286: No One in a Powdered Wig is Scrappy
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the entire article number 286 februari
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welcome back everybody to the
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uncomfortable i'm your host Jason L we
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are going to talk about something a
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little different for us this is in the
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realm of musical theater
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I know I know who would have thought but
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it's at least it's science fiction music
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nope it's not that
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and it's also a musical theater that
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none of us have actually seen so it's
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essentially we're talking about an album
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basically which is the two hours and 23
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minutes and 46 tracks of the original
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broadway cast recording of a musical
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called Hamilton by lin-manuel Miranda
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which is taking many parts of the
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culture by storm
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it is a wild success it is hard to get a
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ticket i believe our own Lex Friedman
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for his birthday in november i think got
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a ticket for September of the following
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year to see it
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yeah yeah it's hard it's a it's a it's a
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tough ticket and the reason is because
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it is spectacularly good and fun to
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listen to and once you start you can't
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and it's much better than you might
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expect that a musical that is largely
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inspired by a biography of america's
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first secretary of the Treasury might be
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talking about this with me are the
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following wonderful guests chipset earth
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hello it was my understanding that this
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was actually a historical doctor who
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episode it could be just wait for it
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um monte actually you can be my
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right-hand man if Y is my favorite line
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says device
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ok David lower is here straight from the
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theater in our dad later Jason yeah mhm
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and serenity caldwell who's been
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Hamilton a pretty pretty much
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consistently for the last two months
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I'm over 19 and my mind is older alright
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well that works and story checks out
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yeah seems seems to be rice yeah so
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Hamilton any opening statements i read
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in Siracusa here
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oh my god it's gonna be a three hour
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podcast and I have nobody to help us two
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and a half hours go ahead I'll catch up
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this should not be this thing should not
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this is impossible this is a simpsons
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gag this is wrought me dr. Zaius stuff
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and the piano anymore
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of course you can well I didn't before
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not to say stuff
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dr. Zaius doctor is dr. Zaius doctors is
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his previous
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I love legitimate v8 I don't understand
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how this wonderful thing can exist and
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more to the point can be so good
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there are few places in this musical
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where I do get of a little bit of a
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simpsons parody music vibe there are a
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few lines that i think are kind of
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clunkers where it's it's so on-the-nose
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I'm like yeah okay i would laugh at
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added if it were not surrounded by
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brilliance but it is it is ninety-nine
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percent brilliance and one percent kind
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of cringe that just as Hamilton it's a
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rap musical oh yes right yeah really
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as somebody who is a huge musical
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theater fanatic but not a big rap
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hip-hop fan like i enjoy it casually but
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I'm not the person who's like I know all
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of these artists and i can i can rap for
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I'm not a I'm not a female white rapper
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surprised this show completely bowled me
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over in such a weird way where I've been
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hearing little bits of it i had been
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hearing rumors and talk and like little
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like Oh Hamilton Hamilton Hamilton
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Hamilton and just kept on popping up in
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why do you keep saying that will do you
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well and i was saying before before we
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started you know I actually walked past
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Hamilton started off broadway at the
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public theater and I was in New York out
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the second or third night that it began
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running at the public and I remember
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walking past the public and seeing these
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big basically neon yellow of posters
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that are like who lives who dies who
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tells your story and then an outline of
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hamilton and with Hamilton written in
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big block letters at the bottom and I
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remember looking at that being like
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Hamilton maybe I don't maybe this is
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like some artists that i don't know i'm
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completely missing this this is weird i
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saw people queuing I'm like well I could
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find out what it is now I'm just gonna
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keep on walking and that was my
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experience with Hamilton for six months
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where I was just like I kept on seeing
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little bits to it alright see someone
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mentioned oh I'm you know I tough an old
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friend of mine from high school is in
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the cast of hamilton and I was like oh
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that's really cool maybe i'll go get in
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get some time and then I then there was
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the Ben Brantley is new york times
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review was like mortgage your children
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to see their food orders your house and
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and that's not so Morgan wait for your
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children yea it is was totally mortgage
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my children to see this
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yeah but that's a bit but so I was saw
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that and I'm like what is the show
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because i actually don't know and i
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started reading I'm like oh that's
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interesting a musical about Alexander
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Hamilton and my mother came to visit me
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in early September right after the show
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had basically come to Broadway and I'm
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like oh well maybe we'll maybe we'll
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stand by for this musical and we'll get
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tickets for we got tickets for
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gentleman's guide to love and murder and
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I'm like well maybe we'll also since the
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matinee maybe we'll stand by for the
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evening show and we walked by just to
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see if they were doing a ham for ham
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like do we walk by the richard rodgers
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there are 700 people there and my just
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drops because you know i'm an old school
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musical theatre which is to say well not
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old school like old-school for me
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meaning i slept overnight to get tickets
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for rent
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like I remember the early rent lotteries
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before Broadway had lotteries when run
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was doing his touring cast and
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everything else and and those lotteries
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were you know they were verb like it
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inspiring and exciting but it was like a
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hundred and fifty people and to see 700
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people crowding as close as possible to
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this little theatre and then later to
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see all the him for hams as soon as we
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got in the car after going to see a
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gentleman's guide to love and murder
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which was a fabulous show i immediately
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bought the Hamilton soundtrack and I'm
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like all right I'm just gonna listen to
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it because someone says it's sung
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through so it's kind of like you know
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you can enjoy it like you might leave
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mrs. so I'm just gonna do it and so I
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started the Hamilton soundtrack at the
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start of the new york drive and I
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finished it at 1i am at the at the end
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of my driveway literally i finished two
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lives who dies who tells your story as i
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was pulling up into into our driveway
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and opportunity to solve every minute
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yeah exactly because i was just like
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what the first what is
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this what is this entire that has made
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me feel so emotions so many emotions and
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I'm so confused on why why why is this
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suddenly become all i can think of about
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for the next you know week and that was
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that was this that was the impetus for
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me like getting obsessed about Hamilton
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is I just listen to this thing and I
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immediately want to listen to it again
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and then every time someone brought it
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up for the next three four and now
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anytime someone talks about Hamilton I'm
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like I need to listen to the song
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soundtrack again which is crazy when a
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friend of mine asked me on social media
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you know why why are people into this i
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don't understand this and i said it is
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fantastic it's only yeah it's andy and
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not cause fault that I'm into this thing
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because he tweeted about the the sale
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that Google Music add that was they were
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selling it for two dollars to stinking
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dollars yeah we're afraid that he used
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so I get in I go nuts and this friend
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asked me why is everybody talking about
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Hamilton it's just that good here's the
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show and she's response wait
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people are getting this crazy over a
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cast album people haven't been able to
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see it yet it's just the castle
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yes you're just that good some very good
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cast album Hamilton the quality of the
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Hamilton cast our has been really
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inconvenient for me because a few months
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ago i said i am out of touch with what's
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going on Broadway because i live in
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Seattle and broadway lives in New York
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like a jerk
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apologies to anybody who lives in New
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York is not a jerk so I started a blog
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Broadway away dot com on the grounds
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that i live away from broadway and I
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said what I'm going to do is I'm going
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to catch up on broadway and we learn
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everything about Broadway I'm gonna know
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what's happening and there's all these
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cast albums on spotify which is great it
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was gonna say alright what have I missed
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I don't really know what happens in
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passions i dunno what happens in
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passions but that's that sort of thing
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so I'm just gonna listen to a whole
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bunch of cast albums read books and know
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what's going on
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the problem is i just listened to
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Hamilton over and over and over and over
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again and I have to stop messaging know
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you need to give Sunset Boulevard
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another truck is a song of Sunset
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Boulevard and you know right back into
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Hamilton over and over and over and over
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again it's tough it's tough at the
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fascination to I mean we we we've said
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it is about a guy that a lot of people
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have never even heard of when we
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mentioned Hamilton on Twitter are in
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regards to this show and some other
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stuff that we've been working on
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I've heard from a bunch of people
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outside of the united states who have no
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idea not only what the show is but who
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this person is
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Americans would probably know hamilton
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from him being on the ten-dollar bill
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and from that got milk ad probably the
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who shot Alexander Hamilton in that
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famous duel board and yet
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lin-manuel Miranda while on vacation
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with his honeymoon you might have been
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trying since anyone he he read the book
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Alexander Hamilton by ron chernow which
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is a a long but good book about a
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biography of Alexander Hamilton they
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have now put a Hamilton logo on it
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because you know marketing like putting
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tom cruise on the cover of of the firm
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War of the Worlds sure
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ok now major of broadway cast recording
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and the point of Miranda was he wanted
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to tell the story of this a lesser-known
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character from the American Revolution
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and also i think really appreciated the
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the source of Hamilton which is that he
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was an immigrant famously as the show
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starts you know he is his father left
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his mother died he ended up at a very
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young age sea first I've seen awful
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conditions and squalor in the Caribbean
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and then eventually proving his worth as
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a as a brilliant young worker and people
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pulled their money and sent him to get
[TS]
00:11:11
◼
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an education on the mainland and that
[TS]
00:11:13
◼
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that's how that's how he starts and in a
[TS]
00:11:15
◼
►
very short amount of time because he's
[TS]
00:11:17
◼
►
in the right place at the right time
[TS]
00:11:18
◼
►
with his incredible gifts he becomes a
[TS]
00:11:21
◼
►
key figure in the American Revolution
[TS]
00:11:22
◼
►
and the aftermath
[TS]
00:11:24
◼
►
it's a great story and I think met
[TS]
00:11:26
◼
►
Miranda's thought was I can't believe
[TS]
00:11:28
◼
►
nobody's really told this story so so he
[TS]
00:11:31
◼
►
took it upon himself to to do it and he
[TS]
00:11:34
◼
►
does it in a whole bunch of different
[TS]
00:11:35
◼
►
musical styles it is
[TS]
00:11:36
◼
►
kind of unfair to say that this is a
[TS]
00:11:38
◼
►
hip-hop musical it's a lot of different
[TS]
00:11:39
◼
►
styles including a lot of hip-hop you
[TS]
00:11:42
◼
►
know that but there's there's other
[TS]
00:11:43
◼
►
styles too i think you you don't give
[TS]
00:11:45
◼
►
him enough credit he's he's playing with
[TS]
00:11:47
◼
►
thought with all the parts are absent a
[TS]
00:11:49
◼
►
Swedish british pop and classic musical
[TS]
00:11:52
◼
►
theater style and even you know touches
[TS]
00:11:55
◼
►
of gilbert and sullivan so much so much
[TS]
00:11:58
◼
►
its yeah I have so many friends who work
[TS]
00:12:01
◼
►
in New York theater and and even at the
[TS]
00:12:04
◼
►
public theater that this has been on
[TS]
00:12:05
◼
►
unlike the edges of my radar for like
[TS]
00:12:08
◼
►
two or three gears now and so when it
[TS]
00:12:11
◼
►
first started the the workshop
[TS]
00:12:13
◼
►
performances and the first run at the
[TS]
00:12:16
◼
►
public theater before Broadway back when
[TS]
00:12:19
◼
►
they didn't they weren't I mean they
[TS]
00:12:20
◼
►
were hoping to go to Broadway but they
[TS]
00:12:22
◼
►
you know there was no concrete plan at
[TS]
00:12:25
◼
►
that point and even at that point the
[TS]
00:12:27
◼
►
the people I knew who worked there the
[TS]
00:12:29
◼
►
people who went to see it said oh my god
[TS]
00:12:31
◼
►
this is the next thing and you know and
[TS]
00:12:35
◼
►
and by the time I had a chance to go
[TS]
00:12:37
◼
►
there was no way in hell I was gonna get
[TS]
00:12:40
◼
►
a ticket for it
[TS]
00:12:41
◼
►
even with all these friends because the
[TS]
00:12:42
◼
►
demand was so great
[TS]
00:12:44
◼
►
Hamilton gets in the news now pretty
[TS]
00:12:46
◼
►
much every two weeks or something
[TS]
00:12:49
◼
►
it's great was on a leash yeah exactly
[TS]
00:12:52
◼
►
it's been on the all the late night
[TS]
00:12:53
◼
►
shows lin-manuel Miranda has gotten to
[TS]
00:12:56
◼
►
show off how ridiculously good he is at
[TS]
00:12:58
◼
►
freestyle rapping you don't pretty much
[TS]
00:13:00
◼
►
every show Chris Christopher Jackson was
[TS]
00:13:04
◼
►
on The Today Show like three days ago
[TS]
00:13:06
◼
►
just talking about his uh his
[TS]
00:13:09
◼
►
experiences I don't know there's
[TS]
00:13:11
◼
►
something it's it's a confluence of
[TS]
00:13:14
◼
►
factors right it's that the music is I'm
[TS]
00:13:17
◼
►
amazing blend of so many different
[TS]
00:13:20
◼
►
styles and types of of musical theater &
[TS]
00:13:23
◼
►
hip-hop of rap rock you know of all of
[TS]
00:13:27
◼
►
basically a hundred years of music
[TS]
00:13:30
◼
►
smushed into this beautiful thing for
[TS]
00:13:32
◼
►
all the talk about how it's a
[TS]
00:13:34
◼
►
revolutionary show and I think in many
[TS]
00:13:36
◼
►
ways it is if it's also very much in the
[TS]
00:13:39
◼
►
traditional musical theater I mean rap
[TS]
00:13:41
◼
►
has been on Broadway for decades Stephen
[TS]
00:13:44
◼
►
Sondheim head wrapping into the woods
[TS]
00:13:46
◼
►
and I mean Gilbert and Sullivan was the
[TS]
00:13:49
◼
►
prototype wrap on in musical theater if
[TS]
00:13:52
◼
►
you think about it yeah i am the very
[TS]
00:13:53
◼
►
model of a modern major-general is
[TS]
00:13:55
◼
►
totally rap it's just wrap done very
[TS]
00:13:58
◼
►
fast and very much you know it's
[TS]
00:14:00
◼
►
monosyllabic to a tune rather than just
[TS]
00:14:01
◼
►
monosyllabic freeform like lin-manuel
[TS]
00:14:04
◼
►
Miranda has had worked with some time
[TS]
00:14:06
◼
►
and you can tell from him from ham how
[TS]
00:14:09
◼
►
big a musical theater nerd this guy is
[TS]
00:14:11
◼
►
what i think is really special about
[TS]
00:14:14
◼
►
Hamilton aside from the music and the
[TS]
00:14:17
◼
►
orchestration by the way if you if you
[TS]
00:14:19
◼
►
want a new way to listen to Hamilton
[TS]
00:14:20
◼
►
listen with an ear guided towards the
[TS]
00:14:23
◼
►
orchestrations because the
[TS]
00:14:24
◼
►
orchestrations are brilliant and a
[TS]
00:14:26
◼
►
wonderful kala like they're callbacks
[TS]
00:14:29
◼
►
and callbacks when callbacks and really
[TS]
00:14:31
◼
►
smart things and banjos and weird weird
[TS]
00:14:34
◼
►
a little bits on a synthesizer and
[TS]
00:14:37
◼
►
banjos yes banjos but besides the music
[TS]
00:14:42
◼
►
which is wonderful
[TS]
00:14:43
◼
►
besides the fact that lemon wall miranda
[TS]
00:14:46
◼
►
is a very very talented composer and an
[TS]
00:14:50
◼
►
actor I the entire cast
[TS]
00:14:54
◼
►
there's such an energy from the show
[TS]
00:14:56
◼
►
from the people who are promoting it
[TS]
00:14:57
◼
►
which are really the on that you know on
[TS]
00:15:00
◼
►
the line cast members in some ways it
[TS]
00:15:02
◼
►
feels very high school theater in a
[TS]
00:15:04
◼
►
strain it's the most high school theater
[TS]
00:15:06
◼
►
show on Broadway there is a really good
[TS]
00:15:09
◼
►
take everybody so delighted to be part
[TS]
00:15:12
◼
►
of it like these these actors are
[TS]
00:15:13
◼
►
getting paid for it but their happiness
[TS]
00:15:15
◼
►
that's one of the things that's been
[TS]
00:15:17
◼
►
fascinating to me about it that right
[TS]
00:15:19
◼
►
now as we're speaking this weekend
[TS]
00:15:22
◼
►
there's the new Broadway con it's like
[TS]
00:15:24
◼
►
they're trying to do a comic con for
[TS]
00:15:26
◼
►
Broadway and the first thing then
[TS]
00:15:29
◼
►
everyone is talking about Hamilton and
[TS]
00:15:31
◼
►
and someone online brought up you know
[TS]
00:15:33
◼
►
the great thing about Hamilton is the
[TS]
00:15:35
◼
►
colorblind casting and someone else
[TS]
00:15:38
◼
►
immediately went it's not colorblind
[TS]
00:15:41
◼
►
that was intentional
[TS]
00:15:42
◼
►
yeah right yeah hardwood part of the
[TS]
00:15:45
◼
►
beauty of the ham for him shows is that
[TS]
00:15:47
◼
►
it is showing that it's not just a
[TS]
00:15:49
◼
►
gimmick these cast members love musical
[TS]
00:15:53
◼
►
theater and and they they are deeply
[TS]
00:15:55
◼
►
talent that they do more than just
[TS]
00:15:56
◼
►
what's in hand
[TS]
00:15:57
◼
►
let me take a break to tell you about
[TS]
00:15:59
◼
►
one of our sponsors in this episode is
[TS]
00:16:01
◼
►
casper mattresses I told you about them
[TS]
00:16:03
◼
►
before these are obsessively engineered
[TS]
00:16:06
◼
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american-made mattresses at a shockingly
[TS]
00:16:08
◼
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fair price and you can get fifty dollars
[TS]
00:16:11
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toward any mattress purchase by going to
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00:16:13
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Casper calm / smell my last name and
[TS]
00:16:16
◼
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using code smell at checkout we all
[TS]
00:16:18
◼
►
spend a third of our life sleeping i
[TS]
00:16:20
◼
►
feel like this last week I've been
[TS]
00:16:21
◼
►
spending a little bit less than a third
[TS]
00:16:23
◼
►
of my life
[TS]
00:16:24
◼
►
you think I need to get some more sleep
[TS]
00:16:25
◼
►
but I've been staying up late I had
[TS]
00:16:27
◼
►
stuff to do you know when I lay down on
[TS]
00:16:29
◼
►
my Casper mattress which I have I get a
[TS]
00:16:32
◼
►
very nice night's sleep and that's
[TS]
00:16:35
◼
►
because Casper is unlike most other
[TS]
00:16:37
◼
►
mattresses it's got two amazing
[TS]
00:16:38
◼
►
technologies that are brought together
[TS]
00:16:40
◼
►
latex foam memory foam latex foam gives
[TS]
00:16:43
◼
►
you a really nice feel on top
[TS]
00:16:44
◼
►
memory foam has got a lot of support and
[TS]
00:16:47
◼
►
in the end it is the most comfortable
[TS]
00:16:49
◼
►
mattress that i have ever slept on and
[TS]
00:16:52
◼
►
i'm not kidding and they are not paying
[TS]
00:16:54
◼
►
you say that part that is actually the
[TS]
00:16:56
◼
►
truth there is a risk-free trial and
[TS]
00:16:59
◼
►
return policy so if you're afraid of
[TS]
00:17:00
◼
►
buying a mattress sight unseen not
[TS]
00:17:02
◼
►
knowing about it
[TS]
00:17:03
◼
►
putting out a lot of money and then
[TS]
00:17:05
◼
►
getting it being disappointed
[TS]
00:17:06
◼
►
don't worry about it they delivered to
[TS]
00:17:08
◼
►
you you can try 400 days so it's been
[TS]
00:17:11
◼
►
three months sleeping on it and if
[TS]
00:17:12
◼
►
you're not happy they will pick it back
[TS]
00:17:14
◼
►
up take it away and give you your money
[TS]
00:17:16
◼
►
the story you might lay down for five
[TS]
00:17:17
◼
►
minutes and it's not gonna tell you
[TS]
00:17:19
◼
►
anything about how comfortable the
[TS]
00:17:20
◼
►
mattresses with Casper you can sleep on
[TS]
00:17:22
◼
►
it literally they'll let you sleep on it
[TS]
00:17:25
◼
►
for months five hundred dollars for a
[TS]
00:17:28
◼
►
twin up to 9 50 for a king if you
[TS]
00:17:31
◼
►
compare that to the mattress industry
[TS]
00:17:32
◼
►
prices that's a pretty great price point
[TS]
00:17:35
◼
►
and of course you're going to get fifty
[TS]
00:17:37
◼
►
dollars toward any purchase by going to
[TS]
00:17:39
◼
►
Casper calm / smell and using code smell
[TS]
00:17:42
◼
►
terms and conditions apply thank you so
[TS]
00:17:45
◼
►
much to Casper for sponsoring the
[TS]
00:17:47
◼
►
incomparable well there are a couple of
[TS]
00:17:49
◼
►
other reasons that I think that this is
[TS]
00:17:52
◼
►
that this is struck such a court in
[TS]
00:17:53
◼
►
addition to what y'all have said up
[TS]
00:17:56
◼
►
lin-manuel Miranda makes a big deal
[TS]
00:17:58
◼
►
about how the whole point of the casting
[TS]
00:18:01
◼
►
and the music choices and things like
[TS]
00:18:02
◼
►
that is to just utterly remove the
[TS]
00:18:05
◼
►
distance between us in 2016
[TS]
00:18:08
◼
►
and the time of Hamilton 1776 and all
[TS]
00:18:12
◼
►
that stuff
[TS]
00:18:13
◼
►
it's using its it's doing an incredible
[TS]
00:18:15
◼
►
job of translating history into
[TS]
00:18:18
◼
►
something that we can just this really
[TS]
00:18:21
◼
►
enjoy there's some it's not quite call
[TS]
00:18:24
◼
►
and response but there's a level of
[TS]
00:18:25
◼
►
audience participation
[TS]
00:18:27
◼
►
I understand in the theater during this
[TS]
00:18:29
◼
►
show they had to add extra bars the to
[TS]
00:18:34
◼
►
the to the song on what to win or your
[TS]
00:18:38
◼
►
world turned upside down when lafayette
[TS]
00:18:42
◼
►
and Hamilton say immigrants we get the
[TS]
00:18:44
◼
►
job done and give each other a high-five
[TS]
00:18:46
◼
►
add more bars because the audience is
[TS]
00:18:48
◼
►
too busy laughing nobody will hear the
[TS]
00:18:50
◼
►
next the next bit so i think that that
[TS]
00:18:54
◼
►
accessibility is really important to why
[TS]
00:18:56
◼
►
this thing's taken off and also you know
[TS]
00:18:59
◼
►
talk about viral use of social media
[TS]
00:19:02
◼
►
everything from lin-manuel Miranda at
[TS]
00:19:05
◼
►
the White House on youtube to his
[TS]
00:19:08
◼
►
constant tweets and the and the ham for
[TS]
00:19:11
◼
►
him phenomenon all this other stuff they
[TS]
00:19:14
◼
►
are doing everything right to just sort
[TS]
00:19:18
◼
►
of i rly get into your head to the point
[TS]
00:19:21
◼
►
that i worry about a backlash someday
[TS]
00:19:23
◼
►
that it just gets so big that people get
[TS]
00:19:26
◼
►
just sick and tired of it and maybe it
[TS]
00:19:29
◼
►
doesn't have a long shelf life is it
[TS]
00:19:31
◼
►
might because of just saturation well it
[TS]
00:19:34
◼
►
is it is the most pre-sold show in
[TS]
00:19:36
◼
►
Broadway so it's going to run for a
[TS]
00:19:38
◼
►
while at least it's sold out through
[TS]
00:19:40
◼
►
october like to state the obvious if you
[TS]
00:19:42
◼
►
look at the guys who were actually you
[TS]
00:19:45
◼
►
know the actual Washington the actual
[TS]
00:19:46
◼
►
Madison the actual Jefferson the actual
[TS]
00:19:48
◼
►
hamilton from where we are now in 2016
[TS]
00:19:53
◼
►
they all look pretty much identical
[TS]
00:19:54
◼
►
they're all white guys and powdered wigs
[TS]
00:19:58
◼
►
and buckling shoes and you can tell it
[TS]
00:20:01
◼
►
between them and the guys in England the
[TS]
00:20:03
◼
►
hated upper-class who's keeping them
[TS]
00:20:05
◼
►
down so casting people that look and
[TS]
00:20:09
◼
►
talk more like America does i think is a
[TS]
00:20:13
◼
►
really good way of letting you identify
[TS]
00:20:15
◼
►
with the scrappy underdog because if you
[TS]
00:20:19
◼
►
saw the actual Hamilton saying I'm young
[TS]
00:20:21
◼
►
scrappy and hung
[TS]
00:20:22
◼
►
re you go no one in a powdered wig is
[TS]
00:20:25
◼
►
scrappy yeah well and it also breaks you
[TS]
00:20:29
◼
►
out of that assumption of you know oh
[TS]
00:20:31
◼
►
well as Thomas Jefferson or you know
[TS]
00:20:32
◼
►
like you look at 1776 everybody looks
[TS]
00:20:35
◼
►
very stereotypically like the picture
[TS]
00:20:37
◼
►
books and you know and the music is very
[TS]
00:20:39
◼
►
formal it was kind of dated even when it
[TS]
00:20:42
◼
►
was new
[TS]
00:20:43
◼
►
you know and william davis has a British
[TS]
00:20:45
◼
►
accent still and and this you know it's
[TS]
00:20:49
◼
►
its vibrant its alive it jolts you out
[TS]
00:20:53
◼
►
of that sort of um nothing against Ken
[TS]
00:20:56
◼
►
Burns but it would that sort of Ken
[TS]
00:20:58
◼
►
Burns look at history right where it's
[TS]
00:21:00
◼
►
not still photographs and it's not the
[TS]
00:21:02
◼
►
preconceived notions and now you
[TS]
00:21:04
◼
►
actually listen to Thomas Jefferson this
[TS]
00:21:06
◼
►
was not a thomas jefferson i knew now
[TS]
00:21:09
◼
►
listen to it it's not that I've avoided
[TS]
00:21:11
◼
►
reading history but you know you never
[TS]
00:21:14
◼
►
think of Thomas Jefferson as being an
[TS]
00:21:16
◼
►
unsympathetic character or being wrong
[TS]
00:21:19
◼
►
sometimes right easy spencey animal
[TS]
00:21:21
◼
►
jefferson and more of the geography of
[TS]
00:21:24
◼
►
the American Revolution and so right
[TS]
00:21:26
◼
►
everybody's great and they'll get along
[TS]
00:21:27
◼
►
and it's all I mean that the line about
[TS]
00:21:29
◼
►
the it's very nice in the in the rap
[TS]
00:21:32
◼
►
battle was a real nice declaration the
[TS]
00:21:36
◼
►
president running or would you like to
[TS]
00:21:39
◼
►
join us a stinging nettle to reply but
[TS]
00:21:41
◼
►
the heavens you're doing monticello it
[TS]
00:21:44
◼
►
yet there's so much
[TS]
00:21:46
◼
►
um embedded in that because it is
[TS]
00:21:49
◼
►
talking not only about Sally Hemings but
[TS]
00:21:53
◼
►
it's talking about his love of of
[TS]
00:21:56
◼
►
marijuana which is a fact about Thomas
[TS]
00:21:59
◼
►
Jefferson he smoked him all the time so
[TS]
00:22:02
◼
►
some really nice bits that the thrown
[TS]
00:22:05
◼
►
into the two humanizing yeah you've also
[TS]
00:22:07
◼
►
got these characters are pitted against
[TS]
00:22:08
◼
►
each other you need to see the
[TS]
00:22:09
◼
►
differences it's important to see the
[TS]
00:22:10
◼
►
differences Hamilton story is kind of
[TS]
00:22:12
◼
►
his differences with everybody around
[TS]
00:22:15
◼
►
yeah i like the way lin-manuel Miranda
[TS]
00:22:18
◼
►
although his is really making history
[TS]
00:22:21
◼
►
come alive he's also not afraid to just
[TS]
00:22:24
◼
►
shamelessly cut corners it will improve
[TS]
00:22:26
◼
►
the narrative because um yeah his most
[TS]
00:22:29
◼
►
important goal is to tell the story that
[TS]
00:22:31
◼
►
works so for instance you have Hamilton
[TS]
00:22:34
◼
►
blasting Jefferson for being
[TS]
00:22:35
◼
►
a slaver and then turning to his best
[TS]
00:22:38
◼
►
friend George Washington yeah yeah
[TS]
00:22:41
◼
►
yep of you will be familiar to me the
[TS]
00:22:44
◼
►
you know the order in which the sisters
[TS]
00:22:46
◼
►
met Hamilton it was not at all real
[TS]
00:22:49
◼
►
how about my father has no son and
[TS]
00:22:51
◼
►
sisters had no sons is not accurate and
[TS]
00:22:54
◼
►
the fact is that they are at the moment
[TS]
00:22:56
◼
►
in the play when Hamilton you know this
[TS]
00:22:58
◼
►
is one of the other notable things about
[TS]
00:23:00
◼
►
Hamilton is that he was the first kind
[TS]
00:23:01
◼
►
of american politician to be bitten by a
[TS]
00:23:04
◼
►
sex scandal and that's detailed in this
[TS]
00:23:07
◼
►
in this play but he the way it works in
[TS]
00:23:11
◼
►
the narrative is at that point his wife
[TS]
00:23:12
◼
►
basically walked away from him and it's
[TS]
00:23:16
◼
►
a very modern take on that relationship
[TS]
00:23:18
◼
►
but in fact during that whole period
[TS]
00:23:21
◼
►
where they are seen as being basically
[TS]
00:23:23
◼
►
it's implied that their part in the
[TS]
00:23:25
◼
►
musical they were still having kids so
[TS]
00:23:28
◼
►
you know that's not particularly
[TS]
00:23:30
◼
►
accurate either but it's all in service
[TS]
00:23:32
◼
►
of the of the big story here and and
[TS]
00:23:35
◼
►
criticism of of missing some of the
[TS]
00:23:37
◼
►
details sort of mrs. the big picture
[TS]
00:23:39
◼
►
one of the nice things about it too is
[TS]
00:23:40
◼
►
and we sort of touched on it the last
[TS]
00:23:43
◼
►
time we talked about it is the idea that
[TS]
00:23:45
◼
►
you know this is all a flashback that
[TS]
00:23:48
◼
►
bird starts out
[TS]
00:23:50
◼
►
introducing us to and so I went back and
[TS]
00:23:53
◼
►
listened to it with that in mind and and
[TS]
00:23:56
◼
►
so it is there is a concentration not
[TS]
00:23:58
◼
►
just on who lives who dies who tells
[TS]
00:24:00
◼
►
your story but specifically on
[TS]
00:24:03
◼
►
unreliable narrators getting details
[TS]
00:24:07
◼
►
Eliza taking herself out of the
[TS]
00:24:09
◼
►
narrative from hibernating all her
[TS]
00:24:10
◼
►
letters which they be no that's totally
[TS]
00:24:13
◼
►
made-up we don't know what she did we
[TS]
00:24:16
◼
►
don't know why those letters don't
[TS]
00:24:17
◼
►
survive but that is a gorgeous moment in
[TS]
00:24:20
◼
►
the show and then i have seen the
[TS]
00:24:22
◼
►
staging for that and it is amazing so so
[TS]
00:24:26
◼
►
it kind of it makes it okay to have cut
[TS]
00:24:30
◼
►
corners it sort of gives itself a
[TS]
00:24:32
◼
►
license to do that it's the intelligence
[TS]
00:24:34
◼
►
officers I energy what i know and i know
[TS]
00:24:37
◼
►
but but it just sort of baked in it's
[TS]
00:24:39
◼
►
not it's not just oh they did it let's
[TS]
00:24:41
◼
►
just say some of the people i put it
[TS]
00:24:43
◼
►
this way some of the people who
[TS]
00:24:44
◼
►
criticize the fact that characters who
[TS]
00:24:46
◼
►
aren't white or playing white characters
[TS]
00:24:47
◼
►
also criticized the musical because
[TS]
00:24:49
◼
►
it's not entirely accurate because
[TS]
00:24:51
◼
►
they're looking for things to complain
[TS]
00:24:52
◼
►
about in this in this story because you
[TS]
00:24:55
◼
►
know the fact that this is a political
[TS]
00:24:57
◼
►
this this story is political it is
[TS]
00:24:59
◼
►
political in many ways not just about
[TS]
00:25:01
◼
►
the politics of the past but the
[TS]
00:25:02
◼
►
politics of the present some people
[TS]
00:25:03
◼
►
don't really like that there are a lot
[TS]
00:25:05
◼
►
of people have made a lot of money and
[TS]
00:25:07
◼
►
careers out of talking about the
[TS]
00:25:09
◼
►
intentions of the founding fathers and
[TS]
00:25:11
◼
►
Miranda like cherno at wants to get
[TS]
00:25:15
◼
►
people to know a founding father who had
[TS]
00:25:17
◼
►
some different ideas and that there's
[TS]
00:25:18
◼
►
complexity there and you can't just talk
[TS]
00:25:20
◼
►
about founders intent like certain
[TS]
00:25:23
◼
►
members of our Supreme Court do and and
[TS]
00:25:26
◼
►
it can be simplified quite a bit from
[TS]
00:25:28
◼
►
the reality of it so that that's all
[TS]
00:25:29
◼
►
part of the argument that's going on
[TS]
00:25:30
◼
►
here i think that lovely line that an
[TS]
00:25:32
◼
►
ensemble member tosses off when aaron
[TS]
00:25:35
◼
►
burr is campaigning for president and
[TS]
00:25:37
◼
►
says I i could I feel like I could have
[TS]
00:25:39
◼
►
a beer with me
[TS]
00:25:40
◼
►
yeah what I appreciate is that it seems
[TS]
00:25:43
◼
►
like miranda is first priority is
[TS]
00:25:45
◼
►
putting out a really entertaining show
[TS]
00:25:47
◼
►
with accurate history in it and I think
[TS]
00:25:50
◼
►
that's the correct order
[TS]
00:25:52
◼
►
yeah my great and it's interesting
[TS]
00:25:54
◼
►
enough i mean i was not dying to read or
[TS]
00:25:58
◼
►
unsure knows book and and I picked it up
[TS]
00:26:01
◼
►
in the bookstore and with this is a very
[TS]
00:26:02
◼
►
heavy book it is it's got tiny prints so
[TS]
00:26:06
◼
►
many pages and i can say from experience
[TS]
00:26:08
◼
►
more than once
[TS]
00:26:09
◼
►
it hurts when it falls on your nose when
[TS]
00:26:12
◼
►
you fall asleep reading is not a
[TS]
00:26:14
◼
►
reflection on the book it's really good
[TS]
00:26:16
◼
►
but it's heavy and and yet it was
[TS]
00:26:19
◼
►
interesting enough that i wanted to know
[TS]
00:26:21
◼
►
the rest of the details and I wanted to
[TS]
00:26:23
◼
►
know what was that excited him about it
[TS]
00:26:25
◼
►
so much I mean he says by the end of the
[TS]
00:26:27
◼
►
second chapter he was already figuring
[TS]
00:26:29
◼
►
out how to make it a musical you know
[TS]
00:26:32
◼
►
how did how did that happen so that's
[TS]
00:26:34
◼
►
why I picked it up and it is a good book
[TS]
00:26:37
◼
►
yeah it is it's a lots of interesting
[TS]
00:26:40
◼
►
details and the best part of it is
[TS]
00:26:41
◼
►
you're not just hearing a story about
[TS]
00:26:43
◼
►
history when you read that book but it's
[TS]
00:26:44
◼
►
also a story about you get the sense
[TS]
00:26:47
◼
►
that it's a story that hasn't been told
[TS]
00:26:48
◼
►
before that that cherno is in some ways
[TS]
00:26:52
◼
►
a character in that book because at
[TS]
00:26:54
◼
►
several points he points out that
[TS]
00:26:55
◼
►
there's information that is essentially
[TS]
00:26:57
◼
►
not been collected and collated and made
[TS]
00:27:00
◼
►
part of the overall narrative
[TS]
00:27:02
◼
►
until him essentially which is really
[TS]
00:27:05
◼
►
interesting yeah
[TS]
00:27:06
◼
►
Hamilton's initial thoughts were all
[TS]
00:27:08
◼
►
there was some sort of like the his
[TS]
00:27:11
◼
►
contemporaries who wanted to throw him
[TS]
00:27:13
◼
►
down even after he died and then there
[TS]
00:27:15
◼
►
were his family members who wanted to
[TS]
00:27:17
◼
►
build this other narrative about it and
[TS]
00:27:18
◼
►
then they were all the these documents
[TS]
00:27:20
◼
►
including things from the Caribbean that
[TS]
00:27:22
◼
►
nobody even nobody even found this for
[TS]
00:27:25
◼
►
ya and ensure no kind of put it together
[TS]
00:27:26
◼
►
and says look this guy's way more
[TS]
00:27:28
◼
►
interesting than anyone is giving him
[TS]
00:27:29
◼
►
credit for
[TS]
00:27:30
◼
►
well no one I think honestly no one no
[TS]
00:27:32
◼
►
one ever looked I mean you get this this
[TS]
00:27:34
◼
►
line in the opening song
[TS]
00:27:39
◼
►
his his enemies destroyed his rep
[TS]
00:27:41
◼
►
America forgot him and it's true and we
[TS]
00:27:44
◼
►
think Alexander Hamilton we think money
[TS]
00:27:46
◼
►
and dollars brown and father well
[TS]
00:27:48
◼
►
exactly what I don't think money we
[TS]
00:27:49
◼
►
think you on because it's the same thing
[TS]
00:27:52
◼
►
you know I saw the big short recently
[TS]
00:27:54
◼
►
which was a just a fantastic fantastic
[TS]
00:27:56
◼
►
book and a fantastic movie but they
[TS]
00:27:59
◼
►
basically say flat out and that feels
[TS]
00:28:00
◼
►
like yeah this stuff sounds really
[TS]
00:28:04
◼
►
are you ready to go to sleep yet ok no
[TS]
00:28:06
◼
►
here's a model in a bubble bath to
[TS]
00:28:08
◼
►
distract you
[TS]
00:28:09
◼
►
it's the same thing it's like Alexander
[TS]
00:28:10
◼
►
Hamilton he deals with money he set up
[TS]
00:28:12
◼
►
you know banks and financial systems
[TS]
00:28:15
◼
►
beyond okay why is that interesting
[TS]
00:28:17
◼
►
let's let's talk about atoms because you
[TS]
00:28:19
◼
►
know Adams would really interest and
[TS]
00:28:22
◼
►
adams was at least a president which we
[TS]
00:28:24
◼
►
have here if you weren't a president and
[TS]
00:28:26
◼
►
you're not Ben Franklin who's the most
[TS]
00:28:28
◼
►
fascinating guy in the world
[TS]
00:28:29
◼
►
we don't care take that Jon Jay when I
[TS]
00:28:32
◼
►
was in school you know basically you got
[TS]
00:28:36
◼
►
he was the first secretary of the
[TS]
00:28:38
◼
►
Treasury he got shot us in a duel with
[TS]
00:28:40
◼
►
aaron burr he's on the ten-dollar bill
[TS]
00:28:42
◼
►
next and I mean the way the way history
[TS]
00:28:45
◼
►
was doled out to us and in high school
[TS]
00:28:48
◼
►
was pretty much you know okay the Civil
[TS]
00:28:49
◼
►
War you memorize the general for each
[TS]
00:28:52
◼
►
battle that's it right there was no
[TS]
00:28:54
◼
►
context there was no interest was just
[TS]
00:28:56
◼
►
like you know memorize this stuff and
[TS]
00:28:57
◼
►
take the test and you know I all that
[TS]
00:29:00
◼
►
stuff I learned on my own because I was
[TS]
00:29:02
◼
►
interested and now i'm watching my
[TS]
00:29:04
◼
►
fourteen-year-old going through the same
[TS]
00:29:05
◼
►
thing he doesn't like musicals he's not
[TS]
00:29:07
◼
►
interested in reading history books he
[TS]
00:29:09
◼
►
wants to know more because he fell in
[TS]
00:29:11
◼
►
love with the musical he wants he wants
[TS]
00:29:13
◼
►
his teacher to play it like maybe you
[TS]
00:29:14
◼
►
need to listen to this
[TS]
00:29:15
◼
►
so let me ask what what do you think all
[TS]
00:29:17
◼
►
of you are what is the what is the thing
[TS]
00:29:20
◼
►
that causes Hamilton to have the appeal
[TS]
00:29:22
◼
►
that it does to all of us we haven't
[TS]
00:29:24
◼
►
even seen the show to all the people who
[TS]
00:29:25
◼
►
are trying to see the show that people
[TS]
00:29:26
◼
►
who see the show and they love it you
[TS]
00:29:29
◼
►
know what what is what is the source of
[TS]
00:29:30
◼
►
of the appeal home
[TS]
00:29:33
◼
►
well three things i'm gonna claim 1 it's
[TS]
00:29:37
◼
►
super super catchy they say you need to
[TS]
00:29:39
◼
►
show that you can hum and I hum stuff
[TS]
00:29:42
◼
►
from this musical always all
[TS]
00:29:44
◼
►
yeah like if I'm in a line i am waiting
[TS]
00:29:48
◼
►
it's an entire can of your worms it's
[TS]
00:29:49
◼
►
too can be
[TS]
00:29:50
◼
►
it's not the entire first act song after
[TS]
00:29:53
◼
►
song after song about how ya the first
[TS]
00:29:56
◼
►
act is it is staggering ya next it's a
[TS]
00:29:59
◼
►
genuinely interesting story about an
[TS]
00:30:01
◼
►
interesting guy who you'd heard of but
[TS]
00:30:05
◼
►
didn't know a lot about so as soon as
[TS]
00:30:08
◼
►
you've heard the album once you feel
[TS]
00:30:11
◼
►
like you know so much more about the
[TS]
00:30:13
◼
►
American Revolution which if you're
[TS]
00:30:15
◼
►
American is a very important event so
[TS]
00:30:18
◼
►
you can immediately be telling people oh
[TS]
00:30:20
◼
►
well George Washington's right-hand man
[TS]
00:30:23
◼
►
was Alexander Hamilton he had to write
[TS]
00:30:25
◼
►
his leverage for Washington because
[TS]
00:30:26
◼
►
Washington was so overwhelmed even wrote
[TS]
00:30:29
◼
►
washington famous farewell speech and
[TS]
00:30:31
◼
►
then they kind of start edging away from
[TS]
00:30:34
◼
►
they do with me I know dates now because
[TS]
00:30:37
◼
►
they're in Kachin times
[TS]
00:30:38
◼
►
yeah I only had two I was bluffing
[TS]
00:30:41
◼
►
alright time for a sponsor here on the
[TS]
00:30:44
◼
►
accountable you know I've got a lot of
[TS]
00:30:45
◼
►
feedback about the sponsor from our
[TS]
00:30:46
◼
►
previous episode it is unusual a little
[TS]
00:30:48
◼
►
bit for us it is a sponsor related to
[TS]
00:30:50
◼
►
panties and people are like really
[TS]
00:30:51
◼
►
panties
[TS]
00:30:52
◼
►
well you know did you not hear the ads
[TS]
00:30:53
◼
►
for underpants and for socks there maybe
[TS]
00:30:56
◼
►
who knows what other garments might be
[TS]
00:30:58
◼
►
coming next but this in particular it's
[TS]
00:31:00
◼
►
Valentine's season and this is a service
[TS]
00:31:02
◼
►
it is designed for people with women who
[TS]
00:31:05
◼
►
are your partners and you want to get
[TS]
00:31:08
◼
►
them something nice and this is a
[TS]
00:31:09
◼
►
subscription service it's called
[TS]
00:31:11
◼
►
enclosed and it is similar to those
[TS]
00:31:14
◼
►
subscription services that bring you
[TS]
00:31:15
◼
►
cool gadget or game or flowers or beer
[TS]
00:31:20
◼
►
every month but instead
[TS]
00:31:22
◼
►
yes this is panties for that special
[TS]
00:31:24
◼
►
woman in your life
[TS]
00:31:26
◼
►
they're not the usual kind they're very
[TS]
00:31:28
◼
►
nice their high-quality the idea here is
[TS]
00:31:31
◼
►
that she will love what she gets it
[TS]
00:31:33
◼
►
comes in a beautiful box there's a whole
[TS]
00:31:36
◼
►
kind of nice experience that goes along
[TS]
00:31:38
◼
►
with it some flower petals it's very
[TS]
00:31:40
◼
►
romantic
[TS]
00:31:41
◼
►
you can get 13 6 or 12 months
[TS]
00:31:43
◼
►
subscriptions to this and you can get it
[TS]
00:31:45
◼
►
just in time for valentine's day now
[TS]
00:31:47
◼
►
enclosed product is not cheap but when
[TS]
00:31:51
◼
►
we're talking about that special woman
[TS]
00:31:52
◼
►
in your life you wouldn't want cheap
[TS]
00:31:53
◼
►
would you know I didn't think you would
[TS]
00:31:55
◼
►
you'll thank me again go to inclose
[TS]
00:31:58
◼
►
lingerie calm / smell use code snail
[TS]
00:32:00
◼
►
during checkout you'll get twenty-five
[TS]
00:32:02
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dollars off any multi-month order
[TS]
00:32:04
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so encl OS e DLI nger I e.com that was a
[TS]
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little bit like Hamilton / smell with
[TS]
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the code smell to get twenty-five
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00:32:15
◼
►
dollars off any multi-month order thank
[TS]
00:32:17
◼
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you to enclosed for sponsoring the
[TS]
00:32:19
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incomparable ran what's your what's the
[TS]
00:32:22
◼
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source for you of why this works so well
[TS]
00:32:24
◼
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I will go off what Monty was saying for
[TS]
00:32:27
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story because i really do think that
[TS]
00:32:29
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what is what caught me what caught my
[TS]
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boyfriend my parents who hate rap on
[TS]
00:32:37
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pretty much every thank you everybody i
[TS]
00:32:40
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know who is listen to the show is like
[TS]
00:32:42
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this is something special even people
[TS]
00:32:44
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who don't like musical theater don't
[TS]
00:32:45
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like rap don't like anything and I i do
[TS]
00:32:47
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think it's the don't like America don't
[TS]
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like to know those don't don't like
[TS]
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nothing there there anti-everything no
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I'm it's this it's the the universal
[TS]
00:32:57
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connection there's something in this
[TS]
00:32:59
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story pretty much for everybody and the
[TS]
00:33:01
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songs you know the the album is very
[TS]
00:33:04
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well constructed that it does tell a
[TS]
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complete narrative which so few musical
[TS]
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scores you can really claim for you know
[TS]
00:33:10
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there's always like big leaps that you
[TS]
00:33:12
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have to make being like does that make
[TS]
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sense but this is a show this is a show
[TS]
00:33:16
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in itself but even if you listen to the
[TS]
00:33:20
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songs out of context they're still great
[TS]
00:33:23
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songs and he still tell a story you know
[TS]
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on hurricane is one of those great you
[TS]
00:33:28
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know examples of an act to sign that i
[TS]
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actually didn't initially like and then
[TS]
00:33:33
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the more I listened to it the more i
[TS]
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really really identified with oh this is
[TS]
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actually you know everybody everybody
[TS]
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can identify with that like I have I
[TS]
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have this one talent that can get me out
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of situations and for some people is
[TS]
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writing for some people it's something
[TS]
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entirely different
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but I don't know there's something
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there's something just so special that I
[TS]
00:33:54
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feel like every everyone can identify to
[TS]
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the core values of the story the idea of
[TS]
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someone who just wants to you know wants
[TS]
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to make a name for themselves wants to
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do something important
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fresh off the boat yeah I literally yeah
[TS]
00:34:09
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i mean that that speaks to fresh
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immigrants and honestly I mean for me
[TS]
00:34:14
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listening to it it it reminded me
[TS]
00:34:18
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a lot of like oh that's the the energy
[TS]
00:34:21
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that i missed that from being like I'm
[TS]
00:34:23
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not I'm not 22 anymore you know i'm 19
[TS]
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i'm not like young scrappy and hungry
[TS]
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I've kind of settled a little bit and I
[TS]
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have sort of a step and a stagnant life
[TS]
00:34:33
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but I have a settled a good life but I
[TS]
00:34:35
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feel like Hamilton is the kind of show
[TS]
00:34:37
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you listen to to get you excited about
[TS]
00:34:39
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your life and what you could be doing
[TS]
00:34:41
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and other possibilities and living in
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00:34:43
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the greatest city in the world
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00:34:45
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I don't know it just there there are
[TS]
00:34:47
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parts of the show that put just the
[TS]
00:34:48
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biggest smile on my face and make me
[TS]
00:34:50
◼
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remember like there's there's a world
[TS]
00:34:52
◼
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full of possibilities just you wait
[TS]
00:34:55
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granted most of those possibilities turn
[TS]
00:34:57
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horrible in act two
[TS]
00:34:58
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but you're always just be the most Mario
[TS]
00:35:01
◼
►
exact to yeah exactly yeah maybe
[TS]
00:35:04
◼
►
Hamilton act 1 and not Hamilton back
[TS]
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into everything he ever not great
[TS]
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I i was thinking of when I was listening
[TS]
00:35:10
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to this I was thinking of lawrence of
[TS]
00:35:11
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arabia which again historical figure and
[TS]
00:35:14
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that that's that's a film with an
[TS]
00:35:16
◼
►
intermission and act 1 the first the
[TS]
00:35:18
◼
►
first half of lawrence of arabia so
[TS]
00:35:20
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spectacular ends on a high note and act
[TS]
00:35:23
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2 while things kind of suck for Lawrence
[TS]
00:35:25
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inactive and I am I thought about and I
[TS]
00:35:26
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said well that's life right from
[TS]
00:35:28
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especially in these biographies of of
[TS]
00:35:30
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great people with amazing stories is
[TS]
00:35:32
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there's the Act one which is like here's
[TS]
00:35:34
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►
how they became famous and it's been all
[TS]
00:35:35
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great and then there's act 2 which is
[TS]
00:35:37
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like yeah and then what the the story
[TS]
00:35:40
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continues and it it gets complicated and
[TS]
00:35:43
◼
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kind of sad after that but that's all
[TS]
00:35:45
◼
►
that's all part of the arc of the story
[TS]
00:35:46
◼
►
chip what for you what's the source of
[TS]
00:35:49
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►
of the appeal of Hamilton two parts one
[TS]
00:35:52
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►
is one is that very ark this is not
[TS]
00:35:55
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►
Hamilton's rockstar Hamilton's great
[TS]
00:35:58
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let's sing let's sing the praises of
[TS]
00:36:00
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Hamilton he's a hero all the way through
[TS]
00:36:02
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the end kind of story is he's almost all
[TS]
00:36:04
◼
►
I apologize for dragging Babylon 5 into
[TS]
00:36:07
◼
►
this business almost rolando he's almost
[TS]
00:36:09
◼
►
a Londo malaria character when we talk
[TS]
00:36:11
◼
►
about one broadway show without someone
[TS]
00:36:13
◼
►
bragging Babylon 5 into the guy i know i
[TS]
00:36:15
◼
►
know every time
[TS]
00:36:17
◼
►
Hamilton is his own worst enemy
[TS]
00:36:19
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absolutely me he can't stop himself he
[TS]
00:36:22
◼
►
can't shut up and he destroys himself
[TS]
00:36:26
◼
►
the fuel the fuel that makes him great
[TS]
00:36:28
◼
►
also destroys him that he liked is class
[TS]
00:36:31
◼
►
Greek tragedy structure exactly yeah
[TS]
00:36:34
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►
it's like and you know birds birds
[TS]
00:36:36
◼
►
advice to talk less smile more is
[TS]
00:36:39
◼
►
cynical but it's also not bad advice
[TS]
00:36:41
◼
►
sometimes yeah it's not bad when it
[TS]
00:36:43
◼
►
comes to self-preservation and Hamilton
[TS]
00:36:46
◼
►
has no interest in self-preservation and
[TS]
00:36:48
◼
►
that's what makes that character so
[TS]
00:36:50
◼
►
fascinating to watch you know you're up
[TS]
00:36:52
◼
►
there cheering with him at the Battle of
[TS]
00:36:55
◼
►
Yorktown and he just looks unstoppable
[TS]
00:36:57
◼
►
and you're just so full of energy and
[TS]
00:37:00
◼
►
then you watch him repeatedly screw up
[TS]
00:37:02
◼
►
it's not just a tragedy of things bad
[TS]
00:37:04
◼
►
things happening to him but he gives bad
[TS]
00:37:06
◼
►
advice to his son he goes nuts on John
[TS]
00:37:10
◼
►
Adams the fatalism I i think is a really
[TS]
00:37:13
◼
►
good point that in my shot he says I
[TS]
00:37:16
◼
►
imagine that so what's it feels more
[TS]
00:37:17
◼
►
like a memory
[TS]
00:37:18
◼
►
when's it gonna get in my sleep seven
[TS]
00:37:21
◼
►
feet ahead of me because he had come
[TS]
00:37:23
◼
►
into a run to let it be
[TS]
00:37:24
◼
►
is it like a beat without a melody never
[TS]
00:37:27
◼
►
thought I'd live past 20 where I come
[TS]
00:37:29
◼
►
from as many ask anybody in the fast and
[TS]
00:37:34
◼
►
we laugh reach from a blast we have to
[TS]
00:37:36
◼
►
make this moment last you have like it's
[TS]
00:37:38
◼
►
a match that from from Hamilton that his
[TS]
00:37:42
◼
►
life has started out so badly and he's
[TS]
00:37:44
◼
►
been surrounded by death that he doesn't
[TS]
00:37:46
◼
►
really expect to live and and when
[TS]
00:37:48
◼
►
Washington tells him eventually
[TS]
00:37:50
◼
►
all rights you want to fight got a
[TS]
00:37:52
◼
►
hunger was just like you when I was
[TS]
00:37:54
◼
►
younger it full of that disease and die
[TS]
00:37:57
◼
►
like a martyr yes
[TS]
00:37:58
◼
►
dying is easy young men living is hard
[TS]
00:38:01
◼
►
this is a moment of change but that mean
[TS]
00:38:03
◼
►
this is Hamilton's worldview and you see
[TS]
00:38:05
◼
►
it it he's not he's not living to
[TS]
00:38:08
◼
►
survive rewrite he's living to go out in
[TS]
00:38:11
◼
►
a in a burst of glory
[TS]
00:38:13
◼
►
yeah he wants he thinks up until that
[TS]
00:38:14
◼
►
moment he thinks the way to make his
[TS]
00:38:16
◼
►
legacy is to get there do something go
[TS]
00:38:19
◼
►
out in a blaze of glory and it that
[TS]
00:38:20
◼
►
morning
[TS]
00:38:21
◼
►
get it get put in the fight so he can
[TS]
00:38:23
◼
►
die a hero instead of being back at the
[TS]
00:38:25
◼
►
bank general Mercer got a street name
[TS]
00:38:26
◼
►
for ah mr. secretary mr. Byrd did you
[TS]
00:38:30
◼
►
hear the news about good old general
[TS]
00:38:32
◼
►
Mercer now you know come on street
[TS]
00:38:34
◼
►
yeah they renamed it after him the
[TS]
00:38:36
◼
►
Mersenne
[TS]
00:38:37
◼
►
legacy is secure sure you only had to do
[TS]
00:38:40
◼
►
is die that's a lot less work we ought
[TS]
00:38:42
◼
►
to give it a try just that would have
[TS]
00:38:44
◼
►
been easy wouldn't it
[TS]
00:38:45
◼
►
the other thing that really makes this
[TS]
00:38:48
◼
►
musical just hum is sometimes Hamilton's
[TS]
00:38:52
◼
►
not the most interesting character in
[TS]
00:38:54
◼
►
the show Aaron Burr oh yeah you know
[TS]
00:38:58
◼
►
these are two hugely flawed people and
[TS]
00:39:02
◼
►
they attacked life in completely
[TS]
00:39:05
◼
►
different ways but aaron burr is you
[TS]
00:39:10
◼
►
know the things that he wants you
[TS]
00:39:11
◼
►
understand why he wants them and as he
[TS]
00:39:14
◼
►
falls further and further behind
[TS]
00:39:16
◼
►
hamilton and and becomes almost unhinged
[TS]
00:39:22
◼
►
by the end you feel for him you know
[TS]
00:39:24
◼
►
that that man is not going to make an
[TS]
00:39:26
◼
►
orphan of my daughter you know that that
[TS]
00:39:28
◼
►
lines just sort of like desperately
[TS]
00:39:30
◼
►
screamed out you watch the intersection
[TS]
00:39:33
◼
►
between those two characters and that I
[TS]
00:39:37
◼
►
that may be the most propulsive force in
[TS]
00:39:40
◼
►
the in the whole thing maybe even beyond
[TS]
00:39:43
◼
►
the catchy songs think it's well it's
[TS]
00:39:45
◼
►
humanist right i mean there's there's
[TS]
00:39:47
◼
►
these these are real people they leap
[TS]
00:39:50
◼
►
off of the page and out of the song I
[TS]
00:39:52
◼
►
really great interview with the
[TS]
00:39:54
◼
►
descendants of Hamilton and burr hole
[TS]
00:39:57
◼
►
yes a descendant of hamilton and
[TS]
00:39:58
◼
►
ascended tuber are both friends and in a
[TS]
00:40:01
◼
►
boating club in New York which i think
[TS]
00:40:03
◼
►
is fascinating it by itself descended a
[TS]
00:40:06
◼
►
burr said she really didn't like Ron
[TS]
00:40:08
◼
►
charnos book because aaron burr is just
[TS]
00:40:11
◼
►
a villain in it but she loves Hamilton
[TS]
00:40:13
◼
►
because Burke comes off as more of a
[TS]
00:40:16
◼
►
rounded character like he's got
[TS]
00:40:18
◼
►
motivations in the musical that really
[TS]
00:40:21
◼
►
are explored in the book I think it's
[TS]
00:40:23
◼
►
fascinating
[TS]
00:40:24
◼
►
well in and lemon well Miranda mentions
[TS]
00:40:26
◼
►
that he had a couple of different books
[TS]
00:40:28
◼
►
to get first side and one of them i have
[TS]
00:40:30
◼
►
on a perennial bookmark list to to read
[TS]
00:40:33
◼
►
eventually this is that the heartbreak
[TS]
00:40:34
◼
►
of Aaron Burr which goes down that round
[TS]
00:40:36
◼
►
of the you know
[TS]
00:40:38
◼
►
wait for it is such a fantastic song on
[TS]
00:40:40
◼
►
the album because it really does detail
[TS]
00:40:42
◼
►
like this is this is trying to get
[TS]
00:40:44
◼
►
inside the head of someone who will
[TS]
00:40:46
◼
►
later become the villain
[TS]
00:40:47
◼
►
and like what what he what he cares
[TS]
00:40:49
◼
►
about and it comes down to death doesn't
[TS]
00:40:52
◼
►
discriminate in this insane to teach
[TS]
00:40:58
◼
►
break live with everyone guide coming
[TS]
00:41:08
◼
►
I'm willing to wait for it
[TS]
00:41:11
◼
►
that's supposed to be 20 25 year-old
[TS]
00:41:13
◼
►
bursting that but we also we look down
[TS]
00:41:16
◼
►
we have the privilege of knowing future
[TS]
00:41:17
◼
►
history and knowing that Theodosia dice
[TS]
00:41:20
◼
►
unspeakable young of stomach cancer and
[TS]
00:41:23
◼
►
knowing that his daughter dies lost at
[TS]
00:41:25
◼
►
well I you could argue that this is all
[TS]
00:41:27
◼
►
I mean he's an audience proxy so berber
[TS]
00:41:29
◼
►
in many ways has access to the knowledge
[TS]
00:41:31
◼
►
of where of where this is all going
[TS]
00:41:32
◼
►
that's part of the story because he's
[TS]
00:41:34
◼
►
the damn fool who shot him right from
[TS]
00:41:36
◼
►
the start so this is he's telling that
[TS]
00:41:38
◼
►
story and so and so that makes it even
[TS]
00:41:41
◼
►
more at the whole conceit of having
[TS]
00:41:44
◼
►
aaron berger tell the story of Alexander
[TS]
00:41:45
◼
►
Hamilton is a great move and it leads to
[TS]
00:41:49
◼
►
a lot of interesting shading but it's
[TS]
00:41:51
◼
►
funny that you mention wait for it
[TS]
00:41:52
◼
►
because i would actually argue that's
[TS]
00:41:55
◼
►
one of those songs that if you take it
[TS]
00:41:56
◼
►
out of the context of the musical that
[TS]
00:41:58
◼
►
is a legitimately great song that is
[TS]
00:42:01
◼
►
just a great song and then in the
[TS]
00:42:03
◼
►
context of who's singing it and why he's
[TS]
00:42:05
◼
►
singing it and you could even argue in
[TS]
00:42:08
◼
►
some ways he's singing it
[TS]
00:42:09
◼
►
I mean describing everyone who has loved
[TS]
00:42:11
◼
►
him has died that's the Hamilton story
[TS]
00:42:14
◼
►
to when he comes to America is everybody
[TS]
00:42:17
◼
►
has died and he there's nobody left but
[TS]
00:42:19
◼
►
him these two men are both in this
[TS]
00:42:21
◼
►
position where they know you know
[TS]
00:42:23
◼
►
they've got nobody until they make their
[TS]
00:42:25
◼
►
own way
[TS]
00:42:26
◼
►
bern hamilton have the same story or the
[TS]
00:42:29
◼
►
same backstory in many ways and yet they
[TS]
00:42:32
◼
►
interact with the world and they're
[TS]
00:42:34
◼
►
they're they're they're shaped by those
[TS]
00:42:36
◼
►
stories in such different ways up
[TS]
00:42:39
◼
►
lin-manuel Miranda you know graduation
[TS]
00:42:42
◼
►
speeches you know grin when well Miranda
[TS]
00:42:44
◼
►
set for life on that circuit uh mom and
[TS]
00:42:47
◼
►
he did a great one where he told the
[TS]
00:42:50
◼
►
crop of college graduates you know that
[TS]
00:42:53
◼
►
wait for it and I'm going to take my
[TS]
00:42:55
◼
►
shot not going to throw not throwing
[TS]
00:42:58
◼
►
away my shot art like the the two
[TS]
00:43:00
◼
►
different ways to deal with life and
[TS]
00:43:03
◼
►
sometimes you have to do one sometimes
[TS]
00:43:05
◼
►
you have to do the other and it's
[TS]
00:43:06
◼
►
fascinating in this musical watching
[TS]
00:43:09
◼
►
when those strategies work for Hamilton
[TS]
00:43:12
◼
►
and burr and when they fail utterly
[TS]
00:43:14
◼
►
absolutely and not to nothing Darrell
[TS]
00:43:16
◼
►
too much but i would highly recommend
[TS]
00:43:18
◼
►
if after you've listened to the show if
[TS]
00:43:21
◼
►
people want to go see there's an
[TS]
00:43:23
◼
►
alternate version of wait for it
[TS]
00:43:25
◼
►
that was performed on Broadway does the
[TS]
00:43:27
◼
►
thing every year where they basically
[TS]
00:43:29
◼
►
get focus on stage and they did a
[TS]
00:43:31
◼
►
basically a very close to acoustic
[TS]
00:43:34
◼
►
version of wait for it based around all
[TS]
00:43:38
◼
►
of the recent murders that have been
[TS]
00:43:39
◼
►
going like the the black lives matter
[TS]
00:43:42
◼
►
movement and some of the other the the
[TS]
00:43:45
◼
►
recent mass shooting in San Bernardino
[TS]
00:43:46
◼
►
and it's it's chilling how you can take
[TS]
00:43:49
◼
►
a song that you know is very much in
[TS]
00:43:52
◼
►
context in the musical but this is this
[TS]
00:43:54
◼
►
is why i think that this musical is not
[TS]
00:43:56
◼
►
just like pop pop culture explosion and
[TS]
00:43:59
◼
►
will die in six months that it actually
[TS]
00:44:00
◼
►
has lasting meaning that you can take
[TS]
00:44:02
◼
►
you know you remove the first verse and
[TS]
00:44:04
◼
►
you take the rest of the dish the song
[TS]
00:44:07
◼
►
out of context you put it in a
[TS]
00:44:09
◼
►
completely different situation reminds
[TS]
00:44:12
◼
►
me a little bit of rents like will I
[TS]
00:44:14
◼
►
lose my dignity will someone care was
[TS]
00:44:17
◼
►
just these sort of haunting haunting
[TS]
00:44:19
◼
►
phrases that just stick in your head and
[TS]
00:44:21
◼
►
are useful for so many different
[TS]
00:44:23
◼
►
situations it's kind of interesting
[TS]
00:44:25
◼
►
contrast with rent and that rent has a
[TS]
00:44:28
◼
►
character who's obsessed with writing
[TS]
00:44:31
◼
►
one song before he dies that he might be
[TS]
00:44:33
◼
►
remembered a little whereas everyone in
[TS]
00:44:36
◼
►
Hamilton is doing these huge things that
[TS]
00:44:38
◼
►
are going to be in history books for
[TS]
00:44:42
◼
►
no it's yeah I it's funny because i
[TS]
00:44:44
◼
►
don't think that you know I i went
[TS]
00:44:46
◼
►
actually after listening to Hamilton
[TS]
00:44:48
◼
►
about a gazillion times I'm like I want
[TS]
00:44:50
◼
►
to listen to you know things older
[TS]
00:44:53
◼
►
musical so I went back and listened to
[TS]
00:44:55
◼
►
blame is which is obviously a huge
[TS]
00:44:56
◼
►
inspiration for Hamilton in many ways
[TS]
00:44:58
◼
►
and also really like the French cousin
[TS]
00:45:00
◼
►
of Hamilton but i also went back in and
[TS]
00:45:02
◼
►
listened to rent and it was funny in
[TS]
00:45:06
◼
►
some ways where is like things that I
[TS]
00:45:07
◼
►
thought were endlessly clever as a you
[TS]
00:45:10
◼
►
know fourteen-year-old just discovering
[TS]
00:45:11
◼
►
rent i think are less clever now I love
[TS]
00:45:15
◼
►
run but let's let's cut rent a break
[TS]
00:45:17
◼
►
because of this it's essentially
[TS]
00:45:18
◼
►
unfinished I mean it was recently our
[TS]
00:45:20
◼
►
second it's brilliant for what it is
[TS]
00:45:22
◼
►
what it is an unfinished work but what
[TS]
00:45:24
◼
►
exactly and I don't
[TS]
00:45:25
◼
►
yeah I know I'm not downplaying don't
[TS]
00:45:27
◼
►
know i just i want to point out that i
[TS]
00:45:28
◼
►
mean i think that i think you're right i
[TS]
00:45:30
◼
►
I think brilliant but yet it has it has
[TS]
00:45:33
◼
►
the it but the energy is the same i
[TS]
00:45:35
◼
►
think that's what I was coming back to
[TS]
00:45:37
◼
►
is like the the energy and the
[TS]
00:45:39
◼
►
excitement and the love that the care
[TS]
00:45:41
◼
►
that the cast felts and just that the
[TS]
00:45:43
◼
►
the the buzz it was something different
[TS]
00:45:45
◼
►
it was something special there are some
[TS]
00:45:47
◼
►
clunkers and rent probably would have
[TS]
00:45:49
◼
►
gotten smooth that probably so yeah but
[TS]
00:45:51
◼
►
there are a few clunkers in in there are
[TS]
00:45:53
◼
►
this one too it's not a perfect musical
[TS]
00:45:55
◼
►
but that's fine
[TS]
00:45:56
◼
►
perfect mother musical always always
[TS]
00:45:59
◼
►
enough something more to shoot for
[TS]
00:46:00
◼
►
I like a couple points what one is I'm
[TS]
00:46:02
◼
►
talking about that there's this idea in
[TS]
00:46:05
◼
►
this about these people in this place
[TS]
00:46:07
◼
►
you talk about you know all over the
[TS]
00:46:09
◼
►
place things are going to be remembered
[TS]
00:46:10
◼
►
throughout history
[TS]
00:46:12
◼
►
Cherno makes the point in his book that
[TS]
00:46:15
◼
►
he there's a whole interesting section
[TS]
00:46:18
◼
►
where he says that you may be asking
[TS]
00:46:19
◼
►
yourself what how how fortunate are we
[TS]
00:46:21
◼
►
that these people who had these ideals
[TS]
00:46:23
◼
►
and these approaches were in this place
[TS]
00:46:26
◼
►
at this time right the greatest city in
[TS]
00:46:27
◼
►
the world which is totally just sucking
[TS]
00:46:29
◼
►
up to the people who are we here in New
[TS]
00:46:30
◼
►
York City but I they the how how could
[TS]
00:46:35
◼
►
it be well you know it's so it's so
[TS]
00:46:36
◼
►
lucky and what your noses look at those
[TS]
00:46:38
◼
►
people are always around
[TS]
00:46:39
◼
►
it's only they're only useful during a
[TS]
00:46:42
◼
►
revolution
[TS]
00:46:43
◼
►
they're always around but during a
[TS]
00:46:45
◼
►
revolution
[TS]
00:46:46
◼
►
those are the people who end up
[TS]
00:46:47
◼
►
gravitating toward these things because
[TS]
00:46:49
◼
►
they're the right people for that kind
[TS]
00:46:50
◼
►
of moment other in another time they
[TS]
00:46:53
◼
►
might be a horribly frustrated person or
[TS]
00:46:54
◼
►
simply somebody that you never heard of
[TS]
00:46:56
◼
►
who lived a life where they didn't get
[TS]
00:46:58
◼
►
to put those ideals into action but
[TS]
00:47:00
◼
►
they're they're always with us and in
[TS]
00:47:02
◼
►
those moments when the this sort of
[TS]
00:47:04
◼
►
thing happens they're the ones who we
[TS]
00:47:06
◼
►
end up remembering so I thought it was
[TS]
00:47:07
◼
►
an interesting point that and that of
[TS]
00:47:09
◼
►
course happened like during the lives of
[TS]
00:47:11
◼
►
something like Thomas Paine was hugely
[TS]
00:47:14
◼
►
important and great when we need a
[TS]
00:47:16
◼
►
revolution is the revolution is over
[TS]
00:47:17
◼
►
Thomas Paine is a really annoying guy to
[TS]
00:47:20
◼
►
have stopped listening don't hear much
[TS]
00:47:22
◼
►
about thomas & Hamilton's youth is
[TS]
00:47:24
◼
►
actually really important to this story
[TS]
00:47:26
◼
►
because being late to the party in some
[TS]
00:47:30
◼
►
ways uh you know his story becomes more
[TS]
00:47:33
◼
►
about the nation-building about the
[TS]
00:47:34
◼
►
revolution the revolution is very
[TS]
00:47:35
◼
►
dramatic and it's part of his coming of
[TS]
00:47:37
◼
►
age and they're all of that in there
[TS]
00:47:38
◼
►
but you know Hamilton makes his stamp
[TS]
00:47:41
◼
►
after the Revolution when they're when
[TS]
00:47:43
◼
►
they're building the country and another
[TS]
00:47:44
◼
►
thing that's internos book is that gets
[TS]
00:47:46
◼
►
glossed over in American history class
[TS]
00:47:48
◼
►
when your kid is it was a real tenuous
[TS]
00:47:51
◼
►
thing that there was going to be a
[TS]
00:47:52
◼
►
federal government with a strong central
[TS]
00:47:55
◼
►
government after the Revolution it was
[TS]
00:47:57
◼
►
very very hard for that to be coming to
[TS]
00:48:00
◼
►
being in hamilton was a big part of that
[TS]
00:48:02
◼
►
and that that's his story his story is
[TS]
00:48:04
◼
►
the is the after the Revolution part
[TS]
00:48:06
◼
►
more really than the end of revolution
[TS]
00:48:08
◼
►
partying so that that's a that's kind of
[TS]
00:48:10
◼
►
an interesting spin on it i love stories
[TS]
00:48:12
◼
►
like that chip a little like Babylon 5
[TS]
00:48:14
◼
►
where you know when the war is over the
[TS]
00:48:17
◼
►
story doesn't get isn't over in fact
[TS]
00:48:19
◼
►
what you do after the war when you're
[TS]
00:48:21
◼
►
trying to put things back together can
[TS]
00:48:23
◼
►
be way more interesting and complicated
[TS]
00:48:24
◼
►
than fighting the war and Hamilton
[TS]
00:48:27
◼
►
definitely deals with that Wally while
[TS]
00:48:30
◼
►
he also is you know his plight his life
[TS]
00:48:32
◼
►
is in pieces too but he's trying to put
[TS]
00:48:34
◼
►
the simultaneously his life is in pieces
[TS]
00:48:36
◼
►
and he's trying to put the country
[TS]
00:48:37
◼
►
together and unlike Babylon 5 the
[TS]
00:48:40
◼
►
post-war peace really does hold up
[TS]
00:48:42
◼
►
yeah well you know that's because they
[TS]
00:48:44
◼
►
didn't try to they didn't have to finish
[TS]
00:48:46
◼
►
the war early for fear that the country
[TS]
00:48:48
◼
►
would be cancelled point I i want to
[TS]
00:48:51
◼
►
shift gears a little bit i want to talk
[TS]
00:48:53
◼
►
about the women of Hamilton that's one
[TS]
00:48:55
◼
►
of the things that's really notable
[TS]
00:48:56
◼
►
about this
[TS]
00:48:57
◼
►
this play is that special is that limit
[TS]
00:49:00
◼
►
while Miranda and I should say also how
[TS]
00:49:02
◼
►
amazing is that mean he is the star and
[TS]
00:49:05
◼
►
he is the writer of the whole thing
[TS]
00:49:07
◼
►
that's pretty amazing it's pretty great
[TS]
00:49:09
◼
►
but he has chosen to take this narrative
[TS]
00:49:12
◼
►
that could very easily about the men in
[TS]
00:49:15
◼
►
power me but it's not and it in and make
[TS]
00:49:19
◼
►
sure that women's voices are heard
[TS]
00:49:20
◼
►
throughout but one one of the things
[TS]
00:49:23
◼
►
that really jumped out at me on like the
[TS]
00:49:27
◼
►
third or fourth lesson was that there is
[TS]
00:49:30
◼
►
a thread of helplessness and
[TS]
00:49:33
◼
►
satisfaction throughout the whole story
[TS]
00:49:37
◼
►
and the songs you know at first you
[TS]
00:49:39
◼
►
think well they're all kind of their
[TS]
00:49:40
◼
►
songs right they're not necessarily all
[TS]
00:49:43
◼
►
connected but there's there's a
[TS]
00:49:44
◼
►
recurring theme of that would be enough
[TS]
00:49:47
◼
►
oh he will never be satisfied i would be
[TS]
00:49:50
◼
►
satisfied if you survived
[TS]
00:49:52
◼
►
don't die that's that would be enough
[TS]
00:49:54
◼
►
right and the men are never quite
[TS]
00:49:56
◼
►
satisfied and the women are the same
[TS]
00:49:58
◼
►
ones the women are the ones are like if
[TS]
00:50:00
◼
►
I talk to Jefferson at all you know
[TS]
00:50:03
◼
►
we'll we'll see about getting women into
[TS]
00:50:05
◼
►
the sequel in in the declaration of
[TS]
00:50:07
◼
►
independence and common sense and all
[TS]
00:50:09
◼
►
those things and and the women are
[TS]
00:50:11
◼
►
eminently sensible in this show and and
[TS]
00:50:15
◼
►
the men are idiots
[TS]
00:50:17
◼
►
it also extends to the ensemble the US
[TS]
00:50:20
◼
►
soldiers the cabinet members men and
[TS]
00:50:24
◼
►
women it's you know yet that doesn't
[TS]
00:50:26
◼
►
come across in the cast album but but
[TS]
00:50:29
◼
►
it's an ensemble yeah you can tell you
[TS]
00:50:31
◼
►
can tell from the from the choral
[TS]
00:50:33
◼
►
arrangements if you have an ear for
[TS]
00:50:34
◼
►
those things but yeah I mean in if you
[TS]
00:50:36
◼
►
look at any of the any of the shots and
[TS]
00:50:39
◼
►
I of the cast
[TS]
00:50:41
◼
►
it's incredible actually just how many
[TS]
00:50:42
◼
►
of the ensemble members are ladies and
[TS]
00:50:45
◼
►
if you listen to the background voices
[TS]
00:50:47
◼
►
on the on the cast album for all of sort
[TS]
00:50:50
◼
►
of the little bit parts you know
[TS]
00:50:53
◼
►
oh I wish i'm so glad we're here with
[TS]
00:50:55
◼
►
him and oh no you didn't during the rap
[TS]
00:50:58
◼
►
battles it's a lot of the call-outs are
[TS]
00:50:59
◼
►
all the the ladies all sonically usually
[TS]
00:51:02
◼
►
have to find a way to shove women in
[TS]
00:51:04
◼
►
somehow
[TS]
00:51:04
◼
►
uh-huh that's why Gilbert and Sullivan
[TS]
00:51:06
◼
►
Iraq were constantly saying and here he
[TS]
00:51:09
◼
►
is with his eight daughters
[TS]
00:51:11
◼
►
yeah exactly all right we need coral
[TS]
00:51:14
◼
►
harmonies but no i mean what i found was
[TS]
00:51:18
◼
►
really fascinating about the staging of
[TS]
00:51:21
◼
►
this and just the use of the coral
[TS]
00:51:24
◼
►
members you know quite the chorus often
[TS]
00:51:26
◼
►
plays a lot of different roles like
[TS]
00:51:28
◼
►
they're expected to kind of quick change
[TS]
00:51:29
◼
►
and and sort of be scenery and be
[TS]
00:51:31
◼
►
ensemble members wherever the ensemble
[TS]
00:51:34
◼
►
is necessary but Hamilton seems to take
[TS]
00:51:36
◼
►
it a step further and also a step back
[TS]
00:51:39
◼
►
in the sort of the tradition of your
[TS]
00:51:40
◼
►
Greek chorus where you know the chorus
[TS]
00:51:43
◼
►
and most of the pictures are very very
[TS]
00:51:46
◼
►
simply dressed in white beauty like
[TS]
00:51:48
◼
►
beautiful white inspired colonial
[TS]
00:51:52
◼
►
outfits but not quite
[TS]
00:51:53
◼
►
colonial outfits and they're all white
[TS]
00:51:55
◼
►
and off-white and then they get these
[TS]
00:51:57
◼
►
various things but you combine this with
[TS]
00:52:00
◼
►
just an ever presence of like these are
[TS]
00:52:02
◼
►
almost the ghosts walking through
[TS]
00:52:04
◼
►
Hamilton versus life and you have this
[TS]
00:52:07
◼
►
proscenium stage that has an upper an
[TS]
00:52:10
◼
►
upper balcony where characters are
[TS]
00:52:12
◼
►
constantly standing on and looking down
[TS]
00:52:15
◼
►
at the action and judging the characters
[TS]
00:52:18
◼
►
for what's going on and what what's
[TS]
00:52:20
◼
►
about to happen there was a great
[TS]
00:52:22
◼
►
interview vulture did this huge this
[TS]
00:52:24
◼
►
whole series about Hamilton Alexander
[TS]
00:52:27
◼
►
Hamilton's birthday so they did a
[TS]
00:52:28
◼
►
week-long about the show Hamilton and
[TS]
00:52:30
◼
►
they did am an interview with a couple
[TS]
00:52:32
◼
►
of the cast members of the the auxiliary
[TS]
00:52:35
◼
►
cast members and including Renee lows at
[TS]
00:52:39
◼
►
least goals i butchered her name
[TS]
00:52:40
◼
►
um who plays Angelica Skyler on and DVD
[TS]
00:52:44
◼
►
digs who plays jefferson and they
[TS]
00:52:47
◼
►
mentioned her like yeah there's you know
[TS]
00:52:49
◼
►
there's one of the songs and I'm you
[TS]
00:52:52
◼
►
know I look up because i have a free
[TS]
00:52:54
◼
►
moment and i see that Chris Jackson who
[TS]
00:52:56
◼
►
plays George Washington is just standing
[TS]
00:52:59
◼
►
up in the winter you know standing up on
[TS]
00:53:01
◼
►
this upper balcony just judging me just
[TS]
00:53:03
◼
►
looking at me one and its influence
[TS]
00:53:05
◼
►
every single performance i've done since
[TS]
00:53:07
◼
►
then because I just feel his eyes on the
[TS]
00:53:09
◼
►
back of my neck while I'm singing and I
[TS]
00:53:12
◼
►
don't know I there's there's something
[TS]
00:53:14
◼
►
omnipresent about it that I really loved
[TS]
00:53:16
◼
►
and well it can makes no bones about it
[TS]
00:53:19
◼
►
being a story told to you
[TS]
00:53:22
◼
►
oh yeah that whole framework of the
[TS]
00:53:24
◼
►
staging it's not it's you know it's not
[TS]
00:53:27
◼
►
obvious or blatant about it's not like a
[TS]
00:53:30
◼
►
look at what we're doing but exactly
[TS]
00:53:32
◼
►
it's like you
[TS]
00:53:33
◼
►
it's just they're leveling call he adds
[TS]
00:53:37
◼
►
i love when feeder can do that history
[TS]
00:53:39
◼
►
has its eyes on you
[TS]
00:53:40
◼
►
yeah who tells your story that it's
[TS]
00:53:43
◼
►
difficult to tell stories uh from these
[TS]
00:53:45
◼
►
periods involving women when all the
[TS]
00:53:48
◼
►
action is happening with the men in
[TS]
00:53:51
◼
►
terms of what we know as the history and
[TS]
00:53:53
◼
►
so with with angelica especially I think
[TS]
00:53:58
◼
►
was satisfied you get some very
[TS]
00:54:01
◼
►
interesting moments we have we have put
[TS]
00:54:03
◼
►
Alexander Hamilton up on a pedestal this
[TS]
00:54:06
◼
►
is his show we have heard 11 songs you
[TS]
00:54:09
◼
►
know that are all about Hamilton in one
[TS]
00:54:12
◼
►
way or another
[TS]
00:54:13
◼
►
and when we get to Angelica song her
[TS]
00:54:16
◼
►
reaction to Hamilton is finally there's
[TS]
00:54:19
◼
►
somebody who can match me which is we
[TS]
00:54:21
◼
►
will undermine left right yeah it's not
[TS]
00:54:23
◼
►
he's not he's he's just it's a relief
[TS]
00:54:25
◼
►
that he's at her level and it's a real
[TS]
00:54:28
◼
►
relief it's kind of amazing this is what
[TS]
00:54:30
◼
►
it feels like to match with one of your
[TS]
00:54:32
◼
►
level with the feeling of freedom of the
[TS]
00:54:35
◼
►
light you see it right conversation with
[TS]
00:54:38
◼
►
two minutes maybe three minutes
[TS]
00:54:39
◼
►
everything we can in total agreement is
[TS]
00:54:41
◼
►
the dream dance in the monster with a
[TS]
00:54:44
◼
►
bit of a blur but i'm giving a chance
[TS]
00:54:47
◼
►
family you can see the
[TS]
00:54:49
◼
►
and envisioning you understand
[TS]
00:54:51
◼
►
anyways he's flying by the seat of his
[TS]
00:54:52
◼
►
pants and so will and that song is that
[TS]
00:54:54
◼
►
may be my favorite song the whole thing
[TS]
00:54:56
◼
►
although I you know every song in the
[TS]
00:54:57
◼
►
first actor Michael that's my favorite
[TS]
00:54:59
◼
►
no no this wasn't her but she's got the
[TS]
00:55:02
◼
►
she's got the line and that that is I
[TS]
00:55:10
◼
►
think very important because this is
[TS]
00:55:13
◼
►
this is the show saying look this is
[TS]
00:55:15
◼
►
what this is our lot in life is we have
[TS]
00:55:18
◼
►
to work with stuff like this and it's
[TS]
00:55:20
◼
►
not that she is any less capable than
[TS]
00:55:23
◼
►
hamilton and in real life Angelica
[TS]
00:55:26
◼
►
scholar with a formidable person reading
[TS]
00:55:29
◼
►
common sense but Thomas Paine yeah when
[TS]
00:55:31
◼
►
I meet Thomas Jefferson and I did and
[TS]
00:55:33
◼
►
I'm have had an affair with me boo knows
[TS]
00:55:36
◼
►
yeah she's apparently real pals with
[TS]
00:55:39
◼
►
Jefferson oh yeah but when it's because
[TS]
00:55:41
◼
►
they're both overseas she moves i'm
[TS]
00:55:44
◼
►
heading off to London I have found a
[TS]
00:55:45
◼
►
wealthy husband who always pays no
[TS]
00:55:47
◼
►
actually I wanted to say something about
[TS]
00:55:49
◼
►
the one-two punch of helpless and
[TS]
00:55:52
◼
►
satisfied and I think our is very very
[TS]
00:55:55
◼
►
important to the core of this musical
[TS]
00:55:56
◼
►
it's my boy also modern in a narrative
[TS]
00:55:59
◼
►
way where we see the courtship play out
[TS]
00:56:02
◼
►
and helpless and then in satisfied
[TS]
00:56:05
◼
►
immediately we rewind and see the entire
[TS]
00:56:07
◼
►
courtship again and planning played out
[TS]
00:56:09
◼
►
through the other sisters perspective
[TS]
00:56:11
◼
►
it's so it's brilliant brilliant young
[TS]
00:56:14
◼
►
and some 21 fun fun side note i'm went
[TS]
00:56:18
◼
►
once I saw Hamilton i went back and
[TS]
00:56:20
◼
►
watched or listened to all of Miranda's
[TS]
00:56:21
◼
►
other stuff and there's a small rewind
[TS]
00:56:25
◼
►
bit and bring it on the musical which he
[TS]
00:56:27
◼
►
worked on together and as soon as I
[TS]
00:56:29
◼
►
heard that that the whole musical is
[TS]
00:56:32
◼
►
like oh my god I see the seeds of all of
[TS]
00:56:33
◼
►
these things
[TS]
00:56:34
◼
►
yeah but going back to to satisfied into
[TS]
00:56:37
◼
►
helpless i think it is really
[TS]
00:56:38
◼
►
fascinating to me that we we don't see
[TS]
00:56:41
◼
►
it through Peggy's I before we don't get
[TS]
00:56:43
◼
►
a Peggy Peggy vision but i love that i
[TS]
00:56:45
◼
►
don't have a contrast between we've got
[TS]
00:56:49
◼
►
Eliza just being completely struck head
[TS]
00:56:51
◼
►
over heels with this with this
[TS]
00:56:53
◼
►
magnificent thinker who just always says
[TS]
00:56:56
◼
►
the right thing and has the right words
[TS]
00:56:57
◼
►
and then you've got Angelica who is like
[TS]
00:57:00
◼
►
yeah you're pretty smooth I appreciate
[TS]
00:57:01
◼
►
that you can be on my level and both of
[TS]
00:57:04
◼
►
these women
[TS]
00:57:05
◼
►
the second act get called better they
[TS]
00:57:07
◼
►
get called back to the end of the first
[TS]
00:57:08
◼
►
act to do you know Eliza basically being
[TS]
00:57:10
◼
►
like you know all I wanna be is around
[TS]
00:57:12
◼
►
you know I want to be around your
[TS]
00:57:14
◼
►
brilliance i wanna you know I know who I
[TS]
00:57:15
◼
►
married I know what I signed up for and
[TS]
00:57:18
◼
►
I'm okay with this
[TS]
00:57:19
◼
►
Angelica's like well you know I know
[TS]
00:57:22
◼
►
what I had to sign up for and i'm just
[TS]
00:57:24
◼
►
going to live you know i'm going to live
[TS]
00:57:26
◼
►
vicariously through my letters to you
[TS]
00:57:27
◼
►
and I'm gonna still time
[TS]
00:57:29
◼
►
perhaps dr. Thomas Jefferson and and
[TS]
00:57:33
◼
►
enact to each of these ladies get say
[TS]
00:57:36
◼
►
you know Eliza gets her own song but
[TS]
00:57:39
◼
►
I'll but I evangelica gets a little bit
[TS]
00:57:41
◼
►
where they get to read like go back to
[TS]
00:57:45
◼
►
their original their first act selves
[TS]
00:57:47
◼
►
and just basically be like no you know
[TS]
00:57:50
◼
►
what I'm revising my I'm revising my
[TS]
00:57:52
◼
►
place in the narrative where it's like
[TS]
00:57:54
◼
►
Angelica you know Angelica of course is
[TS]
00:57:56
◼
►
singing the melody from satisfied when
[TS]
00:57:58
◼
►
she goes into him after he's you know
[TS]
00:58:00
◼
►
ruined everything and you publish the
[TS]
00:58:01
◼
►
Reynolds pamphlets happy
[TS]
00:58:10
◼
►
what we had died i'm standing at a time
[TS]
00:58:13
◼
►
you gonna be my god
[TS]
00:58:16
◼
►
she just walks off she's like BAM she's
[TS]
00:58:19
◼
►
not just saying i love Eliza more than I
[TS]
00:58:21
◼
►
love myself she's telling it Alexander
[TS]
00:58:23
◼
►
you know it's fun being pen pals with
[TS]
00:58:25
◼
►
you but I'm here for allies it not you
[TS]
00:58:28
◼
►
yeah actually yeah my the most important
[TS]
00:58:31
◼
►
thing to me in my life is my family and
[TS]
00:58:34
◼
►
you have basically just ruined my family
[TS]
00:58:36
◼
►
its mind over yourself you in so yeah
[TS]
00:58:39
◼
►
exactly and then Eliza has this
[TS]
00:58:41
◼
►
blockbuster moment and burn which used
[TS]
00:58:44
◼
►
to be one of my least favorite songs and
[TS]
00:58:46
◼
►
is now very much grown on me but burns
[TS]
00:58:49
◼
►
is basically the entire like burn for
[TS]
00:58:51
◼
►
one thing it's the inverse chord
[TS]
00:58:53
◼
►
structure of helpless which is beautiful
[TS]
00:58:55
◼
►
and for another she's basically tearing
[TS]
00:58:58
◼
►
down everything that she said and how
[TS]
00:58:59
◼
►
helpless when she's like I see myself as
[TS]
00:59:01
◼
►
this naive kid you know I saved every
[TS]
00:59:03
◼
►
letter you wrote me and and I love all
[TS]
00:59:07
◼
►
of these things and and then I and then
[TS]
00:59:09
◼
►
she gets to see she has to see it from
[TS]
00:59:12
◼
►
an outsider's perspective she wrote to
[TS]
00:59:17
◼
►
you you told the whole world how you
[TS]
00:59:20
◼
►
brought this girl into our bed and
[TS]
00:59:23
◼
►
clearing your name have ruined on ma
[TS]
00:59:30
◼
►
angelica what she read what you've done
[TS]
00:59:38
◼
►
everything it comes to close to the side
[TS]
00:59:42
◼
►
it's very much the the concept of oh
[TS]
00:59:47
◼
►
well this one was actually very
[TS]
00:59:48
◼
►
uneducated this woman that he had an
[TS]
00:59:50
◼
►
affair with and this woman was complete
[TS]
00:59:52
◼
►
complete you know buffoon not be food in
[TS]
00:59:54
◼
►
some ways but very under the education
[TS]
00:59:57
◼
►
level of any of the Skyler sisters
[TS]
00:59:57
◼
►
level of any of the Skyler sisters
[TS]
01:00:00
◼
►
and.and she manages to paint this in
[TS]
01:00:02
◼
►
such a way that like it's such a biting
[TS]
01:00:04
◼
►
way of I was this stupid I was this I
[TS]
01:00:07
◼
►
was this lovesick girl I was the person
[TS]
01:00:10
◼
►
who did this and I'm taking i'm taking
[TS]
01:00:12
◼
►
my narrative back she said she may say
[TS]
01:00:14
◼
►
i'm removing myself from the narrative
[TS]
01:00:16
◼
►
from your narrative but in in essence
[TS]
01:00:18
◼
►
she's also saying like I'm taking my
[TS]
01:00:20
◼
►
narrative back and I'm not going to be
[TS]
01:00:22
◼
►
you know i'm not going to be the help
[TS]
01:00:24
◼
►
sick love you know the lovesick girl who
[TS]
01:00:26
◼
►
can't who can't be on her own
[TS]
01:00:28
◼
►
you can't do anything who requires a man
[TS]
01:00:32
◼
►
to survive to quit the last five years
[TS]
01:00:34
◼
►
because it seems the matically
[TS]
01:00:35
◼
►
appropriate it i don't know it's there
[TS]
01:00:40
◼
►
there arc over the over the course of
[TS]
01:00:42
◼
►
the musical is fascinating to me when
[TS]
01:00:44
◼
►
Angelica and satisfied and she's the
[TS]
01:00:48
◼
►
first one who really points out the
[TS]
01:00:50
◼
►
darkness within Hamilton that's going to
[TS]
01:00:53
◼
►
come out of item and that's that's
[TS]
01:00:55
◼
►
something i wanted to point out that
[TS]
01:00:57
◼
►
she's just you know she reads him
[TS]
01:01:00
◼
►
instantly and she's kicking herself for
[TS]
01:01:02
◼
►
it but as it turns out she read him
[TS]
01:01:05
◼
►
exactly right and when it comes home to
[TS]
01:01:07
◼
►
roost it at in the second act with god I
[TS]
01:01:10
◼
►
hope you're satisfied the one of course
[TS]
01:01:13
◼
►
that the way the story ends this is this
[TS]
01:01:15
◼
►
is and this is tied to history right
[TS]
01:01:17
◼
►
this is Eliza ends up telling his story
[TS]
01:01:20
◼
►
this is the moment that everybody so I
[TS]
01:01:22
◼
►
was driving to the airport to pick up my
[TS]
01:01:24
◼
►
mom and it was raining and it took me
[TS]
01:01:26
◼
►
way too long to get there
[TS]
01:01:28
◼
►
the traffic was really slow and I made
[TS]
01:01:30
◼
►
the mistake of starting sort of the end
[TS]
01:01:32
◼
►
of Act one of hamilton and so by the
[TS]
01:01:34
◼
►
time i'm sitting on the 880 freeway and
[TS]
01:01:36
◼
►
it's pouring down rain i mentioned ahead
[TS]
01:01:37
◼
►
five miles an hour and it's getting to
[TS]
01:01:39
◼
►
the end of hamilton and I am just
[TS]
01:01:41
◼
►
sobbing in the car at that last at the
[TS]
01:01:44
◼
►
last song but also knowing the history
[TS]
01:01:46
◼
►
of it now that makes it even more
[TS]
01:01:48
◼
►
heartbreaking because this is you know
[TS]
01:01:50
◼
►
Eliza is one of the reasons that we know
[TS]
01:01:54
◼
►
what we do she's the one who set their
[TS]
01:01:56
◼
►
son as well on the case of making sure
[TS]
01:02:00
◼
►
that people remember to Alexander
[TS]
01:02:01
◼
►
Hamilton was and saving his papers and
[TS]
01:02:03
◼
►
she creates the orphanage which of
[TS]
01:02:06
◼
►
course Hamilton was an orphan
[TS]
01:02:07
◼
►
essentially uh you know she raises funds
[TS]
01:02:10
◼
►
for the Washington Monument
[TS]
01:02:11
◼
►
these are all these are all historical
[TS]
01:02:14
◼
►
fact but the beauty of it is even though
[TS]
01:02:17
◼
►
we start with burr you know it is Eliza
[TS]
01:02:20
◼
►
hotels Alexander Hamilton story so so in
[TS]
01:02:24
◼
►
the end i mean this this is the thing
[TS]
01:02:26
◼
►
where we get we have the narrative and
[TS]
01:02:27
◼
►
she takes herself out and put yourself
[TS]
01:02:28
◼
►
back in all that happens so so it's just
[TS]
01:02:32
◼
►
she's the one who is who
[TS]
01:02:34
◼
►
who is finishing the story at the end
[TS]
01:02:36
◼
►
and so she is vitally important to this
[TS]
01:02:39
◼
►
all happening and historically she was
[TS]
01:02:40
◼
►
vitally important to Hamilton story
[TS]
01:02:42
◼
►
being told so in in the end you know she
[TS]
01:02:45
◼
►
without the women of this story the
[TS]
01:02:47
◼
►
story doesn't it can't be told she
[TS]
01:02:49
◼
►
rescues the narrative to your documents
[TS]
01:02:52
◼
►
she basically you know we start with /
[TS]
01:02:54
◼
►
when we the world was wide enough could
[TS]
01:02:57
◼
►
be an ending song now I'm the two
[TS]
01:03:02
◼
►
I was too young and lie
[TS]
01:03:13
◼
►
I should have known world was wide
[TS]
01:03:17
◼
►
[Music]
[TS]
01:03:19
◼
►
the world was wide enough for both
[TS]
01:03:29
◼
►
[Music]
[TS]
01:03:31
◼
►
and then just sprinkle sadness and then
[TS]
01:03:36
◼
►
but that's not that but exactly right
[TS]
01:03:38
◼
►
but she picks up the hell is she
[TS]
01:03:40
◼
►
outlived both of them
[TS]
01:03:42
◼
►
no one one of the things that I think is
[TS]
01:03:45
◼
►
really pulling people into this too is
[TS]
01:03:50
◼
►
we can see ourselves and in a lot of
[TS]
01:03:52
◼
►
these characters right there's this
[TS]
01:03:54
◼
►
thread of youthful exuberance and
[TS]
01:03:57
◼
►
confidence and intelligence and Hamilton
[TS]
01:03:59
◼
►
there's this thread of fear and envy and
[TS]
01:04:02
◼
►
and worry tuber you know he's afraid to
[TS]
01:04:06
◼
►
make a choice he's afraid to do it but
[TS]
01:04:08
◼
►
he really wants to be in the room where
[TS]
01:04:10
◼
►
it happens is is and you by that point
[TS]
01:04:13
◼
►
and and yet it's the the groundedness
[TS]
01:04:17
◼
►
the the focus of Eliza by the end that's
[TS]
01:04:22
◼
►
what carries through at the end and we
[TS]
01:04:24
◼
►
kind of want to be that to their you
[TS]
01:04:27
◼
►
know i mean i can i can look back at my
[TS]
01:04:28
◼
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own life and see moments where I was any
[TS]
01:04:31
◼
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one of the three of them and hopefully
[TS]
01:04:33
◼
►
hopefully I more like Eliza than the
[TS]
01:04:35
◼
►
others but you know I'm human
[TS]
01:04:38
◼
►
but i but i love the balance between
[TS]
01:04:40
◼
►
those characters because because it
[TS]
01:04:43
◼
►
would say that's exactly right it's not
[TS]
01:04:44
◼
►
a traditional hero villain kind of story
[TS]
01:04:47
◼
►
and it's it's more interesting that way
[TS]
01:04:50
◼
►
we should talk about some of the other
[TS]
01:04:52
◼
►
other I mean how I don't let your
[TS]
01:04:54
◼
►
characters
[TS]
01:04:55
◼
►
oh my god there's so many characters
[TS]
01:04:56
◼
►
that are you doing laughter that are
[TS]
01:04:58
◼
►
major part that are major parts of
[TS]
01:05:00
◼
►
history even but in hamilton the musical
[TS]
01:05:03
◼
►
they are smaller parts get Washington
[TS]
01:05:06
◼
►
well so I was gonna start with George
[TS]
01:05:08
◼
►
Washington interesting of you if you
[TS]
01:05:09
◼
►
want to mention some of the other
[TS]
01:05:10
◼
►
characters to just say Washington
[TS]
01:05:12
◼
►
Washington you know he gets a lot of
[TS]
01:05:14
◼
►
press if you're an American you grow up
[TS]
01:05:16
◼
►
you know about the father of our country
[TS]
01:05:17
◼
►
and and and all these things and use the
[TS]
01:05:19
◼
►
general and the revolutionary war that
[TS]
01:05:21
◼
►
shot down a cherry tree that he didn't
[TS]
01:05:23
◼
►
actually do which he didn't do the best
[TS]
01:05:25
◼
►
I Washington we get here
[TS]
01:05:27
◼
►
ar-ar-ar-ar really great and and boiled
[TS]
01:05:33
◼
►
down i think some interesting historical
[TS]
01:05:36
◼
►
facts about Washington and how he
[TS]
01:05:38
◼
►
relates to Hamilton both as a general
[TS]
01:05:40
◼
►
and as the as the president that I
[TS]
01:05:42
◼
►
really appreciate I i really enjoy
[TS]
01:05:45
◼
►
I really enjoy Washington of course when
[TS]
01:05:48
◼
►
when he visits with Hamilton and we have
[TS]
01:05:53
◼
►
a whole right-hand man thing it is sort
[TS]
01:05:55
◼
►
of spectacular we get you know quoting
[TS]
01:05:57
◼
►
actual lines of of Washington than by
[TS]
01:06:00
◼
►
the chance to defend America that's
[TS]
01:06:02
◼
►
exactly it
[TS]
01:06:03
◼
►
you get that sense of disc desperation
[TS]
01:06:05
◼
►
which comes back and stay alive as well
[TS]
01:06:07
◼
►
that again
[TS]
01:06:08
◼
►
history we think of history as a favor
[TS]
01:06:10
◼
►
to complete when you get taught in
[TS]
01:06:12
◼
►
school and then seeing it here you
[TS]
01:06:14
◼
►
realize how how it could have gone any
[TS]
01:06:16
◼
►
number of bad ways and that these people
[TS]
01:06:19
◼
►
were kind of remarkable to have done
[TS]
01:06:20
◼
►
what they did and and the portrayal of
[TS]
01:06:22
◼
►
washington in hamilton actually i really
[TS]
01:06:24
◼
►
i really love it yet Christopher Jackson
[TS]
01:06:26
◼
►
does a great job it is a it is a really
[TS]
01:06:28
◼
►
cool kind of performance to get the
[TS]
01:06:30
◼
►
sense of this guy being so formidable
[TS]
01:06:32
◼
►
and so respected by the other characters
[TS]
01:06:36
◼
►
because he's I mean who else could it be
[TS]
01:06:38
◼
►
who else could be the president who else
[TS]
01:06:40
◼
►
could give legitimate legitimacy to this
[TS]
01:06:43
◼
►
federal government there's only one
[TS]
01:06:44
◼
►
person could have possibly been and that
[TS]
01:06:46
◼
►
was Washington we look back at this in
[TS]
01:06:48
◼
►
retrospect now and and all these years
[TS]
01:06:50
◼
►
we've known this we've known this is how
[TS]
01:06:52
◼
►
it all filters out but what if Luke had
[TS]
01:06:55
◼
►
missed the shot in the Death Star trench
[TS]
01:06:57
◼
►
right yeah it's the same kind of thing
[TS]
01:07:00
◼
►
it's just taken is given now but in the
[TS]
01:07:03
◼
►
moment maybe it doesn't work maybe it
[TS]
01:07:05
◼
►
fails we got a star wars references to
[TS]
01:07:08
◼
►
work yeah we're doing are we doing a
[TS]
01:07:10
◼
►
check by Frank that tricky
[TS]
01:07:12
◼
►
anyway you want to talk about you know
[TS]
01:07:13
◼
►
we got we got duh obviously Jefferson we
[TS]
01:07:16
◼
►
got a Lorentz and lafayette and Hercules
[TS]
01:07:18
◼
►
Mulligan mad and Samuel seabury and King
[TS]
01:07:21
◼
►
George George when he says that he got
[TS]
01:07:25
◼
►
through like the first two chapters and
[TS]
01:07:26
◼
►
suddenly wanted to write the book on the
[TS]
01:07:28
◼
►
1st earth would the show on the first
[TS]
01:07:31
◼
►
page of chapter 3 in the book is the
[TS]
01:07:33
◼
►
name Hercules mulligan and i have to
[TS]
01:07:36
◼
►
think he had to have read that far just
[TS]
01:07:37
◼
►
to go i wanna rhyme that name i'll bet
[TS]
01:07:40
◼
►
that I name my name is really as well
[TS]
01:07:45
◼
►
again I mean come on
[TS]
01:07:46
◼
►
sounds like a rapper named yeah I i will
[TS]
01:07:49
◼
►
sit I will say that
[TS]
01:07:50
◼
►
daveed digs in the two great roles of
[TS]
01:07:53
◼
►
lafayette Jefferson is incredible
[TS]
01:07:56
◼
►
yeah if that man does not get the
[TS]
01:07:58
◼
►
supporting Tony I will cry
[TS]
01:08:01
◼
►
yeah I hope he finds something else to
[TS]
01:08:04
◼
►
do on Broadway cuz i don't want him to
[TS]
01:08:06
◼
►
go back to just being a rapper
[TS]
01:08:08
◼
►
I don't know what else they can do with
[TS]
01:08:10
◼
►
him I he'd be a great uh Harold Hill &
[TS]
01:08:14
◼
►
Music Man but that's kind of obvious i
[TS]
01:08:17
◼
►
wanted to stick around
[TS]
01:08:18
◼
►
yeah he's um I mean again reading
[TS]
01:08:22
◼
►
interviews with him is very funny
[TS]
01:08:23
◼
►
because of course he's relatively new to
[TS]
01:08:25
◼
►
the Broadway thing and it was lemon well
[TS]
01:08:27
◼
►
Miranda being like oh my god I know the
[TS]
01:08:29
◼
►
perfect person from this and just going
[TS]
01:08:32
◼
►
for it and it was true it's true it's
[TS]
01:08:34
◼
►
absolutely true
[TS]
01:08:35
◼
►
the dual casting is something to talk
[TS]
01:08:37
◼
►
about to the fact that you know I'm devi
[TS]
01:08:41
◼
►
digs and i can't pronounce his name
[TS]
01:08:43
◼
►
properly so i'm not going to oak who
[TS]
01:08:46
◼
►
plays Hercules Mulligan and James
[TS]
01:08:48
◼
►
Madison and and Anthony Ramos who plays
[TS]
01:08:50
◼
►
phillip hamilton and john lawrence I
[TS]
01:08:53
◼
►
don't want to swap their because really
[TS]
01:08:55
◼
►
it's yeah but uh it's it is crazy to me
[TS]
01:08:59
◼
►
the fact that they have such wildly
[TS]
01:09:01
◼
►
different parts you know you think about
[TS]
01:09:03
◼
►
what defeat has to play in the first
[TS]
01:09:05
◼
►
half of the show vs. the second half of
[TS]
01:09:08
◼
►
the show the styles of like lafayette
[TS]
01:09:10
◼
►
and Jefferson are two very different
[TS]
01:09:12
◼
►
people they may have both spent a decent
[TS]
01:09:15
◼
►
amount of time in France come but they
[TS]
01:09:17
◼
►
merit not at all no no and it's such a
[TS]
01:09:21
◼
►
cool challenge for the actors to play
[TS]
01:09:23
◼
►
and they have different singing styles
[TS]
01:09:25
◼
►
defeat has to wrap in French essentially
[TS]
01:09:28
◼
►
like wrapping a French accent with a
[TS]
01:09:31
◼
►
little bit of French toston i'm anthony
[TS]
01:09:33
◼
►
around us has to die
[TS]
01:09:35
◼
►
well suppose died twice huh i get enough
[TS]
01:09:39
◼
►
history
[TS]
01:09:39
◼
►
I don't know John had been a while ago
[TS]
01:09:41
◼
►
yeah I'm Lawrence doesn't really make it
[TS]
01:09:43
◼
►
through the revolution spoilers for the
[TS]
01:09:45
◼
►
American Revolution y-yeah I guess yeah
[TS]
01:09:48
◼
►
and and ochre a date and help them send
[TS]
01:09:53
◼
►
that right who plays Hercules Mulligan
[TS]
01:09:55
◼
►
and James Madison I mean Hercules
[TS]
01:09:57
◼
►
mulligan is like the again is the best
[TS]
01:10:00
◼
►
rap name of hot girls elegant and then
[TS]
01:10:03
◼
►
he goes to play Madison
[TS]
01:10:05
◼
►
and it's like Mulligan wraps pretty much
[TS]
01:10:07
◼
►
the entire first step and is just acting
[TS]
01:10:09
◼
►
it's just kind of like yeah I'm the you
[TS]
01:10:11
◼
►
know i'm i'm the the big strong arm dude
[TS]
01:10:15
◼
►
and madison is almost silky and almost
[TS]
01:10:18
◼
►
afraid in some ways I think he's Charles
[TS]
01:10:20
◼
►
Jefferson's number two and he and he and
[TS]
01:10:23
◼
►
Alexander Hamilton used to be buds but
[TS]
01:10:25
◼
►
you don't see it all happens off-screen
[TS]
01:10:26
◼
►
yeah when you know one thing that's been
[TS]
01:10:30
◼
►
really interesting to watch that and
[TS]
01:10:31
◼
►
this is you know going back to people
[TS]
01:10:34
◼
►
telling me about this for years they've
[TS]
01:10:36
◼
►
been workshopping this mean he took six
[TS]
01:10:38
◼
►
years to really write it
[TS]
01:10:40
◼
►
they've been workshopping it since 2013
[TS]
01:10:42
◼
►
daveed digs and Christopher Jackson
[TS]
01:10:45
◼
►
who's George Washington are the only
[TS]
01:10:47
◼
►
other two cast members who have been
[TS]
01:10:49
◼
►
there right from the start so they've
[TS]
01:10:51
◼
►
had you know close to three years to get
[TS]
01:10:54
◼
►
used to this by now and it really shows
[TS]
01:10:57
◼
►
that speaks to something that's sort of
[TS]
01:10:59
◼
►
fascinates me about broadway in general
[TS]
01:11:01
◼
►
where the lafayette and Jefferson part
[TS]
01:11:03
◼
►
is so tailored to defeat digs that
[TS]
01:11:07
◼
►
because W can go so fast lin-manuel
[TS]
01:11:10
◼
►
Miranda was constantly adding things
[TS]
01:11:12
◼
►
like I can put more syllables are there
[TS]
01:11:15
◼
►
are going to give him another live in
[TS]
01:11:16
◼
►
another line but that becomes part of
[TS]
01:11:18
◼
►
the official role so now because this
[TS]
01:11:21
◼
►
play is already moving to check that
[TS]
01:11:23
◼
►
movie Chicago they're opening a Chicago
[TS]
01:11:25
◼
►
run already
[TS]
01:11:27
◼
►
it's going to go on tour is going to be
[TS]
01:11:28
◼
►
done by kids everywhere yes and and for
[TS]
01:11:31
◼
►
all of those people they're all going to
[TS]
01:11:33
◼
►
have to be as not as good as to be digs
[TS]
01:11:36
◼
►
but they're gonna have to try to be as
[TS]
01:11:37
◼
►
fast as event said well but you know
[TS]
01:11:40
◼
►
it's one thing to do it for the very
[TS]
01:11:42
◼
►
first time and get used to it but you
[TS]
01:11:45
◼
►
know when Robert Preston was the music
[TS]
01:11:47
◼
►
man right who maybe Danny Kaye could
[TS]
01:11:50
◼
►
have done but then I've grown up for you
[TS]
01:11:54
◼
►
know 40-something years doing you got
[TS]
01:11:56
◼
►
trouble I can do it right
[TS]
01:11:58
◼
►
I've listened to it enough and so people
[TS]
01:12:00
◼
►
are gonna be listening to this and
[TS]
01:12:01
◼
►
practicing it in doing it and it'll just
[TS]
01:12:04
◼
►
be that's how you do it you have to do
[TS]
01:12:07
◼
►
it that fast you get it that's true
[TS]
01:12:08
◼
►
that's like lin-manuel said one of the
[TS]
01:12:11
◼
►
reasons he's letting kids see it cheaper
[TS]
01:12:14
◼
►
that the 10,000
[TS]
01:12:17
◼
►
school to school children around New
[TS]
01:12:19
◼
►
York and you get ten dollar tickets and
[TS]
01:12:22
◼
►
for them this is the starting point for
[TS]
01:12:25
◼
►
what theater is they're going to sit
[TS]
01:12:26
◼
►
down and assume oh that's what the
[TS]
01:12:28
◼
►
musical looks like and then we get to
[TS]
01:12:31
◼
►
see where they take their form i'm so
[TS]
01:12:34
◼
►
excited to see this come to schools
[TS]
01:12:38
◼
►
it is such an A like a little while
[TS]
01:12:41
◼
►
Miranda describes all of the stuff that
[TS]
01:12:44
◼
►
he writes as like really i'm just
[TS]
01:12:46
◼
►
writing musicals for my high school and
[TS]
01:12:49
◼
►
it's when you think about like in the
[TS]
01:12:50
◼
►
heights and what he did from the heights
[TS]
01:12:51
◼
►
but especially Hamilton there are so
[TS]
01:12:54
◼
►
many parts so many juicy wonderful parts
[TS]
01:12:57
◼
►
and it's not just two people singing
[TS]
01:13:00
◼
►
two-thirds of the songs right it's there
[TS]
01:13:03
◼
►
there's just these there's these
[TS]
01:13:04
◼
►
intricate narratives I mean you think
[TS]
01:13:05
◼
►
about you know the women get a bunch of
[TS]
01:13:08
◼
►
great songs and it's again not just
[TS]
01:13:10
◼
►
leading lady material its meaty
[TS]
01:13:13
◼
►
interesting stuff there's great coral
[TS]
01:13:15
◼
►
parts pretty much continually there's so
[TS]
01:13:18
◼
►
much great coral park so many great
[TS]
01:13:19
◼
►
coral part so many great individual
[TS]
01:13:21
◼
►
parts the fact that you know you don't
[TS]
01:13:24
◼
►
have to double cast jefferson and
[TS]
01:13:26
◼
►
lafayette you can split them up if you
[TS]
01:13:28
◼
►
really want to and you need to make more
[TS]
01:13:29
◼
►
parts for a look at the airport before
[TS]
01:13:33
◼
►
kids in the in the musical career
[TS]
01:13:36
◼
►
yeah this is the III also i wanted to
[TS]
01:13:38
◼
►
say in addition to the light the
[TS]
01:13:39
◼
►
terrible legacy this and how it impacts
[TS]
01:13:41
◼
►
the people in theater limb well Miranda
[TS]
01:13:45
◼
►
when he was talking to Charlie Rose for
[TS]
01:13:46
◼
►
60 minutes said that you know his
[TS]
01:13:48
◼
►
experience with so many of these shows
[TS]
01:13:51
◼
►
was the album's because he didn't you
[TS]
01:13:55
◼
►
know he didn't go see musicals he
[TS]
01:13:57
◼
►
remembers the first musical he saw but
[TS]
01:13:59
◼
►
most of the time it was his parents and
[TS]
01:14:01
◼
►
cast albums that it and and he said
[TS]
01:14:03
◼
►
because they actually shot 60 minutes
[TS]
01:14:05
◼
►
shot there's a there's a thing on the 60
[TS]
01:14:07
◼
►
minute website you can see they shot
[TS]
01:14:09
◼
►
them or recording the cast album and in
[TS]
01:14:12
◼
►
there Miranda says we realize this is
[TS]
01:14:15
◼
►
going to be this is our stamp this is
[TS]
01:14:17
◼
►
our thing that most people are going to
[TS]
01:14:18
◼
►
hear because there are only so many
[TS]
01:14:19
◼
►
people come here and on Broadway
[TS]
01:14:21
◼
►
this is this is it you know we will and
[TS]
01:14:23
◼
►
I want this to be good because you know
[TS]
01:14:25
◼
►
for him
[TS]
01:14:26
◼
►
that's one way you experience this stuff
[TS]
01:14:28
◼
►
is not is not live in person and and
[TS]
01:14:30
◼
►
uh you know the fact that we're so
[TS]
01:14:33
◼
►
enthusiastic about it and talking about
[TS]
01:14:34
◼
►
it here is telling because again we are
[TS]
01:14:36
◼
►
those people experiencing it through the
[TS]
01:14:38
◼
►
cast album and not being there in person
[TS]
01:14:40
◼
►
I mean and and being there in person
[TS]
01:14:42
◼
►
it's just different
[TS]
01:14:43
◼
►
it's a slut it's a it's a slice of time
[TS]
01:14:45
◼
►
it's every performance is unique that's
[TS]
01:14:47
◼
►
one of the beautiful things about
[TS]
01:14:48
◼
►
theater but the fat like I've never seen
[TS]
01:14:50
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book of mormon never got a chance but
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I've listened to that LOL i've listened
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to that soundtrack and its really great
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and I have seen you know I did see the
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producers with matthew broderick nathan
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lane and that was great and I've got
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that and that's got some memories
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attached to it but regardless there
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they're different and I just I love his
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awareness of the fact that the cast
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album is super important because it is
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that that stamp like this is this is who
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we all whereas the original cast and
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this is how so many people will
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experience the story either before they
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01:15:19
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see it or maybe they never see it but
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01:15:21
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they experience it anyway and because
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01:15:23
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the book is so scan it essentially the
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01:15:25
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the cast album is the content of the
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01:15:27
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musical with you know the audio content
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01:15:30
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of the musical that's the other part
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01:15:31
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it's not like you're missing long as you
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01:15:35
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know spoken scenes the the stories told
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01:15:37
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the music and so it's not like some
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01:15:40
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other cast musicals were cast albums
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01:15:42
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where you say oh I guess a story happens
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01:15:45
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in between those two songs that does not
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01:15:47
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happen and in Hamilton is it 530 great
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01:15:50
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story actually somebody in the chatroom
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01:15:51
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link to it i read i remember reading
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01:15:53
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this a few weeks ago
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01:15:54
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it is the how there are more words and
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01:15:57
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hamilton and then any than any musical
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01:16:01
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basically ever even close
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01:16:03
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yeah yes I'm sure it's beyond yeah it
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01:16:05
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was great to watch the 60 minutes piece
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01:16:07
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because when when he's he's standing
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01:16:09
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there with the shelf of cast albums and
[TS]
01:16:11
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he's geeking out over camelot time I'm
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01:16:13
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just kind of looking going
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01:16:14
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that was my childhood that right there
[TS]
01:16:16
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was the shelf of albums and i only love
[TS]
01:16:19
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the way that he introduces Camelot or
[TS]
01:16:22
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yes yes Rosie's like dis listen to go on
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01:16:25
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here it has the dopest belittle every
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01:16:28
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I'm telling you and that dude is a nerve
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01:16:31
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yeah we at love him and I mean you know
[TS]
01:16:34
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that but that was the thing was the cast
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01:16:36
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albums were just the songs sometimes you
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01:16:38
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got snippets of dialogue sometimes you
[TS]
01:16:39
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didn't even get all the songs because
[TS]
01:16:41
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you know they couldn't fit and they
[TS]
01:16:43
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didn't want to do
[TS]
01:16:43
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double album or anything the only thing
[TS]
01:16:46
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I have that's comparable I i lucked into
[TS]
01:16:49
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finding I don't even know why they did
[TS]
01:16:51
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this at a an album of the entire text of
[TS]
01:16:55
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tom stoppard's the real thing with the
[TS]
01:16:57
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broadcast so it's jeremy irons and Glenn
[TS]
01:16:59
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Close and cynthia nixon and and it's
[TS]
01:17:02
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bizarre and it's sitting here on my
[TS]
01:17:04
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shelf with all these musicals and I've
[TS]
01:17:07
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listened to it once and Hamilton listen
[TS]
01:17:09
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to over and over and over and over and
[TS]
01:17:10
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over but yeah I mean that's it's it's so
[TS]
01:17:14
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hard to get people into theater now
[TS]
01:17:16
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because it's you know you've got netflix
[TS]
01:17:20
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and hulu and you know all the
[TS]
01:17:21
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entertainment options on your couch and
[TS]
01:17:23
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then you have the cast album but this is
[TS]
01:17:26
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what I mean my son doesn't necessarily
[TS]
01:17:30
◼
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want to go see theater all the time and
[TS]
01:17:31
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he's that he's not a musical fan at all
[TS]
01:17:33
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he wants to go see Hamilton he wants
[TS]
01:17:37
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►
lin-manuel Miranda to write all the rest
[TS]
01:17:41
◼
►
of history so that he can understand it
[TS]
01:17:42
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better right
[TS]
01:17:44
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he said can can you get him to do that I
[TS]
01:17:46
◼
►
can't get him to do that i can probably
[TS]
01:17:48
◼
►
get them to say hi on a video but i
[TS]
01:17:50
◼
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can't get them to do that
[TS]
01:17:51
◼
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get out but yeah i mean that's that's
[TS]
01:17:55
◼
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how that's how we did it in Florida you
[TS]
01:17:58
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know you you'd watch the tonys once a
[TS]
01:18:01
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year and you listen to all the cast
[TS]
01:18:03
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albums and living in indiana same thing
[TS]
01:18:05
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I can go to regional theaters i can go
[TS]
01:18:07
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to the Broadway shows on tour still not
[TS]
01:18:11
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►
quite the same and if you don't want to
[TS]
01:18:12
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see any of the ones on tour huh tough
[TS]
01:18:14
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and that's why i started this blog
[TS]
01:18:16
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called broadway.com haha Thank You Monty
[TS]
01:18:20
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yes I anything more before we wrap it up
[TS]
01:18:22
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I feel like we've covered a lot of
[TS]
01:18:24
◼
►
ground there's so much more to cover one
[TS]
01:18:26
◼
►
could probably do a podcast in which
[TS]
01:18:29
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►
every episode was covering just a single
[TS]
01:18:31
◼
►
track of Hamilton for 46 episodes could
[TS]
01:18:35
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►
one that's why don't you talk about it
[TS]
01:18:37
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►
long enough Jason it i don't know i
[TS]
01:18:39
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►
don't actually do you know half an hour
[TS]
01:18:41
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►
on like my shot for example i think that
[TS]
01:18:44
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►
could totally be in case maybe maybe
[TS]
01:18:46
◼
►
maybe we'll see we'll see if somebody
[TS]
01:18:48
◼
►
does a podcast like that those people
[TS]
01:18:50
◼
►
would be kind of a kind of nuts even try
[TS]
01:18:51
◼
►
something like that but that that you
[TS]
01:18:53
◼
►
know it's yeah i just want to point out
[TS]
01:18:55
◼
►
your kind
[TS]
01:18:57
◼
►
it's nuts oh interesting kind of kind of
[TS]
01:19:01
◼
►
maybe it is is David why don't people go
[TS]
01:19:04
◼
►
to the uncomfortable calm / pod for ham
[TS]
01:19:07
◼
►
and check it out it might be a podcast
[TS]
01:19:11
◼
►
entirely about Hamilton otherwise it's
[TS]
01:19:13
◼
►
time to wrap up our special episode
[TS]
01:19:15
◼
►
about musical theater and it might
[TS]
01:19:17
◼
►
happen again sometime you never know but
[TS]
01:19:19
◼
►
these these uh hey there was just too
[TS]
01:19:22
◼
►
much momentum too many people want to
[TS]
01:19:23
◼
►
talk about Hamilton it's too exciting
[TS]
01:19:25
◼
►
so we had to do it so thank you to my
[TS]
01:19:27
◼
►
gas for enjoying the this change of pace
[TS]
01:19:30
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►
with me David lure thank you thank you
[TS]
01:19:33
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►
chip sudderth thanks for being here
[TS]
01:19:36
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►
I'm only sorry that my son is 14 years
[TS]
01:19:38
◼
►
old and it's too late for me to change
[TS]
01:19:39
◼
►
his name to Hercules Mulligan maybe it's
[TS]
01:19:42
◼
►
never too late maybe you can name a
[TS]
01:19:44
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►
future cat Hercules Mulligan future cat
[TS]
01:19:46
◼
►
Monty Ashley thank you thank you
[TS]
01:19:49
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►
broadway.com thank you can if I stopped
[TS]
01:19:53
◼
►
listening to Hamilton that yeah sure
[TS]
01:19:55
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►
answer entity called well thank you
[TS]
01:19:57
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►
thank you
[TS]
01:19:59
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►
alright theater nerds back in the Box
[TS]
01:20:01
◼
►
sci-fi nerds you can come back out
[TS]
01:20:03
◼
►
I'm Jason sell for the income people
[TS]
01:20:04
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►
will see you next time
[TS]
01:20:13
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►
it has come to my attention that a lot
[TS]
01:20:19
◼
►
of people are not aware of some of the
[TS]
01:20:20
◼
►
other podcast on the incomparable
[TS]
01:20:22
◼
►
network especially the TV podcast if you
[TS]
01:20:24
◼
►
like shows like arrow the flash legends
[TS]
01:20:28
◼
►
of tomorrow the expanse we are doing
[TS]
01:20:31
◼
►
podcasts about a bunch of different TV
[TS]
01:20:34
◼
►
shows on the TV podcast so if you want
[TS]
01:20:36
◼
►
to hear us talking about the expanse for
[TS]
01:20:37
◼
►
example you can get to it by going to be
[TS]
01:20:39
◼
►
incomparable calm / TV te ve or just go
[TS]
01:20:43
◼
►
to the incomparable calm and click on
[TS]
01:20:45
◼
►
the subscribe link and you'll get a list
[TS]
01:20:47
◼
►
of all the great shows on the
[TS]
01:20:49
◼
►
incomparable
[TS]
01:20:51
◼
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[Music]
[TS]