Ep. 249: "Blank Knobs"
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this episode of Rodrick on the line is
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brought to you by Casper Casper is an
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online retailer of premium mattresses
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in stores to learn more now visit casper
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comm slash supertrain
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[Music]
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hello hi John I'm herbals how's it going
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good do I detect in your voice at own
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world weariness now yes I stayed up a
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little too late watching TV but I'm good
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mm-hmm were you watching Indiana Jones
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and the Last Crusade no but I like that
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one were you know oh no no I like it
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better in the second one there's
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everything is better than the second one
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well and then there's the other 'mo we
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don't talk about there's a third one
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that's even worse hmm it's kind of a
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Godfather 3 type situation is it let's
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say you had to watch that or matrix 3
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for all eternity ah you know I've never
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seen then the other two Matrix movies
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and it seems like there is a strong
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consensus that they are not very good
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and then there's a die-hard group that
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thinks one of them is really pretty good
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oh really
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yeah how do you saying I haven't I
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haven't seen the other two Matrix movies
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either hmm you know it's in that
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category of like why listen to another
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my bloody valentine records no I know I
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know yeah yeah it's it's frustrating
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sometimes
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I mean matrix is good but it but yeah I
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was a little bit old yeah a little bit
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old for it did I ever ever tell you the
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story of how I saw the matrix this is
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about 1998 1998 that's right um I was uh
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I was walking down the street in Seattle
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just Boop b'doop b'doop n' come on in 98
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or 99 um it might have been mainly in
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theaters in 99 but I think officially
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let me look I think oh you know what 99
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I stand corrected
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look at those 99 yep no you know what
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that's right that's right much 31st 1980
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no March 31st see there it is
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and I had just learned that the western
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state hurricanes were breaking up
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because we'd gotten back from our South
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by Southwest trip and I'd written a
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bunch of new songs and I was really
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excited and we we met for our first band
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practice after we got back from the tour
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you know we got back and we we relaxed
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and didn't you know didn't get together
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for a week or two a couple of weeks and
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then it's like let's get back together
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band practice and we all show up and
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we've got some shows booked including
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our first-ever headlining of the show
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box a really big deal and Seattle Wow
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and we're in the practice base and we
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get in there and we and I'm like oh my
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god you guys I've got like four new
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songs this is gonna be amazing and the
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drummer and bass player have been
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meeting in secret and they say and I
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said let me let me put this all in my
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head because I honestly think that we
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put our shit on and practiced we played
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and then took a break and during the
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break they said we're quitting the band
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well like it was a lead a little bit
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yeah it wasn't even you know they didn't
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like call and leave a voicemail or
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something it was just like and I said
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what are we doing why are we why did you
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put Y did we just practice for an hour
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and a half and they're like oh well do
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you know who knows why they who knows
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why they were like they were but it
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turned out that they didn't because
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we've gone on this week-long tour
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ten-day tour they they decided they
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didn't like touring and being in a band
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because they didn't have their own
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pillow every night and they had a job
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their jobs lined up the drummer was
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going to be a copywriter for like a
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sports equipment company and the bass
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player was going to go work at Microsoft
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or something
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and I was pretty mad but exceptionally
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sad because I had I'd this was this I
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had staked my hopes on this you guys had
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a bullet you were gone places that's
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right when they brought it to you their
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reluctance to bring it up before
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practice was not indicative I they felt
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strongly about this this was not
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something you could negotiate or talk
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them out of no they were pretty smug
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dudes and thought that they had it all
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figured out I mean they always acted
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like they had it all figured out but
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they had it all figured out here too
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they just you know this has been a
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factor a lot lately for me where you
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feel like your reality and someone
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else's reality just aren't sharing the
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same parameters yeah like you the two
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realities don't have a hard time
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coexisting and of course they do there
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they are able to co-exist there here in
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the world at the same time together it's
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June for me and it's June for you but in
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there cosmology somehow this breaking up
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the band didn't preclude continuing to
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practice mm-hmm and I think I think it
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was because you know we did have a show
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coming up and I say that makes sense
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well except for the exhibit to me like
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the show coming up is the whole point of
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the show coming up is that it continue
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our career in the job of playing shows
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like the show itself isn't isn't that
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you know like it's not that we throw
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ourselves on the sword and make a
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sacrifice in order to play this show for
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itself there's only one reason to play
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the show and that is to continue to play
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shows although we did end up playing our
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final show but I didn't want it suffice
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to say after they said we're breaking up
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the band I didn't want to go back in and
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practice more Sundays just call it that
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yeah but this whole like why is your
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reality so far from mine
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a thing is really well it's really a
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moment where you have to break down your
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reality and say where am I missing the
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peace cuz there you know I can't just be
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them right there's got a beauty to this
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to have to be still can't figure that
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one out that makes you wonder if if
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maybe we mostly got lucky for a long
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time and seeming to have the same
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reality and that the Venn diagram just
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happened to be like sailing over the
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same little area of the pool for a long
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time you know I mean maybe I wonder like
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I wonder if it's always been this way
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and I just never realized it yeah right
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well and what an end and it makes you
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wonder like how is it that I seem to be
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successfully sharing a single reality
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with a lot of people is that also untrue
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am i it is it is it just that I'm in
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most cases I haven't stumbled into the
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way and stumbled into the little little
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hole in the ground where all of a sudden
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the vast difference between our
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realities is revealed
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if only there you see the same green-
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thumbnail if only there was some kind of
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a movie that you could have gone to
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around that time that would help clarify
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the idea that maybe reality isn't what
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it seems so I'm walking down the street
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in downtown Seattle I have no idea why
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I'm downtown and I'm just like bummed
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I'd had an opportunity to go to South
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Africa that spring with the University
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of Washington compared to the history of
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ideas class and we were going to study
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the Truth and Reconciliation committee
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and my advisor Jim Klaus had said I
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don't want I don't want you down there
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as a as a student I want you to watch
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the students and then write a book about
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what happens like it was very thrilling
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it felt like a super secret spy mission
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to go do some world historical college
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work and if I'd done it I would be very
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ecology right now probably and I went to
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banned and I said I have this
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opportunity to go down there and they
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said I swear to you this was in October
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or November of the following year they
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were like you can't leave dude the band
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is blowing up you can't just go for go
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to South Africa and expect to come back
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and the band will still be here wait how
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are you how long before the breakup was
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this well we broke up in March and they
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were saying this to me in October
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November and so I looked at my life at
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that moment that crossroads where I was
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like if I go left I'm going to South
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Africa to write a book about the Truth
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and Reconciliation committee that seems
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really heavy and cool unlike what I've
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been what I've been aiming toward in my
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college life for a long time something
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like cool but if I go right I'm in a
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successful finally in a successful
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popular band that might have a shot at
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being rock and roll and I went to my
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professor and he was like well you know
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you got it this is one of those things
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you got to choose and I said I made that
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I made the decision based on the fact
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that which thing is less likely to be
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available to you which which thing is
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more strike while the iron's hot like
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the shot of being a rocking rock star
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the shot of being a university professor
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and it seemed like if you don't take the
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rock and roll shot when it comes it's
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never going to come again and so I said
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I couldn't go to South Africa and I was
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super bummed and then we went down to
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South by Southwest and we came back in
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the band broke up because they got jobs
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as copywriters and they didn't like to
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be on they didn't like to be in the van
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you know anyway I'm walking down the
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street I'm super bummed I'm dragging my
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feet and I hear beep beep and I turn
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around and there's Death Cab for Cutie
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the entire band all in their van and my
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recollection is that it was like the
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scooby doo van hey guys like there it's
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like a brown
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it's a rootbeer Brown like 80s Ford van
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and and depend in my memory there all
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four of them hanging out the windows
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like wait like the Cosby kids yeah
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exactly like they're all they don't fit
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in the van because they're they have
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cartoon heads right they're so big that
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they that they drive with their heads
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out of the van like here we come walking
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down your street and they're like what
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are you doing man and you know they live
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in Bellingham right so so uh so I'm like
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hey guys
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ah the West would say hurricane breaking
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up and they're like what get in the van
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and so I got in a van and they drove me
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to Bellingham because there was just
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nothing at you know I didn't have
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anything going on huh drove me to
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Bellingham and we all went to see the
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matrix which was a movie that I had not
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even heard of at that point because I
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hadn't been following the trades we got
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we got to the movie theater and they're
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like come on we're gonna go see a movie
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you know I was 29 at this point and they
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were all 22 23 so it was so it was so I
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always felt a little bit like okay you
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guys I'll go to the movies with you and
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it was it was great and it was great not
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necessarily because the matrix was great
[TS]
00:12:32
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but because there wasn't anything like
[TS]
00:12:35
◼
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that before and then and I didn't have
[TS]
00:12:37
◼
►
any foreshadowing and I just went into
[TS]
00:12:40
◼
►
this movie and I'll stretch a good
[TS]
00:12:42
◼
►
feeling yeah yeah it was it was neat so
[TS]
00:12:47
◼
►
I still have a lot of a lot of
[TS]
00:12:50
◼
►
sentimentality around the first Matrix
[TS]
00:12:53
◼
►
movie and I can't separate it from
[TS]
00:12:54
◼
►
whether or not I think it's a good movie
[TS]
00:12:57
◼
►
because I suspect that it doesn't acquit
[TS]
00:13:01
◼
►
with my normal desire for movie
[TS]
00:13:04
◼
►
narratives to line up - you know what I
[TS]
00:13:08
◼
►
mean I do yeah I watch it again not too
[TS]
00:13:10
◼
►
long ago
[TS]
00:13:10
◼
►
partly to figure out like when it's
[TS]
00:13:12
◼
►
going to be appropriate to show this to
[TS]
00:13:14
◼
►
my kid answer not yet um but uh man it's
[TS]
00:13:19
◼
►
it still looks really good it still
[TS]
00:13:23
◼
►
really good I mean for being as
[TS]
00:13:24
◼
►
quote-unquote old as it is it still
[TS]
00:13:27
◼
►
feels pretty fresh and it's I mean maybe
[TS]
00:13:29
◼
►
again maybe I'm just reliving my first
[TS]
00:13:31
◼
►
you know watching of it but it also just
[TS]
00:13:33
◼
►
it still feels like this is one of those
[TS]
00:13:36
◼
►
movies I don't know what like 2001 or
[TS]
00:13:38
◼
►
Star Wars or I don't know there's lots
[TS]
00:13:41
◼
►
of movies like that where like it's so
[TS]
00:13:43
◼
►
difficult to when you go back and watch
[TS]
00:13:45
◼
►
movies that were made after this you
[TS]
00:13:47
◼
►
know like every phone looks like an
[TS]
00:13:48
◼
►
iPhone now it's like that movie wasn't
[TS]
00:13:50
◼
►
just the bullet time I mean you know
[TS]
00:13:52
◼
►
everything being green had already been
[TS]
00:13:54
◼
►
going on for a while but it was just so
[TS]
00:13:56
◼
►
audacious the two of them the Wachowski
[TS]
00:13:58
◼
►
czar so audacious about how they present
[TS]
00:14:01
◼
►
things and they're not above like like a
[TS]
00:14:03
◼
►
superhero shot of the team coming out
[TS]
00:14:05
◼
►
the door and like it's just it's it's
[TS]
00:14:06
◼
►
the wrong I think it's still really good
[TS]
00:14:09
◼
►
I I mean my question to you is are all
[TS]
00:14:14
◼
►
of the matrix tropes - it doesn't have
[TS]
00:14:16
◼
►
that effect where you watch it and
[TS]
00:14:18
◼
►
you're like it feels uh it feels cheap
[TS]
00:14:22
◼
►
because everything that's come
[TS]
00:14:24
◼
►
subsequently stole from it does it feel
[TS]
00:14:26
◼
►
like tripe right right right I don't
[TS]
00:14:30
◼
►
think so
[TS]
00:14:31
◼
►
I mean you know bullet time filming
[TS]
00:14:34
◼
►
became kind of a fad but it doesn't hurt
[TS]
00:14:37
◼
►
that they did it was used in the service
[TS]
00:14:39
◼
►
of the story so well like that in the
[TS]
00:14:42
◼
►
sort of like pre credit scene when
[TS]
00:14:44
◼
►
they're about to find Carrie Moss and
[TS]
00:14:46
◼
►
she's just standing in that room like
[TS]
00:14:47
◼
►
staring and then you know she just
[TS]
00:14:50
◼
►
starts kicking the shit out of everybody
[TS]
00:14:51
◼
►
and like it's it's I think it still
[TS]
00:14:53
◼
►
looks fantastic it's it's a weird
[TS]
00:14:57
◼
►
audacious movie I mean maybe a little
[TS]
00:14:59
◼
►
bit I mean in a different way sort of
[TS]
00:15:01
◼
►
like guardians of the galaxy we were
[TS]
00:15:02
◼
►
like you know if you told somebody the
[TS]
00:15:04
◼
►
story you go alright whatever
[TS]
00:15:06
◼
►
but it's the implementation it's just
[TS]
00:15:07
◼
►
it's so well implemented I don't know I
[TS]
00:15:08
◼
►
don't think it feels dated at all I
[TS]
00:15:10
◼
►
think there's a lot of like mumblecore
[TS]
00:15:12
◼
►
for the last 10 years that is aged a lot
[TS]
00:15:14
◼
►
more poorly uh you're talking about
[TS]
00:15:20
◼
►
mumblecore which is the Seattle
[TS]
00:15:22
◼
►
invention and we take that very
[TS]
00:15:24
◼
►
personally sorry I did not mean to
[TS]
00:15:26
◼
►
culturally-appropriate you're mumbling
[TS]
00:15:29
◼
►
um tell me very briefly with no spoiler
[TS]
00:15:33
◼
►
alerts because I know how passionately
[TS]
00:15:35
◼
►
people feel about spoilers um tell me
[TS]
00:15:39
◼
►
how you feel about the most recent
[TS]
00:15:41
◼
►
guardians of the galaxy movie which I
[TS]
00:15:44
◼
►
have to assume you saw an opening day we
[TS]
00:15:46
◼
►
saw it pretty early on well I you know I
[TS]
00:15:50
◼
►
went in with as much as I tried to mute
[TS]
00:15:53
◼
►
my expectations they were still
[TS]
00:15:55
◼
►
impossibly high because of how
[TS]
00:15:56
◼
►
thoroughly I enjoyed the first one I
[TS]
00:15:58
◼
►
remember you talking about I remember
[TS]
00:16:00
◼
►
what two three years ago when you
[TS]
00:16:01
◼
►
mentioned you saw it I didn't want to
[TS]
00:16:03
◼
►
hear what you thought because I was
[TS]
00:16:04
◼
►
scared you wouldn't like it and I'd be
[TS]
00:16:05
◼
►
sad you know it's one of those I feel
[TS]
00:16:08
◼
►
like there's I've been struggling for a
[TS]
00:16:09
◼
►
while not a cop with a name for certain
[TS]
00:16:11
◼
►
kinds of media properties you can't even
[TS]
00:16:13
◼
►
really discuss rationally or
[TS]
00:16:15
◼
►
intellectually we were like for an
[TS]
00:16:17
◼
►
obvious example dismiss right where's
[TS]
00:16:18
◼
►
like you know just give me that one like
[TS]
00:16:20
◼
►
I'm not gonna I'm not trying to persuade
[TS]
00:16:21
◼
►
you to like this but this is a thing
[TS]
00:16:23
◼
►
that I like and that's just how it is
[TS]
00:16:25
◼
►
when you try to persuade me to like the
[TS]
00:16:27
◼
►
Smith for a long time I think I I think
[TS]
00:16:29
◼
►
I tried to correct you on how wrong you
[TS]
00:16:31
◼
►
are about this mess but I don't think
[TS]
00:16:33
◼
►
I'd wanted you to like become a super
[TS]
00:16:34
◼
►
fan but uh I went into it and I thought
[TS]
00:16:38
◼
►
you know it um there's there's a there's
[TS]
00:16:42
◼
►
several things about it on several
[TS]
00:16:43
◼
►
levels that I didn't love one of which
[TS]
00:16:47
◼
►
was like the team being split up like a
[TS]
00:16:49
◼
►
lot of the fun throw us a movie the
[TS]
00:16:51
◼
►
team's not together which works
[TS]
00:16:53
◼
►
sometimes like in like a rogue one like
[TS]
00:16:55
◼
►
that makes sense but like you know I
[TS]
00:16:57
◼
►
Orion you know any the Star Wars movies
[TS]
00:16:59
◼
►
you go off and have your little side
[TS]
00:17:00
◼
►
adventures and stuff but you eventually
[TS]
00:17:01
◼
►
get back together and ya get the team
[TS]
00:17:03
◼
►
together yeah I mean by me a lot of what
[TS]
00:17:05
◼
►
I mean they have their reasons for
[TS]
00:17:07
◼
►
making it the way they did but it had a
[TS]
00:17:09
◼
►
lot of the the pixie dust that made the
[TS]
00:17:14
◼
►
first one special like the whole opening
[TS]
00:17:15
◼
►
sequence with Groot dancing around is is
[TS]
00:17:17
◼
►
really cute I think groots cuteness is a
[TS]
00:17:20
◼
►
little bit overused and I'm a big Groot
[TS]
00:17:22
◼
►
fan not by large I thought it was good
[TS]
00:17:25
◼
►
I thought it was good but it's i damning
[TS]
00:17:28
◼
►
it with faint praise because i like the
[TS]
00:17:30
◼
►
first one so much and the basic test for
[TS]
00:17:32
◼
►
all these kinds of things this goes for
[TS]
00:17:34
◼
►
Pixar's goes for Miyazaki this goes for
[TS]
00:17:36
◼
►
any of these Marvel movies especially
[TS]
00:17:37
◼
►
with genre movies it's really comes down
[TS]
00:17:39
◼
►
to how much I think about it after I
[TS]
00:17:40
◼
►
leave the theater and I just I can't
[TS]
00:17:42
◼
►
even remember
[TS]
00:17:43
◼
►
what happened in the movie and I was
[TS]
00:17:44
◼
►
absolutely paying attention it just it
[TS]
00:17:46
◼
►
didn't it didn't feel you know it's
[TS]
00:17:49
◼
►
there's this irony especially in
[TS]
00:17:51
◼
►
superhero movies about like like the
[TS]
00:17:53
◼
►
bigness of the adventure is not always
[TS]
00:17:56
◼
►
you know the big Highness of the stakes
[TS]
00:17:58
◼
►
does not always pay off and how it gets
[TS]
00:18:01
◼
►
rolled out and so like for example the
[TS]
00:18:03
◼
►
Netflix shows like daredevil the stakes
[TS]
00:18:05
◼
►
are smaller but you're way more invested
[TS]
00:18:07
◼
►
so I don't know I'm kind of rambling but
[TS]
00:18:09
◼
►
like I wanted to love it as much as I
[TS]
00:18:11
◼
►
loved the first one which is such a high
[TS]
00:18:13
◼
►
bar but I thought it was merely good
[TS]
00:18:16
◼
►
mm-hmm what about you well you know my
[TS]
00:18:20
◼
►
experience of the first one was going in
[TS]
00:18:22
◼
►
again with some you know some group of
[TS]
00:18:25
◼
►
22 year olds in a van pulled up and said
[TS]
00:18:28
◼
►
let's go to the movies I don't remember
[TS]
00:18:30
◼
►
which band it was I was like all right
[TS]
00:18:32
◼
►
I'll go to the movies with you some kind
[TS]
00:18:34
◼
►
of superhero movie and I had never
[TS]
00:18:35
◼
►
here's the thing right I don't I am such
[TS]
00:18:38
◼
►
a such a non participate in Marvel
[TS]
00:18:44
◼
►
Comics culture that I had never heard of
[TS]
00:18:48
◼
►
guardians of galaxy I had never heard of
[TS]
00:18:51
◼
►
any of the characters in it or any of
[TS]
00:18:54
◼
►
the tangential characters I did not have
[TS]
00:18:56
◼
►
any I had nothing I was like guardians
[TS]
00:19:00
◼
►
of the galaxy okay whatever you say and
[TS]
00:19:02
◼
►
I honestly even after I left the theater
[TS]
00:19:05
◼
►
and for maybe a couple of weeks
[TS]
00:19:07
◼
►
afterwards I thought it was a completely
[TS]
00:19:10
◼
►
discrete creation like they had invented
[TS]
00:19:14
◼
►
those characters for the purposes of
[TS]
00:19:16
◼
►
this movie only I didn't realize it
[TS]
00:19:18
◼
►
pre-existed right right as a as a comic
[TS]
00:19:21
◼
►
book I guess right I think even even a
[TS]
00:19:23
◼
►
fairly ardent reader of comics over the
[TS]
00:19:26
◼
►
years would describe them as probably at
[TS]
00:19:27
◼
►
best obscure there it's definitely not
[TS]
00:19:30
◼
►
like an Iron Man kind of you know a
[TS]
00:19:32
◼
►
level set of characters but I mean and
[TS]
00:19:35
◼
►
the team's changed over time and like I
[TS]
00:19:37
◼
►
don't think it's one of those things
[TS]
00:19:38
◼
►
like Alpha Flight like how many people
[TS]
00:19:40
◼
►
besides you know Wolverine can people
[TS]
00:19:42
◼
►
name from Alpha Flight near the list of
[TS]
00:19:43
◼
►
the items but just in a sense that like
[TS]
00:19:46
◼
►
it was not it was it really felt like a
[TS]
00:19:48
◼
►
like a Hail Mary in terms of bringing up
[TS]
00:19:51
◼
►
these characters that the garden-variety
[TS]
00:19:53
◼
►
comic fan is not familiar with in the
[TS]
00:19:55
◼
►
garden-variety comic movie
[TS]
00:19:57
◼
►
has probably never heard of and couldn't
[TS]
00:20:00
◼
►
pick out of a lineup yeah and and you
[TS]
00:20:04
◼
►
know where is the on paper like how is
[TS]
00:20:08
◼
►
this going to be how is anybody going to
[TS]
00:20:11
◼
►
identify with this or you know like
[TS]
00:20:13
◼
►
where is the how is this a franchise
[TS]
00:20:15
◼
►
right right and and I went and and the
[TS]
00:20:18
◼
►
movie starts out and here the the guy
[TS]
00:20:20
◼
►
comes with his goggles and he and he
[TS]
00:20:22
◼
►
puts his cassette out there on a bow
[TS]
00:20:25
◼
►
starts dancing and and initially I was
[TS]
00:20:28
◼
►
like oh this is going to be this huh
[TS]
00:20:30
◼
►
this here's where we are well that
[TS]
00:20:32
◼
►
opened uh the kind of cold open is the
[TS]
00:20:34
◼
►
flashback which was brutal I mean oh I
[TS]
00:20:37
◼
►
was like oh my gosh I hope the rest of
[TS]
00:20:39
◼
►
movie is gonna be this rough right
[TS]
00:20:41
◼
►
that's right okay so I guess that did
[TS]
00:20:43
◼
►
that cold open got me in it was like the
[TS]
00:20:46
◼
►
cold open of uh of inglourious basterds
[TS]
00:20:50
◼
►
right where I really did feel like this
[TS]
00:20:53
◼
►
movie is gonna be really hardcore and
[TS]
00:20:55
◼
►
and good because both cold opens
[TS]
00:20:57
◼
►
fantastic right just like what am i
[TS]
00:21:00
◼
►
watching yeah and then the then the
[TS]
00:21:01
◼
►
cassette thing and I was like okay okay
[TS]
00:21:03
◼
►
okay but then even that scene but by by
[TS]
00:21:07
◼
►
three-quarters the way through I was
[TS]
00:21:08
◼
►
like oh this is not bad this is good and
[TS]
00:21:10
◼
►
the Garden guardians of the galaxy was
[TS]
00:21:13
◼
►
such a thrill ride for me because I
[TS]
00:21:15
◼
►
couldn't believe that there were people
[TS]
00:21:17
◼
►
this smart and funny that we're making
[TS]
00:21:18
◼
►
movies it just didn't seem it didn't
[TS]
00:21:20
◼
►
seem possible given how I got the room
[TS]
00:21:23
◼
►
assignment like wait a minute yeah are
[TS]
00:21:25
◼
►
you sure you're supposed to be in here
[TS]
00:21:26
◼
►
should you be in like French new-wave
[TS]
00:21:30
◼
►
there are hundreds of thousands of
[TS]
00:21:32
◼
►
people in Hollywood making movies all
[TS]
00:21:33
◼
►
the time and I and none of them come up
[TS]
00:21:35
◼
►
with anything close to this in terms of
[TS]
00:21:38
◼
►
script in terms of you know whoever the
[TS]
00:21:41
◼
►
continuity people were they were good
[TS]
00:21:43
◼
►
you know that's the thing about
[TS]
00:21:44
◼
►
continuity right there
[TS]
00:21:45
◼
►
so unsung because if they're doing their
[TS]
00:21:47
◼
►
job you don't notice them it's only the
[TS]
00:21:50
◼
►
ones that are not doing it's only the
[TS]
00:21:53
◼
►
script doctors that are not thinking
[TS]
00:21:56
◼
►
about whether or not their ship makes
[TS]
00:21:57
◼
►
sense that stand out so this is just
[TS]
00:22:00
◼
►
like I fell in love with the raccoon I
[TS]
00:22:03
◼
►
didn't even understand Groot I didn't
[TS]
00:22:04
◼
►
end that whole right like why is this
[TS]
00:22:06
◼
►
tree even in this but it was he's
[TS]
00:22:09
◼
►
wonderful he's a
[TS]
00:22:10
◼
►
really sweet tree who occasionally
[TS]
00:22:12
◼
►
becomes incredibly violent yeah yeah and
[TS]
00:22:16
◼
►
and I identified with everybody in the
[TS]
00:22:18
◼
►
movie and and so when guardians of the
[TS]
00:22:21
◼
►
galaxy 2 started coming out when that's
[TS]
00:22:23
◼
►
they started to roll it out I I did that
[TS]
00:22:27
◼
►
I got spooked I was like no no no no no
[TS]
00:22:30
◼
►
no no how are you gonna do this this is
[TS]
00:22:33
◼
►
you know you're gonna screw this up I
[TS]
00:22:35
◼
►
bet Hollywood aren't you aren't you
[TS]
00:22:37
◼
►
Hollywood yeah and then as it got closer
[TS]
00:22:40
◼
►
and closer and everybody was so hyped up
[TS]
00:22:42
◼
►
I was like I've seen this before I
[TS]
00:22:43
◼
►
remember when you were waiting in line
[TS]
00:22:44
◼
►
for the Phantom Menace you dumb people
[TS]
00:22:46
◼
►
don't do this to yourselves what I saw
[TS]
00:22:50
◼
►
my friend and more until he'd wondered
[TS]
00:22:53
◼
►
if he'd ever see he's you know 10 maybe
[TS]
00:22:55
◼
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10 years younger than me maybe more but
[TS]
00:22:58
◼
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he uh he had wondered if there'd ever be
[TS]
00:22:59
◼
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another Star Wars in his lifetime and he
[TS]
00:23:01
◼
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saw it like three times in one weekend
[TS]
00:23:03
◼
►
and each time he was like that was good
[TS]
00:23:04
◼
►
right like if you try to figure it out
[TS]
00:23:06
◼
►
yeah the thing you're like it must be me
[TS]
00:23:08
◼
►
I mean this is George Lucas George Lucas
[TS]
00:23:10
◼
►
is the force man like this is yeah I I'm
[TS]
00:23:12
◼
►
missing something I should keep going
[TS]
00:23:14
◼
►
back to this nothing until I get it
[TS]
00:23:15
◼
►
right good right those guys right you
[TS]
00:23:18
◼
►
guys right and everybody's like that
[TS]
00:23:19
◼
►
yeah um I was I was like that when I
[TS]
00:23:24
◼
►
went to see Hitchhiker's Guide to the
[TS]
00:23:26
◼
►
galaxy because it had everything it had
[TS]
00:23:29
◼
►
ever it had Sam Rockwell who I think is
[TS]
00:23:31
◼
►
the greatest he's the greatest living
[TS]
00:23:33
◼
►
actor everything like saying we watched
[TS]
00:23:35
◼
►
Iron Man 2 a couple times in the last
[TS]
00:23:37
◼
►
week which i think is a highly
[TS]
00:23:39
◼
►
underrated movie and you know it's weird
[TS]
00:23:41
◼
►
they bring his character and so late in
[TS]
00:23:42
◼
►
that movie but like everything he's in
[TS]
00:23:44
◼
►
the moment he appears on screen the
[TS]
00:23:45
◼
►
movie just comes alive he Sarah is so
[TS]
00:23:47
◼
►
entertaining he's so great he's the one
[TS]
00:23:50
◼
►
Hollywood actor I'm I'm pretty confident
[TS]
00:23:54
◼
►
when I say he is the one single
[TS]
00:23:56
◼
►
Hollywood actor that I would actually
[TS]
00:23:58
◼
►
want to meet that I've you know that I
[TS]
00:24:01
◼
►
would be like if somebody said we're
[TS]
00:24:04
◼
►
gonna go meet Sam Rockwell I would be
[TS]
00:24:06
◼
►
like oh oh oh okay oh I'm cool you know
[TS]
00:24:11
◼
►
like I would be I'm not I feeling I
[TS]
00:24:14
◼
►
would be I would be weird right he's the
[TS]
00:24:16
◼
►
one guy I would be weird and and my
[TS]
00:24:18
◼
►
sense is he's he's not he's not one of
[TS]
00:24:21
◼
►
those in like dumb intense Hollywood
[TS]
00:24:24
◼
►
where he's out crashing his car or
[TS]
00:24:26
◼
►
there's like swatting around being
[TS]
00:24:28
◼
►
intense but he does feel like somebody
[TS]
00:24:31
◼
►
who who I just I feel like he's probably
[TS]
00:24:35
◼
►
a pretty intense dude
[TS]
00:24:36
◼
►
i I'm maybe one day fate the fates will
[TS]
00:24:40
◼
►
bring us together in Sam Rockwell and I
[TS]
00:24:42
◼
►
will be able to carry on a conversation
[TS]
00:24:44
◼
►
because I would be I would look forward
[TS]
00:24:45
◼
►
to it cuz I just love I just love him I
[TS]
00:24:47
◼
►
love his face I love his voice I love
[TS]
00:24:49
◼
►
everything every time he's in a movie
[TS]
00:24:51
◼
►
whatever reason he's really in the movie
[TS]
00:24:53
◼
►
without having it up but he is such a
[TS]
00:24:55
◼
►
presence somebody I mean in a completely
[TS]
00:24:57
◼
►
different angle like Melissa McCarthy
[TS]
00:24:58
◼
►
we're like whatever material she is
[TS]
00:25:00
◼
►
given and it is certainly not always
[TS]
00:25:01
◼
►
great like I feel like she just brings
[TS]
00:25:03
◼
►
it alive and I just want to watch what
[TS]
00:25:04
◼
►
she does next and I think he's like that
[TS]
00:25:07
◼
►
and movie like moon I mean how many
[TS]
00:25:08
◼
►
people could pull off a movie that crazy
[TS]
00:25:10
◼
►
it's it's such a mode that no spoilers
[TS]
00:25:13
◼
►
but it's a very strange movie but I
[TS]
00:25:15
◼
►
totally agree but he okay so we're on Oh
[TS]
00:25:19
◼
►
Hitchhiker's Guide and you got Tim from
[TS]
00:25:21
◼
►
the office mm-hmm you can play who's the
[TS]
00:25:24
◼
►
best guy in the office I thought oh
[TS]
00:25:26
◼
►
absolutely and get severus snape as the
[TS]
00:25:28
◼
►
voice of Marvin right yep yep Saravanan
[TS]
00:25:31
◼
►
Magellan Rickman neon Marvin all right
[TS]
00:25:34
◼
►
Alan Rickman is in the movie isn't he as
[TS]
00:25:37
◼
►
a as a face character I don't know or am
[TS]
00:25:41
◼
►
I thinking of I think he's more of an
[TS]
00:25:44
◼
►
looking up there is there is a superhero
[TS]
00:25:47
◼
►
movie or some kind of movie where he's
[TS]
00:25:49
◼
►
in a spacesuit he's in a galaxy quest
[TS]
00:25:52
◼
►
galaxy quests that very amusing movie
[TS]
00:25:55
◼
►
that's it that's it 2005 another high
[TS]
00:26:00
◼
►
concept movie that Galaxy Quest where
[TS]
00:26:02
◼
►
it's like you guys came up with an idea
[TS]
00:26:04
◼
►
that's good boy this is a haircut you
[TS]
00:26:08
◼
►
got you got Zooey Deschanel in it you
[TS]
00:26:10
◼
►
gotta fry richard griffiths that's a
[TS]
00:26:13
◼
►
Vernon Dursley isn't it because of
[TS]
00:26:15
◼
►
course I judge everything by who they
[TS]
00:26:17
◼
►
were in a Harry Potter movie it's like
[TS]
00:26:19
◼
►
he got a Malkovich I've never seen it I
[TS]
00:26:22
◼
►
love the book my daughter and I have
[TS]
00:26:24
◼
►
read the book oh you've never seen
[TS]
00:26:26
◼
►
Hitchhiker's Guide the movie now I've
[TS]
00:26:28
◼
►
heard some of the radio play from back
[TS]
00:26:31
◼
►
in the day but I just the movie I don't
[TS]
00:26:34
◼
►
know is scared you know the feel the
[TS]
00:26:35
◼
►
book yeah the book has
[TS]
00:26:38
◼
►
Jitender right it just has such a like
[TS]
00:26:41
◼
►
any any anything can happen
[TS]
00:26:43
◼
►
they just he just describes it so well
[TS]
00:26:45
◼
►
and you're like I you know I don't even
[TS]
00:26:47
◼
►
want to see what a Vogon looks like just
[TS]
00:26:48
◼
►
just keep describing all that stuff yeah
[TS]
00:26:52
◼
►
and it's tried there have been attempts
[TS]
00:26:55
◼
►
made to adapt it for a long time as you
[TS]
00:26:57
◼
►
know radio play and the everything right
[TS]
00:26:59
◼
►
TV show the cereal box the and it's
[TS]
00:27:02
◼
►
never 100% succeeded and here was this
[TS]
00:27:05
◼
►
movie with all these perfect just the
[TS]
00:27:07
◼
►
perfect cast I couldn't have done a
[TS]
00:27:08
◼
►
better job of putting this movie
[TS]
00:27:10
◼
►
together yeah and no spoilers but it is
[TS]
00:27:13
◼
►
like just a it's a turnip unch Bowl is
[TS]
00:27:18
◼
►
it it pretty leaden yeah that's exactly
[TS]
00:27:22
◼
►
what happens there's no there's no
[TS]
00:27:24
◼
►
where's the lightness like this is
[TS]
00:27:26
◼
►
supposed to be hilarious and it there's
[TS]
00:27:31
◼
►
everybody's just walking around mugging
[TS]
00:27:33
◼
►
and there's no there's no joy in
[TS]
00:27:36
◼
►
Mudville and uh that was one where I did
[TS]
00:27:40
◼
►
go in with pretty high expectations and
[TS]
00:27:43
◼
►
halfway through the movie I said this is
[TS]
00:27:46
◼
►
not good this is no good this is like
[TS]
00:27:49
◼
►
this is like every twenty no movie in
[TS]
00:27:52
◼
►
the last ten years no good I have a
[TS]
00:27:56
◼
►
friend who is a comic writer and one of
[TS]
00:28:00
◼
►
his comics have you seen that trailer
[TS]
00:28:03
◼
►
for atomic blonde with Charlize Theron
[TS]
00:28:06
◼
►
no I like Shirley schuk is there on like
[TS]
00:28:09
◼
►
kicking butt in Berlin in the late 80s
[TS]
00:28:11
◼
►
good goosey god it's really good but but
[TS]
00:28:13
◼
►
so anyway I've kind of cool awesome his
[TS]
00:28:15
◼
►
his comic the coldest city is has been
[TS]
00:28:18
◼
►
made into a movie that comes out soon
[TS]
00:28:19
◼
►
but but he has done he's done all kinds
[TS]
00:28:21
◼
►
of different work including adaptations
[TS]
00:28:24
◼
►
oh yeah and yes he has some interesting
[TS]
00:28:28
◼
►
thoughts on and I'm always interested to
[TS]
00:28:30
◼
►
hear this kind of stuff from someone who
[TS]
00:28:31
◼
►
actually does it versus somebody who
[TS]
00:28:33
◼
►
just reckons how it should go
[TS]
00:28:34
◼
►
so like you know don't ask most comic
[TS]
00:28:36
◼
►
fans how you could make that into a
[TS]
00:28:37
◼
►
movie um though we have no context for
[TS]
00:28:39
◼
►
that you have your I mean you may but
[TS]
00:28:41
◼
►
you mainly have your very strong you
[TS]
00:28:43
◼
►
know emotional feelings like what to
[TS]
00:28:46
◼
►
leave in what to leave out like a Bob
[TS]
00:28:47
◼
►
Seger song
[TS]
00:28:49
◼
►
against the wind still wanna dance to
[TS]
00:28:51
◼
►
win but but you know it's and one of the
[TS]
00:28:55
◼
►
interesting thoughts he has is that like
[TS]
00:28:57
◼
►
you know he's not it this sounds obvious
[TS]
00:28:59
◼
►
but it's so important he's not against
[TS]
00:29:00
◼
►
changing the story like you've got to
[TS]
00:29:02
◼
►
adapt to this medium there's all kinds
[TS]
00:29:06
◼
►
of stuff that you have to there may be
[TS]
00:29:07
◼
►
characters you have to add there may be
[TS]
00:29:08
◼
►
characters you have to combine there may
[TS]
00:29:10
◼
►
be things and like it's it's such an
[TS]
00:29:12
◼
►
artful thing and look no further than
[TS]
00:29:15
◼
►
our friend Coppola The Godfather
[TS]
00:29:17
◼
►
the first Godfather book which I read
[TS]
00:29:20
◼
►
most of is fine but it's fine it's not
[TS]
00:29:24
◼
►
the movie that you see on screen it's
[TS]
00:29:25
◼
►
the result of a fantastic collaboration
[TS]
00:29:27
◼
►
adaptation obviously the town I mean
[TS]
00:29:29
◼
►
it's you know where they say success has
[TS]
00:29:31
◼
►
a thousand fathers and failures an
[TS]
00:29:33
◼
►
orphan it's but you know it takes so
[TS]
00:29:35
◼
►
many people to take something from one
[TS]
00:29:37
◼
►
medium into another and if it isn't just
[TS]
00:29:39
◼
►
a naked cash grab we're trying to cash
[TS]
00:29:41
◼
►
in on you know like oh the popularity of
[TS]
00:29:43
◼
►
Bratz dolls let's make a movie
[TS]
00:29:44
◼
►
you know is there something very artful
[TS]
00:29:47
◼
►
and special and then on top of it it's
[TS]
00:29:49
◼
►
not even like you're like an
[TS]
00:29:50
◼
►
up-and-coming indie director who wants
[TS]
00:29:53
◼
►
to make something like like Primmer
[TS]
00:29:54
◼
►
like let's say you've got or primer as
[TS]
00:29:56
◼
►
you say like if you've if you've got to
[TS]
00:29:58
◼
►
this got people in comics suffer from
[TS]
00:30:00
◼
►
this you go in with all this weight of
[TS]
00:30:02
◼
►
expectations I mean can you imagine
[TS]
00:30:04
◼
►
being Joss Whedon and going into like be
[TS]
00:30:06
◼
►
troubled Avengers project and then like
[TS]
00:30:08
◼
►
taking over think that's it's incredibly
[TS]
00:30:11
◼
►
difficult there's just there's so many
[TS]
00:30:13
◼
►
requirements and so many boxes to tick
[TS]
00:30:15
◼
►
and then on top of all that you have to
[TS]
00:30:18
◼
►
make it even if you had like an int like
[TS]
00:30:19
◼
►
I say with an indie film there's a
[TS]
00:30:21
◼
►
chance you could get it through a small
[TS]
00:30:22
◼
►
version of the Machine intact but like
[TS]
00:30:25
◼
►
imagine that extra level of difficulty
[TS]
00:30:27
◼
►
of having to make it an adaptation that
[TS]
00:30:29
◼
►
survives all that stuff where you've
[TS]
00:30:31
◼
►
like very carefully you've put together
[TS]
00:30:33
◼
►
this thing that's like almost like a
[TS]
00:30:34
◼
►
house of cards a character and plot and
[TS]
00:30:37
◼
►
we have this much budget like you know
[TS]
00:30:39
◼
►
like in The Hulk movie we can only show
[TS]
00:30:40
◼
►
the Hulk this much because we don't have
[TS]
00:30:41
◼
►
that much money etc etc so I just I have
[TS]
00:30:44
◼
►
a lot of admiration for people who pull
[TS]
00:30:45
◼
►
it off because like you said if it
[TS]
00:30:47
◼
►
worked well you don't notice why it was
[TS]
00:30:50
◼
►
great and if it doesn't work well all
[TS]
00:30:52
◼
►
you can do is obsess about what they
[TS]
00:30:53
◼
►
should have done differently yeah and I
[TS]
00:30:55
◼
►
I feel like they're - you touched on two
[TS]
00:30:58
◼
►
things right and one of them is the the
[TS]
00:31:00
◼
►
classic thing that we had that we
[TS]
00:31:02
◼
►
in the music recording business which is
[TS]
00:31:06
◼
►
that the more people from the head
[TS]
00:31:07
◼
►
office that come down to your recording
[TS]
00:31:09
◼
►
session the more they are going to
[TS]
00:31:12
◼
►
destroy what you're doing it's all they
[TS]
00:31:14
◼
►
can do is destroy what you're doing all
[TS]
00:31:16
◼
►
they have is the counter of subtraction
[TS]
00:31:18
◼
►
yeah right and so on mixing boards in
[TS]
00:31:21
◼
►
studios all over the world there are and
[TS]
00:31:25
◼
►
I swear this is both done for comedic
[TS]
00:31:27
◼
►
effect and also absolutely true there
[TS]
00:31:30
◼
►
are little sections of mixing boards
[TS]
00:31:32
◼
►
where the where things are like
[TS]
00:31:34
◼
►
disconnected and when someone an A&R guy
[TS]
00:31:38
◼
►
or somebody from the label comes and
[TS]
00:31:40
◼
►
wants to contribute a really good
[TS]
00:31:43
◼
►
producer will say hey here is this sect
[TS]
00:31:47
◼
►
you know they're like why don't we bring
[TS]
00:31:48
◼
►
the bass up why don't we take the
[TS]
00:31:50
◼
►
tambourine down why don't we change the
[TS]
00:31:52
◼
►
and he'll actually put his hands on some
[TS]
00:31:54
◼
►
knobs and say here you know like as the
[TS]
00:31:58
◼
►
mix is going by can you make those
[TS]
00:32:00
◼
►
adjustments here on these four knobs and
[TS]
00:32:02
◼
►
let me demonstrate for you next yes the
[TS]
00:32:05
◼
►
knobs are not connected to anything and
[TS]
00:32:07
◼
►
the the an our guy will sit there and
[TS]
00:32:09
◼
►
make these minor minor adjustments on on
[TS]
00:32:11
◼
►
blank knobs and be like they're like
[TS]
00:32:14
◼
►
that and everybody's like whoa yes thank
[TS]
00:32:17
◼
►
really many sweetens up the sound yeah
[TS]
00:32:20
◼
►
you did it man you found the sweet spot
[TS]
00:32:22
◼
►
anyway thanks for stopping by
[TS]
00:32:24
◼
►
and I think to to be in Hollywood and to
[TS]
00:32:27
◼
►
keep your thing alive you have to be
[TS]
00:32:30
◼
►
very good at that type of thing where
[TS]
00:32:32
◼
►
you're where you're a little bit of bit
[TS]
00:32:35
◼
►
misdirection of the of the A&R guy where
[TS]
00:32:39
◼
►
there's all these people from the
[TS]
00:32:40
◼
►
theater the studio they're like you know
[TS]
00:32:42
◼
►
it would be great is it the if there was
[TS]
00:32:44
◼
►
like a little kid like a precocious
[TS]
00:32:46
◼
►
little kid that wears glasses that like
[TS]
00:32:48
◼
►
says funny stuff and you go that is a
[TS]
00:32:51
◼
►
great idea here you know like what if we
[TS]
00:32:55
◼
►
made that kid a full-grown adult who
[TS]
00:32:59
◼
►
didn't ever say anything funny what
[TS]
00:33:01
◼
►
about that that was your idea my guy's
[TS]
00:33:03
◼
►
like amazing so I think you've got to be
[TS]
00:33:06
◼
►
able to do that and not do what I do
[TS]
00:33:09
◼
►
which is like what get the fuck out of
[TS]
00:33:12
◼
►
here you know because that's the way
[TS]
00:33:14
◼
►
that you lose that's what you lose
[TS]
00:33:16
◼
►
you gotta give them some kind of a like
[TS]
00:33:19
◼
►
we got a computer here something called
[TS]
00:33:20
◼
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the heat sink right like you need to
[TS]
00:33:22
◼
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give them an input sink you need to give
[TS]
00:33:25
◼
►
them some kind of a way to have input
[TS]
00:33:27
◼
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without unintentionally you know doing
[TS]
00:33:32
◼
►
something destructive but you also need
[TS]
00:33:34
◼
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to not it seems to me you also need to
[TS]
00:33:36
◼
►
not make it like Wow keep coming back
[TS]
00:33:39
◼
►
because we could sure use lots of tips
[TS]
00:33:42
◼
►
and tricks uh yeah
[TS]
00:33:43
◼
►
yeah I don't know how you do it
[TS]
00:33:45
◼
►
particularly when you've got people in
[TS]
00:33:47
◼
►
Hollywood or in business who really
[TS]
00:33:50
◼
►
think they're they're hot and who are
[TS]
00:33:53
◼
►
smart enough that they have gotten where
[TS]
00:33:55
◼
►
they've gotten so they're not just you
[TS]
00:33:57
◼
►
can't just misdirect them like throw a
[TS]
00:33:59
◼
►
tennis ball down the hall and like hey
[TS]
00:34:01
◼
►
go get it boy you know you've got a it's
[TS]
00:34:03
◼
►
that it's these guys that we're always
[TS]
00:34:05
◼
►
talking about right the the like the
[TS]
00:34:08
◼
►
middle-aged dude who never thought you
[TS]
00:34:12
◼
►
think's she's amazing and that's right
[TS]
00:34:14
◼
►
that's who you have to find a way to
[TS]
00:34:17
◼
►
like give him something real that they
[TS]
00:34:20
◼
►
know because they're on the lookout for
[TS]
00:34:22
◼
►
you to give them a button that doesn't
[TS]
00:34:24
◼
►
work right they they're they that's how
[TS]
00:34:27
◼
►
they that that's part of their identity
[TS]
00:34:28
◼
►
is like they're nobody's fool so how you
[TS]
00:34:31
◼
►
contend with them in a Hollywood
[TS]
00:34:33
◼
►
situation I don't know but that's less
[TS]
00:34:36
◼
►
interesting to me than the other thing
[TS]
00:34:38
◼
►
that you were touching on which is
[TS]
00:34:42
◼
►
somehow to maintain tonight then that
[TS]
00:34:49
◼
►
the word outsider is is so overused that
[TS]
00:34:52
◼
►
we that we forget that it originally had
[TS]
00:34:54
◼
►
a meaning but like how to maintain the
[TS]
00:34:57
◼
►
perspective of a child through a massive
[TS]
00:35:00
◼
►
undertaking like this how to maintain
[TS]
00:35:03
◼
►
that the simplicity of like does this
[TS]
00:35:06
◼
►
work or not does this make me laugh or
[TS]
00:35:08
◼
►
not does this do I understand this or
[TS]
00:35:12
◼
►
not and not get not get broken up into
[TS]
00:35:15
◼
►
all these sort of like here's a vignette
[TS]
00:35:17
◼
►
we're working on this vignette and how
[TS]
00:35:20
◼
►
it fits into the rest of the movie we
[TS]
00:35:21
◼
►
don't care how it you know like we've
[TS]
00:35:24
◼
►
got a team working on this vignette and
[TS]
00:35:25
◼
►
they're honing it and everything they
[TS]
00:35:28
◼
►
add or take away is actually
[TS]
00:35:30
◼
►
screwing up how it fits into the film
[TS]
00:35:32
◼
►
but no one's no one is coordinating it
[TS]
00:35:36
◼
►
no one is there's no executive here
[TS]
00:35:39
◼
►
because this has all been balkanized by
[TS]
00:35:42
◼
►
someone up up higher who's like you know
[TS]
00:35:44
◼
►
we need we need to bring in an action
[TS]
00:35:46
◼
►
guy for this scene we need to bring in
[TS]
00:35:48
◼
►
the script writers from this action film
[TS]
00:35:50
◼
►
to put more action into this scene in
[TS]
00:35:53
◼
►
this comedy or you know and I and I've
[TS]
00:35:57
◼
►
hit on this in other topics to talking
[TS]
00:36:00
◼
►
to you which is that at a certain point
[TS]
00:36:04
◼
►
expertise can be the enemy we we are so
[TS]
00:36:11
◼
►
you know we fetishize expertise in this
[TS]
00:36:14
◼
►
culture and so all of our teachers are
[TS]
00:36:19
◼
►
people who have pursued like an
[TS]
00:36:23
◼
►
education trajectory in their own
[TS]
00:36:28
◼
►
education yeah and all of our designers
[TS]
00:36:32
◼
►
have pursued designing extensively
[TS]
00:36:35
◼
►
exclusively and we have eliminated so
[TS]
00:36:39
◼
►
much the the sense that what the world
[TS]
00:36:42
◼
►
needs is people educated broadly and in
[TS]
00:36:47
◼
►
a film especially I feel like there
[TS]
00:36:50
◼
►
should be someone working in the working
[TS]
00:36:55
◼
►
on a film that doesn't know anything
[TS]
00:36:58
◼
►
about film right that that hasn't read
[TS]
00:37:01
◼
►
the the book you know that's just a a
[TS]
00:37:05
◼
►
reader and a knowledgeable person who
[TS]
00:37:08
◼
►
you run things by and go what is this
[TS]
00:37:10
◼
►
how does this I mean it's basically like
[TS]
00:37:12
◼
►
running it by your dad or you know or
[TS]
00:37:14
◼
►
like in my case your mom where like mom
[TS]
00:37:16
◼
►
does this scan and mom's like who's the
[TS]
00:37:19
◼
►
who's the one in the Hat and like oh
[TS]
00:37:22
◼
►
right right right because when I wrote
[TS]
00:37:25
◼
►
it I put in all this explication about
[TS]
00:37:29
◼
►
the one in the Hat and then I took it
[TS]
00:37:30
◼
►
out in a subsequent edit but the one in
[TS]
00:37:31
◼
►
the Hat is still in the movie it doesn't
[TS]
00:37:34
◼
►
make any sense because he because the
[TS]
00:37:35
◼
►
the backstory got edited out thanks mom
[TS]
00:37:37
◼
►
mm-hmm like a little bit of a sanity
[TS]
00:37:40
◼
►
check yeah but how do you go into a
[TS]
00:37:43
◼
►
business situation
[TS]
00:37:44
◼
►
and say and and make a case for someone
[TS]
00:37:48
◼
►
who isn't an expert make a case for the
[TS]
00:37:51
◼
►
the input of someone where you all
[TS]
00:37:54
◼
►
you're saying about them is I trust this
[TS]
00:37:56
◼
►
person here just you a lot of directors
[TS]
00:37:58
◼
►
and showrunners in TV have their own
[TS]
00:38:01
◼
►
kind of brain trust that they can run
[TS]
00:38:03
◼
►
stuff by you know that you wouldn't need
[TS]
00:38:06
◼
►
necessarily somebody who's just like an
[TS]
00:38:07
◼
►
absolute beginner but but I take your
[TS]
00:38:09
◼
►
point it the other get one other
[TS]
00:38:11
◼
►
challenge of expertise that can like I
[TS]
00:38:14
◼
►
like that absolute beginners drop in
[TS]
00:38:17
◼
►
their that like that the the other thing
[TS]
00:38:19
◼
►
with expertise is though there's so many
[TS]
00:38:21
◼
►
levels to expertise starting at the end
[TS]
00:38:24
◼
►
of there's all in one end you start out
[TS]
00:38:26
◼
►
not knowing what you don't even know you
[TS]
00:38:28
◼
►
need to know or not know like there's
[TS]
00:38:29
◼
►
just there's that you know the total
[TS]
00:38:31
◼
►
zero I don't even know anything about
[TS]
00:38:33
◼
►
this thing and of course you move up and
[TS]
00:38:34
◼
►
up and up but even if you become very
[TS]
00:38:36
◼
►
very good at something I think it's
[TS]
00:38:37
◼
►
still important to understand where your
[TS]
00:38:39
◼
►
expertise is appropriate and you know
[TS]
00:38:43
◼
►
where your expertise applies where your
[TS]
00:38:45
◼
►
expertise can be used useful or or where
[TS]
00:38:48
◼
►
your confidence
[TS]
00:38:49
◼
►
conversely where your confidence in your
[TS]
00:38:51
◼
►
own expertise might be a cataract that
[TS]
00:38:55
◼
►
causes you to start trying to solve a
[TS]
00:38:57
◼
►
problem that you've been comfortable
[TS]
00:38:59
◼
►
solving before to where you're almost
[TS]
00:39:01
◼
►
like somebody who let's say you're a TV
[TS]
00:39:06
◼
►
critic who's watched thousands of hours
[TS]
00:39:08
◼
►
of reality cooking shows and like you
[TS]
00:39:10
◼
►
know them backwards and forwards and so
[TS]
00:39:12
◼
►
what you do you like walk into the
[TS]
00:39:13
◼
►
kitchen and like here's the name of a
[TS]
00:39:15
◼
►
pasta that you know that you say they
[TS]
00:39:16
◼
►
should throw in the soup or you know
[TS]
00:39:17
◼
►
what I mean like oh one time they want
[TS]
00:39:19
◼
►
on top shell Top Chef with this the part
[TS]
00:39:21
◼
►
of expertise is also knowing when to say
[TS]
00:39:22
◼
►
like no I don't really know about this
[TS]
00:39:24
◼
►
like you know what I mean that that I
[TS]
00:39:25
◼
►
don't have to have you know I don't need
[TS]
00:39:29
◼
►
to put my fingers on the faders in order
[TS]
00:39:31
◼
►
to have an influence on how this works
[TS]
00:39:33
◼
►
that there should be a way that I can
[TS]
00:39:35
◼
►
adjust what I know and what I've learned
[TS]
00:39:37
◼
►
to deploy that in a way that's useful
[TS]
00:39:41
◼
►
and positive rather than something
[TS]
00:39:43
◼
►
that's just there for you to be able to
[TS]
00:39:45
◼
►
put a mark on it and and and this is
[TS]
00:39:48
◼
►
something that I this is I think you're
[TS]
00:39:51
◼
►
at the crux right where if you have
[TS]
00:39:53
◼
►
tremendous accomplishment and you have
[TS]
00:39:56
◼
►
made your bone
[TS]
00:39:57
◼
►
and you and and you are already a hero
[TS]
00:40:01
◼
►
in your craft and then you can be then
[TS]
00:40:08
◼
►
you can be a character that uh that sits
[TS]
00:40:10
◼
►
in the back of the room with sunglasses
[TS]
00:40:12
◼
►
on maybe asleep maybe not while the
[TS]
00:40:15
◼
►
whole thing goes and you are thinking to
[TS]
00:40:17
◼
►
yourself this is all going well it does
[TS]
00:40:19
◼
►
not need my intervention and you can get
[TS]
00:40:21
◼
►
away with it because people are like
[TS]
00:40:23
◼
►
well it's the master right that and so
[TS]
00:40:26
◼
►
so that hands-off Ness is I mean Quincy
[TS]
00:40:31
◼
►
Jones presumably does not sit in a chair
[TS]
00:40:34
◼
►
and and or doesn't jump up out of his
[TS]
00:40:37
◼
►
chair and go move the 57 on the snare
[TS]
00:40:40
◼
►
yeah he's the producer is not the
[TS]
00:40:42
◼
►
engineer right but but you know you'd be
[TS]
00:40:45
◼
►
surprised right as yet the number of and
[TS]
00:40:47
◼
►
so there are those people that you
[TS]
00:40:50
◼
►
understand right that that Carol King is
[TS]
00:40:53
◼
►
not going to say she's not going to be
[TS]
00:40:56
◼
►
down in the deep in the weeds if
[TS]
00:41:00
◼
►
something's going well right she's not
[TS]
00:41:01
◼
►
going to screw up something but then
[TS]
00:41:06
◼
►
there's the vast majority of people in
[TS]
00:41:08
◼
►
the middle of their profession who in a
[TS]
00:41:11
◼
►
lot of ways you know people are gunning
[TS]
00:41:14
◼
►
for their job there's a lot of there's
[TS]
00:41:16
◼
►
competition there in the mix and they're
[TS]
00:41:19
◼
►
at a stage in their career where people
[TS]
00:41:20
◼
►
are like are you the are you a genius
[TS]
00:41:22
◼
►
are you the next genius and there's got
[TS]
00:41:25
◼
►
to be so much pressure on them to look
[TS]
00:41:30
◼
►
like they're working basically right
[TS]
00:41:32
◼
►
it's got to be so hard for somebody in
[TS]
00:41:34
◼
►
the middle of a creative career business
[TS]
00:41:36
◼
►
business yeah right just to be like now
[TS]
00:41:39
◼
►
this is going well and what what I meet
[TS]
00:41:40
◼
►
you know what a great director does is
[TS]
00:41:43
◼
►
not mess with success or you know like
[TS]
00:41:45
◼
►
and so that accounts I think for the the
[TS]
00:41:49
◼
►
giant jumble of garbage that's like that
[TS]
00:41:53
◼
►
you know the the guy er the the guy er
[TS]
00:41:55
◼
►
of plastic that's in the it's rotating
[TS]
00:41:57
◼
►
around the Pacific that we call our
[TS]
00:41:59
◼
►
mainstream culture but it's those
[TS]
00:42:01
◼
►
creatives I just use the word okay you
[TS]
00:42:05
◼
►
get a freebie get one it's it's the
[TS]
00:42:08
◼
►
people that from a very young age have
[TS]
00:42:11
◼
►
confidence to be sparing from a from you
[TS]
00:42:17
◼
►
know throughout their career like if
[TS]
00:42:18
◼
►
when I think about Prince being a
[TS]
00:42:21
◼
►
teenager walking around Minneapolis
[TS]
00:42:26
◼
►
hears teenage Prince walking around
[TS]
00:42:28
◼
►
Minneapolis and he's going to like open
[TS]
00:42:30
◼
►
mics and he's in his high school band
[TS]
00:42:33
◼
►
and he's you know like he was a high
[TS]
00:42:36
◼
►
schooler right Prince didn't fall from
[TS]
00:42:38
◼
►
the sky he was just another weird kid
[TS]
00:42:40
◼
►
with temples he's a weird kid with
[TS]
00:42:41
◼
►
pimples it was like practicing the
[TS]
00:42:43
◼
►
guitar in on his bed nobody sees Prince
[TS]
00:42:46
◼
►
coming but from the very beginning he
[TS]
00:42:52
◼
►
had the confidence to be Prince because
[TS]
00:42:55
◼
►
there there aren't like seven Prince
[TS]
00:42:57
◼
►
albums where he's trying to figure it
[TS]
00:43:00
◼
►
out right you know he's like he hit the
[TS]
00:43:03
◼
►
ground pretty pretty running huh and
[TS]
00:43:06
◼
►
doing all these things like I was
[TS]
00:43:08
◼
►
listening to I was listening to a track
[TS]
00:43:10
◼
►
a Prince track yesterday where he's like
[TS]
00:43:12
◼
►
he has pre-delay right when I forget I'm
[TS]
00:43:17
◼
►
blanking on the tune but like the vocal
[TS]
00:43:19
◼
►
melody oh it's a little red Corvette um
[TS]
00:43:24
◼
►
where there's where does oh it's on the
[TS]
00:43:28
◼
►
bridge yeah there's a pre-echo yeah on
[TS]
00:43:31
◼
►
the verge of being obscene that part on
[TS]
00:43:33
◼
►
the verge on the verge of being obscene
[TS]
00:43:35
◼
►
yeah and it's like what I mean that's so
[TS]
00:43:39
◼
►
natural it's so beautiful and so
[TS]
00:43:40
◼
►
wonderful and I'm I'm sure Prince didn't
[TS]
00:43:43
◼
►
invent it but and and I let me see what
[TS]
00:43:49
◼
►
what is the what is the explanation for
[TS]
00:43:52
◼
►
I remember I remember hearing it
[TS]
00:43:55
◼
►
described how it was discovered which
[TS]
00:43:57
◼
►
was that um when the tape real when the
[TS]
00:44:03
◼
►
when the the tune is being wound back on
[TS]
00:44:08
◼
►
the tape real there's a little bleed and
[TS]
00:44:12
◼
►
there's little bleed through the tape or
[TS]
00:44:14
◼
►
on the tape where you get this pre-delay
[TS]
00:44:19
◼
►
because the you know the part actually
[TS]
00:44:22
◼
►
is like sort of
[TS]
00:44:23
◼
►
ghosts into the track I think that's
[TS]
00:44:26
◼
►
true on old on old recording media well
[TS]
00:44:30
◼
►
but but this is not that this isn't
[TS]
00:44:32
◼
►
bleed this was an intentional thing
[TS]
00:44:34
◼
►
where he was like I'm gonna I'm gonna do
[TS]
00:44:38
◼
►
this and and he was he was young enough
[TS]
00:44:41
◼
►
then I guess and there weren't as many
[TS]
00:44:43
◼
►
eyes on him that he could get away with
[TS]
00:44:45
◼
►
it there wasn't somebody like wait wait
[TS]
00:44:46
◼
►
wait Prince that's a little crazy that
[TS]
00:44:50
◼
►
those people the people that that don't
[TS]
00:44:53
◼
►
second-guess themselves or if they do
[TS]
00:44:55
◼
►
they just they there's a voice of
[TS]
00:44:57
◼
►
confidence in them maybe ken well you
[TS]
00:45:00
◼
►
know new young to an extent because he's
[TS]
00:45:02
◼
►
like whatever he's doing in the past
[TS]
00:45:04
◼
►
he's pod committed on whatever that
[TS]
00:45:05
◼
►
album is my god have you seen that
[TS]
00:45:08
◼
►
footage of him on German television or
[TS]
00:45:11
◼
►
whatever it is Dutch television have I
[TS]
00:45:12
◼
►
sent you those links just him playing
[TS]
00:45:14
◼
►
solo in playing solo I've seen ones from
[TS]
00:45:18
◼
►
around the time between um that comes a
[TS]
00:45:21
◼
►
time what's the one what's my favorite
[TS]
00:45:23
◼
►
album after the gold rush but before
[TS]
00:45:25
◼
►
harvest reads like playing songs from
[TS]
00:45:26
◼
►
harvest I've seen a bunch of footage
[TS]
00:45:27
◼
►
from that era that's like pretty
[TS]
00:45:29
◼
►
stunning that were you talking about
[TS]
00:45:30
◼
►
yeah yeah he's 22 years old he's sitting
[TS]
00:45:32
◼
►
on a chair and he's like the techne one
[TS]
00:45:34
◼
►
he looks like looks like he's from The
[TS]
00:45:36
◼
►
Young Ones he's just long hair and just
[TS]
00:45:39
◼
►
roll and he's like this is a new one I
[TS]
00:45:41
◼
►
wrote it's called old man it's about a
[TS]
00:45:43
◼
►
guy that lives in my farm and he plays
[TS]
00:45:46
◼
►
it on the acoustic guitar and it's
[TS]
00:45:47
◼
►
complete right it's it is a complete
[TS]
00:45:50
◼
►
work it's not like he's it's not like
[TS]
00:45:54
◼
►
he's working on it and that records not
[TS]
00:45:56
◼
►
out and just him in a guitar it's all
[TS]
00:46:00
◼
►
there you know you don't there isn't a
[TS]
00:46:03
◼
►
banjo part there isn't a backing vocal
[TS]
00:46:05
◼
►
but it doesn't matter because and you
[TS]
00:46:08
◼
►
know and I'm I'm not just in awe I'm not
[TS]
00:46:11
◼
►
just watching this and going like whoa
[TS]
00:46:12
◼
►
because I know the song backwards and
[TS]
00:46:15
◼
►
forwards and I and I don't have the
[TS]
00:46:16
◼
►
ability to distinguish my own love of
[TS]
00:46:19
◼
►
the thing from the actual thing like I'm
[TS]
00:46:21
◼
►
I am capable of looking at that and
[TS]
00:46:23
◼
►
saying that is actually phenomenal and
[TS]
00:46:27
◼
►
his parts are simple this is the the
[TS]
00:46:30
◼
►
wonderful thing about about truly great
[TS]
00:46:32
◼
►
stuff it's just simple it'd be easy to
[TS]
00:46:36
◼
►
but there it is it's a kit some it's a
[TS]
00:46:39
◼
►
masterpiece and he's just this young
[TS]
00:46:43
◼
►
like dirt in his hair
[TS]
00:46:45
◼
►
Canadian that's the least likely part
[TS]
00:46:51
◼
►
with his with this bowl haircut driving
[TS]
00:46:54
◼
►
around Hollywood in a Cadillac hearse
[TS]
00:46:57
◼
►
like what the hell what what so so that
[TS]
00:47:04
◼
►
those those people and then on the far
[TS]
00:47:07
◼
►
far end of the spectrum you've got Neil
[TS]
00:47:09
◼
►
Young now who's 75 who in a way the fact
[TS]
00:47:12
◼
►
that he has never answered to anybody
[TS]
00:47:14
◼
►
and doesn't have to answer to anybody
[TS]
00:47:15
◼
►
maybe is a maybe is acting now slightly
[TS]
00:47:19
◼
►
has a little bit of a deficit on him
[TS]
00:47:20
◼
►
just because he's um cuz if he decided
[TS]
00:47:25
◼
►
he was going to wear clown shoes now
[TS]
00:47:28
◼
►
like everybody would be like a me
[TS]
00:47:31
◼
►
amazing amazing Neil and he'd be like
[TS]
00:47:33
◼
►
yeah but it's it's for those of us in
[TS]
00:47:38
◼
►
the in the broad middle the giant the
[TS]
00:47:40
◼
►
giant pile of us in the middle who are
[TS]
00:47:42
◼
►
like I'm working here a worgen when I
[TS]
00:47:46
◼
►
listen to the long winters records I put
[TS]
00:47:48
◼
►
everything on them because if I came up
[TS]
00:47:51
◼
►
with a with a shaker part I would want
[TS]
00:47:54
◼
►
it on there mm-hmm
[TS]
00:47:55
◼
►
and then it's like you know what this
[TS]
00:47:57
◼
►
track doesn't have a harpsichord it's
[TS]
00:48:00
◼
►
not like what does this track need a
[TS]
00:48:01
◼
►
harpsichord it's like what does this
[TS]
00:48:03
◼
►
track not have a harpsichord and so
[TS]
00:48:07
◼
►
there are a lot of melodies going on in
[TS]
00:48:11
◼
►
Tunes that are all very I think
[TS]
00:48:13
◼
►
satisfying and when you listen to them
[TS]
00:48:15
◼
►
on headphones it's fun but it doesn't
[TS]
00:48:19
◼
►
have that um maybe this doesn't always
[TS]
00:48:23
◼
►
serve the song as much as you would hope
[TS]
00:48:26
◼
►
well or what five melodies do is not
[TS]
00:48:30
◼
►
five times better than one great melody
[TS]
00:48:33
◼
►
yes that's good way to put it like that
[TS]
00:48:35
◼
►
it was so pepper well like once you
[TS]
00:48:37
◼
►
start stripping the layers away you know
[TS]
00:48:39
◼
►
you appreciate so much more of what's
[TS]
00:48:41
◼
►
actually there mm-hmm and a lot of those
[TS]
00:48:44
◼
►
decisions a lot of those decisions seem
[TS]
00:48:47
◼
►
probably simple at the time which is
[TS]
00:48:49
◼
►
George Wendt George Harrison went Bam
[TS]
00:48:51
◼
►
Bam pow and they're like it's done and
[TS]
00:48:56
◼
►
you listen to it now and you're like
[TS]
00:48:58
◼
►
that's the part yeah what what what was
[TS]
00:49:01
◼
►
how did they decide they've only got
[TS]
00:49:02
◼
►
four tracks there's a lot there's a lot
[TS]
00:49:05
◼
►
of things like that wheels new those the
[TS]
00:49:06
◼
►
raw tracks there's a lot of stuff really
[TS]
00:49:08
◼
►
Wow can't that's what they went with it
[TS]
00:49:10
◼
►
totally worked
[TS]
00:49:11
◼
►
I was listening the other day too
[TS]
00:49:14
◼
►
so um uh still trying to figure out the
[TS]
00:49:19
◼
►
Chris Cornell situation still spending
[TS]
00:49:22
◼
►
some not in considerable amount of time
[TS]
00:49:24
◼
►
in the middle of the night staring at
[TS]
00:49:26
◼
►
staring at the ceiling above my bathtub
[TS]
00:49:29
◼
►
and going what now what am i what what's
[TS]
00:49:33
◼
►
my takeaway here but so I I was
[TS]
00:49:36
◼
►
listening to burden in my hand which is
[TS]
00:49:38
◼
►
a really wonderful song and burden in my
[TS]
00:49:42
◼
►
hand has a has the feeling in the in the
[TS]
00:49:49
◼
►
pre-chorus and chorus of this bass part
[TS]
00:49:53
◼
►
that is just phenomenal and it's not
[TS]
00:49:57
◼
►
when you're listening to the entire
[TS]
00:49:58
◼
►
track you can't quite pick out exactly
[TS]
00:50:02
◼
►
what the bass is doing but it sounds
[TS]
00:50:04
◼
►
like a super-duper grunge bass like but
[TS]
00:50:07
◼
►
we divided boom bidden to be better but
[TS]
00:50:09
◼
►
differed about and there's a lot of like
[TS]
00:50:10
◼
►
guitar and stuff going on and there's
[TS]
00:50:12
◼
►
this Soundgarden II Polly rhythms but
[TS]
00:50:16
◼
►
Ben Shephard the bass player of of
[TS]
00:50:19
◼
►
Soundgarden is a local legend here he's
[TS]
00:50:22
◼
►
a you know he's legendarily like intense
[TS]
00:50:26
◼
►
guy I've known him tangentially for many
[TS]
00:50:32
◼
►
years and he's one of the very few
[TS]
00:50:35
◼
►
people who scares the shit out of me you
[TS]
00:50:38
◼
►
just scare sketches this episode of
[TS]
00:50:42
◼
►
Roderick on the line is brought to you
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00:50:43
◼
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by Casper you learn more about Casper
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00:50:50
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Roderick on the line and all the great
[TS]
00:52:57
◼
►
shows scares the shit out of me he's a
[TS]
00:53:02
◼
►
he's a big guy and he is just his
[TS]
00:53:07
◼
►
intensity is up there to the to the
[TS]
00:53:09
◼
►
point of like hello
[TS]
00:53:12
◼
►
scary guy but I had a good friend who
[TS]
00:53:15
◼
►
worked who was oh you know Mike Squires
[TS]
00:53:17
◼
►
you know Mike's work Harry are all our
[TS]
00:53:19
◼
►
listeners know Mike Squires guitar
[TS]
00:53:21
◼
►
player of Duff McKagan 'he's loaded they
[TS]
00:53:24
◼
►
were on tour at a certain point a long
[TS]
00:53:27
◼
►
time ago and he met Zakk Wylde for the
[TS]
00:53:29
◼
►
first time and Mike was a Murray in the
[TS]
00:53:31
◼
►
Marines Mike is somebody who grew up in
[TS]
00:53:34
◼
►
an intense environment where you know
[TS]
00:53:37
◼
►
you had to really be on your toes and he
[TS]
00:53:40
◼
►
met Zakk Wylde and you know and tried to
[TS]
00:53:43
◼
►
like Josh with him like hey you know
[TS]
00:53:46
◼
►
what's up ding-a-ling her I don't know
[TS]
00:53:48
◼
►
tried to be like Mike Squires about it
[TS]
00:53:49
◼
►
and and Mike reported back to me that
[TS]
00:53:53
◼
►
the one guy in the the one guy that
[TS]
00:53:55
◼
►
scares the shit out of him is Zakk Wylde
[TS]
00:53:57
◼
►
and he didn't want to he didn't want a
[TS]
00:53:59
◼
►
monkey with Zakk Wylde which seemed like
[TS]
00:54:02
◼
►
a reasonable approach to take to Zakk
[TS]
00:54:05
◼
►
well he's also a very big man and an
[TS]
00:54:08
◼
►
impressive now my my good friend Andrew
[TS]
00:54:11
◼
►
mikeg who now is the tour manager of The
[TS]
00:54:15
◼
►
Experience Hendrix
[TS]
00:54:17
◼
►
show which tours the world with uh with
[TS]
00:54:22
◼
►
like all-star cast like Ringo Starr's
[TS]
00:54:24
◼
►
all-star band except playing Jimi
[TS]
00:54:26
◼
►
Hendrix music Wow
[TS]
00:54:28
◼
►
and Zach Zakk Wylde is in that band and
[TS]
00:54:30
◼
►
he Zach and Andrew now are thick as
[TS]
00:54:32
◼
►
thieves they they like post videos of
[TS]
00:54:35
◼
►
each other on Instagram like like cuckoo
[TS]
00:54:37
◼
►
cuckoo cuckoo cuckoo cuckoo like it's
[TS]
00:54:40
◼
►
pretty great pretty rock and roll great
[TS]
00:54:42
◼
►
so I'm no longer um I'm no longer
[TS]
00:54:45
◼
►
worried about meeting Zach well because
[TS]
00:54:46
◼
►
I feel like I happenin I can say I'm
[TS]
00:54:49
◼
►
good friends with Andrew also Merlin
[TS]
00:54:51
◼
►
this may surprise you to know but my
[TS]
00:54:53
◼
►
understanding it's just remembering now
[TS]
00:54:55
◼
►
is that Zach wilds manager listens maybe
[TS]
00:54:57
◼
►
listens to this program get out of town
[TS]
00:54:59
◼
►
I'm not a hundred percent sure but I
[TS]
00:55:01
◼
►
think it's true or at least at one point
[TS]
00:55:04
◼
►
was huh anyway Ben Shepherd has always
[TS]
00:55:08
◼
►
scared the shit out of me and he's one
[TS]
00:55:10
◼
►
of those guys that would just stare at
[TS]
00:55:12
◼
►
you from across the room you're like
[TS]
00:55:14
◼
►
that's not good like like hi and he just
[TS]
00:55:18
◼
►
keeps just like staring but anyway so
[TS]
00:55:21
◼
►
there's this bass line in the song
[TS]
00:55:23
◼
►
burden in my hand
[TS]
00:55:24
◼
►
that for years I wanted to tease out
[TS]
00:55:29
◼
►
wanted to figure out what what's going
[TS]
00:55:31
◼
►
on and so the other day I was like I bet
[TS]
00:55:35
◼
►
you there's something on the internet
[TS]
00:55:36
◼
►
about this and I'm surprised often when
[TS]
00:55:41
◼
►
there is not something on the internet
[TS]
00:55:42
◼
►
about a thing
[TS]
00:55:43
◼
►
it feels you do this song this has got
[TS]
00:55:46
◼
►
happened to you huh in my neighborhood I
[TS]
00:55:49
◼
►
I feel like I'm about to talk about some
[TS]
00:55:52
◼
►
I'm about to talk about a dream hmm but
[TS]
00:55:55
◼
►
it's not a dream in my neighborhood
[TS]
00:55:58
◼
►
there is someone and I'm gonna say I'm
[TS]
00:56:03
◼
►
pretty confident that it's a guy this
[TS]
00:56:08
◼
►
someone who late late at night walks
[TS]
00:56:17
◼
►
around setting off sticks of dynamite
[TS]
00:56:21
◼
►
how I talked about this before I don't
[TS]
00:56:24
◼
►
think so
[TS]
00:56:24
◼
►
I mean they're not cherry bombs they are
[TS]
00:56:31
◼
►
there's like some significant boomy
[TS]
00:56:33
◼
►
bottom and so I'll because I'm up late
[TS]
00:56:38
◼
►
at night I'm lying in bed and some
[TS]
00:56:41
◼
►
nights I'll hear it all the way across
[TS]
00:56:44
◼
►
the neighborhood like on the far far far
[TS]
00:56:47
◼
►
side of neighborhood three o'clock in
[TS]
00:56:48
◼
►
the morning and it's loud but you can
[TS]
00:56:54
◼
►
tell it's also very distant and then
[TS]
00:56:57
◼
►
other times I will hear it nearby so
[TS]
00:57:04
◼
►
that the windows rattle my god middle of
[TS]
00:57:08
◼
►
the night and some nights I hear two and
[TS]
00:57:13
◼
►
maybe once even heard three of these
[TS]
00:57:17
◼
►
explosions in a single night and heard
[TS]
00:57:20
◼
►
them at a distance but moving like there
[TS]
00:57:23
◼
►
was one and then 45 minutes later there
[TS]
00:57:25
◼
►
was another one over there and then you
[TS]
00:57:27
◼
►
know an hour later there was another one
[TS]
00:57:30
◼
►
way over there we awake the whole time
[TS]
00:57:33
◼
►
be waking you up no I'm up I'm up and on
[TS]
00:57:36
◼
►
this is even weirder and this person
[TS]
00:57:39
◼
►
that I think is probably a guy is also a
[TS]
00:57:41
◼
►
play but one time I was sitting in my
[TS]
00:57:46
◼
►
bedroom in my house and a stick of
[TS]
00:57:51
◼
►
dynamite went out off in the street in
[TS]
00:57:53
◼
►
front of my house and I saw the flash
[TS]
00:57:58
◼
►
through the windows it rattled the
[TS]
00:58:02
◼
►
entire house it rattled my teak it
[TS]
00:58:05
◼
►
rattled it was like a stick well a stick
[TS]
00:58:08
◼
►
of dynamite in front of your house yeah
[TS]
00:58:10
◼
►
yeah you know just like and you're not
[TS]
00:58:14
◼
►
expecting it all right there's no like
[TS]
00:58:17
◼
►
five four it's just like and so I
[TS]
00:58:21
◼
►
typically you give a fella fire in the
[TS]
00:58:23
◼
►
hole before you do something like that
[TS]
00:58:24
◼
►
yeah and it's the middle of the goddamn
[TS]
00:58:28
◼
►
night you know 3:00 a.m. and it's only
[TS]
00:58:30
◼
►
that I'm just sitting here sorting my
[TS]
00:58:33
◼
►
cufflinks into boxes that I was awake
[TS]
00:58:35
◼
►
and saw the flash and so of course I
[TS]
00:58:39
◼
►
sprinted downstairs in my underpants
[TS]
00:58:43
◼
►
sprinted out the front door the entire
[TS]
00:58:47
◼
►
Street is full of black powder smoke
[TS]
00:58:50
◼
►
there's like shit floating in the air
[TS]
00:58:53
◼
►
right paper and ship floating in the air
[TS]
00:58:56
◼
►
and I run out into the middle and
[TS]
00:58:58
◼
►
there's you know this big black spot on
[TS]
00:59:02
◼
►
the on the pavement and I'm in the
[TS]
00:59:05
◼
►
middle of the street and I'm in my like
[TS]
00:59:06
◼
►
I didn't even have the forethought to
[TS]
00:59:09
◼
►
take a fencing saber with me I'm just
[TS]
00:59:11
◼
►
like I am ready to fight whatever
[TS]
00:59:15
◼
►
mountain lion whatever human bear
[TS]
00:59:17
◼
►
mountain lion in human shape just thinks
[TS]
00:59:19
◼
►
that this is a good plan and I'm out in
[TS]
00:59:21
◼
►
the military and there's no one and I'm
[TS]
00:59:24
◼
►
looking and I'm looking and then nobody
[TS]
00:59:26
◼
►
else is running on their underwear no
[TS]
00:59:28
◼
►
hmm but there's definitely smoke Oh
[TS]
00:59:32
◼
►
the street is full smoke coming and the
[TS]
00:59:34
◼
►
and the smoke cloud is 30 feet high I
[TS]
00:59:37
◼
►
mean it's like a well it's like a bomb
[TS]
00:59:40
◼
►
went off and two blocks down
[TS]
00:59:47
◼
►
there is a solitary figure dressed in
[TS]
00:59:52
◼
►
black and just before and he's at the
[TS]
00:59:56
◼
►
corner two blocks down and just before
[TS]
00:59:59
◼
►
he turns
[TS]
00:59:59
◼
►
he turns
[TS]
01:00:00
◼
►
he turns and stops and looks back at me
[TS]
01:00:02
◼
►
and I'm standing in my underwear in the
[TS]
01:00:04
◼
►
middle of his smoke cloud and it so this
[TS]
01:00:08
◼
►
this bomb had to have been on a long
[TS]
01:00:13
◼
►
fuse because he's not running he's fully
[TS]
01:00:19
◼
►
two blocks away and lit this either with
[TS]
01:00:23
◼
►
a with a fuse a lit fuse or on some kind
[TS]
01:00:28
◼
►
of timer or I don't think a remote
[TS]
01:00:31
◼
►
detonator of some kind but like to put a
[TS]
01:00:35
◼
►
thing to set off something like this in
[TS]
01:00:37
◼
►
front of in just a neighborhood Street
[TS]
01:00:39
◼
►
is one thing but to light it and walk
[TS]
01:00:41
◼
►
away two blocks away you have no idea
[TS]
01:00:43
◼
►
who's gonna come along right you could
[TS]
01:00:45
◼
►
be a block and a half away and all of a
[TS]
01:00:47
◼
►
sudden a family of five drives up in a
[TS]
01:00:50
◼
►
super bill you know like a yeah a
[TS]
01:00:52
◼
►
Griswold machine so and I stand in the
[TS]
01:00:57
◼
►
street and he stands in the street and
[TS]
01:00:59
◼
►
we look at each other across this long
[TS]
01:01:01
◼
►
distance I can't see his face he's just
[TS]
01:01:03
◼
►
a shadow and I'm like I'm in my bare
[TS]
01:01:09
◼
►
feet but I just wanted to sprint after
[TS]
01:01:12
◼
►
this guy but I just knew that it was not
[TS]
01:01:15
◼
►
it wasn't doable and so he turned the
[TS]
01:01:20
◼
►
corner and he and there was something in
[TS]
01:01:21
◼
►
his body language something in his
[TS]
01:01:23
◼
►
energy that was just like very much like
[TS]
01:01:27
◼
►
fuck you like just super it felt like
[TS]
01:01:32
◼
►
they felt like getting a glimpse of a
[TS]
01:01:33
◼
►
serial killer to me because I've been
[TS]
01:01:35
◼
►
listening to these bombs go off for a
[TS]
01:01:37
◼
►
decade and then one other time a a bomb
[TS]
01:01:43
◼
►
went off in my neighborhood like about
[TS]
01:01:45
◼
►
two blocks away
[TS]
01:01:46
◼
►
but close enough that I knew where it
[TS]
01:01:48
◼
►
happened and I jumped out put on my
[TS]
01:01:51
◼
►
shoes and ran the two blocks to that
[TS]
01:01:54
◼
►
location again a huge cloud of smoke
[TS]
01:01:58
◼
►
stuff still floating in the air and I
[TS]
01:02:02
◼
►
was hoping that I was coming the
[TS]
01:02:03
◼
►
direction that he was going but they
[TS]
01:02:05
◼
►
were but I saw no one and in that
[TS]
01:02:07
◼
►
situation there was somebody else that
[TS]
01:02:09
◼
►
came out of their house
[TS]
01:02:10
◼
►
stood there and looked at each other in
[TS]
01:02:11
◼
►
the street like what the fuck but I go
[TS]
01:02:14
◼
►
on the internet and and say you know
[TS]
01:02:17
◼
►
like who's setting off fucking bombs and
[TS]
01:02:19
◼
►
and you know there's so many NIMBYs and
[TS]
01:02:22
◼
►
neighborhood activists and people that
[TS]
01:02:24
◼
►
are on the internet like there's a
[TS]
01:02:25
◼
►
barking dog in my neighborhood yeah
[TS]
01:02:27
◼
►
right I can find nothing mm-hmm about
[TS]
01:02:31
◼
►
the Mad Bomber of South Seattle noticing
[TS]
01:02:36
◼
►
and that's so strange when that happens
[TS]
01:02:38
◼
►
I feel like I'm I'm a crazy person like
[TS]
01:02:40
◼
►
is no one else here these massive
[TS]
01:02:44
◼
►
explosions I mean I don't think that
[TS]
01:02:46
◼
►
he's ever doesn't seem like he's ever
[TS]
01:02:47
◼
►
hurt anybody I've never heard a police
[TS]
01:02:49
◼
►
car it never feels like I should call
[TS]
01:02:52
◼
►
the police because it's like well fait
[TS]
01:02:53
◼
►
accompli thing went off it's guy in a
[TS]
01:02:55
◼
►
black hoodies who knows nobody just
[TS]
01:02:59
◼
►
pranking everybody just pranking and
[TS]
01:03:01
◼
►
where does he get these amazing bombs
[TS]
01:03:04
◼
►
another thing I wanted but so I went on
[TS]
01:03:08
◼
►
the Internet
[TS]
01:03:09
◼
►
yeah and I googled soloed baseline of
[TS]
01:03:13
◼
►
burden in my hand I wanted to hear the
[TS]
01:03:17
◼
►
bass part because I felt like it was
[TS]
01:03:20
◼
►
really the secret to the song and of
[TS]
01:03:25
◼
►
course it's there it pops up and I
[TS]
01:03:27
◼
►
listen to it and it is really hard to
[TS]
01:03:31
◼
►
understand what is happening because
[TS]
01:03:35
◼
►
soul load it sounds very bad it doesn't
[TS]
01:03:41
◼
►
sound well played and it doesn't sound
[TS]
01:03:45
◼
►
well thought out it sounds kind of like
[TS]
01:03:48
◼
►
Ben Shephard through a bass down a
[TS]
01:03:51
◼
►
flight of stairs I'm listening it's got
[TS]
01:03:55
◼
►
a kind of meandering grungy feeling the
[TS]
01:03:58
◼
►
song or the baseline to baseline by
[TS]
01:04:01
◼
►
itself yeah at a great tone well even
[TS]
01:04:06
◼
►
you know yeah sort of but there are a
[TS]
01:04:10
◼
►
bunch of comments after the basement
[TS]
01:04:14
◼
►
afterwards on the youtubes the
[TS]
01:04:15
◼
►
sloppiness is part of his brilliance
[TS]
01:04:17
◼
►
yeah exactly and then a lot of other
[TS]
01:04:19
◼
►
people are like this is an amateur
[TS]
01:04:21
◼
►
garbage
[TS]
01:04:22
◼
►
for months well so then somebody in that
[TS]
01:04:25
◼
►
comment thread posted a thing where they
[TS]
01:04:27
◼
►
said you need to listen to this in the
[TS]
01:04:28
◼
►
context and they posted a thing where
[TS]
01:04:30
◼
►
the band is in the right channel and the
[TS]
01:04:33
◼
►
base is soloed in the left chance okay
[TS]
01:04:35
◼
►
and listening to not even you I mean at
[TS]
01:04:45
◼
►
least I think I get what he's doing I
[TS]
01:04:50
◼
►
get the bass part now I understand where
[TS]
01:04:52
◼
►
it lives but I'm just surprised he
[TS]
01:04:55
◼
►
didn't take another take like I'm
[TS]
01:04:58
◼
►
surprised that he didn't just try and go
[TS]
01:05:01
◼
►
and get it a little better mm-hmm and
[TS]
01:05:03
◼
►
this was a record that they recorded a
[TS]
01:05:05
◼
►
bad animals studio it must have been you
[TS]
01:05:07
◼
►
know $1500 a day in the studio this is a
[TS]
01:05:11
◼
►
major major professional rock album so
[TS]
01:05:14
◼
►
it had to be intentional everything
[TS]
01:05:17
◼
►
about it was intentional and when you
[TS]
01:05:20
◼
►
listen to the track it not only works it
[TS]
01:05:24
◼
►
works amazingly but there's nothing
[TS]
01:05:27
◼
►
about the part that would suggest it if
[TS]
01:05:29
◼
►
you were sitting in the studio and you
[TS]
01:05:30
◼
►
so load that bass part he tends I mean
[TS]
01:05:34
◼
►
he sounds I don't get in trouble with
[TS]
01:05:36
◼
►
this guy because he sounds like a tough
[TS]
01:05:37
◼
►
guy it says a little bit like a guitar
[TS]
01:05:39
◼
►
player playing a bass part yeah and
[TS]
01:05:42
◼
►
they're like weird hammer offs that just
[TS]
01:05:45
◼
►
sort of you know they're like like a
[TS]
01:05:47
◼
►
root in a fifth the root routing and
[TS]
01:05:48
◼
►
octaves and a lot of sliding around but
[TS]
01:05:50
◼
►
it's a sliding around yeah yeah
[TS]
01:05:52
◼
►
hammering and like just sort of fret
[TS]
01:05:55
◼
►
noise and clanks and clunks there are a
[TS]
01:05:59
◼
►
lot of clanks and clunks it's not a
[TS]
01:06:01
◼
►
family it's not a clean take um and I've
[TS]
01:06:06
◼
►
really been chewing on that bass part uh
[TS]
01:06:09
◼
►
for the last few weeks sort of like if
[TS]
01:06:13
◼
►
you walk out of Gallic guardians of the
[TS]
01:06:15
◼
►
galaxy are you thinking about the movie
[TS]
01:06:18
◼
►
afterwards I'm still thinking about
[TS]
01:06:20
◼
►
guardians of the galaxy where do you
[TS]
01:06:21
◼
►
stand it as of now the way she did
[TS]
01:06:24
◼
►
another take do I wish he had done
[TS]
01:06:27
◼
►
another take uh no because I think the
[TS]
01:06:30
◼
►
track is perfect what I listen to burden
[TS]
01:06:33
◼
►
in my hand I do not think oh I wish that
[TS]
01:06:36
◼
►
song was better like it I do feel within
[TS]
01:06:39
◼
►
at least the Soundgarden style it's it's
[TS]
01:06:44
◼
►
a high watermark for Soundgarden and yet
[TS]
01:06:49
◼
►
I cannot as a recordist and a person
[TS]
01:06:53
◼
►
that's making rock albums I cannot I
[TS]
01:06:56
◼
►
cannot picture myself in the studio as
[TS]
01:07:00
◼
►
the guy as the star of the band
[TS]
01:07:03
◼
►
listening to that bass take and saying
[TS]
01:07:06
◼
►
great write print it and so it's another
[TS]
01:07:12
◼
►
example another piece of evidence that
[TS]
01:07:13
◼
►
I'm missing something or you know that I
[TS]
01:07:19
◼
►
that that there is a that that's a form
[TS]
01:07:23
◼
►
of perfection but if it works for their
[TS]
01:07:26
◼
►
song it works right well but that's
[TS]
01:07:29
◼
►
exactly right and that's what we're
[TS]
01:07:31
◼
►
saying about George Harrison BAM all
[TS]
01:07:33
◼
►
right yeah but if you solo things which
[TS]
01:07:37
◼
►
is what you do in a studio like you
[TS]
01:07:40
◼
►
record the bass part live with the band
[TS]
01:07:42
◼
►
and then you go and you solo things to
[TS]
01:07:44
◼
►
hear how they sound to make sure that
[TS]
01:07:45
◼
►
they all line up and they work contrary
[TS]
01:07:48
◼
►
to what you might imagine listening to a
[TS]
01:07:50
◼
►
song or an album like for the early
[TS]
01:07:53
◼
►
stages of that song you're doing nothing
[TS]
01:07:56
◼
►
but listening to solo solo or grouped
[TS]
01:08:00
◼
►
instruments like for a long you don't
[TS]
01:08:01
◼
►
get to hear what the song really sounds
[TS]
01:08:03
◼
►
like really for a long time you've
[TS]
01:08:05
◼
►
probably heard that bass line you know
[TS]
01:08:08
◼
►
numerous numerous times by its size yeah
[TS]
01:08:10
◼
►
or oh and usually you're listening to it
[TS]
01:08:13
◼
►
with the drums right and you're saying
[TS]
01:08:15
◼
►
does this does this work and even if it
[TS]
01:08:18
◼
►
was working with the drums when you so
[TS]
01:08:21
◼
►
load it and you heard all the noise and
[TS]
01:08:23
◼
►
the chaos I cannot imagine that the
[TS]
01:08:29
◼
►
people who were getting paid big big
[TS]
01:08:30
◼
►
dollars to do this had the the
[TS]
01:08:36
◼
►
cleverness I guess to say that's done I
[TS]
01:08:39
◼
►
see you know because they because I
[TS]
01:08:43
◼
►
would assume that they would be trying
[TS]
01:08:45
◼
►
to justify their enormous salaries by
[TS]
01:08:47
◼
►
saying let's do this 50 times until you
[TS]
01:08:50
◼
►
get it right and that's the somewhere in
[TS]
01:08:55
◼
►
the chain either Ben Shepard was like
[TS]
01:08:57
◼
►
that's perfect I'm not doing it again
[TS]
01:08:59
◼
►
which requires either tremendous
[TS]
01:09:02
◼
►
confidence from him or tremendous fuck
[TS]
01:09:04
◼
►
you a tude or the producer heard it and
[TS]
01:09:08
◼
►
was like I wouldn't change a thing which
[TS]
01:09:10
◼
►
is super smart or like crazy smart or
[TS]
01:09:14
◼
►
Chris Cornell is like nope that's our
[TS]
01:09:17
◼
►
sound I mean somewhere somebody made a
[TS]
01:09:19
◼
►
stand for that bass line I guess is what
[TS]
01:09:21
◼
►
I'm saying yeah I see SM and I don't see
[TS]
01:09:24
◼
►
how you could make a stand about that
[TS]
01:09:26
◼
►
particular part so all these little all
[TS]
01:09:31
◼
►
these little bread crumbs crumbs that
[TS]
01:09:32
◼
►
that that the world leaves behind that
[TS]
01:09:37
◼
►
if you're if you you find them you walk
[TS]
01:09:39
◼
►
through the forest and you find this I'm
[TS]
01:09:40
◼
►
gonna pick it up and you look at and you
[TS]
01:09:42
◼
►
go what's the story here how how does
[TS]
01:09:44
◼
►
this acquit with my theory of how good
[TS]
01:09:50
◼
►
things get made one of the reasons I was
[TS]
01:09:55
◼
►
up late I've been watching a lot of
[TS]
01:09:56
◼
►
videos from this guy Adam Neely who has
[TS]
01:09:58
◼
►
a really I think a really good YouTube
[TS]
01:10:00
◼
►
channel um he's a bass player a
[TS]
01:10:03
◼
►
multi-instrumentalist but mainly a bass
[TS]
01:10:04
◼
►
player and he's a teacher he teaches
[TS]
01:10:06
◼
►
music and he did this thing I think this
[TS]
01:10:10
◼
►
is the right one a familiar with the
[TS]
01:10:14
◼
►
notion of Hockett no hoc ke T and it
[TS]
01:10:23
◼
►
basically he lays out like with music
[TS]
01:10:25
◼
►
and with showing you the notation it's a
[TS]
01:10:26
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little bit it's kind of like it's where
[TS]
01:10:29
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basically you break up the rhythm across
[TS]
01:10:33
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multiple voices or instruments where
[TS]
01:10:35
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there's like sort of a continuation and
[TS]
01:10:36
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a coverage and you give this kind of
[TS]
01:10:38
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strange like magical quality to having
[TS]
01:10:42
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passing off the melody to different
[TS]
01:10:44
◼
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instruments I mean here a lot you might
[TS]
01:10:46
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hear a lot in like I'm guessing like I
[TS]
01:10:47
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want to say like Bebop weird like
[TS]
01:10:49
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somebody will continue the line or
[TS]
01:10:50
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something like that but this is also
[TS]
01:10:52
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like by design you can be write this in
[TS]
01:10:55
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such a way that this voice starts that
[TS]
01:10:57
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this hands off to this voice maybe
[TS]
01:10:59
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there's a harmony but it completes and
[TS]
01:11:01
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it's but it's one of those things were
[TS]
01:11:02
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like I have never
[TS]
01:11:04
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given that much thought to something
[TS]
01:11:06
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like this even existing but like once
[TS]
01:11:08
◼
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it's explained to you it's kind of a
[TS]
01:11:10
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mind blower and you go back and you
[TS]
01:11:11
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listen to stuff and you're like wow you
[TS]
01:11:13
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would have to be so trusting of the
[TS]
01:11:14
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people in this Corral to attempt
[TS]
01:11:16
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something like this and I don't know if
[TS]
01:11:18
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I'm describing it very well but but you
[TS]
01:11:20
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it's maybe a little bit I want to say a
[TS]
01:11:22
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little bit like a cannon but something
[TS]
01:11:23
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where there might be some repetition but
[TS]
01:11:24
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you're like handing off in music haka is
[TS]
01:11:27
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the rhythmic linear technique using the
[TS]
01:11:28
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alternation of notes pitches or chords
[TS]
01:11:30
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as a single melody shared between two or
[TS]
01:11:33
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occasionally more voices such that
[TS]
01:11:35
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alternately one voice sounds while the
[TS]
01:11:37
◼
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other rests right and one example he
[TS]
01:11:40
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gives is you know that Daft Punk song
[TS]
01:11:43
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faster make it that oh the faster
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01:11:45
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stronger
[TS]
01:11:46
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yeah like were you like passing you're
[TS]
01:11:47
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like but you can do more easily
[TS]
01:11:49
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electronically I guess but like I don't
[TS]
01:11:51
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know I I'm I'm still so interested in
[TS]
01:11:53
◼
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learning about this kind of stuff
[TS]
01:11:54
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because then you go back and you listen
[TS]
01:11:56
◼
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to stuff again you're just like this is
[TS]
01:11:57
◼
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like triply amazing to me now that
[TS]
01:11:59
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somebody pulled this off yeah yeah I
[TS]
01:12:03
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change the change the subject little on
[TS]
01:12:05
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you there no not at all not at all I
[TS]
01:12:07
◼
►
think that that is that reality as
[TS]
01:12:09
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mental realities right both well and and
[TS]
01:12:12
◼
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and you say you say collaboration a lot
[TS]
01:12:15
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and I think it is it's important to hear
[TS]
01:12:18
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the word collaboration over and over
[TS]
01:12:20
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it's important for me to think about
[TS]
01:12:23
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collaboration I am now I don't want to
[TS]
01:12:26
◼
►
give too much away I don't want to
[TS]
01:12:28
◼
►
spoiler alert oh no I do want a spoiler
[TS]
01:12:31
◼
►
alert I don't want to spoiler
[TS]
01:12:32
◼
►
okay thank you I don't want to alert hmm
[TS]
01:12:36
◼
►
but I am embarking upon a new thing in
[TS]
01:12:42
◼
►
multiple different venues where I am
[TS]
01:12:45
◼
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intentionally collaborating that's been
[TS]
01:12:48
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the never you in the past hasn't it it
[TS]
01:12:50
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►
it has and I forget it over and over and
[TS]
01:12:54
◼
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because I think that what I want is to
[TS]
01:12:56
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be left alone and I think that that it's
[TS]
01:13:00
◼
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you know like hard to collaborate and it
[TS]
01:13:03
◼
►
is but like that track that I sent to
[TS]
01:13:07
◼
►
Amy that ended up on her record
[TS]
01:13:09
◼
►
it wasn't exactly a pure collaboration
[TS]
01:13:12
◼
►
in the sense that I wrote a thing and I
[TS]
01:13:16
◼
►
sent it to her
[TS]
01:13:17
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►
wasn't a bunch of back-and-forth I sent
[TS]
01:13:20
◼
►
it to her she added her parts it was a
[TS]
01:13:23
◼
►
completed thing and and so but it did
[TS]
01:13:28
◼
►
feel like I had to surrender this thing
[TS]
01:13:30
◼
►
I had written it I was proud of it I
[TS]
01:13:32
◼
►
thought it was good I had a very strong
[TS]
01:13:33
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►
idea about where it should go
[TS]
01:13:35
◼
►
I handed it to her she went where she
[TS]
01:13:38
◼
►
wanted it to go and it became an Amy man
[TS]
01:13:41
◼
►
song because you don't give a song to a
[TS]
01:13:44
◼
►
me man and then have it be anything
[TS]
01:13:46
◼
►
other right if she's gonna use it it
[TS]
01:13:47
◼
►
becomes hers and she did she did an
[TS]
01:13:50
◼
►
amazing work right she she wrote the
[TS]
01:13:52
◼
►
bridge which i think is a great bridge
[TS]
01:13:54
◼
►
like she she made it hers and I had to I
[TS]
01:13:59
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►
had to say goodbye thing that I made
[TS]
01:14:02
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►
right have a new life somewhere else go
[TS]
01:14:05
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►
to college in a different town but it
[TS]
01:14:09
◼
►
was it and it wasn't easy because it's
[TS]
01:14:12
◼
►
like but I wanted to be the one that did
[TS]
01:14:14
◼
►
everything right that's that's what I do
[TS]
01:14:16
◼
►
yeah but it turned out great and it
[TS]
01:14:19
◼
►
lives in the world right now and I and
[TS]
01:14:22
◼
►
it was a reminder don't be precious make
[TS]
01:14:25
◼
►
your thing hand it off you know you eat
[TS]
01:14:28
◼
►
everything is a collaboration in that
[TS]
01:14:30
◼
►
when you hand it off to the world they
[TS]
01:14:32
◼
►
add their two cents right like somebody
[TS]
01:14:35
◼
►
else loving a thing and loving it in
[TS]
01:14:38
◼
►
their own way like adds to what the
[TS]
01:14:40
◼
►
thing is that's going to put it so I'm
[TS]
01:14:43
◼
►
collaborating now with two different
[TS]
01:14:47
◼
►
more broadly where I'm like let's do
[TS]
01:14:50
◼
►
this together let's do this project
[TS]
01:14:52
◼
►
together and boy Merlin is it hard just
[TS]
01:14:56
◼
►
to say that over and over because the
[TS]
01:14:58
◼
►
person comes back and they're like great
[TS]
01:14:59
◼
►
while I was thinking that I would put I
[TS]
01:15:01
◼
►
would play you know I would call it
[TS]
01:15:04
◼
►
Connecticut and put a whipped cream on
[TS]
01:15:06
◼
►
it and I'm like I don't that's not what
[TS]
01:15:10
◼
►
I had in mind
[TS]
01:15:11
◼
►
I don't even know what you just said and
[TS]
01:15:13
◼
►
they're like no no it's going to be
[TS]
01:15:14
◼
►
great Connecticut that's what we're
[TS]
01:15:15
◼
►
calling it now and but it has so far
[TS]
01:15:21
◼
►
I've picked a couple of collaborators or
[TS]
01:15:23
◼
►
they picked me who are exciting and
[TS]
01:15:27
◼
►
we're doing something that I wouldn't do
[TS]
01:15:30
◼
►
otherwise
[TS]
01:15:31
◼
►
so boy I'm every day I'm I'm trying to
[TS]
01:15:36
◼
►
wake up and say you can't do this by
[TS]
01:15:38
◼
►
yourself nothing good is going to come
[TS]
01:15:41
◼
►
of do you doing it by yourself you have
[TS]
01:15:42
◼
►
to you have to live in the world an
[TS]
01:15:47
◼
►
interesting analog that jump straight to
[TS]
01:15:49
◼
►
mind as I read more stuff in like New
[TS]
01:15:52
◼
►
York Times Washington Post I've
[TS]
01:15:54
◼
►
subscribed to those and I read them a
[TS]
01:15:55
◼
►
lot is I think about um there's a writer
[TS]
01:15:57
◼
►
I like a lot of the New York Times
[TS]
01:15:58
◼
►
Maggie Haberman I like her Twitter I
[TS]
01:16:01
◼
►
like when she's interviewed on shows and
[TS]
01:16:03
◼
►
I enjoy when she is on the byline and
[TS]
01:16:07
◼
►
frequently she's not alone on the byline
[TS]
01:16:11
◼
►
these days you know with this fast news
[TS]
01:16:13
◼
►
cycle and all this crazy stuff coming
[TS]
01:16:14
◼
►
out and the leaks and everything you
[TS]
01:16:16
◼
►
know she might be one of often to
[TS]
01:16:20
◼
►
occasionally three and sometimes many
[TS]
01:16:22
◼
►
more people and for some reason that
[TS]
01:16:23
◼
►
leaps to mind for me or maybe it's a
[TS]
01:16:26
◼
►
little bit like the wu-tang clan I don't
[TS]
01:16:27
◼
►
know but like with her like I'm just I'm
[TS]
01:16:29
◼
►
because I know that because I like the
[TS]
01:16:32
◼
►
stuff that she does I could not tell you
[TS]
01:16:33
◼
►
which sentence she wrote in this
[TS]
01:16:35
◼
►
particular article but but I know that I
[TS]
01:16:39
◼
►
really I like her work even when I can't
[TS]
01:16:42
◼
►
identify which part it was that she made
[TS]
01:16:44
◼
►
and I'm not saying that works across the
[TS]
01:16:46
◼
►
board for collaborations like you can
[TS]
01:16:48
◼
►
tell like John wrote that bridge that
[TS]
01:16:50
◼
►
was not a paul bridge that was a john
[TS]
01:16:52
◼
►
bridge like you can tell those kind of
[TS]
01:16:53
◼
►
things but I guess I'm just saying like
[TS]
01:16:54
◼
►
maybe that's one model to think about
[TS]
01:16:56
◼
►
because there's a little hidden part in
[TS]
01:16:58
◼
►
that that I think is interesting Maggie
[TS]
01:17:00
◼
►
Haberman is not gonna spend four years
[TS]
01:17:02
◼
►
to write one article she's got to put
[TS]
01:17:03
◼
►
stuff out every day sometimes more than
[TS]
01:17:05
◼
►
once a day so that it seems to me that
[TS]
01:17:08
◼
►
the idea of having to produce and I
[TS]
01:17:10
◼
►
realize of you know a rock album is not
[TS]
01:17:12
◼
►
the same thing as a news article but I
[TS]
01:17:14
◼
►
am saying that like the pressure to
[TS]
01:17:16
◼
►
release often combined with the need to
[TS]
01:17:19
◼
►
have ad hoc short term relationships
[TS]
01:17:20
◼
►
with other people who do what you do
[TS]
01:17:22
◼
►
must make you pretty cool about you
[TS]
01:17:25
◼
►
would have to get okay with how you
[TS]
01:17:27
◼
►
collaborate with people you couldn't
[TS]
01:17:28
◼
►
spend five years at that job saying no I
[TS]
01:17:30
◼
►
want the only byline on this and like
[TS]
01:17:32
◼
►
well no that's that's not how this works
[TS]
01:17:33
◼
►
in this in this economy and in this
[TS]
01:17:35
◼
►
environment like this is how we produce
[TS]
01:17:37
◼
►
news stories but that again that though
[TS]
01:17:40
◼
►
that pressure of like some somebody I
[TS]
01:17:41
◼
►
don't know and actually I would love to
[TS]
01:17:43
◼
►
be a fly on the wall for figuring out
[TS]
01:17:44
◼
►
sign to water who chooses what but you
[TS]
01:17:46
◼
►
take my meaning a little bit but yes you
[TS]
01:17:49
◼
►
seems like you would have to get less
[TS]
01:17:50
◼
►
Precious about whether it's good enough
[TS]
01:17:52
◼
►
and ready enough you have to get less
[TS]
01:17:54
◼
►
Precious about like putting your own ego
[TS]
01:17:56
◼
►
aside and I guess ultimately maybe you
[TS]
01:17:57
◼
►
know it could be an editor who's going
[TS]
01:17:59
◼
►
to make those kinds of decisions but did
[TS]
01:18:01
◼
►
you see any an analogy there well yeah
[TS]
01:18:04
◼
►
and I and honestly when you put it that
[TS]
01:18:08
◼
►
way the way that they have to be
[TS]
01:18:11
◼
►
thinking is that it's about the work
[TS]
01:18:13
◼
►
it's about it'll eventually put out we
[TS]
01:18:16
◼
►
know there's going to be a story that's
[TS]
01:18:17
◼
►
mostly about this topic or topics needs
[TS]
01:18:19
◼
►
to come out in the next few hours so how
[TS]
01:18:21
◼
►
do we collapse on them yeah right and
[TS]
01:18:23
◼
►
and it isn't it they're just not
[TS]
01:18:25
◼
►
thinking about the they're not thinking
[TS]
01:18:27
◼
►
about their solo right they're just like
[TS]
01:18:30
◼
►
the my job is to put this out or not to
[TS]
01:18:35
◼
►
be remembered and then consequently they
[TS]
01:18:40
◼
►
get remember difficult to do so
[TS]
01:18:42
◼
►
different I know I know oh the bastards
[TS]
01:18:46
◼
►
but I mean else I just did further on to
[TS]
01:18:48
◼
►
music though um I'm trying to think like
[TS]
01:18:51
◼
►
I don't know that much about like the
[TS]
01:18:53
◼
►
personalities of the various jazz
[TS]
01:18:56
◼
►
musicians but I mean you think about
[TS]
01:18:58
◼
►
somebody like Max Roach for example is
[TS]
01:19:03
◼
►
one that comes to mind we're like you
[TS]
01:19:05
◼
►
know I can't always identify every
[TS]
01:19:08
◼
►
drummer on every pop album but I'm often
[TS]
01:19:11
◼
►
often as not I am unsurprised to find
[TS]
01:19:14
◼
►
out that was telling max rich playing on
[TS]
01:19:15
◼
►
that because you guys have a certain
[TS]
01:19:17
◼
►
style but in jazz like when you're in a
[TS]
01:19:18
◼
►
small combo it's it seems like like just
[TS]
01:19:21
◼
►
to even get noticed to get noticed to
[TS]
01:19:25
◼
►
get invited up like all the kinds of
[TS]
01:19:27
◼
►
things that you would hope for when
[TS]
01:19:28
◼
►
you're starting out a huge piece of that
[TS]
01:19:30
◼
►
is how well you play with others and
[TS]
01:19:31
◼
►
like if you go up there your first day
[TS]
01:19:33
◼
►
this your first day you show up and you
[TS]
01:19:35
◼
►
start rapping about that bap bap bap bap
[TS]
01:19:37
◼
►
bap bap when nobody else is even playing
[TS]
01:19:38
◼
►
yet like you're gonna you're gonna kind
[TS]
01:19:40
◼
►
of get clocked as a loser
[TS]
01:19:42
◼
►
like Luigi ality and listening and that
[TS]
01:19:46
◼
►
kind of as I say collaboration the the
[TS]
01:19:49
◼
►
maybe the ironic turns out part is that
[TS]
01:19:51
◼
►
would make you very desirable to other
[TS]
01:19:52
◼
►
people like you've got chops when you
[TS]
01:19:54
◼
►
get your eight bars but you're not
[TS]
01:19:56
◼
►
stepping on everybody's stuff and you're
[TS]
01:19:58
◼
►
you know I mean you know how to be
[TS]
01:19:59
◼
►
classy onstage with other people be
[TS]
01:20:01
◼
►
supportive and then like respond to what
[TS]
01:20:03
◼
►
they're doing and where you don't like
[TS]
01:20:05
◼
►
wave your arms around and say okay
[TS]
01:20:06
◼
►
everybody stop this wasn't what I
[TS]
01:20:07
◼
►
intended I have a I have a friend here
[TS]
01:20:10
◼
►
in Seattle who is making a TV show and
[TS]
01:20:13
◼
►
she has a she's the writer of the head
[TS]
01:20:18
◼
►
writer and also the showrunner and she
[TS]
01:20:20
◼
►
has a writing staff that she has
[TS]
01:20:23
◼
►
compiled from the ranks right people
[TS]
01:20:27
◼
►
that wrote for Gracey and Frank or
[TS]
01:20:29
◼
►
people that wrote for my own private
[TS]
01:20:32
◼
►
Idaho or people that I don't know
[TS]
01:20:34
◼
►
writers all the great chefs that have
[TS]
01:20:36
◼
►
that have their own that have you know
[TS]
01:20:39
◼
►
that have credits yeah and she said I
[TS]
01:20:43
◼
►
was talking to her the other day we went
[TS]
01:20:45
◼
►
to a baseball game and she said you know
[TS]
01:20:47
◼
►
normally what happens a person in my
[TS]
01:20:48
◼
►
position they have this team of writers
[TS]
01:20:50
◼
►
that have been put together to write
[TS]
01:20:52
◼
►
their show and everybody rights and
[TS]
01:20:53
◼
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rights and rights and we all write
[TS]
01:20:54
◼
►
script and then I would put my name on
[TS]
01:20:57
◼
►
it and they would be being paid to do
[TS]
01:21:01
◼
►
this work like Lena Dunham and it's a
[TS]
01:21:07
◼
►
Joss Whedon who's her collaborator I
[TS]
01:21:09
◼
►
[Music]
[TS]
01:21:10
◼
►
don't know yeah like another writer on
[TS]
01:21:16
◼
►
yeah well producer of girls oh yes it's
[TS]
01:21:19
◼
►
like right yeah famous guy
[TS]
01:21:21
◼
►
film film person okay move movie person
[TS]
01:21:24
◼
►
maybe he made super bad or 40 year old
[TS]
01:21:27
◼
►
virgin Apatow yeah
[TS]
01:21:30
◼
►
Apatow if you look at the entire season
[TS]
01:21:34
◼
►
all the seasons of those shows those two
[TS]
01:21:36
◼
►
I think man maybe with one other person
[TS]
01:21:38
◼
►
are credited with having written all the
[TS]
01:21:41
◼
►
show I've heard that they wrote almost
[TS]
01:21:43
◼
►
all of them yeah and but there is a
[TS]
01:21:46
◼
►
writing staff right there are people
[TS]
01:21:47
◼
►
that are brighter that are working on
[TS]
01:21:49
◼
►
the show there and those writers are
[TS]
01:21:52
◼
►
writing but they're not they're not they
[TS]
01:21:56
◼
►
don't take the ultimate credit for the
[TS]
01:21:57
◼
►
script and and my friend who is making
[TS]
01:22:01
◼
►
this TV show said you know what I did I
[TS]
01:22:03
◼
►
ended up just giving each one of my
[TS]
01:22:06
◼
►
writers a script you know they're going
[TS]
01:22:08
◼
►
to we're all going to write just like a
[TS]
01:22:10
◼
►
normal TV show but I'm going to give
[TS]
01:22:11
◼
►
each one of them the credit for it
[TS]
01:22:13
◼
►
because I don't need that like I'm a
[TS]
01:22:16
◼
►
successful person I don't need to also
[TS]
01:22:18
◼
►
own all the scripts even though their
[TS]
01:22:20
◼
►
first time as the showrunner will have a
[TS]
01:22:21
◼
►
heavy influence on how it gets edited
[TS]
01:22:23
◼
►
and implemented Oh for shizzle and
[TS]
01:22:26
◼
►
she'll have the final edit the final
[TS]
01:22:28
◼
►
writing uh shield she will do that work
[TS]
01:22:31
◼
►
she just won't take the credit and she
[TS]
01:22:33
◼
►
said you know if you get a script it's
[TS]
01:22:34
◼
►
an extra thinking $50,000 to this person
[TS]
01:22:37
◼
►
that's a little yeah why be greedy but
[TS]
01:22:39
◼
►
she said one of the writers you know
[TS]
01:22:42
◼
►
everybody on this on this show has
[TS]
01:22:45
◼
►
multiple credits of TV shows except for
[TS]
01:22:48
◼
►
this one young playwright that she hired
[TS]
01:22:52
◼
►
who was you know some fresh out of
[TS]
01:22:56
◼
►
college gal from you know some college
[TS]
01:23:00
◼
►
uh-huh who's a talented young playwright
[TS]
01:23:02
◼
►
and and she's on the writing staff and I
[TS]
01:23:06
◼
►
and and by this description I imagine
[TS]
01:23:09
◼
►
that she's pretty young right early
[TS]
01:23:10
◼
►
early to mid-20s not having worked in
[TS]
01:23:15
◼
►
television before not having been a part
[TS]
01:23:18
◼
►
of a writing staff but just somebody
[TS]
01:23:19
◼
►
that was writing plays and and my friend
[TS]
01:23:25
◼
►
described her as like she knows exactly
[TS]
01:23:27
◼
►
what to do in the writing room which is
[TS]
01:23:29
◼
►
to not say anything until there is a
[TS]
01:23:34
◼
►
time for her to say something and then
[TS]
01:23:36
◼
►
when she says something is brilliant
[TS]
01:23:37
◼
►
uh-huh she waits for a shot and I was
[TS]
01:23:40
◼
►
like boom well done and so my friend
[TS]
01:23:42
◼
►
said I'm giving her a script to which no
[TS]
01:23:48
◼
►
one can believe right that's because
[TS]
01:23:50
◼
►
this absence such a noob in this medium
[TS]
01:23:52
◼
►
yeah it's just not done you know like
[TS]
01:23:54
◼
►
this person's twenty five you don't give
[TS]
01:23:56
◼
►
them a script but like she earned it by
[TS]
01:24:02
◼
►
knowing her job right by not being the
[TS]
01:24:05
◼
►
one that was standing on the table like
[TS]
01:24:06
◼
►
no no no no right right but by being by
[TS]
01:24:10
◼
►
being consistently good and also knowing
[TS]
01:24:12
◼
►
how to be patient so I mean that show is
[TS]
01:24:18
◼
►
in development and I have my fingers
[TS]
01:24:21
◼
►
crossed about it but but that kind of
[TS]
01:24:24
◼
►
glimpse into
[TS]
01:24:25
◼
►
a world where it also requires that that
[TS]
01:24:29
◼
►
my friend who is not you know above like
[TS]
01:24:31
◼
►
wanting to be known and make money and
[TS]
01:24:34
◼
►
and and be a famous person is able to
[TS]
01:24:39
◼
►
say like the collaborative nature of
[TS]
01:24:41
◼
►
this is important enough to it getting
[TS]
01:24:43
◼
►
done that there should also be some
[TS]
01:24:46
◼
►
acknowledgement than some reward that's
[TS]
01:24:51
◼
►
also like spooned out to everybody
[TS]
01:24:53
◼
►
because these people are working their
[TS]
01:24:55
◼
►
butts off and even though they're lucky
[TS]
01:24:57
◼
►
to be here
[TS]
01:24:58
◼
►
yeah it doesn't mean that that they
[TS]
01:25:02
◼
►
should that they should have to pay to
[TS]
01:25:05
◼
►
play I can show is it just generally is
[TS]
01:25:10
◼
►
it drama
[TS]
01:25:12
◼
►
uh you know what I don't know why I'm
[TS]
01:25:16
◼
►
being so coy about it um my friend is
[TS]
01:25:20
◼
►
Maria Semple who wrote where'd you go
[TS]
01:25:24
◼
►
Bernadette and two things are currently
[TS]
01:25:31
◼
►
in development one of them is a film
[TS]
01:25:35
◼
►
being made of where'd you go Bernadette
[TS]
01:25:38
◼
►
which is being made and I think that
[TS]
01:25:44
◼
►
Maria has sort of had she had her input
[TS]
01:25:47
◼
►
into it and now has sort of stepped away
[TS]
01:25:49
◼
►
from the making of the film she's not
[TS]
01:25:51
◼
►
like a daily presence on the film but
[TS]
01:25:54
◼
►
there's also a television show that is
[TS]
01:25:57
◼
►
being developed so it's like a time it
[TS]
01:26:00
◼
►
is I don't know listening to Maria talk
[TS]
01:26:05
◼
►
about it it is like until the show is on
[TS]
01:26:08
◼
►
the air you cannot be confident oh yeah
[TS]
01:26:13
◼
►
sure alright shows you know though
[TS]
01:26:16
◼
►
they'll spend a hundred million dollars
[TS]
01:26:17
◼
►
making a show and then at the last
[TS]
01:26:19
◼
►
minute just decide to pull it and put on
[TS]
01:26:20
◼
►
ABC's Wide World of Sports Wide World of
[TS]
01:26:25
◼
►
quite a cash got for the movie Kate
[TS]
01:26:27
◼
►
Blanchet Kristen Wiig Judy Greer Billy
[TS]
01:26:30
◼
►
Crudup you got dr. manhattan's yes right
[TS]
01:26:34
◼
►
big penis man big penis big blue penis
[TS]
01:26:36
◼
►
John yep
[TS]
01:26:37
◼
►
big blue penis man
[TS]
01:26:39
◼
►
um yes it's a great cast and and then
[TS]
01:26:45
◼
►
the TV show also is pretty extraordinary
[TS]
01:26:51
◼
►
but I'm guessing that there's nothing oh
[TS]
01:26:54
◼
►
well there there's the article right
[TS]
01:26:56
◼
►
there so it's something I don't have to
[TS]
01:26:57
◼
►
it's in The Hollywood Reporter Julia
[TS]
01:27:00
◼
►
Roberts is playing Maria Semple oh my in
[TS]
01:27:03
◼
►
the in the television show that they are
[TS]
01:27:05
◼
►
developing and the show and it's about
[TS]
01:27:10
◼
►
her second book or their her follow-up
[TS]
01:27:12
◼
►
to where'd you go Bernadette called
[TS]
01:27:14
◼
►
today will be different which is ah at
[TS]
01:27:17
◼
►
your local bookstore on sale now so
[TS]
01:27:20
◼
►
Julia Roberts it's very unusual I mean
[TS]
01:27:24
◼
►
even for me to have a friend who is
[TS]
01:27:26
◼
►
being played by Julia Roberts on a TV
[TS]
01:27:29
◼
►
show get up to that but all for you
[TS]
01:27:31
◼
►
don't get that more than maybe four or
[TS]
01:27:32
◼
►
five times in your life right right like
[TS]
01:27:35
◼
►
sitting at a baseball game talking about
[TS]
01:27:36
◼
►
a TV show that is where Julia Roberts is
[TS]
01:27:39
◼
►
is the you know the star but Maria is
[TS]
01:27:44
◼
►
show running the show in addition to
[TS]
01:27:46
◼
►
having uh written the book and in
[TS]
01:27:50
◼
►
addition to being the kids main
[TS]
01:27:52
◼
►
character of the TV show and god am I
[TS]
01:27:55
◼
►
getting some lessons about collaboration
[TS]
01:27:58
◼
►
um it's just really heavy to watch how
[TS]
01:28:01
◼
►
much work has to go into making this
[TS]
01:28:03
◼
►
thing and how much self-effacement has
[TS]
01:28:07
◼
►
to happen how much like stepping back
[TS]
01:28:09
◼
►
and saying in order to make this big
[TS]
01:28:14
◼
►
thing work I have to let I have to let
[TS]
01:28:18
◼
►
people do their jobs Oh God
[TS]
01:28:19
◼
►
I can only imagine I can oh I can only
[TS]
01:28:23
◼
►
imagine there must be so much stuff
[TS]
01:28:26
◼
►
where you have to make a pretty fast
[TS]
01:28:28
◼
►
decision about well am I going to get
[TS]
01:28:31
◼
►
big deal out of this would be one
[TS]
01:28:32
◼
►
another one would be if this does happen
[TS]
01:28:34
◼
►
how likely is this thing to happen right
[TS]
01:28:37
◼
►
and if it does happen like what are the
[TS]
01:28:38
◼
►
likely consequences and you start doing
[TS]
01:28:40
◼
►
a little bit of like thinking you know
[TS]
01:28:42
◼
►
chest style a little bit ahead but I I
[TS]
01:28:44
◼
►
just I can't even imagine and you got
[TS]
01:28:46
◼
►
the whole time you got to stay cool and
[TS]
01:28:47
◼
►
keep your powder dry yeah I got so much
[TS]
01:28:52
◼
►
in with the writer Elizabeth Gilbert
[TS]
01:28:53
◼
►
you've met having I I have met Elizabeth
[TS]
01:28:57
◼
►
Gilbert she and I have spent some time
[TS]
01:29:00
◼
►
together okay so now you know two people
[TS]
01:29:03
◼
►
portrayed by Julia Roberts in a film
[TS]
01:29:06
◼
►
kind of film oh holy shit yeah that's
[TS]
01:29:08
◼
►
two we should probably look into this
[TS]
01:29:10
◼
►
see if there's any others you know it
[TS]
01:29:11
◼
►
could be done to you do you think this
[TS]
01:29:13
◼
►
is a situation where in the rest of my
[TS]
01:29:15
◼
►
life there will be two more people that
[TS]
01:29:17
◼
►
I know Tyler for Trinity Roberts
[TS]
01:29:20
◼
►
I think there will be at least one more
[TS]
01:29:22
◼
►
clearly Wow do you think maybe I will
[TS]
01:29:26
◼
►
ever be portrayed by Julia Roberts in a
[TS]
01:29:29
◼
►
film mm-hmm probably like a
[TS]
01:29:31
◼
►
fictionalized version of me I think it
[TS]
01:29:34
◼
►
would probably be Tilda Swinton playing
[TS]
01:29:37
◼
►
Julia Roberts playing you I think it
[TS]
01:29:39
◼
►
might have some laughs it might be it
[TS]
01:29:40
◼
►
might be a South Korean movie I think
[TS]
01:29:42
◼
►
it's going to have a lot of layers to it
[TS]
01:29:44
◼
►
and yeah and there's no question I think
[TS]
01:29:46
◼
►
that still counts you think it might be
[TS]
01:29:48
◼
►
like a Being John Malkovich situation
[TS]
01:29:50
◼
►
where people are just like Malkovich
[TS]
01:29:52
◼
►
Malkovich I never saw that whole movie
[TS]
01:29:54
◼
►
my own urn on DVD and I still never seen
[TS]
01:29:55
◼
►
the whole thing
[TS]
01:29:57
◼
►
hast we new here show us a full frontal
[TS]
01:30:00
◼
►
well she's been in a lot of movies look
[TS]
01:30:02
◼
►
at that she has she's uh she's a good
[TS]
01:30:05
◼
►
actress
[TS]
01:30:05
◼
►
and you know Maria speaks highly ever
[TS]
01:30:08
◼
►
you know um you know who knows so maybe
[TS]
01:30:13
◼
►
we'll all go to a ballgame or or a movie
[TS]
01:30:17
◼
►
um it's a whole maybe looking behind
[TS]
01:30:19
◼
►
their van and pick you up but it's such
[TS]
01:30:21
◼
►
a whole different set of skills it's
[TS]
01:30:22
◼
►
it's one reason I am so reluctant to
[TS]
01:30:24
◼
►
utterly poopoo the experience one gets
[TS]
01:30:27
◼
►
from team sports and being in the
[TS]
01:30:29
◼
►
military um because uh you know if
[TS]
01:30:32
◼
►
you've made it through film school for
[TS]
01:30:34
◼
►
example you've almost certainly had to
[TS]
01:30:35
◼
►
collaborate with people but you know
[TS]
01:30:37
◼
►
you're collaborating probably mostly
[TS]
01:30:39
◼
►
with other students but the the skills
[TS]
01:30:42
◼
►
that made you good at what you are as a
[TS]
01:30:44
◼
►
musician a rock musician as a stand-up
[TS]
01:30:48
◼
►
comic as there's all kinds of things
[TS]
01:30:49
◼
►
where you can hone elements of what you
[TS]
01:30:53
◼
►
do even publicly kind of mostly by
[TS]
01:30:57
◼
►
yourself not always true comedians have
[TS]
01:30:58
◼
►
people write jokes for them you know
[TS]
01:31:00
◼
►
obviously if you're if you're the
[TS]
01:31:01
◼
►
director you also gotta have a
[TS]
01:31:03
◼
►
cinematographer etc etc
[TS]
01:31:05
◼
►
like it's um it's like so many jobs it
[TS]
01:31:10
◼
►
means the full weight of what's involved
[TS]
01:31:12
◼
►
in what you're doing may not be fully
[TS]
01:31:14
◼
►
upon you until you're like getting ready
[TS]
01:31:16
◼
►
to go into production where like you may
[TS]
01:31:17
◼
►
realize and I get I mean you get that
[TS]
01:31:19
◼
►
because you've had successes in the past
[TS]
01:31:21
◼
►
but it is it's kind of weird you think
[TS]
01:31:24
◼
►
about something like Herb Alpert like
[TS]
01:31:26
◼
►
herb Albert I think started primarily as
[TS]
01:31:28
◼
►
a trumpet player and then he became like
[TS]
01:31:30
◼
►
a trumpet player with a band and then
[TS]
01:31:32
◼
►
became a trumpet player with a band he
[TS]
01:31:33
◼
►
was it sometimes sing not very well and
[TS]
01:31:35
◼
►
then fast forward just a little bit and
[TS]
01:31:37
◼
►
he's the guy who started anm records
[TS]
01:31:39
◼
►
right and there's that kind of classic
[TS]
01:31:42
◼
►
celebrity refusenik idea of the person
[TS]
01:31:44
◼
►
who's always taking every job to get the
[TS]
01:31:46
◼
►
next higher up level job but like some
[TS]
01:31:49
◼
►
people just want to be implementers some
[TS]
01:31:50
◼
►
people I don't say just be a
[TS]
01:31:52
◼
►
cinematographer because there's a lot to
[TS]
01:31:53
◼
►
that but there's a lot of practitioners
[TS]
01:31:56
◼
►
who like the piece of the pieces of the
[TS]
01:31:59
◼
►
puzzle that they're responsible for they
[TS]
01:32:01
◼
►
don't they don't want to be the
[TS]
01:32:02
◼
►
showrunner necessarily you know I wonder
[TS]
01:32:05
◼
►
I wonder I don't know there are some
[TS]
01:32:07
◼
►
people who just seem like wunderkind
[TS]
01:32:08
◼
►
where you're like we know they've done
[TS]
01:32:09
◼
►
one thing and now they're getting all
[TS]
01:32:11
◼
►
these offers and they keep you'll get
[TS]
01:32:12
◼
►
somebody like let's go say Damon
[TS]
01:32:14
◼
►
Lindelof but especially Noah Hawley the
[TS]
01:32:15
◼
►
guy who did Fargo and Legion and like
[TS]
01:32:19
◼
►
he's doing so many things and it just
[TS]
01:32:21
◼
►
seems like he he he just never misses a
[TS]
01:32:24
◼
►
pitch but there's a there's people
[TS]
01:32:28
◼
►
skills at the heart of all of those
[TS]
01:32:30
◼
►
kinds of jobs and like it seems like
[TS]
01:32:32
◼
►
there's always this potential disaster
[TS]
01:32:34
◼
►
if you try to move into an increasingly
[TS]
01:32:36
◼
►
people centric job when you are
[TS]
01:32:38
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primarily a gifted and mercurial
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practitioner I'm starting to get it a
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little bit that you know through years
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and years right we've talked about
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intelligence as being not a single thing
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right the first time somebody said oh
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that person has emotional intelligence I
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remember thinking that it was a kind of
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a revolutionary thought technology like
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oh right yeah that had no one had ever
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spoken that idea before and now we have
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the concept of emotional intelligence to
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work with
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yeah you know we had street smarts but
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street smarts you know didn't it it
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clearly wasn't being discussed as a kind
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of intelligence as much as it wasn't
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kind of smarts just the use of the word
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smarts took some of the power away but
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now we think of intelligence as being
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this you know this multifaceted thing
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and you can have the mathematical
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intelligence or you can have a lot of
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different kinds of intelligence well
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like if you you see if you observe
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people in your life whose skill with
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something seems not only impossibly easy
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they seem impossibly confident but like
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it's if it feels like magic to you that
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somebody is capable of that there's
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probably some chance that they have an X
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fill-in-the-blank intelligence that you
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lack and and and I think my maybe this
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is from my era or just maybe this is
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natural but I always think of them as
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being smarter somehow how is joss whedon
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capable of all this got to be smart
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somehow and so I don't know if we talked
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about this last week but I just met
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Tommy Gevinson yeah a Mishnah and what
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was what stood out about her was that
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she was very smart like clearly a very
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very smart person but over time I've met
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a lot of people who are very
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accomplished and it isn't their
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smartness that stands out right I mean
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John Hodgman is smart Maria Semple is
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smart they're very smart yeah but it's
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not like they are unnaturally smart or
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smart to a point where you can it where
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their accomplishment can be attributed
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to their smartness and Tommy is young
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not not she can't possibly have the
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experiences that an older person has had
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but and she's very smart clearly but
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there's something else and it's this it
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is this quality of being it's the self
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possession or whatever whatever that
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neil young young neil young feel
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is where they just are following their
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own star but without without a lot of
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Jim Morrison trappings you know it's
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just when something comes onto their
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desk they have a they have a skill of
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being able to say this isn't what I'm
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doing this just isn't what I'm doing
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this thing mm-hmm and I didn't have that
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everything came on my desk and I was
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like maybe I'll be a Shakespearean actor
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and there wasn't a thing in my head that
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was like no that's not what you're doing
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you're not doing a Shakespeare thing in
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life and so I spent however many hours
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however many daydream hours imagining
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shakes imagining that I would do
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Shakespeare and you know maybe burned a
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lot of time yeah could I lose you no no
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I'm done I'm thinking about it I don't
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know I mean as one of those things that
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is it's a little bit of an obsession for
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me I don't know I've said so much about
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this so many places but it still
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continues to dog me is the incredible
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gulf between how it feels like in your
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terms when you put your hands around it
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the incredible gulf between the idea of
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doing something and what happens when
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you actually have to do that thing and
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you know when we say have to that you're
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committed to that there's like there's a
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budget there's a timeline all that kind
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01:37:00
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of stuff but just it's uh it can
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sometimes be so shocking yeah I hate to
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repeat myself but no I I do still I do
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still really obsess and like you I think
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I lie I want to be left alone but like
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it's it's beneficial to be pushed into
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01:37:18
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situations with other people well that's
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01:37:20
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encouraging my daughter to get over her
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shyness and order her own food or for me
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01:37:24
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to be saying okay I'm going to reach out
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01:37:26
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to this person try to do a podcast
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01:37:27
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episode with them I mean it's not my
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01:37:29
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natural impulse at all and given the
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01:37:32
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varying intelligences of other people I
[TS]
01:37:35
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look at somebody or you know you
[TS]
01:37:36
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suddenly need some
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and you're like wow I can feel like I
[TS]
01:37:40
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can tell a little bit why you're so good
[TS]
01:37:41
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at your job like you really you really
[TS]
01:37:43
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get this in a way you get this on a
[TS]
01:37:45
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molecular level because you've done this
[TS]
01:37:47
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a lot and because you understand that
[TS]
01:37:48
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people are part of the process and I I
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01:37:50
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admire that and I'm stunned by that well
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01:37:54
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I've said it before and I'll say it
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01:37:56
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again I mean the fact that you reached
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01:38:00
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out to me however many years ago and
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01:38:02
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explained to me what the internet was
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and then after explaining to me what the
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internet was he explained that there
[TS]
01:38:07
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were other people on the other side of
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01:38:09
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the Internet and after I asked a few
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01:38:12
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questions about that that you patiently
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01:38:13
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answered then you said and I said why
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01:38:18
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would a band want to be on the Internet
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01:38:19
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and you were very patient with me and
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01:38:21
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explained some of the reasons why a band
[TS]
01:38:23
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might want to be on the Internet and
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01:38:25
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then you said I want to do a podcast and
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01:38:28
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then you patiently explained what that
[TS]
01:38:31
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was a lot of layers and and I was like
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01:38:35
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mm hmm hmm hmm and now we've been doing
[TS]
01:38:39
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this podcast for 40 years 40 years and
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01:38:45
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it really has there have been times when
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01:38:50
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this podcast was the thing that kept me
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01:38:52
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in the world mm-hmm it was the one thing
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01:38:56
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I was doing that that was collaborative
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01:38:58
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and interactive and and outside of
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01:39:03
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myself dependent dependent on someone
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01:39:08
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else not just doing work but on that
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01:39:10
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someone else being into it mm-hmm
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01:39:14
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right like bringing their own they're
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01:39:20
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not just their their participation but
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01:39:23
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they're there I mean like the love of
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01:39:28
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doing it enough to do it and I never
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01:39:31
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would have thought you know what I mean
[TS]
01:39:33
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I mean we knew a lot of people 10 years
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01:39:35
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ago that we still know but we don't know
[TS]
01:39:37
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very well anymore and we knew those
[TS]
01:39:40
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people as well as we knew each other
[TS]
01:39:41
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then but you and I know each other now
[TS]
01:39:45
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still because we do this
[TS]
01:39:49
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and I mean I wish it wasn't as
[TS]
01:39:52
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depressing to say this out loud as
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01:39:54
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depressing as it sounds and actually is
[TS]
01:39:55
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but like a lot of this is this is an
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01:39:57
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opportunity for me to have regular
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01:40:00
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meetings with friends of mine I mean
[TS]
01:40:02
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honestly this is this show in particular
[TS]
01:40:03
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that was kind of you know little talk
[TS]
01:40:05
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about the show on the show but it is
[TS]
01:40:06
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kind of legit about how it started was
[TS]
01:40:07
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that this you know what's on stove
[TS]
01:40:09
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whatever's in the show is in the show it
[TS]
01:40:10
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wasn't like we had to say well let's
[TS]
01:40:12
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come up with a topic list and hope we
[TS]
01:40:13
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can figure out something to say and yeah
[TS]
01:40:17
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I um you know I don't know I know I
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01:40:20
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don't do it enough and I don't do it
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01:40:21
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well but I admire the people who do I
[TS]
01:40:24
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love other people's intelligence maybe
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01:40:27
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we should maybe we should start a band
[TS]
01:40:29
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know my dad's got a barn my dad's got a
[TS]
01:40:34
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killer set of tools you gonna play the
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01:40:37
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chainsaw yeah when didn't know I'm gonna
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01:40:42
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set I'm gonna set off my job is going to
[TS]
01:40:44
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be the set up one stick of dynamite
[TS]
01:40:45
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every 14 days and skulk around the
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01:40:49
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corner see you bitches that's my role in
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01:40:54
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the band out of here oh we laughed
[TS]