328: Panspermia, but for Clothes
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the incomparable number 320 a November
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welcome back everybody to the
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uncomfortable i'm your host Jason Snell
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we are going to do an unusual thing semi
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unusual thing for the uncomfortable
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which is talk about a movie that is in
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theaters now as we record this it is
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November 2016 and a film released in
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this very month is on our agenda we are
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going to talk about a rival directed by
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Denny Villeneuve and starring Amy Adams
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and jeremy renner along with forest
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whitaker and some other interesting
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people based on the ted chang story
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story of your life which I i should i
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should look up we discussed it that
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story and his entire collection in in an
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early episode of the incomparable
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episode number 20 nope 3232 you can go
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back to number 32 and here past us talk
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about that
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joining me to talk about arrival are
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these three lovely people lean sims
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hello hello
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it's good to have you here thank you i'm
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excited to talk about this amazing movie
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I loved spoilers John siracusa is also
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here is was will be something like that
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hi John
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yeah it's kinda seems like I've always
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been here and yet I haven't arrived yet
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Glenn fleischmann was joining us and
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always joins us hi Glenn
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hi I can't tell you how hard it was
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we're talking about the story is a few
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years ago do not mention this episode
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but i did it i pulled it off
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that's good that's good heptapod be and
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of course I don't know why of course he
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saw the movie and I want to talk about
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its just oh hi Joe
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hello you were one of the motivators for
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me to finally pull the trigger on on
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this because you're like I have things I
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would like to say I'm like alright so do
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I let's do it let's make it happen our
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friend Erica and sign can't be here
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because she's traveling we're recording
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this just before Thanksgiving and she's
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traveling to the United States for
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thanksgiving but but out at a key moment
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we will interject something that she
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wanted to make known about goal this
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film so that's exciting
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everybody stay tuned stay tuned for that
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it's a it's a good officer is actually
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the first review of it i read excellent
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very similar observation and it's very
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so this is a movie like a so many about
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aliens appearing on earth and you can
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probably guess what will happen next and
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pretty much none of those things happen
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i think that's that's my opening
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statement is one of the I mean I know
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what was going to happen because i read
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the short story five years ago but i
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really enjoy how it's on one level it's
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like 50 other movies and yet when you
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get a little of that level it is not
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like very many other movies at all
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I i really like that about it what do
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you all what did you all do you all
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think about the the concept of this of
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this movie the basic concept but i'm a
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huge fan up the short story i'd say the
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story is which I reread after seeing the
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film I don't want to spoil my memory
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that gets into the home phone itself i
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don't remember too well when I was about
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to see and it's a story that I think
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about all the time like I would say not
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a month goes by that the story doesn't
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pop up my thoughts in some ways are
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reminded by it over the many years since
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i first read it because it it has this
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residence to me about especially since
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becoming a parent because I think
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there's something deep in a story of
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your life about parenthood but also it's
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a rollicking sci-fi story that has
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really interesting elements that are
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almost unique to the story that you
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almost don't see in the whole of science
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fiction which is kinda Ted Chang thing
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that he said he does so many stories
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that are almost three generous you don't
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you know you're like how I rented
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anywhere else like no no not exactly so
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watching in the movie i had that
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medicine sation of kind of knowing what
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the whole movie is going to be about
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which is perfect for this film but not
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really knowing what I was what I was
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about to see so I had that overlay on it
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as well I went into this i knew nothing
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about it I hadn't read the short story I
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don't even know if I knew there was a
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short story I hadn't seen a trailer and
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I just had a bunch of friends who saw it
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more like wow that was astounding as so
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I one of them being you Jason text my
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husband from lake in the middle of my
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class that i was teaching was like it
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you can see the movie tonight
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and so we went I and i loved it so much
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there's so much that is extremely well
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done and I i do have some quibbles but
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by and large the the entire thing I
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thought was really really beautiful and
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both from lake at a cinematic mood
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setting standpoint and I thought amy
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adams was absolutely amazing she did
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such a great job in that role and I felt
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a little betrayed that I said jeremy
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renner movie but I gotta ask that and I
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i really loved it like I walked out of
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there my husband we do a rating system
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when we see movies or whatever and he
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was like okay so how many stars and I
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was like this is a solid like four and a
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half stars movie for me it is one of the
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best movies i've seen in a long time and
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he's wrong he gave it three and a half
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but it wasn't the best movies that i
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have seen and we're gonna have you said
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he trashed three-and-a-half is not
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trashing it
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he no no he didn't trash it but he
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didn't love it on the level that i did
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and i think part of that is some of the
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stuff that Erica wanted to bring up that
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will talk about after the spoiler home
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porn goes off so earn and but yeah I
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think from a gender perspective from
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seeing people represented in movies who
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are like me this did better than any
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movie that I've seen in maybe ever and
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but we'll talk about that later
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I just learned that there will be a
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spoiler horn coming up so i will pilot
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the ship accordingly Joe do you have any
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initial thoughts that you want to share
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about arrival I like a clean i had not
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read the short story and if I ever
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listened to the comfortable episode
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about it i completely forgot which is
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how i do most of the book episodes and
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then I usually remember that i wanted to
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read something based on what you had
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talked about and eventually get around
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we call that the modified McNulty rule
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which is a few of you you for even
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forget about listening to podcast about
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books you might read yeah and it's so it
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worked it worked out okay in terms of I
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like the movie but now i have tried to
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go back and read the book I didn't
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manage before this podcast though and I
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know going into it that the two are not
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directly related in enough of a way that
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would seriously impact my movie-going
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experience so i'm a i'm kind of a happy
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that I did get the the fresh take on it
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I wasn't worried about any sort of
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divergence from from the plot of the
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book and I I should specify it's not
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even a book it's a short stories about
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70 pages long in in a collection of
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short stories called stories of your
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life and others but the actual story
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story of your life is about 70 pages
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it's not exciting but not quite a
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novella right it's like yeah maybe it's
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a short novella is its short story
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feeling
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yeah i just started with the beginning
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of the book in there it's like some
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Babylon tower thing
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oh yeah that's that's a pretty good
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story but they're not related you don't
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you don't have to read them anymore but
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I like that one too that was weird is it
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he's a good writer like just wanted to
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get some context did her the will get
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done but still but now I i like the
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execution of this movie like being said
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I do have some quibbles with it a
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particularly in terms of execution of
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some hair or something um ok
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yeah but the overall i have really
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positive feelings about about what I saw
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and I think part of that is the film's
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optimistic a tone that it sets in spite
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of a certain bittersweet moments that
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you might have in your life so i really
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look forward to discussing that all
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right today so I'm it's like I'm drawing
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opening statements out of people who
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have not John you have some initial
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thoughts before we blow the spoiler horn
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I guess I'm the third one who also
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didn't read the short story and may or
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may not have listened to the incompetent
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episode about and i'm pretty sure i did
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but i think like it wasn't one of those
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ones where you you talk about a lot of
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things and I think I may be managed to
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talk about this story without actually
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spoiling it because I I think that's
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probably about it
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yeah i think we talked about the flavor
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of the shape of it yeah yeah i didn't i
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didn't know how it was gonna turn out
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but it's not like I was watching oh yeah
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I kind of know this is gonna turn out
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like i didn't i didn't had no memory of
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it at all and I and likely not mostly
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went to it based on Jason's raves it and
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a couple of the people said good things
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about to but you were raving about him
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like ah right well then I guess what we
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took the whole family because I figured
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what the heck
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although my daughter was bored by it but
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yeah I i we didn't take the kids because
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i figured that they would probably
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keyboard yeah it's a little slow but
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anyway I'm I i had seen the trailers a
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little bit of the trailers I had avoided
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any spoilers that it wasn't spoiled for
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this movie and and I wanted to see it
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kind of the same way I see a lot of
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movies where I feel like I want to
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support the kind of movie I like to see
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made and even if I didn't like this
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movie at all like well it's one of those
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kind of seems like serious
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character-driven sci-fi stories and I
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more I wish there was more of those like
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it doesn't always have to be you know a
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Marvel movie are you blowing up aliens
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or even like a space opera star wars
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like you know just playing outside
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families just not enough that's what the
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reason I see oblivion even though it's
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not great you know just like i watch i
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watch almost anything that promises to
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be a semi-serious sci-fi movie and I
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thought this movie was executed in an
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interesting way and told the story that
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I hadn't seen you know told in movies
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that often i think i like they're
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probably less than everybody else's
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opinion ever heard so far but i totally
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want there to be more movies like this
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and I appreciate a lot of things about
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this movie is just it the story in the
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end doesn't hold together for me but
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just don't I ask you one question about
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the film which is if you had this
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reaction which was that the depiction of
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like setting stuff up in a tent and the
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kind of stuff that computers were doing
[TS]
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seemed actually okay like it
[TS]
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it struck me as not exaggerating the
[TS]
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potential even though we can tell it's
[TS]
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maybe slightly in the future I'm not
[TS]
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sure maybe tiny bit that it felt
[TS]
00:10:34
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realistic and earthy that was that's the
[TS]
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least of my concerns like this point i'm
[TS]
00:10:38
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so so willing to you know they it was
[TS]
00:10:41
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beneath the level of my concern if i can
[TS]
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let you have to really be egregiously
[TS]
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terrible at showing technology from you
[TS]
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to notice at this point and they
[TS]
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everything was fine and notice the
[TS]
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little bit of the idea of like the
[TS]
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beautiful design graphics showing when
[TS]
00:10:55
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people are the countries are
[TS]
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disconnected as a as a movie isn't the
[TS]
00:10:59
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jumped out a little bit i have no that's
[TS]
00:11:01
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not part of what I the problems i
[TS]
00:11:03
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haven't I can't really talk about
[TS]
00:11:04
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spoiling I only bring it up because the
[TS]
00:11:06
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I feel like there's also some
[TS]
00:11:07
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science-fiction movies are spoiled for
[TS]
00:11:09
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me now because I feel like some of the
[TS]
00:11:10
◼
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fundamental stuff they're showing not
[TS]
00:11:12
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just the technology but the kind of
[TS]
00:11:14
◼
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interaction what things are expected to
[TS]
00:11:15
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do break for me
[TS]
00:11:17
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so much i can't get over the suspension
[TS]
00:11:18
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of disbelief there's too much and radium
[TS]
00:11:20
◼
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without enough story underneath it in
[TS]
00:11:22
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this case I felt like that they depicted
[TS]
00:11:24
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technology realistically and very
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plainly in the middle of what was a very
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technologically sophisticated thing
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happening and that to me maybe know the
[TS]
00:11:32
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more I felt more real to meet and feels
[TS]
00:11:33
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distant you had a light touch with all
[TS]
00:11:36
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that stuff like they weren't the entire
[TS]
00:11:38
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movie had a light touch which I
[TS]
00:11:39
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appreciated but they weren't going to
[TS]
00:11:41
◼
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tell that the events that took place uh
[TS]
00:11:45
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and very often were like oh I've seen it
[TS]
00:11:47
◼
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seen like this in 55 movies but they
[TS]
00:11:50
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weren't shown the way they're normally
[TS]
00:11:53
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shown and the things they would you
[TS]
00:11:54
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would expect them to do well on there
[TS]
00:11:56
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like actually that's not what we really
[TS]
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◼
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care about this movie I mean the whole
[TS]
00:11:59
◼
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the opening of the movies is a great
[TS]
00:12:01
◼
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tell because it doesn't open with you
[TS]
00:12:03
◼
►
ominous throwing and pictures of space
[TS]
00:12:06
◼
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and aliens like it'sit's a human story
[TS]
00:12:09
◼
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starts with it with the our main
[TS]
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◼
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character narrating and it's about her
[TS]
00:12:13
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for the entire movie essentially and she
[TS]
00:12:15
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she tells a story and it like it starts
[TS]
00:12:18
◼
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the same way you can imagine like a
[TS]
00:12:20
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family drama starting or something you
[TS]
00:12:23
◼
►
know what I mean like that and that
[TS]
00:12:24
◼
►
that's how the movie plays throughout
[TS]
00:12:26
◼
►
and it's almost almost incidental that
[TS]
00:12:28
◼
►
there's this alien syfy angle to it
[TS]
00:12:30
◼
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really is a character-driven story and
[TS]
00:12:32
◼
►
you know except this is I would love to
[TS]
00:12:34
◼
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see more movies like this because i
[TS]
00:12:35
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think this is a great combination of you
[TS]
00:12:38
◼
►
know serious character-driven story with
[TS]
00:12:41
◼
►
a sci-fi setting thrown in shot in an
[TS]
00:12:44
◼
►
interesting way
[TS]
00:12:45
◼
►
so before we before we dive into
[TS]
00:12:47
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►
spoilers are a couple of the topics that
[TS]
00:12:48
◼
►
I wanted to at least mention that i
[TS]
00:12:49
◼
►
think are our kind of free of the plot
[TS]
00:12:51
◼
►
of this movie and it's this this movie
[TS]
00:12:53
◼
►
has some plot i don't know if i want to
[TS]
00:12:56
◼
►
say twist but it has some surprises
[TS]
00:12:57
◼
►
throughout that I think it's better I
[TS]
00:13:01
◼
►
think aliens suggestion that we use the
[TS]
00:13:03
◼
►
spoiler horn is is is a good one
[TS]
00:13:05
◼
►
although it one of the things i will say
[TS]
00:13:06
◼
►
now is it
[TS]
00:13:08
◼
►
I don't feel like this is a puzzle box
[TS]
00:13:09
◼
►
movie where the goal is to solve the
[TS]
00:13:11
◼
►
puzzle or be surprised by the puzzle i
[TS]
00:13:13
◼
►
think it's in it enjoyable story all the
[TS]
00:13:16
◼
►
way through even though there are
[TS]
00:13:17
◼
►
surprises as it goes but i really wanted
[TS]
00:13:20
◼
►
to bring up i want to bring up the eye
[TS]
00:13:22
◼
►
can see direction i could say
[TS]
00:13:24
◼
►
cinematography it this i think this
[TS]
00:13:27
◼
►
movie looks really good and then also
[TS]
00:13:30
◼
►
the muse
[TS]
00:13:30
◼
►
sick it sounds really good just on those
[TS]
00:13:33
◼
►
levels i think the pacing of it the way
[TS]
00:13:36
◼
►
it's shot especially a lot of this takes
[TS]
00:13:38
◼
►
place out in the field
[TS]
00:13:40
◼
►
I mean there's like there's a there's a
[TS]
00:13:41
◼
►
house on a lake and there's a which is
[TS]
00:13:44
◼
►
beautiful but there's this field in
[TS]
00:13:45
◼
►
Montana or Wyoming or wherever they're
[TS]
00:13:47
◼
►
out out and on the plains there's this
[TS]
00:13:49
◼
►
field with a big spaceship hovering over
[TS]
00:13:53
◼
►
it sort of and it's just slow camera
[TS]
00:13:57
◼
►
movements and beautiful beautifully shot
[TS]
00:14:00
◼
►
and I just think it's a
[TS]
00:14:02
◼
►
beautiful-looking movie and a very
[TS]
00:14:03
◼
►
restrained movie and I talking about
[TS]
00:14:08
◼
►
john-john saying i wanna i wanna have
[TS]
00:14:10
◼
►
more movies like this there are so many
[TS]
00:14:13
◼
►
especially genre movies that are not
[TS]
00:14:15
◼
►
restrained and this is a very restrained
[TS]
00:14:17
◼
►
movie you can see the sort of discipline
[TS]
00:14:20
◼
►
we're going to take our time we're going
[TS]
00:14:22
◼
►
to move slow
[TS]
00:14:23
◼
►
we're not going to push this too fast
[TS]
00:14:25
◼
►
and I really like really liked all of
[TS]
00:14:27
◼
►
that in the look and the feel of it i'm
[TS]
00:14:29
◼
►
so glad you said to restring these I was
[TS]
00:14:30
◼
►
thinking restraint was the thing is it's
[TS]
00:14:32
◼
►
quiet in spots they have their time the
[TS]
00:14:35
◼
►
alien ships are not fancy
[TS]
00:14:36
◼
►
we don't know anything about how they
[TS]
00:14:38
◼
►
work really it's not important
[TS]
00:14:40
◼
►
it reminds me of some 1960 sci-fi films
[TS]
00:14:43
◼
►
are some really elaborate stuff in the
[TS]
00:14:44
◼
►
sixties it goes way over the top of
[TS]
00:14:46
◼
►
course but then there's a few quieter
[TS]
00:14:48
◼
►
films that are very spare and restrained
[TS]
00:14:51
◼
►
some avant-garde movies that aren't even
[TS]
00:14:52
◼
►
sci-fi but they're slightly magical
[TS]
00:14:54
◼
►
realistic where things happen unfold in
[TS]
00:14:57
◼
►
a way that doesn't seem entirely linear
[TS]
00:14:59
◼
►
I was thinking particularly of the
[TS]
00:15:01
◼
►
original solaris which is more active
[TS]
00:15:03
◼
►
and has more kind of a sci-fi vibe to it
[TS]
00:15:06
◼
►
and this film does in this bill has
[TS]
00:15:08
◼
►
aliens in it but it has moments in
[TS]
00:15:10
◼
►
solaris there's just this kind of
[TS]
00:15:11
◼
►
repetitive thing or quietness or someone
[TS]
00:15:14
◼
►
staring and it has more power because
[TS]
00:15:16
◼
►
it's not genetic it's wonderful and I
[TS]
00:15:19
◼
►
want to try some similarities i guess to
[TS]
00:15:21
◼
►
contact if people are you know thinking
[TS]
00:15:23
◼
►
about ya dip it was much more
[TS]
00:15:26
◼
►
conventional this so much more democracy
[TS]
00:15:28
◼
►
yeah but it's it's still the kind of
[TS]
00:15:33
◼
►
story they're trying to tell about a
[TS]
00:15:34
◼
►
person and their interaction with
[TS]
00:15:36
◼
►
something beyond it's not it's not as a
[TS]
00:15:40
◼
►
space opera ask it took it so seriously
[TS]
00:15:44
◼
►
serious on by i mean i think they
[TS]
00:15:46
◼
►
diverge widely at in terms of how much
[TS]
00:15:49
◼
►
they care about character versus how
[TS]
00:15:50
◼
►
much they care about the science but
[TS]
00:15:52
◼
►
both of them i would file as serious
[TS]
00:15:55
◼
►
sci-fi movies made essentially for
[TS]
00:15:58
◼
►
adults and it's just that I I you know I
[TS]
00:16:01
◼
►
everyone contact is so much more
[TS]
00:16:02
◼
►
conventional in terms of just how
[TS]
00:16:05
◼
►
everything is shot how everything is lit
[TS]
00:16:08
◼
►
the the events to take place the music
[TS]
00:16:11
◼
►
everything about it this is arrivals
[TS]
00:16:13
◼
►
almost more like an arthouse movie
[TS]
00:16:16
◼
►
compared to contact
[TS]
00:16:17
◼
►
yeah but they they are in terms of most
[TS]
00:16:20
◼
►
what movie is this movie's most like I
[TS]
00:16:23
◼
►
that's probably what I would say is
[TS]
00:16:25
◼
►
contact and the only other alternative I
[TS]
00:16:28
◼
►
could I could come up with is probably a
[TS]
00:16:30
◼
►
christopher nolan movie like memento or
[TS]
00:16:34
◼
►
the prestige which are which are very
[TS]
00:16:36
◼
►
different movies and yet there's
[TS]
00:16:37
◼
►
something about the vibe of this that
[TS]
00:16:39
◼
►
reminded me of some of those the non bad
[TS]
00:16:41
◼
►
man Christopher Nolan movies uh I don't
[TS]
00:16:44
◼
►
know that those the best ones that I
[TS]
00:16:46
◼
►
could come up with but I think contact
[TS]
00:16:47
◼
►
is probably the the most comparable ha
[TS]
00:16:49
◼
►
whoo yeah not not in terms of execution
[TS]
00:16:52
◼
►
of no no ya didn't watch solaris good i
[TS]
00:16:55
◼
►
think that was a good comparison the
[TS]
00:16:57
◼
►
original solaris no it's just I yeah I
[TS]
00:16:59
◼
►
find it i find that kind of beautiful
[TS]
00:17:00
◼
►
and and gentlemen a lot of ways that you
[TS]
00:17:02
◼
►
know so many movies assault us and it's
[TS]
00:17:04
◼
►
nice to feel like again this is a like
[TS]
00:17:07
◼
►
that i think that's what John is getting
[TS]
00:17:09
◼
►
out this is this is a sci-fi movie for
[TS]
00:17:10
◼
►
adults like it is it is defiantly for
[TS]
00:17:13
◼
►
adults it's not for bring the whole
[TS]
00:17:15
◼
►
family and I think even though you can I
[TS]
00:17:17
◼
►
mean there's not many other than some
[TS]
00:17:19
◼
►
language you it's fine i just think kids
[TS]
00:17:20
◼
►
will be kinda bored and I think
[TS]
00:17:21
◼
►
teenagers will probably be bored bored
[TS]
00:17:23
◼
►
by 2 because it's not like single and
[TS]
00:17:25
◼
►
make it an older kid can get wrapped up
[TS]
00:17:27
◼
►
in it because it's one of those movies
[TS]
00:17:28
◼
►
where like it's slow but if you get
[TS]
00:17:30
◼
►
caught up in it that slowness that's
[TS]
00:17:32
◼
►
tension that's like you're looking at
[TS]
00:17:34
◼
►
every you have enough times there like
[TS]
00:17:36
◼
►
the little rough texture on the edge of
[TS]
00:17:37
◼
►
the little tunnel going up into the ship
[TS]
00:17:39
◼
►
you haven't had time to think about
[TS]
00:17:40
◼
►
these things and to dwell on them and
[TS]
00:17:42
◼
►
and to look at the mist covering the
[TS]
00:17:44
◼
►
field and like I feel like kind of like
[TS]
00:17:46
◼
►
I said like jaws but kind of like it a
[TS]
00:17:48
◼
►
lot of the older movies from decades
[TS]
00:17:51
◼
►
past where they were slow paced and they
[TS]
00:17:53
◼
►
don't grab you it's just like a boring
[TS]
00:17:54
◼
►
movie but they do grab you that slow
[TS]
00:17:56
◼
►
pace is like you just feel like you're
[TS]
00:17:57
◼
►
being pulled along by string through the
[TS]
00:17:58
◼
►
whole movie you just you just can't wait
[TS]
00:18:00
◼
►
to see it unfold
[TS]
00:18:01
◼
►
I've got another comp by the way I'm
[TS]
00:18:03
◼
►
gonna throw in here the slowness and
[TS]
00:18:04
◼
►
restrain this actually reminded me of
[TS]
00:18:06
◼
►
unbreakable a little bit which is a
[TS]
00:18:07
◼
►
movie i love oh yeah there's this
[TS]
00:18:09
◼
►
definitely Shyamalan anything here
[TS]
00:18:11
◼
►
yeah i'm yeah looks good the good kind
[TS]
00:18:13
◼
►
of a good point
[TS]
00:18:14
◼
►
not the kind where there's an elevator
[TS]
00:18:15
◼
►
that's the devil but I you said you
[TS]
00:18:17
◼
►
didn't think this was a puzzle box movie
[TS]
00:18:19
◼
►
and I agree it's not you're not trying
[TS]
00:18:20
◼
►
to like figure it out but I feel like to
[TS]
00:18:23
◼
►
the turn in this movie I wouldn't call
[TS]
00:18:24
◼
►
the twist that were called the turn
[TS]
00:18:25
◼
►
yeah the turn in this movie because i
[TS]
00:18:27
◼
►
didn't know anything about the short
[TS]
00:18:28
◼
►
story i really appreciate it because i
[TS]
00:18:30
◼
►
felt like it kind of like blossomed as I
[TS]
00:18:34
◼
►
realize what they were doing right in a
[TS]
00:18:36
◼
►
pleasant way I in a way that made me
[TS]
00:18:40
◼
►
appreciate that you think that was the
[TS]
00:18:41
◼
►
high point of the movie for me when I
[TS]
00:18:43
◼
►
when I realized what they were doing
[TS]
00:18:44
◼
►
like are you know around the turn part
[TS]
00:18:46
◼
►
kind of want a little bit downhill after
[TS]
00:18:48
◼
►
but when I realized what they were doing
[TS]
00:18:50
◼
►
timeline wise kind of like another thing
[TS]
00:18:52
◼
►
that that's another piece of media that
[TS]
00:18:55
◼
►
we won't talk about because we want to
[TS]
00:18:56
◼
►
spoil that and this particular podcast I
[TS]
00:19:00
◼
►
I appreciate that unlike a big smile
[TS]
00:19:02
◼
►
came across my face and like very well
[TS]
00:19:05
◼
►
done because I need you know just
[TS]
00:19:06
◼
►
ripples backwards and you realize with
[TS]
00:19:08
◼
►
the hoping of the movie and what they
[TS]
00:19:09
◼
►
were getting at was like good job i felt
[TS]
00:19:12
◼
►
like giving them a little bit of
[TS]
00:19:13
◼
►
applause there and that's a pleasant
[TS]
00:19:15
◼
►
sensation better than the haha didn't
[TS]
00:19:17
◼
►
you know the twist was whatever like it
[TS]
00:19:19
◼
►
was totally even even the twist was
[TS]
00:19:21
◼
►
gentle twist was a turn
[TS]
00:19:23
◼
►
yeah no you're right this does uh the
[TS]
00:19:25
◼
►
film does exactly what the story doesn't
[TS]
00:19:27
◼
►
that's one of the qualities that
[TS]
00:19:28
◼
►
captures which we can talk about more
[TS]
00:19:29
◼
►
for the spoiler but it diffuses what you
[TS]
00:19:32
◼
►
learn sort of backwards and forward in
[TS]
00:19:35
◼
►
time so it actually rebuild in your mind
[TS]
00:19:38
◼
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what you think you've just read or seen
[TS]
00:19:39
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and the film did it i want to say almost
[TS]
00:19:42
◼
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perfectly they had a structured
[TS]
00:19:44
◼
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differently in the in the story some of
[TS]
00:19:46
◼
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the stuff comes later they don't shows
[TS]
00:19:48
◼
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what that he doesn't want to them i
[TS]
00:19:49
◼
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think give you too much of the
[TS]
00:19:50
◼
►
information but you have to present
[TS]
00:19:52
◼
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visually you have to keep people in
[TS]
00:19:54
◼
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because otherwise it would be
[TS]
00:19:55
◼
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sudden twist and it wouldn't make sense
[TS]
00:19:56
◼
►
so the way they kind of rippled it in
[TS]
00:19:58
◼
►
the film i think was the perfect
[TS]
00:20:01
◼
►
cinematic analog to what the story
[TS]
00:20:04
◼
►
unfolded as alright I am going to now
[TS]
00:20:06
◼
►
play a a transcript of the alien
[TS]
00:20:10
◼
►
language as heard in the movie arrival
[TS]
00:20:12
◼
►
no it's actually it's just the spoiler
[TS]
00:20:14
◼
►
horn but they're similar here it is
[TS]
00:20:16
◼
►
[Music]
[TS]
00:20:19
◼
►
ok whoo boy that you right up oh yeah
[TS]
00:20:23
◼
►
it's it makes a circle with any way you
[TS]
00:20:26
◼
►
see the spoiler horn so i can understand
[TS]
00:20:28
◼
►
what this one's trying to say
[TS]
00:20:29
◼
►
yeah okay all all spoilers have been
[TS]
00:20:32
◼
►
cleared now we can now talk about what
[TS]
00:20:35
◼
►
happened what happens in this movie and
[TS]
00:20:38
◼
►
you know it's the thing knowing having
[TS]
00:20:42
◼
►
read the story the very beginning of the
[TS]
00:20:45
◼
►
movie i actually said this to Lauren
[TS]
00:20:47
◼
►
when we were walking out to the car at
[TS]
00:20:48
◼
►
the end i said it's there in the first
[TS]
00:20:51
◼
►
line like the first line of the movie is
[TS]
00:20:53
◼
►
I used to think that your story began
[TS]
00:20:55
◼
►
here but now I'm not so sure
[TS]
00:20:57
◼
►
right so it sits there from the
[TS]
00:21:00
◼
►
beginning and what a move
[TS]
00:21:02
◼
►
I mean I guess up like maybe up to come
[TS]
00:21:05
◼
►
to hear want to move to have the first
[TS]
00:21:08
◼
►
part of this movie it's okay we're gonna
[TS]
00:21:10
◼
►
go see a movie about aliens and it's no
[TS]
00:21:12
◼
►
it's actually about a mother caring for
[TS]
00:21:13
◼
►
her dying child and then the child dies
[TS]
00:21:15
◼
►
Wow okay that's that's where we start I
[TS]
00:21:18
◼
►
was bawling to my friend of mine said
[TS]
00:21:20
◼
►
she'd said I cried heavily three times
[TS]
00:21:22
◼
►
during the film I was crying two minutes
[TS]
00:21:24
◼
►
and I was like oh they already just
[TS]
00:21:26
◼
►
totally got their hooks in me I was
[TS]
00:21:28
◼
►
crying during the during the trailers
[TS]
00:21:29
◼
►
plan to discover bad those movies aren't
[TS]
00:21:33
◼
►
that bad oh you know it is it is well
[TS]
00:21:36
◼
►
because what it sets it as the tone of
[TS]
00:21:38
◼
►
the movie is you're watching a story of
[TS]
00:21:41
◼
►
a woman who is trying to piece her life
[TS]
00:21:43
◼
►
back together after a horrible tragedy
[TS]
00:21:45
◼
►
which is not what the movie is that
[TS]
00:21:48
◼
►
you're actually watching and it's it's
[TS]
00:21:51
◼
►
interesting to me because there are a
[TS]
00:21:53
◼
►
lot of and I don't know parallels isn't
[TS]
00:21:56
◼
►
exactly the right word but there are
[TS]
00:21:57
◼
►
things that i can very deeply relate to
[TS]
00:21:59
◼
►
you i have several several sets of
[TS]
00:22:02
◼
►
friends who have actually lost their
[TS]
00:22:03
◼
►
daughters to childhood cancer and and i
[TS]
00:22:06
◼
►
have been there and supported them
[TS]
00:22:08
◼
►
through that and and I have been there
[TS]
00:22:10
◼
►
in the aftermath of that and watching
[TS]
00:22:12
◼
►
them do that work and so I was like oh
[TS]
00:22:15
◼
►
wow ok and i also teach college classes
[TS]
00:22:21
◼
►
and somehow watching her go to school
[TS]
00:22:24
◼
►
and like having this this level of
[TS]
00:22:26
◼
►
empathy for her is she's like I think
[TS]
00:22:29
◼
►
you know we're trying trying to teach
[TS]
00:22:31
◼
►
students and move on with her life
[TS]
00:22:33
◼
►
and you know go home and talk with her
[TS]
00:22:36
◼
►
mom and like all of the stuff I'm like
[TS]
00:22:37
◼
►
you know how how does like feel after
[TS]
00:22:41
◼
►
that you know from from her perspective
[TS]
00:22:43
◼
►
and so I was like I can't imagine
[TS]
00:22:45
◼
►
teaching class you know after my
[TS]
00:22:47
◼
►
daughter died and and in keeping it
[TS]
00:22:49
◼
►
together and in teaching about languages
[TS]
00:22:51
◼
►
and and how do you find your purpose in
[TS]
00:22:54
◼
►
that and you know like all of those
[TS]
00:22:55
◼
►
things so it was like immediately I was
[TS]
00:22:58
◼
►
like oh wow this is right in the feels
[TS]
00:23:00
◼
►
right in the feels right off the bat i
[TS]
00:23:03
◼
►
also thought about but I was also
[TS]
00:23:04
◼
►
thinking during that whole section where
[TS]
00:23:06
◼
►
is the other parent for this child and
[TS]
00:23:08
◼
►
it was like a first-time light is just
[TS]
00:23:10
◼
►
bad movie making where they didn't cast
[TS]
00:23:12
◼
►
that part it's not important and then
[TS]
00:23:14
◼
►
like well no this is just more part of
[TS]
00:23:15
◼
►
her very tragic story that she's been
[TS]
00:23:17
◼
►
raising this girl alone and she asked to
[TS]
00:23:19
◼
►
help this girl died alone like that you
[TS]
00:23:21
◼
►
know that that's part of the tragedy
[TS]
00:23:22
◼
►
evidence that and and I like the fact
[TS]
00:23:24
◼
►
that my my questions and puzzling about
[TS]
00:23:27
◼
►
that were nicely then logically answered
[TS]
00:23:31
◼
►
later in the movie you know after the
[TS]
00:23:32
◼
►
turn their addressed in the middle
[TS]
00:23:34
◼
►
because at one point there's that scene
[TS]
00:23:36
◼
►
where she's helping her daughter do her
[TS]
00:23:38
◼
►
homework and says I just didn't like
[TS]
00:23:40
◼
►
father it was science ask your father
[TS]
00:23:43
◼
►
yeah that's not like he's out of the
[TS]
00:23:44
◼
►
picture like yeah you know that you know
[TS]
00:23:46
◼
►
that they split so hard that he's just
[TS]
00:23:49
◼
►
didn't want to have anything to do with
[TS]
00:23:50
◼
►
the daughter anymore or you know like
[TS]
00:23:53
◼
►
yeah any day that that's that's that I
[TS]
00:23:56
◼
►
where I consider the turn to have
[TS]
00:23:58
◼
►
happened is probably way before the
[TS]
00:24:00
◼
►
movie thinks it's revealing it because
[TS]
00:24:02
◼
►
they did leave lots of clues right so i
[TS]
00:24:04
◼
►
probably the pieces like right yeah
[TS]
00:24:05
◼
►
exactly
[TS]
00:24:07
◼
►
you know I mean and also law of
[TS]
00:24:08
◼
►
conservation of characters and so on and
[TS]
00:24:10
◼
►
so forth but I it doesn't matter where
[TS]
00:24:12
◼
►
it occurs i think it was it was it was
[TS]
00:24:13
◼
►
nice it was this is a sturdily
[TS]
00:24:15
◼
►
constructed turn
[TS]
00:24:17
◼
►
yeah that no matter where you get it is
[TS]
00:24:19
◼
►
satisfying and and yea and all and it
[TS]
00:24:23
◼
►
really helps that all those scenes work
[TS]
00:24:26
◼
►
both before you know and they work after
[TS]
00:24:28
◼
►
and it's not like they only work after
[TS]
00:24:31
◼
►
or they may you know like it's just it's
[TS]
00:24:33
◼
►
just good movie making you know i won't
[TS]
00:24:35
◼
►
ask folks we have read the story I
[TS]
00:24:37
◼
►
didn't even understand this alien until
[TS]
00:24:38
◼
►
you just said it is one of the first
[TS]
00:24:40
◼
►
things came up I was so wrapped up and
[TS]
00:24:42
◼
►
seeing the story i love on screen and I
[TS]
00:24:43
◼
►
was a niners to the time sequence
[TS]
00:24:45
◼
►
because I dread it
[TS]
00:24:46
◼
►
so the daughter we see her you know
[TS]
00:24:47
◼
►
dying and then the mothers it's good no
[TS]
00:24:50
◼
►
Louise is teaching I never thought about
[TS]
00:24:52
◼
►
that as the emotional reaction of her
[TS]
00:24:54
◼
►
daughter just died like the
[TS]
00:24:55
◼
►
chronological sequence and she's back
[TS]
00:24:58
◼
►
teaching and this is why she looks sort
[TS]
00:24:59
◼
►
of morose because I knew the order of
[TS]
00:25:01
◼
►
things happening it never struck me
[TS]
00:25:03
◼
►
until you decide and straight until you
[TS]
00:25:04
◼
►
just said that
[TS]
00:25:05
◼
►
yeah I met and how douchey process the
[TS]
00:25:07
◼
►
arrival of aliens it's like you're all
[TS]
00:25:09
◼
►
your thinking when you watch that scene
[TS]
00:25:10
◼
►
it's all about that she's coping with
[TS]
00:25:13
◼
►
this loss
[TS]
00:25:13
◼
►
he's not actually what you're saying
[TS]
00:25:14
◼
►
yeah because it's very traditionally it
[TS]
00:25:17
◼
►
in terms of the mechanics of traditional
[TS]
00:25:19
◼
►
movie making these would-be flashbacks
[TS]
00:25:21
◼
►
because we haven't seen the movie yet so
[TS]
00:25:23
◼
►
I that not only makes logical sense if
[TS]
00:25:27
◼
►
you if you're not familiar with the
[TS]
00:25:28
◼
►
story I and one of the other interesting
[TS]
00:25:30
◼
►
things that they didn't use a flash
[TS]
00:25:33
◼
►
forward flashbacks is that they she
[TS]
00:25:36
◼
►
looks exactly the same
[TS]
00:25:38
◼
►
they didn't do any aging makeup or the
[TS]
00:25:41
◼
►
other touch-up work or anything
[TS]
00:25:43
◼
►
she always looks like amy adams of the
[TS]
00:25:46
◼
►
present throughout the entire film
[TS]
00:25:48
◼
►
whenever she's in one of these altered
[TS]
00:25:49
◼
►
time states and i think at first I
[TS]
00:25:53
◼
►
wasn't sure why they chose to do that
[TS]
00:25:55
◼
►
but then after you find out what the
[TS]
00:25:57
◼
►
twist is it's like oh because if you saw
[TS]
00:25:58
◼
►
an old Amy Adams with her child has been
[TS]
00:26:02
◼
►
alive for 20-something years then it
[TS]
00:26:04
◼
►
isn't was willing to accept it in the
[TS]
00:26:06
◼
►
movie it made it seem like she was
[TS]
00:26:07
◼
►
entertained but I don't they probably
[TS]
00:26:08
◼
►
were careful with it that's the one part
[TS]
00:26:10
◼
►
of this movie that probably doesn't read
[TS]
00:26:12
◼
►
the same in both directions only because
[TS]
00:26:14
◼
►
they're trying to not give anything away
[TS]
00:26:17
◼
►
they're subtle but I had that same
[TS]
00:26:19
◼
►
ecology age as well I mean I probably
[TS]
00:26:21
◼
►
just put on less makeup and hit her
[TS]
00:26:22
◼
►
crow's feet less well and maybe did a
[TS]
00:26:24
◼
►
little touch-up on the hair but honestly
[TS]
00:26:26
◼
►
you know various not as if you're going
[TS]
00:26:27
◼
►
to change to a wrinkled old hag and 15
[TS]
00:26:30
◼
►
years especially if you you know that I
[TS]
00:26:33
◼
►
the only thing that the thing that
[TS]
00:26:35
◼
►
struck me about this both isn't it's not
[TS]
00:26:37
◼
►
a timeline question is the story of how
[TS]
00:26:39
◼
►
she comes from a family that makes your
[TS]
00:26:42
◼
►
independently wealthy because there's no
[TS]
00:26:43
◼
►
way and a professor salary that you can
[TS]
00:26:45
◼
►
have the house in the lac all by herself
[TS]
00:26:47
◼
►
there's a lot of those fantasy movie as
[TS]
00:26:49
◼
►
it was a beautiful house apparently the
[TS]
00:26:51
◼
►
house when they when they went into the
[TS]
00:26:53
◼
►
home and
[TS]
00:26:54
◼
►
and Ryan you know what the hell of a
[TS]
00:26:56
◼
►
place it isn't that the show is in case
[TS]
00:26:58
◼
►
shot and came back I thought it was out
[TS]
00:27:00
◼
►
here actually yeah it's like it's
[TS]
00:27:02
◼
►
exactly like washing it looks like
[TS]
00:27:03
◼
►
Washington I had that same thought I
[TS]
00:27:05
◼
►
just assumed that she was in seattle and
[TS]
00:27:06
◼
►
that was exhausted and open and since
[TS]
00:27:09
◼
►
since the author is from seattle right
[TS]
00:27:11
◼
►
doesn't change that from seeing exactly
[TS]
00:27:13
◼
►
that is why do I assume that that's that
[TS]
00:27:14
◼
►
was at least an homage to that if
[TS]
00:27:16
◼
►
nothing else I think so I mean I think
[TS]
00:27:17
◼
►
they set up the community in the college
[TS]
00:27:19
◼
►
that she teaches at a community college
[TS]
00:27:21
◼
►
what has that feeling of like a 1960s
[TS]
00:27:23
◼
►
built Community College just the brick
[TS]
00:27:26
◼
►
and whatever so lean this is the time
[TS]
00:27:28
◼
►
where we should talk since since makeup
[TS]
00:27:30
◼
►
and Amy Adams came up we should talk
[TS]
00:27:31
◼
►
about this and it's something and like i
[TS]
00:27:33
◼
►
said in the review that i read to which
[TS]
00:27:35
◼
►
is Amy Adams look this is a movie Amy
[TS]
00:27:37
◼
►
Adams is made up in this movie but she's
[TS]
00:27:40
◼
►
not made up to be like glamorous
[TS]
00:27:44
◼
►
glamorous yeah she's made up to be like
[TS]
00:27:46
◼
►
a person living their life and that is
[TS]
00:27:50
◼
►
not usually what happens when women are
[TS]
00:27:54
◼
►
in movies
[TS]
00:27:55
◼
►
yeah yeah and and I think as I said at
[TS]
00:27:59
◼
►
the beginning I think that's part of why
[TS]
00:28:00
◼
►
i love this movie so much as it's
[TS]
00:28:02
◼
►
because and I mean there are a lot of
[TS]
00:28:05
◼
►
ways that can relate to her but one of
[TS]
00:28:07
◼
►
them is a I don't wear makeup everyday
[TS]
00:28:10
◼
►
and some days I don't even brush my hair
[TS]
00:28:12
◼
►
I work from home so and often work from
[TS]
00:28:15
◼
►
home so you know it in there were times
[TS]
00:28:18
◼
►
when it it looked like she had gone
[TS]
00:28:21
◼
►
directly from her cot on site to the
[TS]
00:28:25
◼
►
computer to you know they're the better
[TS]
00:28:28
◼
►
no blueprints of of the language or
[TS]
00:28:30
◼
►
whatever and and I loved that because at
[TS]
00:28:33
◼
►
no point was she
[TS]
00:28:36
◼
►
well okay one point she was an address
[TS]
00:28:38
◼
►
to the nines with every hair in place
[TS]
00:28:39
◼
►
right but the rest of the time she just
[TS]
00:28:41
◼
►
looked normal and that's not something I
[TS]
00:28:44
◼
►
get in movies you know we get hair is
[TS]
00:28:47
◼
►
precisely in place and perfect you know
[TS]
00:28:50
◼
►
whatever winged eyeliner i don't even
[TS]
00:28:52
◼
►
really know what that means if you have
[TS]
00:28:54
◼
►
things like that and so it was so
[TS]
00:28:57
◼
►
refreshing to see someone look real to
[TS]
00:29:01
◼
►
see a woman look real in a movie and not
[TS]
00:29:04
◼
►
only that she looked real and she was
[TS]
00:29:07
◼
►
respected
[TS]
00:29:08
◼
►
yeah and not only was she respected she
[TS]
00:29:11
◼
►
turned them away like she did not bow to
[TS]
00:29:14
◼
►
the government you know too that was
[TS]
00:29:16
◼
►
what does this rank colonel-general
[TS]
00:29:17
◼
►
whatever he was her and all she did he
[TS]
00:29:20
◼
►
she was like okay walk away I'm better
[TS]
00:29:23
◼
►
you ask him this question you come back
[TS]
00:29:24
◼
►
to me you will come back to me in and
[TS]
00:29:27
◼
►
she was just honest you're strong and
[TS]
00:29:29
◼
►
amazing and respected and real
[TS]
00:29:32
◼
►
throughout the movie in a way that I
[TS]
00:29:33
◼
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don't know that I've ever seen
[TS]
00:29:37
◼
►
can I ask you about there's a scene
[TS]
00:29:38
◼
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early on that I thought set the tone too
[TS]
00:29:40
◼
►
is when they go into 10 and ian is
[TS]
00:29:42
◼
►
introduced and she is not reduced unlike
[TS]
00:29:45
◼
►
the colonel is doing that typical thing
[TS]
00:29:46
◼
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of these disrespecting woman that's not
[TS]
00:29:48
◼
►
gonna be a plot point that he takes her
[TS]
00:29:50
◼
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to the other tenses she this is your
[TS]
00:29:51
◼
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team you're in charge and I went oh my
[TS]
00:29:53
◼
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god this is not what I was expecting
[TS]
00:29:56
◼
►
I don't remember it wasn't set up in the
[TS]
00:29:57
◼
►
story she is part of a party man charged
[TS]
00:29:59
◼
►
but just the casual business casual miss
[TS]
00:30:02
◼
►
of military leader like doing what was
[TS]
00:30:04
◼
►
directed here in this is the team your
[TS]
00:30:06
◼
►
part of boom
[TS]
00:30:07
◼
►
Louise this your team these people
[TS]
00:30:09
◼
►
working for you I had that moment she
[TS]
00:30:11
◼
►
was like oh he's gonna say something
[TS]
00:30:13
◼
►
weird to her and I'm gonna get mad and i
[TS]
00:30:16
◼
►
did not i was i was world and I superly
[TS]
00:30:19
◼
►
she just she did whatever the F she
[TS]
00:30:22
◼
►
I think she you know she saw the
[TS]
00:30:24
◼
►
whiteboard she took the whiteboard in
[TS]
00:30:25
◼
►
and was like this this is what I'm doing
[TS]
00:30:27
◼
►
she and going to check off the hazmat
[TS]
00:30:30
◼
►
suit in the caverns that she could
[TS]
00:30:33
◼
►
communicate better without you no
[TS]
00:30:35
◼
►
permission without vetting it with
[TS]
00:30:36
◼
►
anybody she just did it and I i don't
[TS]
00:30:40
◼
►
know i really love to seeing all of that
[TS]
00:30:42
◼
►
it just and in a way that I can't really
[TS]
00:30:46
◼
►
Express only to say that you know this
[TS]
00:30:50
◼
►
is this is why representation in media
[TS]
00:30:52
◼
►
matters why women need to see ourselves
[TS]
00:30:55
◼
►
depicted why people of color need to see
[TS]
00:30:58
◼
►
themselves in amazing roles so I've got
[TS]
00:31:00
◼
►
two notes one is um I like as the movie
[TS]
00:31:03
◼
►
progresses the the San Francisco
[TS]
00:31:05
◼
►
Chronicle review by Peter Hartlaub said
[TS]
00:31:07
◼
►
it literally looks like amy adams and
[TS]
00:31:10
◼
►
jeremy renner just kinda like kept
[TS]
00:31:13
◼
►
shooting and sleeping in their clothes
[TS]
00:31:15
◼
►
and shoot and really it feels like
[TS]
00:31:18
◼
►
they're there it you know so many movies
[TS]
00:31:21
◼
►
can make it was like yeah I
[TS]
00:31:22
◼
►
know that they're actually out there
[TS]
00:31:23
◼
►
working around the clock and they've
[TS]
00:31:25
◼
►
been there for weeks but there they
[TS]
00:31:26
◼
►
totally got it together and they look
[TS]
00:31:28
◼
►
beautiful and fashionable it's like nope
[TS]
00:31:29
◼
►
they they look like they got thrown on a
[TS]
00:31:32
◼
►
helicopter and put out in the middle of
[TS]
00:31:34
◼
►
nowhere and are getting no sleep and
[TS]
00:31:37
◼
►
they're trying to figure this out and it
[TS]
00:31:38
◼
►
really works for the the idea that
[TS]
00:31:40
◼
►
they're trying to work this problem and
[TS]
00:31:41
◼
►
figure this out but they do look like
[TS]
00:31:43
◼
►
they've been sleeping in their clothes
[TS]
00:31:45
◼
►
and it's and it's good and it's
[TS]
00:31:46
◼
►
effective and the other thing i want to
[TS]
00:31:48
◼
►
say talk about forest whitaker for a
[TS]
00:31:50
◼
►
second is the colonel i really like
[TS]
00:31:52
◼
►
forest whitaker I mean force which is
[TS]
00:31:53
◼
►
great but in this movie I really like
[TS]
00:31:55
◼
►
him because it's very clear that his job
[TS]
00:31:58
◼
►
is to be a conduit and he's not like we
[TS]
00:32:01
◼
►
see in so many movies this like totally
[TS]
00:32:03
◼
►
bullheaded military man who's gonna
[TS]
00:32:06
◼
►
who's gonna say all you scientists you
[TS]
00:32:08
◼
►
don't even know he he's very much like
[TS]
00:32:10
◼
►
you need to explain it to me so that I
[TS]
00:32:12
◼
►
can explain it to them because the the
[TS]
00:32:15
◼
►
people I'm talking to don't hear you and
[TS]
00:32:18
◼
►
I need to let you know i need to make
[TS]
00:32:21
◼
►
this all work and that's his job is to
[TS]
00:32:23
◼
►
be that conduit and he doesn't he pushes
[TS]
00:32:25
◼
►
back on them but when he does it's for
[TS]
00:32:27
◼
►
good reason and it generally is because
[TS]
00:32:30
◼
►
he knows the politics up the chain and I
[TS]
00:32:32
◼
►
really liked that felt like a much more
[TS]
00:32:34
◼
►
realistic performance of a and a
[TS]
00:32:38
◼
►
character in a role in this in this
[TS]
00:32:40
◼
►
story and and you know forest whitaker
[TS]
00:32:42
◼
►
did it really well and more importantly
[TS]
00:32:43
◼
►
to Louise's whole story of her being
[TS]
00:32:46
◼
►
plopped down in there whatever she comes
[TS]
00:32:47
◼
►
in and you know she doesn't think she
[TS]
00:32:49
◼
►
tries to be assertive with the deal
[TS]
00:32:51
◼
►
being made for her and her competitor
[TS]
00:32:53
◼
►
linguist or whatever everyone to
[TS]
00:32:56
◼
►
eventually goes there she is you know
[TS]
00:32:58
◼
►
nervous about what its gonna be like and
[TS]
00:33:00
◼
►
she tries to assert herself but forest
[TS]
00:33:03
◼
►
whitaker makes it clear that there are
[TS]
00:33:04
◼
►
opposing forces here and so it's not
[TS]
00:33:06
◼
►
like she comes in is just all of a
[TS]
00:33:08
◼
►
sudden in charge of everybody and is you
[TS]
00:33:10
◼
►
know it is it is a it is a nice balance
[TS]
00:33:12
◼
►
like it's not as if the world lays down
[TS]
00:33:14
◼
►
before her and merely because she is a
[TS]
00:33:16
◼
►
sort of everything goes your way
[TS]
00:33:17
◼
►
immediately there are challenges there
[TS]
00:33:19
◼
►
are there other powers and charges she
[TS]
00:33:22
◼
►
asked to deal with she has to be
[TS]
00:33:24
◼
►
convincing to them she gets pushed back
[TS]
00:33:26
◼
►
she doesn't get everything that she
[TS]
00:33:28
◼
►
wants immediately it is a much more
[TS]
00:33:29
◼
►
reasonable example of multiple people
[TS]
00:33:35
◼
►
all trying to do that
[TS]
00:33:36
◼
►
right thing with strong personalities
[TS]
00:33:37
◼
►
and skills coming to an agreement and i
[TS]
00:33:40
◼
►
would say like both this and with the
[TS]
00:33:43
◼
►
women who are constantly in Regulus
[TS]
00:33:45
◼
►
makeup sci-fi does both of these things
[TS]
00:33:48
◼
►
better than many other genres because
[TS]
00:33:49
◼
►
very often it involves multiple smart
[TS]
00:33:53
◼
►
people trying to do the right thing
[TS]
00:33:54
◼
►
working towards a common goal which is a
[TS]
00:33:56
◼
►
nice thing to see you don't see a lot of
[TS]
00:33:57
◼
►
other movies where they have to have
[TS]
00:33:59
◼
►
like a villain all the time and not
[TS]
00:34:02
◼
►
there are a lot of them but if of all
[TS]
00:34:04
◼
►
the genres that are well-known sci-fi is
[TS]
00:34:06
◼
►
more likely to it than others to have a
[TS]
00:34:11
◼
►
woman character who is not there
[TS]
00:34:13
◼
►
constantly made up all the time anyway
[TS]
00:34:15
◼
►
there's not many examples but like that
[TS]
00:34:17
◼
►
but I was trying to think of other
[TS]
00:34:18
◼
►
characters that are like this
[TS]
00:34:20
◼
►
women who are allowed to do a job and
[TS]
00:34:21
◼
►
not constantly be glamorous women who
[TS]
00:34:22
◼
►
are allowed to look damp and sweaty
[TS]
00:34:25
◼
►
because they're there in a hot spaceship
[TS]
00:34:27
◼
►
or they're on the the the fog ridden
[TS]
00:34:29
◼
►
plains of Montana or whatever you've got
[TS]
00:34:32
◼
►
ripley in the alien movies you've got a
[TS]
00:34:35
◼
►
series of you know female marines and
[TS]
00:34:37
◼
►
various future scenarios where it's not
[TS]
00:34:40
◼
►
all about the glamour that's basically
[TS]
00:34:41
◼
►
the only time they'll actresses to
[TS]
00:34:43
◼
►
appear not you know that not look like
[TS]
00:34:46
◼
►
they'd spent two hours in hair and
[TS]
00:34:48
◼
►
makeup before they arrived and we go
[TS]
00:34:50
◼
►
back to Jodie Foster in contact right
[TS]
00:34:52
◼
►
right i mean she's got a ponytail right
[TS]
00:34:54
◼
►
and she's running around and she's
[TS]
00:34:56
◼
►
sleeping in our clothes and I I you know
[TS]
00:34:58
◼
►
she's obviously I'm probably more made
[TS]
00:35:00
◼
►
up the name e adams in this but i still
[TS]
00:35:02
◼
►
think like you know it in these movies
[TS]
00:35:04
◼
►
they still have a scene where the bank
[TS]
00:35:06
◼
►
jodie foster gets get dressed up in the
[TS]
00:35:09
◼
►
fancy dress for her one seen this one
[TS]
00:35:10
◼
►
has the yeah meeting with the ambassador
[TS]
00:35:12
◼
►
and there but fine like you you give
[TS]
00:35:14
◼
►
them that but the rest of the time the
[TS]
00:35:16
◼
►
because of the because of the settings
[TS]
00:35:18
◼
►
like if you're going to have really
[TS]
00:35:19
◼
►
running around the spaceship and she's
[TS]
00:35:22
◼
►
not going to be wearing like you know
[TS]
00:35:25
◼
►
Princess Leia outfit the whole time
[TS]
00:35:26
◼
►
she's not she's not a princess she
[TS]
00:35:27
◼
►
started working on the ship the ship is
[TS]
00:35:29
◼
►
gross and it's filled with you know
[TS]
00:35:31
◼
►
temperature fluctuations and and
[TS]
00:35:34
◼
►
moisture and aliens the drip things on
[TS]
00:35:35
◼
►
you and you know she's allowed to look
[TS]
00:35:37
◼
►
like that for the whole movie and it's
[TS]
00:35:39
◼
►
one of the moments where I really like
[TS]
00:35:41
◼
►
for Amy Adams is when she
[TS]
00:35:43
◼
►
is explaining the question that the
[TS]
00:35:47
◼
►
general would like to start the colonel
[TS]
00:35:49
◼
►
would like them to ask what they would
[TS]
00:35:50
◼
►
like to get to anyone he doesn't feel
[TS]
00:35:52
◼
►
like they're moving fast enough and she
[TS]
00:35:53
◼
►
breaks it down in a really amazing way
[TS]
00:35:58
◼
►
that died sex all the complexity of of
[TS]
00:36:02
◼
►
the problem that is in front of them a
[TS]
00:36:05
◼
►
takes up to something that looks so easy
[TS]
00:36:07
◼
►
and presents you with every facet of of
[TS]
00:36:11
◼
►
difficulty in communicating with these
[TS]
00:36:13
◼
►
beings who have just started to refer to
[TS]
00:36:15
◼
►
in terms of names so it's quite nice and
[TS]
00:36:20
◼
►
it really it you reinforces her
[TS]
00:36:23
◼
►
particular strengths in a way that none
[TS]
00:36:28
◼
►
of the other characters in the film are
[TS]
00:36:31
◼
►
able to provide even the scientists
[TS]
00:36:33
◼
►
doesn't let me know Jeremy Renner
[TS]
00:36:34
◼
►
doesn't understand really much of
[TS]
00:36:36
◼
►
anything about communicating with the
[TS]
00:36:38
◼
►
aliens he's what was your life like the
[TS]
00:36:40
◼
►
piece like the bimbo in this movie I was
[TS]
00:36:42
◼
►
jeremy renner there is just therefore i
[TS]
00:36:44
◼
►
can do to help those who help us to be
[TS]
00:36:45
◼
►
the science guy but he was so little
[TS]
00:36:48
◼
►
help with the science so happy but they
[TS]
00:36:50
◼
►
have a baby so you need a guy and really
[TS]
00:36:54
◼
►
I'm not really had it especially
[TS]
00:36:55
◼
►
interesting role reversal were nothing
[TS]
00:36:57
◼
►
like the woman would be there just to be
[TS]
00:36:58
◼
►
like every once in awhile say somethin
[TS]
00:37:00
◼
►
to show ya no I'm really a science
[TS]
00:37:01
◼
►
person but you know he was supposed to
[TS]
00:37:03
◼
►
be on top in case they know they shoot a
[TS]
00:37:05
◼
►
bunch of physics in the story there's
[TS]
00:37:07
◼
►
there's a there's more of that they're
[TS]
00:37:09
◼
►
not a team like that they just work you
[TS]
00:37:11
◼
►
know it's a it's set up separately but i
[TS]
00:37:13
◼
►
think they carried over that feeling
[TS]
00:37:15
◼
►
into the movie without any of the actual
[TS]
00:37:16
◼
►
like any other teaching us some physics
[TS]
00:37:18
◼
►
as we go but we can't figure out how to
[TS]
00:37:20
◼
►
talk about physics because their
[TS]
00:37:21
◼
►
conception of physics is a totally
[TS]
00:37:23
◼
►
different thing than ours and he owned
[TS]
00:37:25
◼
►
the only thing you have the movies he
[TS]
00:37:26
◼
►
had the he got the one in twelve
[TS]
00:37:28
◼
►
pointing at the they put all the symbols
[TS]
00:37:29
◼
►
up and he figured out the 112 fraction
[TS]
00:37:31
◼
►
and that's essentially isn't his entire
[TS]
00:37:33
◼
►
contribution he wasn't even particularly
[TS]
00:37:35
◼
►
supportive of anybody just kind of came
[TS]
00:37:38
◼
►
in and it's like sitting back and
[TS]
00:37:39
◼
►
watching I mean he's a supporting
[TS]
00:37:40
◼
►
character it's fine but it is an
[TS]
00:37:42
◼
►
interesting reversal where normally the
[TS]
00:37:44
◼
►
token woman would be the one who's there
[TS]
00:37:46
◼
►
who has the supposed job and is allowed
[TS]
00:37:48
◼
►
to demonstrate your skill for some
[TS]
00:37:49
◼
►
simple thing but one could argue this is
[TS]
00:37:52
◼
►
within the structure of the film the
[TS]
00:37:53
◼
►
reason is there is because he was there
[TS]
00:37:55
◼
►
yeah not
[TS]
00:37:56
◼
►
because you know you're the only had to
[TS]
00:37:57
◼
►
be there because you had to be there so
[TS]
00:37:58
◼
►
they could fall in love at the trial
[TS]
00:38:00
◼
►
that's just what I'm gonna have to do
[TS]
00:38:01
◼
►
have important conversations like it i
[TS]
00:38:02
◼
►
think that the most important role is
[TS]
00:38:04
◼
►
like aside from the romantic thing is
[TS]
00:38:06
◼
►
the bloody angle the two of them kind of
[TS]
00:38:09
◼
►
come into this together
[TS]
00:38:10
◼
►
yeah are kind of in over their heads
[TS]
00:38:12
◼
►
together like a one of the more
[TS]
00:38:14
◼
►
important scenes I feel like it as the
[TS]
00:38:16
◼
►
turn was revealing itself was sitting
[TS]
00:38:18
◼
►
out there just like away from the camp
[TS]
00:38:19
◼
►
for a little bit and just talking and
[TS]
00:38:22
◼
►
and you know talking / mild flirting
[TS]
00:38:25
◼
►
colored by the weird situation saying
[TS]
00:38:28
◼
►
like you know boy it must be handy to be
[TS]
00:38:30
◼
►
an expert in communication with inches
[TS]
00:38:32
◼
►
believe me you can end up alone even if
[TS]
00:38:34
◼
►
you're an expert in which works in both
[TS]
00:38:36
◼
►
directions because you're like oh yeah
[TS]
00:38:38
◼
►
no she's alone because whatever whoever
[TS]
00:38:40
◼
►
scientist has been frightening
[TS]
00:38:42
◼
►
oversizing her husband signs at this
[TS]
00:38:43
◼
►
point you wherever husband wasn't there
[TS]
00:38:45
◼
►
when her daughter died earlier in the
[TS]
00:38:46
◼
►
movie so boy she must be said but you
[TS]
00:38:50
◼
►
know as we learned later she's also long
[TS]
00:38:52
◼
►
before that so that statement works fine
[TS]
00:38:54
◼
►
in both directions and it shows that
[TS]
00:38:56
◼
►
they are you know that they have a
[TS]
00:38:57
◼
►
connection yet so I uh I want to talk
[TS]
00:39:00
◼
►
about the art direction a little bit
[TS]
00:39:02
◼
►
before we talk about some more Pilate
[TS]
00:39:04
◼
►
things and talk about like I know I
[TS]
00:39:07
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mentioned some of this before the
[TS]
00:39:07
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spoiler horn but like I like the weird
[TS]
00:39:11
◼
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texture of the spaceship
[TS]
00:39:13
◼
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I like the weird entryway into the
[TS]
00:39:15
◼
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spaceship that's an example where how do
[TS]
00:39:17
◼
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you take a 70-page story and you make it
[TS]
00:39:18
◼
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into a movie
[TS]
00:39:19
◼
►
well one thing is you go through instead
[TS]
00:39:22
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of into sentences explaining how you get
[TS]
00:39:25
◼
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into the spaceship you take the time to
[TS]
00:39:28
◼
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slowly drive out to the spaceship and
[TS]
00:39:30
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get on the thing that's gonna lift you
[TS]
00:39:31
◼
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up to the place where the gravity
[TS]
00:39:33
◼
►
changes and now you're going sideways
[TS]
00:39:35
◼
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and when you look back
[TS]
00:39:38
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you're looking down and all of that
[TS]
00:39:40
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right let's yell down the theater don't
[TS]
00:39:42
◼
►
look back don't know there's a moment
[TS]
00:39:44
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where somebody is a jeremy renner maybe
[TS]
00:39:46
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he's like totally freaking out
[TS]
00:39:48
◼
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oh yeah and he looks back after he jumps
[TS]
00:39:50
◼
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it was like no no don't do that don't do
[TS]
00:39:53
◼
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that but i really liked it is
[TS]
00:39:55
◼
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atmospheric and it's one of those things
[TS]
00:39:57
◼
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where they could've skipped ahead right
[TS]
00:39:59
◼
►
but the first time you go into the
[TS]
00:40:01
◼
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spaceship you're going in with them and
[TS]
00:40:02
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it's it's like it's a weird rough like
[TS]
00:40:05
◼
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out like a lava rock or something and
[TS]
00:40:07
◼
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they've got they've jury-rigged this
[TS]
00:40:09
◼
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you know human tech to get you up the
[TS]
00:40:12
◼
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lifter to get you up and then the
[TS]
00:40:13
◼
►
gravity gets weird and you know I liked
[TS]
00:40:16
◼
►
all of that I thought that was all
[TS]
00:40:17
◼
►
really clever and I enjoyed the fact
[TS]
00:40:19
◼
►
that we took the time to set the mood of
[TS]
00:40:21
◼
►
like entering this alien spaceship
[TS]
00:40:24
◼
►
thingy i will say though I well I agree
[TS]
00:40:27
◼
►
that afterwards I did think you know
[TS]
00:40:30
◼
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that's not an especially inviting way to
[TS]
00:40:33
◼
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talk to people
[TS]
00:40:35
◼
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hey you don't want any made the error
[TS]
00:40:37
◼
►
the right so they could read it so much
[TS]
00:40:40
◼
►
they made the beautiful hallway they
[TS]
00:40:41
◼
►
sculpted it out they get everything the
[TS]
00:40:43
◼
►
right height for humans you want them to
[TS]
00:40:44
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have a lift to you know you want a
[TS]
00:40:46
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jeez you bring their own sister looks
[TS]
00:40:48
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like intelligent tests show it's like
[TS]
00:40:49
◼
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putting your name on the paper at least
[TS]
00:40:51
◼
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they could do they came light-years to
[TS]
00:40:53
◼
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get there please do you go to bring a
[TS]
00:40:54
◼
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scissor lift
[TS]
00:40:55
◼
►
I love the mechanism though because that
[TS]
00:40:56
◼
►
was that thing where you're like as a
[TS]
00:40:58
◼
►
sci-fi nerd you never see real sci-fi in
[TS]
00:41:00
◼
►
enough movies you see stuff that's an
[TS]
00:41:03
◼
►
approximation and simplification and the
[TS]
00:41:05
◼
►
idea that the aliens just obviously have
[TS]
00:41:08
◼
►
control over gravity they've got there
[TS]
00:41:09
◼
►
hovering ships that are hovering in the
[TS]
00:41:11
◼
►
air the way that bricks don't write to
[TS]
00:41:13
◼
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quote one beside us and and then they
[TS]
00:41:15
◼
►
have the weird opening because it's just
[TS]
00:41:16
◼
►
convenient because they just control
[TS]
00:41:18
◼
►
gravity and the transition where the
[TS]
00:41:21
◼
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military guys have already mastered its
[TS]
00:41:22
◼
►
they leap out Amy Adams a good job the
[TS]
00:41:25
◼
►
jerky better falls on his face which was
[TS]
00:41:27
◼
►
again a reversal you're like you're
[TS]
00:41:28
◼
►
expecting them to be suave and whatever
[TS]
00:41:30
◼
►
they know he gets the trip but amy adams
[TS]
00:41:32
◼
►
had to be helped i noticed that part I
[TS]
00:41:34
◼
►
was like why why do you gotta help the
[TS]
00:41:36
◼
►
woman and legislative demand i think
[TS]
00:41:38
◼
►
they redeemed it by having him and I
[TS]
00:41:39
◼
►
haven't fallen is exactly like that's
[TS]
00:41:41
◼
►
what it is it shows the unequal
[TS]
00:41:43
◼
►
treatment that is one of the many things
[TS]
00:41:45
◼
►
I don't accept but i think that the idea
[TS]
00:41:47
◼
►
that they have because they control
[TS]
00:41:49
◼
►
gravity this is a logical thing for the
[TS]
00:41:50
◼
►
aliens to do it's the most convenient
[TS]
00:41:52
◼
►
thing for them and then everything is
[TS]
00:41:53
◼
►
sort of like it's you know it's got that
[TS]
00:41:55
◼
►
wonderful texture mind a little
[TS]
00:41:56
◼
►
brutalist architecture the kind of
[TS]
00:41:58
◼
►
doubling of it but they go into a room
[TS]
00:42:01
◼
►
and it's a very playing room it's got a
[TS]
00:42:03
◼
►
big piece of glass in it and there's
[TS]
00:42:05
◼
►
trillions there is and what it wasn't
[TS]
00:42:07
◼
►
the hard sci-fi part of me was picking
[TS]
00:42:10
◼
►
it knits around this the section about
[TS]
00:42:12
◼
►
the whole idea of like what you get when
[TS]
00:42:13
◼
►
you bring these people into the base you
[TS]
00:42:15
◼
►
really going to bring them on there
[TS]
00:42:16
◼
►
without telling exactly what they're in
[TS]
00:42:17
◼
►
for the yeah they're behind glass like
[TS]
00:42:19
◼
►
they gave you enough hints so that the
[TS]
00:42:21
◼
►
audience kind of new
[TS]
00:42:22
◼
►
what was coming but obviously you would
[TS]
00:42:23
◼
►
you would tell the people hear the
[TS]
00:42:25
◼
►
dialogue was when they're coming in
[TS]
00:42:27
◼
►
there is over top there's a talking
[TS]
00:42:28
◼
►
going on we'll always and came in and
[TS]
00:42:30
◼
►
what the science says you have that we
[TS]
00:42:31
◼
►
at the end of the session the gravity
[TS]
00:42:33
◼
►
changes slid us gently out yeah it's
[TS]
00:42:36
◼
►
just like a little bit of background
[TS]
00:42:37
◼
►
conversation but they're not briefed on
[TS]
00:42:39
◼
►
it apparently i mean like maybe the
[TS]
00:42:41
◼
►
audience wouldn't have to know but
[TS]
00:42:42
◼
►
surely those two people they were tell
[TS]
00:42:43
◼
►
them exactly undergoing instead of them
[TS]
00:42:45
◼
►
being surprised when they throw it like
[TS]
00:42:46
◼
►
the light stick up there and and you
[TS]
00:42:48
◼
►
they've got scientists there wouldn't
[TS]
00:42:50
◼
►
you think like pretty much the only
[TS]
00:42:52
◼
►
thing the scientists would be doing
[TS]
00:42:53
◼
►
would be like how is the ship hovering
[TS]
00:42:56
◼
►
there right get the instruments out now
[TS]
00:42:58
◼
►
like this is the most interesting thing
[TS]
00:43:00
◼
►
that you it's observable is a gigantic
[TS]
00:43:02
◼
►
thing and it's not falling want you to
[TS]
00:43:04
◼
►
get on that kind of that is that's
[TS]
00:43:06
◼
►
another teenager like available just got
[TS]
00:43:09
◼
►
the team intense working on that they're
[TS]
00:43:10
◼
►
a bunch of teams in 10
[TS]
00:43:12
◼
►
there's a physics guy and he's just not
[TS]
00:43:14
◼
►
like what you got it you know you take
[TS]
00:43:16
◼
►
get some instruments like get some
[TS]
00:43:18
◼
►
measurements like do something going for
[TS]
00:43:19
◼
►
the tricorder and wave it around it
[TS]
00:43:20
◼
►
looks like you're doing something that
[TS]
00:43:21
◼
►
was driving out there with pickup trucks
[TS]
00:43:23
◼
►
and saying well suffice it to say that
[TS]
00:43:24
◼
►
giant thing hovering over us
[TS]
00:43:25
◼
►
let's disregard that the government of
[TS]
00:43:27
◼
►
this whole yeah yeah I can be no the
[TS]
00:43:30
◼
►
thing that made me stop for a moment was
[TS]
00:43:32
◼
►
was the idea that surely they would be
[TS]
00:43:35
◼
►
briefed in detail before they were put
[TS]
00:43:39
◼
►
in hazmat suits and sent into the space
[TS]
00:43:42
◼
►
right about what do they look like
[TS]
00:43:43
◼
►
you'll see you'll see the arm and I
[TS]
00:43:44
◼
►
think there might be some dialogue but
[TS]
00:43:46
◼
►
you know the idea of like there is this
[TS]
00:43:48
◼
►
little bit wishy to start fresh and the
[TS]
00:43:50
◼
►
last guy is that left and we want you to
[TS]
00:43:53
◼
►
write this with open eyes first before
[TS]
00:43:55
◼
►
we tell you anything about it but come
[TS]
00:43:56
◼
►
on it's really so be sure the eyes of
[TS]
00:43:58
◼
►
the audience
[TS]
00:43:59
◼
►
it was so clear that the characters
[TS]
00:44:00
◼
►
didn't know that's fine for the audience
[TS]
00:44:01
◼
►
not to know because that's like Spencer
[TS]
00:44:03
◼
►
the audience but it was so clear that
[TS]
00:44:04
◼
►
the character you didn't know what they
[TS]
00:44:05
◼
►
were in for and suddenly like you should
[TS]
00:44:07
◼
►
have briefed the characters but maybe
[TS]
00:44:09
◼
►
they did because I mean honestly if you
[TS]
00:44:12
◼
►
were in a room with someone they were
[TS]
00:44:13
◼
►
like yeah the gravity's gonna like kind
[TS]
00:44:15
◼
►
of shift 90 degrees if you're gonna go
[TS]
00:44:18
◼
►
leaping them fall to your feet on the
[TS]
00:44:20
◼
►
wall like I don't know that I would be
[TS]
00:44:22
◼
►
able to really comprehend that until I
[TS]
00:44:24
◼
►
was actually doing it and i think i
[TS]
00:44:26
◼
►
would actually feel a lot of anxiety
[TS]
00:44:28
◼
►
about it because it's completely foreign
[TS]
00:44:30
◼
►
so i mean i agree i don't think they
[TS]
00:44:32
◼
►
were but maybe they were and it was just
[TS]
00:44:34
◼
►
such so
[TS]
00:44:35
◼
►
suspended belief or disbelief that that
[TS]
00:44:38
◼
►
they just could wrap their brains around
[TS]
00:44:40
◼
►
until they actually had to do it
[TS]
00:44:42
◼
►
I don't know why they're freaking out
[TS]
00:44:43
◼
►
standing underneath this thing the size
[TS]
00:44:44
◼
►
of a mountain that is not falling on
[TS]
00:44:46
◼
►
them for some reason like so it's okay
[TS]
00:44:48
◼
►
is it okay for us to stand here should
[TS]
00:44:49
◼
►
we drive the trucks right under this
[TS]
00:44:51
◼
►
thing cuz i love the claustrophobia
[TS]
00:44:53
◼
►
though I thought they did wonderful job
[TS]
00:44:54
◼
►
at made us feel like we were Louise in
[TS]
00:44:57
◼
►
that moment we're watching it you're
[TS]
00:44:58
◼
►
trying not to hyperventilate you don't
[TS]
00:45:00
◼
►
know exactly what's gonna happen thats
[TS]
00:45:02
◼
►
15-foot tall elephant-like cephalopods
[TS]
00:45:05
◼
►
whoo whoooooo and other bad choices on
[TS]
00:45:08
◼
►
this base
[TS]
00:45:09
◼
►
don't let the military people there and
[TS]
00:45:10
◼
►
watch fox news oh yeah they would never
[TS]
00:45:12
◼
►
be like another thing that standard
[TS]
00:45:14
◼
►
military like okay well you're off duty
[TS]
00:45:16
◼
►
military people now watch a bunch of
[TS]
00:45:18
◼
►
paranoid lunatic like conspiracy
[TS]
00:45:19
◼
►
conspiracy website dot net is for that
[TS]
00:45:22
◼
►
is your free time feel free to watch
[TS]
00:45:25
◼
►
that that's fine
[TS]
00:45:26
◼
►
we've been total radio silence would
[TS]
00:45:27
◼
►
watch TV or skype calls me I have some
[TS]
00:45:29
◼
►
issues with that entire plot line which
[TS]
00:45:31
◼
►
we can get to but I want to ask about
[TS]
00:45:32
◼
►
the aliens so yeah it does anybody have
[TS]
00:45:34
◼
►
any thoughts about the way that the
[TS]
00:45:35
◼
►
Abbott and Costello our friends the
[TS]
00:45:37
◼
►
aliens are our differently
[TS]
00:45:39
◼
►
I don't know why they made a window
[TS]
00:45:40
◼
►
where you can only see their knees I
[TS]
00:45:43
◼
►
guess it's the review is to get you get
[TS]
00:45:44
◼
►
to reveal the end of the movie but I
[TS]
00:45:46
◼
►
feel like as far as window placement if
[TS]
00:45:48
◼
►
I was meeting a bunch of aliens I
[TS]
00:45:50
◼
►
wouldn't make a windows so they can see
[TS]
00:45:51
◼
►
from my knees down
[TS]
00:45:53
◼
►
that's the heptapods go figure they
[TS]
00:45:55
◼
►
don't they don't uh don't think like us
[TS]
00:45:57
◼
►
and also i was disappointed they weren't
[TS]
00:45:59
◼
►
wearing clothes i'm not saying that
[TS]
00:46:00
◼
►
aliens have to wear clothes but the
[TS]
00:46:01
◼
►
number of naked aliens and sci-fi movies
[TS]
00:46:03
◼
►
like all right come on the law of
[TS]
00:46:05
◼
►
averages some I'm gonna have some kind
[TS]
00:46:06
◼
►
of fast thing going on or they'll have
[TS]
00:46:08
◼
►
to be naked were not naked
[TS]
00:46:10
◼
►
seems like a thing you might do their
[TS]
00:46:12
◼
►
their own star trek don't protect your
[TS]
00:46:15
◼
►
puritanical values on the heptapod I've
[TS]
00:46:17
◼
►
got to say like you some of them are
[TS]
00:46:19
◼
►
going to be naked I'm fine but like
[TS]
00:46:20
◼
►
there should be some percentage of the
[TS]
00:46:21
◼
►
half-closed I was trying to think of a
[TS]
00:46:23
◼
►
pot with like a little jacket you know
[TS]
00:46:24
◼
►
probably a little bow tie is this like
[TS]
00:46:26
◼
►
panspermia but for clothes like
[TS]
00:46:28
◼
►
everybody wears clothes everywhere
[TS]
00:46:30
◼
►
no one wears clothes anywhere except
[TS]
00:46:31
◼
►
were using it to regulate your
[TS]
00:46:33
◼
►
temperature in some way and then
[TS]
00:46:34
◼
►
eventually they become fashion as your
[TS]
00:46:35
◼
►
society becomes more days it's not it's
[TS]
00:46:37
◼
►
not inconceivable that anything looks
[TS]
00:46:39
◼
►
kind of animal like these these aliens
[TS]
00:46:41
◼
►
are always like they look like animals
[TS]
00:46:43
◼
►
some kind they have joints and skin and
[TS]
00:46:45
◼
►
muscle and so on and so forth but never
[TS]
00:46:46
◼
►
any clothes for me clothing paradox
[TS]
00:46:48
◼
►
where everybody's clothes nudity is
[TS]
00:46:50
◼
►
universal state so that's it
[TS]
00:46:52
◼
►
also I have some questions about their
[TS]
00:46:53
◼
►
riding technique which seems to require
[TS]
00:46:55
◼
►
a big glass panel like how do they
[TS]
00:46:57
◼
►
haven't communicated riding with each
[TS]
00:46:59
◼
►
other when there's not a big glass
[TS]
00:47:00
◼
►
pitcher hovering in the role it's
[TS]
00:47:02
◼
►
hovering in the fluid there the fluid
[TS]
00:47:03
◼
►
environment and hovers is it looks gasps
[TS]
00:47:06
◼
►
it looks like they're in a cloud kind of
[TS]
00:47:07
◼
►
the exact makeup is never really and
[TS]
00:47:11
◼
►
especially hard there in ama a foggy
[TS]
00:47:14
◼
►
medium of some sort yeah like when she
[TS]
00:47:16
◼
►
enters later on there's there's writing
[TS]
00:47:19
◼
►
it just floats
[TS]
00:47:20
◼
►
I don't know it's like I mean I I kind
[TS]
00:47:23
◼
►
of understand the art direction like I
[TS]
00:47:24
◼
►
shouldn't be overthinking it should be
[TS]
00:47:25
◼
►
like what it is a type of network so
[TS]
00:47:27
◼
►
much better and writing because when you
[TS]
00:47:28
◼
►
do the visual you have to pin it down to
[TS]
00:47:30
◼
►
something when you put it down you're
[TS]
00:47:31
◼
►
like that's probably maybe not i don't
[TS]
00:47:34
◼
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know like you you don't see the
[TS]
00:47:36
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advantages of it you see it looks cool
[TS]
00:47:38
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but practically speaking you know spring
[TS]
00:47:41
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including coalescing the shapes seems
[TS]
00:47:44
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massively inefficient compared to
[TS]
00:47:46
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dispose of you know advanced advancement
[TS]
00:47:49
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of their writing in but it doesn't get
[TS]
00:47:50
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to it in the film that they kind of are
[TS]
00:47:52
◼
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there they're creating a simultaneity
[TS]
00:47:54
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above a thing at once and i think the
[TS]
00:47:56
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movie conveys it very implicitly its
[TS]
00:47:58
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explicit in the story it's a big hunk of
[TS]
00:48:00
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the story and I don't know that they
[TS]
00:48:03
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Jason I don't think they expressed as
[TS]
00:48:05
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well in the movie why that was I think
[TS]
00:48:06
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they did a pretty good job that there's
[TS]
00:48:08
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a scene where Amy Adams says imagine
[TS]
00:48:10
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writing you know writing a sentence with
[TS]
00:48:12
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both hands starting at the beginning and
[TS]
00:48:14
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the end and meeting in the middle that's
[TS]
00:48:15
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what that's what they do is they
[TS]
00:48:16
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encompass the entire thought and then
[TS]
00:48:19
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they put it out there and you know
[TS]
00:48:20
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there's there there squid-like they
[TS]
00:48:22
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express inc in and and I just I like
[TS]
00:48:27
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about it that you know they're alien
[TS]
00:48:29
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they're very different from us and
[TS]
00:48:30
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there's difficulty in communicating it's
[TS]
00:48:33
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not it's not be headed star trek aliens
[TS]
00:48:35
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and I like that about it that they are
[TS]
00:48:37
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that they're so they're so different and
[TS]
00:48:39
◼
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weird and that's what aliens we if we
[TS]
00:48:42
◼
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ever meet aliens they're going to not be
[TS]
00:48:44
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like some animal from some part of the
[TS]
00:48:46
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earth except intelligent right there
[TS]
00:48:48
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going to be very different and this is a
[TS]
00:48:51
◼
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good way to do that even though yet they
[TS]
00:48:53
◼
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are sort of like octopuses sort of
[TS]
00:48:55
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elephant and octopi
[TS]
00:48:56
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yeah there's a bit there that that thing
[TS]
00:49:00
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with the the aliens and the glasses
[TS]
00:49:02
◼
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really is a trope though and I thought
[TS]
00:49:03
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they handled it really well like I'm
[TS]
00:49:04
◼
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thinking of Independence Day with the
[TS]
00:49:07
◼
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brent Spiner seen pushed up against the
[TS]
00:49:09
◼
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glass and I felt like there's so many
[TS]
00:49:11
◼
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opportunities in this film where you
[TS]
00:49:12
◼
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think you're about to see something that
[TS]
00:49:14
◼
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gets you into horror and you find out
[TS]
00:49:16
◼
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what the reveal is I mean I knew the
[TS]
00:49:18
◼
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story and think they changed that much
[TS]
00:49:19
◼
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but I still thought is there something
[TS]
00:49:22
◼
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that's going to terrify me like it's
[TS]
00:49:24
◼
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going to change the whole meaning of it
[TS]
00:49:25
◼
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and I don't know how watching without
[TS]
00:49:27
◼
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knowing the story if you felt like we
[TS]
00:49:28
◼
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were on the verge of something terrible
[TS]
00:49:30
◼
►
happening with the aliens and then that
[TS]
00:49:31
◼
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never results turns out the aliens are
[TS]
00:49:33
◼
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just great central to sucks you know a
[TS]
00:49:35
◼
►
meditative job of not having like music
[TS]
00:49:37
◼
►
cues to make you think all of a sudden
[TS]
00:49:39
◼
►
some bloody thing is gonna they didn't
[TS]
00:49:41
◼
►
have any jumpscares they didn't have any
[TS]
00:49:42
◼
►
thing making you think there is going to
[TS]
00:49:44
◼
►
be jumpscares didn't have anything
[TS]
00:49:45
◼
►
making you think there was gonna be a
[TS]
00:49:46
◼
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whore aspect and I appreciated that also
[TS]
00:49:48
◼
►
because my kids were there and be scared
[TS]
00:49:50
◼
►
i would say that when she put her hand
[TS]
00:49:52
◼
►
up to the class though there was sort of
[TS]
00:49:53
◼
►
the anticipation of a jump-scare like
[TS]
00:49:55
◼
►
she she's firmly interacting with the
[TS]
00:49:58
◼
►
physical environment at this point and
[TS]
00:50:00
◼
►
what will the alien response to that be
[TS]
00:50:03
◼
►
whether it is physical or their repulsed
[TS]
00:50:06
◼
►
by somebody touching it or whatever like
[TS]
00:50:08
◼
►
Italy either was there was no clear path
[TS]
00:50:11
◼
►
forward for what that would wind up
[TS]
00:50:13
◼
►
taking plate will wind up taking place
[TS]
00:50:15
◼
►
but it was fine all right uh plot stuff
[TS]
00:50:18
◼
►
so let's talk about those those angry
[TS]
00:50:20
◼
►
military guys with their conspiracy
[TS]
00:50:24
◼
►
websites and all that this is this is a
[TS]
00:50:26
◼
►
part of the story that I don't love but
[TS]
00:50:28
◼
►
i see why they did it
[TS]
00:50:29
◼
►
it's the entire we're we're
[TS]
00:50:34
◼
►
communicating with all the other
[TS]
00:50:36
◼
►
countries and then we're shutting it
[TS]
00:50:37
◼
►
down in China and Russia are causing
[TS]
00:50:39
◼
►
trouble and then we've got our own guys
[TS]
00:50:41
◼
►
who have decided that they're going to
[TS]
00:50:42
◼
►
blow up the thing or whatever I
[TS]
00:50:44
◼
►
understand why this adds a layer of of
[TS]
00:50:48
◼
►
suspense and action and threat
[TS]
00:50:54
◼
►
especially the very tense scene where
[TS]
00:50:56
◼
►
they're in the in the ship talking to
[TS]
00:50:59
◼
►
the heptapods while the bomb is about to
[TS]
00:51:01
◼
►
go off is the literal Hitchcock thing we
[TS]
00:51:04
◼
►
literal bond the audience knows is there
[TS]
00:51:05
◼
►
and the characters don't yeah but but
[TS]
00:51:07
◼
►
you know what the aliens know it's there
[TS]
00:51:09
◼
►
and they and they sweep them out to be
[TS]
00:51:10
◼
►
able to take their sweet time though
[TS]
00:51:12
◼
►
they do they do they leave it to the end
[TS]
00:51:15
◼
►
because they like a good then i'm going
[TS]
00:51:18
◼
►
to count their buildings especially like
[TS]
00:51:19
◼
►
with me tell you about the bomb behind
[TS]
00:51:20
◼
►
you but first let's just talk about some
[TS]
00:51:22
◼
►
other stuff yeah yeah I didn't I didn't
[TS]
00:51:24
◼
►
love this part I again I know why it's
[TS]
00:51:26
◼
►
there there's somebody who says you know
[TS]
00:51:28
◼
►
we need a little more conflict we need a
[TS]
00:51:30
◼
►
little more excitement about how about
[TS]
00:51:31
◼
►
an explosion and some gunfire but I
[TS]
00:51:34
◼
►
don't know why did I think this was my
[TS]
00:51:36
◼
►
favorite bit of not the plot part which
[TS]
00:51:39
◼
►
again I think it's just there is a
[TS]
00:51:40
◼
►
standard part in it i think it does help
[TS]
00:51:42
◼
►
the movie but the way it was handled i
[TS]
00:51:44
◼
►
thought was really different than I
[TS]
00:51:47
◼
►
would expect it so that the use of
[TS]
00:51:49
◼
►
things I liked about her sandal first of
[TS]
00:51:50
◼
►
all it was it was telegraphed pretty
[TS]
00:51:52
◼
►
obviously we have shown that guy's face
[TS]
00:51:54
◼
►
you know easy on the call was in fine
[TS]
00:51:56
◼
►
they did just somebody needs to do right
[TS]
00:51:57
◼
►
so they go there they plant the bomb we
[TS]
00:52:00
◼
►
see the bomb
[TS]
00:52:01
◼
►
it's got a time round up with it with
[TS]
00:52:02
◼
►
the standard 7 segment display the
[TS]
00:52:04
◼
►
timer's will always be made of what are
[TS]
00:52:05
◼
►
they gonna do when bombs don't have that
[TS]
00:52:06
◼
►
display on that anymore anyway that goes
[TS]
00:52:08
◼
►
up and they want to show you then is
[TS]
00:52:11
◼
►
like really only this other get this
[TS]
00:52:13
◼
►
guy's face has been here the whole time
[TS]
00:52:14
◼
►
going to be bored should be bored i
[TS]
00:52:16
◼
►
totally want to kill these aliens did I
[TS]
00:52:17
◼
►
say that out loud like the whole earlier
[TS]
00:52:19
◼
►
part of the movie we know it's gonna be
[TS]
00:52:20
◼
►
him then me then they show him down
[TS]
00:52:22
◼
►
there they send up the bomb
[TS]
00:52:24
◼
►
he's got other people with him you can't
[TS]
00:52:26
◼
►
really see like they're just like just
[TS]
00:52:27
◼
►
send him up whatever then they show the
[TS]
00:52:29
◼
►
close-up of them unpacking their weapons
[TS]
00:52:31
◼
►
unpacking their guns like and so it's
[TS]
00:52:33
◼
►
clear that it's a conspiracy essentially
[TS]
00:52:34
◼
►
all of them are like you know what
[TS]
00:52:36
◼
►
they're saying all the military stuff
[TS]
00:52:37
◼
►
like you know take good shots blog we
[TS]
00:52:39
◼
►
can do this but they only show them
[TS]
00:52:42
◼
►
opening the gun cases make sure their
[TS]
00:52:44
◼
►
hands from above right almost as if
[TS]
00:52:46
◼
►
you're looking out of the tunnel down at
[TS]
00:52:47
◼
►
it and they don't show that gunfight
[TS]
00:52:50
◼
►
they don't let your show like this they
[TS]
00:52:53
◼
►
show the trucks coming towards it they
[TS]
00:52:55
◼
►
showed the opening up the stuff and then
[TS]
00:52:56
◼
►
from within the cave area you hear some
[TS]
00:52:59
◼
►
gunshots but like we don't see the whole
[TS]
00:53:01
◼
►
battle because and i love that was like
[TS]
00:53:02
◼
►
I don't care about that guy
[TS]
00:53:04
◼
►
yeah I don't care how that battle turns
[TS]
00:53:06
◼
►
out i understand what you're getting at
[TS]
00:53:08
◼
►
you don't have to take me there
[TS]
00:53:10
◼
►
just just sketch it just be like don't
[TS]
00:53:13
◼
►
don't go down because so many other
[TS]
00:53:14
◼
►
movies would have had that battle scene
[TS]
00:53:16
◼
►
and have
[TS]
00:53:16
◼
►
cut back and forth in the battle scene
[TS]
00:53:18
◼
►
the bomb talking to aliens balancing the
[TS]
00:53:20
◼
►
Bob talking to aliens they stay with the
[TS]
00:53:23
◼
►
people in the room and then come back to
[TS]
00:53:25
◼
►
the bomb that much right now I love that
[TS]
00:53:27
◼
►
I love that I was not forced to spend
[TS]
00:53:29
◼
►
time with these Yahoo's down there
[TS]
00:53:31
◼
►
having their gunfighter even with the
[TS]
00:53:33
◼
►
good guys coming with the pickup trucks
[TS]
00:53:34
◼
►
try to stop them like I know how that's
[TS]
00:53:37
◼
►
gonna go you've established that you've
[TS]
00:53:38
◼
►
done it whatever now we're in the room
[TS]
00:53:39
◼
►
with the bomb and I really appreciated
[TS]
00:53:41
◼
►
again light touch on all that where they
[TS]
00:53:44
◼
►
just drop enough into the water to let
[TS]
00:53:46
◼
►
you know these are the things that are
[TS]
00:53:47
◼
►
happening you've seen this in 17 other
[TS]
00:53:48
◼
►
movies we don't need to show you that
[TS]
00:53:50
◼
►
let's show you the stuff we haven't seen
[TS]
00:53:52
◼
►
which is talking to these weird aliens
[TS]
00:53:54
◼
►
advancing that plot and oh yeah there's
[TS]
00:53:55
◼
►
a bomb in the thing and I thought the
[TS]
00:53:57
◼
►
way they resolve the bomb with the
[TS]
00:53:59
◼
►
little force push that the seven fingers
[TS]
00:54:02
◼
►
force push to save them and and float
[TS]
00:54:05
◼
►
them gently into the little gravity
[TS]
00:54:06
◼
►
tunnel on all that I thought that was
[TS]
00:54:08
◼
►
that was really nice and I do appreciate
[TS]
00:54:10
◼
►
a good explosion in the middle of a
[TS]
00:54:12
◼
►
sci-fi movie i'll say that was nice
[TS]
00:54:13
◼
►
explosion i want to bring up the I want
[TS]
00:54:15
◼
►
to circle back about the about that last
[TS]
00:54:17
◼
►
bit too is that Abbott does this because
[TS]
00:54:21
◼
►
they know it's gonna happen right this
[TS]
00:54:23
◼
►
is part of what we find out as we
[TS]
00:54:24
◼
►
develop further you look back at the
[TS]
00:54:26
◼
►
scene you say these aliens knew exactly
[TS]
00:54:29
◼
►
what was about to happen because they
[TS]
00:54:30
◼
►
know and this is this is an echo of Amy
[TS]
00:54:34
◼
►
Adams not changing the death of her
[TS]
00:54:35
◼
►
daughter even though ostensibly maybe
[TS]
00:54:38
◼
►
she could or she could not have
[TS]
00:54:39
◼
►
conceived the daughter line in the movie
[TS]
00:54:41
◼
►
in the book the story rather the
[TS]
00:54:43
◼
►
daughter dies in a climbing accident so
[TS]
00:54:45
◼
►
conceivably she could change events the
[TS]
00:54:47
◼
►
mother and Louise might have missed the
[TS]
00:54:48
◼
►
movie they make it essentially if you
[TS]
00:54:50
◼
►
have this child she's gonna do not die
[TS]
00:54:52
◼
►
of this rare and incurable disease which
[TS]
00:54:54
◼
►
is a different set of steaks so I think
[TS]
00:54:56
◼
►
they set up a bit in the same way as the
[TS]
00:54:58
◼
►
alien knows it's like the doctor right
[TS]
00:55:00
◼
►
he knows the staff is coming
[TS]
00:55:02
◼
►
somebody knocks four times where the
[TS]
00:55:03
◼
►
bomb is about to go off Abbott's entire
[TS]
00:55:05
◼
►
life is clear to him that leads up to
[TS]
00:55:08
◼
►
this moment when he commits this event
[TS]
00:55:10
◼
►
which has this consequence for his race
[TS]
00:55:12
◼
►
and for this whole mission and that's
[TS]
00:55:14
◼
►
just what he does knowing that the whole
[TS]
00:55:16
◼
►
time so i think it's a light parallelism
[TS]
00:55:18
◼
►
but it comes into sharp relief by the
[TS]
00:55:20
◼
►
end of the film there's one mechanic in
[TS]
00:55:22
◼
►
this film that I can't get behind and
[TS]
00:55:24
◼
►
that is the tons of fake news that are
[TS]
00:55:27
◼
►
here in the media clips oh yea networks
[TS]
00:55:29
◼
►
and the graphic overlays for countless
[TS]
00:55:33
◼
►
needless organizations that we don't we
[TS]
00:55:37
◼
►
don't need to have any concept of I I
[TS]
00:55:39
◼
►
feel like that was a complete waste and
[TS]
00:55:43
◼
►
especially hated the montage of all of
[TS]
00:55:45
◼
►
them altogether blathering on about the
[TS]
00:55:48
◼
►
events that are going on globally
[TS]
00:55:49
◼
►
yep i don't really think that added
[TS]
00:55:52
◼
►
anything to the film i found it to be
[TS]
00:55:54
◼
►
really distracting and since we know it
[TS]
00:55:56
◼
►
is completely absolutely one hundred
[TS]
00:55:59
◼
►
percent of ache from from beginning to
[TS]
00:56:03
◼
►
I don't want to see it a if it's
[TS]
00:56:06
◼
►
supposed to be some sort of plausible
[TS]
00:56:07
◼
►
world near our modern-day then it should
[TS]
00:56:11
◼
►
either be networks that were familiar
[TS]
00:56:12
◼
►
with or should never be seen at all and
[TS]
00:56:15
◼
►
i ate exposition can come at us through
[TS]
00:56:17
◼
►
any other character that is available
[TS]
00:56:19
◼
►
rather rather than this mechanic which I
[TS]
00:56:22
◼
►
feels kind of lazy and something you see
[TS]
00:56:24
◼
►
in like zombie movies
[TS]
00:56:25
◼
►
yeah you know again not to bring back
[TS]
00:56:27
◼
►
contact but I will say this for contact
[TS]
00:56:29
◼
►
contact got a bunch of people from CNN
[TS]
00:56:32
◼
►
to do stuff for contact with the CNN
[TS]
00:56:35
◼
►
logos and they showed CNN's coverage of
[TS]
00:56:38
◼
►
their launching their their machine and
[TS]
00:56:40
◼
►
all of that and they edited together
[TS]
00:56:43
◼
►
like clips Bill Clinton talking now and
[TS]
00:56:47
◼
►
you know and they made an effort to say
[TS]
00:56:48
◼
►
okay this is what it is it's like it's
[TS]
00:56:50
◼
►
CNN you're seeing everything it's
[TS]
00:56:52
◼
►
exactly what you're seeing and in this
[TS]
00:56:54
◼
►
yeah it definitely felt like a TV show
[TS]
00:56:57
◼
►
with a fake you know fake news anchor
[TS]
00:56:59
◼
►
with a fake logo and I I grew here I I
[TS]
00:57:02
◼
►
that was not my favorite thing about
[TS]
00:57:03
◼
►
it's like one notch up from the spinning
[TS]
00:57:06
◼
►
newspapers kind of thing so I want to
[TS]
00:57:08
◼
►
bring I want to bring everybody down but
[TS]
00:57:10
◼
►
i do want to explain why in the end this
[TS]
00:57:11
◼
►
movie didn't didn't hold together for me
[TS]
00:57:14
◼
►
alright why I don't tell you you're on
[TS]
00:57:16
◼
►
so that's what I mean I like that is
[TS]
00:57:18
◼
►
this so much i like about this movie
[TS]
00:57:20
◼
►
that I don't regret having seen it all
[TS]
00:57:22
◼
►
and i really liked that it was made but
[TS]
00:57:24
◼
►
for me specifically like this to just
[TS]
00:57:29
◼
►
fall entirely like this this movie The
[TS]
00:57:32
◼
►
Return in this movie in the general plot
[TS]
00:57:33
◼
►
hangs on as presented in the film I
[TS]
00:57:36
◼
►
don't know what it's like in the book
[TS]
00:57:38
◼
►
the barest of threads they mentioned
[TS]
00:57:39
◼
►
this after Whorf hypothesis or whatever
[TS]
00:57:42
◼
►
that your that the language that use
[TS]
00:57:43
◼
►
influences your way of thinking right
[TS]
00:57:45
◼
►
they throw that out there in case you're
[TS]
00:57:47
◼
►
not familiar with it gets one line and
[TS]
00:57:49
◼
►
then the whole turn in the book is by
[TS]
00:57:51
◼
►
learning this alien language it will
[TS]
00:57:53
◼
►
change your way of thinking and it
[TS]
00:57:56
◼
►
changes your way of thinking in such a
[TS]
00:57:57
◼
►
way the time is no longer linear and
[TS]
00:57:59
◼
►
that is a really important thing because
[TS]
00:58:01
◼
►
that's all about the turn or whatever
[TS]
00:58:02
◼
►
and I that doesn't hold together for me
[TS]
00:58:04
◼
►
the idea that the secret of these aliens
[TS]
00:58:07
◼
►
would be it's like learn french and time
[TS]
00:58:09
◼
►
is no longer linear nope sorry not
[TS]
00:58:11
◼
►
happening like I don't care how fancy
[TS]
00:58:12
◼
►
your languages i don't care if you write
[TS]
00:58:14
◼
►
in a circle learning a language is like
[TS]
00:58:17
◼
►
weird language plus after war people's
[TS]
00:58:20
◼
►
time has no meaning no I don't I don't
[TS]
00:58:22
◼
►
accept that I don't get it all right and
[TS]
00:58:24
◼
►
so that that you know it doesn't hold
[TS]
00:58:25
◼
►
together for me personally and then the
[TS]
00:58:27
◼
►
second part is assuming does hold
[TS]
00:58:30
◼
►
together sooner you accept that as like
[TS]
00:58:31
◼
►
art whatever hand way behind way this is
[TS]
00:58:33
◼
►
this is the plot of the movie i think
[TS]
00:58:35
◼
►
that like what that I think what they
[TS]
00:58:38
◼
►
were going for and didn't accomplish ms
[TS]
00:58:40
◼
►
I I shouldn't feel like the wii's is a
[TS]
00:58:43
◼
►
monster for having a child and I kind of
[TS]
00:58:45
◼
►
feel like she's a monster for having
[TS]
00:58:46
◼
►
your child because she knows how it's
[TS]
00:58:49
◼
►
going to turn out yep
[TS]
00:58:50
◼
►
presumably she accepts that there's no
[TS]
00:58:51
◼
►
way she can avoid it and she does it
[TS]
00:58:54
◼
►
anyway which strikes me as one of the
[TS]
00:58:55
◼
►
most selfish acts you could possible
[TS]
00:58:57
◼
►
because it's maybe you want to have
[TS]
00:58:59
◼
►
those moments with your child and
[TS]
00:59:00
◼
►
treasure them but the the poor child
[TS]
00:59:02
◼
►
like you bring someone into this world
[TS]
00:59:05
◼
►
you know is going to be did to die a
[TS]
00:59:07
◼
►
terrible death I it just it seems to me
[TS]
00:59:10
◼
►
because you're not like well maybe and
[TS]
00:59:12
◼
►
you know like you you now see time as
[TS]
00:59:14
◼
►
like a number of maybe she has no choice
[TS]
00:59:15
◼
►
like that again it's not it's not
[TS]
00:59:17
◼
►
emphasize enough the in the movie i
[TS]
00:59:18
◼
►
can't tell if like this is gonna happen
[TS]
00:59:20
◼
►
anyway and she embraces it is able to
[TS]
00:59:22
◼
►
accept it versus no she actually does
[TS]
00:59:24
◼
►
have a choice and she could choose not
[TS]
00:59:26
◼
►
to do it so it
[TS]
00:59:27
◼
►
I don't think that's what they wanted me
[TS]
00:59:29
◼
►
to feel I think they wanted me to feel
[TS]
00:59:30
◼
►
like this is an inevitability and
[TS]
00:59:33
◼
►
embrace the Magica of time no longer
[TS]
00:59:36
◼
►
being linear and you seeing the matrix
[TS]
00:59:37
◼
►
and having it all be of one continuous
[TS]
00:59:39
◼
►
thing and and then accept her doing this
[TS]
00:59:44
◼
►
thing as a beautiful decision but like I
[TS]
00:59:46
◼
►
i don't i don't see her as a monster I
[TS]
00:59:49
◼
►
have empathy for her character and I
[TS]
00:59:50
◼
►
appreciate it but this
[TS]
00:59:51
◼
►
little corner of saying but yet did she
[TS]
00:59:53
◼
►
really make the right decision we be not
[TS]
00:59:55
◼
►
so that's that's Maggie I think that's
[TS]
00:59:59
◼
►
the beauty of the
[TS]
00:59:59
◼
►
the beauty of the
[TS]
01:00:00
◼
►
end of this movie is that well first off
[TS]
01:00:03
◼
►
I disagree that if it if she well I
[TS]
01:00:07
◼
►
disagree yeah I know but broadly I do
[TS]
01:00:09
◼
►
disagree but in specific i'm going to
[TS]
01:00:11
◼
►
say I disagree because what you're
[TS]
01:00:13
◼
►
arguing is if you know for a fact that
[TS]
01:00:15
◼
►
you're going to have a child and you're
[TS]
01:00:17
◼
►
going to love them and they're gonna
[TS]
01:00:18
◼
►
love you and you're gonna raise them and
[TS]
01:00:20
◼
►
thence tragically later in life they're
[TS]
01:00:23
◼
►
going to die for some reason you should
[TS]
01:00:25
◼
►
just not have them and they shouldn't
[TS]
01:00:26
◼
►
exist and i think that's wrong i think
[TS]
01:00:29
◼
►
that's monstrous and the reality is you
[TS]
01:00:31
◼
►
know all of the children we have and
[TS]
01:00:34
◼
►
bring into this world are going to die
[TS]
01:00:37
◼
►
that's life not when they're 18 and from
[TS]
01:00:41
◼
►
from are very rare disease just one
[TS]
01:00:42
◼
►
length of time like if your life is I
[TS]
01:00:44
◼
►
know but it is a significant thing it's
[TS]
01:00:47
◼
►
a significant thing I'm just people make
[TS]
01:00:49
◼
►
if you have taste sex you know you have
[TS]
01:00:51
◼
►
to assess the traits as an Ashkenazi Jew
[TS]
01:00:54
◼
►
I feels very strongly that there are
[TS]
01:00:56
◼
►
people who make the choice to not have
[TS]
01:00:57
◼
►
children all and people make the choice
[TS]
01:00:59
◼
►
to have children knowing what the jack
[TS]
01:01:01
◼
►
outcome a key be and that their child
[TS]
01:01:03
◼
►
might live to be from age three to 18
[TS]
01:01:05
◼
►
and I in cystic fibrosis other diseases
[TS]
01:01:07
◼
►
they still have children but doesn't
[TS]
01:01:09
◼
►
maybe like this is in this universe were
[TS]
01:01:11
◼
►
led to believe that like it's not it's
[TS]
01:01:13
◼
►
not a question of like always a
[TS]
01:01:14
◼
►
possibility and Bob's like no this is
[TS]
01:01:16
◼
►
how it's gonna go down you know ahead of
[TS]
01:01:18
◼
►
time so i think the way time works in
[TS]
01:01:19
◼
►
this movie
[TS]
01:01:20
◼
►
what happens happens and that's one of
[TS]
01:01:21
◼
►
the beautiful things it's a very 12
[TS]
01:01:23
◼
►
monkeys like view of of time but then
[TS]
01:01:26
◼
►
but then she doesn't get credit for
[TS]
01:01:27
◼
►
doing a beautiful thing because she had
[TS]
01:01:28
◼
►
no choice of things that happen happen
[TS]
01:01:30
◼
►
well what is it what is the free will
[TS]
01:01:31
◼
►
it's a good question here's the thing
[TS]
01:01:33
◼
►
though John your point of view is
[TS]
01:01:35
◼
►
represented in the movie because it is
[TS]
01:01:37
◼
►
strongly implied that that's the reason
[TS]
01:01:38
◼
►
jeremy renner leaves her
[TS]
01:01:39
◼
►
well yeah I mean who had you know I i
[TS]
01:01:42
◼
►
have I my life for not being with his
[TS]
01:01:45
◼
►
dying daughter but like he's and he's
[TS]
01:01:47
◼
►
another person who got you got you know
[TS]
01:01:49
◼
►
screwed over by her decision because she
[TS]
01:01:51
◼
►
didn't include him in the decision she
[TS]
01:01:53
◼
►
just said oh I'm you know let's have a
[TS]
01:01:55
◼
►
child together
[TS]
01:01:56
◼
►
I'm not going to tell you but guess what
[TS]
01:01:57
◼
►
this is gonna die horribly I know this
[TS]
01:01:59
◼
►
but I'm not gonna bring you know i'm not
[TS]
01:02:01
◼
►
going to tell you about it so like he
[TS]
01:02:03
◼
►
got suckered into this know until she's
[TS]
01:02:05
◼
►
aged seven or so that he's gonna dance
[TS]
01:02:06
◼
►
right and then she's gonna tell me it's
[TS]
01:02:07
◼
►
like well it's like the worst possible
[TS]
01:02:09
◼
►
thing like you didn't tell me the
[TS]
01:02:10
◼
►
beginning which is not fair to me
[TS]
01:02:11
◼
►
because you knew
[TS]
01:02:12
◼
►
how this is gonna turn out and didn't
[TS]
01:02:13
◼
►
tell me right and then you do tell me
[TS]
01:02:15
◼
►
halfway through by the way that you can
[TS]
01:02:16
◼
►
end horribly huh
[TS]
01:02:17
◼
►
so I didn't get to enjoy the rest of my
[TS]
01:02:19
◼
►
daughter's life you could just not told
[TS]
01:02:21
◼
►
him the entire time so I'd say the truly
[TS]
01:02:23
◼
►
selfish move is saving yourself is
[TS]
01:02:26
◼
►
preventing your child from having any
[TS]
01:02:27
◼
►
life at all because you don't want to be
[TS]
01:02:28
◼
►
hurt when they die but there is no child
[TS]
01:02:30
◼
►
at that point there's not you're not
[TS]
01:02:31
◼
►
preventing anybody from having anything
[TS]
01:02:32
◼
►
anymore year then you're preventing all
[TS]
01:02:34
◼
►
the kids you didn't have four but there
[TS]
01:02:35
◼
►
is she knows who she knows every notion
[TS]
01:02:38
◼
►
of her child because she can see the
[TS]
01:02:40
◼
►
future see so and this goes back to your
[TS]
01:02:41
◼
►
other point which is you just don't you
[TS]
01:02:42
◼
►
just don't buy this idea of course
[TS]
01:02:45
◼
►
language you can see the premise of the
[TS]
01:02:46
◼
►
entire thing which is you know it's
[TS]
01:02:48
◼
►
science fiction I that there are lots of
[TS]
01:02:49
◼
►
things about you that I inspection
[TS]
01:02:51
◼
►
that's fantasy that's just fantasy like
[TS]
01:02:53
◼
►
there's no scientific just because there
[TS]
01:02:54
◼
►
was there's a thing called Sapphira war
[TS]
01:02:56
◼
►
hypothesis one of the ways people think
[TS]
01:02:58
◼
►
of the arrow of time and think of the
[TS]
01:03:00
◼
►
way the universe works is that it
[TS]
01:03:02
◼
►
actually is all occurring simultaneously
[TS]
01:03:04
◼
►
everything no I'm on board with that I
[TS]
01:03:07
◼
►
just don't think learning a language
[TS]
01:03:08
◼
►
that is going to give you mastery over
[TS]
01:03:10
◼
►
time but we don't know that that's what
[TS]
01:03:12
◼
►
it is in the structure of the film the
[TS]
01:03:13
◼
►
aliens give her a weapon she's pursuing
[TS]
01:03:15
◼
►
you know that's part of the thing a tool
[TS]
01:03:17
◼
►
they talk about is technology its
[TS]
01:03:18
◼
►
biggest you learn language 129 language
[TS]
01:03:20
◼
►
of changing your way of thinking that's
[TS]
01:03:22
◼
►
that's all you got in the movie she goes
[TS]
01:03:23
◼
►
into the strange medium their teaching
[TS]
01:03:26
◼
►
this language which unlocks something as
[TS]
01:03:28
◼
►
a tech technology but they're talking
[TS]
01:03:30
◼
►
about is something that's part of the
[TS]
01:03:31
◼
►
mentality right that this language
[TS]
01:03:33
◼
►
unlocks a capacity which is a very
[TS]
01:03:35
◼
►
science fiction think it's not fantasy
[TS]
01:03:36
◼
►
to unlock the best if we accept that
[TS]
01:03:38
◼
►
there are aliens who can see nonlinear
[TS]
01:03:40
◼
►
time why could they not teach the
[TS]
01:03:42
◼
►
ability to see nonlinear time to someone
[TS]
01:03:44
◼
►
was saying like that wasn't in the movie
[TS]
01:03:46
◼
►
all we got in the movie with sapphire
[TS]
01:03:47
◼
►
worth learn language time on time
[TS]
01:03:49
◼
►
unfolds like there was no no thing in
[TS]
01:03:51
◼
►
the movie to tell you like / altering
[TS]
01:03:53
◼
►
you by being in this mr. anything like
[TS]
01:03:55
◼
►
that it was your footnotes then yeah
[TS]
01:03:57
◼
►
well I really just wasn't there like
[TS]
01:03:59
◼
►
there was there was very little to hang
[TS]
01:04:00
◼
►
your hat on to to explain why this end
[TS]
01:04:03
◼
►
and i would say like it's it's only
[TS]
01:04:05
◼
►
vaguely plausible unless their altar
[TS]
01:04:06
◼
►
altering the biology to be like we can
[TS]
01:04:09
◼
►
take a human and give you the ability to
[TS]
01:04:10
◼
►
do this thing like i don't think there's
[TS]
01:04:12
◼
►
anything that can be explained humans
[TS]
01:04:14
◼
►
they would let humans see time in a
[TS]
01:04:16
◼
►
nonlinear way and see the future in the
[TS]
01:04:17
◼
►
past like even if I accept that there's
[TS]
01:04:19
◼
►
any kind of being that has this mastery
[TS]
01:04:21
◼
►
over this aspect of the universe the
[TS]
01:04:24
◼
►
idea that
[TS]
01:04:25
◼
►
talk therapy or just hanging out
[TS]
01:04:27
◼
►
together and learning some stuff can
[TS]
01:04:28
◼
►
give you that it doesn't doesn't hang
[TS]
01:04:29
◼
►
together syfy what is the other fans who
[TS]
01:04:31
◼
►
is fine it's like i'll give you the true
[TS]
01:04:33
◼
►
side there give you a doctor strange
[TS]
01:04:35
◼
►
type thing yeah all thumbs up but sci-fi
[TS]
01:04:37
◼
►
not very sci-fi I disagree time travel
[TS]
01:04:41
◼
►
in the perception of time is a
[TS]
01:04:43
◼
►
fundamental principle of science fiction
[TS]
01:04:44
◼
►
and right but you gotta you gotta have
[TS]
01:04:46
◼
►
something to hang your hat on you gotta
[TS]
01:04:48
◼
►
have something she locked but she like
[TS]
01:04:50
◼
►
the capacity by language makes it turns
[TS]
01:04:51
◼
►
out that line w % of our brain right
[TS]
01:04:53
◼
►
nothing but no they didn't do that
[TS]
01:04:55
◼
►
Joanna but they didn't do this
[TS]
01:04:56
◼
►
no it's the idea that she's not
[TS]
01:04:58
◼
►
unlocking some latent capacity your
[TS]
01:05:00
◼
►
brain but it's a way it's a point of
[TS]
01:05:01
◼
►
view you have actually interviewing
[TS]
01:05:04
◼
►
doesn't point of view doesn't make you
[TS]
01:05:06
◼
►
not incentives just hanging space to
[TS]
01:05:07
◼
►
though I mean the cips hang there and
[TS]
01:05:09
◼
►
you know in the over the field and
[TS]
01:05:10
◼
►
that's a form of science fiction we
[TS]
01:05:12
◼
►
accept the idea that she has the
[TS]
01:05:13
◼
►
capacity to see time in a in a holistic
[TS]
01:05:16
◼
►
you know complete fashion because the
[TS]
01:05:18
◼
►
aliens have already mastered this
[TS]
01:05:19
◼
►
because they've done it's capable for
[TS]
01:05:21
◼
►
her to do it and language is the key
[TS]
01:05:22
◼
►
that allows her to see simultaneously I
[TS]
01:05:24
◼
►
I would have been happier if they didn't
[TS]
01:05:26
◼
►
have if they didn't mention sapphire
[TS]
01:05:27
◼
►
Worf if because that was the only thing
[TS]
01:05:29
◼
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they gave you was like by learning a
[TS]
01:05:30
◼
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language but if they didn't mention that
[TS]
01:05:31
◼
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at all but merely said she goes into the
[TS]
01:05:33
◼
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missing now she can do this thing then
[TS]
01:05:35
◼
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you can just make up an explanation you
[TS]
01:05:36
◼
►
want you're like well the aliens can do
[TS]
01:05:37
◼
►
it and now she can do it
[TS]
01:05:38
◼
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the story makes it easier because of the
[TS]
01:05:40
◼
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story she has no ability to change time
[TS]
01:05:42
◼
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not exactly adjacent i just reread it
[TS]
01:05:43
◼
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and I after this because in the movie
[TS]
01:05:45
◼
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it's clear that she can sort of change
[TS]
01:05:48
◼
►
events that there's some kind of looped
[TS]
01:05:49
◼
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going on with you don't see where it
[TS]
01:05:50
◼
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starts and ends at car locks
[TS]
01:05:52
◼
►
i I don't I don't read it that way you
[TS]
01:05:54
◼
►
don't do you read that she can change
[TS]
01:05:56
◼
►
challenge because she's talking about
[TS]
01:05:57
◼
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she can't i don't i don't either the way
[TS]
01:05:59
◼
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I read the movie is that time is it time
[TS]
01:06:01
◼
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is the way it is and when she knows
[TS]
01:06:03
◼
►
about it she knows about it but that's
[TS]
01:06:04
◼
►
all she was able to create a paradox
[TS]
01:06:06
◼
►
somehow though so that's part of the but
[TS]
01:06:08
◼
►
we don't know how that paradox was
[TS]
01:06:09
◼
►
created right yeah like what the general
[TS]
01:06:12
◼
►
calling the general then he's the one he
[TS]
01:06:14
◼
►
tells her the thing that is true
[TS]
01:06:16
◼
►
that's what that's what that's a loop
[TS]
01:06:17
◼
►
that happens but i don't i'm not sure
[TS]
01:06:18
◼
►
she creates it wrong not sure I just
[TS]
01:06:20
◼
►
really something like this sometimes you
[TS]
01:06:23
◼
►
know a lot of other science-fiction
[TS]
01:06:24
◼
►
resolutions when you have a loop like
[TS]
01:06:26
◼
►
that occur a series of events that
[TS]
01:06:28
◼
►
happened essentially off-camera lock you
[TS]
01:06:30
◼
►
into a certain kind of outcome because
[TS]
01:06:31
◼
►
they ripple back and forth through time
[TS]
01:06:33
◼
►
and then you're seeing the outcome but
[TS]
01:06:34
◼
►
you can't see the cause and that's
[TS]
01:06:36
◼
►
always good sci-fi about
[TS]
01:06:37
◼
►
that but in this in the book its
[TS]
01:06:39
◼
►
seemingly very explicit that she her
[TS]
01:06:42
◼
►
consciousness spans she's unable she
[TS]
01:06:44
◼
►
could never told so she tells John
[TS]
01:06:45
◼
►
Jeremy Renner right she tells even in
[TS]
01:06:47
◼
►
the movie this thing about the future
[TS]
01:06:49
◼
►
she reveals the future to him which
[TS]
01:06:51
◼
►
ostensibly would change things accept
[TS]
01:06:53
◼
►
the notion is that she'd are always told
[TS]
01:06:55
◼
►
him that and that she remembers how why
[TS]
01:06:57
◼
►
he left you know in the past she knows
[TS]
01:06:59
◼
►
why she told him that in the future but
[TS]
01:07:01
◼
►
isn't that changing history changing
[TS]
01:07:02
◼
►
time and the general is the most
[TS]
01:07:04
◼
►
problematic thing in the movie because
[TS]
01:07:05
◼
►
it i mean you can be explained by saying
[TS]
01:07:07
◼
►
like the general learn the language too
[TS]
01:07:09
◼
►
because the general is there and the
[TS]
01:07:11
◼
►
only in story reason for him to saying
[TS]
01:07:13
◼
►
that is because he knows he has to say
[TS]
01:07:14
◼
►
that because that is essential for the
[TS]
01:07:17
◼
►
you know the earlier events right thing
[TS]
01:07:19
◼
►
you learned later it is not is not
[TS]
01:07:20
◼
►
naturalistic it's not as not as if he
[TS]
01:07:22
◼
►
just happens to say that and she learns
[TS]
01:07:23
◼
►
you can go back he comes and says I
[TS]
01:07:25
◼
►
think it's probably important for me to
[TS]
01:07:27
◼
►
show you this and also let me tell you
[TS]
01:07:29
◼
►
this like so he and he could be doing
[TS]
01:07:32
◼
►
that if he also has gained this ability
[TS]
01:07:34
◼
►
to see time and realizes this is an
[TS]
01:07:36
◼
►
important thing to do and that's fine i
[TS]
01:07:38
◼
►
just not they don't they don't they say
[TS]
01:07:39
◼
►
in the movies why he's doing that but
[TS]
01:07:41
◼
►
they make it very clear that it's not
[TS]
01:07:42
◼
►
just know she has a glimpse of the
[TS]
01:07:44
◼
►
future and using an information she's
[TS]
01:07:45
◼
►
able to be convincing in the past she
[TS]
01:07:47
◼
►
has a glimpse of the future in which the
[TS]
01:07:48
◼
►
guy she's convincing gives are
[TS]
01:07:50
◼
►
explicitly for no other in story reason
[TS]
01:07:53
◼
►
this information for the express purpose
[TS]
01:07:54
◼
►
of causing the past events to happen not
[TS]
01:07:57
◼
►
thats that's a fun scene but i don't
[TS]
01:07:59
◼
►
really love it because I i find me there
[TS]
01:08:01
◼
►
it feels like us i seen from another
[TS]
01:08:03
◼
►
it feels like a scene from you know
[TS]
01:08:06
◼
►
looper or have some other kind of time
[TS]
01:08:08
◼
►
travel shenanigans movie and that's not
[TS]
01:08:10
◼
►
the movie that I feel like I've been
[TS]
01:08:11
◼
►
watching up to this point in building
[TS]
01:08:13
◼
►
Ted's Excellent Adventure members if
[TS]
01:08:15
◼
►
they escape they got the key right to
[TS]
01:08:18
◼
►
escape later and then they won't
[TS]
01:08:19
◼
►
remember me up
[TS]
01:08:21
◼
►
yeah can i point out one other thing to
[TS]
01:08:23
◼
►
having read the story and the movie and
[TS]
01:08:25
◼
►
I really do love the movie i think it's
[TS]
01:08:27
◼
►
fair i'd be with aliens for a half stars
[TS]
01:08:30
◼
►
when i get out of 5 but the i think that
[TS]
01:08:33
◼
►
there's a graft in this movie to give it
[TS]
01:08:34
◼
►
there's like the core story that's in
[TS]
01:08:37
◼
►
the short story is I think told
[TS]
01:08:40
◼
►
beautifully and almost completely and in
[TS]
01:08:42
◼
►
most ways almost identical I think Jason
[TS]
01:08:44
◼
►
don't you agree that's all that they
[TS]
01:08:47
◼
►
preserve the core feeling and nature of
[TS]
01:08:49
◼
►
the story but then there's this it
[TS]
01:08:51
◼
►
additional like contact and I kept
[TS]
01:08:52
◼
►
thinking about contact to or even lake
[TS]
01:08:55
◼
►
house in fact there's a little bit of
[TS]
01:08:56
◼
►
that like inexplicable time travel
[TS]
01:08:59
◼
►
information time travel was
[TS]
01:09:01
◼
►
choreographed it on top to give it sort
[TS]
01:09:02
◼
►
of a conventional veneers that would
[TS]
01:09:04
◼
►
allow an arc of you know something has
[TS]
01:09:07
◼
►
to happen and the world's my blog in the
[TS]
01:09:09
◼
►
story the aliens show up the reveal
[TS]
01:09:13
◼
►
I'm gonna go spoilers for the reveal is
[TS]
01:09:14
◼
►
that there's no reason they're there
[TS]
01:09:15
◼
►
they're there because they know they
[TS]
01:09:17
◼
►
have to be there and then they go and
[TS]
01:09:18
◼
►
that's the entire and inside the movies
[TS]
01:09:20
◼
►
or the story is a meditation on what you
[TS]
01:09:23
◼
►
know your internal state of mind how you
[TS]
01:09:25
◼
►
perceive the universe how you deal with
[TS]
01:09:27
◼
►
this knowledge that's terrible
[TS]
01:09:28
◼
►
and the fact that these aliens because
[TS]
01:09:31
◼
►
they can receive all of their time at
[TS]
01:09:33
◼
►
once their whole lives at once not the
[TS]
01:09:34
◼
►
future is their whole lives they come
[TS]
01:09:37
◼
►
and they go and there's no purpose for
[TS]
01:09:39
◼
►
it so you're left to close with rather
[TS]
01:09:41
◼
►
than this one coming because we need you
[TS]
01:09:42
◼
►
three thousand years the whole subtitle
[TS]
01:09:44
◼
►
seen I think they could have removed all
[TS]
01:09:45
◼
►
the subtitles and it would have been a
[TS]
01:09:47
◼
►
better film like just had her in there
[TS]
01:09:49
◼
►
talking to them then painting things
[TS]
01:09:51
◼
►
that are going out and doing the thing
[TS]
01:09:52
◼
►
and we're going much better i enjoyed
[TS]
01:09:54
◼
►
the we're here because we will need you
[TS]
01:09:56
◼
►
in 3,000 years so there are two things
[TS]
01:09:58
◼
►
that bothered me about the the movie
[TS]
01:10:03
◼
►
that made it four and a half stars
[TS]
01:10:05
◼
►
instead of five for me
[TS]
01:10:06
◼
►
one of them was that whole scene with
[TS]
01:10:08
◼
►
the general where he likes shows or his
[TS]
01:10:11
◼
►
phone and then tells her exactly what
[TS]
01:10:12
◼
►
she says and I kind of I felt like and
[TS]
01:10:16
◼
►
she would either no or not no you know
[TS]
01:10:18
◼
►
that's done in science fiction where
[TS]
01:10:20
◼
►
it's just kind of a hand waved away and
[TS]
01:10:22
◼
►
not really explained so I didn't really
[TS]
01:10:24
◼
►
love that scene and the other thing was
[TS]
01:10:27
◼
►
a as Joe mentioned in the beginning the
[TS]
01:10:30
◼
►
hair during that whole scene where she
[TS]
01:10:34
◼
►
so mad she's a little she's like on the
[TS]
01:10:38
◼
►
ship inn in their environment because it
[TS]
01:10:41
◼
►
was so distracted I was they were so
[TS]
01:10:44
◼
►
overly ambitious with the the lack or
[TS]
01:10:49
◼
►
reduction of gravity and her hair in
[TS]
01:10:51
◼
►
that environment
[TS]
01:10:53
◼
►
yeah I I was cringing the whole entire
[TS]
01:10:56
◼
►
time it's supposed to be a really
[TS]
01:10:57
◼
►
emotionally impactful moment we're
[TS]
01:10:59
◼
►
describing the death of
[TS]
01:11:02
◼
►
the the characters who threw them out of
[TS]
01:11:05
◼
►
the little airlock thing inside of there
[TS]
01:11:07
◼
►
and we're discussing how in 3,000 years
[TS]
01:11:09
◼
►
it's gonna be important for the human
[TS]
01:11:10
◼
►
race and all the things about the weapon
[TS]
01:11:12
◼
►
and seeing your time and it's just the
[TS]
01:11:13
◼
►
whole time just staring at these weird
[TS]
01:11:16
◼
►
brassy waves moving around and just like
[TS]
01:11:20
◼
►
this is awful guys this is kind of
[TS]
01:11:22
◼
►
situations where the visual effects are
[TS]
01:11:24
◼
►
are in a hard place because if you've
[TS]
01:11:27
◼
►
seen like people on the International
[TS]
01:11:29
◼
►
Space Station with long hair hair and
[TS]
01:11:31
◼
►
zero gravity looks weird like it doesn't
[TS]
01:11:33
◼
►
look it doesn't look graceful like it
[TS]
01:11:35
◼
►
just kind of you know it just it doesn't
[TS]
01:11:38
◼
►
do things that you want to do in the
[TS]
01:11:40
◼
►
movie looks very strange to us so
[TS]
01:11:43
◼
►
there's a lot of this a lot of those
[TS]
01:11:44
◼
►
youtube videos whatever woman is up
[TS]
01:11:46
◼
►
there doing experiments using a very
[TS]
01:11:47
◼
►
long hair and she's got in different
[TS]
01:11:49
◼
►
styles and different times and it just
[TS]
01:11:50
◼
►
kind of bounces around awkwardly and
[TS]
01:11:52
◼
►
sticks out at weird angles and it just
[TS]
01:11:54
◼
►
is not flattering it is much better to
[TS]
01:11:56
◼
►
make it look like pretend you're a
[TS]
01:11:58
◼
►
mermaid underwater and also you're on a
[TS]
01:12:00
◼
►
Playstation 4 and now your hair is
[TS]
01:12:01
◼
►
waving and its artistic license but
[TS]
01:12:04
◼
►
maybe maybe they need a little more
[TS]
01:12:06
◼
►
money so the end the very end
[TS]
01:12:09
◼
►
I what I loved one of the things i love
[TS]
01:12:11
◼
►
about this movie is I i love how
[TS]
01:12:13
◼
►
beautiful it is at the end that we
[TS]
01:12:14
◼
►
there's a moment where she says I
[TS]
01:12:16
◼
►
realized why I just realized why my
[TS]
01:12:19
◼
►
husband left me and he says I don't I
[TS]
01:12:22
◼
►
didn't know you were married and it's
[TS]
01:12:24
◼
►
like you know your she's actually
[TS]
01:12:25
◼
►
realizing she's figured out like how
[TS]
01:12:28
◼
►
this is gonna go from here on out and I
[TS]
01:12:31
◼
►
I i think that it's a beautiful thing
[TS]
01:12:35
◼
►
that she's been in a movie she's been
[TS]
01:12:37
◼
►
especially the beginning she's talking
[TS]
01:12:39
◼
►
to her daughter and talking about the
[TS]
01:12:40
◼
►
story of her daughter's life and we've
[TS]
01:12:42
◼
►
seen these hints about like mommy and
[TS]
01:12:44
◼
►
daddy talk to animals you know and
[TS]
01:12:46
◼
►
things that are giving her clues about
[TS]
01:12:48
◼
►
this that in the end she gets this much
[TS]
01:12:50
◼
►
bigger vision that this is that she is
[TS]
01:12:53
◼
►
going to have a child within and it's
[TS]
01:12:56
◼
►
the child that we've seen all along and
[TS]
01:12:59
◼
►
and she's going to go through that whole
[TS]
01:13:01
◼
►
process that leads to you know her
[TS]
01:13:04
◼
►
daughter growing up and then her
[TS]
01:13:05
◼
►
daughter dying and i think it's sad and
[TS]
01:13:08
◼
►
and beautiful that and and the idea
[TS]
01:13:11
◼
►
there i take away from it i'm curious
[TS]
01:13:13
◼
►
what all of you take away from it
[TS]
01:13:14
◼
►
is that if you look at any life on a
[TS]
01:13:17
◼
►
long scale various tragedy and there's
[TS]
01:13:21
◼
►
happy things and then you die and so you
[TS]
01:13:26
◼
►
have to you know if your ipod you just
[TS]
01:13:28
◼
►
have to appreciate the happy things that
[TS]
01:13:31
◼
►
happen because you know we're all
[TS]
01:13:33
◼
►
bounded by time and I I you know I
[TS]
01:13:36
◼
►
thought it was I thought it was a
[TS]
01:13:37
◼
►
beautiful poetic way to end a movie
[TS]
01:13:41
◼
►
about aliens who live in a big floating
[TS]
01:13:43
◼
►
spaceship i also agree that it's very
[TS]
01:13:46
◼
►
I i do have some things that I thought
[TS]
01:13:48
◼
►
about sense that about the mechanics of
[TS]
01:13:50
◼
►
it and what the ramifications would be
[TS]
01:13:53
◼
►
on a global scale especially like why
[TS]
01:13:55
◼
►
would you be throwing a party 18 months
[TS]
01:13:57
◼
►
later instead of being like oh I wonder
[TS]
01:13:59
◼
►
what this time travel is going to do the
[TS]
01:14:00
◼
►
stock market the thing though just about
[TS]
01:14:02
◼
►
the aspect of Louise and everything
[TS]
01:14:05
◼
►
about Louie said i love that i thought
[TS]
01:14:07
◼
►
that was a very beautiful story to tell
[TS]
01:14:10
◼
►
and I love coming full circle to the
[TS]
01:14:13
◼
►
drawings with them in the canary and
[TS]
01:14:15
◼
►
then also when she's back at the lake
[TS]
01:14:20
◼
►
house and pouring glasses wine there
[TS]
01:14:22
◼
►
were those empty glasses of wine which
[TS]
01:14:23
◼
►
are on the table by the door at the very
[TS]
01:14:27
◼
►
first shot of the movie as the camera
[TS]
01:14:29
◼
►
pushed in on that and this we take to
[TS]
01:14:32
◼
►
mean is the night of the the night of
[TS]
01:14:35
◼
►
the daughters conception basically
[TS]
01:14:37
◼
►
because this was the moment of the
[TS]
01:14:39
◼
►
voiceover that's happening right there
[TS]
01:14:41
◼
►
and the fact that Jeremy Renner's
[TS]
01:14:42
◼
►
outside she's bringing a glass of wine I
[TS]
01:14:44
◼
►
but that that also ties it back in with
[TS]
01:14:48
◼
►
what we saw in these these things that
[TS]
01:14:50
◼
►
you thought were things you might have
[TS]
01:14:51
◼
►
thought were flashbacks earlier and and
[TS]
01:14:54
◼
►
makes the film feel very coherent in
[TS]
01:14:57
◼
►
that regard so I i like that element of
[TS]
01:14:59
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the construction i like that i just i
[TS]
01:15:01
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like the I i think i like the bitter
[TS]
01:15:03
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sweetness i think that's the thing i
[TS]
01:15:04
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like I think I like that it's sad and
[TS]
01:15:07
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happy at the same time that that like
[TS]
01:15:09
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that that really works for me
[TS]
01:15:10
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I thought it was sort of perfect and i
[TS]
01:15:15
◼
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said at the outset i'm circling around
[TS]
01:15:17
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because my memory works in big blocks of
[TS]
01:15:18
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time he finally explained glen and how
[TS]
01:15:21
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we work exactly
[TS]
01:15:22
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now you understand meet the others i
[TS]
01:15:23
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have to pod I did you know the always
[TS]
01:15:27
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knew the hit
[TS]
01:15:29
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very good the bit about this is why the
[TS]
01:15:31
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story as i said the beginning always
[TS]
01:15:32
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gets to me is I feel like and you've
[TS]
01:15:34
◼
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talked about it throughout too is it's
[TS]
01:15:35
◼
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the the nature of being a parent is that
[TS]
01:15:37
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you're always creating some part of life
[TS]
01:15:39
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that you don't know how long this
[TS]
01:15:41
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creature you love so much is going to
[TS]
01:15:42
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live you know how long you're going to
[TS]
01:15:43
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live whatever but you might live to see
[TS]
01:15:45
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your child died which is a terrible
[TS]
01:15:46
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terrible thing we know when they live to
[TS]
01:15:48
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see our parents died that's much more
[TS]
01:15:49
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likely and reasonable and and also
[TS]
01:15:51
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horrible but seeing a child died is the
[TS]
01:15:54
◼
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worst thing in the story plays with that
[TS]
01:15:56
◼
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idea about that having almost having the
[TS]
01:15:59
◼
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choice it's like but you don't have the
[TS]
01:16:00
◼
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choice in the story she clearly doesn't
[TS]
01:16:02
◼
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have the choice here we you know I was
[TS]
01:16:05
◼
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interesting the different people think
[TS]
01:16:06
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she did that she had any free well there
[TS]
01:16:08
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but whether she did or didn't
[TS]
01:16:10
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that choice is made and she's now
[TS]
01:16:12
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fervently you deeply conscious other
[TS]
01:16:14
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from that moment forward and that it
[TS]
01:16:17
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just hits me so hard to think about it
[TS]
01:16:20
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that I think it overwhelms any of this
[TS]
01:16:22
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sort of you know tacked on bits that
[TS]
01:16:24
◼
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beware global issues are are brought in
[TS]
01:16:27
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i think to you know heighten the
[TS]
01:16:28
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dramatic effect where it's really some
[TS]
01:16:30
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level this is a very small movie a
[TS]
01:16:32
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better view aliens and a few people and
[TS]
01:16:34
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all m1 life and it's it's funny how
[TS]
01:16:38
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small it feels even though it's brings
[TS]
01:16:41
◼
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in the global things I liked it a lot
[TS]
01:16:43
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I I tacho a lot of the thoughts that I
[TS]
01:16:47
◼
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think several of my panelists had at the
[TS]
01:16:49
◼
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at the very beginning here at the end
[TS]
01:16:51
◼
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say we're wrapping it all the way back
[TS]
01:16:53
◼
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around I got ya i thought it was I
[TS]
01:16:55
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thought it was the kind of movie that I
[TS]
01:16:57
◼
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like to see I hope they make more movies
[TS]
01:16:59
◼
►
like this i think it is the perfect
[TS]
01:17:01
◼
►
execution in a lot of ways of at
[TS]
01:17:03
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adapting a good science fiction short
[TS]
01:17:06
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story into a film which you know
[TS]
01:17:09
◼
►
original properties in Hollywood not so
[TS]
01:17:12
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common anymore and site you know science
[TS]
01:17:15
◼
►
fiction short stories are the perfect
[TS]
01:17:16
◼
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thing to mine for movies they are a good
[TS]
01:17:19
◼
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match and this is a good story and as
[TS]
01:17:23
◼
►
somebody who read it five years ago I
[TS]
01:17:24
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could not imagine a better adaptation of
[TS]
01:17:27
◼
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them that it is there is so much care
[TS]
01:17:29
◼
►
and there are so many things that could
[TS]
01:17:30
◼
►
have really screwed up and they took a
[TS]
01:17:33
◼
►
lot of care with the way that this
[TS]
01:17:34
◼
►
screenplay is
[TS]
01:17:36
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and then the way it's directed and shot
[TS]
01:17:37
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instead the music and all of that I
[TS]
01:17:39
◼
►
think they did a very good job Amy Adams
[TS]
01:17:41
◼
►
is amazing in it and so yeah it i have
[TS]
01:17:45
◼
►
enjoyed a rival more than I've enjoyed
[TS]
01:17:47
◼
►
the movie I in multiple years i'll put
[TS]
01:17:51
◼
►
it that way I I thought it was great so
[TS]
01:17:53
◼
►
i can't say how good of an adaptation it
[TS]
01:17:55
◼
►
was because it didn't read the story
[TS]
01:17:56
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►
pages it was definitely it was
[TS]
01:17:58
◼
►
definitely a good man residues yeah it
[TS]
01:17:59
◼
►
was definitely a good movie but like you
[TS]
01:18:01
◼
►
know ASAP but my quibbles about it don't
[TS]
01:18:03
◼
►
make me have any ill will towards this
[TS]
01:18:04
◼
►
movie at all and I think for me to get
[TS]
01:18:08
◼
►
over the things that bother me about it
[TS]
01:18:09
◼
►
wouldn't take much like the way I would
[TS]
01:18:11
◼
►
fix this movie is get rid of sapphire
[TS]
01:18:13
◼
►
Worf don't have the language be the gift
[TS]
01:18:15
◼
►
have her merely get this ability through
[TS]
01:18:16
◼
►
some other hand wavy means that doesn't
[TS]
01:18:18
◼
►
try to don't try to pin down to some
[TS]
01:18:20
◼
►
concrete like languages and West I like
[TS]
01:18:22
◼
►
yeah right in it but then do the real
[TS]
01:18:25
◼
►
thing is like the thing that you all got
[TS]
01:18:27
◼
►
out of it that I wish there was there
[TS]
01:18:28
◼
►
was more of is the idea that it was
[TS]
01:18:31
◼
►
there and it's there in the first scene
[TS]
01:18:32
◼
►
but I feel like when they wrap it up at
[TS]
01:18:34
◼
►
the end there's a little bit too much
[TS]
01:18:35
◼
►
linear time the idea that after she
[TS]
01:18:37
◼
►
receives this gift that her experience
[TS]
01:18:40
◼
►
of time is not like our so she is not
[TS]
01:18:42
◼
►
live she's not choosing to do a thing
[TS]
01:18:45
◼
►
and living through that like she sees
[TS]
01:18:46
◼
►
the whole her life at the same as we
[TS]
01:18:48
◼
►
were also it sees the whole of her life
[TS]
01:18:49
◼
►
at the same time and if you can imagine
[TS]
01:18:51
◼
►
seeing it the whole your life at the
[TS]
01:18:53
◼
►
same time you can see there with this
[TS]
01:18:55
◼
►
child in some portion or without the
[TS]
01:18:57
◼
►
child's own portion when she looks at
[TS]
01:18:59
◼
►
the whole time she looks at the ring and
[TS]
01:19:01
◼
►
says well I want the ring that has the
[TS]
01:19:03
◼
►
kid part in here because i'm looking at
[TS]
01:19:04
◼
►
the whole thing i'm not you know and
[TS]
01:19:06
◼
►
it's that she doesn't do if he doesn't
[TS]
01:19:08
◼
►
transformation it's not expressed to us
[TS]
01:19:10
◼
►
well that now she is different than
[TS]
01:19:13
◼
►
essentially every other human who
[TS]
01:19:14
◼
►
doesn't have this ability because she's
[TS]
01:19:15
◼
►
not living her life from one day to the
[TS]
01:19:19
◼
►
marching through time checking off
[TS]
01:19:21
◼
►
things on the calendar she is instead
[TS]
01:19:23
◼
►
experiencing and viewing her entire life
[TS]
01:19:26
◼
►
at once and from that perspective offer
[TS]
01:19:28
◼
►
quote-unquote choices which are really
[TS]
01:19:30
◼
►
choices make sense and give the the the
[TS]
01:19:33
◼
►
heartwarming ending I just feel like
[TS]
01:19:34
◼
►
this that you have to bring a lot of
[TS]
01:19:36
◼
►
that to it because by the end of the
[TS]
01:19:39
◼
►
movie they make it seem like she has
[TS]
01:19:41
◼
►
like 0 and now we're in the present and
[TS]
01:19:43
◼
►
I'm making these choices and i'm just
[TS]
01:19:45
◼
►
going to live out my days and i'm just
[TS]
01:19:47
◼
►
going to let it go which is which is not
[TS]
01:19:48
◼
►
for it to really work for it to really
[TS]
01:19:50
◼
►
resonated maybe the book does this
[TS]
01:19:52
◼
►
I have to really internalize the idea
[TS]
01:19:55
◼
►
that she is not continuing her life from
[TS]
01:19:57
◼
►
this point on but did it but she is now
[TS]
01:19:59
◼
►
and has always been in forever will be
[TS]
01:20:02
◼
►
experiencing her entire life or one at
[TS]
01:20:03
◼
►
once at and one giant ring in the in the
[TS]
01:20:07
◼
►
book it's a story to be clear you like
[TS]
01:20:08
◼
►
the story better I think in the story
[TS]
01:20:10
◼
►
it's made clear that from the moment the
[TS]
01:20:12
◼
►
language affects her that she now sees
[TS]
01:20:14
◼
►
it from that point to her death but not
[TS]
01:20:17
◼
►
beyond the aliens may have longer lives
[TS]
01:20:19
◼
►
and Jason have to agree with you to this
[TS]
01:20:21
◼
►
is I can't imagine a better adaptation
[TS]
01:20:23
◼
►
of a book that i love so or story looks
[TS]
01:20:26
◼
►
so much I just you know it's not perfect
[TS]
01:20:29
◼
►
in every way
[TS]
01:20:30
◼
►
yeah I don't like some of the plot
[TS]
01:20:31
◼
►
add-ons but oh my god it's I think it's
[TS]
01:20:34
◼
►
it couldn't have been a better
[TS]
01:20:35
◼
►
adaptation yeah I i thinkyeah the
[TS]
01:20:37
◼
►
impression i got in the way I read the
[TS]
01:20:39
◼
►
movie is that she is basically kind of
[TS]
01:20:41
◼
►
not unstuck in time because that's not
[TS]
01:20:43
◼
►
quite right to use the you know
[TS]
01:20:44
◼
►
slaughterhouse-five but it's that idea
[TS]
01:20:46
◼
►
is like her her view of time is broken
[TS]
01:20:49
◼
►
at that point forever like she is
[TS]
01:20:51
◼
►
hopping around between all the different
[TS]
01:20:53
◼
►
things that happen in her in her life
[TS]
01:20:55
◼
►
and that's just how she is now but uh
[TS]
01:20:58
◼
►
you know but books can make definitive
[TS]
01:21:00
◼
►
statements and movies have images on the
[TS]
01:21:02
◼
►
screen and you have to read them I I was
[TS]
01:21:05
◼
►
I've been wondering about we see her at
[TS]
01:21:07
◼
►
the end kind of teaching seminars about
[TS]
01:21:10
◼
►
this language she has the book about the
[TS]
01:21:13
◼
►
language do other people have this
[TS]
01:21:15
◼
►
ability or is she so superior in her
[TS]
01:21:17
◼
►
linguistic abilities that she is the
[TS]
01:21:20
◼
►
only one who can see forward through
[TS]
01:21:23
◼
►
time nearly teaching the language surely
[TS]
01:21:25
◼
►
wouldn't give you a view of all of
[TS]
01:21:26
◼
►
space-time so I think she's the only one
[TS]
01:21:27
◼
►
with the gift that's my headcanon it's
[TS]
01:21:29
◼
►
just you know it's just your life that
[TS]
01:21:30
◼
►
you don't see all of space-time the
[TS]
01:21:32
◼
►
aliens made live to be thousand years
[TS]
01:21:34
◼
►
old my impression is that because they
[TS]
01:21:36
◼
►
need humanity in 3,000 years they gave
[TS]
01:21:38
◼
►
them the language as a tool
[TS]
01:21:40
◼
►
plus the schematic to build whatever
[TS]
01:21:42
◼
►
they need to get built the aliens
[TS]
01:21:44
◼
►
connect there helping 3,000 years I mean
[TS]
01:21:46
◼
►
that's not that's in the book but I feel
[TS]
01:21:47
◼
►
like in the story the story then nobody
[TS]
01:21:50
◼
►
in the story except the linguists to
[TS]
01:21:51
◼
►
meet the aliens ever managed to learn
[TS]
01:21:52
◼
►
languages and my take on it is is you
[TS]
01:21:57
◼
►
can teach other concepts of this alien
[TS]
01:21:59
◼
►
language but until you
[TS]
01:22:01
◼
►
basically what they say until you start
[TS]
01:22:03
◼
►
thinking in it until you start dreaming
[TS]
01:22:05
◼
►
in it that's the moment where now your
[TS]
01:22:07
◼
►
perceptions widen and that's unclear to
[TS]
01:22:10
◼
►
me whether she can now teach you know
[TS]
01:22:13
◼
►
native uh have to pod be or whether this
[TS]
01:22:18
◼
►
is just you know she can do is sort of
[TS]
01:22:19
◼
►
teach you the basics and and you'll
[TS]
01:22:22
◼
►
never be able to see it like her that
[TS]
01:22:24
◼
►
that is left to the imagination but you
[TS]
01:22:26
◼
►
need you really need it's like you need
[TS]
01:22:27
◼
►
to go to France you need to be immersed
[TS]
01:22:29
◼
►
yeah you need to hang out with heptapod
[TS]
01:22:30
◼
►
for a while in a cave that's right
[TS]
01:22:32
◼
►
really get that's why they only you know
[TS]
01:22:34
◼
►
in in the good schools only have two
[TS]
01:22:36
◼
►
pots can teach that language classroom
[TS]
01:22:38
◼
►
have non-native speakers to know English
[TS]
01:22:41
◼
►
allowed in the classroom just a series
[TS]
01:22:42
◼
►
of loud farting noise and everybody gets
[TS]
01:22:44
◼
►
an ink spray bottle and a pump in water
[TS]
01:22:46
◼
►
and then they all start getting to work
[TS]
01:22:48
◼
►
about speaking but everyone's here
[TS]
01:22:50
◼
►
forever and I just I just just 102 is a
[TS]
01:22:52
◼
►
Stephen Wolfram and his son were
[TS]
01:22:54
◼
►
involved in creating the language which
[TS]
01:22:55
◼
►
doesn't surprise me at all
[TS]
01:22:57
◼
►
yeah and i like that you know they
[TS]
01:22:58
◼
►
basically have like an iPad app where
[TS]
01:23:00
◼
►
they build the language of my thought
[TS]
01:23:01
◼
►
that I thought they visualize that
[TS]
01:23:02
◼
►
pretty well the idea of how do you have
[TS]
01:23:04
◼
►
anything that's occurred a circle with
[TS]
01:23:05
◼
►
things off it looks like a really weird
[TS]
01:23:07
◼
►
sort of a way of doing a written
[TS]
01:23:10
◼
►
language and I thought they did a good
[TS]
01:23:11
◼
►
job with that we should have introduced
[TS]
01:23:13
◼
►
into emoji though
[TS]
01:23:14
◼
►
hey hey you you have you seen pile of
[TS]
01:23:16
◼
►
poo great so you're bringing your great
[TS]
01:23:17
◼
►
and all but alright well that has been a
[TS]
01:23:20
◼
►
it's been a nice conversation about a
[TS]
01:23:21
◼
►
fun movie i hope you've all seen it if
[TS]
01:23:23
◼
►
you're listening to this but if not you
[TS]
01:23:24
◼
►
should you should go watch it because
[TS]
01:23:26
◼
►
it's good i like to thank my guests
[TS]
01:23:28
◼
►
doesn't matter when they listen to
[TS]
01:23:29
◼
►
podcasts that's true i suppose that's
[TS]
01:23:31
◼
►
true once you listen to this podcast
[TS]
01:23:32
◼
►
then you will understand all podcasts
[TS]
01:23:35
◼
►
that no that's not how it works either
[TS]
01:23:37
◼
►
only when you're dreaming but they have
[TS]
01:23:39
◼
►
to be immersed they do living with you
[TS]
01:23:41
◼
►
too living have to live with a podcast
[TS]
01:23:43
◼
►
live from the podcast land and moving
[TS]
01:23:46
◼
►
with Jason for a month menus you're
[TS]
01:23:48
◼
►
going to start
[TS]
01:23:49
◼
►
I'm gonna have to clean the cat box
[TS]
01:23:50
◼
►
while you're here though so be warned
[TS]
01:23:53
◼
►
alright thanks to my guests for being
[TS]
01:23:55
◼
►
here John siracusa thank you as always I
[TS]
01:23:57
◼
►
have no hate in my heart for this movie
[TS]
01:23:59
◼
►
that's good that's good it did the one
[TS]
01:24:02
◼
►
day you will see nonlinear time there's
[TS]
01:24:06
◼
►
so much of it you won't even believe it
[TS]
01:24:08
◼
►
Joe steel thank you bb excellent to each
[TS]
01:24:11
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thank you whoa holy in Sims thank you
[TS]
01:24:14
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thank you and Glenn fleischmann thank
[TS]
01:24:19
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you for going to be here
[TS]
01:24:22
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well you know I knew it would come out
[TS]
01:24:23
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this way but I still showed up this was
[TS]
01:24:26
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a place this was a pleasure all good and
[TS]
01:24:28
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will be eternally in nonlinear time and
[TS]
01:24:32
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thanks everybody out there for listening
[TS]
01:24:33
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to this edition of the uncomfortable
[TS]
01:24:35
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will see last week or next week for now
[TS]
01:24:42
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[Music]
[TS]