The Incomparable

00:00:00 ◼   ► being comfortable is sponsored by hulu [TS]

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00:00:15 ◼   ► hulu plus dot com / smell or go to our [TS]

00:00:20 ◼   ► show page at five by five dot TV / and [TS]

00:00:23 ◼   ► comparable / 156 and click on the hulu [TS]

00:00:26 ◼   ► plus link [TS]

00:00:28 ◼   ► the Intolerable number 156 Marcus 2013 [TS]

00:00:38 ◼   ► welcome back to be uncomfortable podcast [TS]

00:00:42 ◼   ► I'm your host Jason smell and in this [TS]

00:00:44 ◼   ► episode we're going to be doing [TS]

00:00:45 ◼   ► something a little bit different from [TS]

00:00:46 ◼   ► what we usually cover which is you know [TS]

00:00:49 ◼   ► geeky movies and TV shows and books and [TS]

00:00:52 ◼   ► comics and stuff like that [TS]

00:00:53 ◼   ► this is going to be an experiment i like [TS]

00:00:55 ◼   ► to call the old movie club we have more [TS]

00:00:58 ◼   ► frequent Movie Club i was watching an [TS]

00:01:01 ◼   ► old movie and thinking to myself I am [TS]

00:01:03 ◼   ► completely illiterate when it comes to [TS]

00:01:05 ◼   ► movies made before the eighties probably [TS]

00:01:10 ◼   ► with very few exceptions and those [TS]

00:01:12 ◼   ► exceptions of the boring exceptions it's [TS]

00:01:14 ◼   ► 2001 or it's gone with the wind or the [TS]

00:01:17 ◼   ► wizard of oz or casablanca the ones that [TS]

00:01:20 ◼   ► everybody already knows so I i have [TS]

00:01:21 ◼   ► enlisted an expert who is a 90 year old [TS]

00:01:25 ◼   ► man no heart at heart i have the heart [TS]

00:01:29 ◼   ► of a 90 year old man and I'm not giving [TS]

00:01:31 ◼   ► it back no matter how much you scream [TS]

00:01:33 ◼   ► like this he had so are our mentor in [TS]

00:01:36 ◼   ► this journey into into old movies is the [TS]

00:01:41 ◼   ► voice you just heard which is his first [TS]

00:01:43 ◼   ► appearance outside of the radio drama [TS]

00:01:46 ◼   ► that is on this podcast it is Philip [TS]

00:01:49 ◼   ► Michaels hello you have a podcast it [TS]

00:01:53 ◼   ► turns i I've kept some panelists for [TS]

00:01:55 ◼   ► certain reasons I've kept it from you [TS]

00:01:58 ◼   ► but I'm glad you could see was asking [TS]

00:02:01 ◼   ► earlier why you haven't been on before [TS]

00:02:02 ◼   ► and I said it's because he's not [TS]

00:02:04 ◼   ► interested in any of the things we [TS]

00:02:05 ◼   ► talked about so consumed with hatred [TS]

00:02:08 ◼   ► here we are I thought contain multitudes [TS]

00:02:10 ◼   ► and joining me on this adventure of [TS]

00:02:12 ◼   ► watching a couple of old movies that [TS]

00:02:14 ◼   ► Phil assigned to us are my guest tonight [TS]

00:02:18 ◼   ► David lure hello hi this is the [TS]

00:02:22 ◼   ► Marmaduke episode right it maybe if we [TS]

00:02:25 ◼   ► wait around long enough it could that [TS]

00:02:26 ◼   ► could happen pool or the magnet is [TS]

00:02:29 ◼   ► episode also possible who even better [TS]

00:02:31 ◼   ► Steve let's is also here hello Steve [TS]

00:02:33 ◼   ► good evening Jason I to know nothing of [TS]

00:02:36 ◼   ► old films all right in the two that i [TS]

00:02:40 ◼   ► have watched now that's right we're like [TS]

00:02:41 ◼   ► babes in the wood [TS]

00:02:42 ◼   ► it's that's not entirely true i've seen [TS]

00:02:44 ◼   ► a lot of bad fifties films the mystery [TS]

00:02:46 ◼   ► science but Riley avoided the good stuff [TS]

00:02:49 ◼   ► like that things are actually good [TS]

00:02:51 ◼   ► yep and Dan Morgan is also here because [TS]

00:02:53 ◼   ► he's contractually obligated to be on [TS]

00:02:55 ◼   ► every podcast hi Dan you know I'm [TS]

00:02:57 ◼   ► actually a bit of a ringer which was I'd [TS]

00:03:00 ◼   ► already seen both of these mom what [TS]

00:03:03 ◼   ► sipho I didn't realize it was it was a [TS]

00:03:06 ◼   ► necessity we hadn't seen my ID team in [TS]

00:03:08 ◼   ► love both these movies but i actually [TS]

00:03:10 ◼   ► don't ya get lex friedman on the line [TS]

00:03:11 ◼   ► immediately he he still hasn't seen the [TS]

00:03:16 ◼   ► moment when the amateurs basically clam [TS]

00:03:19 ◼   ► up and you're like I don't know [TS]

00:03:20 ◼   ► forgiveness is pretty funny then you can [TS]

00:03:23 ◼   ► jump in with your your season 2 [TS]

00:03:24 ◼   ► knowledge I don't take anything away [TS]

00:03:26 ◼   ► from filled with master if he's the [TS]

00:03:27 ◼   ► master i'm only a journeyman in this [TS]

00:03:29 ◼   ► regard parents had one Alec Guinness is [TS]

00:03:32 ◼   ► kind of funny was my top talking point [TS]

00:03:34 ◼   ► so now you haha alright everyone Kenobi [TS]

00:03:37 ◼   ► circle joke but where you gonna sell to [TS]

00:03:39 ◼   ► help tell it that exact same way our [TS]

00:03:41 ◼   ► viewers yes [TS]

00:03:42 ◼   ► yeah sorry I've ruined my god goodnight [TS]

00:03:46 ◼   ► everybody [TS]

00:03:47 ◼   ► so so fill the premise here I i asked [TS]

00:03:51 ◼   ► you to come up with some ideas for old [TS]

00:03:52 ◼   ► movies we can watch and you came up with [TS]

00:03:54 ◼   ► a few different sort of themed choices [TS]

00:03:57 ◼   ► of two or three movies that fit the [TS]

00:03:58 ◼   ► theme and what right we tried to pick [TS]

00:04:00 ◼   ► some that were readily available so one [TS]

00:04:01 ◼   ► of these movies is available on netflix [TS]

00:04:03 ◼   ► and one of them is available at least [TS]

00:04:05 ◼   ► for rental on itunes so there are [TS]

00:04:08 ◼   ► available for rental on itunes but as I [TS]

00:04:10 ◼   ► invented both this week to to review [TS]

00:04:12 ◼   ► them so that i wouldn't say ridiculous [TS]

00:04:14 ◼   ► things so I'm unlike him in RM a club [TS]

00:04:17 ◼   ► episode where John syracuse it shows [TS]

00:04:18 ◼   ► movies that are essentially unavailable [TS]

00:04:20 ◼   ► unless you sell a kidney in Japan was [TS]

00:04:24 ◼   ► surprisingly easy to do what you have to [TS]

00:04:26 ◼   ► get a ticket to Japan and you have to [TS]

00:04:27 ◼   ► have a spare kidney but otherwise yes [TS]

00:04:32 ◼   ► exactly so so these are available and [TS]

00:04:35 ◼   ► what the ones we settled on that was a [TS]

00:04:37 ◼   ► was heists right that was the paper [TS]

00:04:39 ◼   ► movies a series I'm kind of caper movies [TS]

00:04:42 ◼   ► a choice [TS]

00:04:42 ◼   ► yeah the most the most delicious of all [TS]

00:04:44 ◼   ► condiments the king [TS]

00:04:46 ◼   ► me better than the ketchup movie so so [TS]

00:04:49 ◼   ► we we picked movies to watch old from [TS]

00:04:51 ◼   ► the 1950s from the nineteen fifties [TS]

00:04:53 ◼   ► which was which was not knock by design [TS]

00:04:57 ◼   ► actually but it worked out well yeah so [TS]

00:05:00 ◼   ► we get we got a movie from 1951 and [TS]

00:05:03 ◼   ► moving from 1956 and I thought maybe [TS]

00:05:07 ◼   ► Phil could start by explaining why he [TS]

00:05:09 ◼   ► chose these two movies so the first one [TS]

00:05:10 ◼   ► is a comedy a british comedy awards [TS]

00:05:14 ◼   ► right it's up the Lavender Hill mob [TS]

00:05:16 ◼   ► helmet um the reason I i chose this one [TS]

00:05:20 ◼   ► is is Alec Guinness is kind of funny [TS]

00:05:23 ◼   ► kind of it is kind of funny [TS]

00:05:25 ◼   ► it's um from a movie studio in England [TS]

00:05:27 ◼   ► that the the ealing studios and they [TS]

00:05:30 ◼   ► they made a name for themselves a among [TS]

00:05:34 ◼   ► film buffs for for producing comedies of [TS]

00:05:36 ◼   ► the sort that are sort of like looks at [TS]

00:05:38 ◼   ► the British character and and society [TS]

00:05:41 ◼   ► and and that sort of thing and many of [TS]

00:05:43 ◼   ► them in fact star Alec Guinness he was a [TS]

00:05:45 ◼   ► bit of a comedy genius and this is I [TS]

00:05:47 ◼   ► think that the my favorite healing [TS]

00:05:49 ◼   ► studio movie on I i first stumbled [TS]

00:05:51 ◼   ► across it the director of it directed a [TS]

00:05:54 ◼   ► fish called wanda actually in nineteen [TS]

00:05:57 ◼   ► nineteen eighties and that is one of my [TS]

00:06:00 ◼   ► favorite movie comedies of all times so [TS]

00:06:02 ◼   ► i did not know that means deep back into [TS]

00:06:06 ◼   ► the the archives of of stuff that people [TS]

00:06:09 ◼   ► do i noticed that he did a comedy with [TS]

00:06:11 ◼   ► Ben Kenobi and I thought oh I should [TS]

00:06:13 ◼   ► look up that know and there we go it's a [TS]

00:06:15 ◼   ► shit should we talk about the second [TS]

00:06:19 ◼   ► movie first or do we want to launch into [TS]

00:06:21 ◼   ► the lavender a little bit let's let's [TS]

00:06:22 ◼   ► recap so the second movie that we that [TS]

00:06:25 ◼   ► we watched is from 1956 it's called The [TS]

00:06:27 ◼   ► Killing it's not to be confused with [TS]

00:06:28 ◼   ► that TV show where they promised that [TS]

00:06:30 ◼   ► you'd have a resolution after the first [TS]

00:06:32 ◼   ► season and then they turned out that was [TS]

00:06:33 ◼   ► a horrible lie [TS]

00:06:34 ◼   ► yes now things actually happened in this [TS]

00:06:36 ◼   ► the killing it yes and it's direct it's [TS]

00:06:39 ◼   ► directed by somebody you may know as [TS]

00:06:41 ◼   ► little director i like to call what's [TS]

00:06:43 ◼   ► the director of our eyes wide shut [TS]

00:06:45 ◼   ► and uh and let's get and berries indian [TS]

00:06:48 ◼   ► school he's not a or you could say yeah [TS]

00:06:51 ◼   ► like 2001 a Space Odyssey almost made it [TS]

00:06:53 ◼   ► big or the or the shinning the kids are [TS]

00:06:56 ◼   ► alright it's because the sequel to The [TS]

00:06:58 ◼   ► Killing it's Stanley [TS]

00:07:00 ◼   ► rubric yeah and young stanley kubrick's [TS]

00:07:03 ◼   ► look like muppet babies and it stars [TS]

00:07:05 ◼   ► probably if you're not a fan of old [TS]

00:07:08 ◼   ► movies it stars nobody you've heard of [TS]

00:07:10 ◼   ► the lead actors fella called sterling [TS]

00:07:13 ◼   ► Hayden and he he had a nice little run [TS]

00:07:16 ◼   ► in the nineteen fifties probably most [TS]

00:07:18 ◼   ► well known as the corrupt police captain [TS]

00:07:20 ◼   ► in the godfather [TS]

00:07:21 ◼   ► Oh Michael Corleone shoots how's the [TS]

00:07:24 ◼   ► italian food in this joint back huh [TS]

00:07:26 ◼   ► that's him you have the square John i [TS]

00:07:29 ◼   ► frisked a million young punks [TS]

00:07:32 ◼   ► yeah he's he's like um he's like mr. [TS]

00:07:35 ◼   ► nondescript waspy guy right and he's [TS]

00:07:38 ◼   ► like hey guys a tough guy [TS]

00:07:41 ◼   ► I gotta let him his big his big role 18 [TS]

00:07:44 ◼   ► in the the in the nineteen fifties if [TS]

00:07:46 ◼   ► you needed a movie tough guy you called [TS]

00:07:48 ◼   ► sterling Hayden I'm uh I'm looking up on [TS]

00:07:51 ◼   ► IMDb who else they have in this role [TS]

00:07:53 ◼   ► they were trying to get for the role [TS]

00:07:56 ◼   ► because it's basically can we get this [TS]

00:07:58 ◼   ► movie tough guy no alchy sterling Hayden [TS]

00:08:00 ◼   ► them and he and he's nice and Elijah [TS]

00:08:05 ◼   ► cook jr. is also in the movie out of it [TS]

00:08:07 ◼   ► yes you may remember not at all from a [TS]

00:08:09 ◼   ► little bit ly i like to call the maltese [TS]

00:08:11 ◼   ► falcon or you may remember from a TV [TS]

00:08:14 ◼   ► show called magnum p.i where he played [TS]

00:08:16 ◼   ► ice pick that's right or feel like [TS]

00:08:17 ◼   ► texting him at about 6,000 that you you [TS]

00:08:19 ◼   ► have yeah he does a lot of things like [TS]

00:08:21 ◼   ► the exact same character every single [TS]

00:08:23 ◼   ► he's got a distinctive face [TS]

00:08:25 ◼   ► yeah ya know he basically he is the role [TS]

00:08:28 ◼   ► he perfected was I am a sad sack and i [TS]

00:08:32 ◼   ► am a second bad things happen to me and [TS]

00:08:35 ◼   ► i get i get roughed up in and usually [TS]

00:08:38 ◼   ► kill he was the steve buscemi I think of [TS]

00:08:40 ◼   ► this era of three bogeys like crap out [TS]

00:08:42 ◼   ► of the multi spoken so the value your [TS]

00:08:44 ◼   ► you don't know because you're not a [TS]

00:08:45 ◼   ► gigantic nerd like me but the where I [TS]

00:08:48 ◼   ► know I shook from is he played and i [TS]

00:08:52 ◼   ► have to say it this way because you're [TS]

00:08:54 ◼   ► exactly right he played sad-sack defense [TS]

00:08:56 ◼   ► attorney Samuel T Cogley in Star Trek he [TS]

00:09:00 ◼   ► defends Captain Kirk and his [TS]

00:09:02 ◼   ► court-martial and in the episode court [TS]

00:09:05 ◼   ► marketing episode called court-martial [TS]

00:09:07 ◼   ► he plays the court-martial they come up [TS]

00:09:09 ◼   ► with that title star trap yeah well it's [TS]

00:09:11 ◼   ► a it's an old show [TS]

00:09:13 ◼   ► sounds like a combination of science and [TS]

00:09:15 ◼   ► fiction [TS]

00:09:16 ◼   ► yes and it might be aimed at kids it's [TS]

00:09:18 ◼   ► no no magnum p.i just put it that way [TS]

00:09:20 ◼   ► far fewer episodes were never fly of [TS]

00:09:24 ◼   ► Star Trek then of magnum p.i all you [TS]

00:09:26 ◼   ► need to know about Elijah cook jr. is [TS]

00:09:28 ◼   ► that in the maltese falcon he plays the [TS]

00:09:29 ◼   ► young gunman who gets roughed up by [TS]

00:09:31 ◼   ► humphrey bogart and that is the that is [TS]

00:09:33 ◼   ► the manliest t is ever a camera yeah [TS]

00:09:36 ◼   ► that is that that is the high point of [TS]

00:09:39 ◼   ► Elijah cook as a movie tough does he [TS]

00:09:41 ◼   ► like pulled out his jacket and like yeah [TS]

00:09:43 ◼   ► instructions and guns away from him and [TS]

00:09:44 ◼   ► says they have Sydney Greenstreet a [TS]

00:09:46 ◼   ► crippled news he took these away from [TS]

00:09:48 ◼   ► him i made up moving back and that is an [TS]

00:09:50 ◼   ► election cooks this is my moment of [TS]

00:09:52 ◼   ► manliness is in shame he was gunned down [TS]

00:09:56 ◼   ► like a dog [TS]

00:09:57 ◼   ► so where should we start should we talk [TS]

00:10:00 ◼   ► about [TS]

00:10:00 ◼   ► Lavender Hill mob first since it was [TS]

00:10:02 ◼   ► chronologically yeah let's do that first [TS]

00:10:03 ◼   ► let's do that [TS]

00:10:04 ◼   ► it's the it's the lighter movie a little [TS]

00:10:07 ◼   ► bit a few laughs in that one little [TS]

00:10:09 ◼   ► little bit i got a lot of laughs out of [TS]

00:10:11 ◼   ► the second one will get theirs it [TS]

00:10:13 ◼   ► these two movies have the same ending [TS]

00:10:14 ◼   ► though which i think is interesting [TS]

00:10:16 ◼   ► yeah i'll get to this true automatically [TS]

00:10:18 ◼   ► yeah yeah so the Lavender Hill mob Phil [TS]

00:10:21 ◼   ► you know this movie better meet you want [TS]

00:10:23 ◼   ► to explain what happens to what the [TS]

00:10:24 ◼   ► lavender pill mob is about here i will i [TS]

00:10:26 ◼   ► will give the the the 99 cent tour of [TS]

00:10:30 ◼   ► the plot it is Alec Guinness is a bank [TS]

00:10:34 ◼   ► clerk in in London and his job is to [TS]

00:10:38 ◼   ► accompany the gold bullion on its way [TS]

00:10:40 ◼   ► from where it's melted to the bank and [TS]

00:10:43 ◼   ► where Delta and he uh he's sort of this [TS]

00:10:49 ◼   ► perceived as this worthy guy but he has [TS]

00:10:52 ◼   ► big dreams and and and he's actually [TS]

00:10:55 ◼   ► plotted out a way to rob all the gold [TS]

00:10:57 ◼   ► bullion but all he needs is a is a [TS]

00:10:59 ◼   ► partner and the partner arrives in the [TS]

00:11:02 ◼   ► form of Stanley Holloway who moves into [TS]

00:11:05 ◼   ► his boardinghouse in Lavender Hill which [TS]

00:11:07 ◼   ► is where where the title of the movie [TS]

00:11:09 ◼   ► comes from Stanley Holloway you may [TS]

00:11:11 ◼   ► remember him from such movies as my fair [TS]

00:11:13 ◼   ► lady where he plays Alfred P Doolittle [TS]

00:11:15 ◼   ► common common dustman he in this movie a [TS]

00:11:19 ◼   ► totally different character bit of an [TS]

00:11:20 ◼   ► artist and he knows how to melt things [TS]

00:11:22 ◼   ► down hey that's that's handy if you want [TS]

00:11:25 ◼   ► to get gold [TS]

00:11:25 ◼   ► we ran out of the out of the country and [TS]

00:11:28 ◼   ► to make ends meet he works at a factory [TS]

00:11:31 ◼   ► where they manufacture cheap Eiffel [TS]

00:11:34 ◼   ► Tower uh souvenirs and so made of lead [TS]

00:11:39 ◼   ► made of LED and Alec Guinness and [TS]

00:11:42 ◼   ► Stanley Holloway uh hatch on this plot [TS]

00:11:44 ◼   ► that what they're going to do is they'll [TS]

00:11:46 ◼   ► rob the rob the the delivery truck [TS]

00:11:48 ◼   ► meltdown the gold bars and turn them [TS]

00:11:51 ◼   ► into Eiffel Towers that the that will [TS]

00:11:53 ◼   ► then be shipped out of the country with [TS]

00:11:55 ◼   ► no one suspecting that they're really [TS]

00:11:56 ◼   ► made of of gold and they'll be retrieved [TS]

00:11:59 ◼   ► in France and the rest of the movie is [TS]

00:12:01 ◼   ► them on recruiting a couple other [TS]

00:12:04 ◼   ► hapless gangsters to join their mama arm [TS]

00:12:08 ◼   ► in one of my I have a couple favorite [TS]

00:12:12 ◼   ► scenes in the movie in the movie where [TS]

00:12:13 ◼   ► they they basically set up a trap to [TS]

00:12:15 ◼   ► trap to to trap crooks 22 and it's it's [TS]

00:12:20 ◼   ► very funny because a couple of different [TS]

00:12:22 ◼   ► quickshop to rob the place that the plot [TS]

00:12:24 ◼   ► goes hilariously arrived they they make [TS]

00:12:27 ◼   ► away with the gold but complications [TS]

00:12:29 ◼   ► ensue [TS]

00:12:31 ◼   ► I think that's fair to say mhm and I I [TS]

00:12:34 ◼   ► don't want to give away any of the rest [TS]

00:12:36 ◼   ► of plaque is there are a few you know [TS]

00:12:37 ◼   ► surprises in a few pleasing moments of [TS]

00:12:40 ◼   ► discovery including the the final shot [TS]

00:12:43 ◼   ► of the movie which we which we won't [TS]

00:12:44 ◼   ► talk about that we won't have to be [TS]

00:12:47 ◼   ► stupid to be fair it is a 62 year old [TS]

00:12:49 ◼   ► movie we could probably still thinks [TS]

00:12:51 ◼   ► when there's a reasonably 16k shall we [TS]

00:12:53 ◼   ► talk about the ending of the movie yeah [TS]

00:12:55 ◼   ► let's let's let's fire off the old-time [TS]

00:12:57 ◼   ► spoiler or now [TS]

00:12:58 ◼   ► yes [TS]

00:13:01 ◼   ► this is dwight david eisenhower a [TS]

00:13:04 ◼   ► spoiler is coming [TS]

00:13:06 ◼   ► Thank You mr. president yes no problem [TS]

00:13:09 ◼   ► i'm going back to planning the d-day [TS]

00:13:11 ◼   ► invasion [TS]

00:13:12 ◼   ► I'm not president yet i'm only a general [TS]

00:13:14 ◼   ► all right Thank You general [TS]

00:13:16 ◼   ► you're welcome I like your political [TS]

00:13:17 ◼   ► prospects in the future but now I i [TS]

00:13:20 ◼   ► might go become president of Columbia [TS]

00:13:21 ◼   ► first [TS]

00:13:22 ◼   ► ok that's the University not the picture [TS]

00:13:25 ◼   ► studio or the country [TS]

00:13:26 ◼   ► yeah that's just ridiculous already how [TS]

00:13:30 ◼   ► so the movie begins with a framing [TS]

00:13:32 ◼   ► device where it's alec guinness living [TS]

00:13:34 ◼   ► living a life of luxury in I guess [TS]

00:13:36 ◼   ► Brazil and he's spending money like he's [TS]

00:13:41 ◼   ► gotta spend it all right then or never [TS]

00:13:43 ◼   ► again he is right given money and and [TS]

00:13:46 ◼   ► everybody loves them and they're like [TS]

00:13:48 ◼   ► hey you're so great and we and we should [TS]

00:13:50 ◼   ► point out that this is not he is not [TS]

00:13:52 ◼   ► swap he is not he is he is he is wormy [TS]

00:13:56 ◼   ► little Alec Guinness is a gigantic nerd [TS]

00:13:58 ◼   ► City just yes it's it like if bill gates [TS]

00:14:01 ◼   ► where we're casting this movie it would [TS]

00:14:03 ◼   ► be a perfect perfect gotta study [TS]

00:14:06 ◼   ► he has a real burgess Meredith thing [TS]

00:14:08 ◼   ► going for him hear it yeah I have [TS]

00:14:10 ◼   ► expected to break his glasses at some [TS]

00:14:11 ◼   ► point be horribly lost and audrey [TS]

00:14:13 ◼   ► hepburn stops by it was Audrey Hepburn's [TS]

00:14:15 ◼   ► planted her first movie role of getting [TS]

00:14:17 ◼   ► to say if Audrey Hepburn walks by in you [TS]

00:14:21 ◼   ► know I have a pile of money i think i [TS]

00:14:23 ◼   ► probably given as she keep the Shekinah [TS]

00:14:25 ◼   ► here's some cash [TS]

00:14:26 ◼   ► the story there apparently is that she [TS]

00:14:28 ◼   ► was she was going to have a bigger role [TS]

00:14:29 ◼   ► in the movie and she couldn't do it [TS]

00:14:30 ◼   ► because she had to be in a play but Alec [TS]

00:14:32 ◼   ► Guinness was so taken with her that he [TS]

00:14:33 ◼   ► insisted that she she like get a smaller [TS]

00:14:36 ◼   ► part yeah this is well but this is what [TS]

00:14:38 ◼   ► two years before Roman holiday which was [TS]

00:14:40 ◼   ► her sort of breakout role [TS]

00:14:41 ◼   ► yeah yeah so and then Alec Guinness [TS]

00:14:45 ◼   ► turns and tells his story to the guy [TS]

00:14:47 ◼   ► said seed seated next to him at the at [TS]

00:14:49 ◼   ► the table and in this brazilian club and [TS]

00:14:52 ◼   ► thus the story unfolds and then when at [TS]

00:14:55 ◼   ► the end it's revealed that oh he had [TS]

00:14:57 ◼   ► come to arrest Alec Guinness because [TS]

00:14:59 ◼   ► they're handcuffed together and it's [TS]

00:15:00 ◼   ► it's just a very it's a fun little uh a [TS]

00:15:03 ◼   ► way to wrap up the picture and suddenly [TS]

00:15:05 ◼   ► you realize why when you were watching [TS]

00:15:07 ◼   ► that opening scene you felt sort of odd [TS]

00:15:09 ◼   ► about the way he was handing out the [TS]

00:15:10 ◼   ► money [TS]

00:15:11 ◼   ► yes why is he only using is one [TS]

00:15:13 ◼   ► hand huh the both of these movies [TS]

00:15:15 ◼   ► actually have conceits and we when we [TS]

00:15:17 ◼   ► get the other one will talk about the [TS]

00:15:18 ◼   ► other one but but concedes that i always [TS]

00:15:19 ◼   ► think of as being in vogue in modern [TS]

00:15:23 ◼   ► movies where they play with perspective [TS]

00:15:25 ◼   ► and they play with time and things like [TS]

00:15:27 ◼   ► that and yet both of these movies do the [TS]

00:15:29 ◼   ► same thing this isn't this is a perfect [TS]

00:15:31 ◼   ► example of one of these things where i [TS]

00:15:33 ◼   ► would i would think of it as a a very [TS]

00:15:35 ◼   ► overused modern trick of well he by [TS]

00:15:38 ◼   ► letting us know that he escapes then it [TS]

00:15:41 ◼   ► changes how we view the entire movie and [TS]

00:15:43 ◼   ► then at the end it does the little [TS]

00:15:45 ◼   ► double-cross and you realize that they [TS]

00:15:47 ◼   ► did catch up to him and he's and then [TS]

00:15:49 ◼   ► he's helped head out in this his [TS]

00:15:51 ◼   ► handcuffs I i guess one of the things i [TS]

00:15:53 ◼   ► learned here is that these tricks are [TS]

00:15:56 ◼   ► even older and more and more hackneyed [TS]

00:15:59 ◼   ► in some ways that I thought because they [TS]

00:16:01 ◼   ► go back for 60 years if you thought they [TS]

00:16:04 ◼   ► were overused now [TS]

00:16:05 ◼   ► yeah then the narrative part of it that [TS]

00:16:07 ◼   ► was interesting to me which also kind of [TS]

00:16:09 ◼   ► applies to both of them is that are our [TS]

00:16:10 ◼   ► heroes who are you know antiheroes in a [TS]

00:16:13 ◼   ► way but like lovable antihero sheriff's [TS]

00:16:16 ◼   ► reset maybe maybe not so much in the [TS]

00:16:18 ◼   ► killing but in this one anyways they [TS]

00:16:19 ◼   ► don't get away with it right like today [TS]

00:16:21 ◼   ► I think if we had the sort of roguish [TS]

00:16:22 ◼   ► you know guy who's were rooting for he [TS]

00:16:25 ◼   ► would get away at the end like I think [TS]

00:16:27 ◼   ► even if you did a framing device like [TS]

00:16:28 ◼   ► this he would he would somehow white get [TS]

00:16:30 ◼   ► I come out on top which does not really [TS]

00:16:33 ◼   ► happen I'm going off the internet here [TS]

00:16:35 ◼   ► but are originally they were thinking [TS]

00:16:39 ◼   ► about having them get away with it and [TS]

00:16:40 ◼   ► the reason they changed it is because [TS]

00:16:42 ◼   ► they thought that the movie wouldn't get [TS]

00:16:44 ◼   ► imported into America crime doesn't have [TS]

00:16:46 ◼   ► a care in the space that was my question [TS]

00:16:48 ◼   ► actually I that I was going to ask [TS]

00:16:50 ◼   ► whether any of the caper films of the [TS]

00:16:52 ◼   ► period actually end with the thieves [TS]

00:16:53 ◼   ► getting away scot-free or is there [TS]

00:16:55 ◼   ► something in the motion picture code [TS]

00:16:57 ◼   ► that says that the long arm of the law [TS]

00:16:59 ◼   ► must prevail it be there was definitely [TS]

00:17:01 ◼   ► in the u.s. code that you had to that [TS]

00:17:04 ◼   ► you couldn't have people enjoying crime [TS]

00:17:07 ◼   ► or are reaping the reaping the lungs you [TS]

00:17:10 ◼   ► don't have Jimmy Cagney going well that [TS]

00:17:11 ◼   ► was a life well led against get here [TS]

00:17:15 ◼   ► yeah there's a year of a Padre he'll [TS]

00:17:17 ◼   ► burn and you know hanging with generally [TS]

00:17:19 ◼   ► suppose i'm not sure how much I believe [TS]

00:17:22 ◼   ► that story just because I don't I don't [TS]

00:17:24 ◼   ► think of ealing studios go we've got to [TS]

00:17:26 ◼   ► crack the American market boys have [TS]

00:17:28 ◼   ► changed the ending of the movie I I [TS]

00:17:30 ◼   ► think they probably uh didn't want to [TS]

00:17:33 ◼   ► upset the conventions in the mores of [TS]

00:17:35 ◼   ► the time and so that's that's why they [TS]

00:17:38 ◼   ► probably have the ending that they do [TS]

00:17:39 ◼   ► you mean you don't really see people [TS]

00:17:41 ◼   ► getting away with it until like the pink [TS]

00:17:43 ◼   ► panther where again to spoil it [TS]

00:17:47 ◼   ► the heave-ho the hero gets freezing he's [TS]

00:17:52 ◼   ► a panther in the end the end the sorry [TS]

00:17:54 ◼   ► it's everybody I was always disappointed [TS]

00:17:56 ◼   ► that he wasn't so the cats out of the [TS]

00:17:58 ◼   ► bag [TS]

00:17:59 ◼   ► oh and David Niven gets away with it you [TS]

00:18:04 ◼   ► know but that you know I can't remember [TS]

00:18:06 ◼   ► if anyone gets away with it before him [TS]

00:18:08 ◼   ► that David get David gets away with it [TS]

00:18:10 ◼   ► but there isn't any in any of this [TS]

00:18:12 ◼   ► equals right so often when they got away [TS]

00:18:14 ◼   ► when you get away with scams and cons it [TS]

00:18:16 ◼   ► was because you were taking someone who [TS]

00:18:18 ◼   ► deserves to get taken right so what's [TS]

00:18:20 ◼   ► interesting about the Lavender Hill mob [TS]

00:18:21 ◼   ► the way I look at it is it they don't [TS]

00:18:24 ◼   ► get away with it but you are made to [TS]

00:18:27 ◼   ► sympathize with them and like Alec [TS]

00:18:30 ◼   ► Guinness there's that scene where they [TS]

00:18:31 ◼   ► try to promote him so he's literally [TS]

00:18:33 ◼   ► like he has to do the job on on that [TS]

00:18:35 ◼   ► friday because that he's gonna get it [TS]

00:18:38 ◼   ► they promoted him to a different job [TS]

00:18:40 ◼   ► finally after 19 after 19 years of this [TS]

00:18:42 ◼   ► awful menial job and he's gonna get an [TS]

00:18:44 ◼   ► extra like six shillings a week or [TS]

00:18:46 ◼   ► something [TS]

00:18:46 ◼   ► 15 showing 15 shillings a week yeah but [TS]

00:18:49 ◼   ► it's really i mean for me to several [TS]

00:18:50 ◼   ► thousand dollars in today's money it's [TS]

00:18:53 ◼   ► not it's like eight cents [TS]

00:18:55 ◼   ► I'm oh I don't know what Sheila is [TS]

00:18:57 ◼   ► converted into but I just I got the [TS]

00:18:59 ◼   ► sense from that it's like okay what [TS]

00:19:00 ◼   ► you've done is you've taken away the job [TS]

00:19:02 ◼   ► he actually was good at and you've given [TS]

00:19:05 ◼   ► him almost no extra money to do this [TS]

00:19:08 ◼   ► other job [TS]

00:19:09 ◼   ► no wonder he wants to steal your gold so [TS]

00:19:13 ◼   ► I was immediately sympathetic Alec [TS]

00:19:15 ◼   ► Guinness because I felt like you know [TS]

00:19:16 ◼   ► this is a terrible job and they don't [TS]

00:19:18 ◼   ► pay him well and he of course you do you [TS]

00:19:20 ◼   ► should always the guys who handled the [TS]

00:19:22 ◼   ► gold pay them well that's what I say [TS]

00:19:24 ◼   ► that might be a comedy there so there's [TS]

00:19:26 ◼   ► a quiet yearning to the to the Alec [TS]

00:19:28 ◼   ► Guinness character about a fellow who [TS]

00:19:30 ◼   ► who knows that this is the the best he's [TS]

00:19:33 ◼   ► going to get in life but [TS]

00:19:35 ◼   ► a yet tries to reach for more yes [TS]

00:19:37 ◼   ► they're not very modeling about it but [TS]

00:19:39 ◼   ► it's it's a very very well-constructed [TS]

00:19:42 ◼   ► character now he's very lucky to have [TS]

00:19:44 ◼   ► that guy move into his his his building [TS]

00:19:47 ◼   ► who who just happens to be involved in [TS]

00:19:50 ◼   ► the melting down of gold that the very [TS]

00:19:52 ◼   ► fundamental he's going to be promoted at [TS]

00:19:53 ◼   ► last [TS]

00:19:54 ◼   ► well that works out let's have it that's [TS]

00:19:57 ◼   ► kind of the way evening studios comedies [TS]

00:19:59 ◼   ► work right the certain amount of [TS]

00:20:01 ◼   ► coincidence and contrivance but the end [TS]

00:20:04 ◼   ► result still is is pretty delightful [TS]

00:20:06 ◼   ► what I love about the movie and and I [TS]

00:20:09 ◼   ► think one of the reasons why I picked it [TS]

00:20:10 ◼   ► as I I think it's just a superbly [TS]

00:20:13 ◼   ► plotted because within 15 minutes [TS]

00:20:16 ◼   ► they've outlined the entire caper this [TS]

00:20:18 ◼   ► is how we're going to rob the money [TS]

00:20:19 ◼   ► within 30 minutes they're pulling off [TS]

00:20:21 ◼   ► the caper and and pulling it off [TS]

00:20:23 ◼   ► not really according to the elaborate [TS]

00:20:25 ◼   ► plan that they hatched out and then it's [TS]

00:20:30 ◼   ► just it [TS]

00:20:30 ◼   ► there's really not a wasted seen it [TS]

00:20:33 ◼   ► there's really not a scene where they [TS]

00:20:35 ◼   ► have to go back and explain now remember [TS]

00:20:38 ◼   ► this is the caper we're doing that even [TS]

00:20:40 ◼   ► when they bring in the the two other [TS]

00:20:42 ◼   ► hoodlums into their into their little [TS]

00:20:44 ◼   ► gang they the the script is written in [TS]

00:20:46 ◼   ► such a way that you don't have a double [TS]

00:20:48 ◼   ► x position although it does all fall [TS]

00:20:50 ◼   ► down on kind of a a ridiculous [TS]

00:20:52 ◼   ► contrivance which is that a Frenchwoman [TS]

00:20:54 ◼   ► can't tell the difference between an R [TS]

00:20:55 ◼   ► and yeah well for me that the the movie [TS]

00:21:00 ◼   ► sort of I i enjoy it but it sort of goes [TS]

00:21:04 ◼   ► off the rails once they once they leave [TS]

00:21:08 ◼   ► France [TS]

00:21:09 ◼   ► yeah well it does it does get a little [TS]

00:21:12 ◼   ► bit commit because then you've got the [TS]

00:21:14 ◼   ► Eiffel Towers they go home with the [TS]

00:21:16 ◼   ► schoolchildren yeah and then one of them [TS]

00:21:18 ◼   ► makes its way to a police exposition [TS]

00:21:20 ◼   ► where that happens to be a chemist [TS]

00:21:21 ◼   ► testing gold from the robberies and what [TS]

00:21:23 ◼   ► that is hilariously ridiculous but it's [TS]

00:21:26 ◼   ► great no it's great it's fantastic and [TS]

00:21:28 ◼   ► as a little bit of background what [TS]

00:21:30 ◼   ► happens is the the Eiffel Tower the the [TS]

00:21:32 ◼   ► gold Eiffel Towers are shipped to France [TS]

00:21:34 ◼   ► and they're supposed to sit in the [TS]

00:21:35 ◼   ► warehouse but someone can't tell the [TS]

00:21:36 ◼   ► difference between the are in the Edit [TS]

00:21:38 ◼   ► and side and yes start selling the [TS]

00:21:41 ◼   ► myself because he's an Englishman would [TS]

00:21:44 ◼   ► have said are as I she might have picked [TS]

00:21:46 ◼   ► it up as an a as opposed to an R [TS]

00:21:48 ◼   ► and they they start selling the gold [TS]

00:21:50 ◼   ► Eiffel Towers to these English [TS]

00:21:52 ◼   ► schoolgirls myself ill it's just you [TS]

00:21:54 ◼   ► know don't get the French involved [TS]

00:21:56 ◼   ► yeah that's the blessing of this movie [TS]

00:21:57 ◼   ► is trust I don't trust the French with [TS]

00:22:00 ◼   ► anything of value when I did appreciate [TS]

00:22:02 ◼   ► about that whole bit though was that [TS]

00:22:04 ◼   ► we've been presented the allocated [TS]

00:22:06 ◼   ► character who has a happy what I would [TS]

00:22:08 ◼   ► call a periodic speech impediment [TS]

00:22:10 ◼   ► occasionally you know his arse kind of [TS]

00:22:12 ◼   ► come and go yes [TS]

00:22:14 ◼   ► not really super consistent with whether [TS]

00:22:16 ◼   ► he says them or not but in a modern [TS]

00:22:18 ◼   ► movie that with the plot would hinge on [TS]

00:22:20 ◼   ► that in some very much so and in this [TS]

00:22:24 ◼   ► movie it's just there may need it just [TS]

00:22:27 ◼   ► happens to have a speech impediment [TS]

00:22:28 ◼   ► there's really no purpose of it there's [TS]

00:22:31 ◼   ► no point at all and in the end where a [TS]

00:22:34 ◼   ► modern movie would have had you know the [TS]

00:22:36 ◼   ► problem with the French lady hinge on [TS]

00:22:37 ◼   ► his speech impediment it turns out to be [TS]

00:22:39 ◼   ► the other guy who's days and ours get [TS]

00:22:41 ◼   ► confused [TS]

00:22:42 ◼   ► it has nothing to do with with with the [TS]

00:22:45 ◼   ► Guinness characters speech impediment at [TS]

00:22:46 ◼   ► all what I really love about Dennis in [TS]

00:22:49 ◼   ► this movie is the brief moments you get [TS]

00:22:52 ◼   ► of him really relishing this role [TS]

00:22:55 ◼   ► there's that scene where is like they're [TS]

00:22:56 ◼   ► well you're the boss and he's like yes [TS]

00:22:58 ◼   ► yes I am and you you get a little bit of [TS]

00:23:00 ◼   ► that too there's a scene where he tells [TS]

00:23:02 ◼   ► them to leave some of the gold in the [TS]

00:23:05 ◼   ► truck that they robbed and they're kind [TS]

00:23:07 ◼   ► of like we're talking about there's like [TS]

00:23:09 ◼   ► 75,000 pounds there you know we can make [TS]

00:23:11 ◼   ► all this money and he says no just leave [TS]

00:23:13 ◼   ► it and is that there's a certain amount [TS]

00:23:15 ◼   ► of you you know why steal with his voice [TS]

00:23:17 ◼   ► at that point which is interesting for [TS]

00:23:20 ◼   ► character who is so mild-mannered but [TS]

00:23:22 ◼   ► like you get the feeling again if this [TS]

00:23:24 ◼   ► was a modern movie that it would turn [TS]

00:23:26 ◼   ► into sort of more his descent into [TS]

00:23:27 ◼   ► hardened criminal right it never goes [TS]

00:23:29 ◼   ► that way but like there you could you [TS]

00:23:31 ◼   ► can kind of see how that might develop [TS]

00:23:32 ◼   ► this isn't the Lavender Hill mob is [TS]

00:23:35 ◼   ► breaking bad right [TS]

00:23:36 ◼   ► right now I've got not houses just [TS]

00:23:38 ◼   ► relishing not being the lowest man on [TS]

00:23:40 ◼   ► the totem pole for ya right right [TS]

00:23:42 ◼   ► exactly but it's a it's getting such a [TS]

00:23:45 ◼   ► great job of balancing those two aspects [TS]

00:23:47 ◼   ► of that character well as Jason pointed [TS]

00:23:50 ◼   ► out earlier that that Howard Guinness is [TS]

00:23:53 ◼   ► a funny guy [TS]

00:23:54 ◼   ► I'm at and this would be as good a time [TS]

00:23:56 ◼   ► to discuss that as any i think you know [TS]

00:23:58 ◼   ► most audiences [TS]

00:24:01 ◼   ► people our age are gonna be easy but [TS]

00:24:03 ◼   ► there's obi-wan Kenobi what are you [TS]

00:24:05 ◼   ► doing here or if you're a have a wider [TS]

00:24:07 ◼   ► film vocabulary you know I'm from bridge [TS]

00:24:10 ◼   ► on the river choir you you know I'm from [TS]

00:24:12 ◼   ► from lawrence of arabia but he really if [TS]

00:24:16 ◼   ► you dig deep into his filmography he [TS]

00:24:18 ◼   ► does a lot of really great comic work [TS]

00:24:21 ◼   ► besides uh this movie he'd kind hearts [TS]

00:24:23 ◼   ► and coronets where he played in which [TS]

00:24:24 ◼   ► she plays like that doesn't he play [TS]

00:24:26 ◼   ► right doesn't get the roles including a [TS]

00:24:28 ◼   ► lady and was a hideous looking lady [TS]

00:24:31 ◼   ► I i just want to stipulate that right [TS]

00:24:34 ◼   ► now he's out he was in the original [TS]

00:24:35 ◼   ► Ladykillers he was a white suit he [TS]

00:24:40 ◼   ► another great healing studios comedy is [TS]

00:24:42 ◼   ► our man in Havana where again plays kind [TS]

00:24:45 ◼   ► of a wormy guy who who rises above his [TS]

00:24:47 ◼   ► station and if you if you get a chance [TS]

00:24:50 ◼   ► if you if you reject films that are in [TS]

00:24:54 ◼   ► black-and-white try and rent neil [TS]

00:24:55 ◼   ► simon's murder by death because in that [TS]

00:24:57 ◼   ► movie he's a he's the butler he's [TS]

00:25:01 ◼   ► terrific and that he's the blind Butler [TS]

00:25:03 ◼   ► Benson mama [TS]

00:25:05 ◼   ► so after I get back from France I it's a [TS]

00:25:08 ◼   ► it's a a different movie which is not to [TS]

00:25:10 ◼   ► say it isn't wacky it's actually in some [TS]

00:25:12 ◼   ► ways i found that the most memorable [TS]

00:25:13 ◼   ► part of the movie is that there is this [TS]

00:25:14 ◼   ► ridiculous they go to the school to try [TS]

00:25:18 ◼   ► and bribe ER i guess just exchanged the [TS]

00:25:21 ◼   ► Eiffel Towers for the let Eiffel Towers [TS]

00:25:23 ◼   ► but then there's the one girl who [TS]

00:25:24 ◼   ► refuses to give it to them because you [TS]

00:25:26 ◼   ► drive is over which the teacher doesn't [TS]

00:25:28 ◼   ► bad and I know [TS]

00:25:29 ◼   ► ok these men came all the way from [TS]

00:25:31 ◼   ► France to exchange your your misc at [TS]

00:25:34 ◼   ► your perfectly going to give them five [TS]

00:25:36 ◼   ► shillings for for heat transfer it's [TS]

00:25:39 ◼   ► it's it's certainly normal but what but [TS]

00:25:42 ◼   ► she takes the girl takes the the the [TS]

00:25:46 ◼   ► gold statue to the to the worst place [TS]

00:25:49 ◼   ► possible if you're a robber which is [TS]

00:25:51 ◼   ► like the police expo which they met they [TS]

00:25:55 ◼   ► apparently have and there's a [TS]

00:25:57 ◼   ► demonstration thereof by a scientist who [TS]

00:26:00 ◼   ► can prove that things are gold just boy [TS]

00:26:02 ◼   ► that's bad luck and there's a hole at [TS]

00:26:05 ◼   ► the police expo there's this whole wacky [TS]

00:26:07 ◼   ► when they essentially just decide to [TS]

00:26:09 ◼   ► grab the the statue and run because [TS]

00:26:12 ◼   ► they're going to be found out and then [TS]

00:26:14 ◼   ► there [TS]

00:26:14 ◼   ► they have this crazy chase through the [TS]

00:26:16 ◼   ► police expo and then there's a whole [TS]

00:26:18 ◼   ► crazy car chase which involves them [TS]

00:26:20 ◼   ► stealing a police car and pretending to [TS]

00:26:23 ◼   ► end radioing in bad information to the [TS]

00:26:25 ◼   ► police cars and it's uh it's there's [TS]

00:26:29 ◼   ► lots of action and it's funny and it's [TS]

00:26:31 ◼   ► weird and I I enjoyed that part a lot [TS]

00:26:34 ◼   ► it's a bit too madcap for my taste [TS]

00:26:36 ◼   ► actually like yeah like I said I for me [TS]

00:26:39 ◼   ► the high point of the movie ends when [TS]

00:26:40 ◼   ► they're trying to get back from France [TS]

00:26:42 ◼   ► and they there's this whole bit of [TS]

00:26:44 ◼   ► business where they're trying to get on [TS]

00:26:45 ◼   ► the boat to in Calais and I know you've [TS]

00:26:48 ◼   ► gotta go through customs and no you've [TS]

00:26:50 ◼   ► gotta buy the tickets and and and both [TS]

00:26:52 ◼   ► Alec Guinness and Stanley Holloway or [TS]

00:26:54 ◼   ► are freaking out and it's that's a very [TS]

00:26:56 ◼   ► funny bit on in a very nice bit of [TS]

00:26:59 ◼   ► controlled madness [TS]

00:27:01 ◼   ► whereas I think once they have the the [TS]

00:27:03 ◼   ► car chase scene that gets a little bit [TS]

00:27:05 ◼   ► too Benny Hill for my taste the way that [TS]

00:27:08 ◼   ► he eventually actually gets away is [TS]

00:27:10 ◼   ► actually quite understated right because [TS]

00:27:12 ◼   ► he goes into the tube and they follow [TS]

00:27:14 ◼   ► him in and he comes out again and then [TS]

00:27:17 ◼   ► he goes back around goes into very [TS]

00:27:19 ◼   ► calmly goes in again and that's how we [TS]

00:27:20 ◼   ► eventually get away which I thought was [TS]

00:27:22 ◼   ► very very clever and it's a slight [TS]

00:27:24 ◼   ► little commentary on society because [TS]

00:27:26 ◼   ► it's oh he's able to blend in because [TS]

00:27:28 ◼   ► he's a wormy guy and we're all were all [TS]

00:27:30 ◼   ► wormy guys I like the confusion in the [TS]

00:27:34 ◼   ► cars though there's a nice moment where [TS]

00:27:36 ◼   ► they're like car for car for and they're [TS]

00:27:39 ◼   ► like a hot car for is a fake [TS]

00:27:41 ◼   ► he's like you said you said we were car [TS]

00:27:42 ◼   ► for your car for work are three and and [TS]

00:27:45 ◼   ► it's so he's smart he he throws them [TS]

00:27:48 ◼   ► he's very devious and he throws them off [TS]

00:27:49 ◼   ► the scent plus the cops are kind of them [TS]

00:27:51 ◼   ► i'm not going to say they're like Dukes [TS]

00:27:54 ◼   ► of Hazzard level companies don't have [TS]

00:27:56 ◼   ► what they call keystone cops in England [TS]

00:28:01 ◼   ► they like breckenridge Bobby's one of [TS]

00:28:04 ◼   ► the inspectors i believe is Christopher [TS]

00:28:06 ◼   ► Hewett yes these years you may recognize [TS]

00:28:09 ◼   ► from such TV shows as mr. Belvedere and [TS]

00:28:12 ◼   ► ghost of mr. Belvedere one of the [TS]

00:28:15 ◼   ► chemist at the exhibition is apparently [TS]

00:28:16 ◼   ► robert sean is yes roll [TS]

00:28:19 ◼   ► yes exactly lot a lot a lot of hey you [TS]

00:28:22 ◼   ► are in this the in the sun for you were [TS]

00:28:24 ◼   ► big apparently Alec Guinness would get [TS]

00:28:26 ◼   ► very angry if you would come [TS]

00:28:28 ◼   ► Tim and try to talk about Star Wars yeah [TS]

00:28:30 ◼   ► oh yeah well you can you blame him with [TS]

00:28:33 ◼   ► this now I care to admit that was one [TS]

00:28:35 ◼   ► booth me out of 50 tool that I made [TS]

00:28:38 ◼   ► something else that struck me about this [TS]

00:28:40 ◼   ► movie and just the difference between a [TS]

00:28:42 ◼   ► caper film in 1951 and what you would [TS]

00:28:45 ◼   ► see today was just how relatively [TS]

00:28:48 ◼   ► simplistic it was in the highest frankly [TS]

00:28:50 ◼   ► there's not that much to it [TS]

00:28:52 ◼   ► yeah there no lasers and mirrors and [TS]

00:28:54 ◼   ► video cameras to duplicate and all of [TS]

00:28:58 ◼   ► those things we've seen a million times [TS]

00:29:00 ◼   ► no one is switching thumb prints no one [TS]

00:29:02 ◼   ► is pulling off of pulling off a mask [TS]

00:29:05 ◼   ► pretending to be someone else right I'll [TS]

00:29:06 ◼   ► be in the truck and we're a modern movie [TS]

00:29:09 ◼   ► would have taken you know they would [TS]

00:29:11 ◼   ► have piled a minor air onto a [TS]

00:29:13 ◼   ► misunderstanding and it would have [TS]

00:29:15 ◼   ► dragged it out for the rest of the film [TS]

00:29:16 ◼   ► sort of building and building that this [TS]

00:29:18 ◼   ► house just mean there there are some [TS]

00:29:20 ◼   ► minor issues with the highest but it [TS]

00:29:21 ◼   ► kind of goes off without too big of a [TS]

00:29:23 ◼   ► hitch [TS]

00:29:23 ◼   ► I guess audiences of the fifties could [TS]

00:29:26 ◼   ► only take so much tension but while they [TS]

00:29:28 ◼   ► set you up to think it's gonna go wrong [TS]

00:29:30 ◼   ► right when that you when he accidentally [TS]

00:29:31 ◼   ► when Stanley accidentally steals the [TS]

00:29:33 ◼   ► painting and walks away with the [TS]

00:29:36 ◼   ► painting and now the police are all over [TS]

00:29:37 ◼   ► there and he's meant to be causing a [TS]

00:29:39 ◼   ► distraction which he does anyways by [TS]

00:29:42 ◼   ► having virtue of you know see me to have [TS]

00:29:44 ◼   ► still want to paint it and they're [TS]

00:29:46 ◼   ► accomplices are supposed to rough up [TS]

00:29:47 ◼   ► Alec Guinness to make it look like he's [TS]

00:29:49 ◼   ► been robbed but they they panic and flee [TS]

00:29:51 ◼   ► the scene so Alec Guinness Esther rough [TS]

00:29:53 ◼   ► himself up which is a great bit of [TS]

00:29:56 ◼   ► physical comedy which works so well the [TS]

00:29:57 ◼   ► police think he's a hero right when the [TS]

00:30:00 ◼   ► the idea that movies to their more [TS]

00:30:03 ◼   ► complicated is partly because we have [TS]

00:30:05 ◼   ► this template right it no one's ever [TS]

00:30:08 ◼   ► going to rob our gold truck again [TS]

00:30:10 ◼   ► well they they hadn't seen the same [TS]

00:30:12 ◼   ► story over and over and over again [TS]

00:30:14 ◼   ► whereas a you know by now we've got 60 [TS]

00:30:16 ◼   ► 70 years of the same movie ideas so they [TS]

00:30:20 ◼   ► have to jack it up like what more can we [TS]

00:30:22 ◼   ► do what can we pile on to surprise you [TS]

00:30:24 ◼   ► just just a few things have changed in [TS]

00:30:26 ◼   ► the last 60 years that you know it's [TS]

00:30:29 ◼   ► funny that the the twist at the end that [TS]

00:30:31 ◼   ► i actually didn't pick up on until maybe [TS]

00:30:34 ◼   ► just a few seconds before it actually [TS]

00:30:35 ◼   ► went off i realize the reason I didn't [TS]

00:30:38 ◼   ► pick up on that was because i was [TS]

00:30:39 ◼   ► expecting that cliche and [TS]

00:30:41 ◼   ► not to have existed in 1951 yeah so I [TS]

00:30:44 ◼   ► was sort of surprised when it actually [TS]

00:30:46 ◼   ► turned out i mean i'm sure it wasn't a [TS]

00:30:47 ◼   ► cliché at the time it was probably [TS]

00:30:49 ◼   ► exactly first instances of it but I [TS]

00:30:51 ◼   ► thought it was surely before that had [TS]

00:30:52 ◼   ► come to be so it was kind of a bit of a [TS]

00:30:55 ◼   ► surprise one that that's I was actually [TS]

00:30:58 ◼   ► gonna talk about that with the the next [TS]

00:31:00 ◼   ► film 2 i'll wait wait i do need to say [TS]

00:31:03 ◼   ► this about the Lavender Hill mob sure [TS]

00:31:04 ◼   ► you look swell in a shroud is probably [TS]

00:31:07 ◼   ► the greatest title for a book ever or a [TS]

00:31:10 ◼   ► radio drama episode for that matter [TS]

00:31:12 ◼   ► that's the book that Alec Guinness is [TS]

00:31:14 ◼   ► reading to the little lady [TS]

00:31:17 ◼   ► i love when the cops and interrogate her [TS]

00:31:19 ◼   ► with her she's asking all these like [TS]

00:31:21 ◼   ► questions in this hard-boiled crime [TS]

00:31:22 ◼   ► slaying the little old lady who lives in [TS]

00:31:25 ◼   ► the in the boardinghouse on lavender [TS]

00:31:27 ◼   ► hill is one of the unsung heroes of that [TS]

00:31:29 ◼   ► movie they really should have built up a [TS]

00:31:31 ◼   ► role board MTG the owner who calls them [TS]

00:31:34 ◼   ► naughty men is also quite wonderful she [TS]

00:31:37 ◼   ► be nominated today I get to be an [TS]

00:31:39 ◼   ► accomplice oh yeah she'd be the one who [TS]

00:31:41 ◼   ► got away with all the money at the end [TS]

00:31:42 ◼   ► seven work if I had somebody who every [TS]

00:31:45 ◼   ► time I came home drunk from a bar open [TS]

00:31:47 ◼   ► the door and called me a naughty man [TS]

00:31:48 ◼   ► oh you watching man different life pad [TS]

00:31:51 ◼   ► know you naughty naughty men that was a [TS]

00:31:56 ◼   ► crazy boardinghouse although that was [TS]

00:31:57 ◼   ► the flaw in his plan to is like if any [TS]

00:31:59 ◼   ► detective realizes that the guy in who [TS]

00:32:02 ◼   ► is there at the highest his pals with a [TS]

00:32:06 ◼   ► guy who melts down metal yeah the chicas [TS]

00:32:09 ◼   ► I that I've at that moment the jig is up [TS]

00:32:11 ◼   ► today there's a computer that just goes [TS]

00:32:13 ◼   ► like being yeah they need to they just [TS]

00:32:15 ◼   ► find that out [TS]

00:32:15 ◼   ► yeah but back then it was it was an [TS]

00:32:17 ◼   ► innocent time it was very different [TS]

00:32:19 ◼   ► all right before we continue a word from [TS]

00:32:21 ◼   ► our first sponsor its Hulu Plus now I'm [TS]

00:32:24 ◼   ► sure you've all tried hulu.com but what [TS]

00:32:27 ◼   ► I want to talk about today is hulu plus [TS]

00:32:29 ◼   ► hulu plus lets you watch thousands of [TS]

00:32:31 ◼   ► hits shows anytime anywhere [TS]

00:32:33 ◼   ► streaming on your TV or on the go with [TS]

00:32:36 ◼   ► your smartphone or tablet why stand in [TS]

00:32:38 ◼   ► line or ride a train and just stare at [TS]

00:32:40 ◼   ► your feet [TS]

00:32:40 ◼   ► you could be watching your favorite [TS]

00:32:42 ◼   ► shows on hulu plus hulu plus is also a [TS]

00:32:45 ◼   ► great way to binge watch your favorite [TS]

00:32:46 ◼   ► shows or discover new shows and get [TS]

00:32:48 ◼   ► caught up [TS]

00:32:49 ◼   ► this is what I've been watching on hulu [TS]

00:32:50 ◼   ► plus i just got a tivo tivo got hulu [TS]

00:32:54 ◼   ► plus integrated my apple [TS]

00:32:55 ◼   ► he's got hulu plus integrated my iPads [TS]

00:32:57 ◼   ► got hulu plus integrated but I've been [TS]

00:32:59 ◼   ► on the tivo watching the thick of it [TS]

00:33:01 ◼   ► which is a british comedy it's really [TS]

00:33:04 ◼   ► funny [TS]

00:33:05 ◼   ► it stars Peter Capaldi who is the next [TS]

00:33:07 ◼   ► Doctor Who but in this he's a foul mouth [TS]

00:33:09 ◼   ► Scottish political fixer it's got a very [TS]

00:33:13 ◼   ► spinal tap kind of feel to it there are [TS]

00:33:15 ◼   ► a lot of understated jokes there is [TS]

00:33:18 ◼   ► completely confused people who are doing [TS]

00:33:20 ◼   ► confused things it's actually the [TS]

00:33:22 ◼   ► closest I think invite a spinal tap of [TS]

00:33:24 ◼   ► any show that i have ever seen it is [TS]

00:33:26 ◼   ► really great and it's on hulu plus so [TS]

00:33:30 ◼   ► check it out [TS]

00:33:31 ◼   ► hulu plus seven ninety-nine a month that [TS]

00:33:33 ◼   ► 799 for all the shows and movies you can [TS]

00:33:35 ◼   ► watch catch-up on current shows binge on [TS]

00:33:37 ◼   ► an old favorite catch a great movie [TS]

00:33:39 ◼   ► watch these british shows like the thick [TS]

00:33:42 ◼   ► of it you can do it all on hulu plus it [TS]

00:33:44 ◼   ► right now you could try hulu plus for a [TS]

00:33:46 ◼   ► couple weeks [TS]

00:33:47 ◼   ► absolutely free on me when you go to [TS]

00:33:50 ◼   ► hulu plus dot com / smell that's my name [TS]

00:33:53 ◼   ► SSN dll or go to our show page on five [TS]

00:33:57 ◼   ► by five for this episode of five-by-five [TS]

00:33:58 ◼   ► dot TV / icomparable / 156 and click on [TS]

00:34:03 ◼   ► the hulu plus link now make sure you use [TS]

00:34:05 ◼   ► my favorite URL on the web this week [TS]

00:34:08 ◼   ► hulu plus dot com / snow you get the [TS]

00:34:12 ◼   ► extended free trial they know that we [TS]

00:34:13 ◼   ► sent you [TS]

00:34:14 ◼   ► it helps us keep the lights on at the [TS]

00:34:16 ◼   ► incomparable and it gives you a better [TS]

00:34:17 ◼   ► deal one more time extended free trial [TS]

00:34:20 ◼   ► hulu plus dot com / smell and thanks to [TS]

00:34:23 ◼   ► hulu plus for sponsoring the [TS]

00:34:25 ◼   ► incomparable for the killing [TS]

00:34:27 ◼   ► yes is in a slightly different in tone [TS]

00:34:30 ◼   ► did yeah I was always bringing [TS]

00:34:32 ◼   ► everything that we've had the the light [TS]

00:34:34 ◼   ► laughs and and life-affirming comedy of [TS]

00:34:37 ◼   ► of the Lavender Hill mob let's talk [TS]

00:34:40 ◼   ► about the killing and open up a vein [TS]

00:34:41 ◼   ► life is worthless and you will fail [TS]

00:34:45 ◼   ► that's the message of the killing ladies [TS]

00:34:47 ◼   ► and gentlemen is it's the last line in [TS]

00:34:49 ◼   ► the movie what's the difference the [TS]

00:34:51 ◼   ► difference [TS]

00:34:52 ◼   ► yeah a little-little dogs are annoying [TS]

00:34:54 ◼   ► that was what I took oh no ladies it [TS]

00:34:55 ◼   ► ladies could make another appearance [TS]

00:34:57 ◼   ► steer clear of the old bat's if you're [TS]

00:34:59 ◼   ► going to be pulling off a caper is that [TS]

00:35:01 ◼   ► lesson I take little dogs in english [TS]

00:35:02 ◼   ► school girls are problems right are [TS]

00:35:05 ◼   ► impediments to your paper and [TS]

00:35:08 ◼   ► French and make sure your suitcase locks [TS]

00:35:11 ◼   ► so i will now recount the plot of the [TS]

00:35:13 ◼   ► killing it will be very difficult as [TS]

00:35:15 ◼   ► they use nonlinear storytelling yes this [TS]

00:35:17 ◼   ► is another technique the crew you know [TS]

00:35:19 ◼   ► and this was one of a an early an early [TS]

00:35:22 ◼   ► movie to use nonlinear storytelling and [TS]

00:35:24 ◼   ► apparently it was not a well-received [TS]

00:35:26 ◼   ► technique out of the time if I mail back [TS]

00:35:29 ◼   ► this with some music from the film ok so [TS]

00:35:32 ◼   ► sterling here dude sterling Hayden is [TS]

00:35:39 ◼   ► fresh out of prison [TS]

00:35:40 ◼   ► fresh out of the fresh out of the [TS]

00:35:42 ◼   ► Graybar hotel but he's not going to let [TS]

00:35:44 ◼   ► that get him down no he's planning a [TS]

00:35:47 ◼   ► caper little caper it's uh he's going to [TS]

00:35:50 ◼   ► Robert a racetrack he's gonna gonna take [TS]

00:35:52 ◼   ► them of all their money and easy [TS]

00:35:54 ◼   ► enlisted not croc see points out but [TS]

00:35:57 ◼   ► just people with a little larceny in [TS]

00:35:59 ◼   ► them and they all have their reasons for [TS]

00:36:01 ◼   ► participating there's the there's the [TS]

00:36:04 ◼   ► Elijah cook character who's got a [TS]

00:36:06 ◼   ► money-grab and wife and there's a [TS]

00:36:08 ◼   ► there's a bartender at the racetrack his [TS]

00:36:11 ◼   ► wife is very sick and he needs the money [TS]

00:36:13 ◼   ► to to help her get better [TS]

00:36:15 ◼   ► there's the cop who appears to be in [TS]

00:36:17 ◼   ► very bad gambling debts he he makes [TS]

00:36:21 ◼   ► kevin spacey in LA confidential look [TS]

00:36:26 ◼   ► like McGruff the Crime Dog like Russell [TS]

00:36:29 ◼   ► Crowe in LA confidential right fair [TS]

00:36:31 ◼   ► enough so and then there's that the old [TS]

00:36:34 ◼   ► man who's bankrolling them whoo-hoo I [TS]

00:36:36 ◼   ► kinda has taken a shine to sterling [TS]

00:36:38 ◼   ► Hayden hey let's go away together after [TS]

00:36:42 ◼   ► this yeah yeah we'll go to Vermont and [TS]

00:36:44 ◼   ► interesting some open up bread and [TS]

00:36:47 ◼   ► breakfast together let's see how about [TS]

00:36:49 ◼   ► the list can we talk about the great [TS]

00:36:51 ◼   ► roles for women in this movie now well [TS]

00:36:53 ◼   ► yeah well now we're that were done with [TS]

00:36:55 ◼   ► that [TS]

00:36:56 ◼   ► so yeah i already mentioned uh Elijah [TS]

00:36:59 ◼   ► cooks wife who is a gold and grab [TS]

00:37:03 ◼   ► money-grubbing harlot [TS]

00:37:04 ◼   ► yep forget yet just a terrible one of [TS]

00:37:08 ◼   ► the most terrible human beings you will [TS]

00:37:10 ◼   ► ever use sterling Hayden has a [TS]

00:37:13 ◼   ► girlfriend and she is just are pretty [TS]

00:37:15 ◼   ► and she's not very smart [TS]

00:37:17 ◼   ► wow what if that don't mean I forgot now [TS]

00:37:20 ◼   ► bad that scene was just in [TS]

00:37:22 ◼   ► terms of the i believe i've always [TS]

00:37:24 ◼   ► believed anything that you took me [TS]

00:37:26 ◼   ► yeah anything I waited for five years [TS]

00:37:28 ◼   ► while you were in prison because you're [TS]

00:37:30 ◼   ► such a great guy i think the best way to [TS]

00:37:32 ◼   ► describe sterling Hayden girlfriend in [TS]

00:37:34 ◼   ► that movie is present or possibly [TS]

00:37:38 ◼   ► liquored up I don't yeah well she's very [TS]

00:37:40 ◼   ► supportive and self-loathing self and [TS]

00:37:43 ◼   ► apart from the sickly wife that's about [TS]

00:37:45 ◼   ► it for four ladies Steve mentioned the [TS]

00:37:47 ◼   ► blaring music I just don't like to cook [TS]

00:37:50 ◼   ► being in Star Trek they the music in [TS]

00:37:52 ◼   ► this movie is actually buy one of the [TS]

00:37:54 ◼   ► two or three small core star trek [TS]

00:37:58 ◼   ► composers so I had moments where i was [TS]

00:38:00 ◼   ► waiting for Captain Kirk to begin a [TS]

00:38:02 ◼   ► fistfight in the middle of the killing [TS]

00:38:05 ◼   ► because it's basically that same kind of [TS]

00:38:07 ◼   ► blaring horns kind of music and it's [TS]

00:38:10 ◼   ► there's a lot of it but I swear is this [TS]

00:38:12 ◼   ► jockeys were going by in that opening [TS]

00:38:14 ◼   ► scene I was sure I was gonna see [TS]

00:38:15 ◼   ► gladiators come thru was going to be [TS]

00:38:17 ◼   ► worn to come out and interrupt the horse [TS]

00:38:19 ◼   ► race start playing fizzbin in the middle [TS]

00:38:21 ◼   ► of the movie and I just would've been [TS]

00:38:23 ◼   ► great if could fight the giant Russian [TS]

00:38:25 ◼   ► guy that's arms and all the wrestler [TS]

00:38:26 ◼   ► yeah so there are two out there are two [TS]

00:38:28 ◼   ► other people in this in this in this [TS]

00:38:30 ◼   ► caper their ancillary characters one is [TS]

00:38:33 ◼   ► HS loving wrestler because doctors in [TS]

00:38:36 ◼   ► the world who is commissioned to [TS]

00:38:38 ◼   ► basically start a fight to provide the [TS]

00:38:41 ◼   ► distraction source so sterling Hayden [TS]

00:38:43 ◼   ► can get in the unauthorized area and and [TS]

00:38:46 ◼   ► steal the money and he's like real cop [TS]

00:38:48 ◼   ► senior yeah it is like and and this guy [TS]

00:38:51 ◼   ► was a real wrestler and apparently a pal [TS]

00:38:53 ◼   ► of stanley kubrick's and and he is just [TS]

00:38:57 ◼   ► great [TS]

00:38:58 ◼   ► you gotta love the scene where they rip [TS]

00:38:59 ◼   ► his shirt was clearly designed to be [TS]

00:39:02 ◼   ► honest like he's wearing another shirt [TS]

00:39:03 ◼   ► underneath that or happen half right [TS]

00:39:05 ◼   ► down the back of that the part I love [TS]

00:39:07 ◼   ► about the fight that he starts is the [TS]

00:39:09 ◼   ► cops run at him in waves that script is [TS]

00:39:13 ◼   ► it over with some and yeah driver [TS]

00:39:16 ◼   ► yeah this WWF match breaks out in the [TS]

00:39:18 ◼   ► middle of the film let's run at them two [TS]

00:39:20 ◼   ► at a time instead of all of us at once [TS]

00:39:21 ◼   ► around him hitting them with trenches [TS]

00:39:24 ◼   ► let's give a given a chance to beat up [TS]

00:39:27 ◼   ► on us you know though i would say that [TS]

00:39:29 ◼   ► that and and the Roddy Piper fight scene [TS]

00:39:32 ◼   ► at the keith david Roddy Piper fight [TS]

00:39:33 ◼   ► scene from they live are probably the [TS]

00:39:34 ◼   ► two best [TS]

00:39:35 ◼   ► it seems I've ever seen in any film both [TS]

00:39:39 ◼   ► professional wrestlers I came here to [TS]

00:39:42 ◼   ► kick ass and chew bubblegum and help [TS]

00:39:44 ◼   ► sterling hating the highest i've just [TS]

00:39:46 ◼   ► got that third thing but you couldn't [TS]

00:39:47 ◼   ► understand what i said as i did and and [TS]

00:39:49 ◼   ► and then you've got the teeth gritting [TS]

00:39:52 ◼   ► sharpshooter [TS]

00:39:54 ◼   ► yeah with a with a guy with a rifle the [TS]

00:39:57 ◼   ► other it the other way that they're [TS]

00:39:58 ◼   ► distracting all the cops is that they're [TS]

00:40:00 ◼   ► going to shoot a horse in the middle of [TS]

00:40:02 ◼   ► a race which seems excessive [TS]

00:40:05 ◼   ► is there a reason that they that they [TS]

00:40:06 ◼   ► target the one horse but he's gonna be [TS]

00:40:09 ◼   ► that they explain it briefly he's the [TS]

00:40:11 ◼   ► front-runner and if you shoot the [TS]

00:40:13 ◼   ► front-runner than other horses might [TS]

00:40:15 ◼   ► collapse into them and create more of a [TS]

00:40:18 ◼   ► ruckus and a scene and it creates more [TS]

00:40:21 ◼   ► of an alibi because there are more [TS]

00:40:23 ◼   ► potential reasons why somebody might [TS]

00:40:24 ◼   ► want to take down the horse is running [TS]

00:40:26 ◼   ► well then one that sucks right now is [TS]

00:40:29 ◼   ► actually a crowd to and just get [TS]

00:40:30 ◼   ► everybody's attention [TS]

00:40:31 ◼   ► yeah he insults the wrong guy and does [TS]

00:40:37 ◼   ► not get away [TS]

00:40:38 ◼   ► no one really gets away in this movie it [TS]

00:40:40 ◼   ► all in torah plano but the the not to [TS]

00:40:44 ◼   ► get out of line but this is a nonlinear [TS]

00:40:45 ◼   ► narrative so what the hell yeah at 439 [TS]

00:40:48 ◼   ► johnny was sitting by the racetrack oh [TS]

00:40:50 ◼   ► that narrator so there isn't there is an [TS]

00:40:52 ◼   ► area where the hell he so he shoots the [TS]

00:40:55 ◼   ► the horse and like within 10 seconds [TS]

00:40:57 ◼   ► there's a cop standing there telling him [TS]

00:40:59 ◼   ► to freeze where the heck did the cop [TS]

00:41:01 ◼   ► come from also that cop shoots and [TS]

00:41:04 ◼   ► pretty fast [TS]

00:41:04 ◼   ► really fat yeah well yeah that was bad [TS]

00:41:08 ◼   ► I understand that's really bad luck of [TS]

00:41:09 ◼   ► it yeah yeah we also ran over a [TS]

00:41:11 ◼   ► horseshoe Jason is all about bad luck [TS]

00:41:13 ◼   ► well that was bad luck you know in the [TS]

00:41:15 ◼   ► fifties lots of car thieves wander the [TS]

00:41:16 ◼   ► track and yeah shakedown pencils or [TS]

00:41:20 ◼   ► shoot horses all right before we [TS]

00:41:22 ◼   ► continue talking about old movies I want [TS]

00:41:24 ◼   ► to pause for a second to talk about an [TS]

00:41:25 ◼   ► old friend of the podcast a previous [TS]

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00:42:32 ◼   ► purchase even though I'm not Dan my name [TS]

00:42:35 ◼   ► is not dan you've got to use the special [TS]

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00:42:38 ◼   ► dan sent me that's right dan sent me [TS]

00:42:41 ◼   ► when you go to Hostgator you'll get [TS]

00:42:42 ◼   ► thirty percent off everything and you'll [TS]

00:42:44 ◼   ► thank me who's not Dan and you'll think [TS]

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00:42:49 ◼   ► people at hostgator so thanks to [TS]

00:42:51 ◼   ► Hostgator again for sponsoring the [TS]

00:42:53 ◼   ► incomparable if so then that the [TS]

00:42:55 ◼   ► narrator Phil you were mentioning that [TS]

00:42:57 ◼   ► this wasn't well-received because they [TS]

00:42:58 ◼   ► definitely have the interlocking [TS]

00:42:59 ◼   ► timelines in fact there are that we [TS]

00:43:02 ◼   ► visit the bar at the at the racetrack [TS]

00:43:05 ◼   ► right the highest actually unfolds they [TS]

00:43:07 ◼   ► they keep rolling back to different [TS]

00:43:09 ◼   ► basically they tell it from the [TS]

00:43:11 ◼   ► perspective of everyone who is [TS]

00:43:12 ◼   ► participating in this in this house so [TS]

00:43:14 ◼   ► you keep seeing the same thing over and [TS]

00:43:16 ◼   ► over again and I kind of liked that bit [TS]

00:43:18 ◼   ► but you know at the time movies where [TS]

00:43:20 ◼   ► that's done well and this one there [TS]

00:43:22 ◼   ► really isn't that much point [TS]

00:43:24 ◼   ► ya know i acting anything from the other [TS]

00:43:26 ◼   ► guy's perspective of the same scene [TS]

00:43:28 ◼   ► again should have just as well be Linda [TS]

00:43:30 ◼   ► well yeah it builds tension a little bit [TS]

00:43:32 ◼   ► i mean i don't know I appreciate you do [TS]

00:43:33 ◼   ► I see what he was going for my best [TS]

00:43:36 ◼   ► guess is that he sort of assumed that [TS]

00:43:37 ◼   ► people wouldn't get it if he was a [TS]

00:43:38 ◼   ► little more ambitious weird and in fact [TS]

00:43:40 ◼   ► i think the variety review at the time [TS]

00:43:42 ◼   ► called that the style somewhat confusing [TS]

00:43:44 ◼   ► you know it's really not that confusing [TS]

00:43:47 ◼   ► it's not yet i thought the narrator made [TS]

00:43:48 ◼   ► it more confusing because well as the [TS]

00:43:50 ◼   ► narrator was was added basically because [TS]

00:43:52 ◼   ► of this is very confusing added narrator [TS]

00:43:54 ◼   ► and the rumor is stanley kubrick so [TS]

00:43:56 ◼   ► hated the narration that he made the [TS]

00:43:58 ◼   ► narration deliberately confusing I again [TS]

00:44:01 ◼   ► this could be apocryphal but but who [TS]

00:44:04 ◼   ► knows [TS]

00:44:05 ◼   ► four days earlier the narrator so [TS]

00:44:07 ◼   ► precise that it's like yes at if four [TS]

00:44:09 ◼   ► days earlier than three minutes earlier [TS]

00:44:11 ◼   ► then two minutes later it's just it's so [TS]

00:44:14 ◼   ► precisely these keeps shifting around 20 [TS]

00:44:16 ◼   ► years later happen shadow it does have [TS]

00:44:20 ◼   ► the feel of someone who is very [TS]

00:44:21 ◼   ► resentful that he had to have a narrator [TS]

00:44:23 ◼   ► i will i will say that yeah yeah there [TS]

00:44:26 ◼   ► are some great lines in this film it is [TS]

00:44:28 ◼   ► and what are your headlines that the [TS]

00:44:29 ◼   ► closing line of and what's the [TS]

00:44:31 ◼   ► difference is fantastic [TS]

00:44:32 ◼   ► whatever-the-hell maurices saying is all [TS]

00:44:34 ◼   ► pretty good and then the parent gets a [TS]

00:44:37 ◼   ► good line to when when George goes down [TS]

00:44:39 ◼   ► he actually you can hear the parrot sort [TS]

00:44:41 ◼   ► of say it fair ain't fair [TS]

00:44:43 ◼   ► yeah that the the dialogue was done by [TS]

00:44:45 ◼   ► jim thompson the hard-boiled crime [TS]

00:44:47 ◼   ► writer [TS]

00:44:48 ◼   ► I've got you an author of The Grifters [TS]

00:44:50 ◼   ► and after dark my sweet and things that [TS]

00:44:54 ◼   ► get adapted into other really good [TS]

00:44:55 ◼   ► turkmen piece right because this is [TS]

00:44:58 ◼   ► basically it's a film noir this this [TS]

00:45:00 ◼   ► movie in a way yeah [TS]

00:45:01 ◼   ► yes I didn't realize how to war it was [TS]

00:45:03 ◼   ► that would tell the Shakespeare like [TS]

00:45:06 ◼   ► ending which I did not see coming at all [TS]

00:45:08 ◼   ► given the rest of the film [TS]

00:45:09 ◼   ► alright so at the end I what we get set [TS]

00:45:13 ◼   ► up a long time at the beginning of the [TS]

00:45:15 ◼   ► movie it gets set up and then I forgot [TS]

00:45:18 ◼   ► about it I I was like all right Elijah [TS]

00:45:21 ◼   ► questions goonies money-grubbing [TS]

00:45:22 ◼   ► money-grubbing whore of a wife has a has [TS]

00:45:25 ◼   ► a little action of a friend who is a [TS]

00:45:27 ◼   ► thug who is going to steal the stolen [TS]

00:45:30 ◼   ► money and double cross or I guess he's [TS]

00:45:32 ◼   ► not in it so it's not double-cross he's [TS]

00:45:33 ◼   ► gonna he's gonna rob the robbers right [TS]

00:45:36 ◼   ► and so he does he walks in and they're [TS]

00:45:37 ◼   ► still waiting because the guy's been [TS]

00:45:39 ◼   ► delayed their they're waiting for for [TS]

00:45:41 ◼   ► the money to get there [TS]

00:45:43 ◼   ► yes and Elijah cook Jr basically he's [TS]

00:45:45 ◼   ► got a gun set up by his money-grubbing [TS]

00:45:47 ◼   ► whore of a wife to think that sterling [TS]

00:45:51 ◼   ► teen and raped her hitting on her yeah [TS]

00:45:53 ◼   ► so very least so he snaps and he's got a [TS]

00:45:57 ◼   ► gun prepared to shoot sterling hate [TS]

00:45:59 ◼   ► right so he shoots a few times and [TS]

00:46:01 ◼   ► picked up several several of the bullets [TS]

00:46:05 ◼   ► passed through multiple people multiple [TS]

00:46:08 ◼   ► times and kill them because it seemed [TS]

00:46:10 ◼   ► like he he only shot you know five or [TS]

00:46:14 ◼   ► six times and yet everybody [TS]

00:46:15 ◼   ► extremely dead everybody's realize that [TS]

00:46:19 ◼   ► the reason that he was bleeding and shot [TS]

00:46:22 ◼   ► up was because there was one shotgun [TS]

00:46:23 ◼   ► blast that was gotten off by the by the [TS]

00:46:25 ◼   ► lover i initially thought he actually [TS]

00:46:27 ◼   ► shot himself a few times the lever also [TS]

00:46:29 ◼   ► has a has a little accomplice to Andy [TS]

00:46:31 ◼   ► fires yeah there's a lot of shooting I [TS]

00:46:34 ◼   ► believe several several gaffers died [TS]

00:46:36 ◼   ► during that scene but everybody's dead [TS]

00:46:39 ◼   ► except for 11 don't already been killed [TS]

00:46:41 ◼   ► by the music and Elijah cooks eyes are [TS]

00:46:43 ◼   ► wide and he's like and he's got he's got [TS]

00:46:46 ◼   ► blood all over him and he's pleased yeah [TS]

00:46:48 ◼   ► he gets hit by some straight fire he [TS]

00:46:50 ◼   ► doesn't die immediately that was when [TS]

00:46:52 ◼   ► the movie turned awesome to me because I [TS]

00:46:55 ◼   ► really did not see that coming [TS]

00:46:56 ◼   ► he stumbles out into sterling Aidan's [TS]

00:46:58 ◼   ► car and sterling Hayden of course avoids [TS]

00:47:01 ◼   ► all of this because he got stuck in [TS]

00:47:02 ◼   ► traffic [TS]

00:47:03 ◼   ► yeah this is la la my way yeah but then [TS]

00:47:06 ◼   ► he's undone by the ability like my [TS]

00:47:07 ◼   ► carry-on luggage like petty bureaucrats [TS]

00:47:10 ◼   ► and a well-lit that's what so LAX [TS]

00:47:13 ◼   ► so what we'll get we'll get to the the [TS]

00:47:15 ◼   ► problems of the airline industry in the [TS]

00:47:17 ◼   ► know if only i had paid attention to the [TS]

00:47:19 ◼   ► TSA guidelines sign my suitcase but so [TS]

00:47:22 ◼   ► Elijah cook goes back to his money [TS]

00:47:25 ◼   ► grubbing wife she's awful and and she's [TS]

00:47:28 ◼   ► packing and she's saying as he walks in [TS]

00:47:31 ◼   ► Oh boyfriend who double-crossed those [TS]

00:47:33 ◼   ► guys let's go away and then she turned [TS]

00:47:36 ◼   ► you into double-crossing my husband yet [TS]

00:47:37 ◼   ► oh crap oh no that anyone was awake and [TS]

00:47:42 ◼   ► over her suitcases like I'm just taking [TS]

00:47:43 ◼   ► some stuff to the cleaner is you know [TS]

00:47:46 ◼   ► interesting she couldn't handle I shook [TS]

00:47:49 ◼   ► it looks like he's gone blind [TS]

00:47:51 ◼   ► he's like literally acting like he's [TS]

00:47:52 ◼   ► blind he's like his eyes are wide and [TS]

00:47:54 ◼   ► he's looking around and he and he shoots [TS]

00:47:57 ◼   ► her to that is the most marvelously shot [TS]

00:48:00 ◼   ► scene 2 when he's sort of draped over [TS]

00:48:02 ◼   ► the birdcage and shot from sort of down [TS]

00:48:05 ◼   ► into the left and the shadows are just a [TS]

00:48:08 ◼   ► really highlight his face there it's a [TS]

00:48:09 ◼   ► gorgeous see and i think it's it's [TS]

00:48:11 ◼   ► probably the best seat in the film for [TS]

00:48:13 ◼   ► being he asked her one last time for [TS]

00:48:15 ◼   ► some help to call the colony ambulance [TS]

00:48:17 ◼   ► or something and she's like I do it [TS]

00:48:19 ◼   ► yourself [TS]

00:48:19 ◼   ► all right then that answers my question [TS]

00:48:22 ◼   ► that were having some fun with the the [TS]

00:48:26 ◼   ► plotting and whatnot but it's a beauty [TS]

00:48:28 ◼   ► free shot movie and and just great use [TS]

00:48:31 ◼   ► of shadow great use of lighting that [TS]

00:48:33 ◼   ► many of times you see the characters [TS]

00:48:35 ◼   ► throughout the throughout the movie [TS]

00:48:38 ◼   ► behind bars of some sort and it's yes [TS]

00:48:42 ◼   ► it's really a you can really see Stanley [TS]

00:48:46 ◼   ► Kubrick sprinkling some Cooper dust on [TS]

00:48:48 ◼   ► it and this was the just the right [TS]

00:48:50 ◼   ► amount [TS]

00:48:51 ◼   ► yeah where he kind of made his bones and [TS]

00:48:53 ◼   ► from here he made the paths of glory and [TS]

00:48:56 ◼   ► then three years later he did spartacus [TS]

00:48:58 ◼   ► and and so this was kind of where he you [TS]

00:49:02 ◼   ► know broke out of the cocoon and became [TS]

00:49:04 ◼   ► a a beautiful butterfly who made [TS]

00:49:06 ◼   ► haunting movies when his is a idea at [TS]

00:49:10 ◼   ► the time was to make good movies cheap [TS]

00:49:13 ◼   ► and you know I said just because it's [TS]

00:49:16 ◼   ► cheaply made doesn't mean it can't be [TS]

00:49:17 ◼   ► good right and doesn't mean i can still [TS]

00:49:20 ◼   ► lose money apparently though [TS]

00:49:21 ◼   ► roger corman thought the same thing [TS]

00:49:23 ◼   ► except for the good part in the in the [TS]

00:49:26 ◼   ► chatroom the good doctor doctor drinking [TS]

00:49:29 ◼   ► points out something that I noticed too [TS]

00:49:32 ◼   ► weak always said that tracking shot of [TS]

00:49:34 ◼   ► sterling Hayden walking through the room [TS]

00:49:36 ◼   ► it's just you know it's this long [TS]

00:49:37 ◼   ► sliding tracking shot and that's the one [TS]

00:49:40 ◼   ► I noticed I was like haha i think this [TS]

00:49:42 ◼   ► director might make something of himself [TS]

00:49:44 ◼   ► well the other thing that's nice about [TS]

00:49:45 ◼   ► that is it's not it's not just utterly [TS]

00:49:46 ◼   ► pointless because it sets up the layout [TS]

00:49:48 ◼   ► of the room for oh yeah when the [TS]

00:49:50 ◼   ► conflict happens it is showing enough [TS]

00:49:52 ◼   ► that i'm glad that i'm also thinking [TS]

00:49:54 ◼   ► this is a director who wants to point [TS]

00:49:56 ◼   ► out that he is capable of is doing good [TS]

00:49:59 ◼   ► work that is showy and and and [TS]

00:50:02 ◼   ► interesting like this but it's good it's [TS]

00:50:04 ◼   ► it's very good [TS]

00:50:06 ◼   ► yeah the decorator really sabotage this [TS]

00:50:08 ◼   ► movie for me that was that's that i kept [TS]

00:50:11 ◼   ► getting back bay back to that narrator [TS]

00:50:13 ◼   ► who i think i'm not sure who the [TS]

00:50:14 ◼   ► narrator is but he sounds like one of [TS]

00:50:15 ◼   ► those guys who is probably a an android [TS]

00:50:18 ◼   ► or stora or a world consciousness [TS]

00:50:20 ◼   ► computer or something on Star Trek he's [TS]

00:50:23 ◼   ► got that human airway magneti yeah well [TS]

00:50:25 ◼   ► yeah the dragnet was exactly what I [TS]

00:50:26 ◼   ► thought but I think the thing that had [TS]

00:50:28 ◼   ► that it helped for me was the fact that [TS]

00:50:31 ◼   ► it's set sort of a dragnet feel to the [TS]

00:50:34 ◼   ► thing and then when the whole the [TS]

00:50:35 ◼   ► slaughter occur uh-huh i was i was [TS]

00:50:38 ◼   ► utterly unprepared for that because i [TS]

00:50:40 ◼   ► had been [TS]

00:50:41 ◼   ► and prepared for more of a Joe Friday [TS]

00:50:43 ◼   ► kind of a kind of an ending in there are [TS]

00:50:45 ◼   ► no heroes in this movie not a one even [TS]

00:50:49 ◼   ► more than dragnet it's a lot like it's a [TS]

00:50:52 ◼   ► lot like The Naked City both the movie [TS]

00:50:55 ◼   ► and then the TV series which is [TS]

00:50:57 ◼   ► different from the film but they both [TS]

00:50:59 ◼   ► have that kind of narration it's a [TS]

00:51:01 ◼   ► little more artful indeed city but uh [TS]

00:51:05 ◼   ► it's very much and then two hours [TS]

00:51:09 ◼   ► earlier and that kind of thing [TS]

00:51:11 ◼   ► it's much more and it focuses more on [TS]

00:51:14 ◼   ► the people of the story as opposed to [TS]

00:51:16 ◼   ► the cops who are supposedly the heroes [TS]

00:51:17 ◼   ► of the show so it's a widow it almost [TS]

00:51:21 ◼   ► struck me like a spoof of the Naked City [TS]

00:51:24 ◼   ► can do narration III question for you [TS]

00:51:27 ◼   ► guys which is what what in your [TS]

00:51:29 ◼   ► impression is the title reference to [TS]

00:51:33 ◼   ► making immediately making everything [TS]

00:51:35 ◼   ► they're gonna make a killing and then [TS]

00:51:37 ◼   ► people get killed [TS]

00:51:37 ◼   ► see it's upon it is apparent that but I [TS]

00:51:40 ◼   ► don't know I there are other things in [TS]

00:51:41 ◼   ► there that I I think you could [TS]

00:51:43 ◼   ► distribute it i mean there is obviously [TS]

00:51:44 ◼   ► as we just talked about the blood bath [TS]

00:51:46 ◼   ► scene could follow that I thought the [TS]

00:51:47 ◼   ► translation of the horse killing works [TS]

00:51:49 ◼   ► yeah since that sort of like the only [TS]

00:51:52 ◼   ► real you know it planned murder if you [TS]

00:51:56 ◼   ► can call it matters not even murder it's [TS]

00:51:57 ◼   ► going horse I don't know what it is in [TS]

00:51:59 ◼   ► the end is killing the horse actually [TS]

00:52:00 ◼   ► serve much purpose that that is the [TS]

00:52:02 ◼   ► thing with that watching this movie [TS]

00:52:03 ◼   ► again I thought man that the killing the [TS]

00:52:06 ◼   ► horse seems just gratuitous really [TS]

00:52:08 ◼   ► unnecessary [TS]

00:52:09 ◼   ► yeah they could have distracted people [TS]

00:52:10 ◼   ► he could have driven his little car onto [TS]

00:52:12 ◼   ► the racetrack and cause a distraction a [TS]

00:52:16 ◼   ► couple years ago at the Preakness Stakes [TS]

00:52:18 ◼   ► in in Maryland some there's a drunk guy [TS]

00:52:21 ◼   ► ran onto the track that could it worked [TS]

00:52:24 ◼   ► sure you don't have to shoot horses they [TS]

00:52:26 ◼   ► should've sent the Russian guided to run [TS]

00:52:28 ◼   ► fast rap wrestled the horse race or [TS]

00:52:30 ◼   ► fourth this invention that way they [TS]

00:52:33 ◼   ► could save $5,000 well I guess there are [TS]

00:52:36 ◼   ► a lot of sort of small things that go [TS]

00:52:38 ◼   ► wrong with the with the highest right i [TS]

00:52:39 ◼   ► mean the the the elder gentlemen shows [TS]

00:52:42 ◼   ► up drunk and you keep expecting [TS]

00:52:44 ◼   ► something horrible to have right here [TS]

00:52:45 ◼   ► never be polite to a parking attendant I [TS]

00:52:48 ◼   ► think this is just another one of those [TS]

00:52:49 ◼   ► things where you've been you've been set [TS]

00:52:50 ◼   ► up to believe that the horse is going to [TS]

00:52:52 ◼   ► go down and take out [TS]

00:52:53 ◼   ► the entire field and then he doesn't [TS]

00:52:55 ◼   ► anything maybe that's gonna screw things [TS]

00:52:57 ◼   ► up by killing the front-runner suddenly [TS]

00:53:00 ◼   ► all the longshots have a chance [TS]

00:53:02 ◼   ► yeah and whoever wins the race that's [TS]

00:53:04 ◼   ► gonna cause a rush of people on onto the [TS]

00:53:07 ◼   ► the the betting windows yeah that's more [TS]

00:53:10 ◼   ► can use was chaos [TS]

00:53:11 ◼   ► yeah in the in the building where there [TS]

00:53:13 ◼   ► they've already got the fight and he's [TS]

00:53:16 ◼   ► already you know sterling Hayden goes up [TS]

00:53:19 ◼   ► there with a mask and and holds them up [TS]

00:53:21 ◼   ► at at at gunpoint [TS]

00:53:24 ◼   ► there's also we didn't even mention [TS]

00:53:27 ◼   ► there's like the guitar case and there's [TS]

00:53:29 ◼   ► the flower box and they've got rifles in [TS]

00:53:31 ◼   ► them and they they have exchanged the [TS]

00:53:33 ◼   ► mall at this sort of CD like trailer [TS]

00:53:36 ◼   ► motel place that's run by a very [TS]

00:53:39 ◼   ► friendly Italian man Joe piano sophiana [TS]

00:53:42 ◼   ► speaking of scenes that don't really [TS]

00:53:45 ◼   ► make any sense when when sterling Hayden [TS]

00:53:47 ◼   ► goes back to collect the money he goes [TS]

00:53:49 ◼   ► to the wrong like bungalow briefly [TS]

00:53:52 ◼   ► there's like a secondary walks up and [TS]

00:53:54 ◼   ► some guys like what and it'll go wrong [TS]

00:53:56 ◼   ► as great as it scares the hell outta you [TS]

00:53:58 ◼   ► think your hands that's meant to build [TS]

00:54:00 ◼   ► tension method yeah jarring and oh god [TS]

00:54:02 ◼   ► what now [TS]

00:54:03 ◼   ► oh ok and then he goes into his room and [TS]

00:54:05 ◼   ► the dramatic in entering the hotel [TS]

00:54:07 ◼   ► roughing up kicks it scares the hell [TS]

00:54:09 ◼   ► Eddie all over there over there it's [TS]

00:54:11 ◼   ► just the money [TS]

00:54:12 ◼   ► don't dude so okay so they throw that [TS]

00:54:16 ◼   ► they have this clever thing we put they [TS]

00:54:17 ◼   ► put all the money in the duffel bag and [TS]

00:54:19 ◼   ► that's a great scene because it goes on [TS]

00:54:20 ◼   ► you know i got so tense and watching [TS]

00:54:22 ◼   ► that scene because you're thinking you [TS]

00:54:23 ◼   ► knowing [TS]

00:54:24 ◼   ► times ticking time is ticking gotta go [TS]

00:54:25 ◼   ► to gotta go hurry up hurry up and he [TS]

00:54:28 ◼   ► makes you watch this clerk incompetently [TS]

00:54:34 ◼   ► stuff loose cash into a bag for me it [TS]

00:54:38 ◼   ► seems like four minutes very [TS]

00:54:40 ◼   ► matter-of-factly is just very slowly [TS]

00:54:42 ◼   ► stuffing it and finally gotten close up [TS]

00:54:44 ◼   ► that's enough so i really like that and [TS]

00:54:48 ◼   ► then they throw the bag out the window [TS]

00:54:49 ◼   ► and they retrieve the bag later in this [TS]

00:54:50 ◼   ► misdirection and that's great but the [TS]

00:54:52 ◼   ► thing that gets me as he gets it he gets [TS]

00:54:54 ◼   ► a suitcase because they know that it was [TS]

00:54:57 ◼   ► in a duffel bag so i guess he wants to [TS]

00:54:59 ◼   ► switch it for a suitcase so he can take [TS]

00:55:01 ◼   ► it on the flight and all that you get [TS]

00:55:02 ◼   ► the big suitcase and the thing that [TS]

00:55:04 ◼   ► killed me is he's got a perfectly [TS]

00:55:06 ◼   ► contain duffel [TS]

00:55:07 ◼   ► bag full of money so he drives out into [TS]

00:55:10 ◼   ► the countryside behind some trees gets [TS]

00:55:12 ◼   ► out and empties all the money out of the [TS]

00:55:14 ◼   ► duffel bag it's blowing around and tries [TS]

00:55:16 ◼   ► to stuff it in and like sit on the [TS]

00:55:18 ◼   ► suitcase like why don't you just put the [TS]

00:55:20 ◼   ► duffel bag in the suitcase then uw-w [TS]

00:55:23 ◼   ► Baghdad and the answer is revealed [TS]

00:55:25 ◼   ► several minutes later when it turns out [TS]

00:55:27 ◼   ► that your Airlines you know we think the [TS]

00:55:29 ◼   ► airlines are bad now but airlines didn't [TS]

00:55:31 ◼   ► care about you even in the fifties they [TS]

00:55:33 ◼   ► won't let you check your carry-on bag [TS]

00:55:34 ◼   ► take your carry-on bag on the plane you [TS]

00:55:36 ◼   ► gotta check it he couldn't fit that [TS]

00:55:38 ◼   ► underneath the seat and then a lady has [TS]

00:55:40 ◼   ► a dog and it runs out onto the tarmac [TS]

00:55:43 ◼   ► and all of a sudden all of your stolen [TS]

00:55:46 ◼   ► money is blown away by giant turbojet [TS]

00:55:49 ◼   ► engine turbo prop engines yeah I i had [TS]

00:55:52 ◼   ► two thoughts as I was watching that [TS]

00:55:53 ◼   ► scene the fruit the first thought was [TS]

00:55:54 ◼   ► that this ending wouldn't have work [TS]

00:55:56 ◼   ► today because with all the security I or [TS]

00:56:00 ◼   ► even your theory I'm I all today I got [TS]

00:56:02 ◼   ► to take the money with me on the [TS]

00:56:03 ◼   ► carry-on bag they're still going to [TS]

00:56:05 ◼   ► check it so yeah they're gonna say oh [TS]

00:56:06 ◼   ► yeah that's full of money that's what [TS]

00:56:08 ◼   ► allowed with a poodle with never been [TS]

00:56:09 ◼   ► let out onto the tarmac you know well it [TS]

00:56:12 ◼   ► did that and am I ever thought was a boy [TS]

00:56:14 ◼   ► american airlines i'm not sure why they [TS]

00:56:16 ◼   ► participated in this to show that [TS]

00:56:20 ◼   ► they're sticklers for policy we here at [TS]

00:56:23 ◼   ► American Airlines disapprove of track [TS]

00:56:25 ◼   ► heists that one manager really takes a [TS]

00:56:28 ◼   ► lot of delight in like telling him he's [TS]

00:56:30 ◼   ► gonna bump him off the flight i'll give [TS]

00:56:31 ◼   ► you your money back [TS]

00:56:32 ◼   ► we here at American Airlines really want [TS]

00:56:35 ◼   ► to follow the rules we're not the kind [TS]

00:56:36 ◼   ► of people who would rob a track and want [TS]

00:56:39 ◼   ► to emphasize that if you refuse to [TS]

00:56:41 ◼   ► follow the rules will happily refund [TS]

00:56:42 ◼   ► your money [TS]

00:56:43 ◼   ► I i wonder if like american airlines [TS]

00:56:46 ◼   ► agreed to be in that movie that we come [TS]

00:56:47 ◼   ► across really reasonable in that movie [TS]

00:56:49 ◼   ► was gonna sit there and go wow that's [TS]

00:56:51 ◼   ► the airline I want to fly because they [TS]

00:56:53 ◼   ► don't work nonsense [TS]

00:56:54 ◼   ► no no shenanigans here that's the air [TS]

00:56:57 ◼   ► line of snitches I'm not taking them is [TS]

00:57:00 ◼   ► not cases stop it with the fifties under [TS]

00:57:01 ◼   ► my seat the head here at TWA will never [TS]

00:57:05 ◼   ► rat you out to the cops [TS]

00:57:06 ◼   ► you will get away scot-free TWA the [TS]

00:57:09 ◼   ► airline for crooks you've got a bat you [TS]

00:57:12 ◼   ► got a sack full of loose cash and what [TS]

00:57:16 ◼   ► do you do do you keep it in the sack [TS]

00:57:20 ◼   ► or do you say sort of like you're going [TS]

00:57:23 ◼   ► to be in one of those a little plaques [TS]

00:57:25 ◼   ► against glass booths where you have to [TS]

00:57:26 ◼   ► catch all the money in five minutes or [TS]

00:57:28 ◼   ► whatever at the State Fair do you say oh [TS]

00:57:31 ◼   ► this is great i'm outside there's a [TS]

00:57:32 ◼   ► breeze blowing I'm just gonna pull over [TS]

00:57:34 ◼   ► to the side of the road and and try to [TS]

00:57:36 ◼   ► stuff it in this suitcase it's just [TS]

00:57:38 ◼   ► sterling hate not the smartest move [TS]

00:57:40 ◼   ► that's what i'm saying i would just keep [TS]

00:57:42 ◼   ► driving yeah you too smart not too [TS]

00:57:45 ◼   ► pretty [TS]

00:57:45 ◼   ► do you know why fly just drive I know I [TS]

00:57:48 ◼   ► know your girl who's not too bright and [TS]

00:57:49 ◼   ► not too pretty is waiting for you back [TS]

00:57:51 ◼   ► home but just just drive and then the [TS]

00:57:54 ◼   ► old man could have come with them on the [TS]

00:57:56 ◼   ► trip if they had driven the old man yes [TS]

00:57:59 ◼   ► it could have been a lovely time that is [TS]

00:58:01 ◼   ► a strange scene III hate to keep our [TS]

00:58:04 ◼   ► people yeah but there's a scene where [TS]

00:58:06 ◼   ► that he says to the old man who's been [TS]

00:58:07 ◼   ► so kind of well I guess we'll the capers [TS]

00:58:10 ◼   ► about to come to an end and will not see [TS]

00:58:11 ◼   ► each other hey you could take me with [TS]

00:58:13 ◼   ► you don't get married mary marriage is [TS]

00:58:16 ◼   ► for suckers [TS]

00:58:17 ◼   ► nothing better than two guys hanging out [TS]

00:58:19 ◼   ► with each other [TS]

00:58:20 ◼   ► yeah well as is he actually is he [TS]

00:58:22 ◼   ► actually expressing an attraction there [TS]

00:58:25 ◼   ► in 1956 is not is I weird its policy eat [TS]

00:58:29 ◼   ► it every way to set up your the son I [TS]

00:58:31 ◼   ► never had but its its kind of weirdly [TS]

00:58:35 ◼   ► put well and then he said you know you [TS]

00:58:37 ◼   ► you don't want to marry the wrong person [TS]

00:58:38 ◼   ► here that I don't know it seems a little [TS]

00:58:41 ◼   ► forward thinking for 1956 and that's why [TS]

00:58:43 ◼   ► it took me by surprise in a movie today [TS]

00:58:45 ◼   ► I would absolutely say that's what it [TS]

00:58:47 ◼   ► was about but it's plausible in the in [TS]

00:58:49 ◼   ► the North books of the fifties and it [TS]

00:58:51 ◼   ► explains why he's he's drunk at the [TS]

00:58:53 ◼   ► track later too because he's been [TS]

00:58:55 ◼   ► spurned yeah right and and it's it's the [TS]

00:58:58 ◼   ► kind of thing you couldn't you couldn't [TS]

00:58:59 ◼   ► say outright in a film back then but you [TS]

00:59:02 ◼   ► could you could hint at it in the book [TS]

00:59:04 ◼   ► right [TS]

00:59:04 ◼   ► and considering jim thompson's like [TS]

00:59:06 ◼   ► plausible and I just saw North by [TS]

00:59:11 ◼   ► Northwest also from the fifties and that [TS]

00:59:13 ◼   ► of course has martin landau professing [TS]

00:59:16 ◼   ► his undying love I mean any loyalty [TS]

00:59:18 ◼   ► loyalty [TS]

00:59:20 ◼   ► yes that's what it is for calling my [TS]

00:59:22 ◼   ► woman's intuition yeah [TS]

00:59:24 ◼   ► oh my god so yeah it's there it's a [TS]

00:59:27 ◼   ► subtext made that one for another time [TS]

00:59:28 ◼   ► that's great yeah [TS]

00:59:30 ◼   ► yes so I guess we should we should sum [TS]

00:59:32 ◼   ► this up I [TS]

00:59:34 ◼   ► somebody mentioned earlier is is I do [TS]

00:59:37 ◼   ► think it's interesting that both these [TS]

00:59:38 ◼   ► moves the they do have essentially the [TS]

00:59:40 ◼   ► same ending which is crime doesn't pay [TS]

00:59:41 ◼   ► friends and you know and share the fact [TS]

00:59:45 ◼   ► another thing that I thought was [TS]

00:59:46 ◼   ► interesting is that in both of these [TS]

00:59:47 ◼   ► films these are honorable thieves you [TS]

00:59:49 ◼   ► know you don't [TS]