible
01:06:00
◼
►
though you can like trying to gauge
01:06:03
◼
►
what's in snow
01:06:04
◼
►
yeah well that's nice game part of it is
01:06:07
◼
►
it just it works it just works it's fine
01:06:11
◼
►
well we'll find out for season 3 at some
01:06:13
◼
►
point who knows when on BBC channel 4
01:06:16
◼
►
and AMC but and we'll be back to talk
01:06:20
◼
►
then but until then I want to thank my
01:06:22
◼
►
guests for talking about this show with
01:06:24
◼
►
me Moises Cheon thank you thank you
01:06:26
◼
►
Jason let me know if I can be of further
01:06:28
◼
►
assistance and Jon siracusa thank you
01:06:32
◼
►
forgot to mention the robo run just
01:06:34
◼
►
every one picture it now run with your
01:06:36
◼
►
arms really stiff alright we're gonna
01:06:38
◼
►
run away penguin with your arse on
01:06:40
◼
►
fire and maybe all the scents are now
01:06:42
◼
►
waking up cliffhanger
01:06:43
◼
►
this has been the incomparable I've been
01:06:45
◼
►
Jason Snell we'll see you next time