331: ‘John Was the Problem’, With Merlin Mann
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If the talk show was like your bowel movements, you'd have to go see a doctor, right?
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I mean, because this is...
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This show is like something like the haunted house that the Kiwanis puts on.
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They're like, "Put your hand in the bowl.
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It's eyeballs and brains and beetles."
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Whereas Dithering is literally like a professional show where you can like bank on it.
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You know, Tuesday morning there's going to be a 15 minute and 0 second episode waiting
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for you in your podcatcher, you know?
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There you go.
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It's great, but part of the deal was, "Okay, I love the idea, but how about this?
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I don't want to deal with any of the publishing details."
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And Ben was like, "That's great.
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I love doing it."
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And I'm like, "You love doing it?"
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That's a standard...
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That's a standard God of Soul in my contracts right now.
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I am offer only.
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You can come to me and say, "Be on my podcast," but I cannot have to turn anything off to
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do it and it must require no work.
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So we do the Zencastr.
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And the way that I do it, I'm not a Chrome user, but...
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It's not on any of my machines anymore.
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I removed it from every...
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I've got Vivaldi, which is Chrome-ish, but it doesn't have all the nasties, the Chrome.
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I use the Brave, which is Chrome without the nasties.
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I don't know anything else about it.
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Yeah, I use Brave for two things.
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I use it for recording Dithering, which is amazing through the Zencastr, or at least
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from my perspective is not having to deal with it when I'm done.
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And I stay logged into Amazon through my business Daring Fireball account, which I seldom use
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for posting the money-making affiliate links.
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But that's it.
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I don't use it for anything else, but it's kind of amazing.
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But anyway...
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Well, we got onto Zoom, and I don't have...
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It would be very subtle for me to say I don't have a lot of affection for Zoom as a product
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service, an app, or a company.
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Oh, no, we accidentally installed another packet-sniffing thing that you can't find.
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Oh, now you've created a WebRik so people can run Rails and mine Bitcoin.
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You're like, "What?
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My kid has to be on this eight hours a day?
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But to get to where you're...
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And this is a constant conundrum in the world of even middling levels of security is you're
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always doing what you can to latch the screen door.
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But with Zoom, I turned on all the, "Don't let this start streaming.
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Don't automatically do anything."
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But then I have to click all this crap and say, "Now recording," and all that kind of
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So then we played with a different one.
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Alex said, "Let's try this other one," because Dan and I were using it.
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It's another one of those based in a web browser ones.
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And John, I give my back.
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As with so many things, it's like, "I like this service, but I hate this app."
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You know, whether that's Dropbox or whatever it is, the service is great, but the way you
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interact with this is so gross.
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And so I won't mention the name Clean Feed, but we started using this one.
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And it has a couple quirks.
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You get an exquisite exactly two files that match if you remember to hit the button at
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the same time, and otherwise you get drift.
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Anyway, that's cool.
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What it doesn't give you, though, is something I do that you'll get from me or Caleb and
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you will get from me, which is I have my side, I have your side, and I have a side called
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everything, which is like a reference track in case you need to fix anything.
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It's just handy to have.
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So first of all, you get these two files.
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That's all fine.
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Here's the thing, John.
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It all happens in the browser.
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If you close, there's no way to stop the call.
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You just close the browser, and it's like this just feels really not Mac-ass Mac stuff
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to me, which is fine, but also if you forget to save the files in the browser before you
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close the window, they don't exist anymore.
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You can't go get it from anywhere because it only existed, as far as I know, it might
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have improved, but I never thought I'd have fondness for Skype.
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So I don't, but it's the devil I know.
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The Zencastr thing is pretty neat where they do save the files locally, and so whatever
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catastrophe might happen, like let's say an accidental command-Q, while you're, you think
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you're looking at Apple Notes or something while you're recording, but instead your browser's
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frontmost, you command-Q or command-W, whatever, you close it, they've got you covered.
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Is that local?
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Is it locally?
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Yeah, they've been writing an MP3 file locally throughout the whole thing.
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But on the other hand, my thought is it makes me sick to think that a web browser is able
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to do that, right?
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That you just go to a website and it can just be writing an MP3 file the whole time, and
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it's not the--
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When Audio Hijack does that, it's what the doctor ordered, but there's certain kinds
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of magic to which I am not attracted, because then I go, "Huh, how's it doing that?"
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It's kind of weird.
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I also think, and I think you're like me, and maybe it's an old person's thing, and
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we just have this, however old you are, and if somebody who's older than me and you and
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has even stronger feelings about the personal part of a personal computer to encapsulate
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it, but the way that Zoom and Chrome update themselves and you have no option about it,
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there's nowhere to dig--
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That was why Call Recorder, I think, finally threw in the towel.
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Threw in the towel.
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Was they couldn't keep up with-- There's not a P list, there's not a terminal command,
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I'm not aware of any way to tell Skype, "Please stop updating."
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Just tell me if you have to do it.
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But people who accept that that's good, and there are people who will argue with you that
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this is good because people don't update, they don't click through, they let their software
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stagnate because it's not broken, so they don't want to mess with anything, which used
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to be a sensible--
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I have to harangue my family just to do basic iOS updates, because that's been a big deal
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since the summer.
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And I was like, "Hey, by the way, do your iOS right now, because there's something in
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the wild that's a little janky."
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And I'll tell my kid about some feature that would be perfect for her, and she'll be like,
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"Well, she'll go and look, 'Oh yeah, I'm on iOS 7,' or whatever."
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I like it that way.
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But on the other hand, it's like, to me-- So I get the motivation.
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I don't think that the people who implement these auto-update, no-option features, I get
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what they're thinking, and they're thinking, "We know better than you because--"
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That's a kind of enterprise approach.
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It's an enterprise approach to personal computing.
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But the problem is-- And maybe I'm wrong to draw analogies to the real world, but if I
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woke up and it's the start of a day, it's Wednesday, tomorrow, I wake up and I look
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at my keys-- And I only care, I have two keys.
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I have a key to the house, and I have a key to a post office box, and I've got a little--
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Success in life at a certain point becomes the fewer number of keys that you need.
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I don't want to look like a jailer.
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I'm very happy to have-- I have exactly two keys on my ring, and that is it.
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I was very upset, though, when I got the PO box.
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And I think you and I have talked about this.
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You kind of have to have the PO box, right?
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But I put it off for years.
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The two things that I procrastinated on for way too many years after clearly this was
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going to be my career, this daring fireball stupid thing, was getting an actual LLC for
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the business, which I did at this point, I don't know, 10, 12 years ago.
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It's a long time.
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I've had it for a very long time, but I still-- I was years late doing it.
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And the second part was getting a PO box to get mail.
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It annoyed me, though, because until then I only had one key.
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One key just to the house.
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And I could just put that one key in that little jeans pocket.
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Oh, it's beautiful.
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I still keep my keys in that pocket.
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And your Levi's, like what they call the watch pocket?
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Yeah, the watch pocket.
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But for me, it's a keys pocket.
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Over the years, that pocket has reflected many changes in my life.
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It's been for guitar picks.
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It's been for arcade tokens.
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For a long time, it was for Imodium, as I'm glad I don't need as much anymore.
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The watch pocket is a boom companion.
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Speaking about irregularity.
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Regular publishing.
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You know, this is a-- I don't know how.
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I'm just-- the centrifugal force of the pain in life somehow constantly leads me back to
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bitching about technology, which is-- it's excruciating.
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I'm really sorry anybody asked here.
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But this has actually become a theme fairly often, including on today's Back to Work with
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Dan, which is when you talk about the personal part of PC, I am entirely aware of the benefits
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that come from somebody taking care of that stuff for me.
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And like you say, especially if you're in enterprise, or as we used to say, a large
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company, if you're in a large company, you need to know that your stuff's going to get
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You know that the screensaver's going to-- there's all kinds of stuff.
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No games allowed, whatever that is.
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But the part that I think it's sort of frustrating when you do stop-- and this is an old person,
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it's a problem to an old person.
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You can look at that any way you want.
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A computer is personal, right?
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This is a very like Syracuse idea of like, I want my windows to do this and stop changing
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And you know, it's like you say with your keys, like, I never opened my silverware drawer
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and find an ad for Viagra.
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Like there's certain kinds of things where like-- or like I like that my smoke alarm
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doesn't just go off or announce that like they got a good deal on crypto.
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There's certain kinds of things where the benefit of it is that I never have to worry
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that it has become something else when I looked away.
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And it's that feeling of like, this feels less and less like my thing because you keep
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like some kind of hectoring nanny.
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You're constantly correcting me about how you want me to use this.
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And there are benefits from that and security from that in some cases.
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But in other cases, it becomes wildly, wildly frustrating, especially if you get, you know,
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kind of ungraceful silent fails that don't have any troubleshooting.
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Where I was going with the key thing is if I woke up and one of my two keys was new,
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it was like new and shiny, like let's say my house key, right?
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And all of a sudden, my Schlage, instead of being, you know, five, six years old and having
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that sort of patina of an older key, it was a brand new shiny brass key.
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I would be freaked out, right?
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I'd be like, that's not my key.
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What the hell happened?
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And then if I went down and we had new locks on our doors, and maybe, you know, if I fished
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through our physical mail, there'd be like a note that says, hey, we upgraded the locks
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on your door to an improved security.
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And the release notes are like, we're releasing regularly to get you up to the latest features.
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And we've squashed some bugs and like, you know what?
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It'll be like Greg writing notes for drafts.
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Like really, can you tell me what actually happened instead of just going, we're improving
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your GrubHub experience?
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Like my GrubHub experience is like, is typically quite excruciating.
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And like, you know, there's that update day where like whatever runs, whatever the chrome
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of restaurant delivery services, and you see like nine updates from all of the apps in
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one day, squashing bugs, it's excruciating.
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But I, people would rightly freak the hell out if, without ever having agreed to it,
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there was some kind of like door lock service that just replaced the locks on your house's
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doors, and went into your pocket and like gave you the new key.
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Like, people would rightly freak out.
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Whereas maybe, hey, at least ask me if I would like this service, you know, and then let
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But maybe I would opt into it at a level where you have to ring, you know, ding dong, ring
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the doorbell, I'm here to change the locks.
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And also because like, I mean, I don't, again, I don't want to pitch too much.
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We had talked about, I think maybe talking a little bit about stuff people might be missing
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that's really cool in the Apple world.
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Like I have a few things I'm always sort of recommending to people that I've captured here
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in your document.
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But it's, it is beneficial to get updates that keep security and all that kind of stuff.
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But if you've done virtually anything to improve the way things interact with each other, which
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is in a lot of ways what we use these dumb things for, you know, your scripts break or,
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you know, something I, I'm sorry, I'm going to say this, I, and I'll mention this later,
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I love doing shortcuts via HomePod.
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But for the second time, like in maybe this quarter, shortcuts have utterly shat the bed
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And all my, all my HomePod shortcuts that I made stopped working, which is all fine
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because it just means I watch Hulu slower.
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But what if you have an actual business where you've built shortcuts to run in that way?
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What if you like the things that Tim said on stage and he did in a given June and you
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said, I'd love to do that.
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So, well, it'd be available in fall.
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And then when it is available, like it might just, it might just poop itself egregiously
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in the food court.
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And then you tell your boss, you know, it's okay.
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It's computers, you know, they're helping us.
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It's not that personal.
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It's an impersonal computer now.
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Let me take a break here and thank our first sponsor.
00:13:53
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Tell me about something you like.
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What's going on?
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What do you got there?
00:13:56
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Let me start by telling you about Linode.
00:14:00
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Oh, you guys know Linode?
00:14:01
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You know Linode.
00:14:03
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Is it Linode?
00:14:04
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No, no, no, no.
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It's Linus Torvalds.
00:14:09
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It really should be Lean.
00:14:10
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I don't want to be a dick about it, literally, but I think it probably should be Linode.
00:14:14
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But, you know, they got plans to start it.
00:14:16
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Like what if it started at like $5 a week?
00:14:21
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Visit linode.com/thetalkshow and see why Linode has been voted the top infrastructure as a
00:14:26
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service provider by both G2 and TrustRadius.
00:14:29
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Look, I don't know who G2 or TrustRadius are, honestly.
00:14:34
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Let me tell you this.
00:14:35
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I host Daring Fireball at Linode, not because they sponsor.
00:14:38
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I've been hosting there for years now before they ever sponsored because they're just...
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It's just rock solid web hosting.
00:14:46
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It's just tremendous.
00:14:47
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They have award-winning support offered 24 hours a day, seven days a week, 365 days a
00:14:54
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year to every level of user, including, you know, you get like the...
00:14:59
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I think they call it the nano plan.
00:15:00
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I think that's what you were talking about.
00:15:01
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It's like five bucks a month and you need help, you get help.
00:15:05
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You don't have to be like a big spender with a big quote unquote enterprise plan.
00:15:10
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Get the basic plan.
00:15:11
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You still get the great tech support and it is so easy to use.
00:15:14
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They have a great web interface to all of their services.
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It is why developers have been trusting Linode for projects, both big and small, since 2000
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You can deploy your entire application stack with their one click app marketplace.
00:15:30
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So if you need to install blah, blah, blah, you just go through.
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There it is.
00:15:35
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You say install this.
00:15:36
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There it is.
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You get it right through the web interface or you can build it all from scratch and manage
00:15:40
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everything yourself with all the Unix nerdy goodness that you'd expect.
00:15:46
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They offer the best price to performance value for all compute instances, including GPUs,
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◼
►
as well as block storage, Kubernetes, and their upcoming bare metal release.
00:15:56
◼
►
You're just saying words now.
00:15:59
◼
►
It looks like these all.
00:16:01
◼
►
What are they win the vote for?
00:16:04
◼
►
Trust Fund and Brand Buster?
00:16:05
◼
►
Yeah, Trust Fund, Brand Buster, G2, Trust Radius.
00:16:10
◼
►
Anyway, they make Cloud computing fast, simple, and affordable.
00:16:14
◼
►
Go to linode.com/thetalkshow and create a free account with your Google or GitHub account.
00:16:24
◼
►
Or you could just use your email address.
00:16:25
◼
►
And when you do it by going through that URL, you get $100 in credit.
00:16:31
◼
►
Hey, you know that ain't jump change.
00:16:33
◼
►
That's a lot of money.
00:16:34
◼
►
You know they're headquartered right here in Philadelphia.
00:16:36
◼
►
I did not know that.
00:16:37
◼
►
Are they part of cable toe?
00:16:38
◼
►
Nope, nothing.
00:16:39
◼
►
Well, not yet.
00:16:40
◼
►
Oh, well, give them time.
00:16:41
◼
►
Give them time.
00:16:42
◼
►
Give them time.
00:16:44
◼
►
But right now they're independent.
00:16:46
◼
►
And their headquarters--
00:16:47
◼
►
Television and microwave oven program.
00:16:52
◼
►
I have yet to visit them.
00:16:53
◼
►
They're very nice.
00:16:54
◼
►
There's a couple of people there who I probably listen to the show.
00:16:57
◼
►
John, John, a bunch of the things that I listen to, I happen to know are hosted on Linode.
00:17:02
◼
►
Things like the incomparable.
00:17:03
◼
►
There are people like our buddy Jason Stell.
00:17:05
◼
►
They run their whole operation on Linode.
00:17:08
◼
►
But their headquarters--
00:17:09
◼
►
Get on Linode.
00:17:10
◼
►
Their headquarters are in a section of Philadelphia that we call Old City, which is like lots of
00:17:17
◼
►
stuff in Philadelphia.
00:17:18
◼
►
Is that where Mac buys his cool sleeveless t-shirts?
00:17:22
◼
►
Quite possibly.
00:17:23
◼
►
Quite probably would be where Mac would buy his sleeveless t-shirts.
00:17:27
◼
►
It is the old part of the city.
00:17:30
◼
►
Guess where South Philly is?
00:17:35
◼
►
You guys keep it real straightforward there, don't you?
00:17:37
◼
►
Yeah, we just keep it real simple.
00:17:39
◼
►
And who's you're not allowed to be taller than?
00:17:40
◼
►
Is it William Penn, Ben Franklin?
00:17:41
◼
►
Who are you not allowed to be taller than?
00:17:43
◼
►
William Penn.
00:17:44
◼
►
But they got rid of that in the '80s.
00:17:46
◼
►
That's why we have real skyscrapers now.
00:17:48
◼
►
But until, I'm going to say 1984, the city hall has a statue of William Penn atop.
00:17:56
◼
►
And that was supposedly-- you couldn't build anything taller than William Penn's hat.
00:18:01
◼
►
As long as Mike Schmidt's alive, you're not allowed to build anything taller.
00:18:04
◼
►
That was the rule.
00:18:06
◼
►
So what's called action, John?
00:18:07
◼
►
Where are people supposed to go to get on the Linode?
00:18:09
◼
►
Linode.com/the-talk-show.
00:18:10
◼
►
There you go.
00:18:11
◼
►
They got the article in there, which is nice.
00:18:15
◼
►
Hey, oh, I always appreciate that.
00:18:16
◼
►
I don't like to mention it too much anymore because I don't want to--
00:18:19
◼
►
Well, you mention it when people don't.
00:18:20
◼
►
And I think that's entirely reasonable.
00:18:21
◼
►
They're just letters.
00:18:22
◼
►
They don't cost anything.
00:18:23
◼
►
Do you get a lot of printed catalogs mailed to your house?
00:18:31
◼
►
Oh, my god, John.
00:18:35
◼
►
It makes our little sack that catches our mail groan.
00:18:39
◼
►
And I don't-- first of all, we're liberal suckers.
00:18:42
◼
►
So we get-- the ACLU, you guys, I love you, but it's a bridge too far.
00:18:48
◼
►
It needs to stop.
00:18:49
◼
►
The calls need to stop.
00:18:52
◼
►
Southern Poverty Law Center.
00:18:54
◼
►
Well, but like, I mean, no shame no lemonade.
00:18:57
◼
►
But hand to god, the ACLU has become like letting me know my car warranty is expiring.
00:19:05
◼
►
And then I think I'm on some kind of podcast advertising sucker list.
00:19:09
◼
►
Oh, that's me.
00:19:11
◼
►
Have you gotten bundle?
00:19:13
◼
►
No, I haven't gotten that one yet.
00:19:14
◼
►
No, I don't think so.
00:19:15
◼
►
Oh, it's like the Casper mattress, the blankets.
00:19:18
◼
►
The blanket startup, John.
00:19:20
◼
►
I don't know how that's even possible, but it is remarkable how many of the catalogs
00:19:26
◼
►
You can easily tell which ones are meant for Amy.
00:19:28
◼
►
Don't be sick of using a spoon that's not right for you.
00:19:32
◼
►
Try Spooner.
00:19:34
◼
►
That's S-P-U-N-R.
00:19:35
◼
►
I don't know.
00:19:37
◼
►
You know, there must be 700 companies that are vaguely competitive with, let's say,
00:19:44
◼
►
like Athleada or Lululemon, you know, sort of women's--
00:19:50
◼
►
Athleisure, right.
00:19:51
◼
►
And, you know, Amy has, you know, a lot of those type of pants and--
00:19:59
◼
►
She works out a lot, right?
00:20:01
◼
►
She works out like a mofo.
00:20:02
◼
►
No, she does not run, but she does the--
00:20:05
◼
►
Does she lift?
00:20:06
◼
►
Oh, she lifts.
00:20:07
◼
►
She benches.
00:20:08
◼
►
Oh, I don't know.
00:20:09
◼
►
Yeah, like 300 pounds.
00:20:10
◼
►
She'd bench you.
00:20:11
◼
►
Oh, yeah, easily.
00:20:13
◼
►
If we arm wrestled, she would just snap my arm right off.
00:20:15
◼
►
I wouldn't even get involved in that.
00:20:17
◼
►
No, I wouldn't.
00:20:18
◼
►
It is weird, though, because, I mean, obviously there must be--seemingly, obviously, there
00:20:22
◼
►
must be the kind of thing we always imagine, which is like you're on a list.
00:20:25
◼
►
Like yeah, I mean, like I want to give St. Jude's all the money, but like somewhere
00:20:29
◼
►
I think my name fell off the back of a truck.
00:20:34
◼
►
And now we get so much personal email from President Biden and Vice President Harris,
00:20:38
◼
►
and I literally, I run up the stairs so my wife can hear me coming, and I run in screaming,
00:20:43
◼
►
and I say, "Stop what you're doing.
00:20:45
◼
►
You just got a personal note from President Biden."
00:20:48
◼
►
So you might want to just really, you know, time block some time to really get in there.
00:20:54
◼
►
It is--my job in the house is the person who scoops up all the mail when it comes in.
00:21:00
◼
►
Yeah, me too.
00:21:01
◼
►
It's the--because it's the least I could do, right?
00:21:02
◼
►
I mean, it's--
00:21:03
◼
►
Literally, yeah.
00:21:04
◼
►
Of all the little chores that somebody has to be responsible for, I--
00:21:08
◼
►
You're coming up anyway!
00:21:10
◼
►
It's minimal effort.
00:21:11
◼
►
I'm the greedy bastard who picks all of the easiest ones, right?
00:21:14
◼
►
Like oh, you know what else I do?
00:21:15
◼
►
I take the garbage out.
00:21:17
◼
►
Guess what's easy?
00:21:18
◼
►
You know what's really easy?
00:21:19
◼
►
Taking the garbage out on Sunday night.
00:21:22
◼
►
You know where it goes, and it--
00:21:23
◼
►
And I know where it is.
00:21:25
◼
►
It's in our--we have a garage.
00:21:26
◼
►
That's where it is.
00:21:27
◼
►
It's already been wrapped up and deposited throughout the week.
00:21:30
◼
►
It takes ten minutes, and you go out there and--but, you know, it--that way nobody else
00:21:34
◼
►
has to worry about it.
00:21:35
◼
►
But anyway, I scoop up all the junk.
00:21:36
◼
►
I'm the garbage czar for our entire building.
00:21:39
◼
►
I do--I'm the garbage czar for all garbage in the building, and I--when new tenants move
00:21:42
◼
►
in in the other flat, I will tell them, "Just so you know, oh hi, nice to meet you.
00:21:47
◼
►
Please don't smoke inside."
00:21:49
◼
►
And I am the garbage czar, so I know which order the cans go in.
00:21:53
◼
►
I know--I know which way the lids should go.
00:21:55
◼
►
If they're in a different order, the czar ain't happy.
00:21:58
◼
►
I love that job.
00:21:59
◼
►
I treasure it.
00:22:00
◼
►
And it's right--it's really right about at my pay grade, you know.
00:22:03
◼
►
So--so there--there is no threat that Amy is gonna take over the job.
00:22:09
◼
►
She doesn't want to, but she does get angry at me because what I will do is we'll get
00:22:14
◼
►
twenty catalogs, and I think to myself, these--a lot of them are exquisitely well printed.
00:22:20
◼
►
Some of the, you know, like--
00:22:22
◼
►
--the clothing catalogs and, you know--
00:22:24
◼
►
--like a nice--yeah, yeah, yeah, but like with a full bleed on really nice--not even
00:22:27
◼
►
paper, almost like cardboard.
00:22:29
◼
►
And then you gotta pay for the little tapey--tapey circles that like keep it closed and you open
00:22:34
◼
►
it up and it's like a blanket startup, man.
00:22:38
◼
►
The, uh--I love their stuff.
00:22:40
◼
►
They're not a sponsor.
00:22:41
◼
►
I don't think they've ever sponsored the show, but American Giant.
00:22:44
◼
►
They're the company that somehow famously, like ten years ago, Farhad Manju wrote an
00:22:48
◼
►
article for Slate that was like the greatest hood he ever made.
00:22:52
◼
►
Like, oh, that was--yes!
00:22:54
◼
►
I think they might be based here because it was--they were constantly talking about--and
00:22:58
◼
►
I got that ad, like a Taboodle ad all the time about how this was the, uh--this is the
00:23:03
◼
►
hoodie nobody can keep in stock.
00:23:05
◼
►
And it--once this article went off--and they're--they are made in America, you know, it's--they
00:23:11
◼
►
are high--I love their stuff.
00:23:12
◼
►
Yeah, they're based in San Francisco, yeah.
00:23:14
◼
►
But once this article took off, they--their hoodie that the article was about was backordered
00:23:19
◼
►
for like eight months because there was--and there was like nothing they could do about
00:23:23
◼
►
They're like, we're making a--
00:23:24
◼
►
Sort of like you did with the Mack Weldon slippers.
00:23:26
◼
►
You almost put them out of business.
00:23:28
◼
►
Well, hold that thought.
00:23:29
◼
►
Guess who's sponsoring this show?
00:23:32
◼
►
Oh, we're gonna clean their clock today.
00:23:33
◼
►
Let's pick something real, real obscure that they probably don't have much.
00:23:37
◼
►
But the, uh--the American Giant, they--now, I've ordered their products.
00:23:40
◼
►
I love their products.
00:23:41
◼
►
Are you familiar with the YKK zipper company?
00:23:45
◼
►
That's how you know it's well made.
00:23:49
◼
►
I'm not gonna learn this from you, but it's my understanding that if you see a YKK zipper
00:23:53
◼
►
in front of your business, if you--if you've got a YKK front in your junk, you know that's
00:23:57
◼
►
a well-made garment.
00:23:58
◼
►
John, here's the thing about a zipper.
00:24:00
◼
►
A zipper is the kind of thing you don't think about until it's not working the way you expected.
00:24:05
◼
►
It's like--it's like furniture in your life, but like a zipper has a sort of--I want to
00:24:09
◼
►
say I'm--I don't read the trades.
00:24:11
◼
►
I want to say like a locking mechanism, like on your fly, right?
00:24:15
◼
►
Where like it'll kind of lock a little bit.
00:24:18
◼
►
And you realize a good zipper does that until it don't.
00:24:21
◼
►
And then all of a sudden, you know, you're in--you're all together, you know, with your
00:24:25
◼
►
Y2K in your hand.
00:24:26
◼
►
And a good zipper will take care of that for you, and you shouldn't have to think about
00:24:31
◼
►
And I'm just--I sent you a photo just now.
00:24:34
◼
►
Tom Bihn, maker of I think the best backpacks, totally uses a heavy duty Y2K zipper.
00:24:41
◼
►
Look at that.
00:24:42
◼
►
Look at that photo.
00:24:43
◼
►
Isn't that a beautiful zipper?
00:24:44
◼
►
Oh, I'll put that right in the show notes.
00:24:45
◼
►
Okay, thanks.
00:24:46
◼
►
Usually it's just for tabs.
00:24:49
◼
►
Usually it's just for tabs.
00:24:50
◼
►
But if you--I'm telling you, and I'm telling you, if you've never heard of this company,
00:24:54
◼
►
and you'll think--this is what I thought when I learned about this, because I only learned
00:24:56
◼
►
about this company, I don't know, five, six years ago.
00:25:01
◼
►
But it's like that usual suspects denouement, you know, where it's like all of a sudden,
00:25:07
◼
►
you know, they're like, "Oh, it was, you know, it was--that guy was always Kaiser Sose."
00:25:12
◼
►
Zipper Sose all along.
00:25:14
◼
►
And it's like, you know what?
00:25:15
◼
►
I have noticed YKK on a bunch of zippers.
00:25:18
◼
►
You don't think about it.
00:25:19
◼
►
You don't think about it.
00:25:21
◼
►
But it's always been in the back of my head that I've seen it, and I didn't even know
00:25:24
◼
►
if it was a brand name.
00:25:26
◼
►
I didn't know if it was like a--maybe like an ISO technical standard, right?
00:25:30
◼
►
It's not like a size or something, you know?
00:25:32
◼
►
I don't know.
00:25:33
◼
►
I don't--yeah.
00:25:35
◼
►
Like, you know, like--
00:25:36
◼
►
But like, it's--you learn these tricks in life, and god, we gotta talk about something
00:25:39
◼
►
The--you learn this in life where like there's tricks.
00:25:42
◼
►
Like, for example--and I'm just--I'm pulling these out of my ass, but like the YKK zipper
00:25:46
◼
►
is an extremely good one.
00:25:47
◼
►
Another one is like when you get a necktie.
00:25:50
◼
►
I think I made Ben Thompson really mad twice.
00:25:53
◼
►
One time I made fun of guys who were photographed in neckties, and he got so fucking mad at
00:25:58
◼
►
And then another time I did literally make fun of the word "enterprise," and he got mad
00:26:00
◼
►
at me about that too.
00:26:02
◼
►
Um, the, um--but--but--neckties.
00:26:03
◼
►
You know the thing about the number of threads?
00:26:06
◼
►
You count the number of threads, and that's like how well it's made?
00:26:09
◼
►
You can think about, for example, does this jacket have lining?
00:26:13
◼
►
Or do these gloves have lining?
00:26:15
◼
►
There's all these things that let you know how much care went into that.
00:26:19
◼
►
And if you're an idiot like me, and you mostly just buy clothes on the internet, you
00:26:24
◼
►
have to go somewhere.
00:26:25
◼
►
It's nice to know that this one's probably nicer than that one, and you can tell by the
00:26:28
◼
►
way the seam is done.
00:26:30
◼
►
Or you can tell the quality of the extra buttons at the bottom.
00:26:34
◼
►
I think the people in the know--if this was the 40s, Jon, we would know this stuff inside
00:26:39
◼
►
No, there's definitely something--you know, there's certain things where you--I'm never
00:26:45
◼
►
gonna know the difference between a truly great men's suit and just a good men's suit.
00:26:52
◼
►
Like I don't wear suits, I don't have an eye for fashion.
00:26:56
◼
►
But you know, you can kind of learn with a couple of tips that you can keep memorized,
00:27:01
◼
►
you can kind of know the difference between a truly ill-fitting man's suit, like the kind
00:27:07
◼
►
our former president typically wears.
00:27:10
◼
►
Well, those pants were pretty big, weren't they?
00:27:12
◼
►
What is--jackets?
00:27:13
◼
►
They were like jenko jeans.
00:27:15
◼
►
I mean, you get that photo of him and the North Korean fella, and they're both wearing
00:27:18
◼
►
their stovepipe pants.
00:27:19
◼
►
It's a hell of a look.
00:27:21
◼
►
What's he got in there?
00:27:24
◼
►
I thought it was fruit.
00:27:26
◼
►
You know, but--
00:27:28
◼
►
Yes, but you can tell.
00:27:29
◼
►
I watched the second X-Men--or sorry, X-Men First Class, which is one of my favorites.
00:27:33
◼
►
Oh, that is a good movie.
00:27:34
◼
►
I think I might have a little bit of a thing for Michael Fassbender.
00:27:37
◼
►
You know, I love him in Inglourious Basterds.
00:27:40
◼
►
I love him in all those things.
00:27:42
◼
►
He's wearing this--when he goes to see the guy in Switzerland, the guy with the fellings,
00:27:46
◼
►
remember, he's wearing like a suit, and he's got like an overcoat, and he has so many suits,
00:27:49
◼
►
and he's got a waistcoat, and I'm like, "God, and you're shaped like a narrow--you're shaped
00:27:55
◼
►
like a inconsolata condensed letter V. You're exquisite.
00:28:01
◼
►
Your entire body makes sense."
00:28:03
◼
►
Now, I don't know if that's the suit of the Fassbender, but you do notice.
00:28:06
◼
►
You notice when somebody wears something that looks--that's like what my friend used to
00:28:10
◼
►
Chris--my friend Chris used to call the appearance in court suit, or the appearance in court
00:28:16
◼
►
Like something somebody got you out of lost and found so that you could meet the dress
00:28:20
◼
►
Well, they are like--if you--I know that these sort of establishments are a vanishing breed,
00:28:28
◼
►
but if you enter an establishment with a requirement that men need to be wearing a jacket, sometimes
00:28:34
◼
►
they'll have--
00:28:35
◼
►
In New York City, there's like--you know, people dress so much more formally there.
00:28:39
◼
►
You know what I mean?
00:28:40
◼
►
People just wear suits all the time.
00:28:41
◼
►
At least they used to in Manhattan.
00:28:42
◼
►
Yeah, and I think they would give you a loaner jacket, which is really upsetting.
00:28:51
◼
►
And depending on your circumstances, it might be--if it were just me and you, and we were
00:28:56
◼
►
out and we went to, let's say, Let's Go Eat Here, and they came in and they said--
00:29:01
◼
►
Yeah, go to House Primary.
00:29:02
◼
►
Yeah, yeah, yeah, and they said, "We've instituted a policy.
00:29:04
◼
►
You need to have a coat."
00:29:06
◼
►
We would probably just look at each other and say, "Well, you know, we'll--noted for
00:29:09
◼
►
the next time, but we'll just go somewhere else," right?
00:29:12
◼
►
But if, let's say--
00:29:13
◼
►
You're the jack-in-the-box.
00:29:14
◼
►
But like, you know, if there's like a whole party who's already there, and you don't want
00:29:17
◼
►
to be left out, and you're the only jerk who didn't have one, you'll just put their loaner
00:29:22
◼
►
And otherwise, it's probably going to be a roomy fit, because, you know, a smaller man
00:29:27
◼
►
can fit in a large jacket, whereas a larger man cannot fit in a smaller jacket.
00:29:32
◼
►
So I do tend to think that the loaners, you know, tend to err on the side of roominess.
00:29:36
◼
►
Right, you're going to get like a 44 wide.
00:29:41
◼
►
Is that a size?
00:29:42
◼
►
I don't know.
00:29:44
◼
►
Have you ever been--when's the last time you were at a place where you ran into that sort
00:29:48
◼
►
of rigmarole?
00:29:49
◼
►
I mean, there are--this being San Francisco, and this being the pandemic era, I mean, you
00:29:58
◼
►
know, we don't go out over much.
00:30:00
◼
►
But when you do go almost anywhere in San Francisco, it's pretty cash.
00:30:03
◼
►
Not least, I think, because of, you know, tourists.
00:30:05
◼
►
Like those goddamn Germans, I feel so bad for them.
00:30:08
◼
►
They come here in the summer, and they wear their short pants, their short nose, and I
00:30:12
◼
►
feel so bad for them, because they have no idea that it's going to be 50 degrees every
00:30:16
◼
►
And--but I think it's pretty casual.
00:30:18
◼
►
I'm trying to think of situations--I have to tell you, John, I've been to a few--I've
00:30:22
◼
►
been to a fair number of really quite good restaurants in terms of cuisine.
00:30:27
◼
►
I have not been to that many places where you really feel like--there's a place in Tampa,
00:30:32
◼
►
I think I've talked to you about this place, I feel like I've talked to everybody.
00:30:35
◼
►
Tampa, Florida, there's a place called Burns Steakhouse.
00:30:38
◼
►
I don't think you have talked to me about this, but--
00:30:40
◼
►
Oh my god, you've got to look this place up.
00:30:42
◼
►
Run by a guy--actually, I went to Brady's Bits.
00:30:44
◼
►
I went to military school with his son.
00:30:47
◼
►
The guy's name is Burn Laxer, and I think he might have passed.
00:30:49
◼
►
How do you spell "Burn"?
00:30:53
◼
►
So not a Mr. Burn, it's a--
00:30:56
◼
►
But you--but this place--and I mean, I could just go on about this place.
00:31:01
◼
►
They have their own organic farm, all of their seafood is live on-premises till they make
00:31:08
◼
►
They have--you can get a tour of their wine cellar, which is really--doesn't do justice.
00:31:12
◼
►
But you'd go look up Burns B-E-R-N.
00:31:14
◼
►
That's the place where you go in, and it really does have the whole flocked wallpaper sort
00:31:19
◼
►
of--this looks, I don't know, like a sex worker place from Deadwood?
00:31:23
◼
►
It's really pretty epic.
00:31:26
◼
►
You expect Clementine to come up and say, "So much for a rind on you?"
00:31:31
◼
►
All right, this is something too.
00:31:34
◼
►
That's the kind of place where you've got to wear a jacket.
00:31:35
◼
►
You've got to wear a jacket.
00:31:37
◼
►
You're like me, I know you are, where you will peruse--I will peruse the in-flight--
00:31:43
◼
►
What do you mean, for like the top ten steakhouse?
00:31:48
◼
►
And there's--
00:31:49
◼
►
That and the plastic surgeons!
00:31:51
◼
►
I always look forward to that.
00:31:52
◼
►
They don't even put SkyMall in the pocket anymore!
00:31:55
◼
►
They got the plastic surgeons, they got the orthodontia, right?
00:31:58
◼
►
Lawyers, I think lawyers.
00:32:00
◼
►
Lawyers are a big one.
00:32:02
◼
►
And then there's always like a feature article, "The Top Ten Steakhouses in America."
00:32:07
◼
►
And number one, you know I love a steakhouse.
00:32:10
◼
►
And number two, I just love--it's bananas to me that it's one magazine that they print
00:32:18
◼
►
thousands of copies of, put it in every single, you know, whether it's United's or American,
00:32:23
◼
►
whatever, you know, every single American Airlines flight has this exact same magazine.
00:32:29
◼
►
But they've got ten steakhouses from ten random cities around North America.
00:32:35
◼
►
What percentage of people ever even go--like, what percentage of Americans have ever or
00:32:41
◼
►
will ever go to Tampa, Florida?
00:32:43
◼
►
Not me, I've been there.
00:32:44
◼
►
I actually have been to Tampa.
00:32:45
◼
►
I had to, yeah.
00:32:46
◼
►
It's a lovely place.
00:32:47
◼
►
It's, you know, it's--yeah, but like, the steak stuff is--obviously those are paid placements
00:32:53
◼
►
and that's all fine.
00:32:54
◼
►
Ditto for the surgeons.
00:32:55
◼
►
But you're like, you're sitting there and you're like, "Oh, you know, we're gonna land
00:32:58
◼
►
soon, I guess I'll--" I would always look at the SkyMall or the in-flight magazine like
00:33:02
◼
►
kind of like after they made the announcement that we're going in, that is, by the way,
00:33:06
◼
►
also the only appropriate time to talk to someone in the next seat.
00:33:09
◼
►
You must be silent until then, because now at this point, you know, like, neither of
00:33:13
◼
►
us is a lunatic and we have ten minutes till we land.
00:33:16
◼
►
But I just imagine somebody like flipping through there and being like, "Huh, I've been
00:33:20
◼
►
thinking about rhinoplasty."
00:33:22
◼
►
And there is a photo of a guy with a stethoscope here.
00:33:25
◼
►
He's in Boca Raton, Florida.
00:33:27
◼
►
I should check him out.
00:33:29
◼
►
He's one of the top ten, huh?
00:33:32
◼
►
That's wild.
00:33:33
◼
►
Right, I'm--
00:33:34
◼
►
Do you ever wonder if J.D. Power's a jam-up?
00:33:36
◼
►
I feel like it might be a jam-up.
00:33:37
◼
►
You know, not to speak ill of J.D. Power, but when they talk about those awards, do
00:33:42
◼
►
you ever wonder if that's one of those like, uh, like, uh, like, um, who has the list?
00:33:47
◼
►
They just pivoted.
00:33:48
◼
►
Uh, Annie's list or the list?
00:33:51
◼
►
Angie's list.
00:33:52
◼
►
Yeah, Angie's list.
00:33:54
◼
►
You ever wonder if the J.D. Power thing, if maybe your Buick might not be as good as J.D.
00:33:58
◼
►
Power says it is?
00:33:59
◼
►
Does it feel like a paid placement a little bit?
00:34:01
◼
►
Like getting a Webby or something?
00:34:03
◼
►
Yeah, I always thought Zagat's was sort of fishy.
00:34:07
◼
►
Yeah, but it's rustic and homespun.
00:34:11
◼
►
But, you know, word of mouth is best.
00:34:13
◼
►
John, I'll put this in your document, but you gotta go look, even just look at the splashy
00:34:19
◼
►
image on, uh, on Burn Steakhouse.
00:34:21
◼
►
Don't you want to eat there?
00:34:22
◼
►
Look how red it is.
00:34:23
◼
►
Oh, man, that's, that's nice.
00:34:24
◼
►
Look at that.
00:34:25
◼
►
Oh, they have a section called "What to Expect."
00:34:31
◼
►
Yes, and they, yes, okay, sorry, sorry.
00:34:33
◼
►
Can I request a favorite server?
00:34:35
◼
►
Are pictures allowed?
00:34:36
◼
►
What can be done?
00:34:37
◼
►
What is the corckage fee?
00:34:38
◼
►
Can I request a favorite server?
00:34:39
◼
►
It says here all Burn servers are highly trained and very competent.
00:34:42
◼
►
However, if you have a favorite, oh, another thing, they have a steak menu that's chained
00:34:46
◼
►
to the table.
00:34:47
◼
►
Their menus are chained to the table.
00:34:49
◼
►
They have a tome.
00:34:50
◼
►
It looks like a Tibetan Book of the Dead, but for steer.
00:34:53
◼
►
And, and, you know, you go and then, oh, and they do, oh, John, can we talk about Caesar
00:34:59
◼
►
You know, the lie that we're living with the Arby's version of a Caesar salad is a goddamn
00:35:04
◼
►
A very, a very tall man who looks like he maybe used to be in musical theater comes
00:35:08
◼
►
up, he's dressed like a performing monkey, and he comes up and he makes you a Caesar-ass
00:35:13
◼
►
salad right at your table.
00:35:14
◼
►
He does the whole nine.
00:35:16
◼
►
It's, it's, oh, it's, we gotta, you know what?
00:35:18
◼
►
We gotta do this.
00:35:19
◼
►
We should Patreon this.
00:35:20
◼
►
I, I, you know, I love a steakhouse and my, my steakhouse, if I, if I were, if I were
00:35:27
◼
►
rich on the side, if I had hit it rich, if I had, let's say, put all my money into Bitcoin
00:35:34
◼
►
10 years ago, and now I was a tech or a crypto gazillionaire, I would love, I would love
00:35:43
◼
►
to hang it up and just start my own steakhouse and not even if I could just run it at break-even.
00:35:49
◼
►
That's a terrible question.
00:35:51
◼
►
It's the hardest thing in the world to run a restaurant.
00:35:55
◼
►
But you know what makes it?
00:35:56
◼
►
What makes it really hard?
00:35:57
◼
►
Yeah, a passion project for you.
00:35:58
◼
►
Well, what, I think what makes it really hard is staying in business.
00:36:03
◼
►
If, let's say, if I were, if I were a hundred million dollars cushioned to sit on and I
00:36:09
◼
►
could run a restaurant and, you know, let's say I lost a million dollars a year.
00:36:13
◼
►
Well, I could, I could easily, you know, I could, you know, I don't have to.
00:36:18
◼
►
So sort of like the way, there's a place in town, I think it's called Club DNA or DNA
00:36:24
◼
►
And it's root, yeah, that guy who, he's still got a live journal.
00:36:25
◼
►
He's the guy who used to be at Netscape and then he just started a cool club.
00:36:29
◼
►
And he like gives people a break and stuff.
00:36:31
◼
►
Or, or like you hear about with Robin Williams, RIP, but like he and his wife would like,
00:36:36
◼
►
they never, just wasn't like widely publicly known, they certainly didn't promote it, but
00:36:41
◼
►
Robin Williams and his wife would be, wife, they'd come in and go like, "Oh, you know,
00:36:44
◼
►
our St. Jude's thing, we'd love to have it there."
00:36:46
◼
►
And they'd be like, "Yeah, we'll take care of that.
00:36:47
◼
►
Just, just come on in."
00:36:48
◼
►
You could do that.
00:36:49
◼
►
That could be you, but for Philadelphia.
00:36:51
◼
►
And it would be a steakhouse.
00:36:52
◼
►
Yeah, that's exactly the DNA Lounge.
00:36:54
◼
►
The DNA Lounge that Jamie, and he of course is...
00:36:57
◼
►
He's a text files guy, right?
00:37:00
◼
►
No, no, no, he's not the text files guy.
00:37:03
◼
►
It's a great club.
00:37:04
◼
►
I was there for the, I was there with Matt Howey for the release of Mozilla 1.0.
00:37:08
◼
►
He's, he's the guy though, Jamie Z is the guy whose gravestone will have the quote, something...
00:37:14
◼
►
Oh, regular expressions, right?
00:37:16
◼
►
Regular expressions, where there are some people when faced with a particular problem,
00:37:20
◼
►
will say, "I know what to do, I'll use regular expressions."
00:37:24
◼
►
Now you have two problems.
00:37:25
◼
►
Now you have two problems.
00:37:26
◼
►
Now you have two problems.
00:37:28
◼
►
It'll be it.
00:37:29
◼
►
You should, you should do that.
00:37:30
◼
►
Would you call it Daring Fireball?
00:37:32
◼
►
Would Amy, would Amy Jane be involved at all?
00:37:34
◼
►
Oh, of course.
00:37:35
◼
►
She probably, she really wouldn't go near it.
00:37:37
◼
►
She could just be in, she could be the hostess.
00:37:39
◼
►
Like, no, no, no, but like a hostess as in like, you know, like Tandy Newton again in
00:37:46
◼
►
She could be dressed up in some kind of like Diamond Horseshoe Revue outfit.
00:37:50
◼
►
And entertain people in the lounge.
00:37:52
◼
►
Hello, gentlemen!
00:37:53
◼
►
Yeah, she'd be the, she'd run the front of the house and then anybody.
00:37:55
◼
►
Oh, that's so good.
00:37:56
◼
►
Makes sure every regular always gets in and...
00:37:59
◼
►
But don't, do not cross her.
00:38:00
◼
►
She is a leader.
00:38:01
◼
►
Do not cross her, right.
00:38:02
◼
►
And then if you're on her good side, you could come in without a reservation, even, you know,
00:38:06
◼
►
Saturday night you come in without a reservation.
00:38:08
◼
►
But if she knows you, she would spot you at the door.
00:38:11
◼
►
You wouldn't even have to, before you could even awkwardly ask, "Hey..."
00:38:15
◼
►
Oh, she knows.
00:38:16
◼
►
"Hey, I'm a regular, I know I don't have a reservation."
00:38:19
◼
►
She'd already...
00:38:20
◼
►
And you could have an area where you store jackets that fit the regulars.
00:38:24
◼
►
So they could come in from, not golf, that's bullshit, let's say they were out playing
00:38:27
◼
►
cornhole and they decided they really wanted a tasty dairy fireball filet or a baseball
00:38:33
◼
►
I've seen you eat a baseball steak.
00:38:36
◼
►
What did you get that one time we went out with Rands?
00:38:38
◼
►
You got something asinine.
00:38:39
◼
►
Was it Wagyu or Kobe?
00:38:41
◼
►
You got something that was very, very weird.
00:38:47
◼
►
Where was it?
00:38:48
◼
►
Did you get like the rarest of the rare?
00:38:49
◼
►
Yeah, I got the...
00:38:50
◼
►
I don't know if it was actually Kobe, but it was definitely Japanese A5.
00:38:56
◼
►
Which is really what you want.
00:38:59
◼
►
The word Kobe, if it literally is Kobe certified, that's good.
00:39:03
◼
►
But it's not magic, it's just a word that people know.
00:39:06
◼
►
And it actually isn't...
00:39:08
◼
►
It should have a serial number.
00:39:09
◼
►
I watch a lot of teppanyaki and steak videos because I'm broken inside and I know all about
00:39:13
◼
►
the serial numbers.
00:39:14
◼
►
I'm on the show you.
00:39:16
◼
►
They put the...
00:39:17
◼
►
There's actually a certificate with like a hoof print.
00:39:19
◼
►
I swear to God.
00:39:20
◼
►
I've gotten it.
00:39:21
◼
►
I've already gotten the certificate.
00:39:22
◼
►
With much respect, sir.
00:39:23
◼
►
You are about to eat a steer with a, how you say, master's degree.
00:39:29
◼
►
I actually don't like it because the hoof print sort of puts a...
00:39:34
◼
►
It brings out the...
00:39:35
◼
►
Fool on the nose.
00:39:36
◼
►
Oh no, that's what it is.
00:39:38
◼
►
It's a nose print.
00:39:39
◼
►
That's what it...
00:39:40
◼
►
Because the hoof...
00:39:41
◼
►
Yeah, it is the nose print.
00:39:42
◼
►
You could call it on the nose.
00:39:43
◼
►
It's a Daring Fireball joint.
00:39:45
◼
►
But would you have a drink special is my question for you.
00:39:47
◼
►
Now I know you like your fella with...
00:39:49
◼
►
What do you have?
00:39:50
◼
►
Coins in the bar?
00:39:51
◼
►
Who's that guy?
00:39:52
◼
►
What's that guy?
00:39:53
◼
►
What's that called?
00:39:55
◼
►
Hopsing Laundromat and his name is...
00:39:56
◼
►
Hopsing Laundromat.
00:39:57
◼
►
Now would you have a drink special at Club Daring Fireball?
00:39:58
◼
►
Oh, absolutely.
00:39:59
◼
►
I would definitely pay Lee to make at least, let's say, three drinks, two or three cocktails.
00:40:06
◼
►
One brown, one white, and one whatever Lee wants to make.
00:40:10
◼
►
Actually, he wouldn't let me tell him that.
00:40:12
◼
►
Just cut the guy loose and can I just say, I don't want to give you notes on your place.
00:40:16
◼
►
This is your passion project.
00:40:17
◼
►
But could we also do a thing where the bartender doesn't explain the drink to me?
00:40:20
◼
►
Oh, absolutely.
00:40:21
◼
►
That would be forbidden.
00:40:22
◼
►
It's like I need a hand signal for Lyft drivers.
00:40:24
◼
►
Like, look, seriously, we really don't need to have a conversation here, especially about
00:40:27
◼
►
black people.
00:40:28
◼
►
But also when I go to your bar, please don't explain how you make the ice.
00:40:31
◼
►
And like it's so important to me that we not have a conversation.
00:40:35
◼
►
Absolutely not.
00:40:36
◼
►
Although on the flip side of that, now you and my...
00:40:40
◼
►
We've eaten here many times to the House of Prime Rib in San Francisco, which is a fabulous
00:40:44
◼
►
And it's sort of the canonical ideal of a steakhouse in some ways.
00:40:50
◼
►
But I remember one of the first times I was there with you and we had to wait a little
00:40:56
◼
►
bit for a table.
00:40:57
◼
►
So I went to the bar to get a martini and I was told...
00:41:01
◼
►
I tend to go vodka martini.
00:41:06
◼
►
But I was told here at this establishment, you should definitely go more traditional,
00:41:10
◼
►
get a martini made with gin.
00:41:12
◼
►
And avoiding the whole argument...
00:41:13
◼
►
Get a Boodles or similar.
00:41:16
◼
►
Avoid avoiding the whole religious argument that a true martini is only made with gin
00:41:20
◼
►
and a vodka martini isn't even a martini, which I don't believe...
00:41:23
◼
►
Yeah, I mean, saying vodka martini is like saying shrimp swimming pool.
00:41:28
◼
►
That's not even a thing.
00:41:29
◼
►
But whatever.
00:41:30
◼
►
But you enjoy it.
00:41:31
◼
►
You can order a Vesper.
00:41:32
◼
►
I'll give it to you in a literal, like a pint glass with a lid that's actually two and a
00:41:38
◼
►
half drinks.
00:41:40
◼
►
Well, and also their martini glasses are my favorite in the world.
00:41:44
◼
►
I don't know if they have like 10,000 of them still in storage.
00:41:48
◼
►
Like how do they keep procuring them?
00:41:50
◼
►
But you know exactly what I'm talking about where the stem is articulated.
00:41:56
◼
►
It has like...
00:41:57
◼
►
It's like an octagon shape instead of just being purely circular.
00:42:02
◼
►
You're going to want that true grip system after you've had a couple of those.
00:42:07
◼
►
It's the true grip system.
00:42:08
◼
►
But I remember the first time I was there and you or Scott or somebody had told me...
00:42:13
◼
►
Probably Simpson, yeah.
00:42:14
◼
►
...told me, "Don't get a vodka martini.
00:42:17
◼
►
Get it with gin in."
00:42:18
◼
►
And I said, "I would like a martini."
00:42:19
◼
►
And he was like, "What type of gin would you like?"
00:42:20
◼
►
And I don't even know what I told him.
00:42:22
◼
►
I said, "Maybe let's just say..."
00:42:24
◼
►
I said, "What's that one that's made with cucumber?"
00:42:26
◼
►
I forget what it is.
00:42:27
◼
►
I'm not sure.
00:42:28
◼
►
I don't know that much about it.
00:42:30
◼
►
I don't know.
00:42:31
◼
►
I get Hendrix or a Boodles.
00:42:33
◼
►
Oh, Hendrix.
00:42:34
◼
►
But I think I said something else.
00:42:35
◼
►
And he goes, "Oh, so you want a bad martini?"
00:42:39
◼
►
And I said, "How about this?
00:42:41
◼
►
How about you pick?"
00:42:42
◼
►
And he goes, "I like your style."
00:42:44
◼
►
And then, you know, I don't even know what the hell he gave me.
00:42:46
◼
►
It's the smartest thing you can say.
00:42:48
◼
►
I don't care if we're talking about tacos, hand stuff, or martinis.
00:42:54
◼
►
Just do the one you like.
00:42:56
◼
►
And you will always mostly be happy.
00:42:59
◼
►
That place is amazing.
00:43:01
◼
►
It's just...
00:43:02
◼
►
They were open a little bit for pickup during the pandemic, but I believe they are.
00:43:09
◼
►
My wife knows how much I love that place, and it's kind of a special thing for us, our
00:43:12
◼
►
family, too.
00:43:13
◼
►
But they were booked...
00:43:14
◼
►
At the time, she was trying to get a reservation for my late November birthday, which was probably
00:43:19
◼
►
They were, I think, booked through the end of the year.
00:43:22
◼
►
That's crazy.
00:43:23
◼
►
But that's great to know that they're thriving.
00:43:24
◼
►
Well, can I tell you a very quick side story?
00:43:28
◼
►
Oh, of course.
00:43:29
◼
►
It's super quick.
00:43:31
◼
►
And then I want to hear about something you like.
00:43:34
◼
►
But House of Prime Rib is this place.
00:43:37
◼
►
Some people would call it touristy, but it's just really fun, old school.
00:43:42
◼
►
Their menu is comical.
00:43:44
◼
►
The menu is basically how big a piece of prime rib do you want, and do you want corn or spinach.
00:43:50
◼
►
And then they just bring you stuff, and they make a salad, and they spin it around, and
00:43:52
◼
►
we all clap like we're at the fucking Olive Garden.
00:43:55
◼
►
Anyway, that place is always so booked, and everybody loves House of Prime Rib.
00:44:00
◼
►
There's a place, let's just say, in my neighborhood.
00:44:05
◼
►
It's technically considered a pop-up.
00:44:07
◼
►
But I think you're really stretching the definition of a pop-up.
00:44:10
◼
►
My wife says a pop-up can be a place that's normally a restaurant, and it's just not there
00:44:15
◼
►
permanently.
00:44:16
◼
►
Three days a week, there's a place that opened not too far from here.
00:44:20
◼
►
On Thursday, Friday and Saturday night, they basically do a House of Prime Rib style dinner.
00:44:28
◼
►
They have only medium rare, they have only these sides, they have these ones, but you
00:44:32
◼
►
show up, and for about a third of the price of House of Prime Rib, you get a roughly equivalent
00:44:38
◼
►
Sunset District version of House of Prime Rib.
00:44:42
◼
►
And it is the best.
00:44:43
◼
►
Isn't that smart, though?
00:44:45
◼
►
It's like there's that place in Chinatown called House of Nanking, which is a really
00:44:48
◼
►
famous touristy Chinese place.
00:44:50
◼
►
And the place is so popular that a place opened next to them that basically has the exact
00:44:55
◼
►
same terrible-looking sign.
00:44:57
◼
►
I'm saying you can benefit, and maybe you especially, with your new enterprise, maybe
00:45:02
◼
►
you get parked next to some place really popular.
00:45:05
◼
►
Or maybe not.
00:45:07
◼
►
Maybe you're so picky about your readers, maybe you're the same way about your diners.
00:45:10
◼
►
Maybe you want to vet them.
00:45:11
◼
►
Do you have a feeling about that?
00:45:14
◼
►
Do you want it to be exclusive?
00:45:15
◼
►
No, not exclusive.
00:45:17
◼
►
Yeah, exactly.
00:45:18
◼
►
Y'all are welcome here?
00:45:20
◼
►
But regulars get preference, and not because you're famous or anything like that.
00:45:27
◼
►
You're just a regular person.
00:45:28
◼
►
You're loyal.
00:45:29
◼
►
You're very loyal.
00:45:30
◼
►
And you're a good tipper.
00:45:31
◼
►
And you're a polite person.
00:45:32
◼
►
Oh, you've got to be a good tipper.
00:45:33
◼
►
People don't tip enough, John.
00:45:34
◼
►
Well, you know that's the number one way to get banned from opposing laundromat.
00:45:37
◼
►
I mean, people...
00:45:38
◼
►
Tell me more.
00:45:39
◼
►
He doesn't have... he used to have the sneaker rule.
00:45:42
◼
►
And again, that's sort of a dress code thing, right?
00:45:44
◼
►
Yeah, sure, sure, sure.
00:45:45
◼
►
But he had a thing for the first five years...
00:45:47
◼
►
But it's also a way to filter out the snorks.
00:45:49
◼
►
And it gives you a reason to say, "Hey, no golf cleats."
00:45:52
◼
►
Yeah, no sneakers.
00:45:53
◼
►
No sneakers.
00:45:54
◼
►
And I'm pals with him.
00:45:56
◼
►
And he would sometimes tell me, like, you know, there would be...
00:45:59
◼
►
I won't drop any names, but there would be, like, professional athletes from Philadelphia
00:46:03
◼
►
who would pop in late at night and were, you know, semi-regulars.
00:46:09
◼
►
There were actually... for a stretch, there were a couple of the wives of the Philadelphia
00:46:14
◼
►
Phillies who were regulars at HopSync.
00:46:19
◼
►
But there was one time where one of the players showed up at, you know, like midnight.
00:46:22
◼
►
You know, there's still two hours to go before last call, but he had sneakers and he wouldn't
00:46:26
◼
►
let them in.
00:46:27
◼
►
It was like no exceptions, even if you're, like, a Philadelphia Philly.
00:46:31
◼
►
But he got rid of that rule on the fifth anniversary and said, "Okay, you know, this is untenable."
00:46:37
◼
►
The world... he more or less admitted that sneakers are too common.
00:46:42
◼
►
And maybe, you know, like with the... they're actually sponsoring Daring Fireball this week,
00:46:45
◼
►
but like, Adams... there's sort of a...
00:46:49
◼
►
Sneaker also, it's not as easy to eyeball...
00:46:51
◼
►
Okay, so like, to paraphrase Raymond Carver, what we talk about when we talk about sneakers.
00:46:57
◼
►
I mean, what are we talking about here?
00:46:58
◼
►
Like obviously, you maybe don't want to wear your New Balance runners or your Keds, but
00:47:05
◼
►
there are a lot of comfortable shoes that are not sneakers.
00:47:08
◼
►
Like in school... see, they got around this in the manuals at my school where they would
00:47:11
◼
►
say things about hard-soled shoes or this... you know what I mean?
00:47:14
◼
►
They come up with all those kinds of things.
00:47:17
◼
►
But do you think it's harmed the place?
00:47:18
◼
►
Did the sneaker people get in now?
00:47:20
◼
►
Yeah, they get in and it's not a problem, but...
00:47:24
◼
►
But you still... like, no sandals.
00:47:26
◼
►
So if you're a man in the summertime...
00:47:28
◼
►
That should just be posted at the entrance to the United States.
00:47:33
◼
►
You wear sandals in a room of your house, I can't get to.
00:47:35
◼
►
That's the place you wear sandals.
00:47:37
◼
►
If you wear those Adidas sandals, you should probably be indicted.
00:47:40
◼
►
Nothing good has ever happened from a young man wearing Adidas shower sandals.
00:47:44
◼
►
And most famously by Mark Zuckerberg, right?
00:47:48
◼
►
That was all he wore for years and years.
00:47:51
◼
►
That tells you all you need to know.
00:47:53
◼
►
No shorts either.
00:47:54
◼
►
You cannot get into hop singing with shorts.
00:47:57
◼
►
But he's relaxed it.
00:47:58
◼
►
But he does famously, and he has a wonderful Instagram account and Twitter account where
00:48:04
◼
►
he posts this.
00:48:05
◼
►
He keeps this database in an Excel spreadsheet of every single person who has ever been to
00:48:13
◼
►
hop singing.
00:48:15
◼
►
There is no way...
00:48:17
◼
►
And people think it's pretentious.
00:48:18
◼
►
It is weird, and it sounds like it's one of those crazy, fake, speakeasy places, right?
00:48:25
◼
►
Oh, I hate those.
00:48:27
◼
►
Or one of those guys who spies on you in a motel.
00:48:28
◼
►
It's like, that's too many feet, man.
00:48:31
◼
►
So there's a...
00:48:32
◼
►
I don't know if they're still open.
00:48:34
◼
►
There was a place in San Francisco, Bourbon and Branch.
00:48:37
◼
►
Don't even...
00:48:39
◼
►
You mean with a password?
00:48:41
◼
►
What's the password?
00:48:43
◼
►
So Bourbon and Branch in San Francisco...
00:48:44
◼
►
Did we go there together?
00:48:45
◼
►
I think we might have.
00:48:46
◼
►
I think we probably have been.
00:48:47
◼
►
I know I went there with Simpson.
00:48:49
◼
►
It's like a haunted house for unfuckable men in hats.
00:48:55
◼
►
But the gimmick was, you had to knock on the door, they slide a thing open, and they go,
00:48:59
◼
►
"What's the password?"
00:49:01
◼
►
And if you don't know the password, they won't open the door.
00:49:03
◼
►
But the password is just something you can Google.
00:49:05
◼
►
I think it's library.
00:49:06
◼
►
Yeah, I don't know.
00:49:08
◼
►
But it seems like that type of place because Hapsing has a gate at the front door.
00:49:14
◼
►
And on a Friday or Saturday night, there's almost always a line of people waiting to
00:49:20
◼
►
And he'll only seat as many people as there are actual seats available.
00:49:25
◼
►
So there's no...
00:49:28
◼
►
If the demand were high enough, there is no way to get in and stand at the bar.
00:49:34
◼
►
But it's nice, though, that way because then everybody has a seat and the tables are actually
00:49:41
◼
►
Even pre-COVID, spaciously located so that you can have a conversation with the people
00:49:47
◼
►
who you're with and you can actually hear them.
00:49:50
◼
►
It's very, very nice.
00:49:52
◼
►
It's really wonderful.
00:49:53
◼
►
I would love to go there someday.
00:49:55
◼
►
But you do have to.
00:49:57
◼
►
When it's your turn to come in, everybody in the party has to hand over their driver's
00:50:04
◼
►
It's usually him, but if it's not him, it's somebody else who works there.
00:50:08
◼
►
And they take...
00:50:09
◼
►
And he holds it for you or he inspects it?
00:50:11
◼
►
No, he takes them inside.
00:50:12
◼
►
He goes inside and then uses them as...
00:50:17
◼
►
Looks you up in the database to see if you've ever been there before.
00:50:21
◼
►
And logs it.
00:50:24
◼
►
And that's how he keeps the banned list.
00:50:28
◼
►
There are people who got banned...
00:50:29
◼
►
It's like in a bodega where it says, "Don't take checks from this person."
00:50:33
◼
►
Right, exactly.
00:50:34
◼
►
Except he's got them in this Excel spreadsheet and he's posted screenshots of the spreadsheet.
00:50:41
◼
►
That's amazing.
00:50:43
◼
►
But he will...
00:50:45
◼
►
And if you leave a bad tip, he logs it and you come back.
00:50:51
◼
►
Okay, now I'm coming around to this.
00:50:53
◼
►
Okay, I see.
00:50:54
◼
►
You're checked...
00:50:55
◼
►
Maybe you tried to be a little bit of a jerk with the server or something.
00:51:00
◼
►
Oh, absolutely.
00:51:03
◼
►
If he might come over and ask you to leave now, if you're rude to the server...
00:51:07
◼
►
I love this guy.
00:51:08
◼
►
Every time you talk about this guy, he sounds so cool.
00:51:11
◼
►
Oh, that's just...
00:51:12
◼
►
He sounds like a real original.
00:51:14
◼
►
Oh, he's one of a kind, truly.
00:51:18
◼
►
It's a remarkable place, but honest to God, I think at this point, seven, eight, nine
00:51:24
◼
►
years, maybe it's getting close...
00:51:26
◼
►
Eight or nine years that he's been open.
00:51:29
◼
►
But the spreadsheet, he had that...
00:51:32
◼
►
He knew he was gonna do that from day one.
00:51:34
◼
►
The spreadsheet...
00:51:35
◼
►
He had a vision.
00:51:38
◼
►
But if you get...
00:51:39
◼
►
You run up a $35 tab and you leave $37 or something like that, then it goes on your
00:51:47
◼
►
thing and the next time you show up, he'll tell you you're not allowed in because you
00:51:52
◼
►
left a bad tip.
00:51:54
◼
►
You don't have to tip exorbitantly.
00:51:57
◼
►
You just leave your standard 18%, you'll be fine.
00:51:59
◼
►
That's A-OK.
00:52:01
◼
►
But you stiff the server with a bad tip, you'll never get in again.
00:52:06
◼
►
And there's people who show up, he tweets about it, like somebody who got banned four
00:52:10
◼
►
years ago, and they just figure, "Well, it was four years.
00:52:14
◼
►
He'll never remember me."
00:52:15
◼
►
Well, he does because he's got this spreadsheet.
00:52:17
◼
►
He's using technology.
00:52:19
◼
►
Now, it's probably really important that that always work.
00:52:24
◼
►
Don't update my Excel if it's gonna screw up my sheet because I need to know who tips
00:52:29
◼
►
The other thing, too, people love to say to him...
00:52:33
◼
►
It's usually him at the gate, but when they get mad or angry that they can't get in because
00:52:41
◼
►
Maybe it's a man wearing shorts or somebody who's on the list as a bad tipper.
00:52:47
◼
►
They'll say, "I would like to speak to the owner."
00:52:51
◼
►
You've just made his night.
00:52:54
◼
►
He's waited all day for that.
00:52:57
◼
►
Anyway, where I was going with this was in the mail today.
00:53:01
◼
►
I got the Sharper Image catalog.
00:53:04
◼
►
Have you looked at the Sharper Image lately?
00:53:06
◼
►
No, but just off the dome, I thought...
00:53:12
◼
►
The Sharper Image used to be a force of nature, especially once they started selling those
00:53:18
◼
►
air filter things.
00:53:21
◼
►
But then, I feel like they became like Yves Saint Laurent where I thought they were just
00:53:26
◼
►
licensing their name because...
00:53:27
◼
►
John, there's a whole end cap at our Walgreens that's Sharper Image stuff, which you would
00:53:32
◼
►
not have seen in, say, the '90s.
00:53:35
◼
►
They're still around.
00:53:36
◼
►
Are they still making or...
00:53:38
◼
►
They're selling actual stuff from a catalog?
00:53:41
◼
►
It's exactly the sort of stuff...
00:53:42
◼
►
Okay, I gotta look this up.
00:53:43
◼
►
I had no idea.
00:53:44
◼
►
Anyway, I flipped through it.
00:53:45
◼
►
And again, this is what drives my wife nuts with me going through because now I want to
00:53:48
◼
►
talk to somebody about it because I flipped through and one of the items about halfway
00:53:52
◼
►
through the catalog is the Bacon Express toaster.
00:53:57
◼
►
It's a $60 product.
00:54:00
◼
►
The code, if you want to look it up on their website, I don't know.
00:54:03
◼
►
It's also curious.
00:54:05
◼
►
They don't have URLs.
00:54:06
◼
►
They have numbers.
00:54:08
◼
►
It's product number 20...
00:54:09
◼
►
This looks...
00:54:11
◼
►
Yeah, the bacon, I'll put it in notes.
00:54:12
◼
►
It's 207656.
00:54:16
◼
►
It gets five stars according to the one review.
00:54:19
◼
►
It's a healthier way to cook bacon and other foods to delicious perfection.
00:54:24
◼
►
Makes up to six strips of regular...
00:54:26
◼
►
It cooks vertically, which is a whole paradigm.
00:54:30
◼
►
It converts to a nonstick griddle for pancakes.
00:54:32
◼
►
Indicator lights tell you when it's ready to cook.
00:54:36
◼
►
You think you want to get this?
00:54:37
◼
►
Maybe for a second.
00:54:38
◼
►
Oh, no, definitely not.
00:54:40
◼
►
See, I've had a lot of bad luck.
00:54:41
◼
►
We gotta talk about something else.
00:54:42
◼
►
I've had a lot of bad luck with cute breakfast things.
00:54:46
◼
►
Like I'm the sucker who's bought a lot of those, the Michael Scott In Your Life, who
00:54:52
◼
►
I've bought stuff like basically an Egg McMuffin Maker, and it makes a shitty version of every
00:54:58
◼
►
component of an Egg McMuffin.
00:55:00
◼
►
But it's cute about it.
00:55:01
◼
►
And there's some where you get rings and you build it like you work at Burger King.
00:55:04
◼
►
It's so odd.
00:55:05
◼
►
I think a bespoke breakfast maker is not generally a good idea.
00:55:13
◼
►
But it's only 60 bucks, man.
00:55:14
◼
►
You could get a few of these.
00:55:16
◼
►
But I don't want to bring anything else into the kitchen.
00:55:17
◼
►
I have a little cubby hole where I keep my...
00:55:20
◼
►
I have a nice big...
00:55:22
◼
►
I forget the name brand, but whatever Marco told me to buy, Coffee Grinder, which was
00:55:27
◼
►
way too large for our previous kitchen.
00:55:30
◼
►
And we moved like five years ago.
00:55:31
◼
►
Now we have...
00:55:32
◼
►
Well, you said like a big like freestanding burr grinder kind of thing?
00:55:35
◼
►
It's the Barraza.
00:55:36
◼
►
I forget what the hell it is.
00:55:38
◼
►
But whatever.
00:55:39
◼
►
It's whatever Marco told me to get.
00:55:40
◼
►
Well, if it's Marco, I'm sure it's four figures.
00:55:41
◼
►
But you wouldn't want to keep it out on the counter at all times.
00:55:46
◼
►
Nobody has space for that.
00:55:47
◼
►
But I have a little cubby hole and I filled it up with coffee stuff.
00:55:50
◼
►
And that's all I'm allowed to bring into the kitchen because the rest of it is up...
00:55:55
◼
►
You know, it's Amy's area.
00:55:56
◼
►
You know, in the same way that she's not going to buy stuff to put into my office, right?
00:56:00
◼
►
She's not going to buy like...
00:56:02
◼
►
I don't go where you work and slap the iPhone out of your mouth.
00:56:06
◼
►
Or she's not going to pick a new laser printer and just say, "Oh, I bought a printer."
00:56:11
◼
►
We have words.
00:56:12
◼
►
I don't like to be like this, but I am the COO of CTO things.
00:56:17
◼
►
And if something is brought into the house in that instance without my input, don't even
00:56:25
◼
►
get me started on the pre-lit Christmas tree we bought five years ago.
00:56:31
◼
►
You know what?
00:56:32
◼
►
I'm telling you what to talk about.
00:56:34
◼
►
I'm going to learn about Sharper Image.
00:56:35
◼
►
Did you want to tell me about anything else you like?
00:56:39
◼
►
Let's take a break here and talk about our friends @MacWeldon.
00:56:41
◼
►
I'm not going to lie to you, Merlin.
00:56:44
◼
►
I jiggered the schedule.
00:56:45
◼
►
It's that time of year.
00:56:46
◼
►
It's that time of year.
00:56:47
◼
►
I rejiggered the schedule to get this into the episode with you because I know you got
00:56:52
◼
►
strong feelings about it.
00:56:53
◼
►
Look, the holiday season is here and with it come the yearly questions of what do I
00:56:57
◼
►
wear to non-ugly sweater parties?
00:57:00
◼
►
How do I maximize my time savoring holiday moments and minimize my time shopping for
00:57:06
◼
►
Look, fear not.
00:57:07
◼
►
Go to @MacWeldon.
00:57:08
◼
►
M-A-C-K W-E-L-D-O-N.
00:57:11
◼
►
They have all the answers, whether it's an office party, a party with family or friends,
00:57:14
◼
►
or just a party of you, your couch, and a game on TV.
00:57:18
◼
►
Oh, I love the football.
00:57:19
◼
►
Mac Weldon has all the essentials to keep you stylish and comfortable throughout the
00:57:23
◼
►
season and their innovative daily wear system has taken the hard work out of outfit planning
00:57:28
◼
►
with pieces designed to work together for any occasion, saving you time, sparing you
00:57:33
◼
►
any extra holiday stress.
00:57:35
◼
►
Man, I love their stuff.
00:57:37
◼
►
They've got these, uh, I'm not a sweat pant guy, but Syracuse had talked me into it last
00:57:43
◼
►
The Ace sweat pants.
00:57:45
◼
►
Ace is a good pant.
00:57:46
◼
►
That's a very good pant.
00:57:47
◼
►
You know what?
00:57:48
◼
►
And modern sweat pants, they don't really have that old, uh, 80s.
00:57:51
◼
►
Can I literally beg you now to get started on this?
00:57:53
◼
►
Because this is the bane of my existence.
00:57:56
◼
►
Listen, I'm a loud and proud man with a short rise.
00:57:59
◼
►
You would not believe what I have to go through to get accommodating pants for my rise.
00:58:03
◼
►
No matter what you do, I get joke pants.
00:58:06
◼
►
I get pants that are too high, too long, and because I guess I'm a joke-sized man, which
00:58:12
◼
►
is fine, but if you find a sweat pant that you love, you put a ring on it.
00:58:17
◼
►
And the slippers, the shirts, the underpants.
00:58:21
◼
►
Like I'm big on their shirts.
00:58:23
◼
►
That's my big thing.
00:58:24
◼
►
But also, they probably don't even have them in stock because you've destroyed the slipper
00:58:29
◼
►
My friend Alex now calls the first time that they wear Macklemore slippers in a given year
00:58:34
◼
►
because it's cold, slippy season.
00:58:36
◼
►
Time for slippies.
00:58:37
◼
►
Yeah, you did that.
00:58:38
◼
►
You did that.
00:58:39
◼
►
I'm telling you, the slippers are insane.
00:58:42
◼
►
And I texted you, this is when we first scheduled this show a couple weeks ago, what I did is,
00:58:47
◼
►
you know, we've had, you know, chalk it up to probably half climate change and half just
00:58:51
◼
►
a fluke, but we had a sort of unseasonably warm October here in Philadelphia.
00:58:59
◼
►
Slipper season started late for me this year.
00:59:01
◼
►
When I went to the slippers, I opened up a new pair.
00:59:07
◼
►
That's the thing.
00:59:08
◼
►
You know you love it when you got one in the chamber.
00:59:09
◼
►
You know what I mean?
00:59:11
◼
►
You know, I've always got one now because they sell, the last time we talked about it
00:59:16
◼
►
on the show, they sold out for weeks.
00:59:19
◼
►
You bury the needle.
00:59:20
◼
►
You, yes, you brought the whole company down.
00:59:22
◼
►
And then all I heard for months is, "Where do I get the slippies?"
00:59:24
◼
►
Where do we get the slippers?
00:59:26
◼
►
I can't help you, you know?
00:59:28
◼
►
But you know, you could go try the Pima long sleeve t-shirt that I have all of.
00:59:31
◼
►
I have all of them.
00:59:33
◼
►
You know what also is great?
00:59:34
◼
►
They're white, just, this sounds crazy, but they build their clothes.
00:59:38
◼
►
I don't know if they're cantilevered.
00:59:39
◼
►
I'm not an engineer, John.
00:59:40
◼
►
But the way they make their clothes is different.
00:59:43
◼
►
You get their white undershirts, you tuck them in, they stay tucked in.
00:59:47
◼
►
I know, right.
00:59:48
◼
►
But they're not cute about it.
00:59:50
◼
►
It's just normal clothes.
00:59:51
◼
►
But I've been, you know, I'm 48 years old.
00:59:55
◼
►
I've been wearing undershirts, you know, my whole life.
00:59:57
◼
►
Undershirts are, they tend to, you know, you can tell when an undershirt is a couple of
01:00:02
◼
►
years old and it's time to turn it into a rag, right?
01:00:06
◼
►
You know, use it to...
01:00:07
◼
►
Yeah, when the pits get yellow and waxy.
01:00:09
◼
►
Yeah, and it loses its shape, you know what I mean?
01:00:11
◼
►
Yeah, yeah, yeah, yeah.
01:00:12
◼
►
It's all watered up all the time.
01:00:15
◼
►
I switched to Mack Weldon white undershirts years ago, and I've never had to rebuy them
01:00:21
◼
►
because they all still look brand new.
01:00:24
◼
►
I can't tell how old they are, right?
01:00:26
◼
►
They still look like the day they were, you know, and you know, I'm hard on an undershirt.
01:00:31
◼
►
You know, I wear them to...
01:00:33
◼
►
Yeah, well, you go to a steakhouse and you work up a good meat sweat, you know.
01:00:36
◼
►
That's true, that's true.
01:00:37
◼
►
Or like, yeah, screenshotting some tabs.
01:00:39
◼
►
That's the kind of thing that's really going to put a hurtin' on a Hanes.
01:00:41
◼
►
Sorry, sorry, no, no, no, no shade, no lemonade.
01:00:44
◼
►
Cut that, cut that, cut that.
01:00:45
◼
►
No disrespect to the fine folks at Hanes.
01:00:48
◼
►
No, no, no, no, no, no.
01:00:49
◼
►
Whatever fruit is coming out of your loom, you do you.
01:00:52
◼
►
I'm here to tell you, when you're ready to grow up and you don't have to dress like a
01:00:55
◼
►
grown up, but you get to feel like a grown up because you're going to get clothes that
01:00:58
◼
►
fit, they're extremely well made, they got cool ass zippers in them, and the stuff, it
01:01:03
◼
►
really, really works.
01:01:05
◼
►
I like their socks, I like it all.
01:01:06
◼
►
Like I say, I'm a shirt man.
01:01:07
◼
►
I just, in the sense that I've, you know, my welding blue is pretty fat right now, let's
01:01:12
◼
►
just put it that way.
01:01:14
◼
►
But their shirts are the perfect weight for how and where I live.
01:01:20
◼
►
I don't feel like some kind of disused lumberjack, nor do I feel like somebody who forgot their
01:01:26
◼
►
jacket on the first day of third grade.
01:01:28
◼
►
I'm totally comfortable, and I can pass as an adult when I go into places, which is kind
01:01:33
◼
►
of the whole idea.
01:01:34
◼
►
I could wear it to your steakhouse probably.
01:01:36
◼
►
Can I go into your steakhouse in a Mack Weldon shirt?
01:01:38
◼
►
Would that be good?
01:01:39
◼
►
Oh, absolutely.
01:01:40
◼
►
Yeah, that's what we'd have a box of Mack Weldons all sealed.
01:01:43
◼
►
Also, by the way, when you buy the new stuff, they come in the nicest packaging you've ever
01:01:48
◼
►
But it's not obtrusive.
01:01:49
◼
►
It's not over much with the packaging.
01:01:51
◼
►
Also, most clothes, I buy new clothes, I generally wash before I wear them the first time.
01:01:58
◼
►
Mack Weldon stuff, it smells like freshly cleaned.
01:02:01
◼
►
You know, the comedian Jerry Lewis was an unusual guy, and he had one aspect of his
01:02:07
◼
►
life, well, there's a lot of aspects of his life to which I do not aspire, you know, having
01:02:12
◼
►
a loaded gun in the bathroom and getting addicted to drugs and stuff.
01:02:16
◼
►
Read The King of Comedy by Sean Levy, it's a very good biography.
01:02:20
◼
►
But you know what I do love?
01:02:22
◼
►
Jerry Lewis, he showed up somewhere to do a gig.
01:02:24
◼
►
You know what's in his rider?
01:02:26
◼
►
Fresh pair of socks.
01:02:27
◼
►
Jerry Lewis, as a grown man, never wore the same pair of socks twice.
01:02:31
◼
►
Now, I understand this a little bit wasteful, and like you should, you know, we give one
01:02:36
◼
►
to, you know.
01:02:37
◼
►
But like, if I could just have just sort of like maybe, well, they wouldn't say this,
01:02:43
◼
►
but like an American Psycho closet.
01:02:45
◼
►
If I had a closet that was just piles and piles and piles of Mack Weldon clothes and
01:02:49
◼
►
bags, I wouldn't get one every time because they last for years.
01:02:51
◼
►
That's the value proposition.
01:02:53
◼
►
But like Nietzsche said, you know, it's a consolation to know that it's there.
01:02:56
◼
►
I can rip into a new white t-shirt anytime, and that would, I would really feel like I've
01:03:03
◼
►
You get a steakhouse, I get a pile of shirts.
01:03:04
◼
►
Anyway, they've got these gift sets for the holidays, and it's, they're fantastic.
01:03:09
◼
►
What a concept.
01:03:10
◼
►
One gift, it holds many gifts inside.
01:03:12
◼
►
You can just go there, get somebody on your shopping list, one of their gift sets.
01:03:17
◼
►
All you need to know is their size, and they get a box full of all sorts of cool stuff
01:03:21
◼
►
for the holidays.
01:03:22
◼
►
It's a great gift idea.
01:03:23
◼
►
Plenty of time right now in early December.
01:03:26
◼
►
You could still do it with limited edition color drops and a bevy of new releases.
01:03:30
◼
►
The holiday gift sets are truly a perfect present for any guy on your list.
01:03:34
◼
►
That's why Mack Weldon is one of my favorites.
01:03:37
◼
►
And here's what you get.
01:03:38
◼
►
You get 20% off your first order just by using this URL, mackweldon.com/the-talk-show.
01:03:46
◼
►
They get it.
01:03:48
◼
►
They got the...
01:03:49
◼
►
Classy, man.
01:03:51
◼
►
Enter that same, the code is the same thing.
01:03:52
◼
►
The talk show, all one word.
01:03:54
◼
►
Just take out the spaces, and you get 20% off your first order.
01:03:58
◼
►
My thanks to Mack Weldon for dressing me and being, you know, I think that maybe that would
01:04:05
◼
►
be the dress code.
01:04:07
◼
►
Maybe we get them to sponsor the steakhouse, and then you almost...
01:04:10
◼
►
You have to be wearing Mack Weldon to get in.
01:04:12
◼
►
I'd say it would be a reason for them to really step up their game on the production of slippers.
01:04:17
◼
►
If they knew everybody at the well-regarded Daring Fireball Steakhouse was going to be
01:04:21
◼
►
wearing their slippies while they enjoy their baseball Kobe.
01:04:23
◼
►
Thank you, Mack Weldon.
01:04:26
◼
►
I don't have to think about it, John.
01:04:28
◼
►
It's a very, like, Steve Jobs, Marco, Elizabeth Holmes kind of thing.
01:04:32
◼
►
I just don't want to think about clothes.
01:04:33
◼
►
I'm only thinking about anything.
01:04:36
◼
►
I know I grab one of these shirts and I'm going to be happy.
01:04:38
◼
►
I don't, you know, and it's like the Steve Jobs thing where he had the exact same sweater,
01:04:44
◼
►
the turtleneck thing.
01:04:46
◼
►
You kind of have to be a little more self-confident than I am to just say, "I'm going to just
01:04:54
◼
►
literally wear the exact same thing every goddamn day, including in public appearances."
01:05:00
◼
►
You know, what's-his-name did the same thing.
01:05:02
◼
►
Einstein had a favorite blue sweater and then he supposed--I don't know, this could be one
01:05:07
◼
►
of the--you know, with Steve Jobs we know it's true, but--
01:05:09
◼
►
And I think they're pretty good.
01:05:11
◼
►
Didn't we find out that they're from Japan and fairly costly?
01:05:13
◼
►
Yeah, yeah, they're very expensive.
01:05:15
◼
►
I don't think those are H&M sweaters.
01:05:18
◼
►
No, no, there was some famous Japanese designer and he was like, "I like this."
01:05:23
◼
►
And he was like, "I think maybe I'll just wear this every day."
01:05:25
◼
►
And then he called them up and he was like, "I would like to buy all of your sweater,
01:05:29
◼
►
you know, whatever."
01:05:30
◼
►
And they're like, "No, how many do you want?"
01:05:31
◼
►
And he's like, "I want them all."
01:05:33
◼
►
But Einstein apparently did the same thing with a blue sweater.
01:05:36
◼
►
But you couldn't--with California, you could wear that.
01:05:39
◼
►
Not everybody can pull that off.
01:05:41
◼
►
I have a project I'm working on called The Wisdom Project where I add bullet points about
01:05:44
◼
►
things I've learned in life, and one of them is to generally avoid clothing that's more
01:05:47
◼
►
interesting than you are.
01:05:49
◼
►
And I think that also goes for just overall wardrobe, Weltinschong.
01:05:52
◼
►
Be careful that you're not being too cute.
01:05:54
◼
►
You know, you might look more like a clown than you realize.
01:05:56
◼
►
But that's why with the Mack Weldon stuff, like these Warm Net shirts are--again, call
01:06:02
◼
►
the sponsor read over.
01:06:04
◼
►
I'm just telling you, I don't know how they make it because it's t-shirt thickness, but
01:06:10
◼
►
somehow because it's like a waffle knit, it's warmer than some of my actual sweaters that
01:06:18
◼
►
And it fits better than most of my clothes.
01:06:19
◼
►
Like, I tend to buy oversized clothes because, like I say, I don't like being aware of my
01:06:23
◼
►
physical existence.
01:06:25
◼
►
I mean, I have to deal with that with bathrooms to begin with.
01:06:28
◼
►
But as far as my clothes, no thank you.
01:06:30
◼
►
But for some reason, they're t-shirts.
01:06:33
◼
►
This is probably enough.
01:06:34
◼
►
Mack Weldon, you guys.
01:06:36
◼
►
The talk show.
01:06:38
◼
►
Before we move, though, I want to go back to the steakhouse thing.
01:06:43
◼
►
I want to go back.
01:06:44
◼
►
I'm serving your pleasure, Jon.
01:06:46
◼
►
Here's the point.
01:06:47
◼
►
My point is--and A, if I were sufficiently wealthy, I'd love to open a one-of-a-kind
01:06:53
◼
►
steakhouse here in Philadelphia.
01:06:56
◼
►
I don't want to have his chain.
01:06:57
◼
►
You know, I don't want--no, I don't need the hassle.
01:06:59
◼
►
I'm not in it for the money.
01:07:00
◼
►
I would like one place.
01:07:03
◼
►
But the other thing--and I've toyed with this.
01:07:07
◼
►
I won't do it, but I feel like I could do it, is to write like a sort of a book about
01:07:12
◼
►
steakhouses and/or like a website like a Zagat's, but instead of for all restaurants, literally
01:07:21
◼
►
only for steakhouses.
01:07:23
◼
►
And I guess--so not the typical sort of trip, but maybe along the lines of--what is it,
01:07:29
◼
►
I got two first names, Rick Steves?
01:07:31
◼
►
But like one of those like you do like a survey or--I imagine the kind of thing Kenji Lopez
01:07:36
◼
►
Alt could do.
01:07:37
◼
►
Oh, well, he's way too talented.
01:07:38
◼
►
But you don't have like an insider view of something you care a lot about.
01:07:43
◼
►
And like it's not something cute like wine.
01:07:47
◼
►
It's stuff where like you can even talk about the overall--because this is--I mean, the
01:07:50
◼
►
jokes are left around, Jon.
01:07:52
◼
►
You care a lot about stuff that not everybody cares about, and I happen to share that.
01:07:55
◼
►
It's one thing--one of the very few things I admire about you is the fact that you do
01:07:59
◼
►
care about whether that's Ariel or Helvetica.
01:08:02
◼
►
Or whatever that's going to be.
01:08:04
◼
►
And I think that's cool about you is that you do have an internal barometer for whether
01:08:09
◼
►
something is classy or whether something is tasteful.
01:08:14
◼
►
And I think people who have strong opinions about that and can explain why that is, not
01:08:19
◼
►
just go like, "I heard the 2018 Beaujolais is really quite toothsome."
01:08:24
◼
►
Instead, like, you could actually talk about it in words that people understand.
01:08:27
◼
►
You can explain why you didn't like that tab look.
01:08:29
◼
►
And I think you could do that.
01:08:31
◼
►
It doesn't have to be a coffee table book, but it probably shouldn't be an e-book.
01:08:33
◼
►
I think you should get an actual book.
01:08:35
◼
►
But you're right, though.
01:08:36
◼
►
But that's the way my mind works, where I could never write a book about all of typography.
01:08:43
◼
►
I don't have the eye for it.
01:08:44
◼
►
But I could write about like a certain style of typography.
01:08:48
◼
►
Like I have a type, to put it one way.
01:08:52
◼
►
Like, they're like...
01:08:54
◼
►
Or you could certainly do like humanist grotesque.
01:08:55
◼
►
Like, that could be...
01:08:58
◼
►
Like, isn't that kind of a whole thing for you?
01:08:59
◼
►
I would be...
01:09:00
◼
►
What's the Paris airport one?
01:09:01
◼
►
What's the Paris airport one that I love?
01:09:03
◼
►
Oh, Frutiger.
01:09:04
◼
►
Yeah, right.
01:09:05
◼
►
Adrian Frutiger, right?
01:09:06
◼
►
Right, right.
01:09:07
◼
►
His name in namesake typeface.
01:09:09
◼
►
And it is...
01:09:10
◼
►
That is an amazing...
01:09:11
◼
►
Designed to be, I believe, De Gaulle airport.
01:09:15
◼
►
And it is...
01:09:16
◼
►
Truly an extraordinary film.
01:09:17
◼
►
It does certain things.
01:09:18
◼
►
Like, it has those L's, lowercase L's with a little squiggle, which I don't generally
01:09:23
◼
►
like, but is terrific for signage so that there's no confusion whatsoever that it's
01:09:28
◼
►
a lowercase L.
01:09:29
◼
►
There's a YouTube guy that I enjoy.
01:09:30
◼
►
A guy from, I want to say probably Australia, that does a lot of stuff about typography.
01:09:34
◼
►
And he just did a wonderful thing.
01:09:36
◼
►
He actually contributed to Atkinson Hyperlegible, which is such an interesting face.
01:09:42
◼
►
If you haven't checked into it, it's really, really cool for that reason.
01:09:45
◼
►
But in his videos, he shows you, like, hey, for somebody who has this particular specific...
01:09:51
◼
►
Like, don't just wave your hand and go, "I hope people who are blind can figure this
01:09:57
◼
►
If you have...
01:09:58
◼
►
What's the Don Knotts one that I don't ever want to have?
01:10:00
◼
►
The one with the middle of your eye?
01:10:01
◼
►
Oh, macular degeneration.
01:10:02
◼
►
Yeah, macular degeneration.
01:10:03
◼
►
Like, greatest fear in life.
01:10:05
◼
►
Like, this is what your sign looks like to someone with macular degeneration.
01:10:08
◼
►
For somebody with dyslexia, this is...
01:10:09
◼
►
And that's why we put a tail on the L. Because this is not about being clever.
01:10:13
◼
►
This is about making people hit their plane on time.
01:10:18
◼
►
You could do that.
01:10:19
◼
►
You should do that.
01:10:20
◼
►
That'd be a good project for you when you retire.
01:10:21
◼
►
The type one or the steakhouse one?
01:10:23
◼
►
Well, I think both.
01:10:24
◼
►
I mean, you could have an office there, I'm thinking.
01:10:25
◼
►
Or both, right.
01:10:26
◼
►
Yeah, you could have an incubator.
01:10:27
◼
►
Here's the thing.
01:10:28
◼
►
So, I am completely unsuited to reviewing restaurants in general.
01:10:34
◼
►
Now, you can...
01:10:36
◼
►
Let's say I went to visit you and you said, "Hey, there's..."
01:10:38
◼
►
But you know what you like, but that wouldn't be your wheelhouse.
01:10:41
◼
►
So, it's not like everywhere I want to go, I always want to go to a steakhouse.
01:10:45
◼
►
I'm up for anything.
01:10:46
◼
►
I'll go to any Korean barbecue.
01:10:48
◼
►
I'll go to an Italian place.
01:10:50
◼
►
I'll go wherever you want.
01:10:51
◼
►
I'll go and I'll be a good spirit and try to pick something I enjoy from it.
01:10:55
◼
►
But I would never think...
01:10:56
◼
►
I could tell you afterwards whether I enjoyed my dish, whether I enjoyed the service, but
01:11:01
◼
►
I would never think I could review the place.
01:11:04
◼
►
Because I don't have a...
01:11:05
◼
►
I can tell that I don't have an acute sense of what is good or bad or what's wrong about
01:11:13
◼
►
But I could definitely...
01:11:14
◼
►
I can go to a steakhouse and have a meal at a steakhouse and I can tell you every single
01:11:18
◼
►
thing that was good about it and exactly where they screwed up and what's wrong with the
01:11:24
◼
►
Yeah, I think I know what you mean.
01:11:26
◼
►
Where it's like...
01:11:27
◼
►
There's certain kinds of things where like...
01:11:28
◼
►
And it's one problem with...
01:11:30
◼
►
I mean, I love TV and movies and I love talking about it and I love suggesting things to my
01:11:35
◼
►
friends and it's practically an obsession.
01:11:37
◼
►
My friends make fun of me because I'm constantly like, "You've got to watch What We Do in the
01:11:41
◼
►
Shadows or you've got to watch Yellow Jackets or whatever."
01:11:45
◼
►
And in some cases, if it's somebody who has a similar taste and sensibility, I can very
01:11:48
◼
►
much explain why.
01:11:49
◼
►
And I feel like I've even gotten better at explaining it without spoilers.
01:11:53
◼
►
So I mean, frequently I'll find myself saying things like, "Well, I know you like Synecdoche,
01:11:58
◼
►
New York, and I know you like Edgar Wright, so you might want to check this out."
01:12:02
◼
►
And that's all I'm going to say about that.
01:12:04
◼
►
If you trust...
01:12:05
◼
►
Not like me or my taste, but if you trust that we have enough similarity that you'll
01:12:10
◼
►
take a flyer...
01:12:11
◼
►
It was like, "That was me in The Leftovers with Syracuse," where he was like, "This show's
01:12:16
◼
►
really weird.
01:12:17
◼
►
You're probably going to hate it."
01:12:18
◼
►
And now it just recently surpassed The Wire as my favorite TV show.
01:12:23
◼
►
But when I'm on something like The Incomparable, I feel like such an idiot because I end up
01:12:27
◼
►
saying, "I like Doctor Who," or whatever.
01:12:29
◼
►
I can't break it down in a way that makes any sense in a way that an actual critic could.
01:12:34
◼
►
Like David...
01:12:35
◼
►
I mean, oh, God, David from Blank Check does movie reviews for The Atlantic.
01:12:41
◼
►
He's like the king of the one-line letterboxed review.
01:12:45
◼
►
He's so good at in eight words encompassing everything about how he feels about this movie
01:12:51
◼
►
in a way that will help you understand whether it's something you want to check out.
01:12:56
◼
►
And not everybody has that.
01:12:58
◼
►
If I talked about that, I would just sound like a dope.
01:13:01
◼
►
It's like, "I like when he time travels," or whatever.
01:13:05
◼
►
I used to feel that way about my affinity for steakhouses because what could be more
01:13:09
◼
►
basic than saying, "I like a big piece of hot..."
01:13:13
◼
►
I like large portions.
01:13:14
◼
►
"Large portions of steak with mashed potatoes and..."
01:13:17
◼
►
Golden Corral, A minus.
01:13:20
◼
►
But not to spend too much more time on it, but my basic rules...
01:13:26
◼
►
There is a difference between a place that happens to have steak on the menu and a steakhouse.
01:13:30
◼
►
A steakhouse is a thing.
01:13:33
◼
►
Part of the things are, number one, a steakhouse absolutely, positively must be able to make
01:13:38
◼
►
a great martini.
01:13:40
◼
►
It's table steaks.
01:13:42
◼
►
You don't have to say...
01:13:43
◼
►
You don't have to tell them not to put too much vermouth in or anything.
01:13:46
◼
►
You just tell them what type of martini you want.
01:13:49
◼
►
And pick your gin, pick your vodka, and you're going to get a great martini.
01:13:53
◼
►
It is going to be ice cold.
01:13:55
◼
►
If you get olives, they're going to be delicious.
01:13:58
◼
►
They do this, and I love videos of street food and Asian and all that stuff, and all
01:14:02
◼
►
these things we're talking about.
01:14:03
◼
►
These people just do this all day long.
01:14:06
◼
►
You know what I mean?
01:14:07
◼
►
I really love process videos, and I like the ones of, "This is the place that makes the
01:14:11
◼
►
fanciest hamburger in this city, and this is how they make the dough, and this is how
01:14:15
◼
►
they do the things."
01:14:16
◼
►
And it's like, all day long.
01:14:17
◼
►
This is all they do all day long.
01:14:19
◼
►
If that man or woman's job is to pour a perfect martini all day, they can probably even look
01:14:24
◼
►
at you, they can knock on Gladwell you a little bit and go like, "Oh, I have a feeling you're
01:14:28
◼
►
going to want less vermouth," without even having to ask.
01:14:30
◼
►
They must have a nice selection of wine.
01:14:34
◼
►
I'm not a wine drinker, but just because I'm not doesn't mean a steakhouse must have nice
01:14:41
◼
►
But it also must be unpretentious, where they're not trying to sell you a $200 bottle of wine.
01:14:48
◼
►
If you would like it, it's on the menu, it's there.
01:14:53
◼
►
And you can always—this is one of the things that was like a revelation to me like 15 years
01:14:57
◼
►
ago, like way too late in life—is I was so intimidated about wine, I just thought,
01:15:03
◼
►
"Well, they have $200 bottles of wine.
01:15:05
◼
►
That's what they want you to get in the $50 bottle of wine.
01:15:08
◼
►
It must be garbage or something like that."
01:15:11
◼
►
And you can always just ask for the psalm.
01:15:13
◼
►
The sommelier will come over, and you can just explain what you would like in very different—
01:15:18
◼
►
You're not going to embarrass yourself if you say like, "Oh, it's our anniversary,
01:15:21
◼
►
but we kind of don't want to spend more than $50."
01:15:24
◼
►
And then he could be like, "Well, do you like this or do you like that?"
01:15:26
◼
►
And that's the person's entire job.
01:15:29
◼
►
And in the most unpretentious terms, where you don't have to—it's like frou-frou,
01:15:33
◼
►
I don't even know what you're talking about.
01:15:34
◼
►
It'd be like, "Do you like fruity?"
01:15:36
◼
►
You know what I don't like?
01:15:37
◼
►
I don't like tannins.
01:15:38
◼
►
And he'd be like, "I got you.
01:15:41
◼
►
You're going to love it.
01:15:43
◼
►
You got to have that.
01:15:44
◼
►
You must have on the menu, you must have a wedge salad.
01:15:52
◼
►
Like a chunk of—a chunk of— iceberg or romaine?
01:15:57
◼
►
Well, you could do romaine.
01:15:58
◼
►
Iceberg with like blue cheese, that kind of thing.
01:15:59
◼
►
Iceberg, blue cheese, and it's got to be real blue cheese.
01:16:05
◼
►
You can't just be—you can't put like—if you go to a steakhouse—
01:16:07
◼
►
No, you can't just get a jar of wing sauce.
01:16:10
◼
►
Well, if you go to a steakhouse, this is like a thing—you just know you're going
01:16:14
◼
►
to have a bad meal.
01:16:15
◼
►
You're new in town, you've gone to the—taken a guess, you go to the steakhouse, and they
01:16:20
◼
►
say they have ranch dressing on the wedge salad.
01:16:22
◼
►
Doesn't even matter if you don't want the wedge salad.
01:16:25
◼
►
I'm telling you right now, you're doomed to—
01:16:28
◼
►
Does it come with a toy?
01:16:29
◼
►
Yeah, it's no good.
01:16:31
◼
►
That's real.
01:16:32
◼
►
And again, for Caesars, it's okay.
01:16:35
◼
►
People should enjoy what they want.
01:16:36
◼
►
I'm not trying to shame anybody by anything, but an actual Caesar salad made table side
01:16:40
◼
►
is going to be very, very different from what you're used to.
01:16:43
◼
►
It's going to be very anchovy forward in a lot of ways, which I love, but not a lot
01:16:48
◼
►
of other people do.
01:16:49
◼
►
But it's kind of one reason I love these videos, whether it's process videos or teppanyaki
01:16:55
◼
►
The beauty of these teppanyaki videos, especially the Aiden Films channel on YouTube, is a good
01:17:00
◼
►
teppanyaki chef—and again, we're talking here about in America what we think of as
01:17:03
◼
►
Benihana—but it's not—again, I'm using that word because it's become important
01:17:07
◼
►
to me—it's not cute.
01:17:08
◼
►
They're not trying to do jokey stuff and throw shrimp in your face.
01:17:11
◼
►
But it's more like when you watch a good teppanyaki chef, it's very economical.
01:17:15
◼
►
Every move is very economical.
01:17:17
◼
►
And they cook, whether it's a slice of garlic or a $600 lobster, they cook every morsel
01:17:23
◼
►
of food like it's the main dish.
01:17:25
◼
►
And once you become aware of that phenomenon, you don't love getting a salad that's
01:17:30
◼
►
lukewarm and has a bunch of like bagged sliced carrots on it.
01:17:35
◼
►
And that sounds like where you could excel here.
01:17:37
◼
►
You got your standards, you know what you want, and you know whether or not it worked
01:17:40
◼
►
and how it could be better.
01:17:43
◼
►
Every steakhouse has to have all the standards, right?
01:17:45
◼
►
You got to have a filet, you got to have—
01:17:47
◼
►
Martini wedge salad.
01:17:50
◼
►
I would say you do not have to offer a Caesar salad.
01:17:53
◼
►
A wedge is a must.
01:17:55
◼
►
A Caesar is very typically offered.
01:17:57
◼
►
It's a lot of work.
01:17:58
◼
►
But if you do have a Caesar, it must be a great Caesar salad.
01:18:03
◼
►
You cannot phone it in.
01:18:04
◼
►
It cannot be something where it's already been pre-made and the cheese tastes like the
01:18:09
◼
►
It's got to be good.
01:18:12
◼
►
French onion soup.
01:18:13
◼
►
You don't have to have French onion soup.
01:18:15
◼
►
Oh, that's nice.
01:18:16
◼
►
That could be nice.
01:18:17
◼
►
But you could have—but if you do have French onion soup, it better be fucking good.
01:18:21
◼
►
You know what I mean?
01:18:22
◼
►
Like a little crock with the cheese on top.
01:18:23
◼
►
Oh, and it's got to be in the crock with the cheese on top.
01:18:27
◼
►
It's like White Castle, like two out of three times gives me the trots.
01:18:32
◼
►
Boys, it's never worth it.
01:18:33
◼
►
Love, love the cheese crock.
01:18:35
◼
►
That's a good-ass soup.
01:18:36
◼
►
Maybe we'll get a flight of ammonium with it.
01:18:39
◼
►
Again, now, let's say you get the French onion soup.
01:18:43
◼
►
And you've already placed your order.
01:18:44
◼
►
You've got a steak coming as a second, your next course, and some side dishes, et cetera,
01:18:50
◼
►
and so forth.
01:18:51
◼
►
But they put the French onion soup in front of you.
01:18:55
◼
►
And number one, they better give you the special soup spoon, right?
01:18:59
◼
►
Because you can't enjoy it with a regular spoon.
01:19:02
◼
►
You got to have the French onion soup or soup spoon, right?
01:19:05
◼
►
It's more of a spherical spoon.
01:19:08
◼
►
When you first break the seal on the cheese over the crock, if the whole thing just moves—
01:19:15
◼
►
I think you should give me a grapefruit spoon just to get started.
01:19:18
◼
►
If you can't just easily break through the cheese because the cheese is so nice and melty,
01:19:24
◼
►
if it's sort of coagulated and the cheese on the top is sort of a solid and you kind
01:19:31
◼
►
of have to like—you almost think to yourself you'd almost like to have a knife to cut
01:19:36
◼
►
the cheese, right?
01:19:38
◼
►
It's—the rest of your meal is going to be mediocre.
01:19:41
◼
►
It's like it looks too thick and it's cooling off and it reflects—
01:19:44
◼
►
Too thick, or maybe it had been made before and they just sort of heated it up.
01:19:47
◼
►
Who knows what the explanation is?
01:19:49
◼
►
If it's not a very liquidy cheese on top that is so easy that it, you know—and then
01:19:56
◼
►
you can share your soup.
01:19:57
◼
►
My wife will almost never order soup for herself, but she enjoys a few slurps of mine.
01:20:06
◼
►
If it's a good soup, then she doesn't have to worry that she's going to take the
01:20:09
◼
►
whole piece of cheese at once, you know, because it's—
01:20:12
◼
►
Oh, I see what you're saying.
01:20:13
◼
►
That's really awkward.
01:20:14
◼
►
It's like a blanket hog but for French soup.
01:20:19
◼
►
Yeah, yeah, yeah.
01:20:21
◼
►
Oh no, I'm sorry.
01:20:22
◼
►
This busted-ass, you know, ivory hockey puck of cheese has caused me to do something disruptive.
01:20:25
◼
►
I think you're on the right track.
01:20:28
◼
►
What are some other ones?
01:20:29
◼
►
What about the knives?
01:20:30
◼
►
Do you have a strong feeling about the knives?
01:20:31
◼
►
So I—you just want a nice knife.
01:20:33
◼
►
That's what I say.
01:20:34
◼
►
We have a place—
01:20:35
◼
►
Yeah, a jokey outback, you know, buck knife kind of thing, right?
01:20:39
◼
►
We have a place here in Philadelphia.
01:20:41
◼
►
It's a very nice restaurant called Barkley Prime, and it's a one-off steakhouse.
01:20:49
◼
►
I guess probably the most expensive in the city.
01:20:51
◼
►
It's pretty ritzy.
01:20:54
◼
►
You know, it's a nice once-or-twice-a-year thing.
01:20:55
◼
►
They used to have a gimmick where they would come out and offer you, like, six knives,
01:21:02
◼
►
like two from Japan, two from Germany.
01:21:08
◼
►
Is it a trick?
01:21:09
◼
►
Is it like to find out if you're the Dalai Lama?
01:21:10
◼
►
That feels like a jam-up.
01:21:11
◼
►
Well, it's—
01:21:12
◼
►
You've chosen poorly.
01:21:14
◼
►
It's so over-the-top ridiculous that it actually—I think it plays not as pretentious,
01:21:20
◼
►
but as just sort of fun.
01:21:25
◼
►
But the funny part about it, though, is they'll come to the table.
01:21:29
◼
►
Let's say you have a table for four, right?
01:21:32
◼
►
You're out with another couple, and there's four of you at the table.
01:21:36
◼
►
They come out with the six knives.
01:21:37
◼
►
There's only one of each.
01:21:39
◼
►
And so, like—
01:21:41
◼
►
So let's say you do have—
01:21:43
◼
►
It's like musical knives.
01:21:44
◼
►
You have a very particular preference for, like, the one knife from Germany is your favorite.
01:21:50
◼
►
Well, if somebody else takes it first, you've either got to—
01:21:53
◼
►
So somebody beat you to the Henkel.
01:21:55
◼
►
I'm not sure.
01:21:56
◼
►
I would just take another knife.
01:21:57
◼
►
That's me, personally.
01:21:58
◼
►
Yeah, yeah, yeah.
01:21:59
◼
►
I'm sure if you said to the server, if you said, "You know, I actually would like that
01:22:03
◼
►
German knife, too," they would go get you another one.
01:22:05
◼
►
No questions asked.
01:22:06
◼
►
But the last—
01:22:07
◼
►
If I were the server, I would say, "I'm sorry, sir.
01:22:10
◼
►
Your wife wanted it more."
01:22:11
◼
►
That's what I would say.
01:22:12
◼
►
Yeah, it's a ridiculous gimmick, and I believe—I don't know if it was a COVID thing.
01:22:15
◼
►
We went there once over the summer during our brief six-week period where everything
01:22:21
◼
►
looked on the upswing COVID-wise.
01:22:24
◼
►
We went back, and it was nice.
01:22:27
◼
►
It's actually a nice place, too, where it was one of the few places in Philadelphia
01:22:30
◼
►
where they had continued to pay their server staff through the whole thing.
01:22:36
◼
►
So all the regular servers were still there, which is almost unheard of here.
01:22:41
◼
►
Almost all of our places, we've lost our favorite servers because the whole thing.
01:22:46
◼
►
But last time we were there, they did not do the knife thing.
01:22:51
◼
►
They just gave us a regular steak knife.
01:22:52
◼
►
And we didn't say anything.
01:22:54
◼
►
I don't know.
01:22:55
◼
►
I don't know what.
01:22:56
◼
►
I don't know how COVID would have affected the knife gimmick.
01:22:59
◼
►
Well, but it's—and certainly we could do a half-hour bit about this, but the whole
01:23:04
◼
►
thing of, "Well, the reason we can't do that is because of COVID."
01:23:06
◼
►
It's like, "Hmm, okay."
01:23:08
◼
►
But there are some kinds of things where it absolutely makes sense.
01:23:11
◼
►
But can I have one more?
01:23:13
◼
►
I do have a couple more questions real quick.
01:23:16
◼
►
But when you're done, I need to know about—well, I want to know how you're going to handle
01:23:19
◼
►
some of the tricky issues.
01:23:22
◼
►
Well, like what?
01:23:24
◼
►
Well, I mean—and I'm not trying to shake you—chilled salad fork.
01:23:28
◼
►
Oh, yeah, you got it.
01:23:30
◼
►
Oh, absolutely.
01:23:31
◼
►
And your steak—
01:23:32
◼
►
Okay, I like that you passed.
01:23:34
◼
►
Your steak will come on a plate that is dangerously hot.
01:23:38
◼
►
You cannot—whoever, when they bring out your steak, it comes on a plate.
01:23:42
◼
►
It'll make you sign something, probably.
01:23:43
◼
►
You're talking about it really seriously.
01:23:45
◼
►
You're talking about, basically, like a crucible.
01:23:50
◼
►
And again, I always thought when I was younger and was on, you know, when I was poor, let's
01:23:58
◼
►
say, I loved Outback Steakhouse.
01:24:01
◼
►
I'll go to an Outback.
01:24:02
◼
►
I haven't been to one.
01:24:03
◼
►
It's like Starbucks.
01:24:04
◼
►
It's like people complain about it, but boy, you could sure do a lot worse when you're
01:24:07
◼
►
visiting somewhere.
01:24:08
◼
►
Oh, yeah, you could definitely do—you could do a lot worse.
01:24:11
◼
►
And I'll tell you what—
01:24:12
◼
►
It's really consistent.
01:24:13
◼
►
Every time you get an Outback Steak, it is cooked to perf—you know, it is exactly what
01:24:18
◼
►
They know what they're doing.
01:24:19
◼
►
And the best cut there is the Outback Special.
01:24:22
◼
►
And I don't know what exact type of meat.
01:24:25
◼
►
I'm not a butcher.
01:24:26
◼
►
I think it might be the—I don't know off the dome, but I have a feeling that might
01:24:30
◼
►
be what some people call a club steak or where it's basically like the—you cut the cap
01:24:35
◼
►
off of a ribeye.
01:24:37
◼
►
And it's just sort of the fancy ribeye part in the middle.
01:24:39
◼
►
I could be wrong.
01:24:41
◼
►
I agree with you.
01:24:42
◼
►
And the seasoning's great.
01:24:43
◼
►
I love the seasoning.
01:24:44
◼
►
Also, as a general rule, not just steakhouses, but restaurants in particular, if the name
01:24:48
◼
►
of the restaurant is on one of the dishes, that's what you should get.
01:24:51
◼
►
And this—I remember you and Simpson telling me this, but I was like—when we went to
01:24:56
◼
►
the House of Prime Rib, and I was like, "Well, what cut do I get?"
01:24:59
◼
►
There's like the Princess Cut and the City Cut and the House—
01:25:02
◼
►
There's Princess City English and—
01:25:05
◼
►
House of Prime Rib Cut.
01:25:06
◼
►
But then there's also—
01:25:07
◼
►
Well, they have one called King Henry VIII.
01:25:08
◼
►
King Henry VIII, which is—that's what you get.
01:25:11
◼
►
Which is enormous.
01:25:12
◼
►
The only time I've ever competed with you—unconsciously, I know you're very competitive, and I guess
01:25:15
◼
►
I am, but there was one evening—I don't like to brag about it.
01:25:18
◼
►
I don't like to brag about this, John, because it makes you feel bad, makes your listeners
01:25:21
◼
►
But I think one night you were actually perhaps at first impressed and eventually appalled
01:25:25
◼
►
by how much food I can eat.
01:25:26
◼
►
Yes, that's true.
01:25:28
◼
►
Remember that night?
01:25:29
◼
►
And you seemed a little bit like with the Cowboys lost or something.
01:25:31
◼
►
Yeah, yeah, I was—
01:25:32
◼
►
And you were like, "Wow, you just had a dessert cut too, huh?"
01:25:34
◼
►
Yeah, I think it was me and you and—
01:25:37
◼
►
I can eat all the meat.
01:25:38
◼
►
Sandy and Simpson and Marco.
01:25:41
◼
►
Marco was with us.
01:25:43
◼
►
My friend Ben, we went there with the—of all things—the MacBreak Weekly Pixel Core
01:25:47
◼
►
group one time, and my friend Ben is—he's not vegan, but he's vegetarian.
01:25:52
◼
►
And they look like—this is not a very woke thing to say, but it looked like he came in
01:25:57
◼
►
wearing a fancy dress and holding a parasol because he's like, "What do you have that's
01:26:02
◼
►
vegetarian?"
01:26:03
◼
►
Marco has a photo of us from that night, and he has it—I think it's of all places in
01:26:10
◼
►
his powder room off his office, but I was at Marco's house a while back, and there's
01:26:16
◼
►
this picture of us, and everybody looks pretty happy.
01:26:19
◼
►
I look a little glum, and that's exactly why, as I was a little depressed, because
01:26:25
◼
►
I thought I could eat—
01:26:27
◼
►
I bested you at beef?
01:26:29
◼
►
At beef, right.
01:26:30
◼
►
It wasn't even close.
01:26:31
◼
►
It wasn't—
01:26:32
◼
►
I won a rematch.
01:26:34
◼
►
It wasn't even close.
01:26:35
◼
►
It was like if we were playing golf, you would have had to spot—
01:26:38
◼
►
It's affliction.
01:26:39
◼
►
I'd love to say I'm proud of that.
01:26:41
◼
►
There's other things I'd love to win at.
01:26:43
◼
►
I'd love to win at being good to my family or the Lord or something, but I can eat all
01:26:50
◼
►
It's really bad.
01:26:51
◼
►
If we were playing golf instead of eating meat, I'd have to play from the children's
01:26:55
◼
►
teas up front.
01:26:56
◼
►
Oh, you go way, way up front.
01:26:59
◼
►
But anyway—
01:27:01
◼
►
Napkin folding?
01:27:02
◼
►
How do you feel about you stand up and they fold your napkin?
01:27:04
◼
►
Are you cool with that?
01:27:05
◼
►
Do you like that?
01:27:06
◼
►
You know, places where like you—I think generally I learned from Emily Post and Amy
01:27:10
◼
►
Vanderbilt—you're supposed to put your napkin usually on your seat, I think, or something.
01:27:15
◼
►
How do you feel about you go to, I don't know, take a pee or drop a deuce and they
01:27:20
◼
►
fold your napkin for you?
01:27:21
◼
►
I think it's kind of nice.
01:27:22
◼
►
I think it's kind of nice too, but yeah, it needs to be invisible.
01:27:27
◼
►
So that the other—
01:27:28
◼
►
Yeah, French service.
01:27:29
◼
►
What's funny is I don't want to drag this out because we still have 12 hours of a documentary
01:27:34
◼
►
to talk about, but this is the thing about French Laundry.
01:27:36
◼
►
I've been to French Laundry once and it was astonishing.
01:27:39
◼
►
It's a very fancy—not fancy, it's Thomas Keller and it's a—I say fancy, but it's
01:27:44
◼
►
just that kind of restaurant, best restaurant in America for a few years, that kind of thing.
01:27:49
◼
►
But what's amazing about it—and I went there with a group of friends that we called
01:27:52
◼
►
the Gentleman Who Dime and we would go out once a month somewhere kind of nice and then
01:27:56
◼
►
one time we went to French Laundry.
01:27:57
◼
►
It's the only time I've ever been there and we were all so scared about something
01:28:01
◼
►
going wrong.
01:28:02
◼
►
And what was amazing was the service could not have been more—here's the word—cordial.
01:28:08
◼
►
Just so low-key, puts you at ease.
01:28:11
◼
►
But also, the part you want—here, the part you want from French service is not being
01:28:17
◼
►
The part you want from French service is you anticipate what people want and take care
01:28:22
◼
►
of it without bothering them.
01:28:24
◼
►
Without pretense.
01:28:25
◼
►
But bothering and—yeah, pretense also, but also the whole like, "How are we doing today?
01:28:29
◼
►
Chip, I'm going to be your server.
01:28:30
◼
►
Do you mind if I stoop down in your banquette?
01:28:33
◼
►
How are we doing here?
01:28:35
◼
►
Well, I haven't touched the food.
01:28:37
◼
►
The water's been empty for a while, you know?
01:28:39
◼
►
To me, the key with the folded napkin—
01:28:41
◼
►
Just make things happen.
01:28:43
◼
►
To me, the key with the folded napkin isn't when you go to drop a deuce mid-meal.
01:28:49
◼
►
It's when your dinner companion goes and their napkin gets folded and you didn't—you're
01:28:55
◼
►
still at the table.
01:28:56
◼
►
You didn't even notice.
01:28:57
◼
►
You didn't even notice it.
01:28:58
◼
►
You didn't even notice.
01:28:59
◼
►
Because they're not coming up and they're not gossiping about them and stuff.
01:29:01
◼
►
They're just folding out.
01:29:02
◼
►
No, but what about the crumb scraper?
01:29:03
◼
►
Crumb scraper?
01:29:04
◼
►
You like a crumb scraper?
01:29:05
◼
►
Oh, you've got to have a crumb scraper.
01:29:06
◼
►
You've got to have a crumb scraper.
01:29:07
◼
►
Just don't be a dick about it.
01:29:08
◼
►
Don't be a dick about it.
01:29:09
◼
►
Don't make me feel bad about my crumbs.
01:29:10
◼
►
No, and don't make me feel bad about the terrible way that I've destroyed your tablecloth.
01:29:14
◼
►
Just don't make me feel bad.
01:29:16
◼
►
You know, that's what we say here during Fuckball Stakehouse.
01:29:20
◼
►
I've absolutely—
01:29:21
◼
►
If I want to make you feel bad, you'll know it.
01:29:23
◼
►
I absolutely ruin every tablecloth I ever eat.
01:29:27
◼
►
You're hard on a tablecloth.
01:29:28
◼
►
I'm hard on a tablecloth because there's a lot going on.
01:29:31
◼
►
You're scooping potatoes.
01:29:33
◼
►
You know, there's—
01:29:34
◼
►
That's what it's signed up for.
01:29:36
◼
►
It's like one of your undershirts.
01:29:37
◼
►
You really put a hurting on it.
01:29:39
◼
►
You're meant to share.
01:29:40
◼
►
That's the thing about a steakhouse.
01:29:41
◼
►
You're meant to share everything.
01:29:42
◼
►
Everything is up for the table.
01:29:43
◼
►
Oh, can I make one last request, please?
01:29:45
◼
►
Oh, absolutely.
01:29:47
◼
►
Could you please—I mean, I don't want to get up in your shit, but would you consider,
01:29:50
◼
►
please, not only never asking a certain question, but to ban that question from being asked
01:29:55
◼
►
by the staff, "Is this your first time dining with us?"
01:29:59
◼
►
I agree with you.
01:30:01
◼
►
How is that relevant?
01:30:02
◼
►
Yeah, I agree.
01:30:03
◼
►
No, I don't understand food.
01:30:04
◼
►
Please explain sauce.
01:30:05
◼
►
I don't know it.
01:30:06
◼
►
Small plates, huh?
01:30:07
◼
►
That's crazy.
01:30:08
◼
►
What, do you have a name for it?
01:30:09
◼
►
Well, we call it tapas.
01:30:11
◼
►
I've never eaten here before.
01:30:12
◼
►
I don't understand food.
01:30:13
◼
►
Which hole do I shove it in?
01:30:14
◼
►
In theory, you could make a restaurant where—or like my friend Hapsing Londermats' place,
01:30:25
◼
►
Lee's place.
01:30:26
◼
►
Very editorial.
01:30:27
◼
►
It is an unusual place with unusual rules, and there's a couple, you know, that if
01:30:32
◼
►
you've never been there before, you should know.
01:30:34
◼
►
For example, one of the rules is no phone calls in the main room.
01:30:38
◼
►
If you need to make a phone call—
01:30:39
◼
►
I love this guy.
01:30:41
◼
►
You're allowed to use your phone.
01:30:44
◼
►
You can, like, you know, tweet or, you know, answer text messages, whatever you want, but
01:30:48
◼
►
you cannot speak on the telephone in the bar.
01:30:54
◼
►
Which is exactly the kind of thing that—I use my phone for a phone as little as possible,
01:31:00
◼
►
but when people do use it as a phone, it's incredibly distracting.
01:31:03
◼
►
It's incredibly distracting.
01:31:05
◼
►
You're always louder than you think you are, but you don't have to leave the premises.
01:31:09
◼
►
You don't have to go outside.
01:31:11
◼
►
You can just go to the sort of—what would you call it?
01:31:13
◼
►
The anteroom?
01:31:16
◼
►
Yeah, there's like a little lobby when you first come in, and you could just—
01:31:19
◼
►
That's totally reasonable.
01:31:20
◼
►
And you just walk out there, and you can make a phone call.
01:31:22
◼
►
If for example somebody calls you, you don't have to, like, ignore the call.
01:31:26
◼
►
You can pick up your phone and say hello, but then immediately what you need to do is
01:31:31
◼
►
go to the—
01:31:32
◼
►
You can't carry on a conversation.
01:31:34
◼
►
And no photographs is the other rule.
01:31:36
◼
►
You cannot take a photograph—
01:31:37
◼
►
No photographs?
01:31:38
◼
►
Oh, now that is interesting, because I feel like a lot of places—we had a bar that opened
01:31:41
◼
►
not long before lockdown that I just started calling the Instagram bar, because they had
01:31:46
◼
►
clearly bought a bespoke pink neon shitty sign that was like "live, laugh, love"
01:31:52
◼
►
kind of stuff.
01:31:53
◼
►
And I was like, "Oh, God, you can tell this place—" because you've heard about this,
01:31:57
◼
►
This trend of, like, trend or whatever.
01:31:58
◼
►
Of like, because where we are now, you really need to be on Instagram.
01:32:03
◼
►
Like, you need to have people out there talking about how cool you're playing.
01:32:08
◼
►
God, that's a power move, Jonathan.
01:32:09
◼
►
In a good way.
01:32:10
◼
►
In a really good way.
01:32:11
◼
►
He's had that rule from the get-go, but he explains to you when you come in, and it tells
01:32:16
◼
►
you the rules.
01:32:17
◼
►
No cell phone calls in the room, no photos, period, anywhere indoors.
01:32:21
◼
►
And he says it's for privacy of the other guests, so that way nobody who's there needs
01:32:25
◼
►
to worry about being photographed unbeknownst to them.
01:32:29
◼
►
And it's a little bit like—I don't want to sound like I'm not trying to be funny
01:32:34
◼
►
here, but there are so many situations where there are things we don't need to say to
01:32:39
◼
►
If it's a funeral, if it's a church service, please don't have—first of all, why is
01:32:44
◼
►
your ringer on?
01:32:45
◼
►
Why is your ringer on anywhere, let alone at a funeral?
01:32:50
◼
►
Like don't you feel the vibration like the rest of us do?
01:32:52
◼
►
Like do you really need your, you know, "Ba da ba da ba da ba da ba da ba da ba da ba
01:32:56
◼
►
ba da ba da, I'm ringing, I'm ringing, please pick me up."
01:32:59
◼
►
And like, no!
01:33:00
◼
►
Like, don't do that.
01:33:01
◼
►
Do we have to tell you, like, during the—during communion, you know?
01:33:07
◼
►
Please don't take a call about your tea time?
01:33:08
◼
►
We went to see John Mulaney here in Philadelphia a few weeks ago, and my son is—
01:33:13
◼
►
I heard that was great, I heard it was great.
01:33:16
◼
►
Aspiring comedian, my son, or at least as a fan of the medium, and he is him and me and
01:33:23
◼
►
my wife, and we got—my wife, of course, was in charge of getting tickets, so we got
01:33:27
◼
►
some nice tickets.
01:33:28
◼
►
It was a great show, it really was.
01:33:30
◼
►
I heard it was pretty moving, is what I heard.
01:33:32
◼
►
And it, you know, he—
01:33:33
◼
►
My friends who saw it cried, so they cried a bunch.
01:33:37
◼
►
It was a little bit—
01:33:39
◼
►
We've seen him a few times.
01:33:41
◼
►
Yeah, but we've seen him a few times, and his previous—
01:33:45
◼
►
He is my favorite comedian working today, full stop.
01:33:47
◼
►
I could see that.
01:33:48
◼
►
He's one of mine.
01:33:50
◼
►
He might be Jonas' favorite working today.
01:33:52
◼
►
Amy—we all—all three of us love him, but his previous shtick was very polished, right?
01:33:58
◼
►
And the bits were very rehearsed, and they're all clearly bits, and he's personally gone
01:34:05
◼
►
through a lot.
01:34:06
◼
►
He was in rehab, his marriage broke up, and he's been through a lot.
01:34:11
◼
►
She also—she got the dog.
01:34:13
◼
►
Yep, she got the dog, who he loved.
01:34:15
◼
►
Petunia, I believe the name.
01:34:18
◼
►
Petunia, they used to push it around the baby.
01:34:20
◼
►
Yeah, a moving show, it was, because he addressed his personal stuff straight on, and in a way
01:34:26
◼
►
A contrast with the polish of, like, Kid Gorgeous or whatever.
01:34:29
◼
►
Yeah, exactly.
01:34:31
◼
►
But a little bit venturing into one-man show territory, where it's a little autobiographical,
01:34:37
◼
►
but even as it was raw, continuously funny.
01:34:40
◼
►
But anyway, he performed in one of—I forget which one.
01:34:44
◼
►
I think it's our Miriam Theater, but we have two of these old theaters right next to each
01:34:49
◼
►
other on Broad Street here in Philadelphia, and they're these old 1880 constructed—
01:34:56
◼
►
Very haunted.
01:34:58
◼
►
Oh my god, but every time—I mean, it's honestly, like, he even said, he's like, "I've been
01:35:03
◼
►
here before."
01:35:04
◼
►
This is like my favorite—I feel so under-able to be on—I'm not good enough to be on this
01:35:14
◼
►
This theater is so beautiful.
01:35:15
◼
►
It's really, really nice.
01:35:16
◼
►
But anyway, they had to rule no cell phones.
01:35:19
◼
►
And what they did—you ever, you know, it's like a whole thing in comedy now, where A,
01:35:24
◼
►
Oh, you put it in a bag or something?
01:35:25
◼
►
Yeah, you gotta put it in a bag.
01:35:26
◼
►
So they don't take your cell phone, they—you know, you come in and you can put it in a
01:35:32
◼
►
little bag that's like a tiny little—what do you call those chambers?
01:35:36
◼
►
Like a Faraday cage?
01:35:38
◼
►
Faraday cage, right.
01:35:39
◼
►
It's like a Faraday bag.
01:35:40
◼
►
And you get to keep your phone, but then as you leave, then there's somebody there to
01:35:45
◼
►
unlock it, you know, with like a magnetic thing.
01:35:47
◼
►
You know, like those anti-shoplifting things on clothes.
01:35:50
◼
►
Sure, sure, sure.
01:35:52
◼
►
So we just showed up without our phones, because, you know, we could walk there, and all three
01:35:58
◼
►
of us were there, so who else is going to call us?
01:36:01
◼
►
We just showed up without phones and we could get out earlier.
01:36:03
◼
►
But anyway, towards the end of the show, somebody's cell phone rang, and literally rang, and he's
01:36:08
◼
►
like, "That takes balls to go to a no cell phone show and not even mute your phone."
01:36:14
◼
►
And the person—it was sufficiently—they died on the spot.
01:36:18
◼
►
They just died.
01:36:19
◼
►
That's such a bad look.
01:36:20
◼
►
Oh my goodness.
01:36:21
◼
►
He's like, "That's really something," where you snuck your cell phone in outside
01:36:27
◼
►
the bag, but didn't even think to mute it.
01:36:30
◼
►
I mean, that's something.
01:36:31
◼
►
Anyway, how about we take a break and thank our good friends at LinkedIn?
01:36:34
◼
►
Let's do it.
01:36:36
◼
►
You ever hear of LinkedIn?
01:36:38
◼
►
These days—
01:36:39
◼
►
I sure have.
01:36:40
◼
►
You can go there and you make professional connections, and I remember it from being
01:36:44
◼
►
a place where you put your resume where people could find it.
01:36:46
◼
►
But I think people also have relationships and deal with people on there, and they have
01:36:50
◼
►
training things.
01:36:51
◼
►
Well, it can be hard to find and hire the right candidates for your small business,
01:36:55
◼
►
and that's why LinkedIn Jobs made it easier to find the people you want to talk to faster
01:37:01
◼
►
and for free.
01:37:03
◼
►
Create a free job post in minutes, just minutes, on LinkedIn Jobs and reach your network and
01:37:09
◼
►
beyond to the world's largest professional network of over 770 million people.
01:37:16
◼
►
That sounds like too big, but it's actually the truth.
01:37:18
◼
►
That's how big—
01:37:19
◼
►
Did you say the right letters there?
01:37:20
◼
►
That sounds like a lot.
01:37:21
◼
►
770 million people.
01:37:23
◼
►
Million people.
01:37:24
◼
►
Focus on the candidates with just the right skills and experience.
01:37:27
◼
►
They have screening questions.
01:37:29
◼
►
You can customize them.
01:37:31
◼
►
Get your role in front of only the most qualified people, and then use the tools on LinkedIn
01:37:36
◼
►
Jobs to filter and prioritize the candidates whom you'd like to interview and eventually
01:37:43
◼
►
That's why small businesses rate LinkedIn Jobs number one in delivering quality hires
01:37:48
◼
►
and quality candidates versus their leading competitors, who we shall not name.
01:37:53
◼
►
LinkedIn Jobs helps you find the candidates you want to talk to faster.
01:37:56
◼
►
Every week, nearly 40 million job seekers visit LinkedIn.
01:38:01
◼
►
That's people looking for jobs, ready to find the job that you're offering.
01:38:05
◼
►
Post your job for free at LinkedIn.com/TheTalkShow.
01:38:11
◼
►
That's a three for three, all three sponsors with—
01:38:15
◼
►
Total class all the way down the line.
01:38:17
◼
►
Now you've chosen well.
01:38:18
◼
►
I don't know that that's ever happened before.
01:38:20
◼
►
It's LinkedIn.com/TheTalkShow to post your job for free, terms and conditions.
01:38:26
◼
►
Both terms and conditions apply.
01:38:28
◼
►
That seems fair to me, Jon.
01:38:31
◼
►
Let's talk—
01:38:32
◼
►
You've got to have terms.
01:38:33
◼
►
Hey, listen, can I introduce a technology to your show that might change your life?
01:38:37
◼
►
And you feel free to cut this and tell me no.
01:38:38
◼
►
Well, part two is I need to pee.
01:38:40
◼
►
Part number one, something I've started doing on two of my other shows that has been
01:38:45
◼
►
transformative and it's called Taking a Break.
01:38:48
◼
►
When you do a longer show, like when Syracuse and I do a bonus episode, we take a break
01:38:54
◼
►
between the main episode and the bonus episode.
01:38:56
◼
►
When Alex and I, every week, we talk for an hour and a half or two hours and then we record
01:39:00
◼
►
a half hour or one hour long after show for Patreon, have you considered having a 15-minute
01:39:05
◼
►
break maybe with music?
01:39:07
◼
►
Not the whole time, but you could play Girl From Ibenema.
01:39:10
◼
►
Well, I'm not going to do a two.
01:39:13
◼
►
I'm just going to do a one, but that way I could turn on the fans.
01:39:15
◼
►
We could refresh our drinks.
01:39:18
◼
►
Would you think about that?
01:39:19
◼
►
Would you consider that so I could pee?
01:39:20
◼
►
Yeah, let's take a break right now.
01:39:22
◼
►
What kind of music are you going to play?
01:39:23
◼
►
You're going to write something for me?
01:39:24
◼
►
You'll find out.
01:39:25
◼
►
We'll find out.
01:39:28
◼
►
I'll be back.
01:39:29
◼
►
Are you serious?
01:39:30
◼
►
Can we do this?
01:39:31
◼
►
Are you really going to do this?
01:39:32
◼
►
Yeah, let's do it.
01:39:33
◼
►
It could be a funny bit, too.
01:39:34
◼
►
It's fucking great, John.
01:39:35
◼
►
You're going to feel so good.
01:39:36
◼
►
Come back at half past?
01:39:39
◼
►
Oh, half past.
01:39:40
◼
►
Oh, that long.
01:39:43
◼
►
Well, that's 15 minutes.
01:39:44
◼
►
That'll be 15 minutes, right?
01:39:45
◼
►
You can go shorter, but you're kind of still in the spirit of the break.
01:39:48
◼
►
Yeah, let's do it.
01:39:50
◼
►
I don't know where you go and slap the baseball stake out of your mouth.
01:39:55
◼
►
I'm actually going to hang up then, right?
01:39:56
◼
►
Oh, I'm totally hanging up.
01:39:57
◼
►
Don't worry about that.
01:40:08
◼
►
My majesty's a pretty nice girl, but she doesn't have a lot to say.
01:40:09
◼
►
My majesty's a pretty nice girl, but she changes from day to day.
01:40:10
◼
►
I want to change her life, but she doesn't have a lot to say.
01:40:11
◼
►
My majesty's a pretty nice girl, but she changes from day to day.
01:40:15
◼
►
I want to tell her that I love her a lot, but I got a belly full of wine.
01:40:19
◼
►
My majesty's a pretty nice girl.
01:40:22
◼
►
Someday I'm going to make a mine.
01:40:25
◼
►
Someday I'm going to make a mine.
01:40:26
◼
►
How'd you like your break?
01:40:29
◼
►
I thought that was delightful, but I have two issues.
01:40:33
◼
►
First issue is it was so rejuvenating.
01:40:35
◼
►
Now I'm worried we're going to go too long, right?
01:40:37
◼
►
Oh, don't worry about that.
01:40:39
◼
►
I have a speculation in my Slack here about how long this may go.
01:40:45
◼
►
Now the problem two.
01:40:46
◼
►
Snell, Alex is predicting a record setter, and I said, "God, I hope not because John
01:40:50
◼
►
talked about starting a steakhouse for an hour."
01:40:53
◼
►
And Snell, in his wisdom, is talking about the ways that he's been introducing this with
01:41:01
◼
►
You're worried we're going to lose our momentum.
01:41:02
◼
►
See, I feel like we come back refreshed.
01:41:05
◼
►
I'm not worried about losing momentum.
01:41:06
◼
►
I'm worried that...
01:41:07
◼
►
No, a fresh drink, new glass, new ice, new tea.
01:41:11
◼
►
I'm worried that now we've got too much gas, right?
01:41:14
◼
►
That the limiting factor, the thing that actually makes this show ever come to an end, especially
01:41:19
◼
►
when you and I are on a roll...
01:41:21
◼
►
Yeah, I know.
01:41:22
◼
►
I won't talk.
01:41:24
◼
►
You know, too long...
01:41:25
◼
►
I should have been a youth minister or something.
01:41:30
◼
►
I love playing guitar.
01:41:31
◼
►
Too long doesn't really come up on this show too often.
01:41:35
◼
►
No, problem number two is I went upstairs and my wife, number one, she thought it was
01:41:42
◼
►
kind of remarkable that we were done already because she was expecting a long one.
01:41:46
◼
►
Oh, my sweet summer child.
01:41:47
◼
►
And I said, "Oh, no.
01:41:48
◼
►
We're taking a break."
01:41:49
◼
►
It was Merlin's idea.
01:41:52
◼
►
And then she started asking me...
01:41:54
◼
►
She's given me a laundry list of topics to talk about.
01:41:58
◼
►
And I said, "Well, we didn't get to get back yet."
01:42:02
◼
►
And so is she reinvigorated to storm in?
01:42:07
◼
►
Oh, she's very excited.
01:42:09
◼
►
But anyway, we wanted to talk about the Beatles' "Get Back" documentary, Peter Jackson's...
01:42:15
◼
►
Oh, before we get there, I wanted to say this to you.
01:42:18
◼
►
You sent me a beautiful picture of your beverages.
01:42:22
◼
►
You've got the nice ice maker, don't you?
01:42:25
◼
►
I mean, I know there's currently a certain amount of backlash about Little Pellet Ice,
01:42:32
◼
►
but I love it.
01:42:33
◼
►
It's probably the best Christmas gift I ever got.
01:42:37
◼
►
What's the backlash?
01:42:38
◼
►
What's the backlash?
01:42:39
◼
►
People like to...
01:42:40
◼
►
You know, everybody's got to have a strong opinion about everything.
01:42:43
◼
►
And you know, "Fam, we need to talk about tiny ice.
01:42:45
◼
►
It's not that good."
01:42:46
◼
►
"Man, wow, I like baseball ice.
01:42:50
◼
►
All that kind of stuff.
01:42:51
◼
►
But I love it.
01:42:52
◼
►
And it's a source of ice for me, which means that, in this case, you can see I'm having
01:42:56
◼
►
a cold brew coffee on ice.
01:42:59
◼
►
I'm having an iced tea on ice, and I got a can of fizzy water.
01:43:07
◼
►
And it's changed the game because it also means it can bring ice to the house.
01:43:10
◼
►
Because our ice maker's a little bit anemic.
01:43:14
◼
►
I love it, John.
01:43:15
◼
►
I love it so much.
01:43:17
◼
►
It's not for everybody, but it's really changed.
01:43:20
◼
►
And I don't have to order ice from Instacart like a monster.
01:43:23
◼
►
I forget her last name.
01:43:25
◼
►
Helen, the food writer at The New Yorker, had a lovely little article about pellet ice
01:43:30
◼
►
sometime this summer.
01:43:33
◼
►
And the thing that had never occurred to me, I realized, is one of these things that I have
01:43:38
◼
►
been a fan of it my entire life, but I really hadn't given it...
01:43:42
◼
►
It's one of those things we were just talking about earlier.
01:43:44
◼
►
It's not for everything.
01:43:46
◼
►
It's really good for fizzy drinks, and it does melt fast.
01:43:49
◼
►
It's probably not ideal for a drink where I would not put it in a glass of your...
01:43:55
◼
►
What's his name?
01:43:56
◼
►
Pappy McDaniel's or whatever?
01:43:57
◼
►
I would not put this in a Fonzie drink.
01:44:00
◼
►
But Helen...
01:44:01
◼
►
Oh, I think I know who you meet.
01:44:04
◼
►
Yes, Helen Rosner.
01:44:05
◼
►
I enjoyed her.
01:44:06
◼
►
She had a wonderful thing about the pellet ice.
01:44:08
◼
►
The thing I didn't realize until I read her article about it, though, is I've always known
01:44:13
◼
►
the type of ice that pellet ice is, but I just assumed it was chip-chopped.
01:44:17
◼
►
That you would...
01:44:18
◼
►
Oh, that you start with gross, grand ice and break it down like you would on a chain gang.
01:44:25
◼
►
That you would make regular ice cubes, and then the pellet maker was a thing that you
01:44:29
◼
►
put ice cubes in.
01:44:31
◼
►
That's totally reasonable to assume.
01:44:33
◼
►
And then a coffee grinder spits out the chip-chopped ice, but that's not how pellet ice is made.
01:44:40
◼
►
Pellet ice, you put water in, and it's a machine...
01:44:44
◼
►
It's a signed pellet at birth.
01:44:46
◼
►
And it's made... it's like rings of a tree, where there's a little bit of ice, and then
01:44:51
◼
►
a new layer of ice forms around that layer of ice, and then a new layer of ice forms
01:44:55
◼
►
around that layer of ice.
01:44:57
◼
►
And that's why pellet ice is entirely different than any other ice you can get.
01:45:03
◼
►
I believe that perhaps the biggest national chain that serves pellet ice might be Sonic.
01:45:10
◼
►
Do you have the Sonic out in California?
01:45:13
◼
►
I've been to Sonic, but I know what you're talking about.
01:45:16
◼
►
It's also the kind of ice they give to pregnant ladies in the hospital.
01:45:20
◼
►
It's a little bit soft.
01:45:22
◼
►
That's actually...
01:45:23
◼
►
I mean, it's okay for us to like things.
01:45:25
◼
►
Also, I know we don't have time, but I did end notes, I did slip in.
01:45:28
◼
►
When I do make seltzer at home, I generally prefer the cans because it's just easier,
01:45:35
◼
►
but I'm off the SodaStream.
01:45:38
◼
►
I don't hate it, but it just became too costly and annoying.
01:45:42
◼
►
But you know what I will suggest?
01:45:43
◼
►
I put a thing in your document if you're looking for a change.
01:45:46
◼
►
I don't know if I've sold you on this before, but what is it?
01:45:51
◼
►
Let me find it here.
01:45:55
◼
►
It's the Ease ISI.
01:45:56
◼
►
Ease C Classic Mesh Soda Maker for making carbonating beverages one quart stainless steel.
01:46:00
◼
►
And it's like a thing a clown shoots you with.
01:46:02
◼
►
And it's a real fun way.
01:46:04
◼
►
It's a real fun and quiet as a church mouse.
01:46:07
◼
►
You can make seltzer right in your home without the...
01:46:12
◼
►
You can still make it as fizzy as you want.
01:46:13
◼
►
I'm off the SodaStream as well.
01:46:16
◼
►
This is as good a time as ever to talk about it.
01:46:21
◼
►
I have nothing against the brand, but my second one broke.
01:46:27
◼
►
I don't know how, but it's both of them after years of service.
01:46:32
◼
►
But after the second one broke, I just never re-bought it.
01:46:37
◼
►
It's expensive to get all those.
01:46:40
◼
►
Of course, I have a spreadsheet about it, so I know how expensive it gets.
01:46:43
◼
►
And then you got to return them, and it's a whole thing.
01:46:46
◼
►
This you get...
01:46:47
◼
►
You ever done whip it?
01:46:48
◼
►
No, don't answer that.
01:46:49
◼
►
We've filled it off.
01:46:50
◼
►
Of course, you huff.
01:46:52
◼
►
But you get those little...
01:46:54
◼
►
It's like a whip it, and you put it in, and it's CO2, and you make the water, and you
01:46:58
◼
►
shake it, and that's it.
01:47:00
◼
►
You're done.
01:47:01
◼
►
And you got a quart of seltzer.
01:47:04
◼
►
The other factor, the deciding factor, is that we got turned on.
01:47:08
◼
►
There's a brand.
01:47:09
◼
►
I've mentioned them on the show before.
01:47:10
◼
►
Howl's New York Seltzer.
01:47:12
◼
►
Oh, is this the super fizzy one?
01:47:14
◼
►
It is the fizziest.
01:47:15
◼
►
I think I tried to find it after you mentioned it.
01:47:18
◼
►
I think Marco talked about it too.
01:47:20
◼
►
It just burns.
01:47:21
◼
►
It's so hard, right?
01:47:22
◼
►
That's where we first got it, is we were vacationing with the arments up there in the beach...
01:47:30
◼
►
Whatever, beach town.
01:47:31
◼
►
I forget the name of the place, but wherever it is.
01:47:34
◼
►
We were up there, and they had this Howl's New York Fizzy Water.
01:47:37
◼
►
And it was like, "Well, I just figured it was regular seltzer water, and I had some."
01:47:42
◼
►
And it's like instantly, it's like Winston Wolf in Pulp Fiction when he takes a sip of
01:47:46
◼
►
the coffee, and in the midst of trying to clean up this terrible gun hack...
01:47:51
◼
►
He talks fast, and he drives fast, and he likes the fizzy water.
01:47:54
◼
►
But even he notices...
01:47:55
◼
►
If he seems current with you, it's because he just wants to get that fizz happening.
01:48:00
◼
►
He's ready to go and needs to get this mess cleaned up.
01:48:04
◼
►
He takes a sip of that coffee, does a double-take, and says, "Hey, that's good coffee."
01:48:08
◼
►
That's what I thought with this Howl's New York Seltzer, where I was just thinking, "I'm
01:48:11
◼
►
sure it's fine."
01:48:12
◼
►
But it's actually like, "Whoa, this is something special."
01:48:16
◼
►
And that's the thing with the SodaStream, is I would make my seltzer with the SodaStream
01:48:22
◼
►
much more fizzy than typical...
01:48:24
◼
►
We talked about this, Jon.
01:48:26
◼
►
I'm pushing the envelope on fizz.
01:48:27
◼
►
I'm telling you right now, if you can get your hands on it, it's hard to get.
01:48:31
◼
►
They're online retail partners.
01:48:33
◼
►
I buy it from a place called Oasis Snacks.
01:48:36
◼
►
Oh, I see it on there.
01:48:38
◼
►
10% off uses code.
01:48:44
◼
►
I'm so sorry.
01:48:45
◼
►
I'm sorry you ever met me.
01:48:49
◼
►
Number one, their original, which is just plain unflavored, is just fantastic plain seltzer
01:48:55
◼
►
You can put it however you want.
01:48:58
◼
►
Making cocktails with soda water or something like that is fine.
01:49:01
◼
►
But the black cherry is sort of a...
01:49:04
◼
►
It's in the Dr. Pepper field of the pie chart.
01:49:08
◼
►
It's slightly pruney.
01:49:10
◼
►
It never gets old, though.
01:49:11
◼
►
It's like, we've been drinking it for years, and sometimes we'll mix in some various other
01:49:16
◼
►
But the black cherry, it's like the greatest thing ever.
01:49:19
◼
►
But A, it's fizzier than even the SodaStream would allow me to make it.
01:49:23
◼
►
And I think that's why I broke my SodaStream is it's like I pumped it up so much.
01:49:28
◼
►
It's like a bottle...
01:49:29
◼
►
You abused it.
01:49:31
◼
►
I abused it.
01:49:32
◼
►
I don't know what they're doing up there at the Hal's factory to get that much carbonation
01:49:35
◼
►
into their beverage.
01:49:37
◼
►
But I mean, you can leave one open overnight and forget to put the cap back on the bottle.
01:49:43
◼
►
And then you come down in the morning, and there's still half of a Hal's there.
01:49:46
◼
►
If there's a brand of seltzer that produces Chuck Norris-style anecdotes, I will be ordering
01:49:52
◼
►
that please and thank you.
01:49:53
◼
►
But you can have one that had been left out overnight and gotten flat.
01:49:58
◼
►
It's still fizzier than most brands of pre-carbonated seltzer water.
01:50:03
◼
►
Anyway, it's really good stuff.
01:50:05
◼
►
And that's really what got me off the SodaStream is I can't beat it.
01:50:09
◼
►
Can't beat them joint.
01:50:10
◼
►
Anyway, I want to talk to you about the Get Back documentary.
01:50:18
◼
►
I saw one bad review.
01:50:20
◼
►
Did you see this?
01:50:21
◼
►
The Guardian was like, it's like meandering.
01:50:24
◼
►
You'll lose your mind in Peter Jackson's meandering eight-hour Get Back documentary.
01:50:29
◼
►
I'm no Amy Jane, but I have a lot to say about opinions like that.
01:50:34
◼
►
Like I say, everybody should think what they think.
01:50:36
◼
►
But if you watch this and didn't get how important it is that it be what you consider long or
01:50:41
◼
►
boring, you miss the point.
01:50:44
◼
►
The very point of this is it's not, and he says this in the title card at the beginning,
01:50:50
◼
►
I think in kind of a cool way, which is like, yeah, anytime you make something, you have
01:50:53
◼
►
to make editing decisions.
01:50:54
◼
►
We did our best to make this portray what we saw happening.
01:50:59
◼
►
And my biggest takeaway from so much of this was facial expressions, body language, so
01:51:04
◼
►
much stuff that you wouldn't get if you edited this within an inch of its life to make it
01:51:09
◼
►
entertaining.
01:51:10
◼
►
So let me just say this up front.
01:51:12
◼
►
We will talk technically what you would call spoilers.
01:51:15
◼
►
We're going to talk about what we saw.
01:51:17
◼
►
But it is sort of spoiler-proof.
01:51:19
◼
►
Like if you were watching, if you're watching a movie called The Hindenburg, you already
01:51:23
◼
►
know how it ends, right?
01:51:25
◼
►
You knew how Titanic ended, right?
01:51:26
◼
►
It was the biggest blockbuster movie of all time.
01:51:28
◼
►
I mean, the perfect example is All the President's Men, another movie that by today's standards,
01:51:33
◼
►
well, it contains some pretty big spoilers for 1972, but it also is the kind of movie
01:51:38
◼
►
you wouldn't see today.
01:51:40
◼
►
It's a procedural.
01:51:41
◼
►
It's very, very slow, and it gives you the feeling of what it meant to like Ben Bradlee
01:51:46
◼
►
as he was right on the bubble about like this, but like go show your work.
01:51:52
◼
►
Go do the shoe leather reporting, which is what makes it such a terrific movie.
01:51:56
◼
►
I, so you, again, if you really want to, and you're out there listening, and you've had
01:52:02
◼
►
Let Get Back on your list, and you don't want to listen to us talk about it, you can pause
01:52:06
◼
►
the show and wait and come back.
01:52:08
◼
►
But I would say to you, I read a couple reviews beforehand.
01:52:12
◼
►
They spoiled certain scenes, and it doesn't matter.
01:52:16
◼
►
It's a spoiler.
01:52:17
◼
►
Like there's a famous bit in the first of the three segments where Paul's wearing a yellow
01:52:23
◼
►
shirt and he's playing the Hoffner bass, and he kind of plucks his way towards something
01:52:27
◼
►
that you're now familiar with, and it is more fun to go into that kind of not knowing about
01:52:33
◼
►
Right, but it's unbelievable.
01:52:35
◼
►
The other thing too, I will say this.
01:52:39
◼
►
Peter Jackson is not my favorite director, and I'm on the record famously in our nerd
01:52:45
◼
►
I despised The Fellowship of the Rings.
01:52:48
◼
►
I despised it at a level that was so profound.
01:52:51
◼
►
I liked nine of the thirteen endings.
01:52:54
◼
►
I really did not like it.
01:52:55
◼
►
Is this movie ever going to end?
01:52:57
◼
►
This is a true story.
01:52:59
◼
►
My lovely wife, we went to the theater to see Fellowship of the Ring, and I didn't like
01:53:06
◼
►
She disliked it so much that halfway through she fished through her purse to find a sleeping
01:53:12
◼
►
Ah, that's my wife in Last Night in Soho.
01:53:14
◼
►
I've never seen her so angry at a movie and at me for loving it.
01:53:20
◼
►
She was so goddamn angry.
01:53:21
◼
►
There's exactly one funny tweet about this, about Get Back, that I did think was funny.
01:53:27
◼
►
And you know, funny's funny.
01:53:29
◼
►
And the person said, "Peter Jackson is the only director where I would like to see an
01:53:33
◼
►
editor's cut."
01:53:34
◼
►
Let me say this.
01:53:40
◼
►
I'm not a fan of Peter Jackson's body of work is fiction.
01:53:43
◼
►
All of this stuff is really, really terrific.
01:53:45
◼
►
It's obviously, he cared a lot.
01:53:47
◼
►
I can see that he's clearly talented, but his style of fictional narrative filmmaking
01:53:53
◼
►
is not to my liking.
01:53:54
◼
►
He loves-- Did you see his World War I movie?
01:53:58
◼
►
I don't think I did.
01:53:59
◼
►
I think that's him, yeah, where he got colorized footage of World War I.
01:54:04
◼
►
Oh, yeah, that's another one that's a documentary.
01:54:06
◼
►
Now I'm way more interested in watching it now that I've seen this.
01:54:09
◼
►
What he did with this footage, I think that-- So the basic backstory is everybody should
01:54:16
◼
►
I never saw it.
01:54:17
◼
►
We talked about it before we started recording.
01:54:18
◼
►
I have not seen the original Let It Be documentary because I was always told it was terrible,
01:54:24
◼
►
that it was dreadful and depressing and just not entertaining.
01:54:29
◼
►
And so-- It's certainly not the way that one would,
01:54:33
◼
►
if you are a Beatles fan, which I 1000% am, I'm sewing the bag for the Beatles in a way
01:54:38
◼
►
that's just excruciatingly boring, white, and middle-aged, but it's certainly not the
01:54:44
◼
►
way you would want to remember them.
01:54:46
◼
►
It's not like Glenn Howerton talking about seeing the dead body at a funeral.
01:54:50
◼
►
Like, do you really want to remember the person this way?
01:54:54
◼
►
And I don't think we have time for that.
01:54:56
◼
►
But you know what I mean?
01:54:58
◼
►
It's very dreary.
01:54:59
◼
►
That is a great analogy, though, right?
01:55:02
◼
►
That is true, that the last time you see your-- Well, everybody's different.
01:55:05
◼
►
And people need that closure, and other people are going to be like, no, I'd rather remember
01:55:09
◼
►
grandma not wearing a wig and a box.
01:55:14
◼
►
No, it's an important moment.
01:55:16
◼
►
The one I remember very vividly was when my dad's dad died in, I believe, 1991.
01:55:21
◼
►
I think it was a senior in high school.
01:55:24
◼
►
And my dad had a brother and a sister, and everybody was there, and we had a funeral.
01:55:29
◼
►
And my grandfather lived to be-- I think he was 89.
01:55:31
◼
►
I mean, nice long life.
01:55:35
◼
►
But my dad was a blubbering mess.
01:55:38
◼
►
And his brother, my uncle-- I thought my aunt, my dad's sister, would be the one who was
01:55:45
◼
►
And she was super close.
01:55:46
◼
►
But my dad was the one who really was just a blubbering mess, and he was the last one
01:55:51
◼
►
out of the room, and said goodbye to him like he could hear him.
01:55:57
◼
►
But I could see.
01:55:59
◼
►
Everybody grieves differently.
01:56:00
◼
►
You should not police these things.
01:56:02
◼
►
And I just remember being 17 and being sort of a jerk, because I was 17.
01:56:07
◼
►
And I wasn't a jerk about going to the funeral, but I was sort of annoyed.
01:56:12
◼
►
It was like clear-- he didn't die as a surprise.
01:56:15
◼
►
It was like, ugh, now I got to go to a funeral.
01:56:18
◼
►
But I remember being blown away by that moment and thinking-- because I loved my dad so much,
01:56:22
◼
►
and I just remember like, hey, that was a moment.
01:56:24
◼
►
That was a thing.
01:56:26
◼
►
And then we all went out to eat afterwards, and my dad-- his mood was suddenly better,
01:56:32
◼
►
But that's what I've always heard of Let It Be, that Let It Be is like that.
01:56:35
◼
►
And it's pretty difficult to find these days.
01:56:39
◼
►
I think it's probably out of print.
01:56:40
◼
►
My two quickies, my Syracuse and opening statement, just a quick two-parter, is that first-- I
01:56:48
◼
►
So the Let It Be movie-- well, let me just first say this.
01:56:51
◼
►
I wish this had come out around the time of Tiger King, or I wish that it had come out
01:56:57
◼
►
around the time of when I first got obsessed with Tim Robinson's I Think You Should Leave
01:57:02
◼
►
show, which is-- those are some favorite finds.
01:57:05
◼
►
Because during lockdown, you wanted stuff to do.
01:57:08
◼
►
This would have been-- and I know, should have, but didn't have.
01:57:10
◼
►
It would have been so neat to have had this to pour over for months when I didn't have
01:57:15
◼
►
anything else to do, rather than trying to like, in this case, last night, jamming in
01:57:19
◼
►
the whole last episode because I wanted to visit with you.
01:57:24
◼
►
I would really rather have taken my time with this.
01:57:27
◼
►
And it is the kind of movie-- one doesn't want to be unkind-- it's the kind of movie
01:57:31
◼
►
that I yell at my family about, where I'm like, just put down your goddamn phone and
01:57:34
◼
►
please watch this.
01:57:36
◼
►
Because-- and not even this in particular, but there's so many things where you really
01:57:39
◼
►
need to-- it's a visual medium that we're looking at here.
01:57:43
◼
►
And just at the very least, you're going to miss a lot in the J Random movie if you're
01:57:49
◼
►
playing Genshin Impact.
01:57:52
◼
►
But in this instance, a lot of information is well and tastefully conveyed through--
01:57:59
◼
►
not intercards, but text on the screen.
01:58:02
◼
►
Not in a Avengers, oh, we're on-- or like Star Wars, we're on this planet kind of annoying
01:58:09
◼
►
But in a-- but he'll say, at this point, just so you know, they have this many days left
01:58:14
◼
►
and they can't get that venue or whatever.
01:58:16
◼
►
Just explaining background stuff that you can luxuriate in the relationships you're
01:58:21
◼
►
watching play out with enough information to understand how the valence just changed
01:58:25
◼
►
in a way that would not be obvious unless you were there.
01:58:29
◼
►
So you-- I mean, if you don't want to watch it, it's fine.
01:58:32
◼
►
Like, just go do your thing.
01:58:33
◼
►
But like, if you're not going to really pay attention to this as somebody who's steeped
01:58:36
◼
►
in Beatlesdom, well, you know, don't be too flustered about us getting the thing we've
01:58:40
◼
►
craved forever.
01:58:41
◼
►
Second and super importantly, to your point, when the trailer or the-- whatever the early
01:58:46
◼
►
trailer, the long, like, early trailer came out a few months ago, I instantly knew it
01:58:52
◼
►
was going to be my shit for the reason you just stated, which is I've seen Let It Be.
01:58:56
◼
►
I've watched it all the way through probably once, and it's really not fun to watch.
01:59:04
◼
►
It's like watching a movie about divorce.
01:59:07
◼
►
And it's really-- it is really sad, but like, seeing that footage of John Lennon dancing
01:59:12
◼
►
with Yoko or dancing with Paul, seeing John Lennon in the late '60s, whatever his chemical
01:59:19
◼
►
and emotional situation was, he's obviously utterly charming.
01:59:25
◼
►
And wait a minute, did that guy just not have any of this footage?
01:59:30
◼
►
Because Let It Be is dreary.
01:59:31
◼
►
It's mostly-- it's mostly at Twickenham.
01:59:34
◼
►
It's mostly at the cold, terrible place.
01:59:37
◼
►
And I sent you the screenshots of the famous, very famous scene of George saying, Paul,
01:59:42
◼
►
play whatever you want.
01:59:43
◼
►
If you don't want me to play, I won't play at all.
01:59:45
◼
►
I'll do whatever pleases you.
01:59:46
◼
►
And that basically is the tone of the movie.
01:59:49
◼
►
Paul is a hectoring asshole.
01:59:51
◼
►
Yoko is a cold, manipulative bitch.
01:59:55
◼
►
I'm sorry, I would not say that about a person, but that's the tone of that movie.
02:00:00
◼
►
Everybody hates-- obviously hates being there, and it's utterly bereft of any feeling that
02:00:05
◼
►
these guys in this job have any affection for what they're doing, let alone for each
02:00:14
◼
►
So when that early trailer came out and it looked-- the footage looks so crisp and beautiful,
02:00:19
◼
►
and I immediately thought, oh my gosh, I've got to see this because I want to wash that
02:00:24
◼
►
out of my mind.
02:00:25
◼
►
I put a link-- I have a final thing on this.
02:00:26
◼
►
I put a link in the doc to-- I'm sure you've heard it from one of the anthologies.
02:00:31
◼
►
And there's a super interesting second take with a different arrangement of "And Your
02:00:35
◼
►
Bird Can Sing," this much more Rickenbacker 12-string power pop kind of feeling.
02:00:42
◼
►
And when you listen to it-- even my kid from the age of three, when we would listen to
02:00:45
◼
►
this, would go like, they're high, aren't they?
02:00:47
◼
►
And I'd say, I think John and Paul are a little bit high because they're trying to do the
02:00:51
◼
►
backup vocals for "And Your Bird Can Sing," and the thing completely falls apart.
02:00:55
◼
►
So that would be 66.
02:00:58
◼
►
Until this week, in my head, in my head canon, I've always kind of figured-- I've always
02:01:04
◼
►
had a real warmth for that outtake because you can tell they're still having fun, even
02:01:09
◼
►
if they're high or whatever.
02:01:10
◼
►
They're making "Revolver."
02:01:13
◼
►
And I've always thought in my head, I'll bet that's the last time that the band, but especially--
02:01:19
◼
►
I bet that might be the last time we ever hear John and Paul kind of not hating what
02:01:25
◼
►
they're doing and not feeling-- and then us as the listener or viewer-- not feeling just
02:01:32
◼
►
this gut-wrenching sense of nobody wants to be here.
02:01:36
◼
►
So us who have sought out "Let It Be" and watched it and been sad about it-- just to
02:01:42
◼
►
be clear, "Let It Be" is up there with "Magical Mystery Tour" as easily my least favorite
02:01:46
◼
►
Beatles album, just to get that out of the way.
02:01:49
◼
►
Oh, boy, there's four or five other Beatles albums-- every other Beatles album I would
02:01:54
◼
►
put above this, including the one they recorded after "Ivy Road," which we'll get to.
02:01:58
◼
►
But it was such a salve for me to see that trailer because, yeah, I'm excited to see
02:02:03
◼
►
this, but also to go like, oh, my gosh, maybe the last photo of Grandpa doesn't have to
02:02:09
◼
►
be him dead in a box.
02:02:12
◼
►
And so I went into this with a fairly jubilant idea.
02:02:14
◼
►
I had no idea it was going to be this long or this exhaustive.
02:02:18
◼
►
And you could be forgiven for thinking this director and his team just took every stitch
02:02:24
◼
►
of footage they had and just shat it onto a digital device.
02:02:30
◼
►
But no, there's a lot of good filmmaking in this.
02:02:35
◼
►
But you are going to have to sit with it and appreciate what it is rather than what you
02:02:39
◼
►
think it should be.
02:02:41
◼
►
You need to literally let it be.
02:02:43
◼
►
That is so well said.
02:02:44
◼
►
I agree with every word of that.
02:02:45
◼
►
My preconception coming into it was slightly informed by my general distaste for Peter
02:02:51
◼
►
Jackson's films.
02:02:53
◼
►
And I sort of thought, OK, sure, the trailer does--
02:02:56
◼
►
Why doesn't the eagle just carry them?
02:02:57
◼
►
The trailer looks amazing.
02:02:59
◼
►
But my gut feeling was, look, if they made this movie back then and it was sort of dreadful
02:03:05
◼
►
and nobody really has any affinity for it and it was two hours-ish, I don't know how
02:03:11
◼
►
long-- what was the running time to let it be?
02:03:13
◼
►
Probably like--
02:03:14
◼
►
I can look it up.
02:03:15
◼
►
I think it's fairly brisk.
02:03:16
◼
►
Yeah, it's probably under two hours.
02:03:19
◼
►
And the copies that you can get-- like I've got, I think, what was a DVD copy.
02:03:22
◼
►
And it's real muddy.
02:03:24
◼
►
But if you just think about-- imagine the scenes in Twickenham, like when they're in
02:03:27
◼
►
that-- when they're bright clothes that somebody's obviously picked out for them.
02:03:30
◼
►
When they're at Twickenham and they're in that horrible room.
02:03:33
◼
►
Now imagine that, except it's-- the print is muddy.
02:03:37
◼
►
It's mostly just them being sad.
02:03:39
◼
►
The crazy room with the weird wall wash lights?
02:03:42
◼
►
Yeah, the wall-- yeah, yeah.
02:03:44
◼
►
Or Mal's going and he puts up the drum head and all that.
02:03:46
◼
►
Yeah, yeah, yeah.
02:03:47
◼
►
But my gut feeling-- and I think this-- I don't think this was unreasonable, but I thought
02:03:52
◼
►
if originally they made a pretty dreary two-hour movie, what are the odds that an eight-hour
02:03:58
◼
►
cut is going to be better?
02:04:01
◼
►
So I get it with Peter Jackson too.
02:04:04
◼
►
Like, we're people who love the Lord of the Rings trilogy.
02:04:07
◼
►
And I know that people do.
02:04:09
◼
►
And you know, no accounting for taste and the fact that I don't like them doesn't mean
02:04:11
◼
►
I think they're bad movies.
02:04:12
◼
►
I just-- they're not my style.
02:04:14
◼
►
But I get it--
02:04:15
◼
►
But they're very ambitious.
02:04:16
◼
►
But I get it.
02:04:17
◼
►
And I admire that.
02:04:18
◼
►
I get it though why somebody who loved the theatrical versions, just loved them, that
02:04:23
◼
►
they were over the moon when Peter Jackson released a 30-hour cut of the whole thing.
02:04:28
◼
►
You know, it's like, "Oh, just give me more.
02:04:29
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►
Give me all of it.
02:04:30
◼
►
Give me the 30-hour version."
02:04:32
◼
►
I thought that that was what this was.
02:04:34
◼
►
You know, it's the four times longer version of Let It Be, whereas instead it is altogether
02:04:41
◼
►
It's like the most amazing thing is this footage was shot and it's been sitting in the can
02:04:46
◼
►
for 50 years.
02:04:47
◼
►
Yeah, it was like over 100 hours of audio, but I think it was 50 hours of footage, something
02:04:53
◼
►
What other miracles like this are out there sitting in cans around the world, right?
02:04:58
◼
►
There's the Orson Welles movie that never came out.
02:05:02
◼
►
Oh, Chimes of Midnight?
02:05:03
◼
►
Uh, something with the wind or-- I don't know.
02:05:06
◼
►
Oh, yeah, I know what you mean.
02:05:07
◼
►
But one of his lost movies.
02:05:10
◼
►
And then, supposedly, they burnt the negative or something like that.
02:05:12
◼
►
And you know, but it's almost like infinite jest.
02:05:19
◼
►
You know, it's like mythical that this thing is just out there, has been out there ready
02:05:25
◼
►
to be found and discovered.
02:05:28
◼
►
And I think that the way that-- I will just say this-- the way that Peter Jackson put
02:05:32
◼
►
this together and to fish through-- now that I've seen this eight-hour movie, I can imagine
02:05:41
◼
►
what the 50 hours of footage were roughly like, you know, just as a general idea.
02:05:46
◼
►
To put this-- Well, a lot of it was probably regarded as
02:05:51
◼
►
And some of my favorite parts are like-- eventually, yes, it does become tiresome, as I will opine
02:05:57
◼
►
in the fullness of time.
02:05:59
◼
►
I think the thing that we-- that maybe-- I don't-- one of the beautiful parts of this,
02:06:04
◼
►
I feel like-- and by the way, the original is 80 minutes long, which I think wouldn't
02:06:07
◼
►
even barely qualify it as a feature.
02:06:09
◼
►
But the idea that-- and here's what it says.
02:06:13
◼
►
So this is "Let It Be 1969" by Michael Lindsay Hogg, who is not Sir Dennis Eden Hogg.
02:06:19
◼
►
"A documentary showing both how the Beatles made music together and how they split up--"
02:06:23
◼
►
now get this-- "hundreds of hours of raw footage was condensed into the final product."
02:06:28
◼
►
Well, that was an interesting series of choices, if he arrived at "Let It Be" from that footage.
02:06:32
◼
►
And I'm not trying to drag the guy, but the-- I think there's a light hand at work here,
02:06:41
◼
►
in credit to Mr. Jackson and his team, in that there's very much, like, pretty great
02:06:46
◼
►
storytelling going on.
02:06:48
◼
►
But it's-- in order to really get a feel for what makes this special and different, you
02:06:53
◼
►
are going to have to sit with it, and you're going to have to have your heart open--
02:06:57
◼
►
see, now I feel like I'm hectoring people.
02:06:59
◼
►
I love this.
02:07:01
◼
►
I'm glad it exists.
02:07:02
◼
►
But I feel like you have to understand it in a certain context.
02:07:05
◼
►
John, one of the great things that's included in this whatever-- you say eight hours, like,
02:07:09
◼
►
that sounds about right-- one of the things that's great in this is the meta talk.
02:07:14
◼
►
I'm certain-- I would have to imagine-- Michael Lindsay Hogg would never include in his movie,
02:07:18
◼
►
which is talking about the process of what they're making right now, including the movie.
02:07:23
◼
►
And the fact that-- I never really completely understood the hardness of that deadline,
02:07:28
◼
►
you know, and that ubiquitous calendar starts to feel like the New York Times election needle
02:07:32
◼
►
at a certain point.
02:07:33
◼
►
We were like, oh, they got to do this, and they got to do that, and they got to-- why
02:07:35
◼
►
did they put this pressure on themselves at this time?
02:07:37
◼
►
That's so nuts.
02:07:39
◼
►
But when you hear Paul and John-- really, all of them-- talking about decision making
02:07:46
◼
►
about what should happen next and what we can do-- you know what I mean?
02:07:50
◼
►
I think that's really valuable to know.
02:07:54
◼
►
The other thing that's mind-blowing about it is there's a whole wing of the current
02:08:03
◼
►
media industrial complex devoted to quote unquote "reality" shows, right?
02:08:10
◼
►
Bravo is a very popular cable network, and all they do--
02:08:12
◼
►
Bravo, Discovery, whatever happened to A&E in history?
02:08:16
◼
►
It used to be Hitler and sharks.
02:08:19
◼
►
And now it really is like drunk people in the Southeast being arrested.
02:08:23
◼
►
Right, but this was not a thing back then of shooting real life as it happened.
02:08:29
◼
►
That didn't really happen until the Loud family in the '70s.
02:08:32
◼
►
Accumulating lots of footage and then making something interesting out of it in the editing
02:08:39
◼
►
room, right?
02:08:40
◼
►
That the editing room is literally where the creation of the final thing is happening.
02:08:45
◼
►
Like there is no-- I've never seen anything like this that was shot prior to this footage
02:08:52
◼
►
I don't know what you-- I mean, there are certainly documentaries that were made prior
02:08:55
◼
►
to 1968, but they weren't like this, right?
02:09:00
◼
►
And oftentimes, documentaries are made after the fact.
02:09:03
◼
►
You know, like let's document what happened at Pearl Harbor, you know, and you go back
02:09:07
◼
►
and see this.
02:09:09
◼
►
Like these filmmakers, the people who shot it, they captured these extraordinary moments
02:09:16
◼
►
in the most humble way possible.
02:09:20
◼
►
Just how much do you fall in love with Kevin bringing tea and cigarettes?
02:09:23
◼
►
Like how-- who would have guessed that?
02:09:24
◼
►
But the reason I bring all this up, Jon, is that the point I'm struggling to make here
02:09:30
◼
►
is that with an insight--
02:09:33
◼
►
Think about Kevin?
02:09:34
◼
►
So much tea, so many cigarettes, cigarettes everywhere.
02:09:38
◼
►
And it's like--
02:09:39
◼
►
But it's valuable to understand that, Jon, because why?
02:09:43
◼
►
Well, let's state the elephant in the room, which is I think especially Jon, but everybody
02:09:50
◼
►
to an extent, they're on camera for a lot of this time and they want to be amusing.
02:09:56
◼
►
These are the guys-- these are your beloved mop tops from Hard Day's Night and to a far
02:10:02
◼
►
lesser extent, Help.
02:10:04
◼
►
Like Hard Day's Night was-- boy, that's a special movie.
02:10:07
◼
►
I don't know how much you can appreciate.
02:10:09
◼
►
What a special movie.
02:10:10
◼
►
He's a very clean old man.
02:10:12
◼
►
Like that movie is unbelievable because you're like, "Oh my god, these guys are exactly as
02:10:16
◼
►
hilarious as I would expect them to be."
02:10:18
◼
►
They were always on.
02:10:19
◼
►
They lived in public.
02:10:21
◼
►
And so when Jon's shucking and jiving and playing Chuck Berry covers, I think he's trying
02:10:25
◼
►
to like fill air and be amusing.
02:10:28
◼
►
It's ironic that Paul gets the rap for being the one who's so bossy and mean.
02:10:31
◼
►
And when it's like Jon who's utterly disrupting the whole thing, maybe he's trying to keep
02:10:35
◼
►
it light, but I think they all also are realizing this camera is seeing everything that we're
02:10:41
◼
►
People are watching the Beatles have a hard time.
02:10:43
◼
►
I think that when they're just filling time and Jon is ripping through a Chuck Berry song
02:10:48
◼
►
or like every once in a while, they just go back and they play one of their own old-- quote
02:10:53
◼
►
unquote old songs.
02:10:55
◼
►
And everybody knows this part.
02:10:56
◼
►
Everybody knows that the trajectory of the Beatles from the moment they-- the lifespan
02:11:03
◼
►
is ridiculously short.
02:11:04
◼
►
I said this less than on Twitter.
02:11:06
◼
►
The amount of time between Love Me Do and them breaking up is the equivalent of June
02:11:11
◼
►
2014 till now.
02:11:13
◼
►
They went from Love Me Do to the end.
02:11:17
◼
►
In six or seven years.
02:11:19
◼
►
We all know that, but you kind of get a palpable sense of it though watching this when they
02:11:25
◼
►
There's no Beatles before the Beatles.
02:11:26
◼
►
The Beatles invented the Beatles.
02:11:31
◼
►
Among the things that I would like to talk-- there's the basic story I've always been told
02:11:38
◼
►
and the mythology-- every complicated story gets reduced to a sentence.
02:11:44
◼
►
And the sentence is the Beatles broke up because of Yoko Ono.
02:11:50
◼
►
And that they hated each-- by the end they hated each other and--
02:11:53
◼
►
Who came in and deliberately quote unquote broke up the Beatles because she was not even
02:11:58
◼
►
envious, jealous of John.
02:12:00
◼
►
And she went in and deliberately-- again, this is a story.
02:12:03
◼
►
This is all in air quotes here.
02:12:04
◼
►
But we were raised to believe that this horrible Japanese woman was the one who undid this
02:12:09
◼
►
group with her typical oriental villainy.
02:12:13
◼
►
And I really think that's the story that we were told for the whole time.
02:12:18
◼
►
Including the shot in the original movie when George quits and she goes and sits in his
02:12:23
◼
►
Another very famous scene.
02:12:25
◼
►
All that Yoko, she broke up the Beatles.
02:12:28
◼
►
And it's so much more complicated than that.
02:12:31
◼
►
You said it's almost like-- it is.
02:12:34
◼
►
It's not almost like a movie about divorce.
02:12:37
◼
►
This is a movie about divorce.
02:12:38
◼
►
But this is not a divorce where they just hated each other, which is what I--
02:12:42
◼
►
Just because you love each other doesn't mean you can be together forever.
02:12:44
◼
►
And that's a sad adult fact.
02:12:47
◼
►
Part of the trajectory of Get Back is you can see that the band is disintegrating.
02:12:52
◼
►
And it certainly starts with George, at least in terms of what he says.
02:12:58
◼
►
He's like, I'm just going to take a vacation.
02:12:59
◼
►
I'm going to get out of here.
02:13:00
◼
►
And he disappears and they don't know where he is.
02:13:02
◼
►
He doesn't come back for a while.
02:13:05
◼
►
He says it like he's going out to have a cigarette.
02:13:07
◼
►
Well, I forget the exact line.
02:13:09
◼
►
But he's like, yeah, well, I'm going to go now.
02:13:12
◼
►
And so it is the story of the disintegration of this extraordinary group.
02:13:19
◼
►
But they don't hate each other.
02:13:21
◼
►
There is contention.
02:13:23
◼
►
It is not-- they are disintegrating.
02:13:26
◼
►
But it's so clear that they all love each other, truly love each other.
02:13:31
◼
►
Especially as it goes on and you see-- just again, I can't get away from those shots of
02:13:35
◼
►
just like John looking at Paul and listening to what he's saying and nodding and Paul listening
02:13:44
◼
►
to what George is saying and nodding.
02:13:47
◼
►
And you can see that they're not just civil with each other, but they generally want to
02:13:53
◼
►
hear each other out and try and find a solution that'll work for everybody, even when the
02:13:57
◼
►
friction is really rough.
02:13:58
◼
►
They're so kind to each other.
02:14:00
◼
►
There's an extraordinary moment.
02:14:02
◼
►
One of the moments that truly brought tears to my eyes-- I'm tearing up just thinking
02:14:06
◼
►
about it-- is one of the many stresses involved here is that The Beatles clearly-- everybody
02:14:14
◼
►
That songs are all Lennon-McCartney and it was John and Paul's band, right?
02:14:18
◼
►
Oh, you're talking about Ringo and George?
02:14:20
◼
►
Well, a couple things about Ringo and George.
02:14:23
◼
►
But number two, we do know this from the rest of his life, that George Harrison was an extraordinary
02:14:30
◼
►
guitar player, songwriter, and sad--
02:14:35
◼
►
He had such an eye for talent and arrangement and all those things, but he lived-- in The
02:14:40
◼
►
Beatles, he lived as-- the same way that Ringo would always be the new guy, George would
02:14:44
◼
►
always be the little brother.
02:14:46
◼
►
And he got to have one song-- every time they'd do an album, there'd be a George song.
02:14:51
◼
►
And he goes to John and he says, "Hey, you know, I'm really feeling--" I'm paraphrasing,
02:14:58
◼
►
but "I've been really productive and I've got a bunch of really good songs.
02:15:03
◼
►
And I know my role is I'm going to get one song on an album, but I've got some really
02:15:08
◼
►
good stuff here.
02:15:10
◼
►
I'm thinking what I would like to do is do an album on my own."
02:15:13
◼
►
And John says, "Oh my God, George, that is a wonderful idea.
02:15:17
◼
►
You should do that because this is good stuff.
02:15:19
◼
►
You should."
02:15:21
◼
►
And that's so contrary to the narrative of John Lennon as the selfish bastard, especially
02:15:27
◼
►
towards the end, right?
02:15:29
◼
►
Like in the latter--
02:15:30
◼
►
Oh, absolutely.
02:15:31
◼
►
And he means--
02:15:32
◼
►
Because things are loosening up and-- but like there's some of the-- John had a fierce
02:15:37
◼
►
sense of humor and was, I think, as the real heads know, was frequently taken deeply out
02:15:43
◼
►
of context because there was no context.
02:15:45
◼
►
I mean, in the case of "We're Bigger Than Jesus Christ," that continues to be one of
02:15:49
◼
►
the most ridiculous desktop cyber.
02:15:50
◼
►
I was saying to my daughter while we were watching this, like, it's so brutal that the
02:15:55
◼
►
very point that John was trying to make in that remark, when you take it out of context,
02:16:00
◼
►
it sounds like he's saying the opposite of what he's saying.
02:16:03
◼
►
Oh, so true.
02:16:04
◼
►
What he's saying is, "We're bigger than Jesus Christ," and that's crazy.
02:16:06
◼
►
Right, that's wrong.
02:16:07
◼
►
This isn't-- that's not the way it should be.
02:16:09
◼
►
We're just these four lads from Liverpool playing rock and roll.
02:16:13
◼
►
But with context, you appreciate so much more about his almost compulsive need to make silly
02:16:21
◼
►
faces and like you can tell he's not comfortable with himself.
02:16:25
◼
►
He's just a jealous guy.
02:16:26
◼
►
Like he-- you know what I mean?
02:16:28
◼
►
And there's that one part that's just audio where he's just really being very raw in a
02:16:32
◼
►
way that would come out, you know, obviously in stuff like, again, like "Jealous Guy" or
02:16:37
◼
►
stuff like, you know, a song about his mom.
02:16:39
◼
►
But like you can tell he's a really damaged guy and he's dancing to keep from crying.
02:16:47
◼
►
And I think fundamentally that's the-- the Fisher that started the breakup was John.
02:16:52
◼
►
And it wasn't that Yoko broke up the Beatles, it was John, ultimately.
02:16:56
◼
►
And maybe it would have happened anyway.
02:16:59
◼
►
There's also stuff about like when they-- stuff like Paul, every-- Paul's the one who--
02:17:05
◼
►
John's seen as, from the outside at the 101 level, John is always seen as the really extreme
02:17:12
◼
►
guy who brought in all the crazy stuff, number nine, number nine.
02:17:15
◼
►
But the truth is that Paul was the one who was bringing in a lot of continental culture.
02:17:20
◼
►
He's the one that was dating fucking Jane Asher.
02:17:22
◼
►
He was the one that's going to all the cool parties.
02:17:25
◼
►
He's the one that's bringing in musique concrete, like maybe not to a Zappa level, but he's
02:17:30
◼
►
bringing in a lot of very interesting stuff.
02:17:32
◼
►
And the truth is John was the rock and roll guy.
02:17:35
◼
►
It-- yeah, but, you know, it's just not simple.
02:17:37
◼
►
It's so multivariate.
02:17:38
◼
►
And each-- each of the-- well, of John Paul and George had their things that were creatively
02:17:46
◼
►
The other thing that I have to talk about is Ringo, who comes across amazingly well.
02:17:53
◼
►
I love the guy.
02:17:54
◼
►
I mean, if you don't want to hug Ringo Starr--
02:17:56
◼
►
Don't you want to be friends with him?
02:17:58
◼
►
Like, wouldn't it be amazing to show up-- you show up at Drexler and, like, you go and
02:18:01
◼
►
he goes, "Oh, how's it going?
02:18:02
◼
►
Is it OK that I picked this bed?"
02:18:03
◼
►
Like, he-- you can just tell he's-- he's like a really decent guy.
02:18:06
◼
►
Like, when he goes and gets a cookie and holds it up to the camera and you're like, "God,
02:18:10
◼
►
fucking Ringo, I love you so much."
02:18:12
◼
►
But Ringo obviously saw what was happening around him.
02:18:15
◼
►
And he could see it coming to an end.
02:18:16
◼
►
And he's the one who really doesn't want this to end.
02:18:19
◼
►
And Amy's note to me is that he looks constipated.
02:18:25
◼
►
You said their faces, right?
02:18:27
◼
►
Which, through a lot of it, George and Ringo, who end up being, like, the sort of ad hoc
02:18:32
◼
►
babysitters for these two idiots-- like, you can see both of them are just like, "We should
02:18:36
◼
►
probably just play some songs."
02:18:38
◼
►
But Ringo's got this, like, constipated, pained look.
02:18:41
◼
►
He's the kid watching his parents divorce.
02:18:44
◼
►
And he realizes it's happening before the parents do.
02:18:48
◼
►
You know, he's-- and I think that's true.
02:18:53
◼
►
Most people I know whose parents got divorced while they were kids, they knew it, right?
02:18:59
◼
►
The kid knows it before the parents do, because--
02:19:03
◼
►
They think they're pulling it off.
02:19:05
◼
►
They're so not pulling it off.
02:19:06
◼
►
Right, and they're not.
02:19:07
◼
►
And Ringo sees it.
02:19:09
◼
►
But Ringo's got this look like, "Man, this is-- we got a good thing going here."
02:19:14
◼
►
You know what I mean?
02:19:16
◼
►
But then also the story about when-- you know, and I don't know if you've-- you're probably
02:19:19
◼
►
not as much of a dork as I am, but I've got all the, like, the anthology documentaries,
02:19:24
◼
►
and when they release--
02:19:26
◼
►
I've got the anthology albums.
02:19:28
◼
►
I mean, that was-- I thought that was the last thing.
02:19:31
◼
►
The video is actually-- if you look them up on iTunes, look at Apple Music, the documentaries
02:19:36
◼
►
are included for each re-release, the 2009s.
02:19:39
◼
►
And so you can see, for example, you can hear that wonderful story about, like, when he
02:19:42
◼
►
quit, when Ringo quit during the White Album, and then they welcomed him back and said,
02:19:46
◼
►
"Look, we do love you.
02:19:47
◼
►
We do appreciate you.
02:19:48
◼
►
We didn't appreciate you enough."
02:19:50
◼
►
And George had covered his entire drum set in flowers.
02:19:53
◼
►
It's amazing.
02:19:57
◼
►
So George and Ringo, they're both amazing.
02:20:01
◼
►
They're caught in this terrible-- and maybe it's so multivariate.
02:20:08
◼
►
And the Beatles were never in equilibrium, right, that we talked about the fact that
02:20:12
◼
►
they went from "Hard Day's Night" or whatever the first hit single in 1964--
02:20:16
◼
►
"Love Me Do."
02:20:17
◼
►
"Love Me Do."
02:20:18
◼
►
'62 was "Love Me Do."
02:20:19
◼
►
So "Love Me Do" to this, but there was never a point where they were in stasis, right?
02:20:26
◼
►
No, I mean, closest to that would be '67, which was a anis horribilis for the Beatles.
02:20:30
◼
►
They lost Brian Epstein.
02:20:31
◼
►
They had the whole thing with the sexy Sadie in India.
02:20:34
◼
►
They went through all of this shit.
02:20:35
◼
►
I think that's also-- I think that's when the Jesus Christ thing happened.
02:20:38
◼
►
They had a terrible, terrible year.
02:20:41
◼
►
I mean, you could maybe say that about "Magical Mystery Tour," but they reinvented them.
02:20:47
◼
►
I mean, this is hagiographic, but they reinvented themselves every record.
02:20:50
◼
►
They were never static at all.
02:20:52
◼
►
Every band, with one very notable exception, every great band broke up.
02:20:58
◼
►
And sometimes it was from tragedy, right?
02:21:01
◼
►
Zeppelin broke up.
02:21:02
◼
►
I don't think Zeppelin was long for the world, though, even if Bonham hadn't died in an accident.
02:21:09
◼
►
Oh, I agree.
02:21:10
◼
►
Yeah, "In Through the Outdoor" is a band that's obviously going a different direction.
02:21:16
◼
►
I don't think they were long for the world.
02:21:18
◼
►
I mean, maybe they would have gotten back together at some point in the '80s as Led
02:21:22
◼
►
Zeppelin as opposed to Jimmy Page and Robert Plant or Page and Plant or whatever they toured
02:21:26
◼
►
briefly for.
02:21:29
◼
►
You know, The Who broke up.
02:21:30
◼
►
Every band but The Stones broke up.
02:21:33
◼
►
And The Stones are the exception, clearly not the norm.
02:21:37
◼
►
It's the way that creativity works and the way that the type of people who can make good
02:21:41
◼
►
rock and roll--
02:21:42
◼
►
And the way that businesses work.
02:21:43
◼
►
When the guy who leads the band has been scalped by Alan Klein and also has a degree in business,
02:21:50
◼
►
they know how to treat that like a company.
02:21:53
◼
►
So you know, I don't think The Beatles had a chance.
02:21:57
◼
►
And you know, like, so let's just toss this out there as a hypothetical.
02:22:00
◼
►
Let's say that John Lennon and Yoko Ono had never met.
02:22:05
◼
►
Whatever the circumstances are that led to them meeting each other, you know, a butterfly
02:22:09
◼
►
flapped its wings in China a decade before and they never even met.
02:22:14
◼
►
I don't think The Beatles were going to make it anyway.
02:22:16
◼
►
So the whole Yoko broke them up, and it comes across in this.
02:22:20
◼
►
But, but, like many good stories--
02:22:24
◼
►
She might have been a catalyst, but she wasn't the cause.
02:22:26
◼
►
There is a kernel of truth there where she was a problematic presence in the studio.
02:22:33
◼
►
Like, I sent you a screenshot from this a week ago where they're playing and she's reading
02:22:40
◼
►
the newspaper in the most--
02:22:42
◼
►
I love that.
02:22:43
◼
►
--ostentatiously dismissive way.
02:22:46
◼
►
And I think you quipped that she was like, "Checking the box scores."
02:22:49
◼
►
Checking the box scores.
02:22:52
◼
►
Very interested in the NL West.
02:22:53
◼
►
But it's also like, ask yourself this.
02:22:56
◼
►
Having watched this, ask yourself, who probably asked, nay, demanded that Yoko be there?
02:23:03
◼
►
Like if you watched that 1969 movie, you might go, "Oh, obviously Yoko went in there so she
02:23:07
◼
►
could exercise her dark arts."
02:23:09
◼
►
But I feel every bit of confidence that John was like, "Please come in here and let me
02:23:14
◼
►
literally lean on you."
02:23:15
◼
►
Yep, yep, yep.
02:23:16
◼
►
And he obviously--he needed her.
02:23:18
◼
►
His mind was obsessed with her in a way that--it was him who wanted her there, and then she
02:23:26
◼
►
was Yoko when she was there, which was weird.
02:23:29
◼
►
But it's just so amazing.
02:23:30
◼
►
Because we now in 2021 get the gift of seeing this remarkable footage and seeing some of
02:23:37
◼
►
these songs that are part of our lizard brain at this point come together.
02:23:42
◼
►
And she was literally not just in the room, but was granted the privilege of a seat right
02:23:48
◼
►
next to John in the middle of the circle while they made it and read the newspaper.
02:23:53
◼
►
And also, you must imagine at one point--and this is nothing against anybody, but toward
02:24:00
◼
►
the end--I really want to talk about this.
02:24:02
◼
►
I really want to talk about the wonderful scenes with Linda and Linda's daughter, who's
02:24:09
◼
►
But if anybody, man, woman, otherwise were in every shot, if you were the director, wouldn't
02:24:16
◼
►
there be a point where you would go to Neil Aspinall or whatever and go, "Hey, do you
02:24:21
◼
►
think you could talk to them about this person not being here all the time?"
02:24:28
◼
►
No, seriously, think about that.
02:24:30
◼
►
In retrospect, we look back and go, "Oh, we've all seen The Rutles.
02:24:33
◼
►
We've all seen Mr. Show talk about the FAD 3.
02:24:35
◼
►
We know all the jokes."
02:24:36
◼
►
Of course, in The Rutles, the Yoko character is a woman dressed as a Nazi with a Hitler
02:24:41
◼
►
mustache, which is very subtle.
02:24:43
◼
►
But still funny, though.
02:24:45
◼
►
Rutles is very funny.
02:24:47
◼
►
But imagine any movie about the fucking Beatles.
02:24:49
◼
►
Why is there another person here who's not involved?
02:24:54
◼
►
It must have been really disruptive.
02:24:56
◼
►
And uncomfortable.
02:24:58
◼
►
And in other moments, it's so clear that they have a brother-like comfort with each other.
02:25:06
◼
►
And here's this foreign person who-- Foreign in every sense.
02:25:12
◼
►
Foreign in the sense of being what we now call international, gratefully, but also foreign
02:25:16
◼
►
in the sense of she's a fly in the ointment.
02:25:20
◼
►
And is not part of the Beatles at all.
02:25:23
◼
►
And it's like having a splinter.
02:25:26
◼
►
Your body knows that that splinter's not supposed to be there, and the skin gets red and irritated
02:25:31
◼
►
around it because--
02:25:33
◼
►
It's so true.
02:25:34
◼
►
It's horrible, but it's-- yeah.
02:25:38
◼
►
It's just a foreign object that the body is--
02:25:40
◼
►
It works so well for that story, though.
02:25:43
◼
►
It works so well-- not this story, but the story of Yoko is the spanner in the works
02:25:50
◼
►
who comes in and deliberately ends.
02:25:51
◼
►
But it's-- yeah, I've had a whole list of these, of things that I came up believing
02:25:59
◼
►
to be true that, at least in some part, this movie gave me so much context to see differently.
02:26:05
◼
►
It's always broken my heart because I'm a Paul guy.
02:26:08
◼
►
I mean, I love them all, but--
02:26:09
◼
►
Yeah, I'm a Paul guy, too.
02:26:10
◼
►
I mean, I really like--
02:26:11
◼
►
I like-- we don't have time for this.
02:26:14
◼
►
I love so much about Paul in general.
02:26:16
◼
►
Yes, he became kind of annoying.
02:26:18
◼
►
And why is he driving a boat in the documentary of the anthology?
02:26:21
◼
►
Why is he looking through a window on a boat?
02:26:23
◼
►
Like, hey, I'm going to do this school.
02:26:25
◼
►
Let's go drive around in a boat.
02:26:27
◼
►
OK, whatever.
02:26:29
◼
►
But the story that you get out of the original and a story that has stuck to Paul in a way
02:26:35
◼
►
that I've always felt-- well, at least made me feel icky-- is the whole, like, well, Paul's
02:26:39
◼
►
the asshole who broke up the Beatles.
02:26:41
◼
►
Paul's the one, now, we learned that didn't want to sign with Alan Klein, who, by the
02:26:45
◼
►
way, totally ripped them off.
02:26:47
◼
►
Same guy-- remember, he serves.
02:26:48
◼
►
I think he's also the guy that made the Stones have to move to France.
02:26:52
◼
►
Like, Alan Klein was not a good guy.
02:26:55
◼
►
I mean, you know, Exile and Main Street are our favorite-- oh, I think it's yours, right?
02:26:58
◼
►
Oh, yeah, without question.
02:26:59
◼
►
Yeah, there'd be no rocks off without Alan Klein and heroin.
02:27:03
◼
►
And-- but-- OK, so I'm a Paul guy.
02:27:06
◼
►
I like Paul.
02:27:07
◼
►
And you know what?
02:27:08
◼
►
I'm like the puppy dog that wants to be loved.
02:27:11
◼
►
And I love his pop sensibilities.
02:27:13
◼
►
And my god, go back and listen to a song like "Here, There, and Everywhere."
02:27:17
◼
►
Like, I know you get this, but, like, the first verse starts with "here," the second
02:27:20
◼
►
verse-- he's so-- but he got the rap for being the guy who, after Yoko, we can most blame
02:27:26
◼
►
for the Beatles breaking up because he was so uncool and hassling everybody all the time.
02:27:33
◼
►
And with this, I see Paul in a role that I couldn't even have guessed, which is, guys,
02:27:40
◼
►
we need to do this, and we need a plan, and we need a work ethic.
02:27:44
◼
►
And I think in a lot of ways, in a way that George and Ringo would probably not pipe up
02:27:48
◼
►
about for years, I think he needed to be John's wrangler.
02:27:52
◼
►
And I think he needed to find a way to attach that wild horse to the most useful cart.
02:28:00
◼
►
And we've got to keep John happy, but guys, we really need to get to work.
02:28:04
◼
►
We can't just play Kansas City all day.
02:28:07
◼
►
We've got stuff to do here.
02:28:12
◼
►
That was one of the big ones for me, just personal point of personal privilege.
02:28:16
◼
►
It was nice for me to see, you know what?
02:28:18
◼
►
Paul wasn't a jerk.
02:28:19
◼
►
Paul was trying really hard, and I can't get away from this.
02:28:21
◼
►
The scenes where you just see the reaction shot of Paul nodding, and with big eyes, and
02:28:27
◼
►
I'm getting all the body language of, "I hear you, and I'm listening to you, and even though
02:28:31
◼
►
I may not agree with you, I'm not going to say anything about it because I want to keep
02:28:34
◼
►
things going."
02:28:36
◼
►
He's like the project manager.
02:28:38
◼
►
Nobody likes, believe me, I'm a retired project manager.
02:28:41
◼
►
Nobody likes the project manager.
02:28:43
◼
►
You're vice president in charge of bad news.
02:28:45
◼
►
Nobody likes you because you're the one with the shoulder.
02:28:47
◼
►
You're on the hand between the shoulder blades saying, "Let's keep moving toward the exit."
02:28:53
◼
►
My job is to keep this moving.
02:28:55
◼
►
We're looking at an X on that calendar every day, and I don't know how long we're going
02:28:59
◼
►
to spend perfecting Polythene Pam if you're going to be over here just wanting to shuck
02:29:06
◼
►
and jive for an hour.
02:29:07
◼
►
Yeah, fucking around.
02:29:08
◼
►
Well, some of it is like, "Oh, Alex has got to go set up his studio that didn't work.
02:29:11
◼
►
God, that shit is so hilarious."
02:29:13
◼
►
But then also just the stuff of like…
02:29:15
◼
►
Anyway, that was a big one for me.
02:29:18
◼
►
I'd always heard John.
02:29:19
◼
►
I think John was at this point.
02:29:22
◼
►
I don't want to say anything about the man, but I think he was into some of the problems
02:29:26
◼
►
that would bedevil him in the early '70s.
02:29:28
◼
►
I think he might have been doing some heroin then.
02:29:30
◼
►
I'm not sure.
02:29:31
◼
►
The point is, other story, more conventional wisdom, John was a fucking gacked-out zombie,
02:29:37
◼
►
and fucking Yoko put her hand up his ass and made him walk around and go, "Kiss, kiss,
02:29:42
◼
►
be rough," or whatever.
02:29:45
◼
►
But also the final one, the huge one, the Beatles hated each other, and every minute
02:29:49
◼
►
of this was terrible.
02:29:50
◼
►
No, it wasn't.
02:29:51
◼
►
There's more friction on succession in the making of this book.
02:29:55
◼
►
They were so kind to each other as they were clearly dissolving.
02:29:58
◼
►
So kind, so patient, generous, good listeners.
02:30:02
◼
►
My wife even said, one of her notes was that she wishes the Beatles were her parents because
02:30:07
◼
►
they got along so much better.
02:30:10
◼
►
Yeah, yeah, yeah.
02:30:13
◼
►
Yeah, and like, you know…
02:30:17
◼
►
There's a big part of the third episode, maybe it's sort of the whole…
02:30:22
◼
►
One thing for me is that as I watched, we watched one segment per night at a time.
02:30:28
◼
►
We didn't binge four hours of it at once, but it all blurred together for me, and each
02:30:34
◼
►
one put me into a hypnotic state where it compelled me to just sort of…
02:30:41
◼
►
In the best possible way that cinema just pulls you in, and then the credits roll, and
02:30:46
◼
►
you're like, "I can't believe that's over," and you're like, "Oh, that was
02:30:50
◼
►
That's Godfather II in a nut.
02:30:52
◼
►
Yeah, it pulls you in.
02:30:53
◼
►
Like, how was that three hours?
02:30:54
◼
►
But the third one is mostly about the rooftop concert.
02:30:58
◼
►
Everybody has seen the footage of and knows that they did it, but my god, they were so
02:31:01
◼
►
nervous about it.
02:31:05
◼
►
But just little dumb things, like Paul jumping up and down on the boards because they're
02:31:09
◼
►
not sure if the roof can hold all of the weight, and there's nowhere else that they can go.
02:31:13
◼
►
This is the absolute last resort, and frickin' Dennis Eaton Hogg has ten cameras he needs
02:31:19
◼
►
to be doing stuff with across the street.
02:31:21
◼
►
Three cameras downstairs, like all of that stuff, and it's a quickening.
02:31:25
◼
►
This is it, guys.
02:31:26
◼
►
It's go time.
02:31:27
◼
►
However they came up with that dumb date.
02:31:29
◼
►
I don't know.
02:31:30
◼
►
But the meta talk, again, the meta talk all along is, "Okay, so where are we today?
02:31:34
◼
►
Well, we've got these songs.
02:31:36
◼
►
We're getting pretty good with Get Back or Amazing Don't Let Me Down.
02:31:40
◼
►
We're getting there, but where are we going to stage this?
02:31:42
◼
►
How's it going to happen?
02:31:43
◼
►
Are we still doing this as a TV show?"
02:31:46
◼
►
Because, let me ask you, here's the thing.
02:31:47
◼
►
Here's how Merlin Mann thinks about it.
02:31:49
◼
►
Wait a minute.
02:31:50
◼
►
So, as of today, what are we making?
02:31:52
◼
►
Is this mainly a movie?
02:31:54
◼
►
Is this mainly a TV show?
02:31:56
◼
►
Is this mainly ... Because the decision making that Glenn Johns is going to need to know
02:32:00
◼
►
about in order to ... If you want to record live on a roof in London, wow, that's a really
02:32:05
◼
►
different setup than being in this studio versus the Apple studio on Savile Road.
02:32:12
◼
►
And they were so focused on the set list.
02:32:15
◼
►
And you think ... I don't know.
02:32:17
◼
►
There's a part of me that ... Is it okay if we play an acoustic guitar?
02:32:21
◼
►
They had to think about that.
02:32:23
◼
►
There was a part of me that always assumed ... And one of the weird things about the
02:32:28
◼
►
Beatles is that they stopped touring relatively early, and all ... What we think of as the
02:32:34
◼
►
best of the Beatles, they didn't tour and do rock concerts.
02:32:38
◼
►
We think that's what a major band ... They would do studio things, but 65 was when
02:32:42
◼
►
that ended, and they went into the studio for Revolver.
02:32:44
◼
►
But yeah, they would do occasional.
02:32:46
◼
►
They would do the All You Need Is Love.
02:32:50
◼
►
But no, they couldn't hear anything.
02:32:53
◼
►
But they clearly ... And famously, I don't know if you've ever heard of this fellow,
02:32:57
◼
►
Malcolm Gladwell, but ... Oh, no, no, you better not.
02:33:01
◼
►
There better not be a five-figure estimate coming here.
02:33:05
◼
►
But what if you practice 10,000 hours and you still suck?
02:33:09
◼
►
Is that a thing?
02:33:10
◼
►
The thing is, he is sort of ... He's a shit.
02:33:14
◼
►
I hate that guy.
02:33:15
◼
►
He is sort of right about ... No, but he's right that they honed their chops playing
02:33:21
◼
►
live in dive bars.
02:33:23
◼
►
Eight hours a day, the owner would yell, "Mokshau, mokshau, go out and make a good show," and
02:33:27
◼
►
they would play for eight hours totally on speed and having to amuse drunk people for
02:33:34
◼
►
eight hours a day.
02:33:37
◼
►
But they still were, even if they stopped playing live shows in '65, they still prided
02:33:44
◼
►
themselves on it.
02:33:45
◼
►
And they wanted that thing to be perfect.
02:33:50
◼
►
And they sweated everything.
02:33:51
◼
►
This is how we're going out.
02:33:54
◼
►
It better be good.
02:33:55
◼
►
Should they all be rockers?
02:33:56
◼
►
Should we play our old stuff?
02:33:58
◼
►
How would you leave people with the last impression of the Beatles and you're deciding that on
02:34:04
◼
►
the Tuesday before the Wednesday when it happens?
02:34:09
◼
►
Do we have time for a special guest?
02:34:12
◼
►
I think we do.
02:34:13
◼
►
I think we ... Yeah.
02:34:15
◼
►
My wife wants to talk to you about Debbie.
02:34:17
◼
►
Debbie ... Okay.
02:34:19
◼
►
Amy, are you there?
02:34:22
◼
►
Why don't you take over?
02:34:23
◼
►
We don't have time.
02:34:24
◼
►
I don't want to ... No, you come on and talk about Debbie.
02:34:27
◼
►
We haven't spoken about her.
02:34:28
◼
►
Oh, you haven't talked about Debbie?
02:34:32
◼
►
Debbie was the star of the show.
02:34:34
◼
►
Wait, remind me who Debbie is.
02:34:37
◼
►
Oh, you don't remember Debbie?
02:34:38
◼
►
So Debbie was the person tasked with holding off the cops.
02:34:44
◼
►
The girl with the eyeliner and the hidden camera.
02:34:47
◼
►
And she just ... And her thing was just repeat whatever they say to buy time, which is sort
02:34:55
◼
►
of a great strategy.
02:34:58
◼
►
And she'd be like, "Oh, so you want to come in?"
02:35:01
◼
►
And they'd be like, "Yes."
02:35:02
◼
►
"Oh, you want to go upstairs?"
02:35:03
◼
►
"Yes, yes, we would be much obliged to come in."
02:35:05
◼
►
And she's like, "So you want to go-" Everyone's so polite.
02:35:07
◼
►
Don't you wish black people got a chance to pick their cops?
02:35:10
◼
►
And they're so polite.
02:35:15
◼
►
And then when they finally do go up there, they just stand there.
02:35:20
◼
►
Yeah, because I sort of suspected that the cops just wanted to get in to see.
02:35:27
◼
►
Like did you sort of- I very much had that.
02:35:28
◼
►
They waited a pretty long time before they sent Mal over.
02:35:30
◼
►
And they did.
02:35:31
◼
►
They were just like, "Can I go upstairs?"
02:35:32
◼
►
And Debbie was like, "Well, you know, there's a weight limit, so you might not want to go
02:35:37
◼
►
up there because the roof might fall in."
02:35:41
◼
►
And oh my God.
02:35:42
◼
►
I would watch a whole documentary.
02:35:44
◼
►
I'm not sure her name is Debbie now, but I would watch a whole documentary about Debbie.
02:35:49
◼
►
Ten years ago, you would have called it a web series.
02:35:51
◼
►
Give me just something like a children's hospital.
02:35:53
◼
►
Just give me ten episodes about Debbie.
02:35:55
◼
►
I would also, and I can understand if you're not a parent that you would think this is
02:35:58
◼
►
annoying, but like how much do you love little Heather doing some pretty serviceable high
02:36:04
◼
►
hat work and Ringo does not say a peep?
02:36:07
◼
►
How awesome was that kid?
02:36:10
◼
►
I mean, she was keeping a rhythm on the high hat.
02:36:13
◼
►
It was crazy.
02:36:15
◼
►
But didn't you sort of feel like Paul bringing a kid was his answer to John being there?
02:36:24
◼
►
Yeah, yeah, yeah.
02:36:25
◼
►
I totally do.
02:36:26
◼
►
Like that was his answer.
02:36:27
◼
►
This is my human shield.
02:36:28
◼
►
Oh, you're going to bring Yoko?
02:36:29
◼
►
Well, I'm going to bring a child and let's disrupt my brain.
02:36:32
◼
►
George talks about that.
02:36:33
◼
►
I don't know if it was here or the anthology, but George talks about how everybody's on
02:36:36
◼
►
such better behavior once they bring in Billy Preston.
02:36:40
◼
►
Same way that when they brought in Eric Clapton, everybody was nicer to each other.
02:36:44
◼
►
Oh yeah, yeah.
02:36:46
◼
►
This is how divorced people stay together, Amy.
02:36:48
◼
►
You've got to bring in another party.
02:36:49
◼
►
We were actually super worried about Billy Preston.
02:36:53
◼
►
We were like, "Is he a hostage?
02:36:54
◼
►
Why aren't they letting him go?"
02:36:56
◼
►
Billy Preston has been there a long time.
02:36:58
◼
►
Oh, he's the load-bearing pianist.
02:37:01
◼
►
Yeah, because he just smiled and did great.
02:37:05
◼
►
He seems so cool.
02:37:06
◼
►
Oh, didn't he?
02:37:08
◼
►
But, oh, okay, this is something.
02:37:11
◼
►
Did you guys talk about the cops yet?
02:37:13
◼
►
So the cops being super civil.
02:37:15
◼
►
Like first of all, that was the thing that broke me.
02:37:21
◼
►
We've received some complaints.
02:37:22
◼
►
And it must have been utterly disruptive, 10 or 13 or however many cameras.
02:37:27
◼
►
The whole thing must have been so disruptive.
02:37:29
◼
►
Oh my God, it must have been horrible.
02:37:30
◼
►
Tell me what was your impression?
02:37:32
◼
►
You think you might like some of those in Philly?
02:37:33
◼
►
Get some Bobby's?
02:37:34
◼
►
Yeah, we don't have any of those.
02:37:36
◼
►
And first of all, why do they tolerate the strap under their lip?
02:37:40
◼
►
The strap under the lip would make me lose my goddamn mind.
02:37:44
◼
►
It was like seeing somebody with a stain.
02:37:46
◼
►
And the one young kid who looked like my son's age or younger, like 12, kept licking it.
02:37:52
◼
►
And I was like, "God, COVID.
02:37:53
◼
►
Oh my God, stop licking your strap."
02:37:57
◼
►
Like with bad breath, you get a stinky strap?
02:37:59
◼
►
Oh, I would hate that.
02:38:01
◼
►
Oh my God, your strap stank so bad.
02:38:04
◼
►
But I also thought too, like in the current era, that the cops would bust in and think,
02:38:11
◼
►
"Well, Billy Preston is kidnapping the Beatles and making them play."
02:38:15
◼
►
And would just-
02:38:16
◼
►
"Hello, hello, hello, why are you stealing this brand new Fender Rhodes piano?
02:38:21
◼
►
What's all this then?"
02:38:22
◼
►
Bang, bang, bang.
02:38:23
◼
►
That's not funny, but it is true.
02:38:27
◼
►
But that's how we live now.
02:38:28
◼
►
Like seeing the cops be- and they were probably over-leasable.
02:38:33
◼
►
And I don't know what the Beatles were like then.
02:38:38
◼
►
But to hear Ringo- again, I don't know if it was here, I've watched so much stuff lately,
02:38:42
◼
►
but where Ringo's talking about, "Oh, in fact, they let us play too long.
02:38:45
◼
►
I was really hoping they'd bust us and I'd be dragged away in handcuffs."
02:38:48
◼
►
Like, oh man.
02:38:49
◼
►
And didn't they sort of say that?
02:38:50
◼
►
Things really changed, dude.
02:38:51
◼
►
They said at the end-
02:38:52
◼
►
They probably did, yeah.
02:38:54
◼
►
We wanted more of a spectacle.
02:38:55
◼
►
Let's just say the cops made a stop when in reality, I think they felt they weren't
02:38:59
◼
►
up to snuff.
02:39:00
◼
►
Didn't they say that at the end?
02:39:02
◼
►
They said like, "We can just say-"
02:39:03
◼
►
And like the fact that they do all those sort of multiple takes to get like the best take,
02:39:07
◼
►
and Jon was just saying a minute ago, you can tell they're so nervous about having
02:39:11
◼
►
Like, I just- as I say, like as a project- former project manager, I just think about
02:39:15
◼
►
how many things could go wrong and how under planned this whole thing is.
02:39:20
◼
►
And it really could have been such a debacle.
02:39:24
◼
►
With new material?
02:39:26
◼
►
It was so amazing.
02:39:27
◼
►
And so for the whole thing, you realize that like, Paul- to me, Paul was the dad.
02:39:34
◼
►
You know, he was the one- and it was so exceedingly civil to me, the way he said like, "Let's,
02:39:41
◼
►
you know, hey, we're gonna do this tomorrow.
02:39:43
◼
►
Maybe we should practice, lads."
02:39:45
◼
►
You know, like he was so exceedingly-
02:39:46
◼
►
Yeah, I don't want to be a dick about it, but this is probably our last show, so maybe
02:39:50
◼
►
we should learn- and then maybe we should play it all the way through, like without
02:39:54
◼
►
doing an Everly Brothers cover.
02:39:56
◼
►
Maybe we could do-
02:39:58
◼
►
But I grew up thinking that The Beatles breaking up was this diva, huge, giant deal.
02:40:02
◼
►
This is my question for you.
02:40:05
◼
►
I was talking to Jon about this, but we were talking about sort of, at least for me as
02:40:10
◼
►
somebody who's a midling-level Beatle mania.
02:40:12
◼
►
Yes, that's exactly where I am.
02:40:14
◼
►
Like I am a fan, yeah, but not a huge fan.
02:40:16
◼
►
You know all the stories, though.
02:40:17
◼
►
You know, yeah, you know, Yoko broke them up and Paul's the jerk.
02:40:19
◼
►
What were your, as we say on political Twitter, what were your priors coming into this?
02:40:22
◼
►
What were the things that you expected or didn't expect to see?
02:40:26
◼
►
What was different?
02:40:27
◼
►
Well, give me your impressions just in general, like what you came in with as somebody- and
02:40:31
◼
►
we've talked about this, about, you know, Jonas Levingale, a submarine as a kid, I think
02:40:34
◼
►
we talked about that in New Zealand.
02:40:36
◼
►
But like, your priors coming into this, what were you expecting out of this?
02:40:40
◼
►
Well, I thought that Jon was this huge diva and that he brought in Yoko and, and I'm not
02:40:48
◼
►
saying that I thought Yoko broke up the Beatles because even to me as a kid that smelled misogynist
02:40:57
◼
►
But I did sort of-
02:40:58
◼
►
I wish I'd smelled that better because I believed that until much more recently than I-
02:41:02
◼
►
No, I'm being dead honest.
02:41:04
◼
►
I believed that because I grew up with it.
02:41:07
◼
►
But that's how we grew up!
02:41:08
◼
►
That was the thing.
02:41:09
◼
►
Yoko broke up the Beatles.
02:41:10
◼
►
That was the explanation instead of like, "Oh, Paul moved to a different part of London."
02:41:14
◼
►
Like there's all kinds of things you're like, "Oh, I didn't know about that.
02:41:16
◼
►
Oh, you know, and Jon broke up with Cynthia and that was really painful.
02:41:18
◼
►
And Jon barely left his house for a fucking year because he was so depressed."
02:41:22
◼
►
We don't talk about these things as much as the Asian lady with the hat.
02:41:26
◼
►
No, Jon was a weirdo.
02:41:27
◼
►
I mean, Jon, Jon was to me the off thing and, but they were so civil in dealing with him.
02:41:34
◼
►
Like to me, like I can't tell you how many times I thought someone needs to punch Jon
02:41:39
◼
►
in the face right now.
02:41:40
◼
►
Like they're doing Let It Be.
02:41:41
◼
►
Yeah, like somebody needs to stick a Ritalin into Jon's ken.
02:41:45
◼
►
Yes, yes, yes.
02:41:46
◼
►
Like, dude, you need to pump the brakes.
02:41:48
◼
►
This nervous energy is not helping.
02:41:50
◼
►
Can I say that?
02:41:51
◼
►
That Jon is sort of the undiagnosed kid?
02:41:54
◼
►
Because we grew up in that era where kids were undiagnosed.
02:41:59
◼
►
Where I think, I think Jon needed some medication.
02:42:01
◼
►
I think he was a genius.
02:42:02
◼
►
I think he was a super nice person.
02:42:05
◼
►
And that's the overriding thing.
02:42:06
◼
►
He wasn't this diva.
02:42:07
◼
►
He was a nice person.
02:42:08
◼
►
I think he had a very nice aspect.
02:42:09
◼
►
You know, I think he had a very nice person though.
02:42:10
◼
►
His mom died and like, yeah, the whole thing.
02:42:13
◼
►
And Paul's too, right?
02:42:14
◼
►
Paul's mother died too.
02:42:16
◼
►
But Jon's whole, I mean, again, I'm not going to be the armchair guy, but I'm just curious.
02:42:20
◼
►
So you come into that.
02:42:21
◼
►
And so I was telling Jon how excited I was when I saw the trailer a few months ago, because
02:42:25
◼
►
it was so different from what I'd seen in the movie Let It Be.
02:42:28
◼
►
Like what, what was your feeling when you saw this was coming?
02:42:31
◼
►
Did you just think, oh no, it's going to be another Lord of the Rings movie with nine
02:42:34
◼
►
Like what was your, what was your feeling?
02:42:35
◼
►
I was sort of worried.
02:42:36
◼
►
Because I know you're, I know you're a huge fan of Peter Jackson in general.
02:42:40
◼
►
And you love, you love music about, you love movies about that.
02:42:43
◼
►
I took a Xanax in the middle of the first month.
02:42:45
◼
►
You love coins, you love dwarves.
02:42:48
◼
►
We don't say midget anymore.
02:42:50
◼
►
You- Merlin, I-
02:42:53
◼
►
You can't say the word midget on TV.
02:42:54
◼
►
I took a Xanax and yelled, I'm out.
02:43:01
◼
►
Not only did I take the Xanax during that movie, and I was so happy it was still in
02:43:07
◼
►
We must have traveled, you know?
02:43:08
◼
►
So I was like- Oh, what a gift.
02:43:10
◼
►
I screamed, yeah, no, it was a great gift.
02:43:12
◼
►
And I was like, wake me up when this is over.
02:43:14
◼
►
It's terrible.
02:43:15
◼
►
And I love the books, so I'm not, you know, a gift.
02:43:18
◼
►
Right, and you just, you just turn and look him dead in the eyes and go, you owe me.
02:43:21
◼
►
It's like, I'm out.
02:43:24
◼
►
No, but, but thinking this, I, I sort of always thought like Paul was the diva, you know,
02:43:32
◼
►
that maybe I was always Team Paul.
02:43:35
◼
►
He's very, he's supposed to be like very ego assertive in a way that like he steps on everybody
02:43:40
◼
►
else's contributions and makes them play his, I think the phrase John used was his granny
02:43:46
◼
►
Yeah, and I also thought too that when this came out, because Paul's the only one left,
02:43:51
◼
►
well, I mean Ringo, I mean, I could do a whole show on Ringo and his faces.
02:43:58
◼
►
He was so concerned and constipated.
02:44:03
◼
►
It's funny reading this all on Twitter as we're recording.
02:44:07
◼
►
Ringo was so-
02:44:08
◼
►
I want to just hug him.
02:44:11
◼
►
He's like, he's like a Cabbage Patch doll or no, or like what?
02:44:14
◼
►
He's like a-
02:44:15
◼
►
But everyone loved him.
02:44:16
◼
►
Like a foster pet.
02:44:17
◼
►
They were all so, they, they were all so nice.
02:44:20
◼
►
Like he wasn't, he wasn't, I don't know, he was a sweetheart.
02:44:24
◼
►
I loved Ringo.
02:44:25
◼
►
But yes, he was very constipated and he sort of was the only one who knew, like, we're
02:44:30
◼
►
fucking this up.
02:44:33
◼
►
We're messing it up.
02:44:34
◼
►
Yeah, and Ringo's, it's so interesting because like when we go back and I watched a YouTube
02:44:37
◼
►
video the other day of, you know, I know that Ringo is one of the great drummers.
02:44:41
◼
►
Yeah, no, no.
02:44:42
◼
►
And I mean, the real heads know, but there are a lot of people who are like, oh yeah,
02:44:46
◼
►
Ringo, whatever.
02:44:48
◼
►
No, no, he's not-
02:44:49
◼
►
He's so simple.
02:44:50
◼
►
Tom Petty used him as a drummer for at least one album, but they were friends.
02:44:52
◼
►
But he was friends with George Harrison and Ringo.
02:44:55
◼
►
He's very low key.
02:44:56
◼
►
He was there when Prince throws his guitar in the air.
02:44:59
◼
►
But he's very low key.
02:45:02
◼
►
But like what Ringo brings to a song, my guess is, as a former musician, is that a lot of
02:45:07
◼
►
what Ringo brings to the process is not going to fully bloom until the songwriting is done,
02:45:14
◼
►
until the arrangement is done.
02:45:16
◼
►
And when you go through this YouTube video, I'll try and find out for notes, but like
02:45:18
◼
►
it was a guy explaining like, well, here's how anybody else would have played Ticket
02:45:23
◼
►
Here's how anybody else would have played I'm Only Sleeping or whatever.
02:45:27
◼
►
And here's how Ringo played it.
02:45:28
◼
►
And you would never in a million years think that that's the drumbeat that worked there.
02:45:32
◼
►
But I'm guessing that what he really brought to the band, apart from an insane meter and
02:45:39
◼
►
like sense of rhythm, was that, you know what I mean though?
02:45:41
◼
►
Like if they're still fucking around going like, I don't know if this song is called
02:45:44
◼
►
Scrambled Eggs or what, or they're saying like, I can't decide about like, you know,
02:45:50
◼
►
what's the one?
02:45:51
◼
►
Get Back is the one that takes forever.
02:45:52
◼
►
You know, I bet a lot of the art for Ringo comes in at the point where they're recording,
02:45:57
◼
►
where he can really hear what he's doing with the actual song.
02:46:01
◼
►
You know what I mean?
02:46:03
◼
►
And I know nothing about music, but that is something that is always said about drummers,
02:46:09
◼
►
Like, well, Charlie Watts has recently died and the, you know, the Stones say he was the
02:46:13
◼
►
heartbeat of the Stones.
02:46:16
◼
►
So I believe that.
02:46:18
◼
►
I believe that, you know, I don't think that, you know, Ringo was terrible, but I love his
02:46:26
◼
►
But he's not flashy.
02:46:27
◼
►
I mean, he's not out there doing like, I mean, I don't, Stewart Copeland, I mean, for me
02:46:31
◼
►
is an all-timer, but not everybody can or should be Stewart Copeland.
02:46:35
◼
►
And you don't become Stewart Copeland unless you understand a whole lot of things that
02:46:41
◼
►
are about more than playing When the Levee Breaks Mostly Right.
02:46:45
◼
►
Well, even Dave Grohl, you know, we didn't.
02:46:49
◼
►
I mean, my God.
02:46:50
◼
►
Fucking like the drum for the drum fills, dude.
02:46:52
◼
►
The drum fills on No One Knows.
02:46:53
◼
►
I just made my kid put down her phone and just watch No One Knows.
02:46:57
◼
►
Just listen.
02:46:58
◼
►
Listen to the drum fills on the second chorus.
02:47:01
◼
►
Do you do that to your kid?
02:47:02
◼
►
I do that shit to my kid, and my kid is like, "Who cares?"
02:47:09
◼
►
They're not obligated to care, but it would really help me.
02:47:10
◼
►
I would have more affection, if I'm being honest.
02:47:13
◼
►
If you could just sit down and not play Genshin Impact, if you could just sit here and watch
02:47:17
◼
►
The Big Lebowski like a gentleman, I think we'd get along a lot better.
02:47:22
◼
►
I'll pay for whatever college you want, but just you.
02:47:24
◼
►
Well, let's not go crazy.
02:47:26
◼
►
If I'm not retiring, you can't go to college.
02:47:29
◼
►
I'll let Mom take care of it.
02:47:31
◼
►
You guys have Division of Duties there.
02:47:32
◼
►
It sounds like John picks up the mail and takes out the trash.
02:47:35
◼
►
You don't like the way John brings in the mail.
02:47:36
◼
►
Is that correct?
02:47:38
◼
►
Well, it's just a pile.
02:47:39
◼
►
I mean, he doesn't bring in the mail.
02:47:41
◼
►
He doesn't organize it or anything?
02:47:42
◼
►
He just looks through it.
02:47:44
◼
►
If there's anything that interests him, he brings it up, and then...
02:47:47
◼
►
Oh, he's a cherry picker.
02:47:48
◼
►
Yeah, he's a cherry picker.
02:47:49
◼
►
I'm telling John we're talking about catalogs because it's the season, and we just got a
02:47:54
◼
►
catalog for a blanket startup called Bundle, B-U-N-D-L.
02:47:59
◼
►
You should get in to get you a bundle, Amy.
02:48:00
◼
►
Do you know what we have?
02:48:03
◼
►
We have something called The Big Blanket, which is a family blanket that you use on
02:48:08
◼
►
the couch that would fit like eight people.
02:48:10
◼
►
Oh, I love that.
02:48:12
◼
►
But you know what?
02:48:13
◼
►
That's so nice.
02:48:14
◼
►
I don't need an email every week because how many big blankets do they think I fucking
02:48:18
◼
►
I might need the ACLU, am I right?
02:48:20
◼
►
Jesus Christ.
02:48:21
◼
►
You know what?
02:48:22
◼
►
I might now hate civil liberties.
02:48:23
◼
►
And sometimes they go nuts.
02:48:24
◼
►
I might hate civil liberties.
02:48:25
◼
►
I might hate civil liberties.
02:48:26
◼
►
I know, I know.
02:48:27
◼
►
That is so true.
02:48:28
◼
►
Like, I am so on board, and then they do something, I'm like, "Oh, fuck you.
02:48:36
◼
►
You guys suck.
02:48:38
◼
►
Why are you fucking the cow?
02:48:41
◼
►
Like I'm trying to help you.
02:48:44
◼
►
Why are you pissing me off?
02:48:45
◼
►
If you're pissing me off, like, you're pissing off.
02:48:48
◼
►
You don't have a hope.
02:48:50
◼
►
I'm as liberal as I come.
02:48:51
◼
►
You're so screwed.
02:48:52
◼
►
So if I'm pissed off, okay, I am going to give this back to John because he's like—
02:48:57
◼
►
No, no, not yet.
02:48:58
◼
►
I mean, just hang on.
02:48:59
◼
►
We don't have time.
02:49:00
◼
►
We got time.
02:49:01
◼
►
We can stretch our legs a little bit.
02:49:02
◼
►
He just sent me a bacon.
02:49:04
◼
►
He just handed me a bacon.
02:49:06
◼
►
Yeah, from Sharper Image.
02:49:08
◼
►
You're getting that for Christmas.
02:49:09
◼
►
I don't want to spoil it.
02:49:10
◼
►
What is your—I feel like I want to say you're a revolver person.
02:49:14
◼
►
Do you have a favorite—as we sit here today, do you—I mean, can you say—I used to struggle
02:49:18
◼
►
for years between Revolver and Rubber Soul.
02:49:20
◼
►
Now I go back and forth between White Album and Revolver.
02:49:22
◼
►
Do you have a favorite Beatles album?
02:49:24
◼
►
Oh, my God, no.
02:49:25
◼
►
I don't, but I have a favorite Beatles song, and it is terrible.
02:49:28
◼
►
Do you know it?
02:49:31
◼
►
Has John said it?
02:49:32
◼
►
It's terrible.
02:49:33
◼
►
No, I don't.
02:49:34
◼
►
But it's so good.
02:49:37
◼
►
Oh, God, please don't say Magical Mystery Tour.
02:49:39
◼
►
If I get drunk—
02:49:40
◼
►
You love Blue Jay Way.
02:49:41
◼
►
I bet you love Blue Jay Way.
02:49:46
◼
►
(beatboxing)
02:49:49
◼
►
- Do you think he's saying, "Fuck."
02:49:51
◼
►
'Cause I think he might be.
02:49:52
◼
►
I think John might be saying the F word.
02:49:53
◼
►
- Endlessly, endlessly.
02:49:54
◼
►
Until she falls asleep.
02:49:55
◼
►
- Yes, yes, I need to hear,
02:49:58
◼
►
why don't we do it in the road?
02:50:01
◼
►
- Well, no one will be watching us.
02:50:02
◼
►
- No one will be watching us.
02:50:03
◼
►
So why don't we do it in the road?
02:50:05
◼
►
And those are the only words.
02:50:06
◼
►
And if I get drunk enough, which, you know.
02:50:11
◼
►
- Well, you know, it's, you gotta,
02:50:13
◼
►
you gotta, it's called self-care.
02:50:14
◼
►
I also love "I Dig a Pony."
02:50:17
◼
►
- That's not bad.
02:50:18
◼
►
Let it be as far away my least favorite.
02:50:21
◼
►
- Do you know what I learned to hate?
02:50:22
◼
►
The long and winding road during this documentary.
02:50:25
◼
►
I was like, "Hey, that's a beautiful song."
02:50:28
◼
►
Like in theory, but when I have to hear it 50 fucking times,
02:50:32
◼
►
I also got sick of getting back.
02:50:33
◼
►
- George used to pump the brakes on that,
02:50:35
◼
►
well, that Leslie organ effect, that like phasory sound.
02:50:39
◼
►
Pump the brakes, George.
02:50:40
◼
►
You got your cool ass psychedelic Stratocaster.
02:50:43
◼
►
Just play it like a gentleman.
02:50:44
◼
►
Don't be cute about it.
02:50:45
◼
►
- Yeah, but hey, did you guys talk about the part?
02:50:48
◼
►
So this is something that like so struck me
02:50:50
◼
►
'cause we were talking earlier about how I thought
02:50:53
◼
►
the Beatles breaking up was like so dramatic.
02:50:56
◼
►
But then when George says to John, like,
02:50:59
◼
►
"Hey, I'm thinking about putting out an album
02:51:01
◼
►
since I have so many songs."
02:51:03
◼
►
And John's like, "Yeah, you should do it.
02:51:05
◼
►
That would be cool."
02:51:06
◼
►
And I'm like, they were so civil.
02:51:08
◼
►
- It feels sincere.
02:51:09
◼
►
- Right, right. - Like when George
02:51:10
◼
►
is helping Ringo.
02:51:12
◼
►
Ringo plays guitar.
02:51:13
◼
►
So Amy, I pioneered a style of piano
02:51:16
◼
►
that I call Wolverine style
02:51:17
◼
►
because imagine Wolverine's three claws
02:51:20
◼
►
and I can play a major chord or a minor chord
02:51:23
◼
►
in several white keys, but I'm not a piano player.
02:51:26
◼
►
And that's roughly, I think, where Richard,
02:51:27
◼
►
one Richard Starkey is.
02:51:29
◼
►
He's doing Wolverine piano for Octopus's Garden.
02:51:31
◼
►
And then George comes over and in the nicest way is like,
02:51:34
◼
►
"Yeah, but then you gotta bring it back around.
02:51:36
◼
►
You gotta go to the F and then the G
02:51:38
◼
►
and you bring it back around."
02:51:39
◼
►
I love that scene.
02:51:40
◼
►
They love each other.
02:51:41
◼
►
They loved each other so much.
02:51:45
◼
►
- It's always been presented as,
02:51:46
◼
►
I said this to John earlier,
02:51:47
◼
►
but so much of John Lennon's stuff
02:51:49
◼
►
is taken way out of context.
02:51:52
◼
►
My favorite John quote of all time,
02:51:53
◼
►
which is the meanest, most horrible thing
02:51:55
◼
►
anybody could ever say,
02:51:56
◼
►
but I would like to think it's taken out of context,
02:51:58
◼
►
was somebody said, "Do you think Ringo's the best drummer
02:52:00
◼
►
in rock and roll?"
02:52:01
◼
►
And he said, "Ringo's not even the best drummer
02:52:03
◼
►
in the Beatles."
02:52:05
◼
►
So that's the kind of thing.
02:52:06
◼
►
No, he's talking about Paul,
02:52:07
◼
►
who is the best everything in the band.
02:52:08
◼
►
But that's the rep.
02:52:10
◼
►
The rep is that John is the most cutting,
02:52:12
◼
►
evil person in the world,
02:52:13
◼
►
that George is this standoffish,
02:52:15
◼
►
like slightly spectrumy meditation man.
02:52:19
◼
►
- Right, right.
02:52:20
◼
►
- Thinking about who I mean,
02:52:21
◼
►
I mean mine and you're inside
02:52:22
◼
►
and when you go to the whole point of going there
02:52:23
◼
►
was to figure out who we are.
02:52:24
◼
►
- Oh my God, you've got that lilt.
02:52:26
◼
►
So, I started talking like that.
02:52:30
◼
►
After watching it like four nights in a row,
02:52:32
◼
►
I started talking.
02:52:33
◼
►
- Oh God, that's insufferable, Amy.
02:52:33
◼
►
Did you go any place in public talking like that?
02:52:38
◼
►
Well, through a mask.
02:52:39
◼
►
- Okay, now we bring it back around to hour one,
02:52:42
◼
►
or hour three.
02:52:43
◼
►
Hop Singh, if you went in there
02:52:44
◼
►
and started affecting a British accent,
02:52:46
◼
►
maybe you're like, you know,
02:52:48
◼
►
how would that go?
02:52:50
◼
►
You hand over your license
02:52:51
◼
►
and then you start talking
02:52:52
◼
►
like you imagine Paul McCartney sounds like,
02:52:54
◼
►
would you be put on the list?
02:52:56
◼
►
Would you go in the spreadsheet for that?
02:52:57
◼
►
- Yeah, probably.
02:52:58
◼
►
Especially since the owner knows
02:53:00
◼
►
that that is not how I speak.
02:53:02
◼
►
But I have this weird thing
02:53:04
◼
►
where if people have accents,
02:53:06
◼
►
I sort of start,
02:53:06
◼
►
remember when we were in New Zealand
02:53:09
◼
►
and everyone had a lovely accent,
02:53:12
◼
►
but I sort of start--
02:53:13
◼
►
- Yes, yes, when people talk like this
02:53:15
◼
►
and there was that kid's show
02:53:16
◼
►
that was always on
02:53:17
◼
►
where the guy would talk about being sun-seaf.
02:53:18
◼
►
I was like, I love this country too much.
02:53:19
◼
►
- But I sort of do that in my head.
02:53:21
◼
►
- Oh, that's terrible.
02:53:22
◼
►
- And then I think--
02:53:23
◼
►
- Oh, you're like somebody I knew in junior high.
02:53:24
◼
►
That's awful.
02:53:25
◼
►
- Yeah, well, I'm not the person
02:53:27
◼
►
who vacations in South Carolina
02:53:29
◼
►
and then comes back with a Southern accent for a week.
02:53:33
◼
►
But remember when Madonna got an English accent for a while?
02:53:35
◼
►
That was pretty wild.
02:53:36
◼
►
- Oh, that was hot.
02:53:37
◼
►
That was hot.
02:53:38
◼
►
- Well, you know, I wouldn't toss her out of bed for eating.
02:53:41
◼
►
- I could do a whole podcast on pictures
02:53:44
◼
►
that Madonna released last week.
02:53:47
◼
►
- Oh, I would love that.
02:53:48
◼
►
I would listen to that.
02:53:49
◼
►
- You should A, look them up
02:53:51
◼
►
because what the fuck?
02:53:53
◼
►
- Are they old or new?
02:53:54
◼
►
- No, no, no.
02:53:55
◼
►
She just released pictures
02:53:56
◼
►
where suddenly she looks like Kim Kardashian
02:53:59
◼
►
but 10 years younger.
02:54:00
◼
►
- Oh no, did she do a Caitlin Olsen?
02:54:02
◼
►
- Mm-hmm, and she has her ass out.
02:54:04
◼
►
- Oh, good for her.
02:54:05
◼
►
That's terrific.
02:54:06
◼
►
- I mean, good for her.
02:54:07
◼
►
- Yeah, good for her.
02:54:08
◼
►
You know what?
02:54:09
◼
►
I celebrate all people of all shapes, sizes, accents.
02:54:13
◼
►
- Whatever, drugs.
02:54:15
◼
►
- People, the internet's clamoring, Amy Jane.
02:54:17
◼
►
I don't know if it's you and Paul.
02:54:18
◼
►
I don't know what should happen
02:54:20
◼
►
but people are clamoring for you.
02:54:21
◼
►
You should do more podcasting.
02:54:22
◼
►
I thoroughly enjoy visiting with you
02:54:24
◼
►
even when I'm not in the conversation.
02:54:26
◼
►
And I know you enjoy it,
02:54:27
◼
►
especially when I'm not in the conversation.
02:54:29
◼
►
You should do more podcasts.
02:54:30
◼
►
You're really fine at it.
02:54:31
◼
►
- So for like a week, I've been saying to John,
02:54:34
◼
►
you have to talk about Debbie on the podcast,
02:54:37
◼
►
the woman who calls off the police.
02:54:39
◼
►
And I'm like, you have to talk about how civil the police are
02:54:42
◼
►
and I was like, you have to talk about,
02:54:44
◼
►
even though John is,
02:54:47
◼
►
in my mind, John was sort of the problem
02:54:52
◼
►
and he's a nice guy.
02:54:53
◼
►
I mean, he's undiagnosed and he's got some issues
02:54:57
◼
►
but he was just, he was a nice, they're all nice people.
02:55:01
◼
►
It just didn't work.
02:55:02
◼
►
They're all nice people.
02:55:03
◼
►
- I don't know who said this,
02:55:05
◼
►
but one of the great purported quotes
02:55:07
◼
►
in the history of rock and roll,
02:55:08
◼
►
there are many great ones,
02:55:10
◼
►
but one of my favorites is,
02:55:12
◼
►
it's probably attributed to somebody like Iggy Pop
02:55:14
◼
►
or Alex Chilton,
02:55:15
◼
►
but the quote is that all great rock and roll
02:55:17
◼
►
is on the verge of falling apart,
02:55:18
◼
►
which may not always be true
02:55:19
◼
►
'cause you can be a professional about it,
02:55:21
◼
►
but really the alchemy of a group of people
02:55:25
◼
►
that becomes incredibly interesting
02:55:27
◼
►
comes out of a point in time,
02:55:29
◼
►
usually when people didn't have any other choice,
02:55:31
◼
►
but to collaborate with this group of people
02:55:33
◼
►
that was their best bet,
02:55:34
◼
►
but like, do you wanna be,
02:55:37
◼
►
I mean, with all respect,
02:55:38
◼
►
do you wanna be Mick Jagger staying in satisfaction
02:55:40
◼
►
when you're 95?
02:55:41
◼
►
Like, do you wanna be like pretend that--
02:55:43
◼
►
- I kinda do.
02:55:44
◼
►
- You do, huh?
02:55:46
◼
►
- No, I kinda do.
02:55:47
◼
►
Like, I'm sort of like having a love affair
02:55:50
◼
►
with Mick Jagger right now.
02:55:51
◼
►
- I just wanna sing the last verse of "Rocks Off"
02:55:54
◼
►
all the time.
02:55:55
◼
►
I just wanna sing the sunshine bores the daylights
02:55:57
◼
►
out of me part.
02:55:58
◼
►
- That's Sean's favorite Stone song, "Rocks Off."
02:56:02
◼
►
- It's the best song.
02:56:02
◼
►
"Bores the daylights out."
02:56:03
◼
►
- What's your favorite Stone song?
02:56:04
◼
►
- Oh, you know what?
02:56:05
◼
►
It's Keith's song.
02:56:07
◼
►
I can't decide if it's happy
02:56:09
◼
►
or before they make me run.
02:56:12
◼
►
- What's your favorite Tom Petty song?
02:56:15
◼
►
- Don't overthink it, don't overthink it.
02:56:17
◼
►
The Waiting, I bet it's The Waiting.
02:56:18
◼
►
- It's The Waiting.
02:56:19
◼
►
It's The Waiting.
02:56:20
◼
►
- The Waiting is the best song.
02:56:21
◼
►
In the video, the fucking music video?
02:56:22
◼
►
- Oh, the video's sad.
02:56:24
◼
►
It's so 80s. - God.
02:56:25
◼
►
- It's so, it's what?
02:56:27
◼
►
Them in a white room, right?
02:56:29
◼
►
- Oh, well, all the records, so that's,
02:56:31
◼
►
is that Hard Promises or no?
02:56:34
◼
►
- Yeah, The Waiting is Hard Promises.
02:56:36
◼
►
- Yeah, yeah, so they did,
02:56:38
◼
►
they also did the other one. - Who's a Florida boy?
02:56:39
◼
►
Who's a Florida boy?
02:56:40
◼
►
Come on. - He's a Florida boy.
02:56:41
◼
►
He's a gator.
02:56:42
◼
►
He's a gator.
02:56:43
◼
►
- I forget that you're a Florida boy
02:56:45
◼
►
until I hear you talk about Tom Petty.
02:56:46
◼
►
- My band played in Gainesville exactly once
02:56:48
◼
►
at a place called The Covered Dish.
02:56:50
◼
►
But that's where they had,
02:56:51
◼
►
there's one video, The Covered Dish.
02:56:53
◼
►
Yeah, yeah, yeah.
02:56:54
◼
►
But like, so The Waiting,
02:56:58
◼
►
like something from a dream.
02:56:59
◼
►
Is that the one where he slashes the paper
02:57:00
◼
►
with the Rickenbacker?
02:57:01
◼
►
I think that's The Waiting.
02:57:02
◼
►
- Yeah, I think that's The Waiting.
02:57:03
◼
►
- Oh, but then the other one that was on MTV all the time,
02:57:05
◼
►
which is a little sillier, is Letting You Go,
02:57:07
◼
►
where the cameras are nodding up and down.
02:57:08
◼
►
Do you remember that one?
02:57:09
◼
►
- Oh my God, I can't believe you remember that.
02:57:11
◼
►
- I'm having trouble letting you go.
02:57:15
◼
►
- I love that song.
02:57:17
◼
►
But I can't believe,
02:57:18
◼
►
'cause he had so many iconic videos,
02:57:21
◼
►
like the Alice in Wonderland one.
02:57:24
◼
►
- Yeah, sure, sure.
02:57:26
◼
►
- But I can't believe that you remember Letting You Go
02:57:29
◼
►
and The Waiting.
02:57:30
◼
►
- I'll tell you a secret.
02:57:32
◼
►
I have a few great shames in life
02:57:33
◼
►
that I don't like to talk about,
02:57:34
◼
►
because in America now,
02:57:35
◼
►
the only shameful things are private things,
02:57:37
◼
►
and the only private things are shameful things,
02:57:38
◼
►
and that's a goddamn tragedy.
02:57:40
◼
►
Talk to me about that on your podcast.
02:57:41
◼
►
But here's what I'm ready to tell you.
02:57:42
◼
►
You have a few regrets,
02:57:43
◼
►
bummers that came along.
02:57:45
◼
►
One is, when we cleaned out our house
02:57:46
◼
►
around the time our kid was born,
02:57:48
◼
►
I should not have thrown out all my old rock and roll T-shirts.
02:57:50
◼
►
That was a bad idea.
02:57:51
◼
►
It felt like a good idea at the time.
02:57:53
◼
►
The other one is that I had a guitar,
02:57:56
◼
►
my dream guitar that I got in college,
02:57:59
◼
►
and I needed rent money,
02:58:00
◼
►
so I had to sell it.
02:58:01
◼
►
And it's the 12-string Rickenbacker,
02:58:06
◼
►
not the one you're thinking of,
02:58:07
◼
►
like John would play.
02:58:08
◼
►
The 12-string Rickenbacker on the cover of the other album,
02:58:11
◼
►
not Hard Promises,
02:58:12
◼
►
but he's got a 12-string Rickenbacker.
02:58:15
◼
►
- Well, he always has a 12-string.
02:58:17
◼
►
You know what?
02:58:18
◼
►
I used to go to see him in concert,
02:58:20
◼
►
and I would yell,
02:58:22
◼
►
and John found it so annoying,
02:58:23
◼
►
and it was super annoying,
02:58:25
◼
►
but I could tell what song he was gonna play
02:58:27
◼
►
by the guitar he pulled out.
02:58:29
◼
►
- Oh my God, you're that guy.
02:58:30
◼
►
- Yeah, yeah, and John was like,
02:58:32
◼
►
"You're such a loser."
02:58:33
◼
►
- Oh my God, you get no points for that.
02:58:35
◼
►
- Yeah, but I was like, "American girl!"
02:58:37
◼
►
- Amy, you might've become unfuckable.
02:58:40
◼
►
Oh my God, that's a shame.
02:58:41
◼
►
- I totally did, I totally did.
02:58:43
◼
►
I was the worst.
02:58:44
◼
►
And I was like, "Break down!"
02:58:48
◼
►
You know, I just knew,
02:58:49
◼
►
and especially if you--
02:58:51
◼
►
- It's all right if you don't.
02:58:53
◼
►
(both laughing)
02:58:55
◼
►
I'm not a friend.
02:58:57
◼
►
I don't know why I'm singing like that.
02:58:58
◼
►
That's terrible.
02:58:59
◼
►
- It's a combination of Mike's guitar and Tom's guitar.
02:59:01
◼
►
I'd be like, "Oh yeah, this is gonna run us down a dream."
02:59:03
◼
►
- You know, I loved that "Boy's a Summer" song
02:59:06
◼
►
just because of the guitar solo.
02:59:10
◼
►
He wrote the whole song?
02:59:11
◼
►
- Tom Petty passed on it.
02:59:12
◼
►
Tom Petty said, "This doesn't feel like a Tom Petty song."
02:59:15
◼
►
And so he sold it. - He's so tasteful, Amy.
02:59:18
◼
►
He's so tasteful.
02:59:19
◼
►
That guy's amazing.
02:59:21
◼
►
Oh, so wait, I gotta wrap this up.
02:59:23
◼
►
- Okay, I keep telling John,
02:59:26
◼
►
I will give this back to you in one second.
02:59:28
◼
►
- No, no, he's fine.
02:59:29
◼
►
Don't worry, don't worry, fine.
02:59:29
◼
►
By the way, you guys are gonna start a steakhouse
02:59:31
◼
►
and you're gonna be the hostess, just so you know.
02:59:33
◼
►
He'll tell you about it.
02:59:34
◼
►
- Are we gonna have a creamed spinach?
02:59:35
◼
►
Because my God, I love creamed spinach.
02:59:37
◼
►
- John, look, there's not a lot of things I like about John.
02:59:40
◼
►
Okay, there's virtually nothing I like about John.
02:59:42
◼
►
But he does have a pretty good internal.
02:59:44
◼
►
He has a good internal barometer
02:59:46
◼
►
for how to make a steakhouse,
02:59:47
◼
►
and I think he might wanna go with it.
02:59:49
◼
►
- He does, he does.
02:59:50
◼
►
Yeah, yeah, that might be our next move.
02:59:52
◼
►
- By the way, if there's vodka in this,
02:59:53
◼
►
it's not a martini, stop letting it lie.
02:59:55
◼
►
(Amy laughing)
02:59:57
◼
►
- I don't like- - Was that mean?
02:59:58
◼
►
I feel like that was a little mean.
03:00:00
◼
►
- I don't like gin.
03:00:01
◼
►
But you know what-
03:00:02
◼
►
- We didn't talk about the Always Sunny podcast.
03:00:04
◼
►
That was the other thing we were gonna talk about.
03:00:05
◼
►
- Oh, you have to talk about that with him because-
03:00:08
◼
►
- You know what I'm saying?
03:00:09
◼
►
- I thought I wouldn't like it.
03:00:10
◼
►
I was like, "Ugh," and then I listened to it,
03:00:12
◼
►
and I was like, "Oh my God, this is so-"
03:00:14
◼
►
- They're so- - They're so-
03:00:15
◼
►
- Well, my daughter, well, if she had it in her
03:00:17
◼
►
to be attracted to his type, me and man,
03:00:20
◼
►
she's so good with us for Charlie.
03:00:22
◼
►
- How old is she?
03:00:23
◼
►
- Oh, she's 14.
03:00:24
◼
►
Oh, I never sent you the photo for her with the blue hair.
03:00:29
◼
►
- Do you have Charlie work at your house?
03:00:32
◼
►
- Oh, there's Charlie.
03:00:34
◼
►
- Do you have Charlie work?
03:00:36
◼
►
So we call it daddy business, but it's Charlie work.
03:00:38
◼
►
- Just like on the trap.
03:00:39
◼
►
Just like on the trap, and your hand will come right out.
03:00:41
◼
►
Now, if you were a normal-sized one.
03:00:43
◼
►
(both laughing)
03:00:45
◼
►
Amy Jane Gruber, it's such a delight.
03:00:47
◼
►
Sorry, Amy Jane Gruber, JD.
03:00:49
◼
►
It's so nice to talk to you.
03:00:50
◼
►
- It is so nice to you.
03:00:52
◼
►
- The bacon toaster of your dreams.
03:00:53
◼
►
I hope you have visions of sugar, something.
03:00:57
◼
►
I hope you get the candy you want,
03:00:58
◼
►
and I will go to your steakhouse.
03:01:00
◼
►
By the way, you're gonna be the hostess,
03:01:01
◼
►
but in a very assertive way.
03:01:03
◼
►
- Yeah, but in a fun way.
03:01:05
◼
►
And if there's shit I don't wanna deal with,
03:01:07
◼
►
I'll have somebody else too.
03:01:08
◼
►
- No, in Westworld, that's it.
03:01:09
◼
►
You're gonna be in a Diamond Horseshoe Review outfit,
03:01:12
◼
►
at least in my fantasy. - No, I wanna be the face.
03:01:14
◼
►
The primary with-
03:01:16
◼
►
- The old guy with the flag tie.
03:01:17
◼
►
- Yeah, yeah.
03:01:18
◼
►
I wanna be the face of it,
03:01:20
◼
►
and I just wanna deal with things I wanna deal with
03:01:22
◼
►
and then other things.
03:01:24
◼
►
- You know, think about that though.
03:01:24
◼
►
The guy who runs House of Prime Rib, bless his heart,
03:01:26
◼
►
he's really doddering.
03:01:27
◼
►
He's very much lost it.
03:01:29
◼
►
And I think that would be fun for you.
03:01:30
◼
►
That could be your exit strategy.
03:01:32
◼
►
I don't know if you can afford to retire.
03:01:35
◼
►
Your job could become the doddering hostess of-
03:01:39
◼
►
But yes, it seems great.
03:01:43
◼
►
I'm just gonna cash it all in at 48.
03:01:46
◼
►
- You'll be like the old lady in the "Night Man" musical.
03:01:51
◼
►
We'd be like, "I made it through the Coolidge administration,"
03:01:53
◼
►
or whatever.
03:01:54
◼
►
You can just tell stories that just never end,
03:01:57
◼
►
just to stall people 'cause they're not cool enough.
03:01:59
◼
►
- Because I can.
03:02:00
◼
►
But you are so good at a segue,
03:02:03
◼
►
and so I am going to take this chance
03:02:06
◼
►
to hand it back to John.
03:02:08
◼
►
- Have a great holiday.
03:02:09
◼
►
Our family loves your family.
03:02:10
◼
►
It's nice chatting with you.
03:02:12
◼
►
- Oh my gosh, and the police in England are so civil.
03:02:15
◼
►
- Oh my God.
03:02:16
◼
►
Bring 'em here.
03:02:16
◼
►
Bring me a Bobby.
03:02:17
◼
►
(clears throat)
03:02:24
◼
►
- Oh hey, how's it going, bud?
03:02:25
◼
►
- Half of this conversation was fascinating to listen to.
03:02:28
◼
►
- Ooh, well believe me,
03:02:29
◼
►
it was the only half worth listening to.
03:02:31
◼
►
- Oh, definitely.
03:02:32
◼
►
You would think though that at this point,
03:02:33
◼
►
I'd have some way to plug in a second set of headphones, but-
03:02:36
◼
►
- Oh, you don't wanna do that
03:02:37
◼
►
'cause then now you're gonna have to help
03:02:38
◼
►
and bring it all back to Skype, my friend.
03:02:41
◼
►
Skype does a cool thing that I learned about one day,
03:02:44
◼
►
which is Skype appears to be hearing and listening
03:02:47
◼
►
and recording and sending a signal for a mic,
03:02:49
◼
►
but just 'cause it looks like it doesn't mean it does.
03:02:52
◼
►
You're gonna have to do a loopback or similar
03:02:54
◼
►
to get Skype to do that and please test it
03:02:57
◼
►
before you actually deploy it 'cause it's the worst.
03:03:00
◼
►
Any closing thoughts on Get Back?
03:03:02
◼
►
- It seemed like from part of your conversation with Amy
03:03:08
◼
►
that you were talking about-
03:03:10
◼
►
- With your counselor?
03:03:11
◼
►
- Yeah, the front of the house, my Mater D.
03:03:18
◼
►
- Your Mater Sweet D.
03:03:20
◼
►
- Yeah, my Mater Sweet D.
03:03:21
◼
►
Talking favorite songs.
03:03:23
◼
►
I think I could name my favorite Beatles song.
03:03:26
◼
►
Did you name yours?
03:03:29
◼
►
Can you name one favorite Beatles song?
03:03:32
◼
►
- It's really difficult.
03:03:34
◼
►
Last night, so I was watching those documentaries
03:03:36
◼
►
after I finished this 'cause why would I go to bed
03:03:37
◼
►
like a person?
03:03:39
◼
►
And so I always find myself landing back on the white album.
03:03:42
◼
►
And there's, I mean, like some of the Paul stuff,
03:03:45
◼
►
you know what, it's difficult for me to answer.
03:03:47
◼
►
Don't put me in a corner.
03:03:48
◼
►
I do love "I Will" a lot.
03:03:51
◼
►
- I won't produce- - Wait, you know what?
03:03:53
◼
►
Hang on, fuck.
03:03:54
◼
►
It's gotta be something, fuck.
03:03:57
◼
►
"Here, There, Everywhere," I don't know what's yours.
03:03:59
◼
►
Can you do it off the dome?
03:04:00
◼
►
Is it always the same song for you?
03:04:03
◼
►
- For me, it's, well, I don't know if it always was.
03:04:06
◼
►
- Is it "Why Don't We Do It in the Road?"
03:04:07
◼
►
- No, not for me.
03:04:08
◼
►
I can't hear that song 'cause of the aforementioned,
03:04:12
◼
►
the way it pops up.
03:04:13
◼
►
And again, once it comes on, like, oh, God forbid,
03:04:16
◼
►
our home pod ever play that song.
03:04:18
◼
►
'Cause once it comes on, all she does is play it again.
03:04:22
◼
►
Hey, Dingus, play it again.
03:04:23
◼
►
And it never stops.
03:04:25
◼
►
- John, you should get that looked at.
03:04:26
◼
►
That's a whole song.
03:04:27
◼
►
- No, for me, it's "Two of Us."
03:04:29
◼
►
- Really? - Yep, I love that song.
03:04:32
◼
►
- From "Let It Be." - I love it.
03:04:33
◼
►
I love that song. - That's cool.
03:04:35
◼
►
- And I also, to me, and hearing him do it in the movie,
03:04:39
◼
►
I've always had the thought,
03:04:43
◼
►
and I know it's right there in the title, "Two of Us,"
03:04:45
◼
►
but like I told you, I'm a Paul guy.
03:04:48
◼
►
- I think that's a really old song.
03:04:49
◼
►
Didn't they originally write that?
03:04:50
◼
►
- I think so. - Like pretty early on?
03:04:51
◼
►
- But when I was- - It was mainly a Paul song.
03:04:54
◼
►
- When I was a kid, a little kid growing up,
03:04:56
◼
►
my mom had the best, she had all the Beatles stuff.
03:04:58
◼
►
And it was one of those things where my mom,
03:05:03
◼
►
'cause the Beatles broke up right before I was born,
03:05:06
◼
►
and she had them all,
03:05:07
◼
►
and that's sort of where she tuned out of popular music.
03:05:10
◼
►
So like all my mom's Stones albums were from the '60s,
03:05:13
◼
►
which was great,
03:05:14
◼
►
but she didn't have any of the '70s stuff,
03:05:16
◼
►
which is really what I like. - Like into the like
03:05:18
◼
►
bigger's banquet and beyond kind of stuff.
03:05:19
◼
►
- Yeah, I think like "Sticky Fingers"
03:05:21
◼
►
might've been the last she had,
03:05:22
◼
►
but I was a Hey Jude kid growing up,
03:05:25
◼
►
which is the Paulest of Paul songs.
03:05:27
◼
►
And I know it's super obvious,
03:05:28
◼
►
and also, again, it's beside the point,
03:05:31
◼
►
but how amazing, I was like 35 years old
03:05:34
◼
►
until I realized that "Hey Jude" and "Revolution"
03:05:37
◼
►
were not on albums.
03:05:39
◼
►
They just put a single out where on the one side-
03:05:41
◼
►
- Right, George Martin talks about this.
03:05:43
◼
►
They were really unconventional.
03:05:44
◼
►
Usually you have a single as a way to promote an album,
03:05:46
◼
►
and they would willfully, deliberately
03:05:48
◼
►
have the single be something that's so...
03:05:50
◼
►
Imagine having enough shit where you could just do that.
03:05:53
◼
►
Or you could just say, "Oh, here's Lady Madonna."
03:05:56
◼
►
Like this isn't on an album?
03:05:56
◼
►
Oh my God. - Right.
03:05:57
◼
►
"Hey Jude" and "Revolution,"
03:05:59
◼
►
and they just put them out on a single.
03:06:02
◼
►
Oh, let's do "Revolution" again
03:06:02
◼
►
and have it be completely different.
03:06:03
◼
►
- But again, but it was super awesome.
03:06:06
◼
►
But "Hey Jude" and "Revolution" as a single
03:06:08
◼
►
is both amazing in terms of the quality of the songs per-
03:06:11
◼
►
- Oh, you mean like a double, like a hound dog?
03:06:14
◼
►
- And, well, the other one.
03:06:16
◼
►
But yeah, I know what you mean.
03:06:17
◼
►
- All right, but also, "Hey Jude" is super, super Paul-y,
03:06:20
◼
►
and "Revolution" is super, super Johnny, right?
03:06:23
◼
►
It is, there's Paul on one side, John on the other.
03:06:27
◼
►
The thing about "Two of Us" that always gets me
03:06:29
◼
►
is that to me, I can't tell if it's a Paul song
03:06:31
◼
►
or a John song.
03:06:32
◼
►
It is- - Well, and this is,
03:06:35
◼
►
there's a, this does not even work as a rule of thumb,
03:06:37
◼
►
but I have read numerous books about the known
03:06:41
◼
►
and purported songwriting of Beatles songs.
03:06:44
◼
►
And one of the things I always loved is the tension.
03:06:47
◼
►
So like Paul to me writes some of the best bridges
03:06:49
◼
►
in rock and roll, but John also, like,
03:06:51
◼
►
but you get the classic example maybe,
03:06:53
◼
►
and one of my favorite Beatles songs is "We Can Work It Out."
03:06:56
◼
►
I'm trying to see it my way.
03:06:57
◼
►
I have to keep on talking until I can't go on.
03:06:59
◼
►
And then John says, "Yeah, but life is very short
03:07:01
◼
►
and there's no time for fussing and fighting, my friend."
03:07:03
◼
►
The way that they could both- - Yeah.
03:07:06
◼
►
That's- - Like bring
03:07:07
◼
►
a different feeling to the song that makes it richer
03:07:11
◼
►
for both of their contributions.
03:07:13
◼
►
- This is like the corny, it sounds like a cop-out
03:07:16
◼
►
and a way to bring an end to this long rambling,
03:07:19
◼
►
long unwinding road.
03:07:20
◼
►
But it sounds like a cop-out to say that my very,
03:07:23
◼
►
very favorite handful of Beatles songs are the ones
03:07:26
◼
►
where they clearly collaborated the most, right?
03:07:30
◼
►
- Oh, like "Ticket to Ride" or "Paperback Rider"
03:07:32
◼
►
or something like that. - I don't know.
03:07:33
◼
►
And maybe Paul wrote all of two of us, I don't know.
03:07:36
◼
►
But it seemed to me from even watching the movie
03:07:37
◼
►
that that was, and again, that was one that had been
03:07:42
◼
►
Stephen Berlin Johnson wrote about this recently,
03:07:45
◼
►
about the "Get Back" documentary,
03:07:48
◼
►
and he spent his whole career or a lot of it writing
03:07:51
◼
►
about the creative process.
03:07:52
◼
►
And that one of the most fascinating things about this
03:07:54
◼
►
is how some of these songs took them years to write.
03:07:58
◼
►
You know, they pulled songs from like a decade before
03:08:01
◼
►
and just never were capable of finishing them at the time,
03:08:04
◼
►
but then they dusted off and all of a sudden,
03:08:06
◼
►
you're a different person and suddenly you know how
03:08:09
◼
►
to bridge that part to this part and it comes to your mind.
03:08:13
◼
►
I don't know, two of us would be the one for me.
03:08:16
◼
►
- That's a good one.
03:08:17
◼
►
- Anyway, it's a hard question to put somebody on the spot
03:08:22
◼
►
for, you know.
03:08:23
◼
►
Anyway, I feel like we've gone on.
03:08:25
◼
►
- I think the Beatles are good.
03:08:29
◼
►
- I'll tell you, I will tell you who else is good.
03:08:33
◼
►
Who else is good is Mac Weldon,
03:08:38
◼
►
where you can buy lots of men's clothing
03:08:40
◼
►
and gift packs for the holidays,
03:08:43
◼
►
LinkedIn Talent, where you can post your job for free,
03:08:46
◼
►
for free, and of course Linode, who hosts my website
03:08:50
◼
►
and could host yours.
03:08:52
◼
►
I thank them.
03:08:54
◼
►
Let's pimp some of your stuff.
03:08:55
◼
►
You've got "Dubai Friday" with Alex Cox.
03:09:02
◼
►
- All I care about, here's all I care about.
03:09:04
◼
►
Go check out my wisdom document on GitHub.
03:09:06
◼
►
I'll put it in notes.
03:09:07
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It's good, it's gonna be good.
03:09:08
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I never finished writing things, but yeah,
03:09:11
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there's "Dubai Friday" record,
03:09:11
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we're gonna solve all the differences.
03:09:13
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Very happy to do those.
03:09:15
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But mainly, I'm not even asking for special treatment,
03:09:18
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but when you and Amy open the steakhouse,
03:09:22
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I don't even need to be on the list.
03:09:24
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I promise that I will follow the rules,
03:09:26
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whatever, however obscure, abstruse your rules are,
03:09:28
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I will follow them, but I would love to be there
03:09:30
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on opening night for whatever becomes steak.
03:09:33
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- You got it.
03:09:34
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- Thank you so much, and very happy holidays.
03:09:37
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You're so nice to have me on,
03:09:38
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and please, never have me on again.
03:09:39
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I'm so sorry.
03:09:40
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I really am.
03:09:42
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I'm so sorry you met me.
03:09:44
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- Oh man, this is great.
03:09:45
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All right, I told you that break was a mistake.