The Incomparable

80: Khan Film Festival


00:00:01   the incomparable podcast number 80 [TS]

00:00:08   februari 22 well [TS]

00:00:13   when we last left you we were drafting [TS]

00:00:16   movies and now we're going to continue [TS]

00:00:18   that with my guess [TS]

00:00:19   Glenn fleischmann PR Scott McNulty to be [TS]

00:00:25   continued [TS]

00:00:25   Steve let's hope I can remember what we [TS]

00:00:28   picked last week John siracusa remain [TS]

00:00:31   here Dan more and more that I can make [TS]

00:00:34   it afterall answer entity called well [TS]

00:00:36   hello [TS]

00:00:37   let's get back to it I Glenn you're up [TS]

00:00:41   all right I'm gonna be alright let's [TS]

00:00:43   keep speeding it up for a little looking [TS]

00:00:45   around nice and fast three lightning [TS]

00:00:48   rounds brother from another planet [TS]

00:00:49   rather from another planet Wow have [TS]

00:00:52   anyone sent me has anyone seen the new [TS]

00:00:55   idea what that is [TS]

00:00:56   have the filmmakers seen this i'm [TS]

00:00:58   shocked to learn that you would pick [TS]

00:00:59   something obscure i don't think it's an [TS]

00:01:01   obscure actually that was it's a it's a [TS]

00:01:03   sci-fi movie about an alien lands on our [TS]

00:01:05   planet fish out of water and is being [TS]

00:01:07   pursued so you know kind of a normal [TS]

00:01:09   plot but he's a black guy he's Joe [TS]

00:01:11   Morton who I adore I gotta see Joe born [TS]

00:01:14   live once terrific performer live and [TS]

00:01:15   the only reason i watch eureka I was [TS]

00:01:17   because Jim Morton was in it and he's [TS]

00:01:19   also joe morgan display the scientists [TS]

00:01:21   who does the wrong thing and events [TS]

00:01:23   Skynet in Vienna to determine yeah yeah [TS]

00:01:26   thank someone so the one of the twisting [TS]

00:01:29   brother from the planet is he's mute and [TS]

00:01:31   he's being pursued by some kind of [TS]

00:01:34   aliens and there's a great scene at the [TS]

00:01:35   end where you sort of taken in by [TS]

00:01:37   african-american family and they're at [TS]

00:01:39   some history exhibit he takes the kids [TS]

00:01:40   there and they sort of except the name [TS]

00:01:42   is a mute and he seems to have some [TS]

00:01:43   interesting abilities and you know he [TS]

00:01:45   can't these he points to this picture of [TS]

00:01:48   dogs chasing a slave in this exhibit to [TS]

00:01:51   the kids the kids like oh you're the dog [TS]

00:01:53   right it's like yeah it's um it's a [TS]

00:01:56   fascinating film john sayles a great [TS]

00:01:58   movie [TS]

00:01:59   great movie they're quick see done and [TS]

00:02:01   all right like the anti powder [TS]

00:02:04   haha wow you can pick that one if you [TS]

00:02:10   want Scott your next you've got [TS]

00:02:12   searching the hudsucker proxy what's [TS]

00:02:14   next well I i am a fan of absurd silly [TS]

00:02:18   things and so i will pick monty python [TS]

00:02:21   and the holy ground here means my third [TS]

00:02:23   pick because it is the funniest movie [TS]

00:02:26   despite what some people may say it is [TS]

00:02:28   the funniest movie ever made and i have [TS]

00:02:31   seen it so many times i laugh everytime [TS]

00:02:34   i watch it it is speaking quotable [TS]

00:02:37   movies I you he can't there are people [TS]

00:02:40   who can quote the whole thing i'm not [TS]

00:02:41   one of those people because i am react [TS]

00:02:42   one of those people [TS]

00:02:44   well there you go and hot eat it i want [TS]

00:02:46   for that i am i am currently eating it [TS]

00:02:49   just so you know so many people I I I [TS]

00:02:54   what more is there to say about [TS]

00:02:56   multiplies and you know I've never [TS]

00:02:58   actually met a person who told me that [TS]

00:03:00   they did not think the Holy Grail was [TS]

00:03:01   funny [TS]

00:03:02   that's the only film i can say that of [TS]

00:03:04   its it's a good way to see if someone [TS]

00:03:05   has a it's another one of those ones [TS]

00:03:08   that has like for everybody summer [TS]

00:03:09   watching as a kid and when I was a kid [TS]

00:03:11   the black night scene is like the [TS]

00:03:13   funniest thing about world face but it [TS]

00:03:15   takes time like some of the other stuff [TS]

00:03:17   would like over my head [TS]

00:03:18   obviously as like a ten-year-old or [TS]

00:03:20   whatever when i watch that and some of [TS]

00:03:22   it becomes much funnier later i also [TS]

00:03:24   think it's one of those movies that is [TS]

00:03:25   very funny to watch but in some ways is [TS]

00:03:27   even funnier who remember to guess I [TS]

00:03:32   don't know why that is but it's a weird [TS]

00:03:33   sort of thing like thinking about it i [TS]

00:03:35   find it funny and sometimes I watching [TS]

00:03:36   oh yeah that's really funny but it [TS]

00:03:37   doesn't make me laugh out loud as much [TS]

00:03:39   as just thinking about it that's all [TS]

00:03:41   right great pic and you made you made [TS]

00:03:44   Steve eat it so greater mom beam alien [TS]

00:03:50   and Patty shack around your list what is [TS]

00:03:52   next hangout I'm seeing what is it [TS]

00:03:55   multiplies on holy ground haha ah you [TS]

00:03:59   actually Monty Python and the Holy Grail [TS]

00:04:00   was on my list but kind of off in the [TS]

00:04:02   corner because when i initially put it [TS]

00:04:05   on my list I I realized I almost [TS]

00:04:08   couldn't think of anything to say about [TS]

00:04:10   it because I've seen it so many times I [TS]

00:04:12   was the first one is about the memory [TS]

00:04:14   didn't stop Scott from pick against it [TS]

00:04:17   we can you say and not say anything [TS]

00:04:19   about it really if I know when I had [TS]

00:04:21   that Avenue open to me I almost [TS]

00:04:22   certainly would have picked in the first [TS]

00:04:23   round and and the eating would be in a [TS]

00:04:27   different mouth wouldn't it but I guess [TS]

00:04:30   if I let not having something to say [TS]

00:04:32   stop me from joining this podcast a [TS]

00:04:34   different view [TS]

00:04:35   so instead for my third pic I'm gonna go [TS]

00:04:41   with something that was actually [TS]

00:04:42   mentioned in passing in another episode [TS]

00:04:45   a few weeks ago but I feel it wasn't [TS]

00:04:48   really giving its do it is in fact a [TS]

00:04:52   kids movie about a talking pig 95s babe [TS]

00:04:56   which yes it's about a talking pig it's [TS]

00:05:00   a kids movie but it is also quite simply [TS]

00:05:02   the the most heartfelt film children's [TS]

00:05:04   or otherwise that i have ever seen i [TS]

00:05:07   first saw that the theaters fresh out of [TS]

00:05:09   college pretty much at the zenith of my [TS]

00:05:11   bitter youthful cynicism and and over [TS]

00:05:15   the course of that 90 minutes babe [TS]

00:05:16   reduced me to wake grinning tear-stained [TS]

00:05:20   up with people type didn't take [TS]

00:05:23   obviously but it was a nice 90 minutes [TS]

00:05:25   it's and I seen it to a good dozen times [TS]

00:05:29   and and they're still I are at least [TS]

00:05:31   five scenes that make me weep openly on [TS]

00:05:33   every single viewing see i mentioned on [TS]

00:05:34   the kids move your podcast and John and [TS]

00:05:36   and lacks sort of didn't react but I [TS]

00:05:38   thought oh geez [TS]

00:05:39   is this a movie that everybody hates and [TS]

00:05:40   I don't know because i will i love it [TS]

00:05:42   unreservedly yeah i was shocked looking [TS]

00:05:45   up information that it only had like a [TS]

00:05:48   7.1 on IMDb which you know I just not [TS]

00:05:51   exactly the the best measure but it [TS]

00:05:55   surprised me a little bit that it was [TS]

00:05:56   that low because to me it's it may be [TS]

00:05:58   just the fact that it's it's viewed as [TS]

00:06:00   kind of treacly and and you know it's [TS]

00:06:02   funny I mean its just oh it's cool it's [TS]

00:06:04   not it's not really sappy it's it's it's [TS]

00:06:06   really funny but you know does have its [TS]

00:06:08   happy moments but they're not they're [TS]

00:06:10   certainly not to the fore and it is [TS]

00:06:12   another one of those where you've got [TS]

00:06:13   you know something that can be enjoyed [TS]

00:06:14   on multiple levels by people of [TS]

00:06:16   different ages i got a wacky talking [TS]

00:06:17   animals the walkie-talkies singing mice [TS]

00:06:20   you know the young kids love that and [TS]

00:06:22   then you know when you're you got kids [TS]

00:06:23   that are a little older they'll pick up [TS]

00:06:24   on the just the lovely message which is [TS]

00:06:27   basically just about prejudice and how [TS]

00:06:29   it [TS]

00:06:29   you know it can be no just basic decency [TS]

00:06:32   can defeat it largely and and the adults [TS]

00:06:36   will get even more out of that because [TS]

00:06:37   you know you've got great bits like the [TS]

00:06:40   narrator talking about the scene I guess [TS]

00:06:43   where I thinks fly the sheep dog is [TS]

00:06:46   trying to get the secret password from [TS]

00:06:48   the sheep and of course their natural [TS]

00:06:49   enemies and I think the narrator [TS]

00:06:52   announces that the dog decides to talk [TS]

00:06:55   extremely slowly because it's very well [TS]

00:06:57   known that sheep are stupid and then and [TS]

00:07:00   then when the Sheep respond he says the [TS]

00:07:02   Sheep choose to talk extremely slowly [TS]

00:07:04   because it's very well known that dogs [TS]

00:07:06   are ignorant brute [TS]

00:07:07   yeah yeah yeah yeah babes baby comes the [TS]

00:07:10   sheep pig a because babe actually cares [TS]

00:07:13   to talk to the sheep instead of just [TS]

00:07:15   yelling out of men and I embossing [TS]

00:07:17   around and that's that's how big he [TS]

00:07:18   doesn't know any better than two pitches [TS]

00:07:20   break stereotypes [TS]

00:07:21   alright so babe great movie love it [TS]

00:07:25   from the director and writer of Mad Max [TS]

00:07:27   by the way yeah yeah it's a it's a [TS]

00:07:29   strange movie because it almost [TS]

00:07:30   everybody in it is Australian and yet [TS]

00:07:32   they've made it sort of American and the [TS]

00:07:34   accents are weird and the setting a [TS]

00:07:35   strange and it's a weird it is it is [TS]

00:07:38   also that fairytale quality because it [TS]

00:07:40   is so in precise on where and when it is [TS]

00:07:42   it's a very slowly and it's it's I love [TS]

00:07:44   the direction to because everything kind [TS]

00:07:46   of this is just a little bit off-kilter [TS]

00:07:48   you know I mean it's it starts with of [TS]

00:07:50   course the farm that's basically from [TS]

00:07:51   you know a century ago it but it's in [TS]

00:07:54   modern times because the kids come at [TS]

00:07:56   Christmas and bring a fax machine yeah [TS]

00:07:57   it's very strange to modern age x fax [TS]

00:08:00   fax times and James Cromwell is amazing [TS]

00:08:03   yep that's it alright John some somebody [TS]

00:08:07   want to say say that'll do Pig pic [TS]

00:08:09   that'll do that'll do that'll do steal [TS]

00:08:11   thank thank you i have closure alright [TS]

00:08:13   John I like bacon [TS]

00:08:15   I can't oh did not turn me off the bike [TS]

00:08:18   and my wife stopped eating pork after [TS]

00:08:20   teen babe and has not met and and has [TS]

00:08:23   not never had has never had pit pork [TS]

00:08:25   sense [TS]

00:08:26   well then I can't watch this Yeah Yeah [TS]

00:08:28   right there is like seriously wearing [TS]

00:08:30   like bacon don't watch big I think it [TS]

00:08:33   kind of is highlander I eat more bacon i [TS]

00:08:36   will become more like baby [TS]

00:08:37   alright John go ahead for my third pic i [TS]

00:08:44   debated moving this but I feel like it [TS]

00:08:46   has to be in this position i'm going to [TS]

00:08:48   select the godfather part two as one of [TS]

00:08:51   the very rare sequels that can be argued [TS]

00:08:54   is equal to or better than the original [TS]

00:08:57   Empire Strikes Back of course being the [TS]

00:08:58   other one and very few other ones come [TS]

00:09:00   to monitor so true yeah that's a good [TS]

00:09:03   example to ah but only because the first [TS]

00:09:05   movie was so we're home yeah so this is [TS]

00:09:08   better than what was widely recognized [TS]

00:09:10   to be a great movie and it's strange [TS]

00:09:12   because the godlike status is such a [TS]

00:09:14   beautiful self contained movie you're [TS]

00:09:16   like are also that was the story right [TS]

00:09:18   you know it's not doesn't end on a [TS]

00:09:19   cliffhanger really I and it in this was [TS]

00:09:23   before the age of of sequels to [TS]

00:09:25   everything is like God fault too oh man [TS]

00:09:27   they're gonna ruin it this you know they [TS]

00:09:28   had this great movie The Godfather [TS]

00:09:29   always great actors in it was just just [TS]

00:09:31   boy what a great movie and they're going [TS]

00:09:33   to make a sequel is going to be awful [TS]

00:09:34   and what do you do like by the end of [TS]

00:09:36   the Godfather Michael Corleone is the [TS]

00:09:37   Godfather he's gone from being nobody to [TS]

00:09:40   you know sending to the throne and [TS]

00:09:42   that's the end of the movie is like well [TS]

00:09:44   then it's kind of like what you do after [TS]

00:09:45   the end of Return of the Jedi it's like [TS]

00:09:47   everything's okay now right like you [TS]

00:09:49   have to manufacture some new conflict or [TS]

00:09:50   something [TS]

00:09:51   I and the bring the godfather to don't [TS]

00:09:54   dance numbers is what you have to return [TS]

00:09:56   the general yeah it is that they [TS]

00:09:58   recognize that the end of Godfather one [TS]

00:10:00   you sort of had a Michael closing the [TS]

00:10:01   door on his new bride haha [TS]

00:10:04   and that's how Hollywood movies end you [TS]

00:10:05   know it's kinda like all right and then [TS]

00:10:07   never get lights go on and we get off [TS]

00:10:08   and leave but college is no actually [TS]

00:10:10   going to keep the camera rolling sea [TS]

00:10:11   alright so what is that like what was it [TS]

00:10:13   like when you you've gotten this wife [TS]

00:10:15   under these pretenses and are shutting [TS]

00:10:17   her out how do you live the rest of your [TS]

00:10:19   life like the only the movies end after [TS]

00:10:20   the exciting part is over the godfather [TS]

00:10:22   to keeps rolling and says here's Michael [TS]

00:10:25   trying to be trying to fill the shoes of [TS]

00:10:26   his father but kind of in in a new age [TS]

00:10:28   that isn't the same age this valley grew [TS]

00:10:31   up in and that's highlighted by a [TS]

00:10:34   parallel flashback story showing his [TS]

00:10:36   father's rise to become the original [TS]

00:10:38   Godfather and the two it is basically [TS]

00:10:40   like two great movies and combined into [TS]

00:10:42   with Robert De Niro as the as the [TS]

00:10:44   Corleone coming up in the in the if you [TS]

00:10:47   want people play you because I would [TS]

00:10:49   like to near to play me when I'm you [TS]

00:10:51   and then Marlon Brando me before he's [TS]

00:10:53   really fat as the older one and then I [TS]

00:10:55   die so pretty good at it so my question [TS]

00:10:59   for you John the first time I saw the [TS]

00:11:00   godfather and i know this is [TS]

00:11:01   sacrilegious and I've seen it since [TS]

00:11:03   several times as the original movies but [TS]

00:11:06   the first time i saw it was actually the [TS]

00:11:07   complete epic which is where they [TS]

00:11:10   actually take the deniro portion of [TS]

00:11:12   godfather part two and run it first and [TS]

00:11:15   then they run though it who would to do [TS]

00:11:17   that Francis Ford Coppola that's not [TS]

00:11:19   right but should like that Mike has been [TS]

00:11:21   but it's interesting to view it that way [TS]

00:11:22   but it's it's the wrong way to do it [TS]

00:11:24   because that is the wrong way because [TS]

00:11:25   Jax translation or like yeah exactly [TS]

00:11:27   that's the whole second movie uh and so [TS]

00:11:30   and the second movie is one of another [TS]

00:11:32   rarity and the the the current age of [TS]

00:11:35   movies is that it's basically a tragedy [TS]

00:11:37   how often do you see a sort of [TS]

00:11:40   big-budget lots of stars very long epic [TS]

00:11:42   tragedy very rare unless it's like some [TS]

00:11:44   you know a historical drama where you [TS]

00:11:47   know it's got to end with something bad [TS]

00:11:48   happening or something structure to that [TS]

00:11:53   is yes there are many things that movie [TS]

00:11:55   over tragic but I don't know if you [TS]

00:11:57   would call the end of one [TS]

00:11:58   uh-huh did ya also you know has frozen [TS]

00:12:02   in carbonite but I'm starting three is [TS]

00:12:04   the real tragedy at the industry trends [TS]

00:12:06   that is you [TS]

00:12:08   yeah alright so you're gonna have a [TS]

00:12:10   little Godfather film festival here and [TS]

00:12:12   yeah the only other thing I'd add is [TS]

00:12:13   that the godfather to being the strange [TS]

00:12:15   thing where it's a sequel that it did [TS]

00:12:17   that stands up to its great predecessor [TS]

00:12:19   the gravity of godfather to sort of [TS]

00:12:22   sucks in Godfather one and that's why I [TS]

00:12:24   think these two movies start to become [TS]

00:12:26   started like orbit each other like [TS]

00:12:27   binary stars and I have a very difficult [TS]

00:12:29   time in any given day saying which one [TS]

00:12:31   of the two i think is a bedroom like [TS]

00:12:34   we're both grade they both win best [TS]

00:12:37   picture oscar i know there was nominated [TS]

00:12:40   for best picture I mean that i wasn't [TS]

00:12:42   born yet yeah there's no way to look at [TS]

00:12:45   information now Houston is now I know [TS]

00:12:47   how did need some sort of its that's [TS]

00:12:49   tough seeing seeing eyeball or still [TS]

00:12:52   thing alright Godfather and godfather [TS]

00:12:53   part two now and John's board and more [TS]

00:12:56   in your next I'm gonna pick what's [TS]

00:13:00   actually I second favorite movie [TS]

00:13:03   after empire which was so cruelly [TS]

00:13:06   snatched from my my clutches and that is [TS]

00:13:09   david lean's 1962 epic lawrence of [TS]

00:13:12   arabia which is a historical film but in [TS]

00:13:18   many ways not so historical since the [TS]

00:13:22   the actual mess of it is is Lou loudly [TS]

00:13:25   and largely disputed however that aside [TS]

00:13:28   it still makes a fantastic film and i [TS]

00:13:32   believe it is on record as the longest [TS]

00:13:34   film ever nominated and or at least [TS]

00:13:37   never won for best picture somebody made [TS]

00:13:40   reference earlier to a movie so long you [TS]

00:13:41   felt that you needed intermission [TS]

00:13:43   Lawrence of Arabia has an occasion [TS]

00:13:45   intermission indeed and it's it's up [TS]

00:13:48   it's a epic film on every scale and not [TS]

00:13:51   just the story but you know I remember [TS]

00:13:53   my parents taking me see it for the [TS]

00:13:54   first time in the brattle theatre here [TS]

00:13:57   in in cambridge and it's it's something [TS]

00:14:02   that really you know it's a little [TS]

00:14:03   easier now that you people have giant [TS]

00:14:05   tvs in their home but it's something [TS]

00:14:06   that deserves to be seen on a giant [TS]

00:14:08   screen because if nothing else some some [TS]

00:14:11   of the scenes are almost just impossible [TS]

00:14:13   to a you know comprehend on a small [TS]

00:14:16   screen i saw i saw 70-millimeter [TS]

00:14:18   restoration of this when it first came [TS]

00:14:20   out when I was in college and if [TS]

00:14:21   anything she's got killer that is the [TS]

00:14:23   way to see it because there are scenes i [TS]

00:14:25   think particularly the introduction of [TS]

00:14:26   Omar Charice keria sherif ali who [TS]

00:14:29   there's this scene where he's you know [TS]

00:14:31   in the desert of times you see it's a [TS]

00:14:33   little dot again starts a little dot and [TS]

00:14:35   they just let it ride out it's slow its [TS]

00:14:37   deliberate [TS]

00:14:38   it's just perfectly paced and time for [TS]

00:14:42   everything and as I as you know speaking [TS]

00:14:44   of Omar Sharif food who gives it gives a [TS]

00:14:46   awesome performance here the entire cast [TS]

00:14:50   you know despite the fact that they had [TS]

00:14:52   to largely turn to debate or they ended [TS]

00:14:54   up largely turning to non Middle Eastern [TS]

00:14:56   actors to portray a lot of these [TS]

00:14:58   characters such as alec guinness and [TS]

00:15:00   anthony quinn there's a fantastic cast [TS]

00:15:03   here with the oven all three of those [TS]

00:15:05   guys plus obviously peter o'toole in the [TS]

00:15:07   lead role in as a very complicated hero [TS]

00:15:12   and there's having seen that [TS]

00:15:15   in star wars before I saw this I i found [TS]

00:15:18   it funny to see Alec Guinness out in the [TS]

00:15:19   desert yes yes just that well yeah [TS]

00:15:22   that's where he doesn't so that he lives [TS]

00:15:24   there in the desert things out there in [TS]

00:15:26   robes in particular one scene that I [TS]

00:15:28   that that always jumps to mind is the 22 [TS]

00:15:32   sort of launched a surprise attack on a [TS]

00:15:35   city that is otherwise well-defended [TS]

00:15:36   Lawrence insist they cross this really [TS]

00:15:39   in almost uncrossable desert and at [TS]

00:15:42   night which is the only time they can do [TS]

00:15:44   it and someone gets lost along the way [TS]

00:15:48   and he actually rides back to get them [TS]

00:15:50   before the Sun comes up and then later [TS]

00:15:52   on in the movie it is he is [TS]

00:15:56   yea he is in order to keep peace [TS]

00:15:58   Lawrence volunteers to kill someone who [TS]

00:16:00   has murdered another member of another [TS]

00:16:02   tribe for part of a blood feud and it [TS]

00:16:04   turns out to be the guy that he saved [TS]

00:16:06   yeah which is just a incredibly you know [TS]

00:16:09   devastating moment and really doesn't [TS]

00:16:12   want to shape this character and so it's [TS]

00:16:13   it's a fascinating portrait of a you [TS]

00:16:16   know whether you like him or not [TS]

00:16:16   whatever you think of them a great man [TS]

00:16:19   in the typically in the great man theory [TS]

00:16:21   of things and it's just it's it is well [TS]

00:16:24   worth watching the first half of it the [TS]

00:16:26   pre intermission half i would be in my [TS]

00:16:29   top three movies of all time [TS]

00:16:31   second half is I feel like more [TS]

00:16:33   problematic because that's sort of the [TS]

00:16:35   downward spiral of lawrence and it's [TS]

00:16:37   yeah it's it's more difficult in it and [TS]

00:16:39   it I don't like it as much but it is [TS]

00:16:42   it's not as uplifting but it'sit's yeah [TS]

00:16:44   it is i think that's to me that's what [TS]

00:16:46   makes it such a great movie is that it [TS]

00:16:48   is not just about all this guy's awesome [TS]

00:16:50   he's a hero and everything but like wow [TS]

00:16:52   that comes with some really serious [TS]

00:16:53   baggage she gets to Cairo and it's not [TS]

00:16:56   also yeah a great score by of maurice [TS]

00:16:58   jarre and yeah all over and fantastic [TS]

00:17:01   Charlotte's great movie [TS]

00:17:05   read your up boy okay i'm going to go [TS]

00:17:09   here over to the comedy screwball side [TS]

00:17:11   of things which with my number three [TS]

00:17:14   favorite movie of all time which is [TS]

00:17:16   Howard Hanks is bringing up baby which [TS]

00:17:19   is a Katharine Hepburn and Carey grant [TS]

00:17:22   playing off each other in this [TS]

00:17:25   a very ridiculous story as as most [TS]

00:17:29   screwballs are about basically a woman [TS]

00:17:31   who mistakes and archaeologists for a [TS]

00:17:34   zoologist and says oh my brother has [TS]

00:17:37   invited me to or my brother has sent me [TS]

00:17:39   a tame leopard please help me take care [TS]

00:17:41   of him and of course the leopard [TS]

00:17:44   disappears and then a untamed leopard [TS]

00:17:47   gets out of the zoo and there's a point [TS]

00:17:49   where Katherine Hepburn is locked up in [TS]

00:17:51   a jail claiming to be part of a Ruffin [TS]

00:17:55   tumble gang in a in accents that [TS]

00:17:58   according to cary grant she has only [TS]

00:18:00   learned from watching these kinds of [TS]

00:18:02   films [TS]

00:18:03   it's just I loved Katherine Hepburn she [TS]

00:18:06   may be my all-time favorite actress on [TS]

00:18:09   of the screen and this is one of her [TS]

00:18:11   best performances she and Cary Grant [TS]

00:18:13   have a scintillating screen chemistry [TS]

00:18:15   and she is she just gets these great [TS]

00:18:17   lion Susan there's there's one point [TS]

00:18:19   where when the leopard has basically [TS]

00:18:22   left left her room and climbed up onto [TS]

00:18:25   the roof [TS]

00:18:26   she's standing in the garden singing to [TS]

00:18:29   it and Cary Grant come character he's [TS]

00:18:33   comes out he's like what what are you [TS]

00:18:35   doing [TS]

00:18:36   and she's like well there's a leper or [TS]

00:18:37   he's like what why are you singing to my [TS]

00:18:40   roof and she's like well there's a [TS]

00:18:41   leopard on your roof it's my leopard and [TS]

00:18:42   I have to get it and to get and I have [TS]

00:18:44   to sing and its senses wasn't supposed [TS]

00:18:47   to close its way yeah it's like I I [TS]

00:18:50   cannot stop laughing when i watch this [TS]

00:18:52   movie [TS]

00:18:53   yeah that's a good one Howard Hawks so [TS]

00:18:55   bringing up baby but we got screwy [TS]

00:18:58   screwball wacky i am going to save John [TS]

00:19:02   the indignity of picking yet another [TS]

00:19:05   gangster movie by picking martin [TS]

00:19:08   scorsese's goodfellas here when i saw it [TS]

00:19:11   was a revelation to one of my favorite [TS]

00:19:13   movies i would argue that it's better [TS]

00:19:14   than the Godfather only because I feel [TS]

00:19:17   as great as The Godfather movies are [TS]

00:19:19   better at what I like about goodfellas [TS]

00:19:24   it's it's a reaction in some ways to the [TS]

00:19:26   godfather and I'm not going to do three [TS]

00:19:28   hours about goodfellas somebody else [TS]

00:19:29   could do that but uh it's a great [TS]

00:19:31   reaction to the Godfather in that it is [TS]

00:19:34   messy and it's the kind of horrifying [TS]

00:19:37   aspect of the mob these are going [TS]

00:19:39   low-level mob guys and there's kind of [TS]

00:19:40   horrific violence there's also this [TS]

00:19:42   incredible style in the film the music [TS]

00:19:45   is great the acting is great great [TS]

00:19:46   performances robert de niro ray liotta [TS]

00:19:49   Joe Pesci Lorraine Bracco just some [TS]

00:19:52   great performances like I said funny [TS]

00:19:56   it's like it's it Martin Scorsese in [TS]

00:19:58   this movie I mean he is a master [TS]

00:20:00   director at the peak of his powers [TS]

00:20:03   surrounded by cinematographers and and [TS]

00:20:06   film editors and actors who are all at [TS]

00:20:08   their peaks and you get this movie that [TS]

00:20:10   is very modern as it whereas the [TS]

00:20:13   godfather is very classically put [TS]

00:20:15   together and and the even the violence [TS]

00:20:18   in The Godfather is a gentler sort of [TS]

00:20:21   violence and the violence in goodfellas [TS]

00:20:22   brutal and i love that as a reaction to [TS]

00:20:25   kind of the the UH almost mythical [TS]

00:20:28   violence of n tail of the Godfather that [TS]

00:20:31   you get the flip side here and so what I [TS]

00:20:33   really yeah I say it's better but what [TS]

00:20:35   really what I do is I appreciate how [TS]

00:20:37   different it was from the Godfather and [TS]

00:20:39   and we went a long time without having [TS]

00:20:41   any mob movies that were really of that [TS]

00:20:43   standard and and goodfellas of that [TS]

00:20:45   standard and I have to admit the [TS]

00:20:47   violence is kind of hard to take and [TS]

00:20:50   what I appreciate about it when I was 20 [TS]

00:20:53   years old it's actually harder for me to [TS]

00:20:54   watch it now at 40 but still whatever [TS]

00:20:58   just a what a masterpiece fantastic [TS]

00:21:01   movie one of my favorite movies i have [TS]

00:21:02   had the poster hanging my mom my wife [TS]

00:21:04   made me put it in the garage but it's [TS]

00:21:06   still hanging so I goodfellas I i love [TS]

00:21:09   it and now John doesn't have to pick it [TS]

00:21:11   you're just breathing sighs you're [TS]

00:21:14   welcome take Godfather Part 3 [TS]

00:21:15   you're welcome John i was thinking of [TS]

00:21:17   shifting off the end anyways I do have [TS]

00:21:19   more pics yeah and I I and it wasn't [TS]

00:21:21   exactly [TS]

00:21:23   I next on my list but I want to balance [TS]

00:21:25   this out so it isn't all just hate nerds [TS]

00:21:28   from the eighties their movies for you [TS]

00:21:29   on Jason's day I'm trying to spread it [TS]

00:21:32   out a little bit so kind of toss [TS]

00:21:34   Goodfellas and they're great great movie [TS]

00:21:35   and it also i'm trying to be balanced a [TS]

00:21:37   little bit by having some great drama on [TS]

00:21:41   there so I don't look at my list later [TS]

00:21:42   and go i picked what so good fellows [TS]

00:21:44   classic i refer the rest of it to John [TS]

00:21:47   Syracuse's three hours on another [TS]

00:21:50   podcast about this movie but it is [TS]

00:21:52   I i could probably go on for maybe not [TS]

00:21:54   three hours but a long time about how [TS]

00:21:56   great this film is in so many different [TS]

00:21:57   ways so they're gonna tell us that's my [TS]

00:22:00   pic now we will move on to the even more [TS]

00:22:02   dramatically fast lightning round of the [TS]

00:22:05   fourth round and the bank and get faster [TS]

00:22:08   it can and i'm gonna cost you saving [TS]

00:22:10   money and remains continuous say the [TS]

00:22:11   name of the movie and then a brief [TS]

00:22:13   description of why and then we will we [TS]

00:22:15   will applaud glance whosoever is more in [TS]

00:22:17   the case of bloom we might do Glenn go [TS]

00:22:19   ahead funny bones what Louis whose love [TS]

00:22:23   Jerry blue funny bones greatly lady shut [TS]

00:22:27   up a great movie it's got Oliver Platt [TS]

00:22:30   it has a lee evans a crazy funny british [TS]

00:22:34   comedian in one of his best roles is [TS]

00:22:35   Jerry Lewis in a terrific part terrible [TS]

00:22:38   jokes but it's a beautiful strange [TS]

00:22:41   lovely frightening humorous crazy movie [TS]

00:22:44   love it great film so on the film [TS]

00:22:46   festival first opened see many times [TS]

00:22:48   since highly recommended [TS]

00:22:49   wow I was no nonsense I've never even [TS]

00:22:53   heard of that movie [TS]

00:22:54   what oh no I'm okay with that needs to [TS]

00:22:57   unity neither by what is called 3 i'm [TS]

00:23:01   sure that i have you kinda like [TS]

00:23:02   cinderfella this is craig know everyone [TS]

00:23:07   knows about the best you are so glad [TS]

00:23:09   everyone's podcast needs to go see funny [TS]

00:23:12   but it is a very funny and it will all [TS]

00:23:14   go to your day of the festival yes he's [TS]

00:23:16   learned a little and Louisville we're [TS]

00:23:18   gonna sit in the back row and and we may [TS]

00:23:20   have some wine but we will i'm done next [TS]

00:23:23   Scott I i was gonna pick funny bone five [TS]

00:23:27   painfully since its particular i'm going [TS]

00:23:33   to pick the movie that I saw when I was [TS]

00:23:34   a little kid and it really turned me on [TS]

00:23:36   to science fiction the Forbidden Planet [TS]

00:23:39   starring leslie nielsen in a dramatic [TS]

00:23:42   robe of you know before he was a comedy [TS]

00:23:45   guy he was a dramatic actor and also a [TS]

00:23:48   Robby the Robot yes and then Francis [TS]

00:23:53   yeah thats very and I i watch that [TS]

00:23:56   recently and I really didn't like it but [TS]

00:23:58   it's it's it's so influential I mean you [TS]

00:24:00   can see well first off the original Star [TS]

00:24:02   Trek series is just a totally a knockoff [TS]

00:24:04   of forbidden planet that mean they are [TS]

00:24:06   directly know is i am is basically [TS]

00:24:10   identical yeah Forbidden Planet you know [TS]

00:24:14   Star Wars is still out there [TS]

00:24:16   Craig moss Steve let's go ahead man i'm [TS]

00:24:22   going to pick not Star Wars what I am in [TS]

00:24:25   fact going to pick is a unlikely be on [TS]

00:24:28   anybody else's list but it it is the [TS]

00:24:31   great John Hughes film The Breakfast [TS]

00:24:33   Club [TS]

00:24:34   oh great it's a film that I like so if [TS]

00:24:36   somewhat for its anthropological [TS]

00:24:38   interest because it is a great snapshot [TS]

00:24:39   of of teen life in the eighties although [TS]

00:24:42   i think much of it still applies i think [TS]

00:24:44   that the character archetypes haven't [TS]

00:24:45   really changed all that much [TS]

00:24:47   you probably won't find too many schools [TS]

00:24:49   anymore without fences and metal [TS]

00:24:51   detectors but mainly I think it's great [TS]

00:24:54   because it's it's the singular spot on [TS]

00:24:57   examination of the of the horrors of [TS]

00:24:59   being a high schooler and and probably [TS]

00:25:02   most accurate sympathetic depiction of [TS]

00:25:04   teenagers in film you know these are [TS]

00:25:07   reprobate sir precocious wiseasses just [TS]

00:25:10   generally good kids who were victims of [TS]

00:25:12   their parents or their coaches or their [TS]

00:25:14   own personal circumstances you know it's [TS]

00:25:18   it's very funny but it's it's also [TS]

00:25:19   frequently painful and as a teenager I [TS]

00:25:23   found it enormously enormously moving [TS]

00:25:25   still do today iím man enough to admit [TS]

00:25:28   that the story of Larry Lester's buns [TS]

00:25:31   make me tear up [TS]

00:25:33   being taped together yeah I i love that [TS]

00:25:38   we the audience start off just like the [TS]

00:25:39   kids now and we view him as their [TS]

00:25:42   stereotype and then our eyes are open [TS]

00:25:43   along with the characters is reassuring [TS]

00:25:46   as a youth to know that no matter how [TS]

00:25:48   angsty and misunderstood I was a geek [TS]

00:25:51   the job in the popular chick were [TS]

00:25:53   probably just as miserable [TS]

00:25:54   only more popular that's not true i was [TS]

00:25:57   not true actually i'm sorry it's not you [TS]

00:25:58   at all [TS]

00:25:59   no yeah intrusive their miserable in a [TS]

00:26:01   different way [TS]

00:26:02   ya know that they were the other [TS]

00:26:03   miserable in a positive we'll see [TS]

00:26:05   examples roll now yeah it all comes back [TS]

00:26:08   around [TS]

00:26:09   alright John alright so I want number [TS]

00:26:13   four right yep my fourth pic I'm going [TS]

00:26:16   to pick kill bill vol 1 and 2 as a unit [TS]

00:26:19   which I will allow yes that's what i was [TS]

00:26:21   getting at with some misdirection of the [TS]

00:26:22   one of the other people on Twitter think [TS]

00:26:24   either way with this street [TS]

00:26:26   ah now that I don't not think this would [TS]

00:26:29   come up a lot of people's top list [TS]

00:26:31   because they always like a schlocky [TS]

00:26:33   homage to the kind of movies and quentin [TS]

00:26:34   tarantino likes which really is all of [TS]

00:26:36   quentin tarantino's but damn he's just [TS]

00:26:37   so good at it his all modules are better [TS]

00:26:40   than the things that they're honoring [TS]

00:26:41   almost all the time and especially in [TS]

00:26:43   this case we've got part one which is [TS]

00:26:45   this you know [TS]

00:26:46   dramatic action movies only spy teams [TS]

00:26:48   and everything that hooks you from [TS]

00:26:49   seeing one with data that sort of grainy [TS]

00:26:51   black-and-white shot of the bloody one [TS]

00:26:53   Thurmond face the ends on it's your baby [TS]

00:26:55   with the bang of the gun great [TS]

00:26:56   top-caliber stuff there but just the [TS]

00:26:59   movie by number part 1 by itself I [TS]

00:27:01   wouldn't have put on my list part two is [TS]

00:27:03   sort of the heart of this movie I don't [TS]

00:27:05   know what you would call part1 some [TS]

00:27:07   other part of the anatomy and it's [TS]

00:27:09   surprisingly it in part to like it [TS]

00:27:12   the dramatic scene at the end has a long [TS]

00:27:15   commentary on the nature of Superman [TS]

00:27:17   that is not played for laughs and if you [TS]

00:27:20   want a Quentin Tarantino like this the [TS]

00:27:21   royal with cheese scene isn't this funny [TS]

00:27:23   notes it like he plays this stuff [TS]

00:27:25   seriously the characters a series and by [TS]

00:27:28   that point you're serious like oh my god [TS]

00:27:29   I'm taking I'm taking this all seriously [TS]

00:27:31   and I'm caught up in this moment this [TS]

00:27:33   ridiculous and I i really love that [TS]

00:27:37   there's that a lot of people say oh I [TS]

00:27:39   like part one but i didn't like part2 if [TS]

00:27:40   you only like part1 busy like some [TS]

00:27:42   people beat each other up and with [TS]

00:27:43   cartoon violence that's not what I come [TS]

00:27:45   to you [TS]

00:27:45   before I just think they're as a unit [TS]

00:27:48   these two parts kept together into a [TS]

00:27:49   beautiful young yang and I also think [TS]

00:27:51   both these movies have the best use of [TS]

00:27:53   music in the movies with the possible [TS]

00:27:56   exception of good fellows which is an [TS]

00:27:58   amazing feat for what's supposed to just [TS]

00:28:00   be a you know a throwback kind of movie [TS]

00:28:03   that's supposed to be fun I think [TS]

00:28:04   there's so much more depth in this movie [TS]

00:28:06   then would appear from if you look at [TS]

00:28:09   the the DVD cover or read some reviews [TS]

00:28:12   all right [TS]

00:28:14   kill bill I i had a reservoir dogs on my [TS]

00:28:17   list down a little bit but it did have [TS]

00:28:19   that that's my favorite Tarantino but [TS]

00:28:20   i'm not surprised to see Quentin [TS]

00:28:22   Tarantino it brought up here then what [TS]

00:28:25   about you [TS]

00:28:25   I'm going to pick my favorite film by my [TS]

00:28:28   favorite director Matt's alfred [TS]

00:28:30   hitchcock's rear window which is an [TS]

00:28:33   excellent a hey you know Hitchcock is is [TS]

00:28:37   my favorite director because he is a [TS]

00:28:38   master of what he does and that is you [TS]

00:28:42   cannot it's hard to watch many of his [TS]

00:28:44   movies without literally sitting on the [TS]

00:28:46   edge of your seat and rear window for me [TS]

00:28:48   is is my favorite in that regard because [TS]

00:28:50   we're put in we as audiences are always [TS]

00:28:54   captive uh in you know watching the [TS]

00:28:57   movies we can't interact with the people [TS]

00:28:58   on the screen you know we like to yell [TS]

00:29:00   at them and tell them not to go in the [TS]

00:29:01   basement has to get that noise because [TS]

00:29:03   it's the dude with the chainsaw but in [TS]

00:29:05   this movie our protagonist Jimmy Stewart [TS]

00:29:07   is stuck in the exact same position he's [TS]

00:29:10   broken his leg and he's watching he's [TS]

00:29:11   reduced to sort of voyeuristically [TS]

00:29:13   watching his neighbor's through his back [TS]

00:29:15   window until we become sees this idea [TS]

00:29:17   that this one guy is murdered his wife [TS]

00:29:19   and i love that in like about half the [TS]

00:29:23   movie you think maybe he's just bored [TS]

00:29:25   and really you know paranoid about this [TS]

00:29:27   and you just need some you know because [TS]

00:29:29   he's been shut in and he's convalescing [TS]

00:29:31   yeah he's just making stuff up and then [TS]

00:29:33   you start to realize well there's [TS]

00:29:34   something sinister going in here and so [TS]

00:29:37   the whole cinema to cinematographic Lee [TS]

00:29:41   the whole shooting of the backyard area [TS]

00:29:44   through the rear window which sort of [TS]

00:29:46   reflects the you know the movie screen [TS]

00:29:48   itself is this fascinating may launch of [TS]

00:29:51   all these different characters that he's [TS]

00:29:52   keeping eyes on and it's just there are [TS]

00:29:54   seen this you know pretty in particular [TS]

00:29:55   scene later on where he sends his [TS]

00:29:57   girlfriend sort of [TS]

00:29:58   to investigate and she sneaks into the [TS]

00:30:00   murderers apartment and he realizes he [TS]

00:30:02   can see the the murderer coming back but [TS]

00:30:05   he can't water because he's stuck and [TS]

00:30:07   there's no way to tell her i mean this [TS]

00:30:08   is a movie that would be ruined by cell [TS]

00:30:10   phones right but you know you you see [TS]

00:30:13   the way that do mr. react to me just [TS]

00:30:14   look so terrified and you you start your [TS]

00:30:16   heart starts pounding he's gonna come [TS]

00:30:18   back and find her and I it's just it is [TS]

00:30:20   it is the tip-top of Hitchcock's suspend [TS]

00:30:23   yeah great one day one when you're up [TS]

00:30:27   ok ok so my fourth one covers my deep [TS]

00:30:32   love of Khan movies and that is rian [TS]

00:30:35   johnson's the brothers bloom it's [TS]

00:30:37   actually fairly recent movie it only [TS]

00:30:39   came out a couple years ago and I've got [TS]

00:30:40   to get out of a hat tip to paper moon [TS]

00:30:42   here [TS]

00:30:43   not exactly nominating two movies here [TS]

00:30:45   but just paper moon is a great movie and [TS]

00:30:47   it's very clearly influenced and [TS]

00:30:49   brothers bloom and brothers bloom is [TS]

00:30:50   maybe not a perfect film but there are [TS]

00:30:53   parts of it that are just so fantastic [TS]

00:30:55   and represent everything I love about [TS]

00:30:57   the craft of storytelling and just [TS]

00:31:00   movies in general it's a very [TS]

00:31:02   exquisitely done film it's a it's shot [TS]

00:31:05   much in the way that like big fish and [TS]

00:31:07   the other like pseudo fairytale stories [TS]

00:31:09   are where you're never quite sure what [TS]

00:31:11   exactly what's real and what's not and [TS]

00:31:12   that's the whole theme of the film is [TS]

00:31:14   it's all playing on what's a con what's [TS]

00:31:16   not what's fake what's real and they're [TS]

00:31:18   plenty of great quotes from areas like [TS]

00:31:20   the trick do not feeling cheated is to [TS]

00:31:22   learn how to cheat or the perfect con is [TS]

00:31:24   one where everyone involves get just [TS]

00:31:26   what they wanted it's it's a masterful [TS]

00:31:29   masterful play on storytelling & on & [TS]

00:31:32   wordplay and it doesn't hurt that you [TS]

00:31:35   have mark ruffalo Adrien Brody and I why [TS]

00:31:41   am I forgetting the lead actresses name [TS]

00:31:43   a horrible person [TS]

00:31:43   Rachel Rachel place playing playing a [TS]

00:31:46   very katharine hepburn s character in [TS]

00:31:49   this movie and which is possibly why I [TS]

00:31:52   like it but I don't want you you left [TS]

00:31:54   out the best character but it oh yes [TS]

00:31:56   bang bang bang bang who is amazing who [TS]

00:31:59   basically is this is a mute japanese [TS]

00:32:02   girl who happens to be a weapons [TS]

00:32:04   demolitions expert and she tests weapons [TS]

00:32:07   by blowing up barbie dolls [TS]

00:32:10   there's it's it's fun and dramatic at [TS]

00:32:13   the same time and you'll you'll laugh [TS]

00:32:17   you'll cry and yes yes I'm sounding like [TS]

00:32:19   a broken record here but also nathan [TS]

00:32:21   johnson score was I believe Ryan [TS]

00:32:24   Johnson's cousin something like that his [TS]

00:32:26   score is possibly one of my favorite [TS]

00:32:29   movie scores in recent times so is it [TS]

00:32:32   maybe not my overall favorite movie of [TS]

00:32:35   all time but high up there and [TS]

00:32:37   definitely my favorite con movie right [TS]

00:32:39   rounding out the film festival premise a [TS]

00:32:41   little bit which is nice so great thank [TS]

00:32:44   you i will make my fourth selection and [TS]

00:32:49   i'm also trying to provide a little bit [TS]

00:32:51   of variety in here and i'm gonna i [TS]

00:32:54   believe one of the most fascinating [TS]

00:32:57   areas of of American history and human [TS]

00:33:01   history in fact is the attempt in the [TS]

00:33:04   nineteen sixties for by the united [TS]

00:33:06   states to put a man on the moon and i [TS]

00:33:10   love that era and I love all of the NASA [TS]

00:33:12   and Apollo program stuff i have read a [TS]

00:33:15   lot about it and the pinnacle of this is [TS]

00:33:18   actually the movie about the moon [TS]

00:33:20   mission that went wrong which is ron [TS]

00:33:22   howard's Apollo 13 starring tom hanks [TS]

00:33:25   it's a movie that if you didn't know [TS]

00:33:27   that it actually happened and it is [TS]

00:33:29   almost exactly what really happened [TS]

00:33:31   right down to some of the dialogue you [TS]

00:33:33   wouldn't believe it [TS]

00:33:34   you'd think it was a ridiculous [TS]

00:33:35   Hollywood movie it is masterfully made [TS]

00:33:40   and I you know run Howard just made a [TS]

00:33:41   lot of kind of clunky movies as well as [TS]

00:33:43   some good movies but the the technology [TS]

00:33:46   used the the special effects that [TS]

00:33:48   replicate the launch of the Saturn five [TS]

00:33:50   the fact that they used the the the [TS]

00:33:53   Vomit Comet airplane in order to shoot [TS]

00:33:55   some scenes an actual weightlessness and [TS]

00:33:56   then seamlessly integrate them with with [TS]

00:33:59   stuff shot on the ground they remade all [TS]

00:34:02   of the interiors of the Apollo space [TS]

00:34:05   capsules and and managed to tell a [TS]

00:34:08   really exciting story with some great [TS]

00:34:11   human elements and it [TS]

00:34:13   it's actually it also has a nice score [TS]

00:34:16   as well I'm just a big i love this movie [TS]

00:34:18   this is one of those comfort food movies [TS]

00:34:20   for me I just I i think it's a there are [TS]

00:34:24   so many things that you think of well [TS]

00:34:26   what if they made a movie of this they'd [TS]

00:34:27   probably screw it up and Apollo 13 is a [TS]

00:34:30   fantastic story and they made the movie [TS]

00:34:32   and they didn't screw it up and they [TS]

00:34:33   never need to make that story tell that [TS]

00:34:36   story again because they got it and they [TS]

00:34:37   got it right and and having Tom Hanks at [TS]

00:34:40   the center in one of his better [TS]

00:34:41   performances as Jim level is a it was a [TS]

00:34:45   good choice too so I'm gonna I'm gonna [TS]

00:34:47   go with 2012 [TS]

00:34:48   yeah the remake yeah good god Apollo 14 [TS]

00:34:51   and 15 behind ya sequel the real in part [TS]

00:34:56   down [TS]

00:34:56   i I just I i love this movie it's great [TS]

00:35:00   and it actually has a nice message at [TS]

00:35:01   the end that I think about every now and [TS]

00:35:03   then when they cancel some other part of [TS]

00:35:04   the space program which is Jim Lovell [TS]

00:35:06   looking up at the sky saying I guess [TS]

00:35:08   we'll go back someday but who will those [TS]

00:35:10   people be a pimp and we still have no [TS]

00:35:13   idea [TS]

00:35:14   yes so anyway Paul 13 ok last round [TS]

00:35:17   clenched i'm going low brow i'm going [TS]

00:35:20   low brow well that'll be a first frost [TS]

00:35:23   shut up so what is all this is a French [TS]

00:35:25   period we got Jerry Lewis you know [TS]

00:35:29   German this samurai from the dawn of [TS]

00:35:32   time we came moving silently down [TS]

00:35:34   through the centuries living many secret [TS]

00:35:36   lives struggling to reach the time of [TS]

00:35:38   the gathering when the few who remain [TS]

00:35:40   will battle to the last high lamb i [TS]

00:35:43   highlighted to eat healthy holiday three [TS]

00:35:48   witches [TS]

00:35:49   getting the sickening highlander I think [TS]

00:35:53   that's the surprising pic possibly yes [TS]

00:35:55   because a lot of people think of this as [TS]

00:35:56   a cheesy film but it actually the first [TS]

00:35:58   half to two-thirds of the movie have a [TS]

00:36:00   lot of really remarkable cinematography [TS]

00:36:03   it's very funny [TS]

00:36:05   it's got a great villain I want the [TS]

00:36:07   highlander for the cinematography I [TS]

00:36:08   watched my relationship and you should [TS]

00:36:10   go back and watch the movie and see how [TS]

00:36:12   actually enjoyable is it's very clever [TS]

00:36:14   it's a very funny clever film crystal [TS]

00:36:16   bearers great [TS]

00:36:17   who's the current legalities the keurig [TS]

00:36:20   on the giant it's a clancy brown and see [TS]

00:36:23   Brown is the the plays equal parts [TS]

00:36:25   villains and heroes and villains he's [TS]

00:36:27   great and it's got Sean Connery doing [TS]

00:36:29   the worst Scott Spanish accent ever [TS]

00:36:32   received only the actual Scottish person [TS]

00:36:35   in a movie about Scottish people and he [TS]

00:36:37   plays in Egyptian almost Egyptian who by [TS]

00:36:40   way of spain i think yes um it's it's a [TS]

00:36:42   it's a really cheesy movie in some ways [TS]

00:36:44   but i have to say it is one of us [TS]

00:36:46   enjoyable things I watched it many many [TS]

00:36:48   times when I was younger and more [TS]

00:36:50   susceptible to certain influences and [TS]

00:36:52   urban nature and it's a great movie [TS]

00:36:56   I your head comes away from your neck [TS]

00:36:58   it's over [TS]

00:36:59   that's right that can be only one that's [TS]

00:37:02   great film enjoyed it go okay Scott your [TS]

00:37:06   last pic my last pic is a an animated [TS]

00:37:10   movie that I love dearly the iron giant [TS]

00:37:13   oh my god is great movie and the iron [TS]

00:37:17   giant has a good message has a giant [TS]

00:37:20   robot or Garth it has a point in Hogan's [TS]

00:37:24   which is a fantastic name voice of Vin [TS]

00:37:26   Diesel yes it has [TS]

00:37:27   that's true voice of every family does [TS]

00:37:29   not just he doesn't have to say much [TS]

00:37:31   it's about it was born to play a robust [TS]

00:37:33   it's true and animated rough you know it [TS]

00:37:37   has a good message that you can overcome [TS]

00:37:39   your not destined to either your destiny [TS]

00:37:42   isn't set new self-sacrifice you know [TS]

00:37:45   everybody and don't trust the government [TS]

00:37:47   yeah it's all very good messages i agree [TS]

00:37:49   and we we discuss that a little bit in [TS]

00:37:51   the kids movie podcast was one of my pic [TS]

00:37:53   so i endorse it [TS]

00:37:54   excellent i love that Steve all right [TS]

00:37:57   well I was leaning snow white and the [TS]

00:37:59   seven dwarfs I [TS]

00:38:01   because it's so groundbreaking but [TS]

00:38:03   instead i think i'll snap back in the [TS]

00:38:05   other direction for another [TS]

00:38:07   groundbreaking film which was my first [TS]

00:38:09   x-rated movie although not my favorite [TS]

00:38:12   as it happens I was filming spot one of [TS]

00:38:16   my favorite film genres the zombie film [TS]

00:38:18   i'm speaking of George Romero's dawn of [TS]

00:38:20   the dead still one of the best of its [TS]

00:38:23   kind night of the living dead is great [TS]

00:38:25   too but this is this is really where the [TS]

00:38:27   film the zombie film really came [TS]

00:38:28   together and you get everything and get [TS]

00:38:30   your fast-paced action sequences get you [TS]

00:38:33   nowhere slowly mounting existential [TS]

00:38:36   dread there's some some great gallows [TS]

00:38:38   humor penas over-the-top core from tom [TS]

00:38:40   savini and even some touchingly sad [TS]

00:38:43   moments and of course George Romero's [TS]

00:38:46   ham-handed patented social commentary [TS]

00:38:49   although it this was early on in the [TS]

00:38:51   genre and it really hadn't gotten tired [TS]

00:38:52   yet so it's not quite so bad I could [TS]

00:38:56   cast characters good development you [TS]

00:38:58   actually give a crap about the heroes at [TS]

00:39:00   the end i find it so it's a horror film [TS]

00:39:02   that makes you think and feel even as it [TS]

00:39:05   makes you barf [TS]

00:39:06   so I've i picked on of the Dead [TS]

00:39:09   excellent that will be the last that [TS]

00:39:12   will be the pinnacle that will be your [TS]

00:39:13   last one that will be a midnight [TS]

00:39:14   screening that's right maybe we'll do it [TS]

00:39:17   right now ready uh-huh and John syracuse [TS]

00:39:23   what's your last election [TS]

00:39:24   I'm gonna pull a rap sheet here and say [TS]

00:39:26   that i was going to pick breaking away [TS]

00:39:28   which is a great coming-of-age story [TS]

00:39:30   that kind of made me feel like all other [TS]

00:39:32   coming-of-age story movies for lying to [TS]

00:39:34   me but i will not pick that that will be [TS]

00:39:36   in the alternate slot in case one of the [TS]

00:39:38   other movies get sick or injured i'm [TS]

00:39:41   going to select at the game at which is [TS]

00:39:45   about for a film by david fincher and [TS]

00:39:47   how stays Michael Taylor David Fincher [TS]

00:39:50   movie believe it or not I it's a very [TS]

00:39:53   very quiet movie very calm [TS]

00:39:56   not a lot of you know action excitement [TS]

00:39:59   blaring soundtrack gunfire I don't know [TS]

00:40:02   what you call it would you call it a [TS]

00:40:03   thinker [TS]

00:40:04   it's it's got a certain kind of pacing [TS]

00:40:06   and suspense that you just don't see [TS]

00:40:08   movies these days because it's not [TS]

00:40:10   exciting enough and I don't think it did [TS]

00:40:12   particularly well the box office because [TS]

00:40:13   of it [TS]

00:40:14   it's got a its got a small cast what a [TS]

00:40:17   great cast michael douglas in the real [TS]

00:40:18   the lead role sean penn as his brother [TS]

00:40:20   and a bunch of other characters mixed in [TS]

00:40:23   there and if you have not seen the game [TS]

00:40:24   which a lot of people have not seen it [TS]

00:40:26   it's not going to be one of the movies [TS]

00:40:28   the changes your life but it is an [TS]

00:40:29   excellent movie so it's not one of those [TS]

00:40:31   things like a rainy day nobody around at [TS]

00:40:33   home by yourself just pop this thing in [TS]

00:40:36   and disappear for a couple hours [TS]

00:40:39   that's what she said alright I don't [TS]

00:40:41   spoil it for anybody who hasn't seen it [TS]

00:40:42   all right i have not 17 here it's [TS]

00:40:44   alright will do not better than anyone [TS]

00:40:46   has seen it please don't say anything [TS]

00:40:47   you've got another instrument treat [TS]

00:40:48   coast [TS]

00:40:50   uh-huh yeah first of all is done sorry I [TS]

00:40:54   damn yeah I'm gonna throw off most of my [TS]

00:40:58   previous ones go for a comedy that final [TS]

00:41:01   one of my favorite what yeah I know I've [TS]

00:41:02   been a little heavier do [TS]

00:41:04   I'm do yeah it goes great with Lawrence [TS]

00:41:06   of Arabia no one of my favorite comedies [TS]

00:41:09   of all time and that's the john cusack [TS]

00:41:11   vehicle grosse point blank [TS]

00:41:13   Oh dark a dark comedy about I hate I [TS]

00:41:16   don't support that [TS]

00:41:17   yes it's a great one of my favorite [TS]

00:41:19   movies a great you know John Cusack was [TS]

00:41:22   a hit man who is kind of at loose ends [TS]

00:41:24   with his life doesn't really know what [TS]

00:41:25   he's doing so he decides to go to his [TS]

00:41:26   high-school reunion and you kind of get [TS]

00:41:29   the idea if you you know watched you [TS]

00:41:31   know earlier John Cusack works from the [TS]

00:41:32   eighties this is this was a 96 movie i [TS]

00:41:35   believe that this is kind of what 97 is [TS]

00:41:38   my thanks sorry since I think they're [TS]

00:41:39   the class of eighty-seven remember [TS]

00:41:41   standing army also you get the idea that [TS]

00:41:43   this is maybe what his say anything [TS]

00:41:45   character Lloyd Dobler might end up [TS]

00:41:46   being if you know lost the girl and [TS]

00:41:48   decided he had to go back in [TS]

00:41:50   what are you doing this vehicle [TS]

00:41:51   professional killer killing you get [TS]

00:41:53   dental with that yeah if you graduate [TS]

00:41:56   work you can just jump right in and [TS]

00:41:58   great great performance by bike you Zach [TS]

00:42:00   one of the better performances by minnie [TS]

00:42:03   driver you alan arkin again shows up an [TS]

00:42:07   Android as American winded okay great [TS]

00:42:09   meeting recently grocery shop cord and a [TS]

00:42:15   host of other good little characters [TS]

00:42:16   including four of the five Cusack plan [TS]

00:42:20   yes in in minor roles in various places [TS]

00:42:23   his sister joan cusack most notably yes [TS]

00:42:25   wonderful as as his [TS]

00:42:27   system only notable entire there are [TS]

00:42:30   other Cusack's there are five of them [TS]

00:42:32   and there are two more and music with [TS]

00:42:34   you so this is what is their arteries [TS]

00:42:37   and replace a dream place a drunken [TS]

00:42:38   another one of the other ones plays a [TS]

00:42:40   waiter i'm down to getting wine [TS]

00:42:42   really I'm it's all about Jones epoque [TS]

00:42:45   you zach is in the background best the [TS]

00:42:47   best scene possibly well the best seen [TS]

00:42:50   in the entire movie is where he goes to [TS]

00:42:52   his home sweet home but it's been [TS]

00:42:54   replaced with a second home again but i [TS]

00:42:56   guess you can shop their place by 7-11 [TS]

00:42:59   which is basically an ultimate art which [TS]

00:43:01   is playing a music version of living [TS]

00:43:03   like I yeah and the the slacker there is [TS]

00:43:07   playing doom on the arcade machine well [TS]

00:43:09   they're having a gunfight in the [TS]

00:43:11   background yeah but perhaps the best buy [TS]

00:43:13   on the entire movie is the the [TS]

00:43:15   understated thank you for the pen [TS]

00:43:17   yeah I did too jeremy piven no Jeremy [TS]

00:43:21   know you know too well Carlos check on [TS]

00:43:24   ok actually a bizarre little but yeah [TS]

00:43:28   guys in a pan and use it to a [TS]

00:43:29   superweapon yeah it's excellent [TS]

00:43:31   excellent yeah have not seen it you are [TS]

00:43:34   terribly missing a great movie a movie [TS]

00:43:37   when a boy [TS]

00:43:39   ok so best for last and I said I guess I [TS]

00:43:42   said that Brothers Bloom was Mike on [TS]

00:43:43   movie but this is also my con movie my [TS]

00:43:45   my honorary comment using this am but I [TS]

00:43:48   know that was a car i only said I was so [TS]

00:43:57   this is that also the movie that made me [TS]

00:43:59   want to become a film editor for a [TS]

00:44:02   number of years and also applies to [TS]

00:44:05   writing editing as well and that is [TS]

00:44:06   Orson Welles is pseudo documentary f for [TS]

00:44:09   fake which if you haven't seen it i [TS]

00:44:12   highly highly highly recommend it [TS]

00:44:14   because it is probably it is number what [TS]

00:44:18   is it number number two number two on my [TS]

00:44:21   all-time favorite movies list right [TS]

00:44:23   underneath Empire and this is a [TS]

00:44:26   fantastic documentary that claims to be [TS]

00:44:31   about magic and about following [TS]

00:44:35   ironically following Clifford Irving [TS]

00:44:37   documenting a guy who [TS]

00:44:40   does forgeries art forgeries who sells [TS]

00:44:43   them for a for a nifty profit now the [TS]

00:44:45   thing to know is that if you know the [TS]

00:44:47   name Clifford Irving you'll know that he [TS]

00:44:48   did the fake biography of Howard Hughes [TS]

00:44:51   so it's fakery wrapped within fakery and [TS]

00:44:56   the entire thing despite having a really [TS]

00:44:59   really interesting story that kind of [TS]

00:45:01   twists and turns and pulls you in every [TS]

00:45:03   every angle and of course Orson Welles [TS]

00:45:05   is the master to do that in which to do [TS]

00:45:08   this I mean he put together war of the [TS]

00:45:09   worlds which basically everybody you [TS]

00:45:12   know everybody listening at the time [TS]

00:45:13   when it was on the windows broadcast on [TS]

00:45:15   the radio kind of got conned into [TS]

00:45:17   thinking that it was a real Martians are [TS]

00:45:20   landing on the earth broadcast it it has [TS]

00:45:23   this really nice sort of back-and-forth [TS]

00:45:25   switch change editing and the movie [TS]

00:45:28   itself is just beautiful [TS]

00:45:31   it's aight i cannot describe it and I [TS]

00:45:33   urge everybody to go see if you have not [TS]

00:45:35   no matter what your feelings are on [TS]

00:45:37   Orson Welles because i guarantee you [TS]

00:45:39   will leave this film thinking something [TS]

00:45:41   great i've never heard of that film i [TS]

00:45:45   will have to see it [TS]

00:45:46   that's great hmm alright i guess i gotta [TS]

00:45:50   close it up here that's what's your [TS]

00:45:51   final pick Jason huh [TS]

00:45:53   number 5i Idaho I've got a lot of [TS]

00:45:56   choices here and i can just go with the [TS]

00:45:57   one that's that that's the highest [TS]

00:45:58   remaining on the board that i love you [TS]

00:46:01   think of the poor or i could think of [TS]

00:46:04   the poor people reproduce it through our [TS]

00:46:06   our film festival and see if i want to [TS]

00:46:08   give them something that isn't a comedy [TS]

00:46:10   from the eighties which is strangely [TS]

00:46:13   there are lots of those on my list so [TS]

00:46:16   should I just should shouldn't do that [TS]

00:46:18   in any other well no no your other ideas [TS]

00:46:21   go together which I said only way heart [TS]

00:46:23   go if you're the audience that's right [TS]

00:46:25   embrace your industry inner siracusa [TS]

00:46:27   wait a second one minor siracusa do well [TS]

00:46:32   known for screwing the Ottomans and I [TS]

00:46:33   don't know embrace them and find out you [TS]

00:46:35   cross your you cross yourself you would [TS]

00:46:37   like to make the selection that you [TS]

00:46:38   really want to make I promised a mute [TS]

00:46:40   the hope [TS]

00:46:42   I actually just watch this movie again [TS]

00:46:46   and i'm gonna i'm going to select it [TS]

00:46:48   over some movies that i have ranked [TS]

00:46:50   higher because i want to round out the I [TS]

00:46:53   want to run out random selection and I [TS]

00:46:55   think this movie is becoming appreciated [TS]

00:46:58   as a classic but i'm going to give it a [TS]

00:46:59   screening so people are reminded that it [TS]

00:47:01   is a classic and it is Harold Ramos 'as [TS]

00:47:06   groundhog day [TS]

00:47:08   ah was honest that's good explanation is [TS]

00:47:11   Groundhog Day a bill murray had we got [TS]

00:47:14   to get bill murray in here again and [TS]

00:47:17   rather than going to be watching [TS]

00:47:18   groundhog day of Christmas now it's okay [TS]

00:47:20   that's what I hear it's a holiday really [TS]

00:47:23   after all [TS]

00:47:25   groundhog day you know we have talked [TS]

00:47:27   about it before and rather than go with [TS]

00:47:29   the real genius Ghostbusters kind of [TS]

00:47:31   obvious access I'm gonna I'm gonna take [TS]

00:47:33   a different tack and say Groundhog Day a [TS]

00:47:35   funny movie [TS]

00:47:36   I a but also a very thought-provoking [TS]

00:47:40   movie lots there to think about in terms [TS]

00:47:43   of his repeating time and he he tries to [TS]

00:47:49   take one approach with his days and that [TS]

00:47:52   doesn't work where he tries to fake a [TS]

00:47:54   good day with andie mcdowell who I'm an [TS]

00:47:57   actress who I just like but who is [TS]

00:47:58   acceptable in this movie and that [TS]

00:48:01   doesn't work so that he'd become sad and [TS]

00:48:03   he decides to kill himself and he does [TS]

00:48:04   that for a while and that fails to and [TS]

00:48:07   then he finally decides to improve [TS]

00:48:08   himself and and the the I know the [TS]

00:48:11   screenwriter is a Buddhist and it's got [TS]

00:48:12   that sort of like kind of Buddhism thing [TS]

00:48:14   to it which is fine and all but I i [TS]

00:48:17   really appreciate just the broad strokes [TS]

00:48:19   of a comedy that is is funny and that [TS]

00:48:23   there are lots of very funny little tiny [TS]

00:48:25   bits that you notice when you watch it [TS]

00:48:27   multiple times because they are in this [TS]

00:48:29   time loop but also it's a it's a it's a [TS]

00:48:32   thought-provoking kind of movie so and [TS]

00:48:34   it's a good performance from Bill Murray [TS]

00:48:36   who essentially is playing a guy across [TS]

00:48:38   one day but also like appeared probably [TS]

00:48:41   thousands of years some time as the [TS]

00:48:43   iterates through and becomes an expert [TS]

00:48:45   piano player and learns everything about [TS]

00:48:47   every single person in this little town [TS]

00:48:49   in Pennsylvania so in the second [TS]

00:48:51   appearance of harold ramis so yay for [TS]

00:48:53   that [TS]

00:48:54   yay yes yay for harold ramis [TS]

00:48:56   two and and so and chris elliott is in [TS]

00:48:59   that movie so and who knew Rahzel know [TS]

00:49:02   who knew that chris elliott would make [TS]

00:49:03   it into the film festival but areas my [TS]

00:49:06   six choice cabin boy I don't have to [TS]

00:49:10   wait for the next time alright he's now [TS]

00:49:12   a cabin men so so there you go [TS]

00:49:15   that and of course real genius will be [TS]

00:49:17   on opening night when there's only one [TS]

00:49:18   movie because I run the film festival [TS]

00:49:20   that will be first but i'm sleeping [TS]

00:49:23   setting up an alternate ok Ludovico [TS]

00:49:27   technique applied to Syracuse in the [TS]

00:49:29   front row e yeah we have reached we have [TS]

00:49:32   the reach the end of the draft so I'm [TS]

00:49:34   going to thank everybody and as i do [TS]

00:49:36   that i'm going to list off their their [TS]

00:49:38   films and then and then you can judge [TS]

00:49:41   for yourself which day is the must-visit [TS]

00:49:43   day at the incomparable film series [TS]

00:49:45   which there are seven of us so it will [TS]

00:49:48   last a full week a full week of movies [TS]

00:49:50   almost as long as this pod KO almost not [TS]

00:49:53   quite [TS]

00:49:54   when fleischmann you selected wings of [TS]

00:49:56   desire blade runner brother from another [TS]

00:49:58   planet funny bones and highlander of [TS]

00:50:01   course I'll and you open with wings of [TS]

00:50:05   desire inflows with a Highlander they're [TS]

00:50:07   really bookends if you think about it [TS]

00:50:09   the best thing ever it round it is a [TS]

00:50:11   collective as I expected from you by [TS]

00:50:13   letters basically a remake with the gun [TS]

00:50:15   is adequately reflect my personality [TS]

00:50:17   I did yes thank you just actually we [TS]

00:50:20   could add blue velvet in just so there's [TS]

00:50:21   some heavy breathing otherwise it does [TS]

00:50:25   yes [TS]

00:50:25   so thank you don't you everything I got [TS]

00:50:29   McNulty started to the wrath of khan the [TS]

00:50:32   hudsucker proxy monty python and the [TS]

00:50:35   holy grail for her planet and the iron [TS]

00:50:38   giant thank you for those excellent pics [TS]

00:50:41   that made Steve ground i had to shake my [TS]

00:50:43   fist yeah nobody had to shake their [TS]

00:50:45   fists somebody [TS]

00:50:46   yeah it's true I that was the only [TS]

00:50:48   collision as far as well know Jason [TS]

00:50:49   gotten out of his sniper [TS]

00:50:51   oh yeah yeah there were a lot of sad [TS]

00:50:53   collisions out there but but you you [TS]

00:50:54   couldn't keep it in the only connection [TS]

00:50:57   I care about yeah exactly so Scott thank [TS]

00:50:59   you for being here and thank you for [TS]

00:51:01   telling me I I realize now that I'm a [TS]

00:51:03   giant nerd [TS]

00:51:05   yeah it's like an eye [TS]

00:51:07   just this one with the restaurant about [TS]

00:51:10   themselves [TS]

00:51:10   it's part of the process the podcast ask [TS]

00:51:12   their process that i have i have [TS]

00:51:16   initiated Steve lot started out with a [TS]

00:51:18   bunch of one word movies and then kind [TS]

00:51:21   of blew it at the end a lien Caddyshack [TS]

00:51:24   babe [TS]

00:51:26   The Breakfast Club and Dawn of the Dead [TS]

00:51:28   thank you for being here [TS]

00:51:30   holy cow that is a great list it is i'm [TS]

00:51:32   i'm gonna go watch it now i think is [TS]

00:51:35   better i think we may put your day on [TS]

00:51:36   like saturday i think it's a [TS]

00:51:37   crowd-pleasing kind of day so for the [TS]

00:51:40   record i have learned nothing [TS]

00:51:42   yes that's good i didn't expect you to [TS]

00:51:45   yeah you gotta cut your losses I I know [TS]

00:51:47   you're hopeless some it's fine [TS]

00:51:50   John siracusa the Empire Strikes Back [TS]

00:51:53   who the Godfather Part one and two as [TS]

00:51:58   two selections kill bill part one and [TS]

00:52:01   two as one selection John's movies maybe [TS]

00:52:05   all we and the game [TS]

00:52:07   thank you for being here I think it's [TS]

00:52:10   there's no contest here that my [TS]

00:52:12   selections would blow the people out of [TS]

00:52:15   their seats and leave them haunted at [TS]

00:52:16   the end it would it would [TS]

00:52:18   they're going to be desperate for one [TS]

00:52:19   for a comedy that will never come there [TS]

00:52:21   would be no living audience members at [TS]

00:52:23   the end of the one who have plenty of [TS]

00:52:24   humor [TS]

00:52:25   alright well that's true that's true [TS]

00:52:26   Quentin Tarantino doesn't and more'n [TS]

00:52:29   raiders of the lost ark Butch Cassidy [TS]

00:52:31   and the Sundance Kid lawrence of arabia [TS]

00:52:33   rear window and grosse point blank [TS]

00:52:38   thank you for being here okay i think [TS]

00:52:40   that works nicely warmed them up in the [TS]

00:52:41   beginning with sort of the the [TS]

00:52:43   adventures the romps it's a little more [TS]

00:52:45   serious and then we leavin left and lots [TS]

00:52:47   of prepositions in your movie titles by [TS]

00:52:49   the way lots of prepositions by with on [TS]

00:52:51   for yeah it's already called well the [TS]

00:52:55   rocketeer metropolis bringing up baby [TS]

00:52:58   the brothers bloom and f for fake i have [TS]

00:53:00   to say that you may have edged out blend [TS]

00:53:02   in the obscurity list and the surprise [TS]

00:53:05   list for me and that is to your credit [TS]

00:53:07   so thank you for being here today and I [TS]

00:53:08   think that our quirks nicely [TS]

00:53:10   it's going you know going science [TS]

00:53:13   fiction then into screwball then into [TS]

00:53:15   cons [TS]

00:53:16   no but not that con right Scott Scott [TS]

00:53:20   starts with Khan wear with James Caan [TS]

00:53:23   and all this i had James got in my movie [TS]

00:53:25   know he's in Godfather I see the [TS]

00:53:27   godfather [TS]

00:53:28   oh I'm sorry ok well there we go kon Kon [TS]

00:53:31   Kon it's it's really the con film [TS]

00:53:33   festival at this point haha oh wow well [TS]

00:53:40   Wow who are in terrible pain no that was [TS]

00:53:44   amazing sums up to know somehow also [TS]

00:53:47   died [TS]

00:53:48   Wow but it was sitting right there guys [TS]

00:53:52   yeah I thought of it too but I didn't [TS]

00:53:54   say only strength and even see it didn't [TS]

00:53:56   even see it wow and wow so that's a lot [TS]

00:54:03   of movies and mine were the princess [TS]

00:54:04   bride [TS]

00:54:05   this is spinal tap me dead Goodfellas [TS]

00:54:09   Apollo 13 and groundhog day and that's [TS]

00:54:13   it [TS]

00:54:14   what oh my god what have we done that's [TS]

00:54:17   35 or depending on how you count John [TS]

00:54:20   siracusa 36 move he's that that you [TS]

00:54:25   should all go see if you haven't already [TS]

00:54:26   and create your own little virtual [TS]

00:54:28   basically quit your job [TS]

00:54:30   xam or take a week off a staycation read [TS]

00:54:34   all of these movies at your local video [TS]

00:54:37   store if it's still in business and just [TS]

00:54:39   acted acted out and let us know and if [TS]

00:54:42   you do that then we will thank you on [TS]

00:54:46   twitter chase Jason thank you for [TS]

00:54:48   putting this together [TS]

00:54:49   that was an amazing effort well thanks [TS]

00:54:51   thanks to all of you for for doing this [TS]

00:54:53   I i hope that instead of just having [TS]

00:54:55   everybody kind of list their favorite [TS]

00:54:57   five movies where we would have heard [TS]

00:54:58   about the Empire Strikes Back far too [TS]

00:55:00   many times instead we got a nice [TS]

00:55:02   collection of 35 35 movies at least [TS]

00:55:05   somebody loves if not everybody so next [TS]

00:55:07   week we take one character from each [TS]

00:55:09   movie to create new that's maybe what we [TS]

00:55:15   should do is ask the ask the great [TS]

00:55:17   incomparable listening audience to tell [TS]

00:55:18   us either on Twitter to at the [TS]

00:55:20   incomparable or by the five by five [TS]

00:55:22   feedback form which is at five by five [TS]

00:55:24   TV / contact I believe I let us know [TS]

00:55:28   what tick [TS]

00:55:29   it you're buying for this are you going [TS]

00:55:32   to buy the whole we have a pole or you [TS]

00:55:34   gonna lie one day and if you buy a day [TS]

00:55:36   we should set up a pole go to five by [TS]

00:55:38   five dot TV / incomparable / 80 and [TS]

00:55:43   they'll be linked to a pole right there [TS]

00:55:44   alright and that wraps it up because [TS]

00:55:46   we've only been here for eight hours so [TS]

00:55:48   thanks to everybody for participating [TS]

00:55:50   and thanks to you out there for [TS]

00:55:52   listening to this nonsense until the [TS]

00:55:54   next incomparable which will be in [TS]

00:55:56   approx 2015 I'm Jason Snell goodnight [TS]

00:56:08   oh I'm going to start by suggesting [TS]

00:56:11   perhaps we go more rapidly the rest of [TS]

00:56:12   the items in our list because otherwise [TS]

00:56:14   it's always gonna be 17 hours law if you [TS]

00:56:17   knew very well that by picking Glenda go [TS]

00:56:19   first that he would set the stage with [TS]

00:56:21   like a 45-minute some German let me [TS]

00:56:24   provide an exegesis of the the random [TS]

00:56:27   number generator for that [TS]

00:56:30   hey this is supposed to be lightning [TS]

00:56:31   round this is before this is lightning [TS]

00:56:33   when i was playing this is going slow [TS]

00:56:36   lightning thunder [TS]

00:56:38   well if it's just a list then why would [TS]

00:56:39   anybody even listen so we'll talk a [TS]

00:56:41   little bit rate not a lot if your head [TS]

00:56:43   comes away from your neck [TS]

00:56:45   it's over that's right that can be only [TS]

00:56:47   one [TS]

00:56:48   it's great film enjoyed it it's not [TS]

00:56:50   uncomfortable podcast before somebody [TS]

00:56:52   breaks out of Connery so that's also [TS]

00:56:54   that's also good [TS]

00:56:55   you're welcome Jason is that what that [TS]

00:56:56   was somebody breaks out a comment i [TS]

00:56:58   thought it was Jack Donaghy to the moon [TS]

00:57:03   that it was Jimmy Stewart there could be [TS]

00:57:08   a little odd rule i think i just told [TS]

00:57:18   something [TS]