54: Put on this Mask and Strut for Mama
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the incomparable podcast number 54
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August 2011 so we're back on the
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uncomfortable i'm jason l it is the
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comma club I convene this meeting of the
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comic book club joining me today in the
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studio to talk about comic related
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issues are jason reitman hi Jason
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hey everyone the price of comics is very
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high that's not what i mean by issues or
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or comic issues individual issues of
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comics what our individual issues of
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comics yes exactly and Lisa Schmeisser
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is also here hi Lisa I'm unloading all
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of my individual issues of comics all
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right anybody wants them
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well everybody needs to get rid of their
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issues and move on
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that's just how it is anyway our topic
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today is bryan cave on the writer of
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many different comics in very many
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different places he's also written some
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I think you wrote i think i counted five
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episodes of lost he's written
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screenplays he's done all sorts of other
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things but I think we're going to focus
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on three of his comics in particular
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Runaways what you did for Marvel which
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is in many ways the last creator kind of
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Creator created not you know for a
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corporate entity comic at Marvel and I
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at least the only one I can think of in
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a long time where a really strong piece
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of intellectual property was actually
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created out of nothing by a writer which
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is interesting because usually they just
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take it and build their own series of
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grounded and they own all the characters
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but he created that for Marvel and then
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just we can pick it up later into the
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series of that the two creator-owned
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Brian cable on series that we're going
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to talk about our y the last man and ex
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machina so we've got three bryan cave on
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topics to go on today and I just I was
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cramming this week I i read the rest of
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ex machina which I hadn't finished and i
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went back and re-read y the last man so
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I'm ready
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nice whose idea was it to do this
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podcast by the way Lisa's life was mine
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alright Lisa maybe you can get us
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started then which what would you like
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to tackle first
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that's a good question i was gonna ask
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what everyone thinks of the runaways
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because in many ways I feel like it's
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his Titus cleanest work and i would love
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to hear opinions on whether and I I find
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that interesting because it's a piece of
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work for marble which doesn't have a
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vested interest in making sure that
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comic books are tight and clean but
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rather has a vested interest in making
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sure they've got a narrative that can
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flogged for years and years and years of
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the time and get if you read the first
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step in someone different ways that he
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wrote it's it's an excellent standalone
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series you can walk away from it when it
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was done and never have to pick it up
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again and you have a very satisfying
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book I'm the beauty of creating new
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characters as you can start clean and
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tell a relatively clean story in a way
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you can if you have to go back over
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everything with the story is just really
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it hangs together beautifully
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I think we should just blow the spoiler
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alert for now so that we can continue
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this question let's talk about the
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fundamental premise of it before we blow
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this boiler Hornet because it doesn't
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really spoil it to say that the
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fundamental premise is what happens if
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you discover that your parents and all
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of their boring friends that they hang
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out with once a year are actually cabal
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of supervillains encompassing everything
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isn't great with the big concept is
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actually was going to say that I guess I
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think it's safe to say he's the best
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concept guy in the industry like I'd
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love to be in the pitch meetings because
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all of his books can do that one
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sentence pitch we just go that's a
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brilliant idea
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his pitches are basically tweets right
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yeah dimensions really has a best the
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best elevator pitch practice would be
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sadly I do think those are the best
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parts of his book haha the he's got the
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high-concept really well and then it
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starts to me breaking down on the this
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the character story and it i always
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enjoy the concepts more than I enjoy the
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stories so with that makes sense
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ok so with Runaways the the way it's
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played is is a is really interesting
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they the kids discover this about their
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parents and that initial arc is i think
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i think really amazing now it does
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continue on beyond that and that's I
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think where you get into this question
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of what is the premise here is there
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enough to sustain it when does it become
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just sort of an endless story of you
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know these characters having adventures
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this is telling an arc where it the
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other two books do have an arc and they
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do have an ending Runaways is a marvel
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comic it's open-ended and they'd sort of
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solve the mystery of their parents and
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then they move on like a very get the
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story right
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really really good in that first arc
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talking about the characters do you
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remember any of their names his carolina
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who is the space alien yeah and a
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lesbian she's a lesbian there is alex
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who is the brainy guy who ultimately
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sells out the team there's Molly who's
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the mutant there's Gertrude who is
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bonded to the Tyrannosaurus Rex and
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she's basically the brains of the
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operation always the young one to write
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always the very young team care about
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any of these people i have to admit i
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have a fondness for Gertrude ID Act
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which you know so like I said just read
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that are because if you really like her
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teacher like what happens liquor
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um and what you actually kind of look a
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little bit like Richard again it's
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probably a typical process on the
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podcast with the glasses and the hair
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yeah glasses and the hair it's there to
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I'm and god help me i'm trying i'm
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blanking on the last to her the goth
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girl / / which Oh Nico and with the with
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the with the wanderer can only cast what
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the each spell one time you know which i
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think is a wonderful and interesting
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limitation and because it forces her to
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get creative and again be brilliant
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concept that's the one that I didn't
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really read for this podcast and I'm
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trying to remember the name of the kid
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who flies the ship and his girlfriend's
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boyfriend she's not coming to me that
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actually Carolina is the one that I that
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I remember
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yeah and I you know i love i love the
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whole premise of naturalistic hippie
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supervillain well well I i really like i
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really like and and this is a maybe this
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is why joss whedon was so attracted two
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Runaways too because one of the things I
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liked about Buffy especially is that
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whole game of taking these tropes from
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sci-fi and comics and fantasy and
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wrapping regular everyday growing up but
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you know adolescent heartbreak in those
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concepts and Runaways does that like
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Buffy did that and carolina is a great
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example of that because she's got all
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powers but she discovers she's not
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really who she thought she was because
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she's an alien and then she discovers
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she's not who she thought she was
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because she's a lesbian and it's you
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know I I kind of love that kind of its
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like the rent in yeah she's kind of a
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willow analog in a lot of ways which but
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that said I don't think it's so much
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about the characters is it is about what
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a great concept is your you discover you
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know these are kids superheroes have to
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fight their parents they literally
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rebelling against their parents because
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their parents are evil and was really
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that was really sweet about the way that
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they wrap that up as their parents who
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admittedly you're evil and self-serving
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are also step up to the plate as parents
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the very last minute all right they are
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their parents and the parents love them
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yeah it's just happened as a weevil
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which which is you could have had the
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you know in a lesser story which would
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have been we didn't like you anyway use
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we're evil blah and it's no its day
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they're quite upset about this and try
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to explain you know why it is the way it
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is it in a more and it is taking more
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serious than something like always abyss
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is that the name of the comic words the
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the kid discovers that his dad is a
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supervillain it's a very similar kind of
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thing and there's a he controls a robot
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it'sit's another comic with a similar
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premise but it's played for laughs and
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one of the things I like about Runaways
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is that it feels more emotionally
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genuine if there's a Runaways issue and
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i can't remember if it's actually bryan
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cave on her Joss Whedon wrote later
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where you find out that Molly has been
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having a series of dreams or nightmares
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where she dreams that her parents are
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still alive and everything is the way it
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was before she knew what they were about
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because she misses her parents and is
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brian k yeah and it's a fantastic it's a
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fantastic issue because it reminds you
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that even though these kids had to grab
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with the fact that their parents are
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super villains who tried to sell the
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planet to a bunch of interdimensional
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aliens look first and foremost they were
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mom and dad and they love their mom and
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dad we miss them very much and i'm not
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going to solve them to the alien just
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going to come with them
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yeah right yeah and there was the whole
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well you were going to betray us see
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your kid could live in there like yes
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that's what you're going to do so before
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you get on your high horse about it you
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mote in the eye but I like this story
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because it's fast-paced it is you have
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to move its boom boom and
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I like that it's a peek into the marvel
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vs where people tend to regard folks
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like Captain America and or the mutants
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not as you know torture protagonist and
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interesting characters but is a didactic
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pains in the rear end and there was no
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costumes
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yes no crimes really they tried the code
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names they realize how silly they were
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and that's what i liked about it was it
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subverts all of those conventions so it
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sort of has all the things that I that I
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liked about the new mutants yeah when
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they started except without the
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superhero x-men tractions they're just
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Custer on their own and then that's the
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whole point of what waterways premises
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really there the anti x-men there the
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x-men without a professor x they're just
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on their own
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that's all the guy do like that Marvel's
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kept the premise where the runaways were
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like you know we're not really planning
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on hanging out with anybody we're pretty
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happy with just of the bunch of us even
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when later they had the robot and in the
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hope that there was a couple of Runaways
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x-men chromosomal crossover yeah yeah
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and apparently Molly beats up Wolverine
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and in one of them from what i can
[TS]
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remember which is very funny because
[TS]
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he's like a world full of depowered
[TS]
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◼
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mutants that girl has to keep our but
[TS]
00:10:07
◼
►
womp womp right kind of harkens back to
[TS]
00:10:09
◼
►
and Wolverine powerpack used to buy a
[TS]
00:10:11
◼
►
classic yeah but everybody loves the
[TS]
00:10:14
◼
►
powerpack I think it just you know a
[TS]
00:10:15
◼
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little girl kicking Wolverines ask never
[TS]
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◼
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gets never sold a powerpack I really
[TS]
00:10:19
◼
►
that explains a little girl tonight so
[TS]
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◼
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powerpack was you know book about little
[TS]
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◼
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kids for four little kids is how I
[TS]
00:10:27
◼
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always read that and I just fairly or
[TS]
00:10:29
◼
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not that's how I always readily read it
[TS]
00:10:31
◼
►
now Runaways is not okay read it now
[TS]
00:10:34
◼
►
because the that's my impression I was a
[TS]
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◼
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kid and I just recently gonna ride this
[TS]
00:10:38
◼
►
baby scour book right I was the x-men
[TS]
00:10:40
◼
►
the it's written for comic fans who have
[TS]
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◼
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uh-huh and if you have kids and you read
[TS]
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◼
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it into a whole different experience
[TS]
00:10:51
◼
►
let's go up and is the first 25 issues
[TS]
00:10:53
◼
►
are some of the most enjoyable comic i
[TS]
00:10:55
◼
►
did not think we would be endorsing
[TS]
00:10:56
◼
►
power pack during this is Right slight
[TS]
00:10:59
◼
►
tangent there
[TS]
00:11:00
◼
►
Wow no that's okay that does bring up a
[TS]
00:11:03
◼
►
really interesting podcast the future
[TS]
00:11:04
◼
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which is one of the comics you plan on
[TS]
00:11:05
◼
►
reading with or to your kids that's a
[TS]
00:11:07
◼
►
great one as parents here for all
[TS]
00:11:10
◼
►
no experience no and Jill Thompson has a
[TS]
00:11:12
◼
►
series called Trixie the magic girl and
[TS]
00:11:13
◼
►
I thought hey I have a daughter named
[TS]
00:11:15
◼
►
Trixie you can be darn sure i'm going to
[TS]
00:11:16
◼
►
be a stocking up on those books for her
[TS]
00:11:18
◼
►
for when she's older
[TS]
00:11:19
◼
►
yeah absolutely yes I'm doing that with
[TS]
00:11:22
◼
►
my daughter
[TS]
00:11:22
◼
►
slowly i went i won't found her asleep
[TS]
00:11:25
◼
►
with the Marvel encyclopedia open on her
[TS]
00:11:27
◼
►
chest the other you're raising right
[TS]
00:11:29
◼
►
yeah my son who's just turned to can
[TS]
00:11:33
◼
►
pick out spider-man which is good and
[TS]
00:11:35
◼
►
the agency's win my son and I had to
[TS]
00:11:37
◼
►
have a talk about spider-man and Batman
[TS]
00:11:38
◼
►
because he has lots of Batman stuff and
[TS]
00:11:42
◼
►
I had to explain how spider-man is
[TS]
00:11:44
◼
►
absolutely better than that man not and
[TS]
00:11:47
◼
►
and that he was wrong in thinking Batman
[TS]
00:11:50
◼
►
was so great but we we came to an
[TS]
00:11:52
◼
►
agreement broke up a deal brokered by my
[TS]
00:11:54
◼
►
wife where we explain that
[TS]
00:11:56
◼
►
that man's got cooler stuff and so of
[TS]
00:12:00
◼
►
course kids are gonna love the batman
[TS]
00:12:01
◼
►
toys because Batman does have cooler
[TS]
00:12:03
◼
►
stuff there's no double spider-man's
[TS]
00:12:04
◼
►
just got himself but that man's got
[TS]
00:12:05
◼
►
every gadget imaginable in the toy line
[TS]
00:12:08
◼
►
you can get like a spider mobile and a
[TS]
00:12:10
◼
►
spider playing well and all that that
[TS]
00:12:12
◼
►
was what my spider-sense spider-man
[TS]
00:12:14
◼
►
totally has a car and a jet and a
[TS]
00:12:16
◼
►
motorcycle make wow that hurts you know
[TS]
00:12:18
◼
►
I wonder kids gravitate to DC more than
[TS]
00:12:20
◼
►
marble though because my nephew's are
[TS]
00:12:22
◼
►
both really big into DC decent is the
[TS]
00:12:25
◼
►
coolest superhero also did he's always
[TS]
00:12:26
◼
►
done the the day
[TS]
00:12:28
◼
►
cartoons yeah really wanted growing up
[TS]
00:12:30
◼
►
for us was to justice league game so
[TS]
00:12:32
◼
►
we're totally on a tangent here there's
[TS]
00:12:34
◼
►
just there's a book series called DC
[TS]
00:12:35
◼
►
Super Pets which is the pets of the
[TS]
00:12:37
◼
►
superhero like Rex the wonder dog is
[TS]
00:12:39
◼
►
fantastic and that my son absolutely
[TS]
00:12:42
◼
►
adores wow so he's in he's now thrilling
[TS]
00:12:46
◼
►
to the adventures of Krypto the Superdog
[TS]
00:12:47
◼
►
and his pals who are all they all are
[TS]
00:12:51
◼
►
analogues there the Mets of each one of
[TS]
00:12:54
◼
►
them is as their their person is a super
[TS]
00:12:56
◼
►
I have to read this isn't dying to find
[TS]
00:12:59
◼
►
out right now Julien may loan you some
[TS]
00:13:00
◼
►
of his compensate for Colin's nicely
[TS]
00:13:02
◼
►
says that it is we're in this little kid
[TS]
00:13:04
◼
►
let's jump it up to
[TS]
00:13:06
◼
►
y the last man ok the incredible totally
[TS]
00:13:09
◼
►
adult because y the last man premise
[TS]
00:13:11
◼
►
which everyone should know is every
[TS]
00:13:13
◼
►
person with the y-chromosome animal or
[TS]
00:13:16
◼
►
human dies immediately one second doll
[TS]
00:13:21
◼
►
dead drop dead except for one guy
[TS]
00:13:23
◼
►
and instead monkey who is also mail he
[TS]
00:13:25
◼
►
was also mail and so I mean and that's
[TS]
00:13:27
◼
►
how many of us i haven't had those
[TS]
00:13:29
◼
►
dreams of being the last guy on the
[TS]
00:13:31
◼
►
planet and what that would entail right
[TS]
00:13:32
◼
►
and the answer is that it's actually
[TS]
00:13:34
◼
►
kind of kind of stuff like that yeah
[TS]
00:13:36
◼
►
that's the beauty of it is is that it's
[TS]
00:13:38
◼
►
an apocalypse story with this with this
[TS]
00:13:41
◼
►
really great twist which is ok if it's
[TS]
00:13:45
◼
►
just women on the planet
[TS]
00:13:46
◼
►
what happens then and although
[TS]
00:13:49
◼
►
interesting that it's written by a man I
[TS]
00:13:50
◼
►
always found that little bit strange
[TS]
00:13:52
◼
►
that all the characters women except for
[TS]
00:13:53
◼
►
except for Yorick and the monkey & %
[TS]
00:13:56
◼
►
greatest name for a month whatever yes I
[TS]
00:14:00
◼
►
always thought that was a little strange
[TS]
00:14:01
◼
►
that they this world of women is
[TS]
00:14:03
◼
►
conceived of by a man by male writers
[TS]
00:14:05
◼
►
always thought that was a little odd
[TS]
00:14:06
◼
►
just me now but I was going to say about
[TS]
00:14:09
◼
►
it is one of the things I've actually
[TS]
00:14:13
◼
►
grappled with our reading that book is
[TS]
00:14:15
◼
►
you have a plethora of strong well
[TS]
00:14:17
◼
►
written characters and I thought to
[TS]
00:14:19
◼
►
absolutely none of these people these
[TS]
00:14:20
◼
►
women would ever be included or make it
[TS]
00:14:23
◼
►
in a book that was supposed to be mixed
[TS]
00:14:24
◼
►
gender and the only way that you have so
[TS]
00:14:26
◼
►
many strong female characters is by
[TS]
00:14:28
◼
►
absolutely eliminating every other man
[TS]
00:14:30
◼
►
on the planet or in or in this
[TS]
00:14:31
◼
►
traditional fictitious universe and I
[TS]
00:14:34
◼
►
think it says something about the state
[TS]
00:14:37
◼
►
of comics in general that in order for
[TS]
00:14:39
◼
►
readers to accept a universe full of
[TS]
00:14:42
◼
►
flawed well-rounded strong resourceful
[TS]
00:14:46
◼
►
evil plot in calculating in other words
[TS]
00:14:50
◼
►
fully dimensional female characters the
[TS]
00:14:52
◼
►
only way that people could apparently
[TS]
00:14:53
◼
►
swallow that was by okay of course these
[TS]
00:14:55
◼
►
people stepped into the room now there
[TS]
00:14:57
◼
►
are no man on the planet
[TS]
00:14:58
◼
►
um it's it's kind of sad away there's a
[TS]
00:15:01
◼
►
funny moment where they where they
[TS]
00:15:03
◼
►
mentioned actually in the last issue
[TS]
00:15:05
◼
►
that I mean that Iran has the has the
[TS]
00:15:08
◼
►
they've built a nuclear bomb and it's
[TS]
00:15:11
◼
►
aii that really struck me because it is
[TS]
00:15:14
◼
►
he's saying you know we could take all
[TS]
00:15:17
◼
►
the men out of the equation but people
[TS]
00:15:19
◼
►
are people even integers but it is
[TS]
00:15:20
◼
►
alright then very slowly i'll get back
[TS]
00:15:22
◼
►
to human nature as the story goes on and
[TS]
00:15:25
◼
►
the natives start getting back to the
[TS]
00:15:26
◼
►
nation's and the tribes and yeah yeah
[TS]
00:15:29
◼
►
well what's interesting is how much of
[TS]
00:15:31
◼
►
the first third of the book you have
[TS]
00:15:34
◼
►
some people who take a look at this
[TS]
00:15:35
◼
►
planetary event is
[TS]
00:15:36
◼
►
it's radically change society I mean
[TS]
00:15:38
◼
►
that's the whole point to the daughters
[TS]
00:15:39
◼
►
of the Amazon and then you have some
[TS]
00:15:42
◼
►
people who are doing everything they can
[TS]
00:15:44
◼
►
to try to maintain this this society
[TS]
00:15:47
◼
►
that were like the ones at the sons of
[TS]
00:15:49
◼
►
America or the sons of Arizona Arizona
[TS]
00:15:51
◼
►
yeah yeah where you know ocean and the
[TS]
00:15:53
◼
►
government right the US government is
[TS]
00:15:55
◼
►
trying to do that to the Secretary of
[TS]
00:15:56
◼
►
Agriculture isn't have a branded United
[TS]
00:15:58
◼
►
States and its pretty I think it's true
[TS]
00:16:02
◼
►
to life in a way that you know if you
[TS]
00:16:04
◼
►
put if you were to lose an entire gender
[TS]
00:16:05
◼
►
you're not gonna say who now is the
[TS]
00:16:07
◼
►
exciting opportunity for us to rethink
[TS]
00:16:09
◼
►
gender constructed and move on you first
[TS]
00:16:12
◼
►
met orders is survival and to do that
[TS]
00:16:16
◼
►
you may want to stick with the societal
[TS]
00:16:19
◼
►
patterns and philosophies that you know
[TS]
00:16:21
◼
►
work for you already
[TS]
00:16:22
◼
►
but you know it does over time
[TS]
00:16:27
◼
►
gender become so much less relevant I
[TS]
00:16:29
◼
►
think that that's what makes the last
[TS]
00:16:31
◼
►
issue so powerful is so much is made of
[TS]
00:16:35
◼
►
york being the only man four so much and
[TS]
00:16:37
◼
►
then by the last issue you just see how
[TS]
00:16:38
◼
►
completely irrelevant he's become
[TS]
00:16:40
◼
►
because there is no longer a man kind of
[TS]
00:16:42
◼
►
womankind there's just humankind there's
[TS]
00:16:44
◼
►
a default doesn't include man and and
[TS]
00:16:46
◼
►
wish you know gender is a role as more
[TS]
00:16:50
◼
►
or less obsolete or gender is a
[TS]
00:16:51
◼
►
construct I mean that the cloned matter
[TS]
00:16:53
◼
►
seen more as oddities and they are as a
[TS]
00:16:54
◼
►
as a standard standard human beings i
[TS]
00:16:59
◼
►
think because while you're reading it
[TS]
00:17:00
◼
►
you're really thinking that there they
[TS]
00:17:02
◼
►
gotta preserve humanity why bye little
[TS]
00:17:06
◼
►
man and and and let's get a breeding
[TS]
00:17:08
◼
►
stock together and eventually will get
[TS]
00:17:09
◼
►
back to normal menu flash forward to
[TS]
00:17:10
◼
►
when your kids 18 you see that most
[TS]
00:17:12
◼
►
unlike actually pretty comfortable
[TS]
00:17:13
◼
►
clothing we're happy with it in fact
[TS]
00:17:15
◼
►
effective particle and it's hard to
[TS]
00:17:17
◼
►
climb n so we don't do it very often but
[TS]
00:17:19
◼
►
when clone women really easily grasped
[TS]
00:17:21
◼
►
yeah before it got to the point there's
[TS]
00:17:23
◼
►
a really nice sort of scene in the book
[TS]
00:17:25
◼
►
where they were talking about the
[TS]
00:17:26
◼
►
animals that have gone extinct have a
[TS]
00:17:28
◼
►
sense that that the the rodents that one
[TS]
00:17:30
◼
►
because of the 18-month gestational
[TS]
00:17:32
◼
►
cycle right a fly's went extinct within
[TS]
00:17:34
◼
►
a half an hour after it and then yeah
[TS]
00:17:37
◼
►
but that's right they they say they're
[TS]
00:17:38
◼
►
no rats because the rats would have gone
[TS]
00:17:39
◼
►
extinct except in there are rats because
[TS]
00:17:41
◼
►
nature finds away and the rats in the
[TS]
00:17:43
◼
►
trashcan the sharks could do that
[TS]
00:17:45
◼
►
matches
[TS]
00:17:46
◼
►
yes so I why not anyone else a lot of a
[TS]
00:17:49
◼
►
fish and a lot of reptiles do it now
[TS]
00:17:50
◼
►
what i thought was interesting was the
[TS]
00:17:52
◼
►
last one remember you find out that
[TS]
00:17:53
◼
►
there's they're working to support the
[TS]
00:17:55
◼
►
poachers against the lions and I thought
[TS]
00:17:56
◼
►
that was nice to rupted to point out
[TS]
00:17:59
◼
►
that you were still going to have these
[TS]
00:18:00
◼
►
terrible phenomenon where people are
[TS]
00:18:02
◼
►
hunting and killing their animals
[TS]
00:18:03
◼
►
because they can
[TS]
00:18:05
◼
►
there was some editing job of showing
[TS]
00:18:07
◼
►
how women weren't all sugar and spice
[TS]
00:18:10
◼
►
and everything nice and the in the book
[TS]
00:18:13
◼
►
and they also showed how people are kind
[TS]
00:18:15
◼
►
of blinker by cultural assumptions
[TS]
00:18:16
◼
►
because to go back to it again like the
[TS]
00:18:17
◼
►
women in the Dreamtime and they point
[TS]
00:18:19
◼
►
out that women on the African savannah
[TS]
00:18:20
◼
►
we're hardly affected because their
[TS]
00:18:23
◼
►
lives had been so sharply segregated
[TS]
00:18:24
◼
►
anyway that you know if a man dies so
[TS]
00:18:27
◼
►
what we're still hunters gatherers we've
[TS]
00:18:29
◼
►
always been we always will be friends in
[TS]
00:18:33
◼
►
DC everything falls apart and they point
[TS]
00:18:36
◼
►
out that you know that there are so many
[TS]
00:18:38
◼
►
professions that were so predominantly
[TS]
00:18:39
◼
►
male in order to return to level of
[TS]
00:18:41
◼
►
technological competence you'd have to
[TS]
00:18:42
◼
►
search far and wide and how do you build
[TS]
00:18:44
◼
►
up that knowledge base again and what
[TS]
00:18:47
◼
►
nations have advantages for example
[TS]
00:18:48
◼
►
australia has a huge advantage because
[TS]
00:18:50
◼
►
it had women who could operate
[TS]
00:18:51
◼
►
submarines and that's something the u.s.
[TS]
00:18:53
◼
►
didn't have I mean in real life women
[TS]
00:18:56
◼
►
are only now beginning to get training
[TS]
00:18:57
◼
►
in the u.s. Navy for submarines see this
[TS]
00:19:00
◼
►
one of those things that that not to get
[TS]
00:19:01
◼
►
all you know postmodern here but I was a
[TS]
00:19:04
◼
►
comm major so it is why the last man
[TS]
00:19:08
◼
►
feminist is it anti-feminist is it
[TS]
00:19:13
◼
►
something in between because I can go
[TS]
00:19:15
◼
►
both ways right on one level what you
[TS]
00:19:17
◼
►
said about how you know one of the
[TS]
00:19:19
◼
►
stories is look women can be just as bad
[TS]
00:19:21
◼
►
as men right i mean that is one of the
[TS]
00:19:23
◼
►
things that happens in this which to me
[TS]
00:19:25
◼
►
is not necessarily a positive message
[TS]
00:19:28
◼
►
it's sort of saying look if we take many
[TS]
00:19:30
◼
►
of the equation you'll see the women are
[TS]
00:19:32
◼
►
just as capable of all the terrible
[TS]
00:19:33
◼
►
things that men are but at the same time
[TS]
00:19:35
◼
►
it also makes lots of comments about how
[TS]
00:19:37
◼
►
women are given opportunities in our
[TS]
00:19:41
◼
►
world that they that they finally get
[TS]
00:19:43
◼
►
only after this ridiculous catastrophe
[TS]
00:19:45
◼
►
happens and then there's you know in
[TS]
00:19:48
◼
►
between that this a lot of time spent on
[TS]
00:19:51
◼
►
on gender not mattering so you know i'm
[TS]
00:19:55
◼
►
not quite sure what I think it's it
[TS]
00:19:56
◼
►
there's a lot here obviously and it's
[TS]
00:19:58
◼
►
probably a little bit of all those
[TS]
00:19:59
◼
►
things but but I I'm kind of ambivalent
[TS]
00:20:02
◼
►
about I can
[TS]
00:20:03
◼
►
say this is a you know it's a feminist
[TS]
00:20:06
◼
►
work that is about why women you know
[TS]
00:20:09
◼
►
have all these things that are never
[TS]
00:20:11
◼
►
allowed to do except maybe on the metal
[TS]
00:20:13
◼
►
level of commentary that usually you
[TS]
00:20:14
◼
►
don't see it took a couple semesters of
[TS]
00:20:17
◼
►
feminist theory in college and grad
[TS]
00:20:19
◼
►
school and I'm sorry you know i mean i
[TS]
00:20:21
◼
►
was a comm major so ya know what i was
[TS]
00:20:24
◼
►
going to say is is you I that's kind of
[TS]
00:20:26
◼
►
a loaded question as just because
[TS]
00:20:27
◼
►
there's so many different definitions of
[TS]
00:20:28
◼
►
feminism is true what you can do is you
[TS]
00:20:30
◼
►
can argue that y the last man maybe
[TS]
00:20:32
◼
►
feminist from a classical feminist
[TS]
00:20:34
◼
►
perspective where the gold classical
[TS]
00:20:36
◼
►
feminism is to make sure that there's
[TS]
00:20:37
◼
►
equal access and opportunity for all
[TS]
00:20:39
◼
►
genders but you can also argue that y
[TS]
00:20:41
◼
►
the last man is not feminist if you look
[TS]
00:20:44
◼
►
at feminism as being defined by gender
[TS]
00:20:46
◼
►
essentialism or if you look at feminism
[TS]
00:20:48
◼
►
is being defined by again like
[TS]
00:20:51
◼
►
postmodernist feminists who would say
[TS]
00:20:53
◼
►
that it's all just a societal construct
[TS]
00:20:55
◼
►
and and on and on it goes so I don't
[TS]
00:20:59
◼
►
think you can say definitively it's
[TS]
00:21:00
◼
►
feminists are not feminist I think what
[TS]
00:21:01
◼
►
you can say is it's just a look at what
[TS]
00:21:05
◼
►
happens when you take an entire gender
[TS]
00:21:08
◼
►
and it's societal constructions out of
[TS]
00:21:09
◼
►
the picture what happens to people rush
[TS]
00:21:11
◼
►
to fill that void with something that
[TS]
00:21:13
◼
►
feels familiar do they try to rewrite
[TS]
00:21:16
◼
►
the definitions of gender or does gender
[TS]
00:21:18
◼
►
become completely irrelevant of the
[TS]
00:21:20
◼
►
rushing to fill the void it was
[TS]
00:21:21
◼
►
interesting they focus on this a couple
[TS]
00:21:23
◼
►
times in the book the women who dress up
[TS]
00:21:25
◼
►
as men and act as prostitutes
[TS]
00:21:27
◼
►
oh yeah you're probably talking about
[TS]
00:21:29
◼
►
the transsexuals you know that the the
[TS]
00:21:31
◼
►
female-to-male transsexuals were
[TS]
00:21:33
◼
►
tremendously popular that they mentioned
[TS]
00:21:35
◼
►
that a couple times in the series 2
[TS]
00:21:36
◼
►
because these were women who were
[TS]
00:21:38
◼
►
essentially going to put men to feel the
[TS]
00:21:40
◼
►
a filling the rolls
[TS]
00:21:41
◼
►
yeah everybody comes down to if if you
[TS]
00:21:44
◼
►
lose half of your planet maybe you're
[TS]
00:21:46
◼
►
like oh my god when we do now and
[TS]
00:21:48
◼
►
instead of thinking all blank slate with
[TS]
00:21:50
◼
►
recast society or like let's try to fill
[TS]
00:21:53
◼
►
in the blanks because this is how we
[TS]
00:21:55
◼
►
know how to function
[TS]
00:21:56
◼
►
you know it's like putting a spare tire
[TS]
00:21:58
◼
►
on a car rather than saying let's find
[TS]
00:22:00
◼
►
an exciting new automotive paradigm
[TS]
00:22:02
◼
►
where we have a cloud of air we float on
[TS]
00:22:05
◼
►
yeah I I i can't help thinking though
[TS]
00:22:07
◼
►
that it comes back to the fact that this
[TS]
00:22:11
◼
►
is a he knows he knows that there are
[TS]
00:22:14
◼
►
all sorts of different things going on
[TS]
00:22:16
◼
►
and he tries to address that he's got
[TS]
00:22:17
◼
►
the supermodel who is collecting dead
[TS]
00:22:20
◼
►
bodies which is kind of an interesting
[TS]
00:22:21
◼
►
commentary he's he's extremely aware of
[TS]
00:22:24
◼
►
all the gender issues that are going on
[TS]
00:22:26
◼
►
in what he's writing that this isn't
[TS]
00:22:28
◼
►
just a story about the protagonist is a
[TS]
00:22:30
◼
►
man 2 let's just say that
[TS]
00:22:31
◼
►
yorick is the protagonist so it's a man
[TS]
00:22:33
◼
►
riding the man is the main character
[TS]
00:22:35
◼
►
even in a world where all the other men
[TS]
00:22:37
◼
►
are dead they still managed to have one
[TS]
00:22:39
◼
►
guy who is the protagonist let him into
[TS]
00:22:41
◼
►
the day with damsel-in-distress he's
[TS]
00:22:43
◼
►
totally in your desktop like oh yeah the
[TS]
00:22:45
◼
►
only characters not the only got like
[TS]
00:22:46
◼
►
five is like a slacker loser there was a
[TS]
00:22:49
◼
►
real magician brainstorming nothing
[TS]
00:22:51
◼
►
redeemable about him as a character
[TS]
00:22:53
◼
►
yeah he doesn't even have any
[TS]
00:22:54
◼
►
outstanding personal qualities no he
[TS]
00:22:56
◼
►
wasn't that interesting so again you
[TS]
00:22:58
◼
►
know it's it's there's his perspective
[TS]
00:23:01
◼
►
and yet he's the last and he's he's
[TS]
00:23:03
◼
►
messed up he's not he's kind of a
[TS]
00:23:05
◼
►
slacker right um so all all that's going
[TS]
00:23:08
◼
►
on and yet you know again my my my comm
[TS]
00:23:11
◼
►
major speaking here is at the same time
[TS]
00:23:14
◼
►
the male rider to male-dominated comic
[TS]
00:23:16
◼
►
industry more more i think even now we
[TS]
00:23:19
◼
►
could say more comics readers are men
[TS]
00:23:21
◼
►
then women right although it's I think
[TS]
00:23:25
◼
►
that composition is changing and that
[TS]
00:23:27
◼
►
you can't you can't just assume
[TS]
00:23:29
◼
►
commentators are men like you could in
[TS]
00:23:31
◼
►
the past me it was not true then it's
[TS]
00:23:33
◼
►
really not true now and I've been seen
[TS]
00:23:35
◼
►
at comic-con and other places totally
[TS]
00:23:37
◼
►
not true but i have to say that and I
[TS]
00:23:39
◼
►
also have to say male rider and all this
[TS]
00:23:41
◼
►
the while it's logical that you would
[TS]
00:23:46
◼
►
have lots of lesbianism in a post mail
[TS]
00:23:50
◼
►
world because people are still sexual
[TS]
00:23:51
◼
►
creatures and they you know and there
[TS]
00:23:53
◼
►
are no man anymore and so it doesn't
[TS]
00:23:54
◼
►
matter what your preferences you got no
[TS]
00:23:56
◼
►
choice here
[TS]
00:23:57
◼
►
there were times when I thought that the
[TS]
00:24:01
◼
►
you know it's hard for me to watch
[TS]
00:24:04
◼
►
scenes of lesbian lesbianism in popular
[TS]
00:24:07
◼
►
culture especially written by a man and
[TS]
00:24:09
◼
►
not think of who the audience's dear
[TS]
00:24:11
◼
►
penthouse you never thought it would
[TS]
00:24:13
◼
►
happen that one day one day i'm inclined
[TS]
00:24:16
◼
►
and then and then and right down to the
[TS]
00:24:20
◼
►
last issue the last issue
[TS]
00:24:21
◼
►
yeah we're in flesh squishing you have
[TS]
00:24:23
◼
►
here on Beth get together and exactly
[TS]
00:24:26
◼
►
they don't skimp on the details which is
[TS]
00:24:28
◼
►
probably not unrealistic
[TS]
00:24:30
◼
►
again but at the same time I don't know
[TS]
00:24:31
◼
►
I'm kind of conflicted because it's also
[TS]
00:24:33
◼
►
a guy riding probably for more men than
[TS]
00:24:36
◼
►
women scenes with lesbians kissing and
[TS]
00:24:39
◼
►
having sex and it's like yes I think
[TS]
00:24:42
◼
►
extrapolation wise it's right in that
[TS]
00:24:43
◼
►
same time on like how much of this is
[TS]
00:24:45
◼
►
serious
[TS]
00:24:47
◼
►
I'm telling a story and this is what
[TS]
00:24:48
◼
►
would happen how much of it is sort of
[TS]
00:24:50
◼
►
titillation right and i think it did it
[TS]
00:24:52
◼
►
varied because they were sometimes what
[TS]
00:24:53
◼
►
happened that it did move the story
[TS]
00:24:55
◼
►
along and it was there is like here for
[TS]
00:24:58
◼
►
development and other times it did feel
[TS]
00:24:59
◼
►
more others got a little safe world plot
[TS]
00:25:02
◼
►
safeword plotline were your account ASAP
[TS]
00:25:04
◼
►
I'm experience because it's supposed to
[TS]
00:25:06
◼
►
exercises 454 guilty for being the last
[TS]
00:25:08
◼
►
man on the planet and I was weird
[TS]
00:25:10
◼
►
really really this is where you're gonna
[TS]
00:25:12
◼
►
go with this so early in the series but
[TS]
00:25:14
◼
►
yea to return I think the whole what i
[TS]
00:25:16
◼
►
thought was interesting about brian
[TS]
00:25:17
◼
►
bondus he basically wrote a whole series
[TS]
00:25:19
◼
►
where I feel like your kids kind of the
[TS]
00:25:22
◼
►
shaggy dog in the story because use the
[TS]
00:25:24
◼
►
MacGuffin well because you're lucky
[TS]
00:25:27
◼
►
about how much energy agent 355 and
[TS]
00:25:30
◼
►
allison man and everybody else two votes
[TS]
00:25:32
◼
►
to keeping him alive for the propagation
[TS]
00:25:33
◼
►
of the species only at the end to figure
[TS]
00:25:36
◼
►
out that their aims and their goals were
[TS]
00:25:38
◼
►
completely obsolete and so is York and
[TS]
00:25:41
◼
►
that's what unfolds over the whole
[TS]
00:25:42
◼
►
series is the idea that focusing on the
[TS]
00:25:44
◼
►
last managed to completely misplaced
[TS]
00:25:45
◼
►
focus because obviously he's just a
[TS]
00:25:48
◼
►
leftover he's not necessary to the
[TS]
00:25:50
◼
►
propagation of the species not even
[TS]
00:25:51
◼
►
necessary to to the women his live-in in
[TS]
00:25:54
◼
►
his life and um in cerritos one of the
[TS]
00:25:57
◼
►
things that the the it
[TS]
00:25:59
◼
►
the ending was a little unsatisfying for
[TS]
00:26:02
◼
►
me because so much was invested in him
[TS]
00:26:05
◼
►
in the journey the adventure the finding
[TS]
00:26:08
◼
►
the solution that kind of bit and it is
[TS]
00:26:10
◼
►
the end he doesn't matter because you
[TS]
00:26:12
◼
►
don't like that doesn't matter you feel
[TS]
00:26:14
◼
►
like but I get the journey was the point
[TS]
00:26:17
◼
►
or maybe it was maybe just maybe shift
[TS]
00:26:19
◼
►
in the society or maybe it does matter
[TS]
00:26:21
◼
►
I mean right because because it's not as
[TS]
00:26:22
◼
►
if at the end it's just him and a bunch
[TS]
00:26:24
◼
►
of women at the end he is boiler horn
[TS]
00:26:30
◼
►
at the end there is a clone of him and
[TS]
00:26:35
◼
►
there are 13 other clones of 79 or 17
[TS]
00:26:38
◼
►
and he had a baby right yeah well he had
[TS]
00:26:40
◼
►
a baby with Beth which was Beth to right
[TS]
00:26:42
◼
►
there are three characters in better
[TS]
00:26:44
◼
►
than this
[TS]
00:26:44
◼
►
yeah but by the way i like to call her
[TS]
00:26:46
◼
►
the night it's very confusing and I
[TS]
00:26:49
◼
►
don't like original bet there's the
[TS]
00:26:50
◼
►
Russian that is the mean and there's the
[TS]
00:26:51
◼
►
Russian baby who is a boy
[TS]
00:26:53
◼
►
yeah right well we're not because it was
[TS]
00:26:55
◼
►
will about his brilliant a reveal as
[TS]
00:26:57
◼
►
I've seen in any comic where they
[TS]
00:26:59
◼
►
discovered that the astronauts up but at
[TS]
00:27:01
◼
►
the Russian space station are still
[TS]
00:27:02
◼
►
alive because they weren't on earth yeah
[TS]
00:27:04
◼
►
that was that was a pretty great missing
[TS]
00:27:06
◼
►
her a man and a woman and then die if i
[TS]
00:27:09
◼
►
were those men i would be like I'm never
[TS]
00:27:10
◼
►
leaving this notation up while they were
[TS]
00:27:12
◼
►
there because they run out of oxygen
[TS]
00:27:13
◼
►
have to come back say I was gonna 212 so
[TS]
00:27:17
◼
►
it's like a year into the serious
[TS]
00:27:18
◼
►
suddenly there's two more men in the
[TS]
00:27:20
◼
►
cosmos right well Brian Vaughn great at
[TS]
00:27:22
◼
►
the at the long reveal because he did
[TS]
00:27:24
◼
►
that in X market which we'll get to in a
[TS]
00:27:26
◼
►
second I wanted to I wanted to say
[TS]
00:27:28
◼
►
anyway my point about the last issue is
[TS]
00:27:31
◼
►
that because there the clones there
[TS]
00:27:33
◼
►
there is this question like well maybe
[TS]
00:27:34
◼
►
now there is a role for men in this
[TS]
00:27:37
◼
►
world because there are these clone
[TS]
00:27:39
◼
►
York's going around but it's not it's
[TS]
00:27:41
◼
►
not the we have to save society by
[TS]
00:27:45
◼
►
having men which is the original premise
[TS]
00:27:47
◼
►
is you you are meant to read it as this
[TS]
00:27:50
◼
►
standard he's the last man we got to
[TS]
00:27:52
◼
►
keep him alive because it's the only
[TS]
00:27:54
◼
►
hope for the human race and i love how
[TS]
00:27:55
◼
►
he pulls that away and says now it's not
[TS]
00:27:58
◼
►
all the whole premise you thought was
[TS]
00:27:59
◼
►
true it's not true and then again at the
[TS]
00:28:01
◼
►
end he goes but doesn't mean that it
[TS]
00:28:04
◼
►
didn't matter
[TS]
00:28:04
◼
►
maybe in the long run he has a place
[TS]
00:28:07
◼
►
it's just not he's not the solution to
[TS]
00:28:09
◼
►
the the Savior he's not the savior of
[TS]
00:28:11
◼
►
the human race York Brown is not going
[TS]
00:28:14
◼
►
to sadies Irish floats are as useless as
[TS]
00:28:16
◼
►
yes this is also dream maybe this is
[TS]
00:28:18
◼
►
actually another to get back to home at
[TS]
00:28:21
◼
►
a commentary question and especially
[TS]
00:28:23
◼
►
Brian Vaughn is writing a story you know
[TS]
00:28:25
◼
►
a man is writing a story and for a
[TS]
00:28:27
◼
►
male-dominated medium for a
[TS]
00:28:28
◼
►
male-dominated audience and so instead
[TS]
00:28:30
◼
►
of writing a term paper on that one but
[TS]
00:28:31
◼
►
what I'm saying is by the last episode
[TS]
00:28:33
◼
►
but he's basically saying our men in
[TS]
00:28:35
◼
►
this world have become what women in the
[TS]
00:28:37
◼
►
comics book narrative often are which is
[TS]
00:28:39
◼
►
the throw home which is the present
[TS]
00:28:41
◼
►
which is present the present
[TS]
00:28:43
◼
►
it there occasionally useful and or
[TS]
00:28:45
◼
►
amusing but you're not going to put them
[TS]
00:28:47
◼
►
front and center as protagonist they're
[TS]
00:28:50
◼
►
not going to be useful I don't let me
[TS]
00:28:51
◼
►
just terrified that was it doesn't make
[TS]
00:28:54
◼
►
you feel dirty
[TS]
00:28:54
◼
►
yeah it was really your clone okay
[TS]
00:28:57
◼
►
pretty boy come yeah yeah put on this
[TS]
00:29:00
◼
►
task instructor mama but the issue 61
[TS]
00:29:06
◼
►
yes interesting though the to the your
[TS]
00:29:11
◼
►
character kind of a slacker useless guy
[TS]
00:29:13
◼
►
that as you're reading you want him to
[TS]
00:29:15
◼
►
do more you want him to be more and more
[TS]
00:29:17
◼
►
but I had the same thing reading x
[TS]
00:29:19
◼
►
makina with Marilyn hunt mirror hundred
[TS]
00:29:22
◼
►
hundred hundred before we get to sx
[TS]
00:29:24
◼
►
market because I know you're trying to
[TS]
00:29:25
◼
►
make a transition have one more thing to
[TS]
00:29:26
◼
►
talk about about why the last man which
[TS]
00:29:28
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is brian capons most noted work i want
[TS]
00:29:31
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to talk about why i want to talk about
[TS]
00:29:33
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why the plague happened because i think
[TS]
00:29:36
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we talked about the ending a little bit
[TS]
00:29:37
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and i like that there was an ending but
[TS]
00:29:40
◼
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but the people often look for answers to
[TS]
00:29:43
◼
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questions posed in works of fiction
[TS]
00:29:45
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I've discovered this and and sometimes
[TS]
00:29:47
◼
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the answers aren't as important as the
[TS]
00:29:51
◼
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journey that the story takes the process
[TS]
00:29:54
◼
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of discovery yeah and so in and i'm
[TS]
00:29:56
◼
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actually going to quote this from in
[TS]
00:29:58
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issue 57 y the last man there's a scene
[TS]
00:30:00
◼
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after York and death finally get
[TS]
00:30:02
◼
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together for a brief moment before it
[TS]
00:30:05
◼
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all falls apart that is so romantically
[TS]
00:30:07
◼
►
phrase compared to what actually happens
[TS]
00:30:09
◼
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perfect yeah yeah they're basically see
[TS]
00:30:10
◼
►
each other they have sex and then the
[TS]
00:30:11
◼
►
break up yeah and and admit that that
[TS]
00:30:14
◼
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there were other people in between so
[TS]
00:30:16
◼
►
but there's this great moment when
[TS]
00:30:18
◼
►
because the the in the central mystery
[TS]
00:30:21
◼
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to this series is why did this happen
[TS]
00:30:23
◼
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right and it's it's so not about that i
[TS]
00:30:26
◼
►
mean it's the driver but it's not what
[TS]
00:30:28
◼
►
the series is about the series is about
[TS]
00:30:29
◼
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this world and what would happen and the
[TS]
00:30:32
◼
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journey that they take and I think this
[TS]
00:30:35
◼
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is is really great that he addresses it
[TS]
00:30:36
◼
►
directly in issue 57 worry York says
[TS]
00:30:39
◼
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turns out the crap that saved me is
[TS]
00:30:43
◼
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connected to what cost to gendercide
[TS]
00:30:44
◼
►
monkeys and clones and some kind of more
[TS]
00:30:47
◼
►
thing as far as answers go it was
[TS]
00:30:49
◼
►
vaguely unsatisfying and Beth says after
[TS]
00:30:52
◼
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everything we've been through
[TS]
00:30:54
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is there any explanation that would have
[TS]
00:30:55
◼
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been satisfactory
[TS]
00:30:57
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and for a guy who also was on the
[TS]
00:30:59
◼
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writing staff of lost i think that's
[TS]
00:31:00
◼
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really interesting is it's the same
[TS]
00:31:02
◼
►
philosophy and saying look I know you
[TS]
00:31:04
◼
►
want to answer questions but you know
[TS]
00:31:07
◼
►
that's not the point and and bryan cave
[TS]
00:31:09
◼
►
on is on the record as saying the answer
[TS]
00:31:11
◼
►
to what caused the gendercide in why is
[TS]
00:31:14
◼
►
in it somewhere but i want readers to
[TS]
00:31:17
◼
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find out which one may they find most
[TS]
00:31:18
◼
►
acceptable right there lots of theories
[TS]
00:31:20
◼
►
in the books one of them is right he's
[TS]
00:31:21
◼
►
not going to say which one in which you
[TS]
00:31:23
◼
►
know what i think is genius
[TS]
00:31:24
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►
I kind of don't care right I think I
[TS]
00:31:26
◼
►
kind of love that we don't know we have
[TS]
00:31:28
◼
►
a lot of ideas because you know life is
[TS]
00:31:29
◼
►
kinda like that it is messy and
[TS]
00:31:31
◼
►
sometimes you just don't know what
[TS]
00:31:32
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►
really the answer if you had a definite
[TS]
00:31:34
◼
►
answer by saying oh well you know
[TS]
00:31:36
◼
►
clearly it was caused by the elder dr.
[TS]
00:31:39
◼
►
man or clearly was caused by XYZ you
[TS]
00:31:41
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►
have a billion internet fans jumping on
[TS]
00:31:43
◼
►
board and I can't be
[TS]
00:31:44
◼
►
that's wrong and here's the science and
[TS]
00:31:45
◼
►
here's the breakdown here's why and
[TS]
00:31:47
◼
►
instead you have all these fans who are
[TS]
00:31:49
◼
►
debating with the possible causes and it
[TS]
00:31:51
◼
►
still allows them to retain their
[TS]
00:31:54
◼
►
delight in the story as opposed to
[TS]
00:31:55
◼
►
saying well this could have been a great
[TS]
00:31:57
◼
►
series accept the premise for why people
[TS]
00:31:58
◼
►
died off is totally flawed and once you
[TS]
00:32:00
◼
►
move past that I guess it's ok you can
[TS]
00:32:02
◼
►
believe what you want to believe because
[TS]
00:32:03
◼
►
I sort of like that the the why it
[TS]
00:32:07
◼
►
happened kind of became a non-issue
[TS]
00:32:10
◼
►
because obviously when a crisis happens
[TS]
00:32:12
◼
►
why is an interesting academic kind of
[TS]
00:32:15
◼
►
discussion to have the affiliate doesn't
[TS]
00:32:17
◼
►
matter i suppose that the the question
[TS]
00:32:20
◼
►
embedded in the title of the story right
[TS]
00:32:22
◼
►
y the last man right yeah and the answer
[TS]
00:32:25
◼
►
is why not
[TS]
00:32:26
◼
►
yeah exactly what did you think of the
[TS]
00:32:28
◼
►
ending I before we move on I want to I
[TS]
00:32:31
◼
►
want to go back to that because my
[TS]
00:32:33
◼
►
impression is that it was kind of
[TS]
00:32:34
◼
►
controversial the last issue is set 60
[TS]
00:32:36
◼
►
years in the future
[TS]
00:32:37
◼
►
although there are some flashbacks to
[TS]
00:32:39
◼
►
the intervening time and I'm you know
[TS]
00:32:42
◼
►
people endings are hard and and people
[TS]
00:32:45
◼
►
don't we do we talked about that before
[TS]
00:32:46
◼
►
and people often find them unsatisfying
[TS]
00:32:49
◼
►
although honestly you know usually I
[TS]
00:32:52
◼
►
rarely remember the ending of books i
[TS]
00:32:53
◼
►
remember all the great things that i
[TS]
00:32:54
◼
►
liked about the books and I don't get
[TS]
00:32:56
◼
►
all angry about the ending but I think
[TS]
00:32:58
◼
►
with cereal stuff like TV shows and
[TS]
00:32:59
◼
►
comics you invest all that time and then
[TS]
00:33:01
◼
►
you're like oh I wanted to be a good
[TS]
00:33:03
◼
►
it's not like the ending is what at
[TS]
00:33:05
◼
►
least from my perspective makes
[TS]
00:33:08
◼
►
the story like all the great stories
[TS]
00:33:10
◼
►
it's because they have a great ending
[TS]
00:33:12
◼
►
alright it ties together when you think
[TS]
00:33:14
◼
►
about yeah why you like something the
[TS]
00:33:16
◼
►
end of such a key part if not the reason
[TS]
00:33:19
◼
►
and for this it really felt like the
[TS]
00:33:23
◼
►
ideas petered out and maybe it was sort
[TS]
00:33:25
◼
►
of like as time marches on these
[TS]
00:33:27
◼
►
questions became less important in
[TS]
00:33:28
◼
►
society we did itself and i was moving
[TS]
00:33:30
◼
►
into a new golden age blah blah whatever
[TS]
00:33:32
◼
►
it to me kind of sell it felt like it
[TS]
00:33:36
◼
►
was petering out and it especially when
[TS]
00:33:39
◼
►
they spoil alert you know killed agent
[TS]
00:33:42
◼
►
three months ago and it seems so
[TS]
00:33:44
◼
►
arbitrary and almost randomly right why
[TS]
00:33:48
◼
►
so there's two things happening here
[TS]
00:33:49
◼
►
there's the penultimate storyline and
[TS]
00:33:52
◼
►
then there's the final issue so the
[TS]
00:33:53
◼
►
penalty Australian i agree with you know
[TS]
00:33:55
◼
►
they wrapped it up way too fast and it
[TS]
00:33:56
◼
►
was just this like do
[TS]
00:33:57
◼
►
yeah we talked about this with planetary
[TS]
00:33:59
◼
►
and actually very similar where I really
[TS]
00:34:01
◼
►
liked loved the last issue as in kota
[TS]
00:34:04
◼
►
yeah but when they had to wrap up all
[TS]
00:34:06
◼
►
the plotlines before that seems awfully
[TS]
00:34:08
◼
►
sudden yeah and Israeli terror these
[TS]
00:34:10
◼
►
really militia squad is here and she's
[TS]
00:34:13
◼
►
got this year's and we killed characters
[TS]
00:34:15
◼
►
off and you know it was like we had to
[TS]
00:34:18
◼
►
end it seemed awfully abrupt ya too
[TS]
00:34:20
◼
►
because we wanted to use it is this is
[TS]
00:34:22
◼
►
why I liked Runaways is because the
[TS]
00:34:24
◼
►
ending on that actually seems like a
[TS]
00:34:26
◼
►
really natural stopping point and the
[TS]
00:34:28
◼
►
pace makes sense whereas my the last man
[TS]
00:34:31
◼
►
in annex market which we'll get to later
[TS]
00:34:32
◼
►
and y the last man it feels like he gets
[TS]
00:34:36
◼
►
to see what 60 issues for y the last man
[TS]
00:34:38
◼
►
he gets like issue 53 and was like crap
[TS]
00:34:41
◼
►
I've gotta wrap this up right and right
[TS]
00:34:44
◼
►
so you live here at last that last that
[TS]
00:34:46
◼
►
last whys and wherefores story arc which
[TS]
00:34:49
◼
►
is the I need to I need to wrap this up
[TS]
00:34:52
◼
►
and four issues and and it is you know
[TS]
00:34:55
◼
►
it is not it's certainly exciting but
[TS]
00:34:59
◼
►
and it and it has some impact
[TS]
00:35:01
◼
►
emotionally to have that the death of of
[TS]
00:35:04
◼
►
agent 355 and and also the emotional
[TS]
00:35:07
◼
►
impact that she finally finishes her
[TS]
00:35:08
◼
►
scarf and gives it to your a after
[TS]
00:35:10
◼
►
needing it for the entire that's the
[TS]
00:35:12
◼
►
my wife is a knitter she loves that
[TS]
00:35:13
◼
►
there's this kick-ass secret agent
[TS]
00:35:15
◼
►
Ritter that was all fine but when you
[TS]
00:35:19
◼
►
step back and you like wait a second
[TS]
00:35:21
◼
►
what just
[TS]
00:35:21
◼
►
happened it kinda doesn't work
[TS]
00:35:25
◼
►
no well there's some you if you look at
[TS]
00:35:28
◼
►
the art for me okay Benson Sandman now
[TS]
00:35:30
◼
►
the art is kind of all over the map and
[TS]
00:35:32
◼
►
very very striking in that it's such a
[TS]
00:35:34
◼
►
relic of when it was produced but one of
[TS]
00:35:36
◼
►
the things I've always really loved
[TS]
00:35:37
◼
►
about that series is that it's very
[TS]
00:35:40
◼
►
obviously deliberately plotted out to
[TS]
00:35:43
◼
►
where the ending makes sense and they do
[TS]
00:35:45
◼
►
have like a 45 issued a new mom we're
[TS]
00:35:48
◼
►
all the loose ends get wrapped up and
[TS]
00:35:50
◼
►
you as a reader are left with a sense
[TS]
00:35:52
◼
►
that my time paying attention this has
[TS]
00:35:54
◼
►
been well spent
[TS]
00:35:55
◼
►
whereas with bryan cave on it's just
[TS]
00:35:59
◼
►
weird because he does spend a lot of
[TS]
00:36:00
◼
►
time carefully building this world and
[TS]
00:36:02
◼
►
laying down these themes or or laying
[TS]
00:36:05
◼
►
down the storytelling elements and then
[TS]
00:36:06
◼
►
it's just so fast the end I don't know
[TS]
00:36:08
◼
►
it's a pacing problem or if it's a
[TS]
00:36:11
◼
►
member i don't like it's like you got
[TS]
00:36:12
◼
►
canceled and there was not only for
[TS]
00:36:14
◼
►
issues he chose his ending day baby
[TS]
00:36:16
◼
►
that's why we like his the runaways
[TS]
00:36:18
◼
►
better as in that the corporate comic
[TS]
00:36:21
◼
►
thing there is no ending yeah right so
[TS]
00:36:23
◼
►
things just go on a serial nature
[TS]
00:36:24
◼
►
because again endings are not all
[TS]
00:36:26
◼
►
writers are good at end is neil gaiman
[TS]
00:36:28
◼
►
happens to be good attending yeah
[TS]
00:36:29
◼
►
garthe's good endings but the funny
[TS]
00:36:32
◼
►
thing is the V the ending in issue 60 of
[TS]
00:36:38
◼
►
y which is about the big picture is not
[TS]
00:36:42
◼
►
about the overarching plot it's a it's
[TS]
00:36:45
◼
►
about where the characters end up and
[TS]
00:36:47
◼
►
what happens to the society to your
[TS]
00:36:49
◼
►
point about Brian Vaughn being good at
[TS]
00:36:50
◼
►
the big concept it's the conclusion of
[TS]
00:36:52
◼
►
the big concept i thought that was
[TS]
00:36:55
◼
►
beautiful and I actually really liked
[TS]
00:36:57
◼
►
how x mark and i ended
[TS]
00:36:59
◼
►
similarly because on the biggest does a
[TS]
00:37:01
◼
►
great job collateral
[TS]
00:37:02
◼
►
oh my god very strong it's just that his
[TS]
00:37:05
◼
►
plot resolution which was in the
[TS]
00:37:07
◼
►
previous stuff and you're like that was
[TS]
00:37:09
◼
►
not as good but but I i left i love both
[TS]
00:37:11
◼
►
of those feeling good about having read
[TS]
00:37:13
◼
►
them mostly because the last issue did
[TS]
00:37:17
◼
►
work for me even if the the plot
[TS]
00:37:19
◼
►
resolution was messy
[TS]
00:37:21
◼
►
I don't know for what it's worth no best
[TS]
00:37:22
◼
►
last panels i would say because I
[TS]
00:37:24
◼
►
remember after i finished issue 16 y the
[TS]
00:37:26
◼
►
last man I just SAT and stared the last
[TS]
00:37:28
◼
►
page for a while those last three or
[TS]
00:37:30
◼
►
four pages with no dialogue or are
[TS]
00:37:31
◼
►
beautiful and then with x mark and i did
[TS]
00:37:33
◼
►
the same thing when I just looked at the
[TS]
00:37:35
◼
►
this page for a while and was just like
[TS]
00:37:36
◼
►
oh my god what just happened so that
[TS]
00:37:40
◼
►
will move on now to ex machina which is
[TS]
00:37:42
◼
►
a 50 issue series that was also
[TS]
00:37:44
◼
►
relatively recently concluded about
[TS]
00:37:46
◼
►
Mitchell hundred is that it is who is
[TS]
00:37:48
◼
►
the mayor of New York for one term for
[TS]
00:37:50
◼
►
one term and and this universe is only
[TS]
00:37:54
◼
►
superhero
[TS]
00:37:55
◼
►
yeah yes and said what's interesting is
[TS]
00:37:57
◼
►
when we meet him we see that he's the
[TS]
00:37:58
◼
►
mayor of New York and that he lives it
[TS]
00:38:00
◼
►
and it's revealed I believe that that
[TS]
00:38:03
◼
►
he's in new york post 9-11 where there's
[TS]
00:38:06
◼
►
one tower of the world trade such as it
[TS]
00:38:08
◼
►
conceals her here a career he stopped
[TS]
00:38:10
◼
►
the second tower right but we don't know
[TS]
00:38:12
◼
►
details they all come out in flashback
[TS]
00:38:15
◼
►
we discover that he was a sort of
[TS]
00:38:17
◼
►
superhero with a jetpack and then we
[TS]
00:38:21
◼
►
discovered that great machine the great
[TS]
00:38:23
◼
►
machine which is great and it's a cool
[TS]
00:38:24
◼
►
outfit and we discovered that the
[TS]
00:38:26
◼
►
jetpack is not why he was a superhero he
[TS]
00:38:28
◼
►
a strange series of events lead him to
[TS]
00:38:31
◼
►
have the ability to talk to machines but
[TS]
00:38:34
◼
►
he's also the mayor of New York in the
[TS]
00:38:35
◼
►
present so it's got this West Wing kind
[TS]
00:38:36
◼
►
of politics angle plus flashbacks to his
[TS]
00:38:39
◼
►
superhero past and then he warn't it's
[TS]
00:38:41
◼
►
not going to end well
[TS]
00:38:42
◼
►
yeah towards you pretty early on and
[TS]
00:38:44
◼
►
socially first issue with the first arc
[TS]
00:38:46
◼
►
he's like this is gonna be a tragedy and
[TS]
00:38:48
◼
►
this is in and you see anything shots of
[TS]
00:38:52
◼
►
mitchell in the future
[TS]
00:38:54
◼
►
yeah in his like wife beater shirt
[TS]
00:38:57
◼
►
looking kind of unhappy and broken
[TS]
00:39:00
◼
►
yeah yeah so it's um again great concept
[TS]
00:39:04
◼
►
right great concept and of the flashback
[TS]
00:39:06
◼
►
idea it's a concept we haven't really
[TS]
00:39:08
◼
►
thought of before
[TS]
00:39:09
◼
►
essentially what it what if the mayor of
[TS]
00:39:11
◼
►
New York was a superhero who's who got
[TS]
00:39:14
◼
►
elected because he's stayed one of the
[TS]
00:39:16
◼
►
more integrated builders right yeah
[TS]
00:39:18
◼
►
parasites electoral politics is the way
[TS]
00:39:20
◼
►
i want to go i actually thought was a
[TS]
00:39:22
◼
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really elegant send up a lot of the post
[TS]
00:39:23
◼
►
9-11 fantasies some people may have had
[TS]
00:39:27
◼
►
we're all of only this had happened
[TS]
00:39:28
◼
►
fully that had happened and basically
[TS]
00:39:30
◼
►
what he's saying is look even if you
[TS]
00:39:32
◼
►
have a Superman to save a tower or 22 to
[TS]
00:39:35
◼
►
alter the scope of the tragedy that
[TS]
00:39:37
◼
►
doesn't eliminate the day-to-day
[TS]
00:39:39
◼
►
problems that are much more that have a
[TS]
00:39:43
◼
►
much more significant impact on people's
[TS]
00:39:44
◼
►
daily lives you know and as and I think
[TS]
00:39:47
◼
►
as a new yorker this was kind of him
[TS]
00:39:48
◼
►
rebutting a lot of the national dialogue
[TS]
00:39:51
◼
►
and rhetoric about 911 and what it means
[TS]
00:39:53
◼
►
and so on and so forth and say no no
[TS]
00:39:54
◼
►
look you know let's let's not forget
[TS]
00:39:57
◼
►
that you're kind of a lot going on even
[TS]
00:39:58
◼
►
before this so so the one of things I
[TS]
00:40:01
◼
►
didn't like about it is a concept really
[TS]
00:40:04
◼
►
awesome everybody said it's like the
[TS]
00:40:05
◼
►
west wing of comics and then stuff the
[TS]
00:40:07
◼
►
every time they went into the kind of
[TS]
00:40:10
◼
►
policy sort of stories or focus more on
[TS]
00:40:14
◼
►
policies it didn't ring true to me i
[TS]
00:40:15
◼
►
like the marijuana plum like marijuana
[TS]
00:40:18
◼
►
as an example and also the the art which
[TS]
00:40:21
◼
►
is beautiful it's a very photo reference
[TS]
00:40:24
◼
►
Tony Harris believe ya
[TS]
00:40:27
◼
►
overall really beautiful stranger defect
[TS]
00:40:29
◼
►
great faces but I kisses what was the
[TS]
00:40:32
◼
►
places the basis i want to stop you
[TS]
00:40:34
◼
►
right there and say one of the things
[TS]
00:40:35
◼
►
unlike so many comics ex machina on any
[TS]
00:40:39
◼
►
panel you I know what Mitchell hundreds
[TS]
00:40:42
◼
►
face looks like it because his face is
[TS]
00:40:44
◼
►
his face and in every panel
[TS]
00:40:46
◼
►
he's a person with a face and you can
[TS]
00:40:49
◼
►
you know so many comics you from panel
[TS]
00:40:51
◼
►
to panel ready to issue each other
[TS]
00:40:53
◼
►
the direction is is is varied and with
[TS]
00:40:55
◼
►
them that's a guy wasn't happy with the
[TS]
00:40:57
◼
►
face is like a great land hate side of
[TS]
00:40:59
◼
►
years ago where somebody was just
[TS]
00:41:00
◼
►
ranting and raving about how much they
[TS]
00:41:02
◼
►
dislike Greg land and they were going
[TS]
00:41:03
◼
►
off about a thing ultimate Fantastic
[TS]
00:41:04
◼
►
Four and house to store basically
[TS]
00:41:06
◼
►
changes from panel to panel and that was
[TS]
00:41:09
◼
►
never ever problem with no anyway her
[TS]
00:41:12
◼
►
beautiful just as you said faces and
[TS]
00:41:14
◼
►
security where the art fell down so
[TS]
00:41:16
◼
►
that's what was really strong written
[TS]
00:41:17
◼
►
down for me was getting this kind of
[TS]
00:41:18
◼
►
policy things that so he's the mayor of
[TS]
00:41:20
◼
►
New York City
[TS]
00:41:22
◼
►
yeah which has got like the fifth
[TS]
00:41:23
◼
►
largest economy in the country of if you
[TS]
00:41:27
◼
►
include all the states and everything
[TS]
00:41:28
◼
►
out the it all she saw was him his
[TS]
00:41:31
◼
►
deputy mayor his secretary and an intern
[TS]
00:41:33
◼
►
whenever he was like those with for some
[TS]
00:41:36
◼
►
problems with the Commissioner of Police
[TS]
00:41:39
◼
►
and that was it like its own all the
[TS]
00:41:41
◼
►
scenes that were the policy things are
[TS]
00:41:43
◼
►
when they're in the west wing as well
[TS]
00:41:44
◼
►
that realistic to the west wing you
[TS]
00:41:47
◼
►
always see people walking there like
[TS]
00:41:48
◼
►
staffers around doing things there's the
[TS]
00:41:50
◼
►
motion why are the whole so empty right
[TS]
00:41:52
◼
►
every hall was empty every room was
[TS]
00:41:53
◼
►
empty i was like no anytime that Mary's
[TS]
00:41:56
◼
►
out there would be at least 15 people
[TS]
00:41:58
◼
►
write in fact is they're saying
[TS]
00:42:01
◼
►
like there's a scene where there's a I
[TS]
00:42:02
◼
►
think it's a blackout that the
[TS]
00:42:06
◼
►
somebody's caught in an elevator the
[TS]
00:42:08
◼
►
deputy mayor's cotton elevator and there
[TS]
00:42:09
◼
►
is actually seen which is like oh geez
[TS]
00:42:11
◼
►
there's nobody here to run the city
[TS]
00:42:12
◼
►
really right it's a big city it's
[TS]
00:42:16
◼
►
something that's more than a small
[TS]
00:42:18
◼
►
government is great baby concerning his
[TS]
00:42:21
◼
►
face is right about it would take too
[TS]
00:42:22
◼
►
long to have drawn all of the season the
[TS]
00:42:25
◼
►
book still wouldn't have been released
[TS]
00:42:26
◼
►
but it fell down for me there because it
[TS]
00:42:29
◼
►
was trying to be kind of real yeah I so
[TS]
00:42:32
◼
►
didn't ring true something we talked
[TS]
00:42:34
◼
►
about with with the way that the mystery
[TS]
00:42:38
◼
►
plays out in in
[TS]
00:42:40
◼
►
y the last man I want to come back to
[TS]
00:42:42
◼
►
here which is bryan cave on has a really
[TS]
00:42:46
◼
►
good skill of of holding back
[TS]
00:42:48
◼
►
information and very slowly letting you
[TS]
00:42:50
◼
►
in on what's going on that I appreciate
[TS]
00:42:52
◼
►
because I think there's a tendency for a
[TS]
00:42:56
◼
►
writer to say okay here's what the
[TS]
00:42:57
◼
►
backstory is and I've got it all planned
[TS]
00:43:00
◼
►
out and i'm going to play it all out in
[TS]
00:43:02
◼
►
the first 12 issues you know or the
[TS]
00:43:03
◼
►
first season of the of the TV show and
[TS]
00:43:05
◼
►
then they're out that they've done they
[TS]
00:43:07
◼
►
played it out they have nothing more to
[TS]
00:43:09
◼
►
hold back and he their stuff i mean it's
[TS]
00:43:12
◼
►
a the exponents 50 issue series their
[TS]
00:43:14
◼
►
stuff that he's dropping an issue 38
[TS]
00:43:16
◼
►
issue 40 key pieces of information that
[TS]
00:43:19
◼
►
have obviously been known since issue
[TS]
00:43:21
◼
►
one but he just refuses to show you i
[TS]
00:43:24
◼
►
mean how long is it before you see him
[TS]
00:43:25
◼
►
at the World Trade Center on 911 and
[TS]
00:43:29
◼
►
then and towing the airplane to land it
[TS]
00:43:32
◼
►
somewhere haha that's like 30 issues in
[TS]
00:43:35
◼
►
yeah I mean it's so i was really
[TS]
00:43:36
◼
►
impressed and of course the backstory of
[TS]
00:43:38
◼
►
what how he got his powers and what the
[TS]
00:43:40
◼
►
element really late development ultimate
[TS]
00:43:42
◼
►
enemy is going to be yeah but there
[TS]
00:43:44
◼
►
there's some stuff which is dreams about
[TS]
00:43:46
◼
►
brains and pran es the multi-dimensional
[TS]
00:43:49
◼
►
kind of brains and and that his powers
[TS]
00:43:53
◼
►
came from somewhere and they're out
[TS]
00:43:54
◼
►
there and they're really bad and you're
[TS]
00:43:55
◼
►
supposed to stop them early on and but
[TS]
00:43:59
◼
►
it doesn't really get resolved until
[TS]
00:44:00
◼
►
lead there in the forties of the issues
[TS]
00:44:02
◼
►
which i love that it felt set up with
[TS]
00:44:04
◼
►
how much of it he made up on the on the
[TS]
00:44:06
◼
►
spot i don't know but in the notice
[TS]
00:44:07
◼
►
those dreams consists in the finale is
[TS]
00:44:09
◼
►
that the one character with the beatles
[TS]
00:44:11
◼
►
song didn't exist
[TS]
00:44:13
◼
►
oh right way which is totally tied into
[TS]
00:44:15
◼
►
the whole parallel universe that is this
[TS]
00:44:17
◼
►
idea which I always thought I always
[TS]
00:44:18
◼
►
think of that too that's what he hit one
[TS]
00:44:21
◼
►
of my favorite concepts about parallel
[TS]
00:44:22
◼
►
universes and I love to see it in there
[TS]
00:44:24
◼
►
which is you know it Stephen King wrote
[TS]
00:44:26
◼
►
a story like this to which is and that
[TS]
00:44:29
◼
►
if we have the pot parallel universes
[TS]
00:44:31
◼
►
there are works by people who died young
[TS]
00:44:34
◼
►
there they've got their albums from
[TS]
00:44:36
◼
►
later it's the beatles albums from the
[TS]
00:44:38
◼
►
seventies or john lennon albums from the
[TS]
00:44:40
◼
►
from the the eighties and nineties or
[TS]
00:44:42
◼
►
you know that the fifth Nirvana album or
[TS]
00:44:44
◼
►
all these things that don't actually
[TS]
00:44:45
◼
►
exist or books that were not written or
[TS]
00:44:48
◼
►
were written differently and and that
[TS]
00:44:51
◼
►
all plays out when there's the this
[TS]
00:44:53
◼
►
beetle song that doesn't exist that is
[TS]
00:44:55
◼
►
playing on a radio isn't playing on the
[TS]
00:44:57
◼
►
radio that here's an authorized an ipod
[TS]
00:45:00
◼
►
or something yeah yeah that's your first
[TS]
00:45:02
◼
►
hint that this is not a parallel
[TS]
00:45:04
◼
►
universe or that they're parallel
[TS]
00:45:06
◼
►
universes at play here that this is not
[TS]
00:45:08
◼
►
you know it's not just the one universe
[TS]
00:45:10
◼
►
which is what the story
[TS]
00:45:11
◼
►
alternately is this is sort of about ya
[TS]
00:45:14
◼
►
know it's also the parallel universes
[TS]
00:45:16
◼
►
thing I think is another one of his
[TS]
00:45:18
◼
►
medical standards because the whole
[TS]
00:45:19
◼
►
series about ultimately the decisions
[TS]
00:45:21
◼
►
that Mitchell hundred makes and where he
[TS]
00:45:22
◼
►
lands because those decisions and it's
[TS]
00:45:25
◼
►
not kind of the premise behind every
[TS]
00:45:26
◼
►
parallel universes story as well choices
[TS]
00:45:29
◼
►
in every universe shape the outcome of
[TS]
00:45:30
◼
►
that universe and if you take a look at
[TS]
00:45:33
◼
►
the last at the last issue which i found
[TS]
00:45:36
◼
►
it a very surprising issued a lot of
[TS]
00:45:38
◼
►
ways but also very logical it's the
[TS]
00:45:40
◼
►
culmination of all his choices
[TS]
00:45:41
◼
►
everything you find all those decision
[TS]
00:45:43
◼
►
points and where he decided to turn in
[TS]
00:45:45
◼
►
each one of them and you see the
[TS]
00:45:48
◼
►
branches kinda getting locked off each
[TS]
00:45:49
◼
►
time it is the series does take a an
[TS]
00:45:54
◼
►
interesting turn when he goes to the
[TS]
00:45:56
◼
►
Vatican and comes back saying i'm going
[TS]
00:46:00
◼
►
to be the president of the united states
[TS]
00:46:01
◼
►
it's like wow okay which I I I thought
[TS]
00:46:05
◼
►
that was sort of strange but it it made
[TS]
00:46:07
◼
►
him it made his decisions a little more
[TS]
00:46:10
◼
►
understandable in that way that he and
[TS]
00:46:13
◼
►
the pope basically says you have a demon
[TS]
00:46:15
◼
►
inside you and I'm gonna going to
[TS]
00:46:16
◼
►
perform an exorcism which is very
[TS]
00:46:18
◼
►
strange but in the end it also sort of
[TS]
00:46:20
◼
►
is consistent with what the story is
[TS]
00:46:22
◼
►
that the fact that he goes from being
[TS]
00:46:25
◼
►
kind of this accidental
[TS]
00:46:27
◼
►
air to being a very ambitious guy in the
[TS]
00:46:30
◼
►
span of a couple of issues you know
[TS]
00:46:32
◼
►
that's why it sort of worked but it was
[TS]
00:46:34
◼
►
a big a big turn to leave him down this
[TS]
00:46:37
◼
►
path that he was like I suppose
[TS]
00:46:39
◼
►
inevitably going down but it made it
[TS]
00:46:41
◼
►
feel a little more realistic than it
[TS]
00:46:43
◼
►
would have otherwise you do watch him
[TS]
00:46:44
◼
►
kind of losing his soul for his idealism
[TS]
00:46:46
◼
►
is that work with the course of the 50
[TS]
00:46:48
◼
►
issues yeah right and that's when he was
[TS]
00:46:50
◼
►
just a super hero who saved the world
[TS]
00:46:52
◼
►
trade center and he was running for
[TS]
00:46:53
◼
►
mayor because he wanted to do something
[TS]
00:46:55
◼
►
that wasn't be a superhero and more but
[TS]
00:46:58
◼
►
that's not what got him elected we got
[TS]
00:46:59
◼
►
him elected was being a superhero
[TS]
00:47:00
◼
►
yeah but he was like a third-string kind
[TS]
00:47:02
◼
►
of bureaucrat not very present he was an
[TS]
00:47:06
◼
►
engineer after he was an engineer at the
[TS]
00:47:08
◼
►
brooklyn bridge so he was just a civil
[TS]
00:47:10
◼
►
engineer just a guy
[TS]
00:47:11
◼
►
yeah much like York right and that's the
[TS]
00:47:13
◼
►
thing is like the parallels and a lot of
[TS]
00:47:15
◼
►
careful more successful than your in
[TS]
00:47:17
◼
►
sort of the order if you're getting
[TS]
00:47:20
◼
►
brighter than York you know like she's
[TS]
00:47:24
◼
►
going to get to know that policy stuff
[TS]
00:47:25
◼
►
he was kind of dumb what I want to do
[TS]
00:47:27
◼
►
for an interesting that all of Brian
[TS]
00:47:29
◼
►
capons books and this was actually
[TS]
00:47:30
◼
►
pretty striking between y and X machina
[TS]
00:47:32
◼
►
is the female characters almost always
[TS]
00:47:34
◼
►
have a really troubled relationship with
[TS]
00:47:36
◼
►
their parents especially their mother
[TS]
00:47:38
◼
►
again this is why he went and rode for
[TS]
00:47:40
◼
►
yes just so much in common and they also
[TS]
00:47:42
◼
►
have really troubling relationships with
[TS]
00:47:45
◼
►
women in their life who they are not
[TS]
00:47:47
◼
►
sexually involved with because you're
[TS]
00:47:48
◼
►
always had a really hard time with hero
[TS]
00:47:50
◼
►
right um well actually regardless of the
[TS]
00:47:55
◼
►
many baths and y the last man you gots
[TS]
00:47:58
◼
►
York a lot of women with whom he had
[TS]
00:48:00
◼
►
relationships that were never ever going
[TS]
00:48:01
◼
►
to be romantic and he he did have
[TS]
00:48:05
◼
►
difficulty relating to these women are
[TS]
00:48:07
◼
►
trying to understand what made them tick
[TS]
00:48:09
◼
►
and vice versa and i found that to also
[TS]
00:48:11
◼
►
be the case in X market now where you've
[TS]
00:48:13
◼
►
got Mitchell has a really hard
[TS]
00:48:15
◼
►
relationship with his mother right and
[TS]
00:48:17
◼
►
then there's you know that his
[TS]
00:48:18
◼
►
relationship with the sisters journal in
[TS]
00:48:20
◼
►
january and his chief of staff
[TS]
00:48:23
◼
►
it was his chief of staff a woman she's
[TS]
00:48:24
◼
►
the one who's got a family and his
[TS]
00:48:26
◼
►
relationship with her you know it's it's
[TS]
00:48:28
◼
►
it's by the smoothest thing he has an
[TS]
00:48:29
◼
►
energy for police
[TS]
00:48:31
◼
►
yeah yeah but you know he does I i find
[TS]
00:48:34
◼
►
it striking this is a theme that comes
[TS]
00:48:35
◼
►
up in both of his adult as opposed to
[TS]
00:48:37
◼
►
team works is that you've got these
[TS]
00:48:38
◼
►
protagonists
[TS]
00:48:39
◼
►
we're basically average men who have who
[TS]
00:48:42
◼
►
have not dysfunctional but troubled
[TS]
00:48:45
◼
►
family relationships and influenced an
[TS]
00:48:47
◼
►
extraordinary service place the
[TS]
00:48:48
◼
►
extraordinary circumstances and they
[TS]
00:48:50
◼
►
have difficulty relating actually we
[TS]
00:48:53
◼
►
never seen someone the last man but
[TS]
00:48:55
◼
►
Mitchell hundred also has difficulty
[TS]
00:48:56
◼
►
relating to other men to he's a very
[TS]
00:48:57
◼
►
lonely guy he's a very lonely guy you
[TS]
00:49:00
◼
►
know and at by the last episode you see
[TS]
00:49:04
◼
►
that he just doesn't have any friends
[TS]
00:49:05
◼
►
I mean he just can't he lacks whatever
[TS]
00:49:08
◼
►
interpersonal emotional skills are in
[TS]
00:49:11
◼
►
the toolbox that let people reach out
[TS]
00:49:13
◼
►
and connect once that shows in a really
[TS]
00:49:15
◼
►
graphic way twice in the last exchange
[TS]
00:49:17
◼
►
faithful friend is Bradbury his his
[TS]
00:49:21
◼
►
former army buddy who is a bodyguard for
[TS]
00:49:26
◼
►
him and he takes the fall for him saving
[TS]
00:49:29
◼
►
the world which I i like that thing that
[TS]
00:49:32
◼
►
it's like the spider-man
[TS]
00:49:34
◼
►
oh you're a menace kind of cracked up to
[TS]
00:49:36
◼
►
a hundred which is he saves the world
[TS]
00:49:38
◼
►
and the Chief of Police says I'm gonna
[TS]
00:49:40
◼
►
arrest you and and his buddy takes the
[TS]
00:49:43
◼
►
yeah and goes to prison for two years or
[TS]
00:49:47
◼
►
something like that three years and
[TS]
00:49:49
◼
►
that's that was his last friend and by
[TS]
00:49:50
◼
►
the time that by the time he comes back
[TS]
00:49:53
◼
►
in the last issue that relationship is
[TS]
00:49:54
◼
►
completely destroyed two that's it sort
[TS]
00:49:57
◼
►
of that metaphorical his best friends
[TS]
00:49:58
◼
►
are machines
[TS]
00:49:59
◼
►
yeah right he talks a machine that's he
[TS]
00:50:01
◼
►
can communicate with ya
[TS]
00:50:03
◼
►
and yet the most the thing that that
[TS]
00:50:05
◼
►
that stuck with me is reporting as the
[TS]
00:50:06
◼
►
showdown outside his mom's trailer and
[TS]
00:50:08
◼
►
the gun lies to him and then the last
[TS]
00:50:12
◼
►
issue the gun does something that is
[TS]
00:50:14
◼
►
perfect there's him a gun and it doesn't
[TS]
00:50:15
◼
►
it somewhat surprising and it's also
[TS]
00:50:18
◼
►
reminder that even though his best
[TS]
00:50:19
◼
►
friends are machines the machines can be
[TS]
00:50:20
◼
►
fickle when when you give them a mind of
[TS]
00:50:22
◼
►
their own or machines reflect their
[TS]
00:50:24
◼
►
owners which means that they're not
[TS]
00:50:25
◼
►
always predictable so I do think I
[TS]
00:50:28
◼
►
hadn't actually thought about that but
[TS]
00:50:30
◼
►
yeah he's an engineer at his best
[TS]
00:50:31
◼
►
friends are machines and it's just a
[TS]
00:50:34
◼
►
profoundly lonely guy
[TS]
00:50:36
◼
►
yeah yeah chat i think a fascinating
[TS]
00:50:38
◼
►
character
[TS]
00:50:39
◼
►
mhm yeah when you talk about bryan cave
[TS]
00:50:41
◼
►
on and and the concepts maybe being more
[TS]
00:50:43
◼
►
than the characters hundred to me is a
[TS]
00:50:46
◼
►
really interesting character with a lot
[TS]
00:50:48
◼
►
of contradictions and a lot of a very
[TS]
00:50:50
◼
►
modern character strange questions about
[TS]
00:50:52
◼
►
him I mean those
[TS]
00:50:53
◼
►
some i was reading somebody was saying
[TS]
00:50:54
◼
►
how you know there's a lot of questions
[TS]
00:50:57
◼
►
about his sexuality because he basically
[TS]
00:50:59
◼
►
have no relationships and and there
[TS]
00:51:01
◼
►
isn't i thought that maybe he's gay but
[TS]
00:51:03
◼
►
we never seen with anybody I i actually
[TS]
00:51:05
◼
►
don't believe that's the case because it
[TS]
00:51:07
◼
►
turns out in the end that his friend has
[TS]
00:51:09
◼
►
these feelings for him and that he
[TS]
00:51:10
◼
►
rejects them but but there's also a
[TS]
00:51:13
◼
►
flashback where he's talking to the
[TS]
00:51:15
◼
►
reporter who ends up being possessed by
[TS]
00:51:17
◼
►
the same thing that gave me his powers
[TS]
00:51:19
◼
►
and she turns she tries to destroy the
[TS]
00:51:21
◼
►
world is thrown into a parallel universe
[TS]
00:51:22
◼
►
and that's how the story ends but
[TS]
00:51:24
◼
►
there's a flashback there where they
[TS]
00:51:27
◼
►
have a kind charged conversation where
[TS]
00:51:29
◼
►
he says maybe when I'm not the mayor
[TS]
00:51:30
◼
►
anymore we can talk and we can take this
[TS]
00:51:33
◼
►
further but the fact that there are all
[TS]
00:51:36
◼
►
these questions about hundred and who is
[TS]
00:51:38
◼
►
he and does he love anybody in
[TS]
00:51:39
◼
►
developmental of women to be loved just
[TS]
00:51:42
◼
►
the machines what's going on you know I
[TS]
00:51:44
◼
►
find that fascinating because he is an
[TS]
00:51:46
◼
►
interesting character he's not a blank
[TS]
00:51:47
◼
►
with this blankness around him he's a
[TS]
00:51:49
◼
►
guy with some empty spots of his life is
[TS]
00:51:54
◼
►
fascinating i also wonder if the
[TS]
00:51:56
◼
►
speculation about mitchells sexuality is
[TS]
00:51:59
◼
►
meant to reflect the speculation that
[TS]
00:52:01
◼
►
has actually surrounded other mayors of
[TS]
00:52:03
◼
►
New York too
[TS]
00:52:04
◼
►
I mean at koch never married while in
[TS]
00:52:06
◼
►
office and still hasn't and there are
[TS]
00:52:09
◼
►
people who are the my grandmother's ago
[TS]
00:52:12
◼
►
he just never found the right woman and
[TS]
00:52:14
◼
►
there are other people who are like ski
[TS]
00:52:16
◼
►
because the right woman would have to
[TS]
00:52:18
◼
►
have a block and tackle this so hard to
[TS]
00:52:23
◼
►
find those they haven't y the last man
[TS]
00:52:25
◼
►
well they would have died particularly
[TS]
00:52:26
◼
►
yeah i mean the crying game we've had a
[TS]
00:52:28
◼
►
whole different ending if it had the
[TS]
00:52:29
◼
►
fact that it's not married either
[TS]
00:52:31
◼
►
no but she divorced yeah i was your head
[TS]
00:52:35
◼
►
is being this is like the adventures of
[TS]
00:52:36
◼
►
Mike Bloomberg superhero
[TS]
00:52:38
◼
►
yeah one level even though Bloomberg is
[TS]
00:52:40
◼
►
mentioned in the in the comic as well as
[TS]
00:52:42
◼
►
running and hundred comes in is this
[TS]
00:52:44
◼
►
independent candidate and assessment but
[TS]
00:52:47
◼
►
i always thought about that it's like
[TS]
00:52:48
◼
►
basically what if Bloomberg was a was a
[TS]
00:52:50
◼
►
super hero instead of a you know media
[TS]
00:52:54
◼
►
yeah naturally so much of a hero people
[TS]
00:52:56
◼
►
work for us as the as as we record this
[TS]
00:53:01
◼
►
a hurricane is is bearing down on the
[TS]
00:53:03
◼
►
city of New York and as we walked into
[TS]
00:53:05
◼
►
the studio I think we
[TS]
00:53:06
◼
►
we said what would a hundred do evacuate
[TS]
00:53:09
◼
►
ya know he fled get his jetpack on he'd
[TS]
00:53:12
◼
►
fly into that hurricane her do something
[TS]
00:53:14
◼
►
yeah or not know but what can you do
[TS]
00:53:17
◼
►
against are you do it's a force against
[TS]
00:53:19
◼
►
drunk guy
[TS]
00:53:20
◼
►
what can you do against an alien race
[TS]
00:53:21
◼
►
that's gonna come over from another
[TS]
00:53:22
◼
►
parallel universe and eat all of
[TS]
00:53:24
◼
►
humanity
[TS]
00:53:24
◼
►
yeah again again yeah I can you do I
[TS]
00:53:28
◼
►
don't like the alien X Mark and I can
[TS]
00:53:30
◼
►
see I just well they're not really
[TS]
00:53:32
◼
►
aliens though they're just like the
[TS]
00:53:34
◼
►
worst the worst people from the worst
[TS]
00:53:36
◼
►
parallel universe or something like that
[TS]
00:53:38
◼
►
happens in well there's 19 / parallel to
[TS]
00:53:42
◼
►
find satisfied I i ended sad for
[TS]
00:53:46
◼
►
Mitchell and I think in a way that was
[TS]
00:53:47
◼
►
kind of satisfying because he's the vice
[TS]
00:53:49
◼
►
president of the United States huh yeah
[TS]
00:53:51
◼
►
better him than palin you know I mean
[TS]
00:53:54
◼
►
that that's what made the difference
[TS]
00:53:56
◼
►
right that here at least john mccain is
[TS]
00:53:58
◼
►
the president Mitchell hundreds device
[TS]
00:53:59
◼
►
press identity and so bullet dodged
[TS]
00:54:02
◼
►
but this is where we get angry tweets
[TS]
00:54:05
◼
►
and emails from people who are you
[TS]
00:54:07
◼
►
well I wanted to listen to politics
[TS]
00:54:09
◼
►
that's right well well I a comic about
[TS]
00:54:11
◼
►
it's a comment about the attics and so
[TS]
00:54:13
◼
►
so he's positive here that this is this
[TS]
00:54:15
◼
►
is one of the things that changes is the
[TS]
00:54:17
◼
►
John McCain is elected president
[TS]
00:54:18
◼
►
Mitchell hundreds of the vice president
[TS]
00:54:20
◼
►
and I think it's still lingering out
[TS]
00:54:21
◼
►
there this idea that he's gonna be it's
[TS]
00:54:23
◼
►
not that he might be the president is
[TS]
00:54:25
◼
►
that the Pope you know leaves him with
[TS]
00:54:27
◼
►
this feeling that he will be the
[TS]
00:54:29
◼
►
president of the united states i do
[TS]
00:54:30
◼
►
everything still not great help nasal ya
[TS]
00:54:32
◼
►
know I actually do wonder if it's a
[TS]
00:54:34
◼
►
commentary on the the way we pick our
[TS]
00:54:36
◼
►
our national level leaders is we have to
[TS]
00:54:38
◼
►
have to have an easy backstory that we
[TS]
00:54:40
◼
►
can relate to or that we can aspire to I
[TS]
00:54:42
◼
►
mean our president is somebody where if
[TS]
00:54:44
◼
►
you are pro Obama you're like look this
[TS]
00:54:46
◼
►
is the son of a single mother who used a
[TS]
00:54:49
◼
►
meritocracy and here he is now and if
[TS]
00:54:51
◼
►
you are not a probe on the person you're
[TS]
00:54:52
◼
►
like oh people like him from his hope
[TS]
00:54:54
◼
►
you changing stuff and and well and it
[TS]
00:54:56
◼
►
makes them feel good to elect and their
[TS]
00:54:57
◼
►
cynicism here to write because because
[TS]
00:55:00
◼
►
it's it's a hundred who is an
[TS]
00:55:02
◼
►
interesting figure it but you
[TS]
00:55:06
◼
►
we know all about him right so we know
[TS]
00:55:08
◼
►
that Mitchell hundred he has no friends
[TS]
00:55:09
◼
►
he will decide when we know but his
[TS]
00:55:12
◼
►
media package is going to be this is the
[TS]
00:55:13
◼
►
man who saved the world see that the
[TS]
00:55:15
◼
►
world the world trade center at the
[TS]
00:55:17
◼
►
world happened on trades on what's
[TS]
00:55:19
◼
►
better than save
[TS]
00:55:19
◼
►
not that we know of him as a pot-smoking
[TS]
00:55:22
◼
►
that's most friendliest friendly alien
[TS]
00:55:24
◼
►
invested weirdo and we're super powers
[TS]
00:55:28
◼
►
who who broke the law repeatedly as a
[TS]
00:55:30
◼
►
vigilante and doing something that was
[TS]
00:55:33
◼
►
not particularly responsible and
[TS]
00:55:35
◼
►
actually quite reckless because he
[TS]
00:55:37
◼
►
almost dies a lot of times who
[TS]
00:55:39
◼
►
potentially killed one of his best
[TS]
00:55:42
◼
►
friends but you know he's gonna get
[TS]
00:55:44
◼
►
recasting the national narrative that's
[TS]
00:55:46
◼
►
exactly the surviving son of a single
[TS]
00:55:48
◼
►
mother who you know through hard work
[TS]
00:55:50
◼
►
and diligence became the became a hero
[TS]
00:55:53
◼
►
and then and then decided to put
[TS]
00:55:55
◼
►
underneath your left on his own accord
[TS]
00:55:57
◼
►
is his office so it's just tremendous
[TS]
00:55:59
◼
►
leaping ability yeah i mean the same way
[TS]
00:56:01
◼
►
if you if you are for sarah palin what
[TS]
00:56:03
◼
►
you say is here is somebody who proves
[TS]
00:56:05
◼
►
that you don't have to be part of an Ivy
[TS]
00:56:07
◼
►
League elite to you know to make a
[TS]
00:56:10
◼
►
difference and to govern and this is
[TS]
00:56:12
◼
►
somebody who's in touch with populist
[TS]
00:56:13
◼
►
rhetoric and if your auntie Sarah Palin
[TS]
00:56:14
◼
►
it's not really terrified it's not about
[TS]
00:56:16
◼
►
who want their individual politics is
[TS]
00:56:18
◼
►
it's about the creation of a story about
[TS]
00:56:20
◼
►
a kid but that's always missing in this
[TS]
00:56:22
◼
►
and we having this around politics and
[TS]
00:56:24
◼
►
we have miss around superheroes right so
[TS]
00:56:26
◼
►
here we got Brian came on sand look at
[TS]
00:56:28
◼
►
the myth-making is always the same you
[TS]
00:56:30
◼
►
know and there's their stuff underneath
[TS]
00:56:32
◼
►
the myth that is the real story here and
[TS]
00:56:34
◼
►
the question is who's gonna be able to
[TS]
00:56:36
◼
►
see the story and the end of the day
[TS]
00:56:37
◼
►
it's only us the opposition to reader
[TS]
00:56:40
◼
►
thanks to the omniscient narrator is he
[TS]
00:56:42
◼
►
a good guy worry about the initial yeah
[TS]
00:56:45
◼
►
you know just just as just as y the last
[TS]
00:56:47
◼
►
man is is like it all comes down to
[TS]
00:56:49
◼
►
human nature i mean that the whole point
[TS]
00:56:51
◼
►
to mitchell is that alien infestation of
[TS]
00:56:54
◼
►
Technology aside he's ultimately human i
[TS]
00:56:55
◼
►
mean some stuff he does is good and some
[TS]
00:56:57
◼
►
stuff he does is bad and at the end of
[TS]
00:56:58
◼
►
the day what he simply is I think the
[TS]
00:57:01
◼
►
balance in the balance he what he does
[TS]
00:57:02
◼
►
is good and but in the last issue he
[TS]
00:57:05
◼
►
does something quite you know quite
[TS]
00:57:07
◼
►
horrible do you want to do this part
[TS]
00:57:09
◼
►
will do will do another spoiler horn
[TS]
00:57:14
◼
►
that's always fun to do but he so he and
[TS]
00:57:20
◼
►
his buddy Kremlin who helped him when he
[TS]
00:57:22
◼
►
was the great machine and is now
[TS]
00:57:24
◼
►
actually tried to get him to not be
[TS]
00:57:26
◼
►
mayor anymore because he thinks he's
[TS]
00:57:27
◼
►
destined for greater things than that
[TS]
00:57:28
◼
►
you think politics are terrible no he
[TS]
00:57:30
◼
►
doesn't want to be a politician he wants
[TS]
00:57:32
◼
►
him to go back to being a superhero
[TS]
00:57:34
◼
►
he is sort of the end of Israel Kremlin
[TS]
00:57:36
◼
►
is and he's got a gun to his head and
[TS]
00:57:37
◼
►
he's threatening to kill himself and and
[TS]
00:57:39
◼
►
and at some point hundreds talking
[TS]
00:57:41
◼
►
trying to talk him out of it
[TS]
00:57:42
◼
►
this guy so i gotta say really
[TS]
00:57:45
◼
►
frustrating character I sort of felt
[TS]
00:57:47
◼
►
like cheese at some point just let him
[TS]
00:57:49
◼
►
kill himself because he's nothing he's
[TS]
00:57:51
◼
►
no good for you
[TS]
00:57:52
◼
►
100 does however is talk to the gun and
[TS]
00:57:54
◼
►
say bang and the guidelines blows his
[TS]
00:57:57
◼
►
brains out or did hundred tell the gun
[TS]
00:58:00
◼
►
to blow his brains out whatever and for
[TS]
00:58:03
◼
►
me that was that moment like oh you know
[TS]
00:58:05
◼
►
I don't know what I think of this
[TS]
00:58:06
◼
►
character now even though on one level I
[TS]
00:58:09
◼
►
totally understand his frustration at
[TS]
00:58:11
◼
►
that moment with this character who
[TS]
00:58:12
◼
►
tried to ruin his mayorship and once to
[TS]
00:58:15
◼
►
get him to go back to the way it was
[TS]
00:58:17
◼
►
which they can't ever do
[TS]
00:58:19
◼
►
it's like that really annoying high
[TS]
00:58:20
◼
►
school friend on Facebook who's always
[TS]
00:58:21
◼
►
like yeah the past
[TS]
00:58:23
◼
►
yeah yeah exactly and yuri and you know
[TS]
00:58:25
◼
►
you're like a ignore but I have a little
[TS]
00:58:27
◼
►
baby now know that I i actually wonder
[TS]
00:58:31
◼
►
if that was a subconscious manifestation
[TS]
00:58:33
◼
►
if hundred deliberately said bang or if
[TS]
00:58:36
◼
►
it was just something where he's got the
[TS]
00:58:38
◼
►
connection with the machines and his
[TS]
00:58:40
◼
►
conscious mind would have been horrified
[TS]
00:58:41
◼
►
but a subconscious like do this just
[TS]
00:58:43
◼
►
makes things easier bang he wants to do
[TS]
00:58:46
◼
►
it anyway I mean I get anything for this
[TS]
00:58:48
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equation you can put the gun to his head
[TS]
00:58:50
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the question of does the technology
[TS]
00:58:52
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reflect the world theater because again
[TS]
00:58:53
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remember many many issues back 100 is
[TS]
00:58:55
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talking to the gun outside his mom's
[TS]
00:58:58
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trailer and he's like to have any bolts
[TS]
00:58:59
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on the guns like no and then up surprise
[TS]
00:59:01
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turns out the gun lied and hundred is
[TS]
00:59:03
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really surprised that the gun lies and
[TS]
00:59:05
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his moms like look what do you expect
[TS]
00:59:07
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you know two Liars gun yet people yes
[TS]
00:59:09
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people can lie this gun belonged to a
[TS]
00:59:12
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maybe technology reflections owners so
[TS]
00:59:14
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maybe the gun had picked up on Kremlin's
[TS]
00:59:16
◼
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death wish and on Mitchell's desire to
[TS]
00:59:18
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just have this over with
[TS]
00:59:19
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I mean I like there's a bit of ambiguity
[TS]
00:59:21
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in there i think the thing that
[TS]
00:59:23
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horrified me about the last issue is how
[TS]
00:59:25
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he responds to
[TS]
00:59:27
◼
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friends confession of love and and just
[TS]
00:59:29
◼
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that the total rigid the total revulsion
[TS]
00:59:31
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and rejection of that I thought were
[TS]
00:59:33
◼
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were much more shocking to me than
[TS]
00:59:37
◼
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Kremlin stuff and to me I agree with you
[TS]
00:59:40
◼
►
to me it seemed less about sex and
[TS]
00:59:45
◼
►
attraction and more about how he was an
[TS]
00:59:48
◼
►
inconvenient person in his life
[TS]
00:59:51
◼
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I mean it actually sort of like that
[TS]
00:59:53
◼
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like I thought this was over
[TS]
00:59:55
◼
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why are you here you're kind of a mess
[TS]
00:59:57
◼
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now I can't really be around you because
[TS]
00:59:59
◼
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you're a mess
[TS]
00:59:59
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you're a mess
[TS]
01:00:00
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►
and because he starts with that and I
[TS]
01:00:01
◼
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think that's also code for us please
[TS]
01:00:03
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don't lay the emotional demands on me
[TS]
01:00:05
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►
because i cannot ever handle that with
[TS]
01:00:06
◼
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anybody remember capable of feeling
[TS]
01:00:08
◼
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exactly you know if maybe this goes back
[TS]
01:00:12
◼
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to if he does have this this profoundly
[TS]
01:00:14
◼
►
troubled childhood
[TS]
01:00:15
◼
►
maybe he did grow up thinking okay
[TS]
01:00:16
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feelings are too much trouble or maybe
[TS]
01:00:18
◼
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he never learned the emotional
[TS]
01:00:19
◼
►
vocabulary that he needed to be a
[TS]
01:00:21
◼
►
functional adult and so when somebody
[TS]
01:00:23
◼
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was adult comes and confesses messily
[TS]
01:00:25
◼
►
and awkwardly and drunkenly that I have
[TS]
01:00:27
◼
►
loved you for years like he has no tools
[TS]
01:00:30
◼
►
to deal with this and so his first
[TS]
01:00:32
◼
►
responses it's just inconvenient for me
[TS]
01:00:35
◼
►
I can't I can't which is not to say that
[TS]
01:00:37
◼
►
hundred and professors love for bribery
[TS]
01:00:38
◼
►
earlier right there he says I love you
[TS]
01:00:40
◼
►
Bradbury right i mean earlier it
[TS]
01:00:42
◼
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happened so it's not as if somebody says
[TS]
01:00:44
◼
►
that but I was one of these it yes you
[TS]
01:00:46
◼
►
know when it comes down to you know if
[TS]
01:00:47
◼
►
you actually love somebody it's it's the
[TS]
01:00:49
◼
►
hard moments where were you where you
[TS]
01:00:51
◼
►
have to step up and he can't no reason
[TS]
01:00:53
◼
►
he's unable to me he blows it
[TS]
01:00:55
◼
►
yeah yep so one of the things that I
[TS]
01:00:58
◼
►
really like about Brian capons work is
[TS]
01:01:00
◼
►
that it does lend itself to this kind of
[TS]
01:01:02
◼
►
discussion
[TS]
01:01:03
◼
►
I gotta give him full credit for that I
[TS]
01:01:05
◼
►
do enjoy reading his stuff i think is I
[TS]
01:01:08
◼
►
love that he has endings for his story I
[TS]
01:01:10
◼
►
don't you over the head with ideas like
[TS]
01:01:12
◼
►
he lets the ideas just kind of sneak up
[TS]
01:01:14
◼
►
and develop more calculations right with
[TS]
01:01:17
◼
►
laying out some of his his premise and
[TS]
01:01:19
◼
►
and there's stuff there to talk about
[TS]
01:01:21
◼
►
and we don't end up having to say well
[TS]
01:01:23
◼
►
why the last man you know over the
[TS]
01:01:25
◼
►
course of 20 years he did a hundred
[TS]
01:01:26
◼
►
issues and it really that made the
[TS]
01:01:29
◼
►
middle the middle 40 weren't very look
[TS]
01:01:31
◼
►
at the warrantless you know that's why I
[TS]
01:01:34
◼
►
like that he said no I'm gonna end this
[TS]
01:01:36
◼
►
story now and that there's something to
[TS]
01:01:38
◼
►
be said for that even if you have issues
[TS]
01:01:40
◼
►
with the ending i think i think it's
[TS]
01:01:41
◼
►
it's got some depth and if you haven't
[TS]
01:01:43
◼
►
read it and you've listened this far
[TS]
01:01:44
◼
►
we'll just say it again the stuff is
[TS]
01:01:46
◼
►
worth reading and because it's got a
[TS]
01:01:47
◼
►
beginning and an end especially you and
[TS]
01:01:49
◼
►
Runaways comes in a couple volumes so
[TS]
01:01:50
◼
►
it's got some clear and increased volume
[TS]
01:01:52
◼
►
several ways you're set yeah say yeah so
[TS]
01:01:54
◼
►
it is a story is like reading a novel or
[TS]
01:01:56
◼
►
a good season or two of a TV series
[TS]
01:01:59
◼
►
oh I should also point out that you know
[TS]
01:02:00
◼
►
we've talked about the art in X market
[TS]
01:02:02
◼
►
of the art while last man is also very
[TS]
01:02:04
◼
►
very pleasing
[TS]
01:02:05
◼
►
yes it's and he stuck with the same
[TS]
01:02:07
◼
►
pencils Pia group via kwara here
[TS]
01:02:10
◼
►
cartoony yes but really works with
[TS]
01:02:13
◼
►
there and there's that and there's the
[TS]
01:02:14
◼
►
there's the woman in whi the last man is
[TS]
01:02:17
◼
►
not the writer but it's the artist yeah
[TS]
01:02:18
◼
►
and every cover has the Y motif in their
[TS]
01:02:21
◼
►
step brothers are beautiful cover art is
[TS]
01:02:23
◼
►
beautiful the xmax covers are really
[TS]
01:02:26
◼
►
yeah yeah yeah yeah so it's not just
[TS]
01:02:28
◼
►
about bryan cave on it's about the
[TS]
01:02:29
◼
►
artists work now and he works very well
[TS]
01:02:31
◼
►
with artists to which is which is also
[TS]
01:02:32
◼
►
pretty evident the fact that his work
[TS]
01:02:34
◼
►
translate so well with so many different
[TS]
01:02:36
◼
►
pencils i think is is a strength of this
[TS]
01:02:38
◼
►
is a writer
[TS]
01:02:39
◼
►
what is he doing now I can't think of
[TS]
01:02:41
◼
►
anything that he's working on in comics
[TS]
01:02:43
◼
►
really don't know wouldn't surprise me
[TS]
01:02:45
◼
►
if he's doing some like Hollywood
[TS]
01:02:47
◼
►
something-or-other you know screenplay
[TS]
01:02:50
◼
►
or something like that because you did I
[TS]
01:02:51
◼
►
need moved to LA and he did work for
[TS]
01:02:53
◼
►
lost and and I don't know what he's
[TS]
01:02:55
◼
►
doing what did I row
[TS]
01:02:57
◼
►
oh it was the grant morrison universe i
[TS]
01:02:58
◼
►
read recently where he actually said
[TS]
01:03:00
◼
►
that most comic he he was talking about
[TS]
01:03:02
◼
►
the end of comics this is in Rolling
[TS]
01:03:03
◼
►
Stone the grant morrison interview and
[TS]
01:03:05
◼
►
what he said was as far as he's
[TS]
01:03:07
◼
►
concerned most of comics create
[TS]
01:03:09
◼
►
narratives are moving to the screen and
[TS]
01:03:11
◼
►
he thinks it's a pretty natural
[TS]
01:03:12
◼
►
progression that they want to a while
[TS]
01:03:14
◼
►
last man movie
[TS]
01:03:15
◼
►
yeah they had shia labeouf lined up for
[TS]
01:03:17
◼
►
it for a while which would have just
[TS]
01:03:18
◼
►
been horrible
[TS]
01:03:18
◼
►
yeah it sounds like the sticking point
[TS]
01:03:20
◼
►
is that channel doesn't want to do it
[TS]
01:03:22
◼
►
while they want to do the transformer
[TS]
01:03:23
◼
►
character they want to do three the
[TS]
01:03:26
◼
►
director who is attached to want to do
[TS]
01:03:28
◼
►
it is like two or three movies that it's
[TS]
01:03:30
◼
►
not enough story for a single movie
[TS]
01:03:32
◼
►
watching a great-niece HBO series
[TS]
01:03:34
◼
►
well that's I think that's exactly all
[TS]
01:03:36
◼
►
of these all of these bryan cave on
[TS]
01:03:38
◼
►
one's feel like TV shows to me no movies
[TS]
01:03:40
◼
►
because you need to play it out that
[TS]
01:03:41
◼
►
like Germany it is not now right if you
[TS]
01:03:44
◼
►
like the journey across north america
[TS]
01:03:45
◼
►
around like that last man could be a TV
[TS]
01:03:49
◼
►
show like walking dead yeah exactly and
[TS]
01:03:52
◼
►
maybe we're looking at you into that out
[TS]
01:03:53
◼
►
maybe not because they just got the
[TS]
01:03:55
◼
►
budget problems know somebody else you
[TS]
01:03:57
◼
►
may like the next talking did ya stars
[TS]
01:03:59
◼
►
now stars HBO maybe FF good effects
[TS]
01:04:03
◼
►
would do well with them with ex machina
[TS]
01:04:05
◼
►
because FX and this forgive me for
[TS]
01:04:08
◼
►
dressing the TV but this is something
[TS]
01:04:09
◼
►
that I also hang out with a lot F X
[TS]
01:04:12
◼
►
tends to excel at doing dramas which are
[TS]
01:04:15
◼
►
essentially workplace brought dramas but
[TS]
01:04:16
◼
►
actually more about human condition and
[TS]
01:04:18
◼
►
it's also kinda DX macana yeah and it's
[TS]
01:04:22
◼
►
also kind of dude skid which ex machina
[TS]
01:04:23
◼
►
is as a necessary imagine ex machina
[TS]
01:04:26
◼
►
written
[TS]
01:04:26
◼
►
by west wing guy is working
[TS]
01:04:30
◼
►
Aaron Sorkin writing ex machina would
[TS]
01:04:32
◼
►
make me very happy
[TS]
01:04:33
◼
►
sure it stitch then it literally is the
[TS]
01:04:34
◼
►
west wing with a guy with a jet there's
[TS]
01:04:36
◼
►
a lot of yeah i think they would
[TS]
01:04:37
◼
►
exercise in bartlett yeah sure on
[TS]
01:04:39
◼
►
driving it I'm not against Sorkin fan
[TS]
01:04:41
◼
►
but i think that what it as long as you
[TS]
01:04:42
◼
►
had bryan cave on doing the plot because
[TS]
01:04:44
◼
►
I think circuit is really weak on
[TS]
01:04:46
◼
►
long-term planning and execution but his
[TS]
01:04:48
◼
►
dialogues yummy treats yeah that
[TS]
01:04:50
◼
►
dialogue is great
[TS]
01:04:51
◼
►
yeah although to be fair to von he he's
[TS]
01:04:54
◼
►
not afraid to have long stretches of
[TS]
01:04:56
◼
►
dialogue that are sometimes quite
[TS]
01:04:57
◼
►
enjoyable to read they're not aaron
[TS]
01:04:59
◼
►
sorkin maybe but that he's not afraid to
[TS]
01:05:00
◼
►
have and sometimes clunky times
[TS]
01:05:03
◼
►
yeah it's true so that brings us to the
[TS]
01:05:06
◼
►
end of this edition of the comic book
[TS]
01:05:07
◼
►
club we will discuss more comic related
[TS]
01:05:10
◼
►
things the future podcast look at the
[TS]
01:05:12
◼
►
tradition will announce on the twitters
[TS]
01:05:14
◼
►
yes exactly right
[TS]
01:05:15
◼
►
I'd like to thank my guests in the comic
[TS]
01:05:17
◼
►
book club jason reitman thank you for
[TS]
01:05:18
◼
►
being here again great to be here as
[TS]
01:05:19
◼
►
always and Lisa Schmeisser thank you for
[TS]
01:05:22
◼
►
joining us
[TS]
01:05:22
◼
►
always my pleasure until next time I'm
[TS]
01:05:24
◼
►
Jason smell for the comparable to listen
[TS]
01:05:35
◼
►
[Music]
[TS]