323: ‘Skeptical Not Cynical’, With Matthew Panzarino
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Let me ask you this.
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Here's a good place to start.
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Have you ordered an iPhone 13 for yourself yet?
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- I have not.
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And the only reason I haven't ordered one for myself
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is because I, and this is the normal conundrum,
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unless I'm on it, iPhone review season comes right
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in the middle of like my busy season here at TechCrunch.
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We do a big event.
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We have a big conference.
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Normally I'm traveling.
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This year, obviously we weren't traveling.
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We did most of it virtual,
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but it's just a big undertaking, a big effort.
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And then usually, and you know,
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Apple people are normally very apologetic about this,
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but it is what it is.
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The iPhone release comes smack on top of it.
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I've been doing this for eight years and like the,
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I think all but the, or nine years,
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all but the like two or three years ago,
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something that the iPhone release basically landed
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on Disrupt Week for me.
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So it drives me insane.
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You know, I've got to like do my review.
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I always, you know, I want to do a good job,
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and I want to be thorough, but at the same time,
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I've got a lot of event stuff and planning going on.
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It's just a very hectic time for me.
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And so normally what happens is I get through
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with my review, I go right into Disrupt.
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I've got, you know, whatever crises I'm managing
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and interviews and you know, our whole show.
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And then by the end of that, I'm exhausted
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and I just chill for a couple of weeks.
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And then I'm like, oh, I got to order an iPhone.
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And so like what normally happens is I end up about three
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to four weeks behind everybody,
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which means that this year, because it was virtual,
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we finished the show and then the next day,
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I don't have to travel and I can't order a phone
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because my upgrades not up yet.
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So I got to wait until that's because it's like four weeks.
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- Right, you're stuck on the schedule
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from when you ordered before.
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- Yeah, exactly.
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So yeah, that's why I haven't ordered yet,
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but I probably will order and I'm going to get a 13 Pro,
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just a regular.
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- That's what I ordered, but mine's not here yet
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because I've lost my mojo for ordering as orders open.
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I think it was 6 a.m. Eastern time.
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I forget, maybe it was 9 a.m. Eastern
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and 6 a.m. Pacific this year.
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It's varied over the years.
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I remember for a while, there was a series,
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they coincided with when Andy Baio and friends
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were running the XOXO Conference in Portland,
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which for a few years coincided,
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it was like a Friday, Saturday, Sunday conference
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in Portland, Oregon,
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the three days after a Tuesday Apple event in California.
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And it was a great conference.
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But I was already in California for that,
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so it made no sense to go to fly to California
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from Philadelphia, fly home and then fly back to Portland.
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So I would just stay on the West Coast
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and my wife would usually come,
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I think she went every year to XOXO
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and she would just fly solo separately
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and we'd meet up in Portland, which seemed very exotic.
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We just don't live a life where,
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usually it's either me traveling solo
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or us traveling together and we just never meet
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in an exotic locale like beautiful Portland, Oregon.
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I actually, and I say that, but I actually,
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I like Portland a lot.
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It's a very fun city.
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But then in those years,
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all of the years that I remember from XOXO,
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it was a 3 a.m. Eastern, midnight Pacific opening window.
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And so midnight wasn't bad on the Pacific
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and it would be like, but we'd be like at a bar
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or something like that.
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There was a rooftop lounge the one time on top of a hotel.
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And it's all these people, everybody at once at like 11.58,
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everybody in the entire establishment takes out their phone
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and is like hitting reload on the Apple store
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trying to buy iPhones at the same time.
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Even though I wasn't with the iPhone media crowd,
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it's now XOXO, but it's like just as much, if not more so.
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- There's a big overlap there, yeah.
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- But now I'm off it, I've gotten lazy.
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And I did order on day one, but by the time I ordered,
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I was already, it was already four to six weeks backlogged
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or something like that.
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But anyway, I got the same thing.
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The regular size iPhone 13 Pro after one year
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with the non-Pro iPhone 12, which I loved
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in every single regard.
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- You're many or?
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- No, I did not buy it.
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- No, no, no, you got the Pro, okay, gotcha.
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- No, no, so for the last year,
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I had the regular iPhone 12, not Pro.
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- Right, right.
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And yeah, I remember we talked about this
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'cause of the telephoto, right?
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You weren't convinced that the telephoto was enough for you.
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- Well, it wasn't, yeah, yeah.
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And especially knowing when I ordered it a year ago,
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like it was, well, no,
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I guess it was more like October last year, right?
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Because they were late.
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But still, even at that time, mid pandemic,
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knowing that we were going,
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it was like as certain as anything in the pandemic
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has ever been and with all the uncertainty
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that winter was going to be bad.
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That, well, if ever there's going to be a year
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where I'm going to take fewer photos than ever
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and that the photos I take are not going to be shot
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at a distance, it's probably gonna be the next year.
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And I was kind of right.
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I mean, we wound up taking a few vacations this summer
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and there were definitely some times
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where I wished I had the telephoto lens,
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but anyway, I got the pro.
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- Yeah, yeah.
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Yeah, I was just curious actually
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when we were talking about it.
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So I checked my upgrade and I'm actually not eligible
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for an upgrade until like January, I think.
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So it must've been a quite a delay last year
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for me upgrading.
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I must've been running my own phone
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for quite a while after that.
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It's gonna be a while for me, but I'm not stressed.
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I mean, you can, the iPhone upgrade program,
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I believe you can pay early.
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You know, like pay to upgrade early.
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You basically pay the balance on your contract.
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And it's usually like 100, 200 bucks
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if you're a month or two out, but I'm not that stressed.
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I'll just keep running my 12 and you know,
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it's not that big of a deal, but I need that telephoto.
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So I'm gonna be going.
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- Well, and we've talked about this before,
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I think with you on the show,
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and I know you've written about it extensively
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in your reviews on TechCrunch.
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You love the telephoto lens and I know from your photos,
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you're just, you're really good at it.
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You just, your photographer's eye lends itself
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to those 50 to 80 ish millimeter equivalent focal distances.
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I'm more of a fixed wide angle lens person.
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Like I've owned a lot of standalone fixed lens cameras
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over the years.
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My Fuji X100S I think is a 35 millimeter equivalent or so,
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either that or 28.
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And my beloved Ricoh GRD from like 2007 or six or so,
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which is probably the best camera I ever owned,
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pound for pound, photo for photo,
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was a 28 millimeter fixed lens, no zoom at all.
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That's my natural eye, but I love having,
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I still love having the extra distance.
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Anyway, we can talk about the camera.
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- Yeah, it's the framing and cropping thing.
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- Yeah, the other thing I do,
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before I take the first break,
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I did one thing I wanted to mention in you saying,
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you know, that you're on the upgrade program.
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I wrote last week before the phone's got
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in the customer's hands, probably a day too late.
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I wish I'd thought about it the day before,
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but to recommend to people the device to device transfer,
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where you boot up your new phone and it's like,
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what do you wanna do?
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And Apple calls it QuickStart.
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You wanna just do the QuickStart,
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bring one of your own devices nearby.
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And if you want to, you can just bring it nearby
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and it takes the like wifi password from it.
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You just log in with your iTunes account,
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which even just getting the wifi password
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is a huge help, right?
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Because typing in an even moderately complex wifi password
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is way harder than just pointing your one camera
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at the blue, I don't know what you call that thing,
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the blue cloud.
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- Yeah, it's a fancy QR code, but yes,
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they're point cloud, right?
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- But it amuses me to no end,
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but also doesn't surprise me at all
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that Apple goes so far out of its way
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to avoid actual QR codes and makes these beautiful things.
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They do the same thing when you associate an Apple watch
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with an iPhone.
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But then if you just continue at that point,
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they give you the option.
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If you'd like to, we could just upgrade
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from your iCloud backup,
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or we could just transfer device to device.
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And I wrote a piece about the weird nature
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of being an Apple device reviewer,
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especially now in the era of like four new iPhones a year,
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sometimes five, if there's an iPhone SE model,
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plus iPads, it's like I set,
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and then I buy an iPhone for myself.
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And I ended up setting up a lot of iOS devices a year
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for somebody who's not running
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like a consumer report style lab.
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- Sure, right, right.
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Or not a developer where you're used to having
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a bed of test devices.
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- I years ago gave up on the,
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it used to be that you could do it from iCloud
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or do it from like an iTunes.
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Now iTunes is gone and you do it in a finder,
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but I'll call it an iTunes backup on your Mac,
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which if you encrypt it and put a password on your backup,
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which you can't forget, it's encrypted,
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and it's like good encryption.
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- And which you can only do
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if you back it up to your Mac, obviously.
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Or to your computer.
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- The computer backup without encryption
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doesn't have any of your passwords
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for the obvious reason that it's not encrypted.
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If you do encrypt it,
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they store all sorts of more sensitive stuff,
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like your passwords and your login state,
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and you get more, and that's why I,
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because iCloud backups are not end-to-end encrypted yet,
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maybe, who knows, that's a whole separate discussion
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we don't have time for,
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but since the current state of iCloud backup
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is that they're not end-to-end encrypted,
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they don't include anything that's sensitive, like passwords.
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So if you do the device backup to your Mac,
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you get more stuff.
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But it's a huge rigmarole to me
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compared to the device device.
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It might be faster, but now you've got like
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tens of gigabytes of space on your Mac
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taken up by these backups.
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- Oh yeah, they eat up so quick,
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especially with photos and all that.
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- Yeah, they eat up quick,
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and you have to remember to do it,
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and if you haven't backed up first,
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first you have to take a plug
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and plug it in your old iPhone and do a fresh backup
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so it's a fresh backup,
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then take it and plug it in the other thing
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and do a restore.
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And I'm sure lots of people listening still do it.
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There's a lot of people who just,
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once they have a system that works,
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they don't wanna take a chance,
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even if they know it's just,
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well, I could waste three hours trying it
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the way Gruber says I should,
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but I don't even feel like doing that,
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I'll just do it the way I know.
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- And for some people,
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the encrypted backup really matters, right?
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Like for security consciousness and protection,
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that kind of thing.
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- Right, but you don't have to do,
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the thing about the device to device
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is you don't have to do a backup at all.
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You just bring your old phone next to your new phone
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and leave 'em together,
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and for some varying amount of time,
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for me it seemed to take about 90 minutes each time.
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I know some people,
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Ben Thompson says it took eight hours
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and still failed for him overnight.
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I guess it depends how much stuff you have on your phone.
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But because it's device to device,
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you don't have to do a backup first,
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you don't have to do anything first,
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and Apple somehow makes a super secure connection
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from one iPhone to the other.
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You've already authenticated with your iCloud account,
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and so it transfers everything,
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or everything that can be done.
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There are some apps that can flag something as,
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no matter what, don't back this up.
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And that doesn't get transferred over.
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So like people who use the Google Authenticator app,
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you have to do a lot of work
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to move it to a new machine each time.
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But anyway, what I was thinking was
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that the biggest downside I can think of,
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and that I heard after I wrote about this,
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was from people in the iPhone upgrade program
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who do it by going to the retail store,
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because you come in, you wait,
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and they're like, "Okay, you're up,"
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and you go to the counter and you give them your order,
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and they're like, "Oh, here's your new iPhone,"
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and then you hand your old iPhone over,
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and you expect it to get the hell out.
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So you don't have time to do it.
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And I suspect if you do it mid-year,
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if you wait a couple months
00:12:19
◼
►
until there's not this big rush,
00:12:21
◼
►
I think that they might let you sit at the Genius counter
00:12:24
◼
►
for an hour or whatever and do it.
00:12:26
◼
►
But I think at the moment with COVID restrictions
00:12:29
◼
►
and with the seasonal rush of everybody getting a new iPhone,
00:12:32
◼
►
you can't do it.
00:12:32
◼
►
- Right, and you know that I believe
00:12:37
◼
►
that if you do the iPhone upgrade at home,
00:12:39
◼
►
I'm almost possible, yeah, they send you the new one,
00:12:42
◼
►
and you have the new one and your old one, obviously.
00:12:45
◼
►
That wouldn't make any sense to send your old one first.
00:12:47
◼
►
But yeah, you have the both in your possession,
00:12:49
◼
►
and you can do that at your leisure.
00:12:50
◼
►
But that makes sense.
00:12:51
◼
►
I didn't even think about the in-store situation
00:12:53
◼
►
not being friendly to that device-to-device transfer.
00:12:56
◼
►
- Yeah, and I got a lot of feedback from it.
00:12:59
◼
►
And I was a little wary.
00:13:00
◼
►
I was like, "I'm gonna tell everybody to do this,"
00:13:01
◼
►
'cause I've been doing this for so many devices
00:13:03
◼
►
for so many years.
00:13:04
◼
►
And what happened was a couple of years ago,
00:13:07
◼
►
it was, I was staying, I think I actually took,
00:13:11
◼
►
it was that year that I took the ride back to the city
00:13:14
◼
►
with you after the event,
00:13:16
◼
►
and you were kind enough to give me a ride
00:13:19
◼
►
and I was staying in San Francisco.
00:13:21
◼
►
And I hadn't set up my new iPhones yet,
00:13:23
◼
►
but I had gotten them from Apple,
00:13:25
◼
►
my review units after the event.
00:13:28
◼
►
It's like five in the afternoon.
00:13:29
◼
►
I had dinner plans with friends who live in San Francisco.
00:13:32
◼
►
I was like, "Well, I need to quick set up this new iPhone."
00:13:34
◼
►
And it was like, I didn't have my Mac handy, didn't have that.
00:13:37
◼
►
I was like, "Oh, what a pain.
00:13:39
◼
►
"I wish I could just put these right next to each other."
00:13:41
◼
►
And now you can.
00:13:44
◼
►
And anyway, I recommended it.
00:13:46
◼
►
Readers who did it overwhelmingly were like,
00:13:49
◼
►
"Hey, this is amazing.
00:13:50
◼
►
"I didn't know this worked so well."
00:13:51
◼
►
Or, "I tried this three years ago
00:13:53
◼
►
"and it didn't work that well,
00:13:54
◼
►
"and now it works so much better."
00:13:57
◼
►
- That was really my situation too,
00:13:58
◼
►
because I tried it the first year it was out.
00:14:01
◼
►
And like you, I always have to do six of them at once
00:14:05
◼
►
or four at once, or definitely a bunch more
00:14:08
◼
►
than a normal person would.
00:14:09
◼
►
And I experienced so many issues with it
00:14:12
◼
►
the first year it was out.
00:14:13
◼
►
It took an enormous amount of time,
00:14:15
◼
►
like five to six hours.
00:14:16
◼
►
It still didn't complete properly, et cetera.
00:14:19
◼
►
And it really turned me off of that option for a while.
00:14:22
◼
►
So ever since then, I have been using the iCloud option,
00:14:26
◼
►
which does require, of course,
00:14:28
◼
►
that you log back into all of your junk,
00:14:30
◼
►
because it does not copy over the password.
00:14:32
◼
►
It's not encrypted.
00:14:33
◼
►
So you lose a lot of convenience,
00:14:36
◼
►
and you have to go through a whole round
00:14:38
◼
►
of relogging for a month.
00:14:40
◼
►
You open new apps and you're,
00:14:42
◼
►
"Oh, great, I haven't logged into this thing yet."
00:14:44
◼
►
And you have to do that.
00:14:45
◼
►
So I'm gonna give it a try next time.
00:14:47
◼
►
I guess, oh, well, I guess when I get mine,
00:14:50
◼
►
when I actually run my personal, I'm gonna give it a go.
00:14:53
◼
►
Based off of your experience with it,
00:14:55
◼
►
it seems like maybe they've improved it quite a bit,
00:14:57
◼
►
or maybe it was just a bad experience
00:15:00
◼
►
because I had so many devices to do at once,
00:15:02
◼
►
and there's a time crunch and all that.
00:15:04
◼
►
- I am under the impression that they have a,
00:15:07
◼
►
I don't know how big the team is, probably a small team,
00:15:10
◼
►
because small teams are generally more effective.
00:15:13
◼
►
But there's a small team of people at Apple
00:15:15
◼
►
who work on this stuff.
00:15:17
◼
►
And to me, their work is unheralded.
00:15:19
◼
►
'Cause people, you know what I mean?
00:15:21
◼
►
You do it once, you forget about it.
00:15:22
◼
►
And the only time most people ever really think
00:15:25
◼
►
about the migration is if it fails in some way.
00:15:29
◼
►
If it just works and you pick off where you left off
00:15:32
◼
►
and all of your stuff is just there
00:15:34
◼
►
and you're logged into almost all of your apps,
00:15:36
◼
►
and it's like, you think, "Oh, that's cool,"
00:15:38
◼
►
and then you'd never think about it again.
00:15:41
◼
►
- It's unheralded work, but I think that they've been doing
00:15:46
◼
►
extremely good work year over year,
00:15:49
◼
►
making it better and better, more efficient,
00:15:51
◼
►
et cetera, et cetera.
00:15:52
◼
►
Let me take a break here, thank our first sponsor.
00:15:55
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Look, you listening, you're a busy guy, probably,
00:15:58
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possibly, if you are a guy, but I'll bet you're busy.
00:16:00
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00:16:25
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00:16:29
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00:16:32
◼
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- My favorite Mack Weldon products is, I love the t-shirts.
00:16:37
◼
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I have all the underwear.
00:16:39
◼
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Underwear, you don't really think about it,
00:16:42
◼
►
but man, the t-shirts, the polos, I love 'em.
00:16:45
◼
►
My biggest concern with the Mack Weldon stuff,
00:16:49
◼
►
as they continue to sponsor the show,
00:16:50
◼
►
is that when this pandemic's over and people start
00:16:53
◼
►
getting back together and there's a WWDC,
00:16:55
◼
►
that everybody's gonna be wearing the same shirts.
00:16:58
◼
►
Because they're that good.
00:17:01
◼
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Last time I saw my pal Marco Arment,
00:17:03
◼
►
we had the same problem, we were wearing the same clothes,
00:17:05
◼
►
because it's that good.
00:17:08
◼
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But the good news is, Mack Weldon keeps expanding
00:17:10
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their lineup and they've got more and more stuff.
00:17:12
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But it really is great stuff, I love it.
00:17:15
◼
►
It really does take the thinking out of it.
00:17:17
◼
►
You just go there and buy stuff and it's just great.
00:17:20
◼
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And they last and last and last and last.
00:17:23
◼
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It's really, really well-made stuff.
00:17:25
◼
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00:17:30
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00:17:37
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00:17:41
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And just use that same promo code talk show
00:17:44
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00:17:47
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that's mackweldon.com/talkshow.
00:17:51
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Go to Mack Weldon, radically efficient wardrooming.
00:17:54
◼
►
Now that we're like a week past dropping the reviews,
00:18:00
◼
►
what is your one week past review thinking of the state
00:18:04
◼
►
of the iPhone's 13?
00:18:05
◼
►
- Pretty good.
00:18:07
◼
►
I mean, really solid offerings across the board.
00:18:11
◼
►
I don't think there's a huge weak spot in this lineup.
00:18:15
◼
►
The unification of the camera systems is huge, right?
00:18:18
◼
►
That's a really big step forward.
00:18:20
◼
►
They've had alternating years now of the cameras being
00:18:24
◼
►
roughly comparable between the models in the same lineup
00:18:28
◼
►
and then where they have not been.
00:18:30
◼
►
And by far, of course, I prefer the years where you get
00:18:32
◼
►
to make a choice based on your size and usability
00:18:35
◼
►
and not have to give up camera capability, right?
00:18:39
◼
►
You don't wanna do that.
00:18:40
◼
►
It's not ideal and I'm sure it's not ideal for them as well.
00:18:43
◼
►
And recently that was due to the fact that the OIS module,
00:18:48
◼
►
the internal stabilization module was quite large
00:18:51
◼
►
and unable to fit in some of the models.
00:18:53
◼
►
And that's why the big one had it.
00:18:55
◼
►
And now they've managed to miniaturize that to enough
00:18:58
◼
►
of a degree where the 13 or 13 Pro Max,
00:19:02
◼
►
or 13 Pro or Pro Max, you're just making a call based on
00:19:07
◼
►
size and usability, which is the right thing.
00:19:10
◼
►
Like you want, oh, this feels good to me,
00:19:13
◼
►
so this is the one I'm gonna pick.
00:19:14
◼
►
You don't want, this feels bad to me,
00:19:17
◼
►
but it has the features I want, right?
00:19:19
◼
►
That's a nightmare scenario for any designer.
00:19:22
◼
►
It's like, oh, this feels bad, but I have to use it, right?
00:19:25
◼
►
And like that sucks.
00:19:26
◼
►
That's not how people who build tools
00:19:29
◼
►
want you to feel about those tools.
00:19:31
◼
►
And I think that's why it's in such a good state for me.
00:19:34
◼
►
Like that's the core of why it feels great right now
00:19:36
◼
►
is that you can make a call based on your desire
00:19:40
◼
►
and usability and even between the 13 and 13 Pro.
00:19:45
◼
►
And I, once again, I kind of focus on the cameras
00:19:47
◼
►
'cause that's what I think about a lot.
00:19:49
◼
►
But even between those two models,
00:19:51
◼
►
you're making less compromises than ever
00:19:53
◼
►
and really making a call based on a few edge features
00:19:56
◼
►
that may not be mainstream,
00:19:59
◼
►
like 120 Hertz or a few other ones,
00:20:02
◼
►
and you're still getting a really great wide angle camera.
00:20:05
◼
►
So if you're like someone who uses it as a primary camera,
00:20:08
◼
►
but doesn't really play around with the telephoto
00:20:10
◼
►
or whatever, you do have the option to just genuinely say,
00:20:14
◼
►
I can save money and still get a really great camera
00:20:18
◼
►
versus, oh, I can save money,
00:20:19
◼
►
but I know I'm gonna get up kind of a poorer camera out of
00:20:22
◼
►
this, right?
00:20:23
◼
►
And I think that's a really, really good solid position
00:20:26
◼
►
for Apple to be in.
00:20:27
◼
►
And I think it makes the choice
00:20:29
◼
►
for the consumer really great.
00:20:31
◼
►
And so they're gonna end up with, I think,
00:20:32
◼
►
a big, big sales year for these models
00:20:36
◼
►
because of the lack of compromises necessary.
00:20:38
◼
►
- Yeah, I think lack of compromise is a good summary.
00:20:42
◼
►
In the earlier years of iPhone,
00:20:44
◼
►
like the first half of the iPhone era,
00:20:46
◼
►
they were much more on a AB cycle,
00:20:51
◼
►
TikTok cycle, I guess, in the parlance, right?
00:20:53
◼
►
And famously, they were,
00:20:55
◼
►
for iPhone 4, 4S, iPhone 5, 5S, iPhone 6, 6S.
00:21:00
◼
►
And the iPhone 7 and sorta knocks,
00:21:05
◼
►
is when they first knocked off that.
00:21:06
◼
►
But those six years of like 4, 4S, 5, 5S, 6, 6S,
00:21:11
◼
►
I know lots and lots of people.
00:21:14
◼
►
And if you're a semi-enthusiast,
00:21:17
◼
►
a two-year upgrade cycle is super normal, super sensible.
00:21:21
◼
►
And if you're less of a enthusiast,
00:21:24
◼
►
going more, as many years as you can between upgrading,
00:21:27
◼
►
and everybody has family members who are like that.
00:21:29
◼
►
Like my mom just waited until the battery health was like,
00:21:33
◼
►
practically begging her,
00:21:36
◼
►
"Seriously, we're not really trying to sell you a new iPhone,
00:21:38
◼
►
"but this iPhone 6 is really, really,
00:21:42
◼
►
"the battery's not that good."
00:21:44
◼
►
I remember from that era,
00:21:46
◼
►
a lot of daring Fireball readers,
00:21:48
◼
►
after reviews would drop in every year,
00:21:50
◼
►
and a lot of them would say,
00:21:52
◼
►
"I'm on the S cycle.
00:21:53
◼
►
"I upgrade every two years, I'm on the S cycle,
00:21:55
◼
►
"and I could not be happier for it."
00:21:57
◼
►
I think the S, every year, these S phones come out,
00:22:01
◼
►
and so many of the reviews are like,
00:22:03
◼
►
"Ah, it looks just like last year's phone.
00:22:06
◼
►
"It's an incremental upgrade."
00:22:08
◼
►
And they're like, "I love the incremental upgrades,
00:22:10
◼
►
"because it's like they've taken,"
00:22:12
◼
►
and then they would name their two or three pet compromises
00:22:16
◼
►
from the one-year-old phone that were fixed in the S cycle.
00:22:20
◼
►
And they're calling this the iPhone 13,
00:22:24
◼
►
and I get why they don't use the S thing much anymore.
00:22:30
◼
►
They did it with the XS,
00:22:31
◼
►
which was not quite clearly the old school S upgrade,
00:22:36
◼
►
'cause there was also the XR, which was there with it,
00:22:39
◼
►
and brought the iPhone X style to a much lower price point.
00:22:44
◼
►
I get it for marketing reasons,
00:22:47
◼
►
that the S maybe signals to too many people
00:22:50
◼
►
that it is a minor upgrade,
00:22:52
◼
►
that it's like screaming minor upgrade.
00:22:54
◼
►
It's kind of curious they ever used it.
00:22:56
◼
►
But in other ways, you could think of these
00:23:00
◼
►
as sort of like the 12S.
00:23:02
◼
►
And sometimes, I guess, with the S phones,
00:23:05
◼
►
they were so close physically
00:23:07
◼
►
that you could just use the same cases
00:23:09
◼
►
as the year before,
00:23:10
◼
►
or they would tweak the cases by half of a millimeter,
00:23:15
◼
►
but they would still say it's compatible,
00:23:18
◼
►
this case is compatible with both the 5S and the 5
00:23:21
◼
►
when the new cases came out.
00:23:22
◼
►
To me, that's what the iPhone 13 is like.
00:23:26
◼
►
And I don't mean it to belittle it,
00:23:28
◼
►
I just think it is,
00:23:30
◼
►
key is what you just mentioned to me,
00:23:33
◼
►
is that if you prefer the smaller 6.1-inch size
00:23:37
◼
►
to the max 6.7-inch size,
00:23:40
◼
►
it's fantastic that you get the exact same camera system,
00:23:44
◼
►
and both have been upgraded with faster lenses,
00:23:48
◼
►
including a much faster, super ultra-wide,
00:23:51
◼
►
the 0.5X lens, which also shoots macro,
00:23:55
◼
►
and now the telephoto has gone from 2X
00:24:00
◼
►
at that size range to 3X,
00:24:02
◼
►
which is a lot more throw.
00:24:04
◼
►
And they're just the same,
00:24:05
◼
►
and all you have to do is pick which size you like better.
00:24:08
◼
►
And it's a little bit more than just which size
00:24:10
◼
►
you like better in your hand,
00:24:11
◼
►
because you do get super-duper more battery life
00:24:14
◼
►
with the Pro Max, right?
00:24:16
◼
►
- Right, right, not so to be overlooked, right.
00:24:18
◼
►
- Right, and so, let's face it,
00:24:21
◼
►
one of the things that's overlooked in all of this,
00:24:23
◼
►
to me, overlooked by a lot,
00:24:24
◼
►
is how many people, their iPhone is their primary computer.
00:24:29
◼
►
And at a consumer level,
00:24:33
◼
►
there's a lot of people who just don't own another computer,
00:24:36
◼
►
right, and maybe it's even just a price thing,
00:24:39
◼
►
and you're young and you're a student,
00:24:41
◼
►
or you're just low-income for whatever reason,
00:24:44
◼
►
and owning a high-end, a nice iPhone,
00:24:48
◼
►
that's your budget for a computer.
00:24:50
◼
►
But for a lot of people, it's just like their lifestyle,
00:24:53
◼
►
right, that they're just on their feet all day.
00:24:56
◼
►
We just watched the new episode of the season opener
00:24:59
◼
►
of "The Morning Show" with all these TV people,
00:25:02
◼
►
and I know there's this whole subset of,
00:25:04
◼
►
oh, Apple makes them put iPhones into all these shows
00:25:07
◼
►
on Apple TV+, but I think that's a realistic depiction
00:25:11
◼
►
of life as a TV executive.
00:25:13
◼
►
- Yeah, I think so.
00:25:14
◼
►
I think as a modern media executive,
00:25:16
◼
►
if you have an Android phone, good luck to you.
00:25:19
◼
►
- Right, like, Ted Lasso has a lot of iPhones in it,
00:25:21
◼
►
but it's not people walking around all scene, every scene,
00:25:25
◼
►
with their iPhone in front of them,
00:25:26
◼
►
whereas the media executives on the show
00:25:30
◼
►
have their phones in front of them all the time,
00:25:31
◼
►
and that's true, they do.
00:25:33
◼
►
And if you're that sort of person,
00:25:35
◼
►
getting the Macs makes sense.
00:25:36
◼
►
Like, if you're on your phone from your morning commute
00:25:40
◼
►
until you get home and have a chance to plug it in,
00:25:42
◼
►
it makes sense.
00:25:45
◼
►
If you use a laptop 20% of the day or 10% of the day,
00:25:50
◼
►
and your phone 70% of the day,
00:25:53
◼
►
I mean, it makes a lot of sense to say,
00:25:55
◼
►
"Hey, I need a big typing surface.
00:25:57
◼
►
"I wanna see these emails.
00:25:59
◼
►
"I wanna read 'em closely,
00:26:00
◼
►
"and I have to say it's very, very easy
00:26:03
◼
►
"to pooh-pooh the larger size and go,
00:26:05
◼
►
"oh, you could type just as well until you get older."
00:26:08
◼
►
And then you're like, "Hey, you know what would be great?
00:26:11
◼
►
"If I could see anything, that would be awesome."
00:26:14
◼
►
And I think that it's obviously a big hit for those.
00:26:17
◼
►
If you do a bigger font, you got more screen real estate,
00:26:20
◼
►
that's a factor.
00:26:22
◼
►
The other thing, too, is, and I know,
00:26:26
◼
►
you and I commit to a little bit during the review period.
00:26:29
◼
►
We're not competitive with each other.
00:26:32
◼
►
Basically, people who've come on my show,
00:26:37
◼
►
like you and Joanna,
00:26:40
◼
►
it's like, we'll commit sometimes or ask questions
00:26:43
◼
►
while we're reviewing these phones.
00:26:45
◼
►
- Yeah, gut checks can be helpful, too.
00:26:47
◼
►
Make sure you're not an outlier.
00:26:48
◼
►
- Yeah, gut checks, right?
00:26:49
◼
►
But for the most part, one of my fears always
00:26:52
◼
►
with these reviews is that I'm gonna publish my review.
00:26:55
◼
►
I've had six days with this thing,
00:26:58
◼
►
and I've tried to devote as much time to it as I can
00:27:00
◼
►
and think about it from consumer's perspective
00:27:03
◼
►
and my audience's perspective in particular.
00:27:06
◼
►
Here's the thoughts.
00:27:07
◼
►
And then I'm worried I'm gonna look
00:27:08
◼
►
at everybody else's reviews,
00:27:09
◼
►
and they're all going to complain about X,
00:27:12
◼
►
or they're all gonna say--
00:27:13
◼
►
- That you're gonna just totally miss a huge flaw.
00:27:15
◼
►
- Yeah, miss a huge flaw.
00:27:17
◼
►
Maybe the closest to that was
00:27:19
◼
►
when the cellular Apple Watch came out.
00:27:21
◼
►
There was a weird glitch where some people were saying--
00:27:24
◼
►
- Right, a Wi-Fi issue.
00:27:27
◼
►
I had never encountered it.
00:27:29
◼
►
I think it was like that it would latch onto a public Wi-Fi,
00:27:32
◼
►
but it needed a authentication,
00:27:34
◼
►
but therefore because it was latched onto the Wi-Fi,
00:27:37
◼
►
but needed an authentication that the watch itself
00:27:39
◼
►
wasn't capable of prompting you for,
00:27:42
◼
►
like a coffee shop that says,
00:27:44
◼
►
"Oh, okay, it's a known network, so I'll latch onto it."
00:27:47
◼
►
But the coffee shop wants you to type a password
00:27:49
◼
►
or something like that that you can--
00:27:50
◼
►
- Yeah, the capture gateways that hotels use.
00:27:54
◼
►
- Yeah, it was something like that.
00:27:57
◼
►
But for the most part this year,
00:28:00
◼
►
I thought there was a remarkable consensus,
00:28:02
◼
►
which was my thrust, which was,
00:28:03
◼
►
"Look, they made the cameras better, a lot better,
00:28:06
◼
►
noticeably better in ways that real people
00:28:09
◼
►
will really take better photos and better videos,
00:28:13
◼
►
and they have significantly improved battery life
00:28:17
◼
►
in a very practical way."
00:28:19
◼
►
And better cameras and better battery life
00:28:22
◼
►
are literally the main things.
00:28:24
◼
►
I know there's the whole,
00:28:25
◼
►
you can't just ask people what they want
00:28:27
◼
►
'cause they'd say they want faster horses
00:28:29
◼
►
instead of knowing that they should switch to automobiles.
00:28:32
◼
►
But people know what they do with their iPhones,
00:28:33
◼
►
and people like more battery life,
00:28:36
◼
►
and people, everybody, almost everybody uses the camera.
00:28:42
◼
►
It's just not that, it's not rocket science, right?
00:28:46
◼
►
Like you go into these things going,
00:28:47
◼
►
"Oh, I wonder what am I gonna miss?
00:28:50
◼
►
What angles am I gonna get?"
00:28:51
◼
►
And I think sometimes people overthink it,
00:28:53
◼
►
and you don't need to overthink what people want
00:28:55
◼
►
from their smartphone in a lot of cases these days,
00:28:58
◼
►
because you know absolutely it is their primary camera.
00:29:01
◼
►
That ship sailed in like 2014 or something, right?
00:29:06
◼
►
So you know it's their primary camera,
00:29:08
◼
►
and you know that they use it a lot
00:29:10
◼
►
because every app statistic on the planet
00:29:12
◼
►
will tell you that people are using their phones
00:29:15
◼
►
more and more, and what is the result of that?
00:29:17
◼
►
Well, battery, right?
00:29:19
◼
►
So those two things are not for overthinkers, right?
00:29:22
◼
►
And I think that sometimes people get into overthinking it,
00:29:25
◼
►
and therefore undervalue those basics, right?
00:29:29
◼
►
They undervalue those simple, they're like,
00:29:31
◼
►
"Oh, surely it can't just be somebody buys this
00:29:34
◼
►
because it has 12% more battery."
00:29:36
◼
►
It's like, well, yeah, because it's a binary decision.
00:29:40
◼
►
Does it have more battery or less, right?
00:29:43
◼
►
Not, "Oh, does it have 17%?"
00:29:45
◼
►
Now I'm convinced.
00:29:47
◼
►
It's like, no, does it have more battery?
00:29:48
◼
►
Okay, I'll buy that one, right?
00:29:50
◼
►
Like most people are not sitting there
00:29:51
◼
►
looking at a chart.
00:29:53
◼
►
Like I put charts in my reviews time and time
00:29:55
◼
►
because I know some people like that, and that's great.
00:29:58
◼
►
And I, you know, obviously I need to do the measurements
00:30:00
◼
►
myself to contextualize my feelings,
00:30:03
◼
►
so I do the measurements.
00:30:04
◼
►
But most people are not.
00:30:05
◼
►
They're like, "Is it more about, oh, is that more battery?
00:30:08
◼
►
And then when they go to order it,
00:30:09
◼
►
they just order the one with more battery.
00:30:10
◼
►
- Yeah. - And that's not,
00:30:11
◼
►
you know, you don't need to overthink that too much.
00:30:15
◼
►
- Tim Cook talks about that a lot
00:30:16
◼
►
when he talks about Apple Watch.
00:30:18
◼
►
And you know, it comes up so often
00:30:20
◼
►
that I know it's not a talking point
00:30:23
◼
►
because he's said it for years,
00:30:25
◼
►
but that the thing he loves most about Apple Watch
00:30:27
◼
►
is that he's been a fitness enthusiast
00:30:29
◼
►
since long before Apple Watch.
00:30:31
◼
►
But there were things he thought
00:30:32
◼
►
he was accomplishing each day
00:30:34
◼
►
that it turns out he wasn't until he got the numbers.
00:30:37
◼
►
And it's, I got some, you know,
00:30:40
◼
►
maybe some pushback I got last year.
00:30:42
◼
►
I gave a very, very positive review to the iPhone 12 mini,
00:30:46
◼
►
and I was very close to buying the iPhone 12 mini
00:30:50
◼
►
as my personal phone for the last year.
00:30:52
◼
►
It was the closest call I've ever had
00:30:55
◼
►
in all the years of multiple new iPhones
00:30:58
◼
►
of deciding which one to buy
00:31:00
◼
►
because I was so enamored with it in so many ways.
00:31:03
◼
►
Like, it's weight and the low amount of volume
00:31:08
◼
►
it takes up in a jeans pocket.
00:31:11
◼
►
Battery life was not the reason
00:31:13
◼
►
that I went with the 12 instead of the 12 mini.
00:31:16
◼
►
For me, it was typing.
00:31:18
◼
►
And even though the 12 mini is a size
00:31:21
◼
►
that's very comparable keyboard,
00:31:24
◼
►
the physical keyboard on the iPhone mini size
00:31:27
◼
►
is very comparable to the old iPhones of yesteryear,
00:31:32
◼
►
my thumbs have lost their ability to type at that speed.
00:31:36
◼
►
And I very specifically remember
00:31:38
◼
►
that it was during the six-day election of 2020,
00:31:44
◼
►
where it was five days from election day
00:31:49
◼
►
until Saturday morning when CNN
00:31:52
◼
►
or whoever it was the first to call it
00:31:53
◼
►
and said, "We're calling it.
00:31:55
◼
►
"Joe Biden is the winner."
00:31:57
◼
►
And I remember I watched an awful lot of TV
00:31:59
◼
►
in those five days,
00:32:02
◼
►
and I was using the 12 mini as my main phone,
00:32:05
◼
►
and I was like, "I am making so many typos,
00:32:09
◼
►
"and I'm trying to do all this stuff,
00:32:10
◼
►
"but I cannot leave the couch to get something else
00:32:13
◼
►
"because what if Steve Kornacki comes on
00:32:15
◼
►
"and tells me something about County Georgia?
00:32:19
◼
►
"Oh my God, I can't leave."
00:32:20
◼
►
So I was just on the 12 mini,
00:32:22
◼
►
and it was the pandemic.
00:32:24
◼
►
I wasn't leaving.
00:32:25
◼
►
I could easily plug the mini in for five minutes
00:32:28
◼
►
here and there while I got a beverage
00:32:30
◼
►
or MSNBC cut to commercial.
00:32:32
◼
►
And so I wasn't running out of battery.
00:32:34
◼
►
It was the typing of all things, the typing.
00:32:36
◼
►
And so I was like, "You know what?
00:32:37
◼
►
"I'm gonna buy a 12."
00:32:38
◼
►
But-- - Yeah, I mean,
00:32:41
◼
►
that's the same reason I didn't go with the mini.
00:32:42
◼
►
I love everything about it,
00:32:43
◼
►
but my meaty thumbs can't handle it, unfortunately.
00:32:47
◼
►
I wish they could.
00:32:48
◼
►
And it's crazy 'cause they used to be able to.
00:32:50
◼
►
I mean, I used to be there.
00:32:51
◼
►
But they used to be able to
00:32:53
◼
►
because we all used to type on that side screen.
00:32:55
◼
►
That's what's hilarious about it,
00:32:56
◼
►
but now we can't do it anymore.
00:32:58
◼
►
- Right, but all that said,
00:33:00
◼
►
but the battery life was a compromise.
00:33:02
◼
►
It was seriously, it was a bit compromised on battery life.
00:33:06
◼
►
And that was definitely a hit.
00:33:08
◼
►
And there were people who were like,
00:33:09
◼
►
"Yeah, you should have called out the battery life more."
00:33:11
◼
►
And it's like, well, to me, it was within what Apple said.
00:33:15
◼
►
If Apple said, I don't know what the numbers were
00:33:18
◼
►
for the hours, but if it said it was only 66%
00:33:22
◼
►
of the battery life of the 12 Pro or something like that,
00:33:25
◼
►
it's like, I think that was fair.
00:33:27
◼
►
That might be a deal breaker for you,
00:33:29
◼
►
only having 2/3 of the battery life.
00:33:31
◼
►
And so to me, that was a compromise.
00:33:34
◼
►
And one of the most amazing things
00:33:35
◼
►
about the battery life improvements
00:33:37
◼
►
with the iPhone 13 lineup
00:33:39
◼
►
is that this year's iPhone 13 mini
00:33:44
◼
►
gets longer battery life than last year's mid-size,
00:33:48
◼
►
regular-size, whatever you wanna call it, iPhone 12.
00:33:51
◼
►
So that to me is removing the compromise.
00:33:54
◼
►
And sure, the 13 mini still has the lowest battery life
00:33:58
◼
►
of all the iPhone 13 for the obvious reason
00:34:01
◼
►
that it has the smallest battery.
00:34:03
◼
►
But that's a huge one-year gain
00:34:07
◼
►
that the mini size now has a longer-lasting battery
00:34:12
◼
►
by every measure you can think of
00:34:14
◼
►
than last year's regular-sized iPhone 12.
00:34:17
◼
►
That's amazing.
00:34:19
◼
►
- Yeah, that's a huge leap in one year.
00:34:21
◼
►
And if you're talking about compromise or whatever,
00:34:25
◼
►
it does delete an enormous amount of compromise
00:34:28
◼
►
that those people had to make last year,
00:34:30
◼
►
the people choosing that phone.
00:34:31
◼
►
And it removes, obviously, the barrier
00:34:34
◼
►
for a lot of people that would have
00:34:36
◼
►
bought that last year, but felt like,
00:34:39
◼
►
ah, man, I run out of battery every day today already.
00:34:43
◼
►
I can't go to less, right?
00:34:47
◼
►
And that's a definite leap forward.
00:34:50
◼
►
- Yeah, so the two big compromises
00:34:54
◼
►
that they eliminated year over year,
00:34:57
◼
►
the mini no longer has bad battery life
00:34:59
◼
►
and now has perfectly adequate,
00:35:01
◼
►
by anybody's definition, battery life for the size.
00:35:04
◼
►
And the midsize 13 Pro has the exact same camera system
00:35:09
◼
►
as the Pro Max, and they made both cameras better.
00:35:15
◼
►
Very, very impressive to me year over year.
00:35:20
◼
►
I wanna keep talking about the camera stuff,
00:35:21
◼
►
but I'm gonna take another break here
00:35:23
◼
►
and thank our friends.
00:35:24
◼
►
Oh, man, I love Memberful.
00:35:28
◼
►
Memberful is how you can monetize your passion
00:35:31
◼
►
with memberships.
00:35:32
◼
►
Memberful allows you to build a sustainable,
00:35:35
◼
►
recurring revenue.
00:35:37
◼
►
It is the easiest way to sell memberships to your audience,
00:35:40
◼
►
and it is used by some of the biggest creators on the web.
00:35:42
◼
►
It is used by many of my personal favorite sites,
00:35:46
◼
►
including those from my friends,
00:35:47
◼
►
like Jason Snell at Six Colors.
00:35:49
◼
►
I'm a member of more Memberful sites
00:35:53
◼
►
than I can count on, definitely on one hand.
00:35:56
◼
►
One of the best things is that they never put their brand
00:35:58
◼
►
in front of yours.
00:36:00
◼
►
So once you're a member at Six Colors, let's just say,
00:36:03
◼
►
you're never reminded that you're going through Memberful.
00:36:06
◼
►
It always just feels like you're going right through
00:36:08
◼
►
to Six Colors, and you just never have to worry about it.
00:36:12
◼
►
And it couldn't be better.
00:36:13
◼
►
If you are the creator, though, what a great advantage
00:36:16
◼
►
to you that you can have a partner like this
00:36:18
◼
►
who takes care of all the hard stuff,
00:36:20
◼
►
all of this infrastructure,
00:36:22
◼
►
and also doesn't dilute your own brand at all
00:36:26
◼
►
or get in the way of your direct communication
00:36:30
◼
►
with your audience.
00:36:31
◼
►
You have full control and ownership of your audience,
00:36:34
◼
►
your brand, and your membership with Memberful.
00:36:36
◼
►
If you ever do wanna leave for whatever reason,
00:36:39
◼
►
you just take your whole audience with you.
00:36:41
◼
►
There's no lock-in, and it's not like,
00:36:43
◼
►
"Ugh, I wanna leave Memberful, but I can't get out."
00:36:46
◼
►
No, they'll let you out.
00:36:47
◼
►
That's how confident they are that you won't,
00:36:49
◼
►
because it's such a great product and a great service.
00:36:52
◼
►
And you can get started for free.
00:36:54
◼
►
Try it out with no credit card required.
00:36:58
◼
►
It is just a great system.
00:36:59
◼
►
I am so happy to be a member of so many Memberful sites.
00:37:04
◼
►
And again, they handle all the hard stuff,
00:37:07
◼
►
the credit card stuff, the credit card expiration stuff,
00:37:11
◼
►
which is like a mess, right?
00:37:12
◼
►
It's like somebody subscribes in June,
00:37:15
◼
►
and then their card expires in January,
00:37:17
◼
►
and then their renewal comes up.
00:37:18
◼
►
Memberful handles all of that stuff.
00:37:21
◼
►
Where do you go to find out more
00:37:23
◼
►
if you wanna get started and monetize your passion?
00:37:27
◼
►
Go to Memberful, M-E-M-B-E-R, Memberful, F-U-L,
00:37:32
◼
►
dot com slash talk show.
00:37:34
◼
►
That's Memberful dot com slash talk show.
00:37:37
◼
►
My thanks to Memberful for their continuing support
00:37:42
◼
►
of the talk show.
00:37:42
◼
►
The iPhone 13 camera system.
00:37:49
◼
►
Number one, I kinda feel, if regrets,
00:37:51
◼
►
I don't have many regrets with my review.
00:37:53
◼
►
Every year, I'm a mess.
00:37:55
◼
►
I never make the embargo.
00:37:56
◼
►
I came closer this year than I have sometimes.
00:37:59
◼
►
There have been times when the sun has dropped.
00:38:02
◼
►
- I didn't make it this year either.
00:38:03
◼
►
I mean, there's a reason it's not until then or after.
00:38:07
◼
►
Like everybody races to publish right away,
00:38:08
◼
►
and I get it, and I get agita over it every year as well.
00:38:12
◼
►
But I figure at some point,
00:38:14
◼
►
you gotta do the best job you can.
00:38:16
◼
►
- It's good to have a deadline,
00:38:18
◼
►
especially for me, 'cause there's no boss that I report to
00:38:21
◼
►
who's gonna be bugging me.
00:38:23
◼
►
But it's good to have that pressure.
00:38:25
◼
►
If you don't hit the exact embargo,
00:38:28
◼
►
you're not gonna be the top review
00:38:30
◼
►
in the tech meme leaderboard for the thing.
00:38:33
◼
►
But that's fine with me.
00:38:35
◼
►
People wait, but I wanna get it out.
00:38:38
◼
►
But it's harder.
00:38:40
◼
►
And I mentioned this, I forget if I wrote about it.
00:38:43
◼
►
I think I wrote about it.
00:38:43
◼
►
When I was talking about the fact
00:38:45
◼
►
that the Microsoft Surface event had,
00:38:47
◼
►
the event itself did not have a live audience
00:38:50
◼
►
for COVID reasons, but they did have hands-on area
00:38:55
◼
►
all with COVID protocols, but in small groups,
00:38:58
◼
►
but they had hands-on time for people in the press
00:39:01
◼
►
and in-person product briefings.
00:39:03
◼
►
And I miss that.
00:39:04
◼
►
I find in-person briefings so much more effective
00:39:08
◼
►
for communicating, and it's really starting to wear thin
00:39:11
◼
►
to me that we've had.
00:39:13
◼
►
And again, I don't blame Apple.
00:39:15
◼
►
There's no way they could have held an in-person event
00:39:17
◼
►
in September of any size for the iPhone,
00:39:21
◼
►
'cause there's no way to cut the iPhone's event size,
00:39:23
◼
►
the press list, down to a manageable level for COVID.
00:39:26
◼
►
So I'm not saying they should have.
00:39:28
◼
►
I'm just saying I miss it.
00:39:29
◼
►
But the other thing is that even that one extra day
00:39:32
◼
►
makes such a difference to me, right?
00:39:34
◼
►
So if the embargo is also on Tuesday morning
00:39:37
◼
►
and it's a Tuesday, if it's in-person,
00:39:39
◼
►
you get the product Tuesday afternoon.
00:39:42
◼
►
And if it's not in-person, they ship 'em,
00:39:45
◼
►
and at best, you get them Wednesday afternoon.
00:39:49
◼
►
And it's six days versus seven days.
00:39:52
◼
►
Well, that's 16% more time that you have with the product.
00:39:56
◼
►
Which is, right?
00:39:57
◼
►
It's not nothing.
00:39:59
◼
►
- Yeah, no, it's true.
00:40:00
◼
►
And it's a time crunch to get all the tests you want done.
00:40:04
◼
►
And that first day, my goal, my only goal,
00:40:08
◼
►
really the first day, is to unbox everything,
00:40:10
◼
►
take a peek at it, and immediately start all of the updates.
00:40:14
◼
►
And what you do is you get the sleep time back, right?
00:40:19
◼
►
'Cause your sleep time is spent with all of those devices
00:40:22
◼
►
using your Wi-Fi to slurp all of their apps down from,
00:40:25
◼
►
well, you know, with my method,
00:40:27
◼
►
slurp them down from the App Store and to start indexing.
00:40:32
◼
►
'Cause I don't start any battery tests
00:40:35
◼
►
until several days later,
00:40:36
◼
►
because I like to give them time to index.
00:40:39
◼
►
And I don't test fresh iPhones.
00:40:42
◼
►
I test them as people would,
00:40:45
◼
►
and I know you do the same,
00:40:46
◼
►
as people would do buy a new iPhone.
00:40:48
◼
►
They buy a new iPhone, they're gonna update it
00:40:50
◼
►
or restore it from their backup and start using it.
00:40:53
◼
►
Almost nobody, I would guess,
00:40:55
◼
►
a very small portion of the population starts fresh.
00:40:58
◼
►
So you need to have that same experience
00:41:00
◼
►
that the person buying it is gonna be
00:41:01
◼
►
to give it the proper evaluation.
00:41:04
◼
►
So you download everything and you let it start indexing.
00:41:07
◼
►
And I don't wanna evaluate based on the time
00:41:10
◼
►
while it's indexing, 'cause that's obviously awful.
00:41:12
◼
►
But that 12 hours is extremely helpful
00:41:15
◼
►
in letting it run all night and index and back up.
00:41:19
◼
►
And by the morning, I have semi-functioning devices
00:41:22
◼
►
that are indexing in the background,
00:41:23
◼
►
but that I can start running preliminary testing
00:41:25
◼
►
on my cameras and stuff.
00:41:27
◼
►
- And just on the cameras alone.
00:41:29
◼
►
So there's battery life, there's that.
00:41:30
◼
►
There's that you need.
00:41:31
◼
►
You need, like you said, it's exactly what you said.
00:41:34
◼
►
You need at least maybe 48 hours
00:41:36
◼
►
before you can say that the phone,
00:41:37
◼
►
even if you set it up as soon as it's in your hands,
00:41:40
◼
►
24, 36, 48 hours before you can start talking,
00:41:43
◼
►
evaluating battery life in a fair sense is true.
00:41:48
◼
►
And on the cameras alone, this year, testing,
00:41:51
◼
►
I devoted my time to the phone I was most interested in,
00:41:54
◼
►
the 6.1-inch midsize 13 Pro.
00:41:58
◼
►
All three camera lenses are new.
00:42:01
◼
►
The 3X lens is new with a new sensor.
00:42:04
◼
►
It's a new lens and a new sensor.
00:42:06
◼
►
The regular default 1X lens
00:42:09
◼
►
has an even bigger pixels on the sensor,
00:42:13
◼
►
and the bigger pixels on the sensor
00:42:14
◼
►
is one of the single biggest changes they can make
00:42:17
◼
►
to make it a more effective camera.
00:42:19
◼
►
And the 0.5X lens, which has gotten the least love
00:42:24
◼
►
over the years in terms of functional improvements
00:42:28
◼
►
on the Pros this year is a huge upgrade,
00:42:31
◼
►
a better sensor with autofocus now.
00:42:35
◼
►
You could quibble over whether it should be called
00:42:37
◼
►
autofocus or not, but it has a focusing system,
00:42:41
◼
►
which the previous ones were all fixed focus,
00:42:43
◼
►
more light-gathering capability,
00:42:45
◼
►
so it's more useful indoors, so all three lenses.
00:42:47
◼
►
So even if you're just talking stills
00:42:49
◼
►
and just regular stills,
00:42:50
◼
►
and not even talking portrait mode,
00:42:52
◼
►
you've got three lenses to evaluate and take pictures of.
00:42:55
◼
►
And then there's a macro mode. (laughs)
00:42:59
◼
►
Then there is portrait mode,
00:43:02
◼
►
which you can take at two different focal lengths,
00:43:05
◼
►
and now with video, they added an entirely new
00:43:09
◼
►
cinematic thing. - Yeah, it's like seven
00:43:10
◼
►
different cameras you have to evaluate.
00:43:11
◼
►
- There's no chance, and I don't do,
00:43:14
◼
►
sometimes in years past, a couple years ago
00:43:17
◼
►
when I first added night mode, I had a photo,
00:43:19
◼
►
actual photos in my review, much heavier than usual,
00:43:23
◼
►
when I went to my friend Lee's Hopsing Laundromat,
00:43:25
◼
►
which is a very dark, beautiful, beautiful,
00:43:29
◼
►
beautiful cocktail bar here in Philadelphia,
00:43:32
◼
►
but he was kind enough to let me come in
00:43:34
◼
►
while they were closed, and it was literally
00:43:37
◼
►
just candle lit, no electrical lighting at all.
00:43:40
◼
►
He just lit the candles like he would
00:43:41
◼
►
when they were open in the evening,
00:43:43
◼
►
and I took a bunch of photos and included them
00:43:47
◼
►
in my review to show night mode
00:43:50
◼
►
versus the year-over-year camera.
00:43:52
◼
►
So I have done that sometimes, but I just,
00:43:55
◼
►
you know, no surprise to anybody who's listening to my show,
00:43:59
◼
►
my reviews are usually less illustrated
00:44:02
◼
►
and more just textual.
00:44:04
◼
►
But I do take a lot of photos,
00:44:06
◼
►
even if I don't put them in a review,
00:44:07
◼
►
and there's just no time, there's just no possible way
00:44:10
◼
►
I could have done it all, so I did not shoot
00:44:12
◼
►
a lot of cinematic mode video before the review.
00:44:15
◼
►
But the one thing that I felt like I should have done more of
00:44:19
◼
►
and I underestimated how much I truly love it
00:44:22
◼
►
and feel that it truly changes and expands
00:44:26
◼
►
the capabilities is macro.
00:44:28
◼
►
The macro, it blows my mind, that's my big,
00:44:31
◼
►
my single biggest one-week-later regret
00:44:34
◼
►
is that I didn't do more macro and praise macro more.
00:44:38
◼
►
- Yeah, yeah, I think the macro side of it
00:44:43
◼
►
is truly exciting for a lot of people
00:44:46
◼
►
because it is more accessible than telephoto shooting.
00:44:49
◼
►
Telephoto shooting is a weird one
00:44:50
◼
►
because it's not truly not like some sort
00:44:53
◼
►
of 300 millimeter telephoto, this is not a sports lens,
00:44:55
◼
►
it's more of a portraiture lens,
00:44:57
◼
►
and it can be hard to decide when or when not to use it.
00:44:59
◼
►
But I think everybody understands the excitement
00:45:02
◼
►
and interesting ability that a macro,
00:45:05
◼
►
and it's like, oh, you could shoot things super close up,
00:45:07
◼
►
that's awesome, right?
00:45:08
◼
►
And people tend to, I think, use that kind of feature more
00:45:12
◼
►
because more things are closer to you, right?
00:45:14
◼
►
It's just one of those logical things.
00:45:16
◼
►
You're able to sort of shoot things
00:45:18
◼
►
that are right up next to you and get cool views,
00:45:20
◼
►
and everybody loves bugs and flowers and close-up stuff.
00:45:23
◼
►
And that aspect of it, I think, is undersung
00:45:27
◼
►
because I think a lot of people treat macro
00:45:30
◼
►
as a specialty type of photography,
00:45:32
◼
►
but the reality is it doesn't have to be,
00:45:34
◼
►
it's just always required specialized equipment.
00:45:37
◼
►
And that's been the big thing.
00:45:38
◼
►
Everybody would love it if the camera could shoot
00:45:42
◼
►
super close up and get texture and all this,
00:45:44
◼
►
but it requires, oh, it requires this $1,000 lens
00:45:46
◼
►
and expertise and you gotta hover
00:45:48
◼
►
and you gotta know how to focus and blah, blah, blah.
00:45:51
◼
►
It's just not accessible, right?
00:45:53
◼
►
And that's what this just changes.
00:45:54
◼
►
- And Austin Mann had in his excellent as usual,
00:45:59
◼
►
and not exotic at all, photo review on a--
00:46:04
◼
►
- Just like everybody, we're taking a little safari
00:46:07
◼
►
now and then.
00:46:07
◼
►
- Yeah, a safari in Tanzania.
00:46:11
◼
►
But he had the best thing to say about macro
00:46:15
◼
►
that I could think of, but that he carries a macro lens
00:46:18
◼
►
with him everywhere he goes 'cause he just wants
00:46:20
◼
►
to be able to capture that, and he's a professional
00:46:22
◼
►
photographer and he's super gifted and a very nice guy.
00:46:24
◼
►
I've met him several times.
00:46:26
◼
►
He's exactly like what he comes across in those videos.
00:46:29
◼
►
But he says, "I carry a macro lens wherever I go
00:46:32
◼
►
"just in case I see something that I want it."
00:46:34
◼
►
But it's, A, like you said, they're like $1,000
00:46:37
◼
►
starting point, and they're very heavy.
00:46:39
◼
►
They're really heavy glass.
00:46:41
◼
►
So the professional photographers who are like,
00:46:44
◼
►
"Well, I need a telephoto and I need a normal lens,
00:46:47
◼
►
"and of course I need a wide angle,
00:46:48
◼
►
"but I like to have a fisheye sometimes
00:46:49
◼
►
"if it needs to count as a thing."
00:46:51
◼
►
And oh, and a macro, and all of a sudden you've got
00:46:53
◼
►
25 pounds of glass that you're carrying around
00:46:55
◼
►
on your back everywhere you go.
00:46:57
◼
►
It's just not practical for consumers,
00:46:59
◼
►
and it's certainly not practical for in your pocket
00:47:02
◼
►
walking around daily carry, or even if you carry
00:47:06
◼
►
a backpack or a purse or something and you have room,
00:47:10
◼
►
it's just people don't, even if they take an extra lens,
00:47:13
◼
►
even if they walk around with a camera,
00:47:14
◼
►
they're not taking a macro lens, right?
00:47:17
◼
►
It's too obscure.
00:47:20
◼
►
It is game-changing what you can get a photo of,
00:47:24
◼
►
and how neat it is.
00:47:26
◼
►
It's almost kinda nutty, right?
00:47:30
◼
►
That all of a sudden now it's just the thing
00:47:32
◼
►
that you were gonna buy anyway.
00:47:33
◼
►
Oh, and by the way, now you can take
00:47:35
◼
►
kind of extraordinary macro photography.
00:47:38
◼
►
And then in my review, I felt like I spent more time,
00:47:40
◼
►
rather than praising what you can do with it,
00:47:42
◼
►
complaining about the automatic camera shift
00:47:47
◼
►
and the weird--
00:47:48
◼
►
- Mm-hmm, mm-hmm, mm-hmm.
00:47:50
◼
►
- It's sort of like--
00:47:51
◼
►
- Yeah, the switch between the wide
00:47:52
◼
►
and telephoto that happens, yeah.
00:47:54
◼
►
- Yeah, and I wish I had thought of this.
00:47:55
◼
►
My other regret for the review is that I didn't describe it
00:47:58
◼
►
as vertigo-inducing.
00:48:00
◼
►
It's sort of like a vertigo feeling when it switches.
00:48:03
◼
►
And I spent more time complaining about that
00:48:05
◼
►
than I did praising the capabilities.
00:48:08
◼
►
- Well, I mean, in some ways that's our job, right?
00:48:11
◼
►
Is to go to the max.
00:48:12
◼
►
And then I always view it as if you write a review
00:48:17
◼
►
and you're critical of a feature,
00:48:18
◼
►
or you point out the shortfalls
00:48:22
◼
►
of a particular innovation or feature or whatever.
00:48:24
◼
►
And people come in afterwards and you go,
00:48:26
◼
►
"Hey, cut it some slack.
00:48:27
◼
►
"It's actually pretty good."
00:48:28
◼
►
I think that I'm at the right point.
00:48:31
◼
►
You don't want people coming in and going like,
00:48:33
◼
►
"Oh, you over-praised this thing
00:48:37
◼
►
"that's clearly got massive flaws."
00:48:39
◼
►
I mean, obviously, I feel comfortable with most of my,
00:48:43
◼
►
well, hopefully all of my reviews,
00:48:45
◼
►
'cause I do feel that I evaluate things fairly,
00:48:48
◼
►
but I'm more comfortable if people come and say,
00:48:52
◼
►
"Hey, cut this thing some slack," and that's fine.
00:48:55
◼
►
Because that's your job,
00:48:56
◼
►
is to be relatively critical of a thing
00:48:59
◼
►
in an equanimitous sense.
00:49:01
◼
►
You wanna be critical and fair.
00:49:04
◼
►
I always tell my writers, "Skeptical, not cynical."
00:49:07
◼
►
Like, so you gotta come in and say,
00:49:09
◼
►
"Hey, this is great, but here's the where it falls short
00:49:14
◼
►
"of what its goals were."
00:49:17
◼
►
And that's kinda the key, 'cause I will say,
00:49:20
◼
►
I'm gonna be frank about the quality of this macro lens.
00:49:23
◼
►
There's a significant amount of aberration near the edges.
00:49:25
◼
►
It separates and blurs a lot near the edges of the image.
00:49:30
◼
►
It introduces some color and artifacting.
00:49:33
◼
►
And I mentioned this all in my review.
00:49:34
◼
►
This is not some sort of thing I'd,
00:49:35
◼
►
the ex post facto or whatever.
00:49:37
◼
►
I mentioned this in my review.
00:49:38
◼
►
But just to be clear,
00:49:39
◼
►
if you have a very high quality macro lens
00:49:44
◼
►
that has excellent optics and glass and is well-coated,
00:49:48
◼
►
and you're a skilled user of that lens,
00:49:50
◼
►
these are not comparable images between these two things.
00:49:54
◼
►
However, it adds what in photographic terms
00:49:58
◼
►
you would call a photographic language to your repertoire.
00:50:02
◼
►
It's like learning a few words of French
00:50:05
◼
►
and going to France.
00:50:06
◼
►
It's just a light years difference in experience
00:50:09
◼
►
from zero to one.
00:50:10
◼
►
Like you go to France and you know no French,
00:50:12
◼
►
you're gonna get roughly the same reception
00:50:14
◼
►
as any other traveler going to France.
00:50:16
◼
►
You go to France and you know a few words of French
00:50:18
◼
►
and you pronounce them properly.
00:50:19
◼
►
It's very key to say this
00:50:21
◼
►
because the French are very particular about the language.
00:50:23
◼
►
But if you do, you get a completely different reception
00:50:26
◼
►
from anybody from a cab driver to a server at a restaurant
00:50:31
◼
►
to a major theater hotel,
00:50:32
◼
►
or even just people that you meet.
00:50:34
◼
►
They appreciate and respect
00:50:38
◼
►
that you are trying to use their native language
00:50:41
◼
►
and to try to make some effort to understand their culture
00:50:44
◼
►
to some small degree.
00:50:45
◼
►
And it is a zero to one experience in travel.
00:50:48
◼
►
And that's what this macro lens offers people
00:50:50
◼
►
is a completely new language to speak
00:50:53
◼
►
that they would not have been able to speak otherwise.
00:50:55
◼
►
And it's like saying,
00:50:56
◼
►
"Hey, you don't know the language at all
00:50:57
◼
►
and you can never learn it."
00:50:58
◼
►
Or you've taken some language courses
00:51:01
◼
►
and you can order a coffee and a piece of toast
00:51:06
◼
►
and get a warm reception and a nice chat with somebody
00:51:11
◼
►
just by knowing a few words of the language.
00:51:12
◼
►
And that's what this does to me.
00:51:14
◼
►
It's not about perfection.
00:51:15
◼
►
It's not about best in class, or I say in class,
00:51:18
◼
►
but it's not about best in world experience
00:51:22
◼
►
with a macro lens and, "Oh man, this is perfect."
00:51:24
◼
►
It's you can do this now
00:51:26
◼
►
when you couldn't do it before at all.
00:51:28
◼
►
And it's not only that,
00:51:30
◼
►
but it's actually pretty goddamn good
00:51:32
◼
►
for such a small lens.
00:51:35
◼
►
Tiny, tiny bit of optic.
00:51:37
◼
►
And it's tucked away inside of an ultra wide,
00:51:40
◼
►
which is awesome.
00:51:41
◼
►
Just the amount of the feet that they pulled off here
00:51:43
◼
►
is really incredible.
00:51:45
◼
►
And it's not about perfection and image quality perfection,
00:51:47
◼
►
which is why you mention it, but don't dwell on it.
00:51:50
◼
►
But then you've got to acknowledge
00:51:52
◼
►
that it also makes things possible
00:51:55
◼
►
that weren't possible before
00:51:56
◼
►
for millions to hundreds of millions of people
00:52:00
◼
►
over the next few years,
00:52:01
◼
►
because the feature is not gonna go away, right?
00:52:03
◼
►
That they could never do before.
00:52:05
◼
►
And that to me is the importance.
00:52:06
◼
►
You have to balance those two factors.
00:52:08
◼
►
Hey, it's not optical perfection,
00:52:11
◼
►
but at the same time, it's an enabling feature
00:52:14
◼
►
that makes people able to do things
00:52:16
◼
►
they could not do before.
00:52:17
◼
►
And to that degree, it is like an exoskeleton
00:52:20
◼
►
or a superpower for a lot of people.
00:52:22
◼
►
And I think that part of it's cool.
00:52:24
◼
►
- I also found out recently that in addition,
00:52:27
◼
►
I've known that the French are very particular
00:52:29
◼
►
about the pronunciation of their language.
00:52:31
◼
►
I didn't realize they're so persnickety
00:52:33
◼
►
about their submarines as well, but.
00:52:36
◼
►
- Yes, yes, apparently.
00:52:39
◼
►
- But I do, I love the analogy, I do.
00:52:42
◼
►
And it's like, you know, again,
00:52:43
◼
►
it's sort of like the thing where if you know enough
00:52:45
◼
►
that you can like ask for help getting on the Metro
00:52:47
◼
►
and going the right way to go somewhere,
00:52:50
◼
►
it like totally expands your trip, right?
00:52:52
◼
►
Because now you feel like, you know, I'm confident enough.
00:52:54
◼
►
I don't really, you know, I don't know it a lot,
00:52:56
◼
►
but I could ask somebody for help
00:52:58
◼
►
and get on the Metro and go elsewhere in Paris.
00:53:02
◼
►
It's like, instead of just staying
00:53:04
◼
►
within walking distance of your hotel,
00:53:06
◼
►
it totally expands your trip, I get it.
00:53:09
◼
►
And maybe a good analogy too,
00:53:10
◼
►
is sort of like when the iPhone first started
00:53:13
◼
►
getting serious about the phone
00:53:15
◼
►
and it wasn't just an afterthought,
00:53:16
◼
►
which I think was like the iPhone 4
00:53:19
◼
►
is like the first camera that had like auto-focus
00:53:21
◼
►
and like where Phil Schiller actually spent time
00:53:25
◼
►
in the introduction talking about camera features.
00:53:29
◼
►
- Somebody pointed out, it is hilarious,
00:53:31
◼
►
but with the original iPhone in 2007,
00:53:34
◼
►
it was like I waited in line,
00:53:36
◼
►
'cause you remember back then you had to wait,
00:53:37
◼
►
there was no way to pre-order.
00:53:38
◼
►
You had to like go to the Apple store and get in line.
00:53:40
◼
►
And I got in line and I got it in the afternoon
00:53:43
◼
►
and got one for the wife and we came home
00:53:45
◼
►
and AT&T totally took a nationwide crap out.
00:53:51
◼
►
- But it was like, you had to,
00:53:53
◼
►
like the only way to get it hooked up
00:53:55
◼
►
is you had to open it up,
00:53:56
◼
►
connect it to a computer, to iTunes,
00:53:59
◼
►
and then iTunes would like authorize the phone
00:54:02
◼
►
and whatever you call it, what do you call it
00:54:04
◼
►
when it, the carrier, activate, activate the phone.
00:54:06
◼
►
- Yeah, carrier activate.
00:54:07
◼
►
- And AT&T took a nap, you know.
00:54:11
◼
►
And no, you know, we laugh, but it's like,
00:54:14
◼
►
it's not really like you could expect AT&T
00:54:16
◼
►
to have built an activation system
00:54:18
◼
►
that was ready for that type of volume.
00:54:22
◼
►
But then, you know, got it activated
00:54:24
◼
►
and it was so exhilarating and super exciting
00:54:26
◼
►
and we were actually going on a trip to the shore
00:54:30
◼
►
with Amy's family the next day.
00:54:33
◼
►
And, you know, it was great to have the phone already
00:54:35
◼
►
and I was excited to take it,
00:54:37
◼
►
but I wanted to write up my thoughts
00:54:38
◼
►
and I wrote my like 24 hour initial thoughts
00:54:41
◼
►
on the original iPhone and it holds up very well,
00:54:44
◼
►
except one thing that I didn't even mention
00:54:46
◼
►
is the word camera.
00:54:48
◼
►
Never, I didn't even mention it.
00:54:51
◼
►
- Right, which today, if you wrote a review
00:54:54
◼
►
of the iPhone today, it didn't mention the camera,
00:54:56
◼
►
people would think you had lost your marble, right?
00:54:58
◼
►
They're like, what, is this a review or is this a joke?
00:55:02
◼
►
Right, like what are you talking about?
00:55:03
◼
►
And which is pretty remarkable.
00:55:05
◼
►
I mean, you expect, it's not just an expectation
00:55:08
◼
►
that the iPhone's camera is decent.
00:55:10
◼
►
The expectation is, is this the best camera
00:55:13
◼
►
that you can possibly buy in a non-camera device,
00:55:18
◼
►
let's call it that way, although, you know,
00:55:20
◼
►
there's arguments to be made that what is a camera?
00:55:23
◼
►
But is this the best camera you can buy or not?
00:55:25
◼
►
Like that's where we are now.
00:55:27
◼
►
It's not, is it decent, is it good, is it improved?
00:55:30
◼
►
It's literally, is this the best in the world or not?
00:55:33
◼
►
And the answer is usually leapfrogging from day to day.
00:55:36
◼
►
Now I have my own arguments as everybody does
00:55:38
◼
►
about other smartphone approaches and all of this stuff
00:55:41
◼
►
and what they choose to do and realism versus, you know,
00:55:45
◼
►
illustrative quality to photos and all of this stuff.
00:55:49
◼
►
But really it is a matter of either it is
00:55:51
◼
►
or it isn't the best camera in the world, period.
00:55:54
◼
►
And that's crazy to think about when you realize the fact
00:55:57
◼
►
that it does all this other stuff, right?
00:55:59
◼
►
Like it's a phone, it's not a camera,
00:56:01
◼
►
it does a bunch of other things.
00:56:03
◼
►
But the only conversation we're willing to have about it
00:56:06
◼
►
is is it the best in the world or not?
00:56:08
◼
►
And that's pretty remarkable a few years on.
00:56:10
◼
►
- And it's, the other thing with macro
00:56:13
◼
►
that really impresses me, and I did mention this.
00:56:16
◼
►
So the iPhone has long had a magnifier feature.
00:56:19
◼
►
There's an app and I have it set for a triple click
00:56:22
◼
►
on the home button where it just jumps to magnifier.
00:56:25
◼
►
And you can use it as like a magnifying glass as you go.
00:56:28
◼
►
But the magnifier only uses like the 1X lens
00:56:31
◼
►
and digital zoom and it's very, very shaky.
00:56:34
◼
►
And the thing I noticed is that if you just wanna see
00:56:37
◼
►
something small, too small for your aging eyes
00:56:40
◼
►
or even if you're young, just super small
00:56:42
◼
►
that you just can't see, right?
00:56:43
◼
►
Switching to macro mode on your phone,
00:56:45
◼
►
even if you don't wanna take a picture of it,
00:56:47
◼
►
if it's just like small print on something
00:56:49
◼
►
and you just wanna read it or look close at it,
00:56:51
◼
►
macro mode with the iPhone is way better
00:56:53
◼
►
than the magnifier app now.
00:56:54
◼
►
I can only presume that maybe one hand
00:56:57
◼
►
wasn't talking to the other.
00:56:58
◼
►
We all know how Apple is compartmentalized
00:57:00
◼
►
and the magnifier team probably wasn't briefed
00:57:03
◼
►
on the new iPhone hardware.
00:57:04
◼
►
And I can only presume that the magnifier
00:57:06
◼
►
is gonna be updated to take advantage of this.
00:57:08
◼
►
But like, just like imagine something silly
00:57:13
◼
►
like you're a parent and your kid thinks
00:57:15
◼
►
they might have a splinter in their finger
00:57:17
◼
►
and it's like, I don't know, I don't see anything,
00:57:20
◼
►
but it's like if you really wanna know,
00:57:21
◼
►
you can like use your camera in macro mode
00:57:24
◼
►
and you'll find it, right?
00:57:25
◼
►
Like you'll see it.
00:57:26
◼
►
It is, and it's stabilized, right?
00:57:29
◼
►
It's like there's, I don't know if it's the sensor shift,
00:57:31
◼
►
I don't know if it's digital,
00:57:32
◼
►
I don't know if they're doing it,
00:57:33
◼
►
'cause obviously it's a crop, right?
00:57:35
◼
►
You're getting this 1X crop,
00:57:39
◼
►
but from the ultra wide 0.5X sensor.
00:57:42
◼
►
So they have, for lack of a better word,
00:57:45
◼
►
slop to move it around digitally.
00:57:47
◼
►
- They call it overscan.
00:57:48
◼
►
- Overscan, right? - Yes, exactly.
00:57:50
◼
►
- Right, but it's way more stable than the magnifier is.
00:57:53
◼
►
The magnifier, you kinda have to brace yourself
00:57:54
◼
►
if you really wanna zoom in to the maximum degree.
00:57:57
◼
►
If you really just wanna like look real closely
00:57:59
◼
►
at a kid's finger and see if you can see a splinter in there
00:58:02
◼
►
it's fantastic, and like it's a super power.
00:58:06
◼
►
Like all of a sudden now you can like easily see
00:58:09
◼
►
like the details of a fingerprint and see,
00:58:11
◼
►
no, you don't have a splinter, go toughen up.
00:58:14
◼
►
Or, oh yeah, you do, here, let me see if I can get this out.
00:58:18
◼
►
- Yeah, it's gonna enable a lot of fun, cool stuff like that
00:58:22
◼
►
that is not necessarily just macro photography.
00:58:24
◼
►
And that's what happens every time Apple introduces
00:58:27
◼
►
a new piece of hardware or significantly enhances
00:58:29
◼
►
a previous one, is that there's tons of ways
00:58:32
◼
►
to take advantage of that from a developer perspective.
00:58:34
◼
►
We often see like game developers and people
00:58:37
◼
►
that make interactive experiences take advantage of sensors
00:58:41
◼
►
and things in unexpected ways.
00:58:43
◼
►
But right now what you've got is a focusing range
00:58:47
◼
►
from two millimeters to infinity, which is pretty awesome.
00:58:52
◼
►
You know, when you think about the range
00:58:54
◼
►
of sensing capabilities that you have,
00:58:56
◼
►
'cause when you just think of the iPhone
00:58:58
◼
►
as a bundle of sensors, it's a matter of what can it see,
00:59:01
◼
►
what can it not see, what information can it
00:59:04
◼
►
realistically interpret well, and at what resolution.
00:59:08
◼
►
So in other words, what can it enable, right?
00:59:10
◼
►
What features can it enable, what things can I do with it?
00:59:13
◼
►
And that's what this does, it's a platform.
00:59:16
◼
►
You know, every camera that Apple builds
00:59:18
◼
►
and puts on their devices is more than just a camera
00:59:22
◼
►
for taking photos, it is a platform.
00:59:24
◼
►
And we've seen companies like Snap and Facebook
00:59:26
◼
►
and other companies build out enormous businesses
00:59:30
◼
►
and will continue to, you know, in significant,
00:59:33
◼
►
to significant scale and significant size
00:59:36
◼
►
with the camera as a platform.
00:59:38
◼
►
It's not the phone that's the platform,
00:59:40
◼
►
the phone houses, you know, the camera
00:59:42
◼
►
and the software obviously has a play,
00:59:45
◼
►
but the camera itself is the platform.
00:59:47
◼
►
And that's pretty awesome.
00:59:48
◼
►
So anytime, you know, they add camera stuff,
00:59:51
◼
►
it's not just, oh, do you care about photography?
00:59:53
◼
►
Then this is important to talk about and analyze.
00:59:56
◼
►
It's, hey, you know, anybody that builds anything
01:00:00
◼
►
can really take advantage of these
01:00:02
◼
►
as a platform to build on.
01:00:04
◼
►
And that's what's exciting about this stuff.
01:00:06
◼
►
And the fact is, like, no matter how much I complain
01:00:07
◼
►
about the image quality of the macro, it's still really good.
01:00:11
◼
►
- Like for the size that it is,
01:00:12
◼
►
especially the central portion of the image,
01:00:15
◼
►
quite sharp, very, you know, very accurate
01:00:19
◼
►
in terms of, trust me, I've used a lot of macro lenses
01:00:22
◼
►
and some of them are quite crappy
01:00:24
◼
►
and they were built for cameras, you know?
01:00:26
◼
►
And this is the equivalent, I think,
01:00:28
◼
►
of a several hundred dollar macro lens.
01:00:30
◼
►
I really do.
01:00:31
◼
►
Like, you know, if you get into the 1200 to $2,000 range,
01:00:35
◼
►
sure, the glass starts getting really good
01:00:37
◼
►
and, you know, aberration calms down and all of that stuff.
01:00:41
◼
►
But in terms of buying one off the shelf,
01:00:43
◼
►
you'd have to spend several hundred dollars
01:00:44
◼
►
to get this kind of capability
01:00:46
◼
►
just for your regular four thirds camera or SLR.
01:00:49
◼
►
So I think it's a really, really nice,
01:00:52
◼
►
I hesitate to use the word
01:00:53
◼
►
'cause, you know, people get all irritated about it,
01:00:54
◼
►
but I really do think it is a nice gift, you know,
01:00:57
◼
►
to people on the iPhone.
01:00:58
◼
►
Like you buy the iPhone for all of the other reasons
01:01:01
◼
►
and congratulations, you got this cool shit too.
01:01:03
◼
►
In my mind, that's the way I look at it.
01:01:05
◼
►
- It's very cool to me too
01:01:06
◼
►
that it is a feature of all of the ultra wides.
01:01:10
◼
►
It's not, I think, right or no, no, I'm wrong.
01:01:13
◼
►
It's not, it's pro, it is pro only.
01:01:15
◼
►
I take it back.
01:01:16
◼
►
- Right. - No, it is pro only.
01:01:17
◼
►
- Cinematic mode is a feature of all the cameras,
01:01:19
◼
►
but the macro is pro only.
01:01:21
◼
►
- No, but that does lead me to my point.
01:01:23
◼
►
My point actually, it would be nice
01:01:24
◼
►
and I guess eventually it probably will trickle down
01:01:27
◼
►
because that's the way it goes,
01:01:28
◼
►
but it actually does lead me to my point though,
01:01:30
◼
►
which is that there's the battery life advantage
01:01:33
◼
►
to the pro models and now significant camera,
01:01:39
◼
►
camera differences.
01:01:42
◼
►
So the entire existence of the telephoto lens
01:01:44
◼
►
is a pro feature.
01:01:46
◼
►
And now the ultra wide has this macro capability.
01:01:51
◼
►
And to me, it is very, very nice that this,
01:01:55
◼
►
the extra 200 bucks or so that you pay
01:01:59
◼
►
to go from a 13 to a 13 pro is not just about
01:02:04
◼
►
the superficial bling of the shiny stainless steel
01:02:08
◼
►
instead of the matte aluminum.
01:02:11
◼
►
There was a time when they first started separating these,
01:02:14
◼
►
you know, to multiple new iPhones per year
01:02:17
◼
►
based with the same A series chip.
01:02:18
◼
►
So there's a certain technical underlying similarity,
01:02:21
◼
►
but there was a sort of, look,
01:02:23
◼
►
you're just paying for the bling of the steel
01:02:26
◼
►
and the shininess and the better textures
01:02:28
◼
►
and finish and OLED instead of LCD.
01:02:31
◼
►
To me, it is easily $200 worth of camera alone
01:02:35
◼
►
difference between the 13 and 13 pro.
01:02:38
◼
►
And it's nice for both reasons.
01:02:41
◼
►
If you care about having these camera features,
01:02:44
◼
►
it's a no brainer to spend the 200 bucks.
01:02:46
◼
►
And conversely, if you are, and there are,
01:02:49
◼
►
'cause there's a billion iPhone users,
01:02:52
◼
►
so there's like hundreds of millions of iPhone users
01:02:54
◼
►
who qualify for any description.
01:02:56
◼
►
But if you're one of the hundreds of millions
01:02:58
◼
►
of iPhone users who really doesn't care about the camera,
01:03:02
◼
►
you know, there's hundreds of millions of iPhone users
01:03:04
◼
►
who barely use the camera.
01:03:05
◼
►
Now you don't have to pay to it.
01:03:08
◼
►
You can get like the latest and greatest A15,
01:03:11
◼
►
all of these efficiency advantages from it.
01:03:14
◼
►
And you don't have to spend the extra money
01:03:16
◼
►
for a camera you're not gonna use.
01:03:18
◼
►
I think that's actually, the product strategy
01:03:25
◼
►
is working out to me in a way that makes decisions
01:03:29
◼
►
very easy for people to make.
01:03:31
◼
►
- Yes, this is a very well segmented lineup, right?
01:03:34
◼
►
And that is a boon to consumers making decisions
01:03:39
◼
►
based on budget.
01:03:41
◼
►
And it is going to, as I was mentioning before,
01:03:44
◼
►
I think it's going to really help sales
01:03:47
◼
►
because one of the traditional problems,
01:03:50
◼
►
and I think a lot of us were talking about this
01:03:52
◼
►
a few years back, is that the iPhone left
01:03:55
◼
►
a relatively large pricing umbrella, right?
01:03:57
◼
►
And that's one of the reasons why they started
01:03:59
◼
►
keeping old models around longer,
01:04:02
◼
►
is to fill, underfill that pricing umbrella.
01:04:05
◼
►
But what this does is it really bolsters
01:04:07
◼
►
their ability to offer a wall of options for people
01:04:11
◼
►
that leave very few openings for somebody to go like,
01:04:15
◼
►
"Hey, you know, I would buy that, but it's so expensive,
01:04:18
◼
►
"I'll just buy this Android instead."
01:04:20
◼
►
'Cause people do still make those kinds of decisions,
01:04:23
◼
►
regardless of what you want to talk about with lock-in,
01:04:25
◼
►
you know, they do still make those decisions.
01:04:27
◼
►
Less and less, you know, obviously over time,
01:04:30
◼
►
but I think that's still a risk.
01:04:31
◼
►
And so now what they're able to offer
01:04:33
◼
►
is a very solid wall of options
01:04:34
◼
►
with very little umbrella to creep under
01:04:37
◼
►
and very few gaps to shoot through
01:04:40
◼
►
because people are able to make a call and say,
01:04:41
◼
►
"Look, I get this amazing, you know,
01:04:44
◼
►
"these features that I really want,
01:04:46
◼
►
"and this sounds awesome.
01:04:47
◼
►
"I would really love to play around with feature X
01:04:49
◼
►
"or feature Y, and I can spend less now
01:04:52
◼
►
"because I don't care about feature X or feature Z."
01:04:55
◼
►
- To me, the big hole in the pricing,
01:04:57
◼
►
and I know the rumors say that this,
01:05:00
◼
►
what I'm about to say is coming next year, who knows?
01:05:02
◼
►
I don't want to spend time on rumors of iPhone 14,
01:05:05
◼
►
but the big hole in the lineup would be,
01:05:07
◼
►
I want a ginormous 6.7-inch phone,
01:05:11
◼
►
but I don't want to spend $1,100.
01:05:13
◼
►
I want to spend $600 or $700 or 800, you know.
01:05:18
◼
►
There is no non-pro max-sized phone,
01:05:22
◼
►
and supposedly that's coming next year
01:05:24
◼
►
at the expense of dropping the mini from the lineup,
01:05:27
◼
►
and there's also no mini-pro,
01:05:29
◼
►
but I feel like the mini-pro is even more,
01:05:33
◼
►
it's like a niche within a niche.
01:05:35
◼
►
The one that would, to me, would sell like hotcakes
01:05:38
◼
►
would be the giant-sized iPhone, not pro,
01:05:42
◼
►
but you kind of would see why they don't have it
01:05:46
◼
►
because if you really want that size
01:05:49
◼
►
and you have to start at $1,100, well, you know, there it is,
01:05:52
◼
►
but I can also see why they're adding it.
01:05:54
◼
►
I know what I was confused by.
01:05:55
◼
►
I knew there was one more very cool feature
01:05:58
◼
►
that I think they could have made pro only but didn't,
01:06:03
◼
►
and it's photo styles.
01:06:04
◼
►
That's what I was thinking of when I was thinking of macro.
01:06:07
◼
►
Macro is driven by hardware,
01:06:09
◼
►
then hardware is literally only in the pro.
01:06:12
◼
►
Photo styles, though, is a neat feature,
01:06:15
◼
►
and I've been playing with that more in the last week, too,
01:06:19
◼
►
and I'm curious what you think about that,
01:06:21
◼
►
and I'm curious what your settings are for it.
01:06:24
◼
►
- Yeah, so you're talking about
01:06:27
◼
►
why it's not available on the non-pro?
01:06:29
◼
►
- No, photo styles is on the non-pro.
01:06:32
◼
►
- Yeah, yeah. - Yeah.
01:06:33
◼
►
This is the feature that Apple went out of its way
01:06:37
◼
►
to say this is not a filter.
01:06:39
◼
►
What it is, I think a good layperson's description,
01:06:42
◼
►
and I'm sort of riffing on John Siracusa's description
01:06:44
◼
►
from ATP last week, but basically,
01:06:47
◼
►
everybody knows that the different camera makers
01:06:49
◼
►
have different sort of looks, right?
01:06:51
◼
►
There's the Apple look to photo development,
01:06:54
◼
►
and iPhone cameras all sort of, without any filtering,
01:06:58
◼
►
sort of have a certain color look,
01:07:01
◼
►
and Samsungs are more vibrant,
01:07:04
◼
►
and pixels are different in other ways.
01:07:08
◼
►
Like, you take the same two,
01:07:09
◼
►
and you can say these are, like,
01:07:10
◼
►
the Pixel and the iPhone are both excellent cameras,
01:07:13
◼
►
and the Samsung Galaxy latest is also an excellent camera,
01:07:16
◼
►
and set them all up in the same scene with the same sunlight,
01:07:19
◼
►
and you kinda get, you know, you get different greens,
01:07:21
◼
►
and you get different skin tones, and et cetera,
01:07:23
◼
►
and so forth, and it's not filters.
01:07:26
◼
►
It's just a way of taking, you know, the,
01:07:29
◼
►
the inherent, like, if you just took the RAW,
01:07:32
◼
►
and if you do shoot RAW using Halite or something,
01:07:34
◼
►
you see that the image off these sensors
01:07:36
◼
►
is awful and unusable and needs to be post-processed.
01:07:41
◼
►
- Yes, all images off of smartphones are post-processed.
01:07:44
◼
►
Big, big deal, right?
01:07:45
◼
►
There's just no way to get that kind of image
01:07:48
◼
►
without a lot of work behind the scenes
01:07:51
◼
►
to correct lens problems, right?
01:07:54
◼
►
To correct inherent issues in the optics,
01:07:57
◼
►
and then also now, especially with iPhones,
01:07:59
◼
►
to blend images, pixels, whatever you wanna call it,
01:08:04
◼
►
from several cameras and several exposures together
01:08:07
◼
►
to rectify problems in the sensor, right?
01:08:11
◼
►
So really, all this post-processing is improving the quality
01:08:15
◼
►
of the image by correcting issues with lens and sensor,
01:08:18
◼
►
right? - Yeah.
01:08:19
◼
►
- Like, that's really what it boils down to,
01:08:20
◼
►
'cause the sensor's just tiny, and so is the lens,
01:08:22
◼
►
and that introduces a lot of image artifacts,
01:08:25
◼
►
and all of the post-processing is there
01:08:27
◼
►
to correct those artifacts. - Right.
01:08:29
◼
►
- So when you do post-process, I think the,
01:08:33
◼
►
there's two analogies that are apt here.
01:08:36
◼
►
One is film, right?
01:08:38
◼
►
Like, what kind of film were you going to choose
01:08:39
◼
►
to shoot with your film camera?
01:08:41
◼
►
And that's really what photo styles is about,
01:08:44
◼
►
photographic styles.
01:08:45
◼
►
And then another one is sort of shooting quality,
01:08:47
◼
►
and that's a little bit harder, and in all reality,
01:08:51
◼
►
like digital cameras from Nikon and Canon
01:08:56
◼
►
and Minolta early on, they all had this sort of
01:08:59
◼
►
native approach to how they color-corrected
01:09:02
◼
►
and color-balanced their sensors,
01:09:05
◼
►
and for a while, it's a little different now,
01:09:07
◼
►
because I think everybody's gotten so good at it,
01:09:09
◼
►
but for a while, you could absolutely tell
01:09:11
◼
►
what kind of body you were shooting,
01:09:13
◼
►
just by looking at the processing, JPEG processing,
01:09:16
◼
►
that one camera would do or another would do.
01:09:18
◼
►
You could tell, like, oh, look,
01:09:19
◼
►
it's slightly more contrasty,
01:09:21
◼
►
so that's like Nikon's approach right now,
01:09:23
◼
►
or it's slightly punchier in saturation,
01:09:25
◼
►
especially in the red, so that's Canon's approach right now.
01:09:28
◼
►
This was a thing you could tell early on.
01:09:30
◼
►
Nowadays, it's much more sophisticated,
01:09:33
◼
►
as everybody's gotten better at this,
01:09:35
◼
►
but you could tell that.
01:09:36
◼
►
So there's kind of two things going on,
01:09:38
◼
►
and one, that underlying processing,
01:09:41
◼
►
just provides a basic image to somebody
01:09:44
◼
►
shooting a picture in the JPEG, is a choice.
01:09:47
◼
►
That's a decision that the camera teams
01:09:50
◼
►
at these companies make, and it is an editorial call.
01:09:54
◼
►
You are sort of saying,
01:09:55
◼
►
this is how we want our pictures to look,
01:09:57
◼
►
and as you said, if you shoot Halide or some other camera
01:10:00
◼
►
where you can pull a raw image,
01:10:03
◼
►
you could see what the no choices means, right?
01:10:06
◼
►
If you make no choices, you get this really rough image.
01:10:10
◼
►
So you have to make some decisions
01:10:12
◼
►
about the way your images look,
01:10:14
◼
►
and so each company, whether it be Samsung or Apple
01:10:17
◼
►
or Google or whoever, makes a decision
01:10:21
◼
►
about the way their images are going to look,
01:10:23
◼
►
and they make that decision based on a variety of factors,
01:10:26
◼
►
but the large portion of those factors
01:10:28
◼
►
is what do we think customers are gonna like, right?
01:10:30
◼
►
What do we think people are going to like,
01:10:32
◼
►
and how should these images look to make them the most happy
01:10:35
◼
►
about their pictures when they use this phone?
01:10:38
◼
►
And so Apple's decision making on that front
01:10:40
◼
►
has always been to hew towards the neutral,
01:10:44
◼
►
so more of a reality based take
01:10:47
◼
►
versus a lot of other companies that say,
01:10:49
◼
►
hey, we know reality exists,
01:10:51
◼
►
but our customers tend to like images that are punchier,
01:10:55
◼
►
both in saturation and in contrast.
01:10:58
◼
►
So you'll find the images from companies like Samsung
01:11:01
◼
►
or Google or other companies,
01:11:03
◼
►
they have made a different editorial call.
01:11:06
◼
►
I am not here to pass judgment
01:11:08
◼
►
on any of those editorial calls.
01:11:09
◼
►
I have my own preferences, as I'm sure other people do,
01:11:12
◼
►
and that's okay, but Apple's call has always been neutral,
01:11:16
◼
►
neutral, neutral.
01:11:17
◼
►
That's their rallying cry.
01:11:19
◼
►
They want things to look naturalistic and neutral
01:11:22
◼
►
as much as possible versus, say,
01:11:25
◼
►
pleasing on a digital screen versus pleasing in print.
01:11:28
◼
►
Like there's so many calls you could make, right?
01:11:31
◼
►
And that is, like that's a huge call they've had to make.
01:11:34
◼
►
And so photographic styles is their concession
01:11:38
◼
►
to people that do not like Apple's choices.
01:11:42
◼
►
And the difference between them and a filter
01:11:46
◼
►
is that they are applied in situ
01:11:48
◼
►
as the people are taking the pictures
01:11:50
◼
►
and woven in to the files that'll allow the phone
01:11:54
◼
►
to render those images,
01:11:56
◼
►
which means that you can alter them afterwards,
01:11:59
◼
►
but they are part of the processing pipeline,
01:12:02
◼
►
allowing you to get a natural-looking image
01:12:04
◼
►
according to your tastes without applying a filter
01:12:08
◼
►
to the already rendered pixels.
01:12:10
◼
►
And that creates a situation
01:12:12
◼
►
where you have the best possible image quality
01:12:15
◼
►
while adding customization.
01:12:18
◼
►
And this would be in film photography
01:12:20
◼
►
akin to choosing your own roll of film
01:12:22
◼
►
or style of film that you wanted.
01:12:25
◼
►
- What a great description.
01:12:26
◼
►
Right now, when you go to adjust these,
01:12:28
◼
►
they have a couple of presets that you can choose from.
01:12:31
◼
►
I think it's like rich contrast,
01:12:35
◼
►
contrast vibrant, warm and cool,
01:12:39
◼
►
and then you can take any of them.
01:12:41
◼
►
Like, so for example, warm,
01:12:43
◼
►
and there's only two settings with each one.
01:12:45
◼
►
One they call tone,
01:12:47
◼
►
which I think is mostly about contrast.
01:12:49
◼
►
And then there's warmth, which I think most people,
01:12:52
◼
►
even casual photographers kind of know it's, you know,
01:12:54
◼
►
to go redder and oranger and warmer or bluer and cooler.
01:12:59
◼
►
Like warm is zero tone, 50 warmth,
01:13:04
◼
►
but that's the only two factors.
01:13:06
◼
►
There's two factors and you can adjust them if you want.
01:13:08
◼
►
So you can take one of these,
01:13:10
◼
►
and then of course there's standard,
01:13:12
◼
►
which is just, this is, you know,
01:13:14
◼
►
the regular Apple pipeline that we've come to know
01:13:17
◼
►
and love or not love.
01:13:20
◼
►
So you can take any of these and adjust them.
01:13:22
◼
►
So you could take contrast,
01:13:23
◼
►
which I think is like negative 50 tones or a warmth.
01:13:26
◼
►
And I turned it up a little bit more to,
01:13:29
◼
►
that's the one I've been shooting with,
01:13:30
◼
►
where I've taken my tone to negative 65
01:13:33
◼
►
and my warmth is still at zero.
01:13:34
◼
►
I'm curious if you've adjusted yours
01:13:38
◼
►
or are you still shooting standard or what are you shooting?
01:13:41
◼
►
- Yeah, I mean, the fact is I kind of like Apple's
01:13:44
◼
►
general tone.
01:13:46
◼
►
I like the neutral tone.
01:13:47
◼
►
So I don't know if I'm going to do one.
01:13:49
◼
►
I haven't done a personal one yet, right?
01:13:52
◼
►
So I haven't like developed my own yet for sure.
01:13:54
◼
►
I've been shooting everything, mostly on neutral.
01:13:57
◼
►
I think that the boosted contrast,
01:13:59
◼
►
which I believe is vibrant.
01:14:01
◼
►
- Yeah, no, I think that's--
01:14:03
◼
►
- No, they have an increased contrast one.
01:14:05
◼
►
I always forget what the names are.
01:14:06
◼
►
- That's the one I've done.
01:14:08
◼
►
That's, I forget what they call it though.
01:14:11
◼
►
I'll reset, reset to, oh, they call it rich contrast.
01:14:15
◼
►
- Rich contrast.
01:14:15
◼
►
Okay, so the rich contrast one is very pleasing,
01:14:18
◼
►
obviously in casual, you know, look,
01:14:20
◼
►
but I think it blocks up the blacks a little too much, right?
01:14:25
◼
►
It clips a little too much of the black for my tastes.
01:14:27
◼
►
And I know why it's there and why I think a lot of people
01:14:30
◼
►
are going to use it by default,
01:14:31
◼
►
because that it is punchier and more contrast
01:14:34
◼
►
is inherently more pleasing to the human eye.
01:14:36
◼
►
It really is.
01:14:37
◼
►
And so I think that that will be a very popular setting,
01:14:40
◼
►
but I also like the fact that they do have
01:14:43
◼
►
the negative 100 to positive 100 scale there,
01:14:47
◼
►
because that allows people in the slider,
01:14:51
◼
►
because it allows people to kind of come up
01:14:53
◼
►
with their own style and then share it.
01:14:55
◼
►
You can just screenshot it and share it with somebody else.
01:14:57
◼
►
It'd be like, try this.
01:14:58
◼
►
Like, this is mine.
01:14:59
◼
►
You know, this is what I really like.
01:15:00
◼
►
And somebody's like, oh, I like that.
01:15:01
◼
►
And it's kind of like, you know, Lightroom's presets, right?
01:15:06
◼
►
And people have made entire businesses
01:15:09
◼
►
off of developing Lightroom presets
01:15:11
◼
►
that they distribute and sell to people.
01:15:14
◼
►
And people love them.
01:15:15
◼
►
You know, they give you a kind of like starting point
01:15:18
◼
►
or a look that you can export.
01:15:21
◼
►
And I think that having those numbers on there
01:15:22
◼
►
is really cool, because it lets people set their own,
01:15:25
◼
►
make their own choices, and then tell somebody,
01:15:28
◼
►
oh, try this one.
01:15:29
◼
►
The one thing I wish they had was a specific custom option,
01:15:34
◼
►
which they don't have right now.
01:15:35
◼
►
It's just cool, warm, vibrant, rich, contrast, and standard.
01:15:39
◼
►
They should be like a user one, you know, by default.
01:15:41
◼
►
- Well, you can adjust them though.
01:15:42
◼
►
- So right now you have to change one of them.
01:15:43
◼
►
- Yeah, yeah.
01:15:43
◼
►
- No, no, you can't change any of them.
01:15:45
◼
►
- Right. - Which is great,
01:15:46
◼
►
but you can't like sort of save one as your own
01:15:48
◼
►
and leave the other ones alone.
01:15:49
◼
►
- I can't make like a--
01:15:50
◼
►
- You have to pick one you don't like
01:15:52
◼
►
and then adjust it. - Right.
01:15:52
◼
►
And then you lose their standard,
01:15:55
◼
►
although they have a little reset button
01:15:56
◼
►
that you can double tap to go back.
01:15:59
◼
►
- It's not the end of the world.
01:16:00
◼
►
You can reset it.
01:16:01
◼
►
And I just think that if you're gonna offer
01:16:03
◼
►
the ability to build user settings in,
01:16:06
◼
►
you should add a user option,
01:16:08
◼
►
which I would guess would come at some point.
01:16:11
◼
►
It's just a matter of how long it's gonna take.
01:16:13
◼
►
But I think that that is the one little missing thing.
01:16:16
◼
►
But I love the fact that you can now,
01:16:18
◼
►
somebody who say comes from the Samsung world,
01:16:21
◼
►
like comes from an Android phone
01:16:23
◼
►
and really loves their take on it.
01:16:26
◼
►
Now you can get much closer to that
01:16:27
◼
►
and you don't have to do post-processing.
01:16:30
◼
►
- You can get it right in the image pipeline,
01:16:32
◼
►
which means that when you do export that JPEG,
01:16:34
◼
►
and most people don't know this,
01:16:35
◼
►
but anytime you share an image anywhere outside of iOS,
01:16:39
◼
►
it renders that image, right?
01:16:41
◼
►
That's what it does.
01:16:42
◼
►
It applies any color adjustments and things
01:16:44
◼
►
that you have set to it,
01:16:46
◼
►
and then renders it for the outside world,
01:16:48
◼
►
outside of Apple's ecosystem.
01:16:50
◼
►
And if you are able to set up something
01:16:54
◼
►
that feels more comfortable and pleasing to you,
01:16:56
◼
►
why not, right?
01:16:58
◼
►
Like, you know, the editorial decision is great
01:17:00
◼
►
and I get it.
01:17:01
◼
►
And I understand why Apple has leaned into that for so long,
01:17:03
◼
►
'cause they wanna make sure to, you know,
01:17:05
◼
►
kind of present as close to what they can determine
01:17:08
◼
►
as the truth to people for their images.
01:17:11
◼
►
But I don't think there's any harm in allowing people
01:17:13
◼
►
to develop and own their own photographic styles,
01:17:16
◼
►
and I'm glad it exists now.
01:17:19
◼
►
Austin Mann's custom settings.
01:17:21
◼
►
Now, he admits, like, for his, like, this super review
01:17:23
◼
►
on the Tanzanian thing, he shoots RAW with Halide
01:17:26
◼
►
and then develops them and, you know,
01:17:28
◼
►
'cause he's a pro and he's using the iPhone
01:17:30
◼
►
as a pro camera.
01:17:31
◼
►
But he also acknowledges that as a regular person,
01:17:35
◼
►
sometimes he just takes his phone out and shoots something
01:17:37
◼
►
and he just wants it, you know, he'll just shoot JPEG.
01:17:41
◼
►
So his style, his custom style, if you wanted to name,
01:17:44
◼
►
if you could save a named Austin Mann photographic style,
01:17:48
◼
►
it would be negative 30 tone.
01:17:50
◼
►
And even though it's negative,
01:17:51
◼
►
that actually means a little bit more contrasty
01:17:54
◼
►
and plus 15 warmth.
01:17:56
◼
►
That's the Austin Mann style.
01:17:58
◼
►
And so I'm gonna switch mine to that.
01:18:00
◼
►
I agree you should be able to save one,
01:18:02
◼
►
even if it was just one spot, right?
01:18:04
◼
►
Like, if it was just one called custom.
01:18:06
◼
►
- Yeah, just one slot, right.
01:18:08
◼
►
And eventually it should go beyond that,
01:18:11
◼
►
they should be able to export them, share them.
01:18:12
◼
►
- Yeah, yeah, and then you could import them.
01:18:14
◼
►
The thing that would be cool, and I think,
01:18:16
◼
►
I can't help but believe, I don't wanna do it myself
01:18:18
◼
►
'cause I don't wanna buy these phones,
01:18:20
◼
►
but it'd be cool, like, let's say,
01:18:21
◼
►
like everybody's much anticipating
01:18:23
◼
►
sometime in the next few weeks,
01:18:24
◼
►
Google's gonna come out with the Pixel 6.
01:18:27
◼
►
And, you know, a lot of people love the Pixel look
01:18:31
◼
►
and the Pixel's, you know, almost everybody agrees
01:18:34
◼
►
that the very best thing about Google's Pixel phones,
01:18:37
◼
►
number one is that they're quote unquote pure Android,
01:18:40
◼
►
and number two, people love the cameras.
01:18:42
◼
►
They do shoot excellent, excellent phone, at least still,
01:18:46
◼
►
and, you know, maybe the video's been lagging
01:18:48
◼
►
in recent years, we'll see if they catch up.
01:18:49
◼
►
But anyway, let's say you love the Pixel look,
01:18:52
◼
►
could somebody figure out, like,
01:18:54
◼
►
what should you set your iPhone to
01:18:56
◼
►
to get a Pixel look out of your iPhone
01:18:59
◼
►
in terms of how it processes the sensor image?
01:19:02
◼
►
I think that sort of thing is,
01:19:03
◼
►
somebody's gotta run a, set up a website
01:19:05
◼
►
that publishes numbers like that.
01:19:08
◼
►
I think it'd be pretty cool.
01:19:09
◼
►
- Right, yeah.
01:19:10
◼
►
Four options are good, you know.
01:19:12
◼
►
- Yeah, and also--
01:19:13
◼
►
- If you're not gonna have any, go neutral.
01:19:16
◼
►
That's my opinion, but once you're gonna have one,
01:19:18
◼
►
that's great.
01:19:19
◼
►
- And it's, one of the other cool things about it
01:19:21
◼
►
is if you don't give two shits about any of this,
01:19:23
◼
►
and this whole last 10 minutes of the show is like,
01:19:26
◼
►
I don't care about that, guess what?
01:19:28
◼
►
You don't have to worry about it.
01:19:28
◼
►
It's just gonna shoot standard iPhone processing,
01:19:31
◼
►
which, you know, iPhone is generally pretty well regarded
01:19:34
◼
►
as a phone camera.
01:19:35
◼
►
You don't have to do a damn thing,
01:19:37
◼
►
and it'll never get in your way,
01:19:39
◼
►
and you never have to pick it, and it doesn't, you know.
01:19:41
◼
►
- Yeah, it's the equivalent of the,
01:19:43
◼
►
I'm feeling lucky button on Google.
01:19:46
◼
►
You know, it's just, give me some results.
01:19:49
◼
►
And I think it's good.
01:19:50
◼
►
You know, it's important to have that,
01:19:52
◼
►
and the fact of the matter is,
01:19:53
◼
►
the team has a proven track record
01:19:55
◼
►
of producing pretty great images,
01:19:57
◼
►
so by default, you're getting a great image,
01:20:00
◼
►
and then by not default,
01:20:02
◼
►
by if somebody wants to play with it or more,
01:20:04
◼
►
play around with it more,
01:20:05
◼
►
now you're offered more options
01:20:07
◼
►
in getting the kind of image that really appeals to you
01:20:09
◼
►
and makes you excited.
01:20:10
◼
►
- All right, let me thank our third
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and final sponsor of the show.
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01:21:38
◼
►
Last but not least for the show is,
01:21:42
◼
►
and maybe last and most interesting, cinematic mode video,
01:21:47
◼
►
which I told, I don't think I was dismissive
01:21:53
◼
►
when I called it a gift.
01:21:55
◼
►
My summary of it on my review was,
01:21:57
◼
►
look, it's a gimmick, but I don't mean that pejoratively.
01:22:00
◼
►
Gimmicks can be good.
01:22:02
◼
►
And then I saw your stuff and I saw some other stuff
01:22:07
◼
►
and I started thinking, hmm, maybe it's not even a gimmick.
01:22:13
◼
►
It is weird and it's got some technical glitches,
01:22:17
◼
►
but I don't know, I'm starting to think this is useful.
01:22:22
◼
►
And then I saw Andre Laro's short film, "Float,"
01:22:27
◼
►
which I linked on "Daring Fireball" last week,
01:22:30
◼
►
which is just a few minutes long.
01:22:33
◼
►
And it's his directorial debut.
01:22:36
◼
►
I think he was at Adobe for a while.
01:22:38
◼
►
He obviously knows how to shoot photos,
01:22:39
◼
►
but if you're listening to this,
01:22:42
◼
►
I hope that you saw my post on "Daring Fireball"
01:22:44
◼
►
and watched his movie, which he shot in cinematic mode.
01:22:49
◼
►
And even if you go into it thinking, okay,
01:22:53
◼
►
Gruber says this is a good movie to watch
01:22:55
◼
►
to see cinematic mode in action,
01:22:57
◼
►
10 seconds in, you will forget about looking for anything
01:23:02
◼
►
like fringes or focus lengths or anything,
01:23:05
◼
►
and you'll just be absorbed.
01:23:06
◼
►
And then a minute in, you're gonna be holding back tears
01:23:09
◼
►
and choking up and your heart is gonna be pounding
01:23:13
◼
►
in your chest and that's art, right?
01:23:15
◼
►
That's why you make movies.
01:23:17
◼
►
And then you're at the end and you're like,
01:23:19
◼
►
oh wait, that was, let me go back and start looking
01:23:21
◼
►
at the cinematic mode.
01:23:22
◼
►
And it's like, and then all of a sudden
01:23:23
◼
►
you're watching it again.
01:23:24
◼
►
And it's like, hey, this is no gimmick.
01:23:26
◼
►
This shit's for real.
01:23:28
◼
►
I don't know, that blew me away.
01:23:30
◼
►
I'm curious, and you had a whole piece,
01:23:34
◼
►
you had a whole feature, you had an interview
01:23:36
◼
►
with Kayan Drance and Johnny,
01:23:38
◼
►
I already know his first name, Johnny--
01:23:41
◼
►
- Manzari. - Manzari from Apple.
01:23:43
◼
►
He's a user interface designer, works on camera stuff.
01:23:47
◼
►
And I thought it was a terrific interview.
01:23:50
◼
►
- I'm curious, post-interview, what your thoughts are.
01:23:53
◼
►
Are pre and post-interview and what are your thoughts
01:23:57
◼
►
when you first saw cinematic mode
01:23:59
◼
►
and what are your thoughts now, one week post-review?
01:24:02
◼
►
- Yeah, so obviously you saw the presentation
01:24:05
◼
►
and I watched it, like all of us,
01:24:08
◼
►
and we're like, oh, look at that.
01:24:09
◼
►
It's like you're in the flow and trying to cover everything
01:24:13
◼
►
and type about it and give people observations.
01:24:16
◼
►
And so it's like, oh, cool, cool.
01:24:17
◼
►
And you just soon get to really absorb it all that deeply.
01:24:22
◼
►
It definitely was, their demo film cracked me up
01:24:25
◼
►
because it was super rack-focus heavy.
01:24:27
◼
►
Obviously they're showing off the feature,
01:24:29
◼
►
so you can't fault them for that.
01:24:30
◼
►
But somebody made a joke on Twitter, which I laughed about,
01:24:33
◼
►
and it was like, I don't know, Apple demonstrates
01:24:36
◼
►
how to make people sick of rack-focus or something.
01:24:38
◼
►
But it's, which is funny.
01:24:41
◼
►
But they kinda show it off, right?
01:24:43
◼
►
So it's a narrative told essentially all in focus changes,
01:24:47
◼
►
which in some ways is cool.
01:24:49
◼
►
And honestly, some directors work that way, right?
01:24:52
◼
►
Some directors work with fixed frame
01:24:55
◼
►
and focal plane changes, hopefully not to excess,
01:24:59
◼
►
but honestly as a really big pillar
01:25:02
◼
►
of their storytelling modes, right?
01:25:05
◼
►
Robert Altman, Steven Spielberg,
01:25:07
◼
►
there are a handful of directors
01:25:09
◼
►
that just use the focal plane
01:25:13
◼
►
in a motive, directorial, narrative driving tool.
01:25:18
◼
►
And all directors, for the most part,
01:25:20
◼
►
use it to some degree.
01:25:21
◼
►
Now I will say that like for a long time and for a while,
01:25:25
◼
►
this is sort of subtext to this whole conversation
01:25:28
◼
►
about adding rack-focus and synthetic bokeh
01:25:31
◼
►
and all of this stuff to digital camera or to an iPhone.
01:25:35
◼
►
When the switch to digital happened,
01:25:38
◼
►
one of the first things to go,
01:25:40
◼
►
to one of the first storytelling tools
01:25:42
◼
►
that everyone lost was bokeh, right?
01:25:46
◼
►
Was background blur, selective focus,
01:25:49
◼
►
whatever you wanna call it,
01:25:51
◼
►
slim field of focus, et cetera.
01:25:54
◼
►
It was one of the first tools to go
01:25:55
◼
►
specifically because digital cameras,
01:25:59
◼
►
most of the early cameras that were used by filmmakers,
01:26:04
◼
►
DVC cameras and those of that kind,
01:26:07
◼
►
they actually did not take standard lenses, right?
01:26:09
◼
►
They used integrated lenses.
01:26:11
◼
►
And I mean, especially in the indie world, right?
01:26:13
◼
►
Obviously there are a lot of high-end shooters
01:26:15
◼
►
that still had access to detachable cameras
01:26:18
◼
►
and all this stuff or detachable lenses.
01:26:20
◼
►
But a lot of the run and gun filmmakers
01:26:22
◼
►
and people who came up with the world,
01:26:24
◼
►
the Aronofskis of the world
01:26:26
◼
►
and people that were playing around with digital early,
01:26:29
◼
►
Steven Soderbergh, et cetera,
01:26:31
◼
►
the footage that they shot and the films that they shot
01:26:35
◼
►
had this sort of inherent flatness,
01:26:37
◼
►
both of tone and of focus because of the lens size
01:26:41
◼
►
and the distance away from the CCD that the lens rested,
01:26:45
◼
►
it inherently created this deep,
01:26:47
◼
►
hyper deep field of focus.
01:26:49
◼
►
And they utilized it as a tool, right?
01:26:50
◼
►
As sort of the opposite kind of tool about,
01:26:53
◼
►
you know, how to direct a person's eye through the frame
01:26:56
◼
►
without focus, like, you know,
01:26:58
◼
►
now they had to change their language, right?
01:27:00
◼
►
And learn new languages.
01:27:01
◼
►
And this was sort of part of the transition from film
01:27:04
◼
►
and shooting on film and shooting analog
01:27:08
◼
►
to shooting digital, right?
01:27:09
◼
►
Was this era where there was a lot of that going on.
01:27:12
◼
►
And then eventually, of course, the cameras caught up
01:27:16
◼
►
and that tool was added back to their tool bag.
01:27:19
◼
►
But what you end up with with an iPhone
01:27:21
◼
►
is the absolute pinnacle of that kind of camera.
01:27:25
◼
►
It's like to the extreme because the lens is so small
01:27:29
◼
►
and it's so close to the plane of the sensor
01:27:32
◼
►
that it inherently has an insanely deep field of focus.
01:27:37
◼
►
You can see this,
01:27:38
◼
►
like when you just shoot a regular picture,
01:27:40
◼
►
the reason that you can select a focus point deeper
01:27:42
◼
►
into the image and not with cinematic mode
01:27:45
◼
►
is because inherently most of the field that you see
01:27:48
◼
►
in your lens is in focus, almost all of it.
01:27:50
◼
►
And that's just part of the physics
01:27:53
◼
►
of the way these lenses work.
01:27:54
◼
►
So you've got that whole context going in
01:27:57
◼
►
that previously to this feature being launched,
01:28:01
◼
►
you have pretty much no options or alternatives
01:28:04
◼
►
besides trying to use the telephoto
01:28:06
◼
►
and shooting as close as possible, right?
01:28:08
◼
►
To introduce natural bokeh to the lens.
01:28:12
◼
►
You could use some post-processing or whatever,
01:28:15
◼
►
but inherently most of the films,
01:28:18
◼
►
if you're trying to shoot a film that were shot on iPhone,
01:28:20
◼
►
had inherently hyper deep focus
01:28:23
◼
►
because of the physics of the lens.
01:28:24
◼
►
So now you go and say, all right,
01:28:27
◼
►
like how are we gonna fix this?
01:28:29
◼
►
Or how are we gonna introduce the language of film
01:28:33
◼
►
back into the iPhone in a way that can reward people,
01:28:37
◼
►
both that are really good at this stuff
01:28:39
◼
►
and people that may not even know the language
01:28:42
◼
►
or how to speak the language, but want to, right?
01:28:45
◼
►
They know, they've grown up watching films
01:28:47
◼
►
and watching movies and they would love a more movie-like
01:28:50
◼
►
look to their images.
01:28:52
◼
►
They just have no idea how to get from zero to one.
01:28:54
◼
►
And that's the problem that they started with.
01:28:56
◼
►
Not, oh, we need a cinematic mode on the iPhone,
01:29:00
◼
►
how do we build it?
01:29:01
◼
►
It's how do we take that language of cinema
01:29:05
◼
►
that's hundreds of years old and make it accessible
01:29:09
◼
►
to almost anybody that was able to pick up this camera
01:29:12
◼
►
and spend a few minutes learning how to use this feature.
01:29:15
◼
►
And that I think was, you know,
01:29:17
◼
►
is the thing Apple does so well.
01:29:18
◼
►
They take a really complex, hard problem,
01:29:21
◼
►
and then sort of put it through the intestinal tract
01:29:23
◼
►
of their development process and small team's
01:29:26
◼
►
development process and come out the other side,
01:29:29
◼
►
hopefully with something that's actually useful.
01:29:32
◼
►
- It's sort of, and the way they've done it
01:29:34
◼
►
is sort of taking the weakness,
01:29:38
◼
►
which is that you inherently have this very deep field
01:29:43
◼
►
of focus with video shooting on the iPhone,
01:29:46
◼
►
and weakness in terms of if you want a depth of field
01:29:50
◼
►
bokeh effect and turning it into a strength.
01:29:53
◼
►
- Right, yeah.
01:29:54
◼
►
- By doing it all computationally,
01:29:58
◼
►
but having that depth there in the footage that you shot
01:30:03
◼
►
and using computational photography
01:30:05
◼
►
to artificially compute the blurring
01:30:09
◼
►
of either the foreground or the background.
01:30:11
◼
►
But because that depth of focus is there,
01:30:13
◼
►
you can change it all in post.
01:30:15
◼
►
And so if the wrong thing happens
01:30:17
◼
►
and you were counting on the machine language driven AI,
01:30:23
◼
►
to notice that your actors turn their head
01:30:28
◼
►
to look at another actor and wanted the focus to shift
01:30:31
◼
►
from the first actor to the second,
01:30:35
◼
►
and it didn't happen or it didn't happen
01:30:36
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when you wanted it to, you just tweak it in post
01:30:40
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and it's there and it's not, you didn't lose anything.
01:30:43
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►
- I'm very impressed by it.
01:30:45
◼
►
And I know it's so much, the analogies to portrait mode,
01:30:48
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►
stills and iPhone are very similar,
01:30:50
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►
whereas it has some problems getting hair
01:30:54
◼
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and the edges of hair and the frame of somebody's glasses,
01:30:59
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if they're at, like at a 45 degree angle
01:31:03
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where the outer frame of the far lens of their glasses
01:31:07
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is not really part of their face.
01:31:09
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It's like the machine language is looking for a face.
01:31:12
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And so the glasses can sometimes get blurred out.
01:31:14
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►
It's the same exact problems,
01:31:16
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►
but that's gotten a lot better with portrait mode
01:31:19
◼
►
year after year, it's that typical Apple incrementalism
01:31:23
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►
where they just keep grinding away at this problem
01:31:26
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and they know the problems better than anybody.
01:31:30
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►
And it's, you know, the results can be really,
01:31:34
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really impressive though.
01:31:35
◼
►
I think this is really cool.
01:31:36
◼
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And again, if you don't care about it,
01:31:38
◼
►
you don't have to shoot it.
01:31:39
◼
►
This one actually is a dedicated mode, unlike macro.
01:31:42
◼
►
So you're never gonna accidentally end up
01:31:45
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►
with the cinematic mode footage if you didn't want it,
01:31:48
◼
►
but even if that happens, you can just turn it off.
01:31:52
◼
►
You can just take the whole clip and you're like,
01:31:54
◼
►
ah, crap, this focus stuff is not appropriate
01:31:57
◼
►
for this thing I shot at all.
01:31:59
◼
►
You can just go in and edit it and turn off cinematic mode
01:32:02
◼
►
and you just get the non cinematic mode version of the video
01:32:07
◼
►
with everything in focus as you would expect.
01:32:10
◼
►
So you've lost nothing, right?
01:32:12
◼
►
It's not like, ah, I blew my chance at my kids' home run
01:32:16
◼
►
in the little league game because I was a dope shooting
01:32:19
◼
►
cinematic mode.
01:32:20
◼
►
- Yeah, trying to get this focus right, yeah.
01:32:22
◼
►
- Right, right. - Exactly.
01:32:23
◼
►
- And the kid gets to first base and he's all blurry
01:32:26
◼
►
and I wanted to, you know, they just turn it off.
01:32:28
◼
►
You can just turn it off and you're fine.
01:32:30
◼
►
- Every once in a while, yeah, every once in a while
01:32:32
◼
►
you can hit the limits of the focusing range, right?
01:32:35
◼
►
So like if you're shooting something extremely close
01:32:37
◼
►
and the thing you wanna focus on is extremely far away
01:32:40
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►
and your camera is physically very close
01:32:42
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►
to the foreground object,
01:32:43
◼
►
the background can still be out of focus, right?
01:32:45
◼
►
So it's not completely foolproof,
01:32:47
◼
►
but in most casual shooting situations,
01:32:50
◼
►
people are gonna have a ton of options
01:32:52
◼
►
and what to choose and what to pick from.
01:32:54
◼
►
And Apple did a ton of work and will continue to do more
01:32:57
◼
►
with sort of automatically directing it.
01:32:59
◼
►
It's actually crazy how much stuff is going on there
01:33:01
◼
►
and I think most people don't realize exactly
01:33:03
◼
►
how much is happening,
01:33:04
◼
►
especially the people who are poo pooing it
01:33:06
◼
►
'cause yes, the background segmentation
01:33:09
◼
►
still has its weaknesses and it still has a general loss
01:33:15
◼
►
of resolution or definition around the edges,
01:33:18
◼
►
as you mentioned here, especially the background is complex.
01:33:21
◼
►
You know, chain link fences or trees
01:33:23
◼
►
or whatever the case may be, right?
01:33:24
◼
►
Like there are instances where it just falls over
01:33:27
◼
►
and some people don't like it
01:33:29
◼
►
and some people it just, oh, it irritates me to know it.
01:33:31
◼
►
Great, fine, right?
01:33:33
◼
►
But for a lot of people,
01:33:35
◼
►
I think it's actually going to be really cool and fun
01:33:38
◼
►
in the near term and then long-term
01:33:41
◼
►
as it gets better and better,
01:33:43
◼
►
it's actually gonna become a real tool, right?
01:33:45
◼
►
Like there's this big phrase in Silicon Valley
01:33:48
◼
►
like that big changes or big inventions often begin
01:33:53
◼
►
being perceived as toys, right?
01:33:55
◼
►
Like, oh, look at this toy, right?
01:33:56
◼
►
And then it's like, no, it's not a toy now.
01:33:59
◼
►
Like there's a billion dollar business on the top of it.
01:34:02
◼
►
- Personal computers in general were toys.
01:34:04
◼
►
Then they became accepted and then the Macintosh came out
01:34:08
◼
►
and the graphical user interface was a toy
01:34:10
◼
►
because the serious ones all had a command line.
01:34:13
◼
►
- Yeah, exactly, exactly.
01:34:15
◼
►
Where's my DOS?
01:34:16
◼
►
Yeah, exactly, that's it.
01:34:17
◼
►
And I think that's what the state
01:34:19
◼
►
that this is in at the moment.
01:34:20
◼
►
It's not quite a toy.
01:34:21
◼
►
I mean, it's hard to call it a toy when it actually,
01:34:24
◼
►
I think turns out pretty great results in a lot of instances
01:34:27
◼
►
and there's so much computational power behind it
01:34:31
◼
►
but I can understand it being perceived as a gimmick or toy
01:34:35
◼
►
in its current state, I get that, right?
01:34:38
◼
►
But it's not.
01:34:40
◼
►
It is actually much more and it may take some time
01:34:43
◼
►
for it to realize that potential
01:34:45
◼
►
and it certainly is not perfect by any means
01:34:48
◼
►
but it's far more than a throwaway BS thing
01:34:51
◼
►
that doesn't work.
01:34:52
◼
►
And frankly, when I was reading some of the other reviews
01:34:55
◼
►
of this thing, of the feature or people that integrated
01:34:58
◼
►
into their reviews, my big takeaway was that everybody
01:35:01
◼
►
was reviewing it wrong and I don't wanna call anybody out
01:35:04
◼
►
individually 'cause I think people are great
01:35:06
◼
►
and everybody's gotta focus and everybody, you know,
01:35:08
◼
►
I respect people's opinions based on intelligent
01:35:10
◼
►
understanding and the fact of the matter is,
01:35:13
◼
►
it's absolutely viable to look at the results
01:35:17
◼
►
from shooting it in testing, very close testing
01:35:21
◼
►
of a particular object or trying to isolate subjects,
01:35:24
◼
►
trying to break down the various things that are happening
01:35:26
◼
►
from synthetic bokeh to gaze detection and following
01:35:30
◼
►
to automatic tracking to focus tracking
01:35:33
◼
►
which are two different things.
01:35:35
◼
►
It's fair to break all those down and like test each one
01:35:38
◼
►
of them individually but the fact of the matter is,
01:35:41
◼
►
there's no, unlike many other tests,
01:35:44
◼
►
there really is no baseline to test from.
01:35:48
◼
►
Like this is brand new.
01:35:50
◼
►
It is not what you were, it emulates other things
01:35:55
◼
►
but this is a brand new feature, right?
01:35:57
◼
►
It's a brand new thing that this bundle of things
01:36:00
◼
►
that they've created is brand new.
01:36:02
◼
►
And so I think testing it in the same kind of test bed
01:36:06
◼
►
or lab focused environment to try and say,
01:36:09
◼
►
does this thing work the way they say it does?
01:36:11
◼
►
Oh, look at the segmentation falls over here and there
01:36:14
◼
►
and it just sucks, it doesn't really work at night,
01:36:16
◼
►
it doesn't work this way or that way or the other thing,
01:36:19
◼
►
absolutely 100% valid, viable but I feel misses the point
01:36:24
◼
►
so badly as to actually misrepresent the feature entirely.
01:36:27
◼
►
You end up in a situation where though all of
01:36:31
◼
►
the negative bits actually end up to a larger
01:36:35
◼
►
negative value than the feature actually deserves, right?
01:36:39
◼
►
So like while acknowledging that it has flaws
01:36:41
◼
►
and it is by no means perfect and Apple will be the first
01:36:44
◼
►
to admit that if you can get them to do it on the record,
01:36:47
◼
►
which good luck but the team knows, right?
01:36:50
◼
►
Like they know that they're working towards something
01:36:53
◼
►
but the fact of the matter is,
01:36:54
◼
►
it's actually really fucking cool right now
01:36:56
◼
►
and it works at night, sorry, I tried it, it works fine,
01:36:59
◼
►
I don't know what people are doing there
01:37:00
◼
►
that not make it work.
01:37:01
◼
►
It also works in many situations where Apple says
01:37:04
◼
►
it should work and it does.
01:37:06
◼
►
If I've seen it follow the gaze of a person
01:37:09
◼
►
to focus on another person in the frame,
01:37:11
◼
►
I've seen it use overscan to track and see that a person
01:37:15
◼
►
is entering the frame and then switch focus
01:37:18
◼
►
from the person you're focused on in the frame
01:37:20
◼
►
to that other person automatically.
01:37:22
◼
►
None of this is even talking about the fact
01:37:26
◼
►
that you can change it afterwards if you need to
01:37:28
◼
►
or if it misses, which it does, right?
01:37:31
◼
►
But that's not even talking about,
01:37:32
◼
►
this is talking about the casual use of an 80 percenter,
01:37:36
◼
►
right, the person who grabs iPhone is like,
01:37:38
◼
►
oh cool, look at this new mode,
01:37:40
◼
►
I'm gonna play around with this
01:37:41
◼
►
and shoots their kids with it.
01:37:42
◼
►
The results that are gonna get out of it,
01:37:44
◼
►
sure, one in 10, two in 10, three in 10 may go like,
01:37:47
◼
►
oh, that was kind of funky,
01:37:48
◼
►
I don't know if I like that or not.
01:37:49
◼
►
But a lot of people are going to start shooting
01:37:53
◼
►
and thinking and being able to enjoy their home movies
01:37:58
◼
►
with the language of movies and film and cinema
01:38:02
◼
►
now available to them than were ever before
01:38:05
◼
►
because they never owned a camera with detachable lenses
01:38:09
◼
►
and a gimbal and a rack focusing pulley or wheel
01:38:14
◼
►
and all that.
01:38:16
◼
►
- They don't have any, they not only don't have a kit
01:38:19
◼
►
to do focus pulling, they don't have someone
01:38:22
◼
►
to be the focus puller.
01:38:24
◼
►
- Right. - Right.
01:38:25
◼
►
There's a Kubrick quote that I abuse,
01:38:27
◼
►
I overuse it so much, but I love it.
01:38:29
◼
►
And to me, it explains so many things that I care about
01:38:32
◼
►
and why I care about them.
01:38:33
◼
►
And it is, sometimes the truth of a thing
01:38:36
◼
►
is not in the think of it, but in the feel of it.
01:38:40
◼
►
And that to me is exactly what this,
01:38:42
◼
►
you can think about it and examine,
01:38:44
◼
►
oh, the hair's out of focus
01:38:47
◼
►
and the left frame of the eyeglasses shouldn't be blurred,
01:38:52
◼
►
And then you can watch a movie like "Float"
01:38:55
◼
►
and you get the feels and that's the truth of the feature.
01:38:59
◼
►
Anyway. - Right.
01:39:01
◼
►
- Let's call it a wrap.
01:39:01
◼
►
Matthew Panzorino, I thank you so much for your time
01:39:04
◼
►
and your insight.
01:39:05
◼
►
I can't think of anybody else
01:39:07
◼
►
I would rather talk iPhone camera with
01:39:08
◼
►
other than Johnny Manzari and Kyan Drance,
01:39:12
◼
►
who you got to talk to.
01:39:13
◼
►
So it's like I've gotten them on the show
01:39:17
◼
►
and it's one degree of separation.
01:39:20
◼
►
Let me also thank our sponsors, great sponsors this week,
01:39:23
◼
►
Memberful and LinkedIn and Mack Weldon, my thanks to them.