77: Women`s Libber
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this is jumping ahead a little bit but
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where we are running out of time so i
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wanna i wanna bring this up we'll just
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go back and do the podcast we will i'll
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just reset it will just really my lord
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will do it again and you guys what I
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will be older but you guys won't be any
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older this time I'll just kill Jason in
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the beginning in a graveyard
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thank goodness it'll be a much better
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podcast i'll solve all of our problems
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it says you'll have to the podcast
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the incomparable podcast number 77
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everywhere we went well it's time for
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another incredible podcast and in
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addition of our book club
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I'm Jason smell the hosted be
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uncomfortable our topic today is the
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latest novel from prolific beloved
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author Stephen King this one is 11 22 63
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a tale of time travel and and so much
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joining me to discuss stephen king's
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latest are Lisa Schmeisser hi Lisa
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good evening it's great to have you here
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thank you it's a pleasure to be here
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also joining us finally on the same
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podcast serenity Caldwell hai Ram how
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you doing I'm doing pretty good how are
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you Jason I'm doing great it is it is
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great to finally have you and Lisa both
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on the same podcast now it's kind of
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it's here here i wonder if the universe
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will do something horrible like cause
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earthquakes or other nevermind nuclear
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and we'll get that will get out court
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the or or or worse accession of American
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States to Canada were basically said
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that like it's a bad thing
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this is true also joining me today are
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John siracusa hi John adjacent you're a
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huge Stephen King fan are you not i am
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i've read almost office blocks and
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that's a lot of books right yeah I've
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realized i haven't read that many of his
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books and I probably should should get
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get on that you should
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yeah I should and also joining us one
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final contestant Dain more'n hi dan I
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Jason good to be you just finished this
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book like 10 minutes ago right about
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about 20 minutes before this episode
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yeah yeah it was pretty close i applied
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to about 500 pages in the last day
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well the wire so that the the downside
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of that is that who knows what your
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recall is going to be like but the good
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side is you read it recently at least
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he's not just shouting incoherently Jim
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law gym like oh man
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III have a I read this at my mostly at
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my parents house when I was there for
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christmas and i had a I like a nightmare
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about joomla at one point of my god you
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look for a book that's not outwardly
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like a whore book there some terrifying
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parts of this boat is little moments so
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so I guess we should start at the
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beginning of this book obviously 11 22
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63 is the day of the Kennedy
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assassination and this book is
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apparently a book that Stephen King
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originally thought about writing in 1971
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and he didn't get around to it until
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2009-2010 when you read this book and
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it's about a a teacher in Maine of
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course its main who goes who has a guy
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who runs a diner who decides he would be
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a good candidate to go through a time
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portal and try to stop the Kennedy
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assassination
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of course how many of those books that
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we read is-7 and uh and a lot that part
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of it is really interesting because it's
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um it's very Stephen King it's it's it's
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so almost pedestrian and yet also
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outrageous at the same time that there's
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of course there's a guy who has a diner
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where in the storeroom there's a time
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portal to the nineteen fifties of course
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there is and then but what I like
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because I don't think about this sort of
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genre for stephen king is that he's got
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a very good grasp of of time-travel
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mechanics to the point where he the you
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know are our main our main character
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whose name is Jake Jake epping he he is
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much less familiar with Al the the guy
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who runs the diner analysis with him
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because Alice had many years to think
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about using Jake as a time-travel
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subject while he was doing his own his
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own time traveling whereas for Jake it's
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sort of like he sees al one day and then
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the next day Alice many years older and
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is about to die from lung cancer which
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hit you know and and so he sends them
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out on this mission to go through go
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through a time portal 2 1958 so we got
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the time portal and I think I think
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you're reading a Stephen King novel
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you're reading any kind of genre novel
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and you take the time portal in your
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alright so this time travel got it
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and yet one of the things that he hits
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you with right away is that there's this
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character there's this guy
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Yellowcard man just as you emerge from
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this time portal the first thing you see
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is this guy who seems to know that
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something is wrong and that you
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shouldn't be there
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so right away he does set that little
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that little point of you know it's not
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going to be in a it's not like this
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completely straight kind of I step back
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in time and i'm going to do some things
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like right away there's somebody
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standing there saying crazy things
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basically and then and yellow card man
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is trying to get money and so we can go
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buy something at the at the local liquor
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store i have i thought one of the really
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interesting things they caught me about
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Kings time-travel methodology here is
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that it's very heavily you know sort of
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repeated that every time someone goes
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through the time portal and then it is
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basically resets whatever the previous
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trip did right you can do is go back and
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change the fastest change the past as
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much as you want and when you come back
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to the future it will be changed but the
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next time you reenter the bubble it
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reverts hit the reset as you go back at
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the same time but yeah go ahead with the
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exact same moment that's just such a
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smart narrative can see because you can
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write yourself out of all sorts of sorts
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of dead ends or logical problems then
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you can just read the reset button we
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need yeah I think that's genius and love
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this it's also fascinating to because
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it's so different from a lot of the poor
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trails of time-travel words you know you
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know he doesn't have to go back and stop
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himself from doing something right now
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it's like a family has to be worked
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through it and am you know although as
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we find out very much later in the book
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it's not necessarily a reset more as it
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is a fork but but yeah but for all
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practical purposes it's there's a
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residue that's left but for all
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practical purposes it's a reset and and
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the the downside of that is we see
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immediately without where Alice dying of
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lung cancer and al has taken several
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actually it turns out that al has been
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getting why is the meat in Alice diner
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so cheap
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he's been getting in 1915 prices 1958
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and it keeps buying the same meet over
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and over again because he could just
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keeps resetting but now all spent so
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much time there that he ages rapidly by
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modern standards and yet at the same
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time he kind of hasn't done anything
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because every time he enters its just a
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reset so you get the sense right right
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up front that you're investing um you
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know you're investing your life in the
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time travel and if it doesn't work out
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the way you like it will be thrown away
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right and it's also important to note
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that no matter how long you're gone in
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the past
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you're only ever gone two minutes in
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from the present you know when when Jake
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steps back through the time portal he's
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only been gone a very short while and
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the same way that a lonely appears to go
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away for you know tonight or whatever
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and it comes back in his you know or
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five years older
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this would have been a whole different
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book if he had written it back in the
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seventies compared to when he wrote it
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and he was lazy and and addicted to
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drugs and alcohol back then so you
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wouldn't know what are you survive and
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not quite that what I was gonna say is
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if he had written in the seventies it
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would have ended up being more epic in
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scope like the stand i think because the
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stan has this real young man's energy to
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it i feel this this very brash very
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black-and-white good versus evil and
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this book is so nuanced when it compares
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to what is the greater good vs water all
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the small goods how do we decide what's
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good and what's evil and like he has no
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problem drawing those lines and making
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those distinctions in his earlier work
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but you get to something like under the
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dome or 11 22 63 and there's all these
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questions about well how do we know that
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the actions we take her good when we can
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see that the consequences and the
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outcomes are bad and it has a more
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middle-aged i'm i'm taking stock of my
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life feel to it just just as an
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undercurrent which is kind of disturbing
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when you think that the protagonist is
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somebody in their late thirties early
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forties he has an arc as an author but i
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think the be the beginning of this book
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it i think this is stephen king and his
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best where he has the the time-travel it
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doesn't explain that and I got all this
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you know I there's some sort of these
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things like an experiment in the
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government experiment out of this
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without explanation is it bring this
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isn't this mechanical I like that
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there's no explanation because it's what
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we know you don't get distracted by the
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formal logic
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yeah we realigned in the book where he
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talks about where a Jake talks about
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going back to teaching and how much it
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fills of me says I won't try to explain
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it because explanation is such cheap
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yeah that for that caught me on the way
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to say it's a great line and you just
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like well you know it's sort of you know
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resonates with this book to we don't
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need to know why the time travel works
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only that it does and it's got its got a
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hint of whimsy to it as well because he
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loves he loves a little bit of whimsy
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like that that selling the same
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hamburger to the people over and over
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again that's the classic Stephen and the
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whole how heat so he doesn't want to
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explain it but how we lovingly describes
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the mechanics of feeling for the step
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and going down through that is just
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straight-up stephen king at his best
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later on the book i'll talk about
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stephen king is worst I and a little
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hint of the slightly older stephen king
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is the yellow card man because that
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it's kind of weird i don't have read
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nearly as many books as most of the
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other people who are normal a book club
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contributors but the vast majority of
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novels that I've rather probably stephen
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king books and he's written a lot of
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books where and when you read this many
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novels by a single author and especially
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◼
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if you're not as well read where it's
[TS]
00:10:18
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not like one of many authors that you
[TS]
00:10:19
◼
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read like all their novels I i feel like
[TS]
00:10:23
◼
►
i'm sure many of his is constant readers
[TS]
00:10:25
◼
►
feel like they know this guy and I know
[TS]
00:10:27
◼
►
his bag of tricks i feel like i know its
[TS]
00:10:29
◼
►
bag of tricks and he knows that I know
[TS]
00:10:31
◼
►
that he knows you know what i mean and
[TS]
00:10:33
◼
►
so it's kind of like this dance or it's
[TS]
00:10:35
◼
►
like reading a stephen king book is like
[TS]
00:10:37
◼
►
kind of sitting down with an old friend
[TS]
00:10:38
◼
►
you're going to do this thing together
[TS]
00:10:40
◼
►
and I continue to get that feeling with
[TS]
00:10:42
◼
►
this book and the beginning part it's
[TS]
00:10:45
◼
►
kind of like you remember this part is
[TS]
00:10:47
◼
►
like yeah yes the good stuff right
[TS]
00:10:49
◼
►
listen this time travel stuff with the
[TS]
00:10:51
◼
►
resets and the rules and in the yellow
[TS]
00:10:54
◼
►
card man it's like all right that's
[TS]
00:10:55
◼
►
that's an oldie but he's you know you've
[TS]
00:10:57
◼
►
seen that before what I'm doing that
[TS]
00:10:58
◼
►
again all right i'm good i'm with you so
[TS]
00:11:00
◼
►
it was it got off on the right foot i
[TS]
00:11:01
◼
►
think all right also though I guess even
[TS]
00:11:04
◼
►
I noticed that there by visiting dairy
[TS]
00:11:07
◼
►
which is a town that he's used before
[TS]
00:11:09
◼
►
that this is apparently an it reference
[TS]
00:11:11
◼
►
right all there's a i was about to say
[TS]
00:11:12
◼
►
it is a beautiful call back to the it
[TS]
00:11:14
◼
►
universe which is a beautiful but as
[TS]
00:11:18
◼
►
somebody who has not read it and and had
[TS]
00:11:21
◼
►
to look it up later just because it I i
[TS]
00:11:23
◼
►
was curious about what he might be
[TS]
00:11:25
◼
►
referencing there I i think i think the
[TS]
00:11:29
◼
►
dairy stuff i mean i knew that because
[TS]
00:11:31
◼
►
it was in Derry that it that's a town
[TS]
00:11:32
◼
►
that he's visited in many of his books
[TS]
00:11:34
◼
►
but you know it the dairy stuff more or
[TS]
00:11:38
◼
►
less work for me because the idea is
[TS]
00:11:40
◼
►
that he's chasing down this first this
[TS]
00:11:43
◼
►
character who sort of the one with the
[TS]
00:11:45
◼
►
kid the the janitor at his scoring
[TS]
00:11:47
◼
►
Dunning yeah who is who was a head as
[TS]
00:11:50
◼
►
siblings and mother killed by his father
[TS]
00:11:53
◼
►
and and got the hammer you know that
[TS]
00:11:57
◼
►
stuff with the where there's the storm
[TS]
00:11:59
◼
►
drain and there's evil in the town isn't
[TS]
00:12:01
◼
►
very friendly
[TS]
00:12:02
◼
►
that's actually I can just say I thought
[TS]
00:12:04
◼
►
that was effectively creepy without you
[TS]
00:12:06
◼
►
thinking that it was a reference to a
[TS]
00:12:08
◼
►
book i did I i agree definitely and like
[TS]
00:12:11
◼
►
like Jason I haven't read yet but i knew
[TS]
00:12:13
◼
►
a little bit about it from again for the
[TS]
00:12:15
◼
►
dark tower but I i looked up some of it
[TS]
00:12:18
◼
►
think what's important about it even if
[TS]
00:12:19
◼
►
you haven't read it is that there are so
[TS]
00:12:22
◼
►
much in there that sort of ate a
[TS]
00:12:24
◼
►
foreshadowing of dairy and dallas which
[TS]
00:12:28
◼
►
you know keeps coming up those two
[TS]
00:12:30
◼
►
cities are linked
[TS]
00:12:31
◼
►
I'm your book depository in the storm
[TS]
00:12:33
◼
►
drain and even Beverly and and Richie
[TS]
00:12:37
◼
►
and later on in the book we have that a
[TS]
00:12:39
◼
►
Mike and Bobby Jill who are sort of sort
[TS]
00:12:44
◼
►
of parallels there's also you know the
[TS]
00:12:46
◼
►
fact that when when Jake first comes
[TS]
00:12:47
◼
►
upon a bevy and Richie they're dancing
[TS]
00:12:51
◼
►
right which is a u.s. huge part of the
[TS]
00:12:53
◼
►
book constantly coming up and I sort of
[TS]
00:12:56
◼
►
think yeah he likes tying stuff in and I
[TS]
00:12:59
◼
►
think there's a there's a certain degree
[TS]
00:13:00
◼
►
of that that's that's rewarding for a
[TS]
00:13:02
◼
►
lot of readers I love finding you know
[TS]
00:13:04
◼
►
modules and references in books from
[TS]
00:13:06
◼
►
authors that refer to previous things
[TS]
00:13:07
◼
►
you know it's a part of the reason i
[TS]
00:13:09
◼
►
love reading series of books so much
[TS]
00:13:11
◼
►
because there's a continuity to it but I
[TS]
00:13:13
◼
►
think even if you aren't familiar in
[TS]
00:13:15
◼
►
depth with that particular work i agree
[TS]
00:13:18
◼
►
with Jason that it's it's effective
[TS]
00:13:19
◼
►
creepy to hold the whole Gary scenes you
[TS]
00:13:22
◼
►
know that I just really they're just
[TS]
00:13:24
◼
►
places that are sold with bad juju yeah
[TS]
00:13:26
◼
►
yeah all this money and it's it was
[TS]
00:13:29
◼
►
eerie i was reading it a night like
[TS]
00:13:30
◼
►
before with the bed nose like man I
[TS]
00:13:32
◼
►
don't really want to go to sleep creepy
[TS]
00:13:33
◼
►
book i'm surprised that dairy section
[TS]
00:13:36
◼
►
work so well for you who didn't who
[TS]
00:13:38
◼
►
haven't read it because that's what I
[TS]
00:13:40
◼
►
was thinking when I was reading and I'm
[TS]
00:13:41
◼
►
like okay I get this because i read
[TS]
00:13:43
◼
►
another thousand-page book but pity the
[TS]
00:13:45
◼
►
more people who you know need the poor
[TS]
00:13:48
◼
►
people who don't know I I thought I
[TS]
00:13:50
◼
►
think the two kids who are apparently
[TS]
00:13:52
◼
►
characters in it i think our are
[TS]
00:13:54
◼
►
effective in that they are trying to
[TS]
00:13:55
◼
►
find some sort of life and are obviously
[TS]
00:13:58
◼
►
struggling against some darkness in this
[TS]
00:14:00
◼
►
terrible town and I find I and it's got
[TS]
00:14:02
◼
►
the dancing which it becomes relevant
[TS]
00:14:04
◼
►
later and that the sense that this town
[TS]
00:14:05
◼
►
is permeated by unfriendliness and evil
[TS]
00:14:07
◼
►
and then you know moving on from the
[TS]
00:14:11
◼
►
references part of this to talk about
[TS]
00:14:13
◼
►
the dairy section of this book is also
[TS]
00:14:15
◼
►
Jake's first first run at changing
[TS]
00:14:21
◼
►
history where he ended and it
[TS]
00:14:23
◼
►
foreshadows what's going to happen which
[TS]
00:14:24
◼
►
is he is very careful to wait until he
[TS]
00:14:27
◼
►
has all the information possible to you
[TS]
00:14:30
◼
►
know he has his run-ins with game
[TS]
00:14:31
◼
►
there's an underworld types which is
[TS]
00:14:33
◼
►
going to come back later he he has this
[TS]
00:14:36
◼
►
trial run where he waits to the last
[TS]
00:14:39
◼
►
minute to try and intercede and prevent
[TS]
00:14:41
◼
►
the government father for killing the
[TS]
00:14:43
◼
►
mother and the kids and he does all of
[TS]
00:14:46
◼
►
that and goes back and then resets and
[TS]
00:14:50
◼
►
does it again and what's interesting is
[TS]
00:14:53
◼
►
instead of being there at the moment
[TS]
00:14:55
◼
►
where this thing is going to happen in
[TS]
00:14:57
◼
►
order to intercede when he goes back the
[TS]
00:14:59
◼
►
next time he sort of got all the
[TS]
00:15:01
◼
►
information he needs he realizes that
[TS]
00:15:03
◼
►
the father is just a bad guy and he's
[TS]
00:15:06
◼
►
going to kill his whole family except
[TS]
00:15:07
◼
►
the one kid and he just he goes to him
[TS]
00:15:10
◼
►
months before and in like a desert
[TS]
00:15:13
◼
►
graveyard and just killed him rather
[TS]
00:15:16
◼
►
than defending the people he just
[TS]
00:15:17
◼
►
decided I'm gonna go back which i think
[TS]
00:15:19
◼
►
is interesting but he goes through all
[TS]
00:15:20
◼
►
of this and then hit the reset button
[TS]
00:15:22
◼
►
and decides I didn't need all that
[TS]
00:15:24
◼
►
information this guy's just a bad guy
[TS]
00:15:26
◼
►
i'm just going to do what he's done all
[TS]
00:15:28
◼
►
the research
[TS]
00:15:29
◼
►
yeah he wanted to be sure which is what
[TS]
00:15:30
◼
►
happens with Lee Harvey Oswald is the
[TS]
00:15:32
◼
►
jake wants to be sure that there's not
[TS]
00:15:34
◼
►
somebody there's not a conspiracy that
[TS]
00:15:37
◼
►
it's just this one guy right one
[TS]
00:15:40
◼
►
Al makes that very clear he's like you
[TS]
00:15:42
◼
►
have to be absolutely sure because what
[TS]
00:15:45
◼
►
happens if you screw up and then
[TS]
00:15:47
◼
►
president still get shot and then
[TS]
00:15:48
◼
►
everything still goes to hell or well it
[TS]
00:15:51
◼
►
doesn't quite jell with the present but
[TS]
00:15:53
◼
►
what we all assume that the guy who
[TS]
00:15:56
◼
►
killed his family he wanted to be sure
[TS]
00:15:58
◼
►
because he's like geez I'm like killing
[TS]
00:16:00
◼
►
this guy yea he's a bad guy and
[TS]
00:16:01
◼
►
everything but like is he really gonna
[TS]
00:16:03
◼
►
kill his family and like is he you know
[TS]
00:16:05
◼
►
he pissy had to commit you know it's not
[TS]
00:16:06
◼
►
easy to work it's not easy to work
[TS]
00:16:08
◼
►
yourself up to kill somebody right it's
[TS]
00:16:10
◼
►
not until he gets confirmation that he's
[TS]
00:16:11
◼
►
already killed one family that he
[TS]
00:16:13
◼
►
actually gets the gumption to go ahead
[TS]
00:16:14
◼
►
and pull the trigger
[TS]
00:16:15
◼
►
yeah it's not your first time employee
[TS]
00:16:18
◼
►
witnesses it
[TS]
00:16:19
◼
►
I'm once again also have surprised that
[TS]
00:16:21
◼
►
it works well for everybody else but for
[TS]
00:16:22
◼
►
people who have read it as Lisa was
[TS]
00:16:24
◼
►
saying there's extra residents to those
[TS]
00:16:27
◼
►
characters because you know I don't want
[TS]
00:16:30
◼
►
to spoil it for people didn't read it
[TS]
00:16:32
◼
►
but it's not that you're not meeting
[TS]
00:16:34
◼
►
I after the events of the book and
[TS]
00:16:35
◼
►
you're not meeting before the events
[TS]
00:16:37
◼
►
that you're basically meeting them amid
[TS]
00:16:38
◼
►
steam at events of the book and there's
[TS]
00:16:41
◼
►
a sadness to that that
[TS]
00:16:43
◼
►
you wouldn't get it unless you read that
[TS]
00:16:45
◼
►
other thousand-page book or read the
[TS]
00:16:47
◼
►
wikipedia entry on remember that whole
[TS]
00:16:49
◼
►
thing with someone's mindedness there's
[TS]
00:16:52
◼
►
a creepiness to that I want to get into
[TS]
00:16:55
◼
►
it that's all the projects but but but
[TS]
00:16:57
◼
►
yeah I using dairy is a character named
[TS]
00:17:00
◼
►
King loves inanimate things as
[TS]
00:17:02
◼
►
characters houses afterwards towns towns
[TS]
00:17:04
◼
►
characters and dairy was a character in
[TS]
00:17:07
◼
►
this book and I think it helped
[TS]
00:17:10
◼
►
it's a kind of a cheap but it helped the
[TS]
00:17:11
◼
►
dairy beat at not their help Dallas
[TS]
00:17:13
◼
►
become more character because analysis
[TS]
00:17:15
◼
►
has not been heavily featured in past
[TS]
00:17:17
◼
►
books but comparing it to dairy it's
[TS]
00:17:20
◼
►
like oh Jesus is like the dairy of the
[TS]
00:17:22
◼
►
South already move you've already been
[TS]
00:17:24
◼
►
primed you know you've got a frame of
[TS]
00:17:26
◼
►
reference that makes it easier to sketch
[TS]
00:17:28
◼
►
it out a little bit as opposed to happen
[TS]
00:17:29
◼
►
to go through and frankly do a lot of
[TS]
00:17:32
◼
►
research the best story and well i think
[TS]
00:17:36
◼
►
in general
[TS]
00:17:37
◼
►
Stephen King does a very good job
[TS]
00:17:39
◼
►
personifying every single town that we
[TS]
00:17:42
◼
►
visit in the past and makes it very
[TS]
00:17:44
◼
►
clear this is this type of town in some
[TS]
00:17:47
◼
►
ka in some ways the people we talked to
[TS]
00:17:49
◼
►
and the kite like getting the Sun liner
[TS]
00:17:51
◼
►
in the very first little town in Maine
[TS]
00:17:53
◼
►
you instantly get the picture that kind
[TS]
00:17:56
◼
►
of place and dairy you start to get the
[TS]
00:17:58
◼
►
creepy time-travel ish stuff and dairy
[TS]
00:18:01
◼
►
and how things can go wrong in the
[TS]
00:18:03
◼
►
obdurate past and that kind of carries
[TS]
00:18:06
◼
►
over i feel like it snowballs as you go
[TS]
00:18:08
◼
►
from town to town to town but he hasn't
[TS]
00:18:10
◼
►
really really great personification of
[TS]
00:18:12
◼
►
each town the difference between Jody in
[TS]
00:18:14
◼
►
dallas and for even for were or if you
[TS]
00:18:17
◼
►
yeah they're all very clear pictures of
[TS]
00:18:19
◼
►
each city despite i mean i don't think
[TS]
00:18:22
◼
►
i've been to I've been to dallas very
[TS]
00:18:24
◼
►
briefly but aside from that you get a
[TS]
00:18:27
◼
►
very clear picture of how he wants these
[TS]
00:18:29
◼
►
towns to look at this point in time
[TS]
00:18:32
◼
►
yeah I let's let's move ahead then to
[TS]
00:18:35
◼
►
Jodi to Texas and and specifically to
[TS]
00:18:38
◼
►
the small town where he becomes an
[TS]
00:18:41
◼
►
English teacher and I guess he's briefly
[TS]
00:18:44
◼
►
in Florida but you know that really the
[TS]
00:18:46
◼
►
important doesn't work out that doesn't
[TS]
00:18:48
◼
►
work out now and get the sense of he
[TS]
00:18:50
◼
►
needs to move on before the final and
[TS]
00:18:52
◼
►
it's a good experience of showing like
[TS]
00:18:53
◼
►
this time travel thing he doesn't quite
[TS]
00:18:55
◼
►
a knack of it yet like he's a good
[TS]
00:18:57
◼
►
enough to get out of there alive but he
[TS]
00:18:59
◼
►
realizes he kind of messed up yeah he's
[TS]
00:19:01
◼
►
always learning the ropes of this
[TS]
00:19:03
◼
►
time-travel think he's only beginning to
[TS]
00:19:05
◼
►
understand what he doesn't know and very
[TS]
00:19:07
◼
►
cleverly by setting the time portal in
[TS]
00:19:08
◼
►
1958 Stephen King makes the not only
[TS]
00:19:12
◼
►
cranks up the UH that the jeopardy of of
[TS]
00:19:17
◼
►
messing up because you have to live
[TS]
00:19:19
◼
►
through five years in order to get to
[TS]
00:19:23
◼
►
the date of the assassination but it
[TS]
00:19:26
◼
►
also gives him time to have his
[TS]
00:19:29
◼
►
character moved to this town and meet
[TS]
00:19:31
◼
►
these people because really that this is
[TS]
00:19:34
◼
►
what the book is about this is the book
[TS]
00:19:36
◼
►
is about this guy and the relationships
[TS]
00:19:40
◼
►
that he makes in the past and while he's
[TS]
00:19:44
◼
►
got the this mission of his from the
[TS]
00:19:46
◼
►
future hanging over his head so I you
[TS]
00:19:49
◼
►
know I think this is a really charming
[TS]
00:19:51
◼
►
section where you've got these people
[TS]
00:19:52
◼
►
and you know he's meeting all the all
[TS]
00:19:55
◼
►
the people at the school in in in Jodi
[TS]
00:19:58
◼
►
and he sort of accidentally becomes more
[TS]
00:20:02
◼
►
entwined with their their lives and
[TS]
00:20:05
◼
►
their culture than he's really intended
[TS]
00:20:07
◼
►
because he's thinking I'm you know I'm
[TS]
00:20:08
◼
►
gonna lay low i'm from the future i'm
[TS]
00:20:10
◼
►
here on a mission and of course he ends
[TS]
00:20:13
◼
►
up being completely intertwined in the
[TS]
00:20:16
◼
►
in the life of this small town and
[TS]
00:20:19
◼
►
because it is a small town and there's
[TS]
00:20:21
◼
►
nothing he can do about it and he and he
[TS]
00:20:23
◼
►
gets to know all these people and he
[TS]
00:20:25
◼
►
falls in love with the do the new school
[TS]
00:20:28
◼
►
librarian who is Sadie and you know I i
[TS]
00:20:33
◼
►
really like this part III this is going
[TS]
00:20:36
◼
►
to be one of those things that I think
[TS]
00:20:37
◼
►
depending on what you want out of a book
[TS]
00:20:38
◼
►
like this you may view this as being I
[TS]
00:20:41
◼
►
don't know I i think people might view
[TS]
00:20:43
◼
►
this as being an interminable section
[TS]
00:20:45
◼
►
where he's really not advancing his his
[TS]
00:20:47
◼
►
mission very much and instead he's just
[TS]
00:20:49
◼
►
getting to know the people but I
[TS]
00:20:50
◼
►
actually love this part
[TS]
00:20:51
◼
►
I think if you think that you're not
[TS]
00:20:53
◼
►
reading is there something wrong read ya
[TS]
00:20:55
◼
►
heart the whole point of the segment is
[TS]
00:20:57
◼
►
to is to set up his personal stakes
[TS]
00:20:59
◼
►
because remember out picked him because
[TS]
00:21:01
◼
►
he like well Jake you have nobody here
[TS]
00:21:03
◼
►
you have no attachments you kind of
[TS]
00:21:04
◼
►
lightly on this town anyway no one is
[TS]
00:21:07
◼
►
really going to miss you
[TS]
00:21:08
◼
►
and then he goes back to the past and
[TS]
00:21:10
◼
►
there are all of a sudden a lot of
[TS]
00:21:12
◼
►
people who know about him and his
[TS]
00:21:14
◼
►
welfare and they won't miss them and
[TS]
00:21:16
◼
►
they will care and unfortunately this
[TS]
00:21:18
◼
►
this develops right around the same time
[TS]
00:21:20
◼
►
that he's got to start surveilling
[TS]
00:21:22
◼
►
Oswald and carrying out an assassination
[TS]
00:21:25
◼
►
and I think it raises the dramatic
[TS]
00:21:27
◼
►
sticks and also shows what other
[TS]
00:21:29
◼
►
whatever growth he's going to have as a
[TS]
00:21:31
◼
►
protagonist over the course of the book
[TS]
00:21:32
◼
►
to its it's absolutely necessary and
[TS]
00:21:34
◼
►
also sets up that you know I think what
[TS]
00:21:37
◼
►
manages to be a rather heartbreaking
[TS]
00:21:39
◼
►
story in in many ways right you know
[TS]
00:21:42
◼
►
yeah that the the final chapter oh yes
[TS]
00:21:45
◼
►
even even even before that you know the
[TS]
00:21:48
◼
►
part where you guys talking it I would
[TS]
00:21:50
◼
►
yeah i was there that I mean it needs to
[TS]
00:21:53
◼
►
be an easy that invested right in order
[TS]
00:21:55
◼
►
for you to feel strongly about those
[TS]
00:21:57
◼
►
characters and like these carrots well I
[TS]
00:22:00
◼
►
meanwhile the clock is ticking down
[TS]
00:22:01
◼
►
right i mean that's the great beauty
[TS]
00:22:02
◼
►
beauty is you've got this nice story
[TS]
00:22:04
◼
►
that on it on its own would be a nice
[TS]
00:22:06
◼
►
story but we know where Jake is really
[TS]
00:22:09
◼
►
from you know when we do know that he's
[TS]
00:22:11
◼
►
kind of a rootless guy and he had his
[TS]
00:22:14
◼
►
alcoholic wife they got divorced from a
[TS]
00:22:16
◼
►
nice there's nobody to miss him and and
[TS]
00:22:19
◼
►
now he's putting down roots and he's
[TS]
00:22:21
◼
►
making these connections and that would
[TS]
00:22:24
◼
►
be a nice story but you've got the book
[TS]
00:22:26
◼
►
is 11 22 63 right
[TS]
00:22:28
◼
►
the clock is ticking and you know that
[TS]
00:22:31
◼
►
for him to fulfill his mission that uh
[TS]
00:22:34
◼
►
that everything is going to be there he
[TS]
00:22:36
◼
►
can't you know that there's an a clear
[TS]
00:22:38
◼
►
expiration date on his relationships
[TS]
00:22:40
◼
►
with these people which is makes it that
[TS]
00:22:42
◼
►
much more affecting for this longer
[TS]
00:22:44
◼
►
section
[TS]
00:22:45
◼
►
the reason I think it needs to be longer
[TS]
00:22:46
◼
►
like this and you thought maybe see
[TS]
00:22:49
◼
►
people think it was interminable is
[TS]
00:22:51
◼
►
because it's it is the equivalent of the
[TS]
00:22:54
◼
►
movie where you have the cowboy go live
[TS]
00:22:57
◼
►
with the Indians or even something like
[TS]
00:22:59
◼
►
avatar whatever he's on a mission but
[TS]
00:23:01
◼
►
the mission takes a long time and he has
[TS]
00:23:03
◼
►
to become integrated with these people
[TS]
00:23:05
◼
►
during the mission and he goes no
[TS]
00:23:06
◼
►
comparison for building the barn and
[TS]
00:23:08
◼
►
witness the heart of heaven Costner in
[TS]
00:23:10
◼
►
Dances with Wolves he goes native and
[TS]
00:23:12
◼
►
yeah the long term missions it's hard to
[TS]
00:23:14
◼
►
stay on mission for a long time so he
[TS]
00:23:16
◼
►
ends up is I'm integrating into the
[TS]
00:23:18
◼
►
native population and learning
[TS]
00:23:19
◼
►
and then eventually you you wake up and
[TS]
00:23:21
◼
►
you're Kevin Costner and you're wearing
[TS]
00:23:22
◼
►
a feather on your head or whatever it
[TS]
00:23:24
◼
►
may be you know you've actually John
[TS]
00:23:26
◼
►
you've actually raised i'm not even sure
[TS]
00:23:28
◼
►
I called a criticism is just something
[TS]
00:23:30
◼
►
that tickle the back of my head is you
[TS]
00:23:32
◼
►
have somebody who's in the early forties
[TS]
00:23:33
◼
►
who is now accustomed to world of
[TS]
00:23:36
◼
►
instantaneous wireless connectivity with
[TS]
00:23:39
◼
►
the internet and and a world of cable TV
[TS]
00:23:43
◼
►
and everything that entails to and your
[TS]
00:23:47
◼
►
flung backwards to a time where you
[TS]
00:23:50
◼
►
don't have that many choices and
[TS]
00:23:51
◼
►
entertainment and you are stuck with the
[TS]
00:23:53
◼
►
periodic to hear you're stuck with the
[TS]
00:23:55
◼
►
card catalog the library if you need to
[TS]
00:23:57
◼
►
find something and it's just a radically
[TS]
00:23:59
◼
►
different way of living and this guy
[TS]
00:24:01
◼
►
seems to seamlessly acclimate well and I
[TS]
00:24:04
◼
►
don't have seamlessly do I i actually
[TS]
00:24:06
◼
►
think that Stephen King does a pretty
[TS]
00:24:07
◼
►
good job throughout of depicting the
[TS]
00:24:10
◼
►
about neither saying oh it was a better
[TS]
00:24:14
◼
►
time a simpler time
[TS]
00:24:16
◼
►
no I'm not saying that it's just it's
[TS]
00:24:18
◼
►
just rather he lives really easily in a
[TS]
00:24:20
◼
►
period and and perhaps just speaks to
[TS]
00:24:23
◼
►
the people i know who go into cold
[TS]
00:24:24
◼
►
sweats if they don't if they don't have
[TS]
00:24:26
◼
►
internet access for 24 he does he does
[TS]
00:24:28
◼
►
throw his phone and a pond it's sort of
[TS]
00:24:32
◼
►
a ceremonial dumping of I i think it's a
[TS]
00:24:34
◼
►
personality type that because he's that
[TS]
00:24:36
◼
►
he's an English teacher remember he's
[TS]
00:24:38
◼
►
not a tech nerd he's not even a geek of
[TS]
00:24:40
◼
►
any kind you all these people who say
[TS]
00:24:42
◼
►
boy I think I would be happier in a
[TS]
00:24:44
◼
►
simpler time out for some of them i
[TS]
00:24:46
◼
►
think it's true it's just gonna be
[TS]
00:24:48
◼
►
exhausting trying to remember that you
[TS]
00:24:49
◼
►
can never talk about the Carolina
[TS]
00:24:50
◼
►
Panther also keep in mind the gym that
[TS]
00:24:52
◼
►
uh that al al leaves him a a big file
[TS]
00:24:57
◼
►
with his research in it which is stephen
[TS]
00:25:00
◼
►
king's way of not having him have whole
[TS]
00:25:03
◼
►
scenes where he's incredibly frustrated
[TS]
00:25:04
◼
►
by trying to remember things that are
[TS]
00:25:06
◼
►
happening or doing even more research
[TS]
00:25:08
◼
►
using archaic research techniques sort
[TS]
00:25:10
◼
►
of just as there's a file so let's he
[TS]
00:25:13
◼
►
doesn't need to do all that you don't
[TS]
00:25:14
◼
►
need another the other thing that's
[TS]
00:25:16
◼
►
really really interesting about this and
[TS]
00:25:19
◼
►
I thought about what while reading this
[TS]
00:25:20
◼
►
is sorta jumps around glosses over parts
[TS]
00:25:22
◼
►
right you know there are a couple points
[TS]
00:25:23
◼
►
was like I was here for a while that
[TS]
00:25:25
◼
►
left here from well I left and I thought
[TS]
00:25:28
◼
►
well that's weird you know like this is
[TS]
00:25:29
◼
►
really how much of this like closer
[TS]
00:25:31
◼
►
we're going to get various points here
[TS]
00:25:33
◼
►
but what's important to consider and you
[TS]
00:25:35
◼
►
sort of start to get hints for this is
[TS]
00:25:36
◼
►
that this is all written by him right
[TS]
00:25:39
◼
►
after the fact
[TS]
00:25:40
◼
►
right yeah it makes several references
[TS]
00:25:42
◼
►
to the unfinished manuscript and oh well
[TS]
00:25:44
◼
►
you're reading this
[TS]
00:25:45
◼
►
yeah exactly that's totally a dress to
[TS]
00:25:47
◼
►
people it's totally his recollections of
[TS]
00:25:49
◼
►
it right and so we learned at a very
[TS]
00:25:52
◼
►
specific point in the book that he
[TS]
00:25:54
◼
►
hasn't been as good at blending in as he
[TS]
00:25:56
◼
►
thought he was right so I think that's
[TS]
00:25:58
◼
►
that significant in terms of him as a
[TS]
00:26:00
◼
►
narrator in that not that he's
[TS]
00:26:02
◼
►
unreliable precisely but that is not
[TS]
00:26:06
◼
►
ready for my vantage point of that is
[TS]
00:26:09
◼
►
not like as these things are happening
[TS]
00:26:12
◼
►
to him right and so he does think that
[TS]
00:26:15
◼
►
you know it does seem like he blends in
[TS]
00:26:16
◼
►
really well and certainly there are
[TS]
00:26:17
◼
►
things that he takes two very much in
[TS]
00:26:19
◼
►
this in this environment but you know
[TS]
00:26:20
◼
►
you do get hints of the things that he
[TS]
00:26:22
◼
►
regresses a couple times was like God I
[TS]
00:26:24
◼
►
would have killed for have a cell phone
[TS]
00:26:25
◼
►
right now because I really would have
[TS]
00:26:27
◼
►
solved my problem it's and i think that
[TS]
00:26:30
◼
►
the fact that he that he is telling this
[TS]
00:26:32
◼
►
from some sort of you know after the
[TS]
00:26:35
◼
►
fact perspective is is very significant
[TS]
00:26:38
◼
►
in terms of how we see his character
[TS]
00:26:40
◼
►
the only thing that kind of tickled at
[TS]
00:26:42
◼
►
me through the jodi sequence as well is
[TS]
00:26:45
◼
►
first and forgive the clumsy phrasing
[TS]
00:26:47
◼
►
its kind of the a white male privilege
[TS]
00:26:49
◼
►
you are so convenient but I know that
[TS]
00:26:52
◼
►
that's about it it's like I like that
[TS]
00:26:54
◼
►
guess I thought that was a realistic
[TS]
00:26:56
◼
►
yeah you know there's there's there's
[TS]
00:26:57
◼
►
the throw a reference to oh there was
[TS]
00:26:59
◼
►
the one gas station i stopped where all
[TS]
00:27:01
◼
►
those poor colored people had to win
[TS]
00:27:03
◼
►
their way through a thicket of poison
[TS]
00:27:05
◼
►
oak and gopi over a stream while I got
[TS]
00:27:07
◼
►
to use the restroom but right but that's
[TS]
00:27:09
◼
►
also been judging right that's also i'm
[TS]
00:27:11
◼
►
saying this is beating but but by and
[TS]
00:27:13
◼
►
large it doesn't affect him directly
[TS]
00:27:15
◼
►
well but he accepts the other parts of
[TS]
00:27:17
◼
►
the experience because he's like I well
[TS]
00:27:19
◼
►
I am a white male
[TS]
00:27:20
◼
►
so really for a white male privilege how
[TS]
00:27:22
◼
►
convenient URL was not gonna send a
[TS]
00:27:25
◼
►
black woman back in time to that work
[TS]
00:27:29
◼
►
but because not so much like this
[TS]
00:27:31
◼
►
privilege heat because he's insulated by
[TS]
00:27:34
◼
►
the privilege I i guess from a narrative
[TS]
00:27:36
◼
►
perspective it makes it very easy
[TS]
00:27:38
◼
►
because then you can sidestep authority
[TS]
00:27:39
◼
►
questions like sure life was great
[TS]
00:27:42
◼
►
if you're white and male but you know if
[TS]
00:27:44
◼
►
your if your sale single white female
[TS]
00:27:46
◼
►
who couldn't
[TS]
00:27:47
◼
►
can get her own line of credit yeah 1860
[TS]
00:27:49
◼
►
how easy or how hard would it have been
[TS]
00:27:52
◼
►
to be someone like Sadie or if you're an
[TS]
00:27:54
◼
►
african-american man they still had the
[TS]
00:27:56
◼
►
camera it's called the green pages of
[TS]
00:27:58
◼
►
the green book but up until very
[TS]
00:28:00
◼
►
recently in the u.s. there was a company
[TS]
00:28:02
◼
►
that actually published a directory of
[TS]
00:28:04
◼
►
african-american friendly businesses for
[TS]
00:28:06
◼
►
traveling african-american families
[TS]
00:28:08
◼
►
because you were talking about a time
[TS]
00:28:09
◼
►
when people could be turned away from
[TS]
00:28:11
◼
►
hotels and restaurants nearby have a lot
[TS]
00:28:12
◼
►
right Stephen King and the good thing
[TS]
00:28:14
◼
►
about this is he doesn't shy away from
[TS]
00:28:15
◼
►
it and he has Jake basically I that
[TS]
00:28:18
◼
►
that's one of the things that he always
[TS]
00:28:20
◼
►
notices is that is as idyllic as his
[TS]
00:28:23
◼
►
life is he that this is this is what I
[TS]
00:28:26
◼
►
appreciate is that he King shows both
[TS]
00:28:28
◼
►
sides there are things about the
[TS]
00:28:29
◼
►
simplistic you know why for the simpler
[TS]
00:28:32
◼
►
life of that time that he appreciates
[TS]
00:28:34
◼
►
and they're things that are bad and you
[TS]
00:28:36
◼
►
know it's just different and things
[TS]
00:28:38
◼
►
about our good and thinks about her bad
[TS]
00:28:40
◼
►
when we leave Jody and we see him on his
[TS]
00:28:44
◼
►
mission spending time in Fort Worth and
[TS]
00:28:46
◼
►
then in Dallas you know he's showing a
[TS]
00:28:49
◼
►
very different kind of environment
[TS]
00:28:51
◼
►
that's a really kind of a miserable or
[TS]
00:28:53
◼
►
unfriendly environment this is the
[TS]
00:28:56
◼
►
environment that lee harvey oswald is
[TS]
00:28:57
◼
►
living well and I think he doesn't gloss
[TS]
00:28:59
◼
►
over how hard it is to be you know an
[TS]
00:29:01
◼
►
unattached female right like well they
[TS]
00:29:03
◼
►
say that he has not had things easy you
[TS]
00:29:05
◼
►
know and i think he goes into a lot of
[TS]
00:29:07
◼
►
detail about that and about just how
[TS]
00:29:10
◼
►
miserable her life has been in many ways
[TS]
00:29:12
◼
►
and I think that's you know she's a
[TS]
00:29:14
◼
►
great character I honestly I know he
[TS]
00:29:16
◼
►
doesn't do a great job of amplifying the
[TS]
00:29:18
◼
►
social pressures and how they could
[TS]
00:29:21
◼
►
undermine near your support networks
[TS]
00:29:23
◼
►
because say to you remember after
[TS]
00:29:24
◼
►
Sadie's the incident that shapes city
[TS]
00:29:28
◼
►
for the subsequent remainder of the
[TS]
00:29:30
◼
►
narrative her mother comes out after
[TS]
00:29:32
◼
►
having carpooled with her attackers
[TS]
00:29:33
◼
►
parents my mother comes out and upgrades
[TS]
00:29:36
◼
►
her for four controllers and she's gonna
[TS]
00:29:38
◼
►
get fired from her job because she was
[TS]
00:29:40
◼
►
attacked and I can't you can't have that
[TS]
00:29:42
◼
►
that was that was the killer for me like
[TS]
00:29:44
◼
►
that the part where I'm like all come on
[TS]
00:29:45
◼
►
that they really with this really like
[TS]
00:29:47
◼
►
someone has attacked and disable the
[TS]
00:29:48
◼
►
school board's gotta fire announced too
[TS]
00:29:50
◼
►
much of a scandal
[TS]
00:29:51
◼
►
oh yeah oh yeah absolutely plus I kind
[TS]
00:29:53
◼
►
of believe that from a small town
[TS]
00:29:54
◼
►
respective I kind of beliefs and also
[TS]
00:29:56
◼
►
they're in town abs label yeah I mean I
[TS]
00:29:59
◼
►
and I think you
[TS]
00:30:01
◼
►
Oh given that I i feel like i said i
[TS]
00:30:03
◼
►
think sadie is a great character and I
[TS]
00:30:05
◼
►
think you know if you don't fall over
[TS]
00:30:07
◼
►
there at least a little bit while
[TS]
00:30:08
◼
►
reading this then you probably aren't
[TS]
00:30:09
◼
►
you know our talk to probably dead
[TS]
00:30:11
◼
►
you're probably dead inside but i think
[TS]
00:30:15
◼
►
you know they're I i think you know
[TS]
00:30:17
◼
►
without making it a book that's overly
[TS]
00:30:19
◼
►
about look how awful racism was in the
[TS]
00:30:22
◼
►
South in you know the fifties and
[TS]
00:30:23
◼
►
sixties which you know there could have
[TS]
00:30:26
◼
►
been a book there there's never an
[TS]
00:30:27
◼
►
answer anybody's yessir many books when
[TS]
00:30:29
◼
►
he could have written that book but you
[TS]
00:30:31
◼
►
know it was not that book and so I think
[TS]
00:30:33
◼
►
he does you know the references to it
[TS]
00:30:35
◼
►
might seem a little glancing but i think
[TS]
00:30:37
◼
►
they do inform a lot of what the setting
[TS]
00:30:40
◼
►
of this book is and part of what makes
[TS]
00:30:42
◼
►
for example Dallas such a disturbing
[TS]
00:30:45
◼
►
town in many ways is this whole
[TS]
00:30:47
◼
►
pervading element of that even if it's
[TS]
00:30:49
◼
►
not something that we're constantly beat
[TS]
00:30:50
◼
►
over the head
[TS]
00:30:51
◼
►
I'm actually impressed at how little
[TS]
00:30:54
◼
►
like the helmet few references to the
[TS]
00:30:57
◼
►
politics of the age and all of that he
[TS]
00:31:00
◼
►
manages to slide in but still managed to
[TS]
00:31:03
◼
►
paint the overall picture of the various
[TS]
00:31:05
◼
►
towns and the way society was at that
[TS]
00:31:08
◼
►
point in time because I mean you could
[TS]
00:31:09
◼
►
have with a with a book about the
[TS]
00:31:11
◼
►
Kennedy assassination you could have
[TS]
00:31:13
◼
►
gone much more deeply into the whole
[TS]
00:31:16
◼
►
Harvey Oswald thing instead you get kind
[TS]
00:31:19
◼
►
of a third-party perspective of the
[TS]
00:31:21
◼
►
leaflets and you hear a couple
[TS]
00:31:22
◼
►
conversations when Jake's listening on
[TS]
00:31:24
◼
►
the omnidirectional microphone but on
[TS]
00:31:27
◼
►
the whole there's not a lot of yes this
[TS]
00:31:31
◼
►
is how people were feeling this is how
[TS]
00:31:33
◼
►
people hate you know the president this
[TS]
00:31:35
◼
►
is what why people love the present you
[TS]
00:31:37
◼
►
skip a lot of that the other than the
[TS]
00:31:39
◼
►
the Cuban Missile Crisis which is an a
[TS]
00:31:41
◼
►
nice little worried a little bit where
[TS]
00:31:43
◼
►
you get that sense of living through it
[TS]
00:31:45
◼
►
and he's living through it realizing how
[TS]
00:31:47
◼
►
upsetting it is two people at the time
[TS]
00:31:50
◼
►
and you know he knows how it turns out
[TS]
00:31:53
◼
►
hey but they don't but other than that
[TS]
00:31:56
◼
►
really mean that that's that's the one
[TS]
00:31:59
◼
►
that's the one that struck me that that
[TS]
00:32:01
◼
►
that he's watching as as people lived
[TS]
00:32:03
◼
►
through that and they're very upset on
[TS]
00:32:04
◼
►
the sexism thing one last time i'd say
[TS]
00:32:07
◼
►
they did the one on one aspect of it i
[TS]
00:32:09
◼
►
thought that illuminated Jake's
[TS]
00:32:10
◼
►
character and I don't even know it was
[TS]
00:32:12
◼
►
intentional notice that so Jake is
[TS]
00:32:14
◼
►
from the future and he's having this
[TS]
00:32:15
◼
►
relationship with past lady and passed
[TS]
00:32:18
◼
►
lady for all her modernity still is a
[TS]
00:32:22
◼
►
product of the gender roles of her time
[TS]
00:32:24
◼
►
and I thought that Jake seemed a little
[TS]
00:32:28
◼
►
bit too okay with that
[TS]
00:32:30
◼
►
like that he's yeah you know it's ready
[TS]
00:32:32
◼
►
but I you would think when I'm reading
[TS]
00:32:34
◼
►
this I'm thinking boy if I was in the
[TS]
00:32:35
◼
►
future and I was dealing with a female
[TS]
00:32:37
◼
►
who was like this I would constantly be
[TS]
00:32:38
◼
►
saying you know you have rights and you
[TS]
00:32:41
◼
►
shouldn't you be trying to turn them
[TS]
00:32:42
◼
►
into the river and liver because like
[TS]
00:32:44
◼
►
you don't want to put on like not gonna
[TS]
00:32:46
◼
►
sometimes to you know it's so quite to
[TS]
00:32:50
◼
►
hear the phrase women's liver it's easy
[TS]
00:32:52
◼
►
to fall into the role of like well you
[TS]
00:32:54
◼
►
know what hey this is kind of nice
[TS]
00:32:56
◼
►
she defers to me it makes me food and
[TS]
00:32:58
◼
►
that like you're planning a beer
[TS]
00:33:00
◼
►
yeah that's damning to jakes character
[TS]
00:33:02
◼
►
or just a general you know the male
[TS]
00:33:04
◼
►
characters like intellectually you might
[TS]
00:33:06
◼
►
know it's wrong but when you're in that
[TS]
00:33:07
◼
►
environment you have someone who's just
[TS]
00:33:08
◼
►
happy to serve you and you're like what
[TS]
00:33:10
◼
►
you know what i find it and that's I
[TS]
00:33:12
◼
►
thought that was a great comment it was
[TS]
00:33:13
◼
►
whether it was intentional or not you
[TS]
00:33:15
◼
►
know and again
[TS]
00:33:15
◼
►
Oh white male privilege you are so
[TS]
00:33:17
◼
►
convenient yeah responsive think Jake's
[TS]
00:33:21
◼
►
a good guy but he he doesn't he doesn't
[TS]
00:33:24
◼
►
protest too much about that although i
[TS]
00:33:26
◼
►
could just stay here forever and let
[TS]
00:33:27
◼
►
Kennedy be assassinated and lick this
[TS]
00:33:28
◼
►
awesome life that I found with these
[TS]
00:33:29
◼
►
people right and yeah and not worry too
[TS]
00:33:31
◼
►
much about like Sadie I want you to get
[TS]
00:33:33
◼
►
away from your horrible former husband
[TS]
00:33:36
◼
►
but don't you know it's okay if you stay
[TS]
00:33:38
◼
►
kind of like 50-60 woman you know you
[TS]
00:33:41
◼
►
don't have to go fully up to believe in
[TS]
00:33:42
◼
►
your equal human being with me as long
[TS]
00:33:45
◼
►
as you don't ask me to do the dishes
[TS]
00:33:46
◼
►
baby whenever he so so what happens
[TS]
00:33:49
◼
►
one of the things that happens
[TS]
00:33:50
◼
►
throughout his trip his travels in the
[TS]
00:33:53
◼
►
past is this sense that the the past
[TS]
00:33:57
◼
►
doesn't want to be changed right what
[TS]
00:34:00
◼
►
want to see what does he call it is that
[TS]
00:34:02
◼
►
the obdurate out here after after it
[TS]
00:34:04
◼
►
passed which I really liked that I mean
[TS]
00:34:07
◼
►
we've seen that in time travel stories
[TS]
00:34:10
◼
►
before but I i really like that that
[TS]
00:34:12
◼
►
that there will be some degree you know
[TS]
00:34:16
◼
►
of of resistance from the past and so
[TS]
00:34:19
◼
►
the conflict in the story isn't
[TS]
00:34:21
◼
►
necessarily you know jake versus lee
[TS]
00:34:24
◼
►
harvey oswald it's like jake versus
[TS]
00:34:26
◼
►
history right vs
[TS]
00:34:28
◼
►
the timeline versus what actually
[TS]
00:34:30
◼
►
happened and he has to try and overcome
[TS]
00:34:32
◼
►
what actually happened and there are a
[TS]
00:34:34
◼
►
lot of kind of nice moments where I you
[TS]
00:34:37
◼
►
know terrible things happen to him
[TS]
00:34:39
◼
►
especially when he's rushing to try and
[TS]
00:34:41
◼
►
get to dealey plaza on the day of where
[TS]
00:34:43
◼
►
one ridiculous thing after another
[TS]
00:34:45
◼
►
unbelievable the obstacles that history
[TS]
00:34:47
◼
►
keeps throwing it sits like a final
[TS]
00:34:49
◼
►
destination movie at that point right
[TS]
00:34:51
◼
►
it's like everything is going to go
[TS]
00:34:53
◼
►
wrong yeah but I love in previous
[TS]
00:34:55
◼
►
instances of the book they're very you
[TS]
00:34:58
◼
►
know he's very frustrated by the object
[TS]
00:35:00
◼
►
passes like i'll keep continually
[TS]
00:35:01
◼
►
hitting up against a wall and moving
[TS]
00:35:03
◼
►
through fog but on that day they're
[TS]
00:35:05
◼
►
basically just like gap the past is
[TS]
00:35:07
◼
►
gonna try and stop us
[TS]
00:35:08
◼
►
let's just roll with it it isn't that
[TS]
00:35:10
◼
►
their didn't really feel like there were
[TS]
00:35:12
◼
►
any snakes until you actually got into
[TS]
00:35:14
◼
►
the building where as in previous like
[TS]
00:35:16
◼
►
when we had the runs it was kinda like
[TS]
00:35:18
◼
►
you know when you when you realize that
[TS]
00:35:20
◼
►
you're you know skating on marbles or
[TS]
00:35:22
◼
►
whatever it's like is there's no other
[TS]
00:35:25
◼
►
option right now you just gotta go with
[TS]
00:35:27
◼
►
it you just gotta roll that you
[TS]
00:35:28
◼
►
yeah plus the biggest source of internal
[TS]
00:35:31
◼
►
tension for him was gone because he had
[TS]
00:35:32
◼
►
managed to convince say that he wasn't a
[TS]
00:35:34
◼
►
raving lunatic he was in fact the guy
[TS]
00:35:36
◼
►
from the future meant to kill the
[TS]
00:35:37
◼
►
president the future and what she was
[TS]
00:35:39
◼
►
okay with that and you convince himself
[TS]
00:35:41
◼
►
that oswald was the only deserve to die
[TS]
00:35:45
◼
►
honestly I think I wish he would have
[TS]
00:35:47
◼
►
shot Oswald mom too because she was just
[TS]
00:35:49
◼
►
a piece of work
[TS]
00:35:50
◼
►
oh my gosh so penetrating Oswald is
[TS]
00:35:53
◼
►
fascinating because you know i i'm not
[TS]
00:35:55
◼
►
sure how how clearview people have Lee
[TS]
00:35:57
◼
►
Harvey Oswald as it as with many books
[TS]
00:35:59
◼
►
that we've discussed on this on the on
[TS]
00:36:01
◼
►
this podcast I'm not sure with her
[TS]
00:36:03
◼
►
whether you know I he did a lot of
[TS]
00:36:05
◼
►
research for this so I'm gonna just
[TS]
00:36:07
◼
►
assume that I learned some interesting
[TS]
00:36:08
◼
►
things about sort of how Lee Harvey
[TS]
00:36:11
◼
►
Oswald came to be and his and his you
[TS]
00:36:15
◼
►
know and I thought that was fascinating
[TS]
00:36:16
◼
►
to get a little idea of this guy and and
[TS]
00:36:18
◼
►
and to see you can kind of see how we
[TS]
00:36:20
◼
►
ended up the way he he did but that's
[TS]
00:36:22
◼
►
not to say that you really have a lot of
[TS]
00:36:24
◼
►
sympathy for you know what's a little
[TS]
00:36:25
◼
►
freaky was was reading you know i'm
[TS]
00:36:29
◼
►
reading the book last night and you know
[TS]
00:36:31
◼
►
maybe halfway through at that point and
[TS]
00:36:32
◼
►
talking about a house walls and his
[TS]
00:36:34
◼
►
family and it suddenly occurs to me like
[TS]
00:36:36
◼
►
his daughter must still be alive right
[TS]
00:36:39
◼
►
and his wife are like Google
[TS]
00:36:41
◼
►
wife isn't really good he's going i know
[TS]
00:36:43
◼
►
i know i don't like his wife is still
[TS]
00:36:45
◼
►
but that kind of struck me was like
[TS]
00:36:46
◼
►
because I'd forgotten that i was reading
[TS]
00:36:48
◼
►
a historical fiction book that you know
[TS]
00:36:51
◼
►
but that is about real PDF and so it was
[TS]
00:36:54
◼
►
kind of there was a bizarre moment of
[TS]
00:36:55
◼
►
like you know going to bed last night
[TS]
00:36:57
◼
►
and read the book and suddenly realizing
[TS]
00:36:58
◼
►
i mean this isn't entirely fiction
[TS]
00:37:01
◼
►
this is a lot of this is no factual so
[TS]
00:37:04
◼
►
one of the things again given that this
[TS]
00:37:06
◼
►
book is called 11 22 63 i think one of
[TS]
00:37:08
◼
►
the interesting effects that I felt as I
[TS]
00:37:10
◼
►
read it was as it got started I was very
[TS]
00:37:12
◼
►
excited about oh he's gonna go back in
[TS]
00:37:14
◼
►
time and what's gonna happen one of the
[TS]
00:37:15
◼
►
mechanics of him changing and
[TS]
00:37:17
◼
►
interceding in the in the assassination
[TS]
00:37:19
◼
►
and what's that gonna mean and i found
[TS]
00:37:22
◼
►
after he left
[TS]
00:37:24
◼
►
Jody and was focused entirely on Dallas
[TS]
00:37:28
◼
►
as the events got closer that i was
[TS]
00:37:32
◼
►
struck that I was not as interested as I
[TS]
00:37:36
◼
►
was in a it in Jake's life and his
[TS]
00:37:41
◼
►
interpersonal relationships and it's
[TS]
00:37:43
◼
►
funny and he's piece put it
[TS]
00:37:44
◼
►
they're all they're all constrained or
[TS]
00:37:46
◼
►
they're all that you know he's having
[TS]
00:37:48
◼
►
problems in his relationship with Sadie
[TS]
00:37:50
◼
►
at that point and he sort of falling out
[TS]
00:37:52
◼
►
with the people because they found out
[TS]
00:37:53
◼
►
that he falsified his his records as you
[TS]
00:37:56
◼
►
do when you're a time traveler but they
[TS]
00:37:59
◼
►
did anybody else have that have that
[TS]
00:38:00
◼
►
feeling like by the time I got to the
[TS]
00:38:02
◼
►
real in-depth like the research and
[TS]
00:38:05
◼
►
imaginations about Oswald Stephen King
[TS]
00:38:09
◼
►
had taken me all the way around to where
[TS]
00:38:10
◼
►
this book that i started reading that
[TS]
00:38:12
◼
►
was a about the Kennedy assassination by
[TS]
00:38:14
◼
►
the time it got to the mechanics of the
[TS]
00:38:16
◼
►
Kennedy assassination I kind of wanted
[TS]
00:38:18
◼
►
to just go back to the guy who is
[TS]
00:38:19
◼
►
teaching English in the small town in
[TS]
00:38:20
◼
►
Texas you kind of know going into the
[TS]
00:38:23
◼
►
book that even if he does succeed in
[TS]
00:38:25
◼
►
preventing Kennedy's assassination it's
[TS]
00:38:28
◼
►
not going to be for the better and that
[TS]
00:38:30
◼
►
idea kind of builds up steam
[TS]
00:38:32
◼
►
subconsciously and so the stakes are
[TS]
00:38:34
◼
►
kind of gone when you think about it
[TS]
00:38:36
◼
►
whereas everything he does and Jody
[TS]
00:38:37
◼
►
that's a whole blank slate why he can
[TS]
00:38:39
◼
►
reset it if it doesn't work out but he
[TS]
00:38:41
◼
►
can never reset his life right he's
[TS]
00:38:43
◼
►
experiencing the stakes are so much
[TS]
00:38:45
◼
►
higher for him when their personal then
[TS]
00:38:47
◼
►
want this big abstract save the
[TS]
00:38:49
◼
►
cheerleader save the world type mission
[TS]
00:38:50
◼
►
and anyone who's read up
[TS]
00:38:55
◼
►
anyone who's a fan of alternate history
[TS]
00:38:56
◼
►
or alternate fiction tends to know that
[TS]
00:38:59
◼
►
these authorial exercises are usually
[TS]
00:39:01
◼
►
predicated on the notion that history
[TS]
00:39:03
◼
►
has worked out for the best and this
[TS]
00:39:05
◼
►
book is is really no exception to that
[TS]
00:39:08
◼
►
so you kind of go into that with the
[TS]
00:39:10
◼
►
bedrock premise throwing in the back of
[TS]
00:39:12
◼
►
your mind and then the question just
[TS]
00:39:13
◼
►
becomes ok how is king going to write
[TS]
00:39:15
◼
►
himself out of this where you have to be
[TS]
00:39:17
◼
►
okay with the fact that he has to let
[TS]
00:39:19
◼
►
Kennedy died and i think he I think he
[TS]
00:39:21
◼
►
pulls out a very tidy ending but the
[TS]
00:39:24
◼
►
fact is that shooting the president has
[TS]
00:39:26
◼
►
the those have far lower dramatic and
[TS]
00:39:28
◼
►
personal stakes to somebody who's
[TS]
00:39:30
◼
►
invested in Jake and Jody the town then
[TS]
00:39:33
◼
►
you know the the dramatics takes
[TS]
00:39:34
◼
►
inherent in what goes on between Jake
[TS]
00:39:36
◼
►
and Sadie and save his crazy ex and the
[TS]
00:39:39
◼
►
town of Jody you know I mean I could to
[TS]
00:39:40
◼
►
be frank I couldn't have cared less if
[TS]
00:39:42
◼
►
it can be got shot or didn't get shot
[TS]
00:39:44
◼
►
I've got a lot more interesting isn't it
[TS]
00:39:45
◼
►
is funny that we get to that point
[TS]
00:39:47
◼
►
though and I think that says something
[TS]
00:39:48
◼
►
that's about the effectiveness of the
[TS]
00:39:50
◼
►
story of the king is telling us by the
[TS]
00:39:52
◼
►
time i get to i get to Oswald I'm more
[TS]
00:39:54
◼
►
concerned about how dealing with the
[TS]
00:39:56
◼
►
assassination is going to affect Jake's
[TS]
00:39:58
◼
►
life about the course of of of history
[TS]
00:40:01
◼
►
whether whether or not it doesn't work
[TS]
00:40:04
◼
►
out and and and he ends up discovering
[TS]
00:40:07
◼
►
that that it isn't this assumption that
[TS]
00:40:09
◼
►
Alice made that it's going to be better
[TS]
00:40:11
◼
►
with Kennedy living may not be true so
[TS]
00:40:14
◼
►
you know so yeah so I i never really
[TS]
00:40:19
◼
►
made the case for why Kennedy should be
[TS]
00:40:21
◼
►
saved like it was half-hearted was that
[TS]
00:40:23
◼
►
we got out i'll make the case to Jake to
[TS]
00:40:25
◼
►
convince him like this is an important
[TS]
00:40:27
◼
►
thing to do and Jake goes yeah but you
[TS]
00:40:28
◼
►
know well would that really made a big
[TS]
00:40:30
◼
►
difference in our low know what I made a
[TS]
00:40:32
◼
►
big difference in these kids will be
[TS]
00:40:33
◼
►
dying in Vietnam and and we would have
[TS]
00:40:35
◼
►
all this then you must be dying in
[TS]
00:40:36
◼
►
nuclear holocaust and such like a good
[TS]
00:40:39
◼
►
it's not much of a case like he hasn't
[TS]
00:40:41
◼
►
made the case to the reader i think
[TS]
00:40:43
◼
►
that's valid in some ways right because
[TS]
00:40:45
◼
►
you know what happens
[TS]
00:40:47
◼
►
al kills himself before Jay can really
[TS]
00:40:49
◼
►
nail it down right and in some ways that
[TS]
00:40:52
◼
►
Spurs Jake into action without really
[TS]
00:40:54
◼
►
thinking well is this really worth doing
[TS]
00:40:56
◼
►
or not he's just sort of pushed along by
[TS]
00:40:59
◼
►
yeah I think I think you needed I if I
[TS]
00:41:02
◼
►
had that beginning section of the book I
[TS]
00:41:04
◼
►
Jake to do what Jake did I think he
[TS]
00:41:06
◼
►
would have needed
[TS]
00:41:08
◼
►
stronger motivation was provided to him
[TS]
00:41:10
◼
►
so by the end when the end of the book
[TS]
00:41:11
◼
►
comes along obviously we're more
[TS]
00:41:12
◼
►
invested in a local story and we're like
[TS]
00:41:14
◼
►
you know what I wasn't convinced that he
[TS]
00:41:17
◼
►
did decade was worth saving that would
[TS]
00:41:19
◼
►
make a big difference and Jake didn't
[TS]
00:41:21
◼
►
seem that convinced them it's like I
[TS]
00:41:22
◼
►
think it's a failure of the the
[TS]
00:41:24
◼
►
motivation of the plots successful in
[TS]
00:41:27
◼
►
that we like Jake's new story and the
[TS]
00:41:28
◼
►
personal stakes more important but it's
[TS]
00:41:29
◼
►
a kind of a failure that it's not a big
[TS]
00:41:32
◼
►
turnaround from this really strong
[TS]
00:41:33
◼
►
motivation to save JFK cause I felt like
[TS]
00:41:35
◼
►
very early on and maybe it's also
[TS]
00:41:37
◼
►
because like Lisa said you know this you
[TS]
00:41:40
◼
►
know this is not going to be i'll save
[TS]
00:41:42
◼
►
them and everything will be better you
[TS]
00:41:44
◼
►
know that's not gonna happen so well I
[TS]
00:41:47
◼
►
think there's this idea that pervades
[TS]
00:41:48
◼
►
pop culture or at least pop-culture
[TS]
00:41:50
◼
►
million baby boomers have a certain
[TS]
00:41:51
◼
►
stripe that that's the key phrase I
[TS]
00:41:53
◼
►
think if only Kennedy had lived this
[TS]
00:41:55
◼
►
golden era of Camelot would have
[TS]
00:41:57
◼
►
continued through 1968 and everyone
[TS]
00:42:01
◼
►
would have skipped hands as they walked
[TS]
00:42:02
◼
►
into the yeah everyone skip would skip
[TS]
00:42:04
◼
►
hands they walked into the peace corps
[TS]
00:42:05
◼
►
and the war on poverty would have been
[TS]
00:42:06
◼
►
affected and civil rights would have
[TS]
00:42:08
◼
►
happened painlessly blah blah blah and
[TS]
00:42:10
◼
►
so because Kennedy died everyone sees
[TS]
00:42:12
◼
►
that this sort of helpful baby boomer
[TS]
00:42:14
◼
►
Rob productive alternate future going
[TS]
00:42:17
◼
►
with it
[TS]
00:42:17
◼
►
it's the flashpoint theory right yeah
[TS]
00:42:19
◼
►
that's the idea that there is a single
[TS]
00:42:21
◼
►
event that causes all these ripples
[TS]
00:42:23
◼
►
whereas i think was fascinating that
[TS]
00:42:25
◼
►
baby through in the Ray Bradbury's very
[TS]
00:42:28
◼
►
sound of thunder know where is you know
[TS]
00:42:30
◼
►
the idea of this originating idea of
[TS]
00:42:32
◼
►
this butter the butterfly effect whereas
[TS]
00:42:34
◼
►
you know in theory in this time-travel
[TS]
00:42:36
◼
►
universe it's it's just as important
[TS]
00:42:40
◼
►
it's like Kennedy dying is just as
[TS]
00:42:41
◼
►
important as I'm stepping on a butterfly
[TS]
00:42:43
◼
►
depending on how you look at it right
[TS]
00:42:45
◼
►
because they both have ripples it's just
[TS]
00:42:47
◼
►
a question of what what they they touch
[TS]
00:42:49
◼
►
but I think to John's point that that
[TS]
00:42:51
◼
►
Stephen King being older than us and
[TS]
00:42:55
◼
►
having lived through this and there is a
[TS]
00:42:57
◼
►
resonance that I think is suggested and
[TS]
00:43:00
◼
►
that Allah be asleep feels and that
[TS]
00:43:02
◼
►
Stephen clearly feels that having lived
[TS]
00:43:04
◼
►
through it that that of course people
[TS]
00:43:05
◼
►
think oh if only Kennedy had lived I
[TS]
00:43:08
◼
►
think it's because we're more cynical
[TS]
00:43:09
◼
►
and that generation became cynical when
[TS]
00:43:11
◼
►
the president was assassinated that was
[TS]
00:43:12
◼
►
like the end of the innocence for that
[TS]
00:43:14
◼
►
generation I think you take that is
[TS]
00:43:16
◼
►
given that the reason that stephen king
[TS]
00:43:17
◼
►
he does a little bit of work to say well
[TS]
00:43:20
◼
►
now here's why it's important
[TS]
00:43:21
◼
►
Kennedy we should not be assassinated
[TS]
00:43:23
◼
►
but you know he can he goes in with a
[TS]
00:43:26
◼
►
little stronger implicit kind of
[TS]
00:43:28
◼
►
assumption that you know of course we
[TS]
00:43:29
◼
►
all feel like you know what would have
[TS]
00:43:32
◼
►
happened and it would have been better
[TS]
00:43:33
◼
►
because then things got got you know got
[TS]
00:43:36
◼
►
that whereas those of us who didn't live
[TS]
00:43:38
◼
►
through that look back in like really
[TS]
00:43:39
◼
►
with that would have been or wouldn't
[TS]
00:43:41
◼
►
matter and you get cynical everything we
[TS]
00:43:43
◼
►
don't we don't buy that line of
[TS]
00:43:44
◼
►
reasoning about to be another reason not
[TS]
00:43:46
◼
►
to buy it is when you look at the cycles
[TS]
00:43:48
◼
►
of human history or cultural history no
[TS]
00:43:51
◼
►
one idea ever pops up in isolation like
[TS]
00:43:53
◼
►
ideas get replicated across cultures in
[TS]
00:43:55
◼
►
certain time periods all the time and so
[TS]
00:43:58
◼
►
even if Kennedy had been a precipitating
[TS]
00:44:00
◼
►
event towards this generational shift
[TS]
00:44:02
◼
►
into hippie demand Vietnam and so on and
[TS]
00:44:05
◼
►
so forth
[TS]
00:44:06
◼
►
even if he had lived something else
[TS]
00:44:07
◼
►
would have prodded idea people seem to
[TS]
00:44:09
◼
►
forget that Richard Nixon was going to
[TS]
00:44:10
◼
►
be successful politician the sixties no
[TS]
00:44:12
◼
►
matter what so 11 sad thing i think last
[TS]
00:44:15
◼
►
thing I know one thing that bothered me
[TS]
00:44:17
◼
►
is a when Jake emerges from the portal
[TS]
00:44:22
◼
►
back into the future after he's done all
[TS]
00:44:24
◼
►
this and lived this life we see that as
[TS]
00:44:28
◼
►
we've as we've set up to this point
[TS]
00:44:30
◼
►
there isn't a good future that after
[TS]
00:44:33
◼
►
he's changed the past and safe Kennedy
[TS]
00:44:36
◼
►
there are all these earthquakes and you
[TS]
00:44:39
◼
►
know nuclear war and the mean is now
[TS]
00:44:42
◼
►
part of canada and there's not a lot of
[TS]
00:44:44
◼
►
power they only power a few days and
[TS]
00:44:46
◼
►
they're hoodlums who were running around
[TS]
00:44:49
◼
►
with the islands in Canada this can't be
[TS]
00:44:51
◼
►
teenage hoodlums in canada and this is
[TS]
00:44:56
◼
►
one of my problems with it is is I don't
[TS]
00:44:57
◼
►
mind the fact that there's a really
[TS]
00:45:00
◼
►
quick recap of history from that point 2
[TS]
00:45:03
◼
►
2011 i don't i don't mind that because
[TS]
00:45:06
◼
►
that is sort of not the point of the
[TS]
00:45:07
◼
►
book to to detail the old history of
[TS]
00:45:09
◼
►
what's happened since then
[TS]
00:45:10
◼
►
what bothers me is it feels it felt to
[TS]
00:45:13
◼
►
me kinda like a cop out that the moment
[TS]
00:45:15
◼
►
that he changes the past there are
[TS]
00:45:18
◼
►
earthquakes and you know count there's a
[TS]
00:45:22
◼
►
giant earthquake in Los Angeles and
[TS]
00:45:23
◼
►
things like that get that it wasn't just
[TS]
00:45:25
◼
►
the past that he changed it was like oh
[TS]
00:45:26
◼
►
and also this reason you broke the users
[TS]
00:45:29
◼
►
reinforces tearing their at the part so
[TS]
00:45:31
◼
►
it's like well I might have worked out
[TS]
00:45:32
◼
►
it's not like an alright time travel
[TS]
00:45:34
◼
►
story it's like what you did change its
[TS]
00:45:36
◼
►
like what you did and by the way of
[TS]
00:45:38
◼
►
quakes and stuff that are and by the way
[TS]
00:45:40
◼
►
earthquakes should be that I'd like to
[TS]
00:45:43
◼
►
have seen the argument that Kennedy
[TS]
00:45:44
◼
►
would have not made the letter table and
[TS]
00:45:50
◼
►
was impeached if he had right exactly
[TS]
00:45:52
◼
►
I don't think that's important i mean i
[TS]
00:45:54
◼
►
don't think that the Kennedy factor of
[TS]
00:45:56
◼
►
it is it is important at all what we're
[TS]
00:45:58
◼
►
talking about it to say that I think
[TS]
00:46:00
◼
►
it's not so much that you know
[TS]
00:46:02
◼
►
ok yes he stopped me from being killed
[TS]
00:46:04
◼
►
and that was a big change but i think
[TS]
00:46:08
◼
►
the fact that you know there's also this
[TS]
00:46:10
◼
►
cumulative effect that they start
[TS]
00:46:11
◼
►
talking about the end right if so many
[TS]
00:46:13
◼
►
things that I've gotten changed so much
[TS]
00:46:15
◼
►
has gotten out of balance with all the
[TS]
00:46:17
◼
►
vowels trips back and forth is the meat
[TS]
00:46:19
◼
►
hamburger
[TS]
00:46:19
◼
►
well that's alright and we say it was a
[TS]
00:46:22
◼
►
yellow card man is bonkers it's been 40
[TS]
00:46:24
◼
►
years of beef so everything the whole
[TS]
00:46:27
◼
►
reality is unstable and again you know
[TS]
00:46:30
◼
►
not to hurt by too much but if you you
[TS]
00:46:31
◼
►
know there isn't there is another
[TS]
00:46:32
◼
►
residence with the dark tower here
[TS]
00:46:33
◼
►
whereas there's this idea of the world
[TS]
00:46:35
◼
►
sort of shaking itself apart because
[TS]
00:46:37
◼
►
people keep screwing with it
[TS]
00:46:39
◼
►
yeah I would have loved to see more
[TS]
00:46:41
◼
►
earthquake-type things happening earlier
[TS]
00:46:43
◼
►
on where you get the idea that the world
[TS]
00:46:46
◼
►
is slowly falling apart rather than 0
[TS]
00:46:48
◼
►
the second JFK guys and right you know
[TS]
00:46:51
◼
►
Sadie dies everything goes to hell
[TS]
00:46:54
◼
►
la falls off the coast to have he makes
[TS]
00:46:56
◼
►
it on a horse race in the horse that he
[TS]
00:46:58
◼
►
knows is the winner of the Triple Crown
[TS]
00:47:00
◼
►
breaks its leg right now and it's like
[TS]
00:47:02
◼
►
oh geez
[TS]
00:47:03
◼
►
wait a second something is not quite
[TS]
00:47:05
◼
►
right a little bit he comes back five
[TS]
00:47:07
◼
►
years which isn't it well you know he's
[TS]
00:47:09
◼
►
gotta wait five years which is important
[TS]
00:47:10
◼
►
to the whole plot of the book and
[TS]
00:47:11
◼
►
everything but realistically speaking
[TS]
00:47:13
◼
►
realistically speaking at a time travel
[TS]
00:47:15
◼
►
story if you if you put a single person
[TS]
00:47:18
◼
►
from the future into the past five years
[TS]
00:47:20
◼
►
on there is no way that lee harvey
[TS]
00:47:22
◼
►
oswald get that same apartment at JFK
[TS]
00:47:24
◼
►
had it goes to dallas at the same time
[TS]
00:47:26
◼
►
he drives in the convertible was out
[TS]
00:47:28
◼
►
that's honest there's no way because the
[TS]
00:47:30
◼
►
the the changes of I mean it's debatable
[TS]
00:47:34
◼
►
that even if you blink that guy into
[TS]
00:47:35
◼
►
existence for three secondary tap one
[TS]
00:47:37
◼
►
guy in the shoulder in florida and
[TS]
00:47:38
◼
►
disappeared
[TS]
00:47:39
◼
►
there's no way those people in the same
[TS]
00:47:40
◼
►
spot well that's where the obdurate plat
[TS]
00:47:41
◼
►
maps comes in and how you
[TS]
00:47:43
◼
►
it's how you define you have to have a
[TS]
00:47:45
◼
►
correcting effect because you're right
[TS]
00:47:47
◼
►
otherwise things will become a different
[TS]
00:47:48
◼
►
you know the hamburger meat not being
[TS]
00:47:50
◼
►
available would be enough rushing
[TS]
00:47:53
◼
►
everything freaks out right on his last
[TS]
00:47:55
◼
►
trip back when he starts like oh my god
[TS]
00:47:57
◼
►
I mean what have I done just by buying
[TS]
00:47:59
◼
►
you know a shirt or taking is randy was
[TS]
00:48:02
◼
►
found he was right but ya again once
[TS]
00:48:04
◼
►
again there's this unseen force that you
[TS]
00:48:06
◼
►
know whatever this this this forces that
[TS]
00:48:08
◼
►
since the King loves doing this he never
[TS]
00:48:10
◼
►
calls the god or anything or tries not
[TS]
00:48:12
◼
►
to call it God but it's just like me
[TS]
00:48:13
◼
►
except at the end of the stand the
[TS]
00:48:15
◼
►
unseen force that's its handmade it's
[TS]
00:48:17
◼
►
it's him the writer real like a light
[TS]
00:48:19
◼
►
motif through all of his workers that
[TS]
00:48:20
◼
►
there are forces beyond your
[TS]
00:48:21
◼
►
comprehensive and that 20 of you and
[TS]
00:48:24
◼
►
they had and they have a purpose in that
[TS]
00:48:25
◼
►
a plot you know I think the one thing
[TS]
00:48:27
◼
►
that's sort of subtle here that is that
[TS]
00:48:29
◼
►
it's brought up towards the end of the
[TS]
00:48:30
◼
►
book but i think it's interesting is not
[TS]
00:48:33
◼
►
just the obdurate pass but the object
[TS]
00:48:34
◼
►
itself whereas in theory right Jake says
[TS]
00:48:38
◼
►
well I can just go back and fix
[TS]
00:48:42
◼
►
everything I did wrong the first time
[TS]
00:48:46
◼
►
it's just too bad your shoulder right
[TS]
00:48:49
◼
►
exactly and but i don't know about you
[TS]
00:48:51
◼
►
but like you know in some ways that
[TS]
00:48:52
◼
►
might feel like a cop-out but in this he
[TS]
00:48:54
◼
►
decides he can't do it and I felt the
[TS]
00:48:56
◼
►
weight of that yeah it makes you feel
[TS]
00:48:58
◼
►
tired you just read all these pages
[TS]
00:49:00
◼
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well I I'm not just that but i can think
[TS]
00:49:02
◼
►
about all that he has been through and
[TS]
00:49:04
◼
►
all having to go through and change the
[TS]
00:49:06
◼
►
past but he can't change his life he's
[TS]
00:49:08
◼
►
living his life and that cannot be
[TS]
00:49:11
◼
►
you know he he has to live with the fact
[TS]
00:49:14
◼
►
that he lived those five years and that
[TS]
00:49:16
◼
►
can eat can hit the reset button on the
[TS]
00:49:18
◼
►
universe that doesn't matter he felt
[TS]
00:49:20
◼
►
like I was on memory and and and saw her
[TS]
00:49:23
◼
►
be horribly wounded men killed by lee
[TS]
00:49:26
◼
►
harvey oswald ouch i was done i was kind
[TS]
00:49:30
◼
►
of rooting for him to go to Groundhog
[TS]
00:49:32
◼
►
Day it in the beginning of the book of
[TS]
00:49:34
◼
►
micah it'll be neat if you did the
[TS]
00:49:35
◼
►
groundhog day think i'm gonna became
[TS]
00:49:36
◼
►
clear that he was going to do a 1 1
[TS]
00:49:38
◼
►
iteration groundhog and dairy and I saw
[TS]
00:49:41
◼
►
how many pages took him to do that I
[TS]
00:49:42
◼
►
realized there's not enough room Graham
[TS]
00:49:44
◼
►
to do it for the rest but I wouldn't
[TS]
00:49:45
◼
►
perfectly happy for him to Groundhog Day
[TS]
00:49:47
◼
►
the whole book now see that that would
[TS]
00:49:49
◼
►
work for me live years when you gone
[TS]
00:49:52
◼
►
crazy after your number I was not sure
[TS]
00:49:54
◼
►
that that Stephen King was going to do
[TS]
00:49:56
◼
►
and say so i decided that since I
[TS]
00:49:58
◼
►
couldn't change the past i would just go
[TS]
00:50:00
◼
►
back and meet all those people and live
[TS]
00:50:01
◼
►
my life in that little town in Texas no
[TS]
00:50:04
◼
►
I mean iterations like more than once
[TS]
00:50:06
◼
►
right like five just like Groundhog's
[TS]
00:50:08
◼
►
Day where the first time it takes a long
[TS]
00:50:09
◼
►
time and that's a very different book
[TS]
00:50:11
◼
►
yeah right lost all the weight it would
[TS]
00:50:13
◼
►
have lost all the emotional weight
[TS]
00:50:15
◼
►
yeah I will say there's a point at after
[TS]
00:50:18
◼
►
city dies where he is considering that
[TS]
00:50:20
◼
►
Jason was like well just you know I
[TS]
00:50:22
◼
►
could just go back and live in my life
[TS]
00:50:24
◼
►
and ignore JFK and all of that before
[TS]
00:50:27
◼
►
yeah but that that moment when he's
[TS]
00:50:30
◼
►
contemplating that you is the reader
[TS]
00:50:32
◼
►
just kind of think oh gosh she has I
[TS]
00:50:33
◼
►
mean can you imagine having to you live
[TS]
00:50:36
◼
►
through the beginning of the Sadie
[TS]
00:50:37
◼
►
relationship in the middle of the city
[TS]
00:50:39
◼
►
relationship and all of that and having
[TS]
00:50:41
◼
►
to go through all those steps again and
[TS]
00:50:43
◼
►
also because you see in the first town
[TS]
00:50:46
◼
►
in Maine where you know that you're
[TS]
00:50:48
◼
►
basically playing through a script if
[TS]
00:50:50
◼
►
you can you imagine having to relive
[TS]
00:50:52
◼
►
through some of these moments and then
[TS]
00:50:54
◼
►
basically feel like you're on script
[TS]
00:50:56
◼
►
yeah you will be able to do it now
[TS]
00:50:58
◼
►
because you're watching doom little
[TS]
00:50:59
◼
►
children and that he wouldn't fall in
[TS]
00:51:01
◼
►
love with him thats that's the problem
[TS]
00:51:03
◼
►
not just because the older but she
[TS]
00:51:04
◼
►
wouldn't have loved him because he
[TS]
00:51:05
◼
►
wouldn't have been the same person
[TS]
00:51:07
◼
►
yeah well I wouldn't know everything
[TS]
00:51:08
◼
►
that would happen right so you know just
[TS]
00:51:10
◼
►
you just you know living through that
[TS]
00:51:12
◼
►
changes he was a person you're not ready
[TS]
00:51:14
◼
►
to have that romantic like you know
[TS]
00:51:16
◼
►
you're not ready to make the action
[TS]
00:51:17
◼
►
that's the key of the book right you
[TS]
00:51:19
◼
►
can't go back and change the past
[TS]
00:51:20
◼
►
because it's already been lived through
[TS]
00:51:22
◼
►
it that way you know that I think that's
[TS]
00:51:24
◼
►
the that's the conclusion that he comes
[TS]
00:51:26
◼
►
to write this are already happened in
[TS]
00:51:29
◼
►
some ways I can't make it happen again
[TS]
00:51:32
◼
►
even if i'm not seeing it from like the
[TS]
00:51:34
◼
►
first person perspective so i have to
[TS]
00:51:37
◼
►
let it be and he you know he makes that
[TS]
00:51:41
◼
►
huge decision at a certain point to say
[TS]
00:51:42
◼
►
you know do I save you I go back and
[TS]
00:51:46
◼
►
spend all the time with love my life or
[TS]
00:51:49
◼
►
do I essentially you know take the
[TS]
00:51:52
◼
►
sacrifice and save the larger you know
[TS]
00:51:54
◼
►
save the world at large as such as it is
[TS]
00:51:56
◼
►
so in a in a previous podcast i believe
[TS]
00:52:00
◼
►
the it might have been there Neal
[TS]
00:52:01
◼
►
Stephenson podcast I I said something
[TS]
00:52:05
◼
►
negative about Stephen King which is
[TS]
00:52:07
◼
►
I I I said that you know stylistically I
[TS]
00:52:11
◼
►
thought that there are plenty of writers
[TS]
00:52:13
◼
►
who have sort of more more flair and
[TS]
00:52:15
◼
►
more style than Stephen King and you
[TS]
00:52:17
◼
►
know he is not a showy writer he is
[TS]
00:52:20
◼
►
workman like he has he has a style all
[TS]
00:52:23
◼
►
the all his own but it is very
[TS]
00:52:24
◼
►
recognizable you could give me a page a
[TS]
00:52:27
◼
►
Stephen King and I bet without any name
[TS]
00:52:29
◼
►
on it and I bet you I could figure out
[TS]
00:52:31
◼
►
that it was Stephen King because he does
[TS]
00:52:33
◼
►
have a style but what struck me in this
[TS]
00:52:35
◼
►
story is he he is a great storyteller he
[TS]
00:52:40
◼
►
oh yeah he is that the thing that sets
[TS]
00:52:43
◼
►
him apart is it mean he's got
[TS]
00:52:45
◼
►
interesting world building and he's got
[TS]
00:52:47
◼
►
an interesting perspective and his style
[TS]
00:52:48
◼
►
is kind of interesting but he is just a
[TS]
00:52:50
◼
►
great storyteller this this story these
[TS]
00:52:53
◼
►
characters i was absolutely engrossed in
[TS]
00:52:57
◼
►
in in this story and so although people
[TS]
00:53:00
◼
►
i think beat up Stephen King because he
[TS]
00:53:02
◼
►
had such success and he sold so many
[TS]
00:53:03
◼
►
books any rights
[TS]
00:53:05
◼
►
he's written so many books is John and
[TS]
00:53:07
◼
►
Lisa can attest he he he really is
[TS]
00:53:11
◼
►
remarkable at spinning a story and
[TS]
00:53:15
◼
►
making you want to follow absolutely i
[TS]
00:53:17
◼
►
will go blue in the face defending
[TS]
00:53:19
◼
►
stephen king's a craftsman because I
[TS]
00:53:21
◼
►
think he's a master of the storytelling
[TS]
00:53:22
◼
►
craft I I think he has a I think he I
[TS]
00:53:25
◼
►
think he thinks long and hard about the
[TS]
00:53:27
◼
►
best way to tell a story that's meant as
[TS]
00:53:29
◼
►
a good word for two because I mean and
[TS]
00:53:31
◼
►
if you read on writing which is an
[TS]
00:53:32
◼
►
excellent book anybody who are you
[TS]
00:53:34
◼
►
should read it's great
[TS]
00:53:35
◼
►
yes but craftsman also in this is that
[TS]
00:53:37
◼
►
he is not going to be the most poetic
[TS]
00:53:40
◼
►
right he of writers he is not he doesn't
[TS]
00:53:43
◼
►
have that he has a workmanlike in a good
[TS]
00:53:46
◼
►
way a craftsman you know he is a crap
[TS]
00:53:50
◼
►
crafter of stories and of language and
[TS]
00:53:52
◼
►
he knows what he's doing and he does a
[TS]
00:53:55
◼
►
very good job of it and that that's not
[TS]
00:53:57
◼
►
to be looked down on because there are
[TS]
00:53:59
◼
►
lots of people who've written lots of
[TS]
00:54:00
◼
►
highfalutin pros that has beautiful
[TS]
00:54:02
◼
►
fragments and beautiful sentences and it
[TS]
00:54:05
◼
►
and it falls apart as terrible as a
[TS]
00:54:07
◼
►
whole thing right thinking it has a
[TS]
00:54:09
◼
►
superb grasp on on the language that he
[TS]
00:54:11
◼
►
chooses an individual word choices
[TS]
00:54:13
◼
►
because he I know a lot of people say
[TS]
00:54:16
◼
►
he's worthy but he does a great job with
[TS]
00:54:18
◼
►
one or two well-turned sentences that
[TS]
00:54:19
◼
►
will remain
[TS]
00:54:20
◼
►
your brain indelible um I find his word
[TS]
00:54:23
◼
►
choices to actually quite economical
[TS]
00:54:24
◼
►
sometime and very very evocative I mean
[TS]
00:54:28
◼
►
he's not going to be one of these these
[TS]
00:54:29
◼
►
pro stylist where you fall to your knees
[TS]
00:54:30
◼
►
and reference over the the the whale is
[TS]
00:54:33
◼
►
his his words it's like poetry and art
[TS]
00:54:35
◼
►
of angels wept you know but it's it's
[TS]
00:54:38
◼
►
instead you can you can actually see
[TS]
00:54:39
◼
►
these people and hear them the rest of
[TS]
00:54:41
◼
►
your head as you have nothing up
[TS]
00:54:43
◼
►
no that's fantastic you know he doesn't
[TS]
00:54:45
◼
►
use flashy words but he doesn't tells a
[TS]
00:54:47
◼
►
good story and stuff like that I and one
[TS]
00:54:50
◼
►
example comes up from the great
[TS]
00:54:51
◼
►
literature is like Hemingway very simple
[TS]
00:54:53
◼
►
writing right but he was you know it you
[TS]
00:54:55
◼
►
can get a lot of a few simple words are
[TS]
00:54:57
◼
►
with stephen king of the complaint does
[TS]
00:54:59
◼
►
not so much that you're not so much as
[TS]
00:55:01
◼
►
like Hemingway is just that he's corny
[TS]
00:55:03
◼
►
that is you know kind of ham-fisted and
[TS]
00:55:05
◼
►
corny and number Donna thing which is
[TS]
00:55:07
◼
►
classic old-school Stephen King people
[TS]
00:55:09
◼
►
like yeah but that's kinda like if you
[TS]
00:55:11
◼
►
don't but you don't buy into that you're
[TS]
00:55:12
◼
►
into it so the passage that highlighted
[TS]
00:55:14
◼
►
here is it's corny I it's cliche and
[TS]
00:55:20
◼
►
it's like Adam when i read it I'm like I
[TS]
00:55:22
◼
►
he didn't make that up because I must
[TS]
00:55:24
◼
►
have read that before because it's so
[TS]
00:55:25
◼
►
corny and it's so cliche but the magic
[TS]
00:55:27
◼
►
of stephen king and the reason why i
[TS]
00:55:29
◼
►
think is actually a quite a good writer
[TS]
00:55:31
◼
►
in his own way I ignoring the
[TS]
00:55:33
◼
►
storytelling entirely is that you can
[TS]
00:55:35
◼
►
get you to a point with all his other
[TS]
00:55:37
◼
►
skills and tools to wear this corny
[TS]
00:55:41
◼
►
cliche thing that you swear you've heard
[TS]
00:55:43
◼
►
before like a Hallmark greeting card
[TS]
00:55:45
◼
►
wraps around it wraps all the way around
[TS]
00:55:47
◼
►
the corner meter and pops back up into
[TS]
00:55:49
◼
►
like emotional resonance and you're like
[TS]
00:55:51
◼
►
that how did he even do that and so this
[TS]
00:55:54
◼
►
is towards the end of the book it's two
[TS]
00:55:56
◼
►
sentences where he's a he's writing
[TS]
00:55:59
◼
►
about how everything has ended with
[TS]
00:56:02
◼
►
Sadie and everything like that he says
[TS]
00:56:04
◼
►
hearts don't really break if only they
[TS]
00:56:06
◼
►
could in isolation if you have not read
[TS]
00:56:10
◼
►
this book you like this guy's an awful
[TS]
00:56:11
◼
►
red come on it's not really they could
[TS]
00:56:13
◼
►
but when i read that line like you got
[TS]
00:56:15
◼
►
me he he managed he manages to make that
[TS]
00:56:18
◼
►
line that line their work because of
[TS]
00:56:20
◼
►
everything that's built around it and it
[TS]
00:56:22
◼
►
you know it allows you to disable the
[TS]
00:56:24
◼
►
part of your mind that's going to shoot
[TS]
00:56:26
◼
►
that those students sentences down with
[TS]
00:56:27
◼
►
lasers and say this is not good writing
[TS]
00:56:29
◼
►
sir you need to think hard about what
[TS]
00:56:31
◼
►
you're going to right now because you
[TS]
00:56:32
◼
►
think if hearts could break them
[TS]
00:56:33
◼
►
you'd be out of your misery I know it's
[TS]
00:56:35
◼
►
a cliché is a hallmark card it's not
[TS]
00:56:37
◼
►
terrible home with its it's cheap it's a
[TS]
00:56:40
◼
►
cheap insight right it's a cheap insight
[TS]
00:56:43
◼
►
but he really earned it
[TS]
00:56:45
◼
►
yeah I'm right and I highlighted that
[TS]
00:56:47
◼
►
passage unlike you got me heartbroken
[TS]
00:56:49
◼
►
character who has lived through this to
[TS]
00:56:52
◼
►
get to that point
[TS]
00:56:53
◼
►
mmm the key to this book and we've lived
[TS]
00:56:55
◼
►
through and we lived it within no no I
[TS]
00:56:57
◼
►
found the key it's the last page
[TS]
00:56:59
◼
►
actually um this is the this is the part
[TS]
00:57:01
◼
►
i highlighted where it says she is in a
[TS]
00:57:04
◼
►
dream and so am i like all sweet dreams
[TS]
00:57:06
◼
►
will be brief but brevity make sweetness
[TS]
00:57:07
◼
►
doesn't it yes i think so because when
[TS]
00:57:09
◼
►
the time is gone you could never get it
[TS]
00:57:11
◼
►
yeah this is a graphic Stephen King
[TS]
00:57:14
◼
►
where he spent so little time doing that
[TS]
00:57:16
◼
►
thing that we're just talking about
[TS]
00:57:17
◼
►
where he's like he's like talking to the
[TS]
00:57:19
◼
►
reader about about the medic question
[TS]
00:57:22
◼
►
and the ennui and you know lots of
[TS]
00:57:24
◼
►
writers do that throughout the whole
[TS]
00:57:25
◼
►
book stephen king is like straight ahead
[TS]
00:57:27
◼
►
i'm going to tell you a story and he
[TS]
00:57:28
◼
►
saves that he saves that he doesn't
[TS]
00:57:30
◼
►
spend the whole book having people you
[TS]
00:57:32
◼
►
know the author or the character or the
[TS]
00:57:34
◼
►
narrator or anybody especially with the
[TS]
00:57:36
◼
►
narrator's a lot of times in areas just
[TS]
00:57:38
◼
►
like here's what happened on this
[TS]
00:57:39
◼
►
happened happened then and then you know
[TS]
00:57:40
◼
►
in the middle and the end a pivotal
[TS]
00:57:42
◼
►
scene the narrative will say two
[TS]
00:57:43
◼
►
sentences that are not advancing the
[TS]
00:57:45
◼
►
plot that are commenting on the action
[TS]
00:57:47
◼
►
in a very simple way and they stand out
[TS]
00:57:49
◼
►
because the narrator the character of
[TS]
00:57:50
◼
►
the writer whoever is this the voice in
[TS]
00:57:52
◼
►
the book doesn't do that normally and
[TS]
00:57:54
◼
►
jumps out at you when he has a great
[TS]
00:57:57
◼
►
line about that early on in the book
[TS]
00:57:58
◼
►
doesn't it doesn't take say something
[TS]
00:57:59
◼
►
about a base you know he's talking about
[TS]
00:58:01
◼
►
his students very early on is this
[TS]
00:58:03
◼
►
something about the basic job of his of
[TS]
00:58:04
◼
►
a storyteller is this happened and then
[TS]
00:58:07
◼
►
this happened and it's the story that
[TS]
00:58:09
◼
►
matters it's not the right and that's
[TS]
00:58:11
◼
►
that is the sum up that is the sum up of
[TS]
00:58:14
◼
►
Stephen King right and don't take your
[TS]
00:58:16
◼
►
time to go let me tell you why this was
[TS]
00:58:17
◼
►
important isn't it dramatic and he felt
[TS]
00:58:19
◼
►
this is this you know it's no just tell
[TS]
00:58:21
◼
►
the story but there is a moment of
[TS]
00:58:23
◼
►
reflection a moment or two reflection
[TS]
00:58:24
◼
►
and you can land hearts don't really
[TS]
00:58:26
◼
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very carefully they could you can land
[TS]
00:58:27
◼
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that if you've built the structure such
[TS]
00:58:30
◼
►
that that that earns its little slot
[TS]
00:58:32
◼
►
there and that you know need the
[TS]
00:58:33
◼
►
characters and you need a good story and
[TS]
00:58:35
◼
►
you have a microcosm of it in
[TS]
00:58:38
◼
►
what's the name of the the janitor in
[TS]
00:58:40
◼
►
the beginning of this book
[TS]
00:58:41
◼
►
Harry yeah yeah but you have a microwave
[TS]
00:58:43
◼
►
in this in Harry's SI where you
[TS]
00:58:47
◼
►
he says that he says it from the
[TS]
00:58:48
◼
►
beginning and you you learn a little bit
[TS]
00:58:51
◼
►
about the essay before you actually get
[TS]
00:58:52
◼
►
to read some of it and initially you're
[TS]
00:58:55
◼
►
like okay yeah i can more or less
[TS]
00:58:57
◼
►
believe that this was a heartbreaking SI
[TS]
00:58:59
◼
►
and then he actually lets you read an
[TS]
00:59:02
◼
►
excerpt and yes it's pretty is poorly
[TS]
00:59:05
◼
►
written as painted and it's also
[TS]
00:59:07
◼
►
heartbreaking it's it's it it hooks you
[TS]
00:59:11
◼
►
like they're they're just hooks that
[TS]
00:59:12
◼
►
keep you moving through the way it's
[TS]
00:59:14
◼
►
written in a way that much more slickly
[TS]
00:59:16
◼
►
produced as they wouldn't do it because
[TS]
00:59:18
◼
►
i don't know about you guys but after i
[TS]
00:59:20
◼
►
finished reading that passage i like
[TS]
00:59:21
◼
►
actually had to put down the kindle for
[TS]
00:59:22
◼
►
a minute or two and you know go snuggle
[TS]
00:59:25
◼
►
my daughter then come back to the book
[TS]
00:59:27
◼
►
it's chilling and actually that show
[TS]
00:59:28
◼
►
that Stephen King you know hehe has i
[TS]
00:59:32
◼
►
know are you know he is it
[TS]
00:59:35
◼
►
well yes he's a he's crazy and he's
[TS]
00:59:37
◼
►
gonna kill us all
[TS]
00:59:38
◼
►
no he that's right in his wheelhouse
[TS]
00:59:41
◼
►
though regulator holy his thing he is
[TS]
00:59:45
◼
►
really good kid he knows all the tricks
[TS]
00:59:47
◼
►
he knows how to pull them out and the
[TS]
00:59:50
◼
►
fact is the end of this book i mean i
[TS]
00:59:52
◼
►
was i mean at the climax where there's a
[TS]
00:59:57
◼
►
confrontation between shake and Lee
[TS]
00:59:59
◼
►
Harvey Oswald in
[TS]
00:59:59
◼
►
Harvey Oswald in
[TS]
01:00:00
◼
►
book depository and I and a shot goes
[TS]
01:00:04
◼
►
awry and sadie is mortally wounded and
[TS]
01:00:07
◼
►
all that that was exciting but I didn't
[TS]
01:00:10
◼
►
find it particularly affecting it was
[TS]
01:00:12
◼
►
really like Jake is going through the
[TS]
01:00:14
◼
►
motions of what he has to do and of
[TS]
01:00:15
◼
►
course the girlfriend it's sort of like
[TS]
01:00:17
◼
►
an episode of a TV series of course the
[TS]
01:00:18
◼
►
characters girlfriend is going to be
[TS]
01:00:19
◼
►
horrible accidentally shot and died
[TS]
01:00:21
◼
►
because but the that's how to put a
[TS]
01:00:23
◼
►
pneumonic but the last one is what get
[TS]
01:00:26
◼
►
last seen pays off everything and is
[TS]
01:00:30
◼
►
amazingly affecting like that room got
[TS]
01:00:35
◼
►
really a bad man came in and kick sand
[TS]
01:00:37
◼
►
in my eyes and made me cry a little bit
[TS]
01:00:39
◼
►
at the end of that I mean it is so
[TS]
01:00:41
◼
►
affecting at the end of this book is
[TS]
01:00:42
◼
►
just he has figured out there are some
[TS]
01:00:44
◼
►
writers and we talking you know like
[TS]
01:00:46
◼
►
your contrasting with Stevenson there
[TS]
01:00:47
◼
►
are some writers who take all that
[TS]
01:00:48
◼
►
little intellectual fancy part of your
[TS]
01:00:51
◼
►
brain right the oh is that so clever I
[TS]
01:00:53
◼
►
appreciate that and then there are
[TS]
01:00:55
◼
►
writers like Stephen King you grab that
[TS]
01:00:57
◼
►
you know the lizard brain the end part
[TS]
01:00:59
◼
►
of you and just and just shake it you
[TS]
01:01:02
◼
►
know and and he's figured out how
[TS]
01:01:04
◼
►
perfectly like like you guys said like
[TS]
01:01:06
◼
►
his craft is perfectly honed to tap into
[TS]
01:01:10
◼
►
well there's the beauty of I mean the
[TS]
01:01:12
◼
►
fact that in in this final scene
[TS]
01:01:15
◼
►
the fact is the jake and Sadie have a
[TS]
01:01:18
◼
►
connection and and there are alternate
[TS]
01:01:21
◼
►
you know alternate versions of them and
[TS]
01:01:23
◼
►
in this case it's a safety Sadie who is
[TS]
01:01:24
◼
►
now an old lady and has never met him
[TS]
01:01:26
◼
►
before and lived that life without him
[TS]
01:01:29
◼
►
and yet they still have a connection and
[TS]
01:01:31
◼
►
he goes back there to Jodi in the
[TS]
01:01:34
◼
►
present and meets her dances and then
[TS]
01:01:37
◼
►
dances with her and it's like so
[TS]
01:01:40
◼
►
somewhere in time you can practically
[TS]
01:01:41
◼
►
see Christopher even James seymour
[TS]
01:01:43
◼
►
making misty eyes at each other as they
[TS]
01:01:45
◼
►
go through this but it's really touching
[TS]
01:01:47
◼
►
I think that and doesn't he doesn't make
[TS]
01:01:50
◼
►
a he makes a Jack Finney reference in
[TS]
01:01:53
◼
►
the ya-ya not have to work yeah yeah
[TS]
01:01:55
◼
►
yeah but it's just it'sit's i looked up
[TS]
01:01:59
◼
►
because i have that book on my shelf and
[TS]
01:02:01
◼
►
now it's looking up as I've Illustrated
[TS]
01:02:02
◼
►
looking at but the Jack Benny time it
[TS]
01:02:04
◼
►
again myself
[TS]
01:02:05
◼
►
yeah that's good yeah now but such a
[TS]
01:02:09
◼
►
great again there's the payoff right
[TS]
01:02:10
◼
►
after all this sort of failure of
[TS]
01:02:12
◼
►
changing time he the I felt like that it
[TS]
01:02:18
◼
►
could have ended and it would have not
[TS]
01:02:20
◼
►
been particularly fulfilling and then
[TS]
01:02:22
◼
►
and then when he goes after having sort
[TS]
01:02:25
◼
►
of like return to the president being
[TS]
01:02:26
◼
►
kind of disconnected from everything and
[TS]
01:02:29
◼
►
he goes to Texas and it was kind of you
[TS]
01:02:33
◼
►
know I was almost giving us like he's
[TS]
01:02:35
◼
►
gonna go yeah go see what's there and it
[TS]
01:02:38
◼
►
was yeah so I i was i was really
[TS]
01:02:41
◼
►
impressed i mean to wrap to wrap this up
[TS]
01:02:43
◼
►
i don't know what I really expected from
[TS]
01:02:45
◼
►
this I the most recent stephen king book
[TS]
01:02:47
◼
►
I've read is i don't know i mean it was
[TS]
01:02:51
◼
►
a long time ago I mean I i think i might
[TS]
01:02:54
◼
►
have been one of the dark tower like
[TS]
01:02:57
◼
►
this third Dark Tower book maybe but
[TS]
01:02:59
◼
►
it's been a long time since i've read a
[TS]
01:03:01
◼
►
stephen king book and I was you know I i
[TS]
01:03:05
◼
►
was i really liked it is one of my
[TS]
01:03:07
◼
►
favorite books of 2011
[TS]
01:03:09
◼
►
I thought that he hit you know I i got
[TS]
01:03:12
◼
►
the time-travel mechanics mechanics were
[TS]
01:03:13
◼
►
interesting but in the end i thought
[TS]
01:03:15
◼
►
this story of the the you know the love
[TS]
01:03:19
◼
►
story that's happening with the ticking
[TS]
01:03:22
◼
►
of the clock of the impending
[TS]
01:03:24
◼
►
assassination and then the resolution at
[TS]
01:03:27
◼
►
the end I you know I just I really
[TS]
01:03:29
◼
►
enjoyed it way more than I thought that
[TS]
01:03:32
◼
►
I would I I kind of wished that I didn't
[TS]
01:03:35
◼
►
you know I wanted to talk about it and
[TS]
01:03:36
◼
►
that's one of the reasons i finished it
[TS]
01:03:39
◼
►
so rapidly but at the same time I was
[TS]
01:03:41
◼
►
torn because I didn't want to because it
[TS]
01:03:44
◼
►
because it was so engrossing and so
[TS]
01:03:45
◼
►
wrapping up you kind of want to savor it
[TS]
01:03:48
◼
►
and so I was sad to read 500 patients in
[TS]
01:03:51
◼
►
traffic for hours or so but yeah I mean
[TS]
01:03:53
◼
►
you know it's still I agree it was
[TS]
01:03:55
◼
►
incredibly incredibly effective book in
[TS]
01:03:58
◼
►
a really well told story
[TS]
01:03:59
◼
►
well I think this is definitely the one
[TS]
01:04:01
◼
►
he written before this was under the
[TS]
01:04:03
◼
►
dome and I think this is definitely
[TS]
01:04:04
◼
►
leagues above under the dome this is
[TS]
01:04:07
◼
►
this is I think a whole new level of
[TS]
01:04:09
◼
►
storytelling compared to that one john
[TS]
01:04:11
◼
►
what about this one what's your verdict
[TS]
01:04:12
◼
►
on 11 22 63 you probably shouldn't let
[TS]
01:04:15
◼
►
me go last but you can always read this
[TS]
01:04:17
◼
►
in two different sequences you would
[TS]
01:04:18
◼
►
like this was not my favorite recent
[TS]
01:04:22
◼
►
stephen king book I at this point and I
[TS]
01:04:26
◼
►
feel like I've read so many stephen king
[TS]
01:04:28
◼
►
books that he has to do a lot to
[TS]
01:04:30
◼
►
surprise me and when i read this book I
[TS]
01:04:32
◼
►
think it's like all this is like fifty
[TS]
01:04:33
◼
►
percent this book 25-percent that book
[TS]
01:04:35
◼
►
really you know that he has trouble with
[TS]
01:04:38
◼
►
endings I have trouble stephen king's
[TS]
01:04:39
◼
►
endings and he has trouble with them and
[TS]
01:04:41
◼
►
you know this is the thing we do we read
[TS]
01:04:43
◼
►
the book together and we both know how
[TS]
01:04:45
◼
►
it's gonna end doesn't have no he thinks
[TS]
01:04:47
◼
►
they're fine
[TS]
01:04:48
◼
►
yeah I don't know it seems like you're
[TS]
01:04:50
◼
►
Stephenson has prepared and there are
[TS]
01:04:51
◼
►
some things that he does in the endings
[TS]
01:04:53
◼
►
that I don't like let's put it that way
[TS]
01:04:55
◼
►
and he does them again here and i
[TS]
01:04:57
◼
►
continued not like them at it it's so
[TS]
01:04:59
◼
►
which which is what what what in
[TS]
01:05:01
◼
►
specific because i love the coda in
[TS]
01:05:03
◼
►
texas i don't really love the the the
[TS]
01:05:06
◼
►
couple of chapters before that
[TS]
01:05:08
◼
►
well it's see the thing is with me and
[TS]
01:05:10
◼
►
Steve we both know we have an
[TS]
01:05:13
◼
►
understanding
[TS]
01:05:14
◼
►
I know that he's gonna do the things
[TS]
01:05:16
◼
►
that annoy me about this you know this
[TS]
01:05:17
◼
►
yeah ya are on first name basis I I know
[TS]
01:05:20
◼
►
that he's gonna do things in it but I I
[TS]
01:05:21
◼
►
accept that he's going to do those
[TS]
01:05:23
◼
►
things like for example under the dome
[TS]
01:05:24
◼
►
under the dome was not a goes as good a
[TS]
01:05:26
◼
►
book of this but it's more i have an
[TS]
01:05:31
◼
►
easier time with that visits lock and I
[TS]
01:05:33
◼
►
was perfectly fine to go through into
[TS]
01:05:34
◼
►
the dome even though I knew every single
[TS]
01:05:36
◼
►
thing that was going to happen and
[TS]
01:05:37
◼
►
practically how it was gonna play out
[TS]
01:05:39
◼
►
and that I wasn't going to be satisfied
[TS]
01:05:40
◼
►
with the explanation of the end and I
[TS]
01:05:42
◼
►
wasn't it was like you know I'm right
[TS]
01:05:43
◼
►
with you on this one it's kind of almost
[TS]
01:05:45
◼
►
worse when he's got like a heart of a
[TS]
01:05:47
◼
►
good book there and really promising
[TS]
01:05:48
◼
►
start but then he just goes to the
[TS]
01:05:50
◼
►
ending is so might my complaint about it
[TS]
01:05:51
◼
►
mainly is that when when he goes back to
[TS]
01:05:54
◼
►
see it sees how things have gone wrong
[TS]
01:05:56
◼
►
and you already covered a lot of things
[TS]
01:05:57
◼
►
with the earthquakes and stuff was okay
[TS]
01:05:58
◼
►
when he goes out and see how things have
[TS]
01:06:00
◼
►
gone wrong
[TS]
01:06:00
◼
►
it's like Steve you gotta decide are you
[TS]
01:06:03
◼
►
gonna is this are the details of this
[TS]
01:06:05
◼
►
important I is going to be a book about
[TS]
01:06:08
◼
►
the alternate history or the details of
[TS]
01:06:11
◼
►
time-travel are those mechanics or
[TS]
01:06:12
◼
►
whatever or just going to be that other
[TS]
01:06:14
◼
►
book that you were riding and he's like
[TS]
01:06:15
◼
►
well it's mostly about the book when
[TS]
01:06:16
◼
►
writing but let me do this thing here
[TS]
01:06:18
◼
►
with the Mad Max guys maybe a little
[TS]
01:06:20
◼
►
stretch for the young hooligans yeah
[TS]
01:06:22
◼
►
indian province and and and it's like
[TS]
01:06:25
◼
►
sometimes like I would have been happy
[TS]
01:06:26
◼
►
if you want to ride that fucker would
[TS]
01:06:27
◼
►
have been with you but you were writing
[TS]
01:06:29
◼
►
this other book but you like but I can
[TS]
01:06:30
◼
►
stick this thing in here and then the
[TS]
01:06:32
◼
►
ending with the thing that that kind of
[TS]
01:06:34
◼
►
model and ending that the Jason was
[TS]
01:06:36
◼
►
buying maybe I've seen too many times
[TS]
01:06:37
◼
►
from him but what
[TS]
01:06:39
◼
►
alright I i was out if I and I always go
[TS]
01:06:42
◼
►
through this thing I'm like when I'm
[TS]
01:06:43
◼
►
reading Stephen King book like Steve I
[TS]
01:06:44
◼
►
know you're going to end this but here's
[TS]
01:06:46
◼
►
how i would end and i would like a
[TS]
01:06:47
◼
►
better is like not doing that way I'm
[TS]
01:06:49
◼
►
like all right you know do it your way
[TS]
01:06:50
◼
►
and i'm with you and the way i would end
[TS]
01:06:52
◼
►
it is the two ways i would have been in
[TS]
01:06:55
◼
►
this one way is to have and this could
[TS]
01:06:58
◼
►
have again before even reading the book
[TS]
01:07:00
◼
►
you just know the plot of the book and
[TS]
01:07:01
◼
►
always going about pirate talk about the
[TS]
01:07:02
◼
►
groundhog day thing one way to do it
[TS]
01:07:04
◼
►
would be the injector is our as you can
[TS]
01:07:07
◼
►
to make sure our lee harvey oswald was
[TS]
01:07:09
◼
►
the lone gunman turns out he's not the
[TS]
01:07:11
◼
►
lone gunman but rather than you know I
[TS]
01:07:13
◼
►
stop Lee Harvey Oswald but then he still
[TS]
01:07:15
◼
►
gets shot by the other gunmen you stop
[TS]
01:07:17
◼
►
him you think he's the only one but then
[TS]
01:07:18
◼
►
you see this shadowy guy in the grassy
[TS]
01:07:20
◼
►
knoll go off to the side and it's like
[TS]
01:07:21
◼
►
it's at the shadow of doubt whether you
[TS]
01:07:23
◼
►
really solved it and stuff like that
[TS]
01:07:24
◼
►
that wasn't what they were doing fine if
[TS]
01:07:27
◼
►
you're going to do this when he goes
[TS]
01:07:28
◼
►
back and he finds everything you know
[TS]
01:07:29
◼
►
all messed up
[TS]
01:07:31
◼
►
I don't need to know how it's messed up
[TS]
01:07:32
◼
►
and I can you tell me specifically how
[TS]
01:07:34
◼
►
it's messed up is worse I i would be
[TS]
01:07:36
◼
►
happy if you came back through the
[TS]
01:07:37
◼
►
portal and it was just great ash
[TS]
01:07:38
◼
►
everywhere and snowy like a scene from
[TS]
01:07:40
◼
►
the road or something and then you just
[TS]
01:07:42
◼
►
walk right back through you know what I
[TS]
01:07:43
◼
►
mean or something like that and it but
[TS]
01:07:45
◼
►
if he feels compelled to put in that one
[TS]
01:07:47
◼
►
or two or three chapters there any feels
[TS]
01:07:49
◼
►
compelled to how the guy go down and
[TS]
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meet her when she's old I don't need any
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of that I don't need to meeting when
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he's like as far as I'm concerned that
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point he's done all the work he's going
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to doing that book and he was successful
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any kind of screws it up man but but
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it's you know I'm with him I'm we have
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an understanding and i go i don't i
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don't agree about the about the very
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last code because i like the the
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reinforcement not only yes it's it's
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sweet and sappy and and it made me cry
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but I like effect that it reinforces
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that that town is real and that it you
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know it and he sees it in the present i
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think that i think there's some closure
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01:08:24
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there that i like that that he is you
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01:08:26
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know he has been profoundly changed by
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his experience in a way and that it was
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real and it and and those people did
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live there
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I like that part of it i completely
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agree with you about the province of
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main section being yeah
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are you really because it even so it's
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like this little old man is a wheelchair
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says sit down Sonny and let me tell you
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recap of the last 30 years it won't be
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too long but it will be a little bit
[TS]
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I don't need to know all the alternate
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history I i rather have intended like a
[TS]
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short story short stories don't do that
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because you don't have room short
[TS]
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stories always end in that other way and
[TS]
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so so do it that way there you know and
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you can still have the same the same
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code of the same emotional code about
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him realizing that the realizations
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about life that damn nails so well about
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you know you can't do it you can't go
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back and you're you know lived through
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that again you're a changed person
[TS]
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you can have all those without having
[TS]
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him go dance with her and she's 80 or
[TS]
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whatever i guess now I mean no I don't I
[TS]
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don't think I don't begrudge him doing
[TS]
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this and I don't you know sometimes it
[TS]
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works sometimes i will say that the one
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stephen king book was ending i actually
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like pretty much it on unqualified no
[TS]
01:09:35
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qualifiers nothing you know I he and i
[TS]
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were an exact agreement was the ending
[TS]
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of the extended version of the standard
[TS]
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I think that's the only book that he
[TS]
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ended under percent to my satisfaction
[TS]
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that is because they're sending it to my
[TS]
01:09:51
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best but probably one of my favorite
[TS]
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endings of John books of all time is it
[TS]
01:09:56
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is good anybody did like this anything I
[TS]
01:09:58
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did like that he that he wrapped it up
[TS]
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and and gave gave me is the reader the
[TS]
01:10:02
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kind of appropriate closure for what I
[TS]
01:10:04
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just seen I think that's part of it too
[TS]
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is just that that I i had invested a lot
[TS]
01:10:08
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of time and thought into this
[TS]
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relationship and so to sort of get that
[TS]
01:10:12
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last bit that that it did you know that
[TS]
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connection was there and it didn't
[TS]
01:10:15
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matter and yeah that was nice and it but
[TS]
01:10:18
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it there was some stuff before it got
[TS]
01:10:20
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there that was not so well so we could
[TS]
01:10:23
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we could go on a hundred perhaps we will
[TS]
01:10:25
◼
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but i'm going to close up the
[TS]
01:10:28
◼
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incomparable book club
[TS]
01:10:30
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we should probably talk about Stephen
[TS]
01:10:31
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King some or some other time I think I
[TS]
01:10:33
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think we do a whole podcast about the
[TS]
01:10:34
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►
stand we could probably do 80 hours
[TS]
01:10:35
◼
►
about the stand given that it's
[TS]
01:10:37
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approximately 5,000 pages long and i'm
[TS]
01:10:41
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gonna have these really great power
[TS]
01:10:42
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tower so we can do a thing about the
[TS]
01:10:44
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dark tower i guess yeah doctors even
[TS]
01:10:46
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longer have you read it to its many
[TS]
01:10:49
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maternity and Jason we can all read it
[TS]
01:10:50
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together it'll really loud
[TS]
01:10:53
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yes but until then until we read many
[TS]
01:10:57
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more things by by Stephen King go before
[TS]
01:11:00
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before we go by the way
[TS]
01:11:02
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for the purposes of our friends who are
[TS]
01:11:07
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following along at home and would like
[TS]
01:11:08
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to read the things that the incomparable
[TS]
01:11:11
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book club is reading our next book club
[TS]
01:11:15
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►
selection i can actually we thought
[TS]
01:11:17
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►
ahead far enough that I can say it on
[TS]
01:11:19
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►
the podcast our next book club selection
[TS]
01:11:21
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►
is a short story collection by maureen
[TS]
01:11:25
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►
McHugh called after the apocalypse that
[TS]
01:11:28
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►
will be the next thing we read in about
[TS]
01:11:31
◼
►
a month so you've got some time to read
[TS]
01:11:33
◼
►
many stories by maureen McHugh after the
[TS]
01:11:36
◼
►
apocalypse so until the next
[TS]
01:11:38
◼
►
incomparable podcast i would like to
[TS]
01:11:42
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►
thank my guests
[TS]
01:11:43
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►
Lisa Schmeisser thank you very much for
[TS]
01:11:46
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being here
[TS]
01:11:47
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►
it was a pleasure serenity called well
[TS]
01:11:49
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►
thank you thank you John siracusa thank
[TS]
01:11:53
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►
you for lending your your encyclopedia
[TS]
01:11:55
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►
acknowledged of Stephen King to the
[TS]
01:11:56
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proceedings
[TS]
01:11:57
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I'm your long gunman Jason Dean Morgan
[TS]
01:12:00
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thank you for being here and for reading
[TS]
01:12:02
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►
the book people like a day but i bet i
[TS]
01:12:06
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►
plan to do it again nice that that's
[TS]
01:12:07
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►
right you will you like this you like
[TS]
01:12:09
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►
working under deadlines i do i'm much
[TS]
01:12:11
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►
better pretty good thing my job of us
[TS]
01:12:14
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►
and last finished book 500 pages bang
[TS]
01:12:17
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just like that
[TS]
01:12:19
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►
alright so thanks thanks everybody and
[TS]
01:12:22
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thanks to the great and comfortable
[TS]
01:12:23
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►
listening audience until next time for
[TS]
01:12:25
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the incomparable I'm Jason snow
[TS]
01:12:27
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[Music]
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01:12:33
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[Music]
[TS]