27: The Glass Something or Another, with Dave Pell
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You reminded me, my guest this week is Dave Pell. Dave reminded me of an email I sent
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you two years ago. I'm cracking up just thinking about it. I am not somebody who
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usually remembers his dreams, and I don't remember if I've ever even—maybe once
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or twice in the history of the show I've recalled a dream that I had. But I don't
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I don't know. I was thinking about it. Should I read the email?
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I think you should. I think it's going to be pretty clear to all your listeners that
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I'm sort of in your head.
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So I had an upcoming trip to Vegas for a quick weekend trip with my pals, Michael Lop and
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Jim Kudol. I was really looking forward to it. And one day I woke up and I'd had this
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vivid dream. Here's the email I sent to you. I wrote, "So I'm going to Vegas next
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month for the weekend, Guy's Weekend with Kudol and Michael Lop. I had a dream last
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night that it was that weekend and it was Friday and I just got into town. It was early
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afternoon and I hadn't met up with the other two guys yet. I decided to take a walk while
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waiting for them. I'm on a side street off the strip and who do I run into but you, Dave
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Pell. And you tell me that you're on your way to your favorite casino, the glass something
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or another or something or another is some foreign sounding like French word that I had
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never heard before. And I tell you, I've never even heard of the place and you tell me it's
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the best. The entire building is made out of glass. It's gorgeous. You say I love Vegas,
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but I go there all the time. And the only place I'll step into is this glass, whatever
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it's called. So sure, I say why not? So we walk. And you know, it's a dream because who
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walks anywhere in Vegas. You say the place is over there by the Rio but closer to the
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strip and we're walking over that way sort of off the strip and we get there and the
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entire lot is just a hole in the ground, a desert. It's all under construction and there's
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a sign that says that they're replacing it, the glass whatever it's called, with a new
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casino. And you turn to me and say, "Well, let's find somewhere else and get a drink."
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I tell you that sounds about right to me. And then the dream cuts and immediately we're
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inside some random generic stinky ass old school Vegas casino bar like the Riviera or
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the Sahara or Flamingo or one of those places that just looks like generic Vegas casino
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that's been there forever and never changes. And it's me and you having a drink. And then
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the next thing, the dream immediately cuts to me waking up in the dream, not waking up
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waking up on an airplane that has just landed in Philadelphia. My head hurts. And I realized
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that my entire trip is over. It's Sunday evening, and I'm home, and I don't recall a goddamn
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thing from the entire weekend after sitting down with you for that drink early Friday
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afternoon. Never checked into my hotel, never once saw to my recollection, Kudol or Lop.
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And I think to myself, "Goddamn it, I thought this weekend was going to be a lot of fun,
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and I had stuff I wanted to talk to those guys about. What did I do? Why does my head
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hurt. Those are the thoughts in my head. So I got up and I wrote the email to you.
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Yeah, well, it was all part of a strange plot by me. I was upset at not being invited to the
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guy's trip to Vegas. I decided to enter through any way I could. In this case, I entered your
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mind through a dream, but to be more involved and sort of be one of the guys or one of the
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wolf pack, as they say in the hangover. And then in the end, my plan was foiled because I ended up
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completely screwing up your trip anyway, and I'll never get invited to any of your
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Pete: It really was. And it is funny because I do have like this like vague association
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in my head that Dave Pell's trouble. I mean, it's because of this dream. And I don't
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think it's true at all. I don't think it's trouble. I'm not quite sure what happened.
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Like if the dream is telling me that you like slipped me a Mickey or something, it's very
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If it's—I don't know, but it adds any more clarity.
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I never really responded to your original email, but I did wake up the next morning
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with a pretty nasty STD.
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I have a little bit of follow-up here from previous episodes of the show, and I keep
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forgetting to do this.
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And I want to knock this out, because I think that this is with the holidays coming up and
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No promises, I don't know.
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might be the last episode of the talk show for 2012. And I feel like, I don't know,
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just in the way with year-end lists and stuff like that, if you have anything to follow
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up on, now's the time to—let's hit 2013 with an empty slate.
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So one of them—I don't know how in the world I made this mistake—is a couple weeks
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ago when Merlin Mann was on the show, I said that bourbon comes from Tennessee and not
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Kentucky. And of course, that's exactly backwards. And I knew that. And I knew it
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even when I said it and I just didn't feel like correcting it.
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Bourbon comes from Kentucky and Jack Daniels comes from Tennessee.
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And that's one of the reasons why Jack Daniels is not called Bourbon.
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Seems like a very, like an awful, awful mistake for me to make though.
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My apologies to everybody in Kentucky who listens to the show.
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You do Bourbon, man, Dave?
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No, I'm less of a drinker and more of a smoker, really.
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Yeah. Your writing comes across pretty frequently in your writing.
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Yeah, that's the vibe I'm going through.
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I'm not sure whether bourbon comes from Kentucky or Tennessee,
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but most of my pharmaceuticals come from my drawer.
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Isn't that…? You know, I do think we're reaching a tipping point. Maybe I don't have any more
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follow-up. I'm looking at my notes here. I don't think I do. No, I guess that's it. All right,
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decks cleared, all mistakes have been repaired. I think we as a country are reaching a tipping
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point on legalized marijuana or decriminalized marijuana. It seems to me like it's tracking
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a couple of years behind gay marriage.
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Yeah, I think it's going to be an interesting topic because I think in terms of people's
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opinion, I think we're entering towards legalization as basically inevitable at this
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In terms of enforcement, I think it's going to be a lot more tricky than anybody has ever
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I've listened to a few people talk on this subject.
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One guy was on Terry Gross recently.
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I linked to it in the next draft.
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The incredible complexities with legalizing the sale of marijuana, possibly taxing it,
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making it legal for certain purposes and not legal for other purposes and somehow cutting
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out the illegal trade is going to be pretty complicated.
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But you figure we have decades of sort of setting up this system, so it's going to
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take probably several years to sort of undo that.
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I've always felt for two reasons, sort of the criminalization of marijuana just doesn't
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make any sense to me.
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The first, more basic reason is the fact that people still, to this day, argue that it shouldn't
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be used for medical purposes.
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And my philosophy on life is if you're in a situation where you're unfortunate enough
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to be in some kind of serious pain or facing some serious ailment, whatever you can do
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to make yourself feel better sounds like the right move to me.
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And for any society that calls itself just to try to block you from that, for some sort
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of vacuous moral reason is totally absurd.
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Yeah, there's a whole bunch of layers of abstraction between in supporting the criminalization
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of marijuana. It's all abstract, whereas a lot of these, you know, like you said, for
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someone who's really in severe pain or any kind of pain, really, and, you know, it's
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a completely practical application. There is no abstraction that when I smoke this stuff
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or eat it or however you consume it, I feel better. And for some people, the difference,
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if it's alleviation of pain, it's not more than just recreational, wow, this makes
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the matrix a lot more interesting.
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Dr. Justin Marchegiani And the funny part is even for that second
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example, there really are two Americas when it comes to drug legalization, especially
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marijuana because you know every day I'm reading headlines about the
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decriminalization of marijuana but living here in the Bay Area for the last
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30 years or whatever I it seems like it's been decriminalized for white guys
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with plenty of money the whole time right I mean I accidentally inhaled Jim
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Ignatowski style from taxi around the first internet boom and then Cosmo sort
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started delivering me some munchies. I accidentally sort of stayed in that state of mind for about
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a decade. There were certainly some minuses to it. I left revenue models out of almost
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every project I did during that decade. But I don't remember any police storming down
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my door and saying, "Hey, what's that smell?" They just said, "Whatever. Whatever it takes
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for you to enjoy your movie or to enjoy this cyclist from Cosmo having to pedal up your
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steep hill to bring you a small bag of chips on a rainy night.
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And some of this stuff is just nuts, man.
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And I feel like you and I are a lot alike, and we can get into this in a bit too, but
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in terms of our attention and the way that the web seems interested, it just seems built
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for our type of minds.
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I mean, how many tabs do you have open right now?
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Well, since we're talking none, but at any given time, probably about 60.
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That's how my… I mean, it's just the nature of the game if you're a link blogger,
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you know, if you do that sort of… it's just the way your mind works. And the other day,
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I started on Kudol's site, and he had linked to this unbelievable blog just about
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William Friedkin's 1977 movie Sorcerer, which I've never seen, which is amazing. But it's
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apparently one of the reasons I've never seen it is… now this is William Friedkin,
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director of the French Connection and the Exorcist. I think those are the two movies
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he had made right before this. So he's literally at the top of his game. And it's some kind
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of crime caper in Central America. Sounds great. But it's all locked up in legal problems
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because it was a joint production of Paramount and Universal. And as of today, both Paramount
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and Universal say they don't know who owns it. And so there's no, there is a DVD release,
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but there's no Blu-ray and there's no, like it's even hard to just screen it or get a
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good print of it because neither of the two studios is claiming ownership.
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So Friedkin wants this movie to be treated the way it should and he's filed lawsuits
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just to get them to just reveal the paperwork that says here's who owns it.
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He doesn't even want to make money from it anymore.
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He just wants it out there.
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But anyway, I got sucked into this blog that's just about this movie and one of the stories
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that Friedkin tells is that he flew back, they did all the shooting on location in Central
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America and flew back to Texas, at Galpaso, Texas, on a little prop airplane. And one
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of the stuntmen wanted to come to at the last second. He's like, "Sure, we have room. Hop
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in." Guy hops in and he's just carrying like a little briefcase. They land and the cop,
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some cop greets him at the airport. I guess Friedkin knew him or the guy said he was a
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fan of the Exorcist or something like that. And he's talking and he's real, you know,
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friendly. But all of a sudden, this German Shepherd at the airport goes nuts at scratching
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at this airplane and ends up that the dog is going nuts because of this stuntman's briefcase.
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And it ends up the stuntman had had some marijuana in it previously, but took it out knowing,
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"Hey, I'm getting on an airplane flying internationally. I can't have marijuana in here." Took it out,
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but it was just literally like a few grains, you know, just I don't know what would you
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call them? Leaves? What are they? Buds? I don't know. Just dust. Like dust from having
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had marijuana in there. Like nothing that you could even, not even like an amount that
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you could smoke. But all of a sudden, like the cop, they got locked up. Friedkin got
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locked up. Everybody who was in the plane got locked up for hours. It took like attorneys
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from Universal Pictures, like studio attorneys, to get Friedkin out. And they kept the stunt
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guy locked up for two weeks. I guess he didn't end up going to jail or anything because he
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didn't really have, it wasn't like possession, you know, it was just something that the dog
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smelled that it was like remnants. And I thought, you know, there's all sorts of stories of
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people who were in prison for drugs, you know, people with lifetime sentences of their true
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tragedies. I mean, a stunt man in 1977 being locked up for two weeks in an El Paso jail
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is far, far, far from the most tragic case of misjustice in the criminalization of drugs.
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But it just shows how absurd it is.
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Dr. Justin Marchegiani Yeah, it's also, I mean, in a weird way,
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it's also shows that we expect sometimes to enjoy the output of a person's work like
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a stuntman or NFL football player, but then or a cyclist riding up 72 mountains in two
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days in the Tour de France, and then we're totally shocked beyond belief that there was
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any artificial substances used in that quest. If you're a stuntman in the '70s doing your
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own stunts, like riding a motorcycle off of a wall and landing on your head, it's like,
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"My God, take a couple hits. We understand. It's for my pleasure."
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No, and that's exactly like the whole Friedkin style was doing all the stunts for practical
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and apparently it was a super dangerous shoot, stunts and stuff like that. There's apparently
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part of the thing in the movie, I don't want to, and I don't know that much about it, but
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it's that there's a, it's about these trucks that they're using for the caper and one of
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the trucks is, or the truck, I don't know, is named Sorcerer. It's like, you know, like
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the name of a ship, like the name of the truck is Sorcerer. But apparently, it's, the movie,
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one of the reasons it's not that well known in addition to the legal problems is that
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it did pretty poorly at the box office. And one of the reasons is that apparently a lot
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people think that the title threw everybody off because his previous movie was The Exorcist.
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The new one was named Sorcerer and people just went in thinking it was about like the
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supernatural or something, you know, like about some kind of wizard or something like
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that. And, you know, instead it's like a dirty, gritty crime caper. But the title had set
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expectations so far afield that it damaged the box office. I'd never heard of it. And
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I'm a big Freakin fan. I don't know how that happened.
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Well, we'll see if we can get it out there.
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So let's talk indie publishing.
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Dave, you've been blogging.
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When did you first start blogging?
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Let's see, I first started blogging in the '90s.
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I think the New York Times had an article on me that was all about how people used web
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blogs to share links in like sort of the late '90s, mid to late '90s.
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So I've been doing it for a while.
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it's sort of always been the throughput of my whole life, although I've had different
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careers and different focal points. Aside from that, I've always sort of used writing
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as the main thing I wanted to keep going.
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Pete: What was the name of your first blog?
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Jon: My first blog was called Daveanetics.
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Pete; Right. That's the one I remember.
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Jon; Sort of started out as a personal blog, sort of like Dianetics with me as the god.
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And then it had evolved into a technology newsletter
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that I actually used to send out a handful
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of technology-related links and headlines and blurbs,
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much like I do at Next Draft for general news now,
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to a bunch of CEOs that I worked with,
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because during my time on the internet,
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I've also, my half of my life is about the writing
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and creative stuff, and the other half is about
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investing in and working with startups.
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So it started out as a business thing
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where I'd find these articles and send them out,
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and they would go to sort of a group
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of internet professionals that I worked with,
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and it sort of spread from there.
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And at one point, I think there were about 25,000
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or so subscribers, which back then,
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during the early parts of the first boom,
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was pretty widespread, 'cause there weren't
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that many of us out here yet.
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And as time passed on, and the boom went to bust,
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it was sort of, I basically became
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like a daily obituary writer.
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- And I just wasn't that into it anymore.
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And also, I felt like I was writing about technology,
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because that was the industry I was in,
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but my passion is much more with more general news.
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I'm into technology, and I'm a sick addict like you are,
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and like, you know, a lot of us are.
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I got my 70 tabs, and I'm always on,
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and I'm controlled by these devices,
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but my actual area of interest
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goes beyond technology quite a bit,
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so I sort of like more general news.
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I've always sort of been obsessed
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with whatever the big story is at the moment.
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I want to counterpunch off that move who who got started first you were cod key
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I'm not or do you not know I think it's a blogger definitely
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I'm pretty sure Jason did because I was doing a newsletter back then hmm
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But I definitely was one of the early blogger users for sure
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Do you remember which other blogs most inspired you like kind of gave you that you know what I could do that
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You know, definitely Kotke.
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I mean, I've always felt that that was a really similar one.
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You know, when Jason does a redesign, I check it out.
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When I'm designing something, I always look, "What has Jason done?"
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He usually picks good fonts and a good length of a post.
00:18:10
◼
►
He has similar interests that I have.
00:18:13
◼
►
You know, I've also definitely been inspired by Darren Fireball over the years.
00:18:17
◼
►
You know, we cover slightly different things, but you have certain techniques that you have
00:18:22
◼
►
I have a very different sort of online personality
00:18:24
◼
►
that I do and a lot of it's really effective,
00:18:26
◼
►
so I try to learn from that as well.
00:18:30
◼
►
In the early days, it was almost anybody who could share.
00:18:32
◼
►
I mean, it's interesting that I,
00:18:34
◼
►
before the internet came, before the web,
00:18:36
◼
►
sort of got going.
00:18:38
◼
►
Every semester or so in college,
00:18:41
◼
►
I used to write up like a 30-page document
00:18:43
◼
►
about what I was up to or some jokes
00:18:45
◼
►
or essentially a blog but in sections,
00:18:48
◼
►
and I'd print it out and bind it
00:18:50
◼
►
and sent to like 30 or 40 of my friends,
00:18:52
◼
►
and that was also called Davidnetics.
00:18:54
◼
►
So I was sort of irritating my closest friends
00:18:58
◼
►
for years before the web came,
00:19:00
◼
►
sort of blogging at them against their will.
00:19:03
◼
►
And when I first saw blogging,
00:19:05
◼
►
I just immediately realized,
00:19:07
◼
►
A, this is gonna be really fun for me,
00:19:09
◼
►
but B, this is just gonna,
00:19:10
◼
►
this medium is gonna absolutely unleash
00:19:13
◼
►
an unbelievable creative revolution.
00:19:16
◼
►
And that's what I was most excited about
00:19:18
◼
►
during the first boom,
00:19:19
◼
►
even though most people were talking about sentences that had the word billion in it
00:19:22
◼
►
a couple times.
00:19:24
◼
►
But I still think that's the most exciting part about this, whether it's Twitter, whether
00:19:28
◼
►
it's a WordPress blog, whether it's these weird Tumblr things that people have these
00:19:32
◼
►
bizarre passions that they want to share.
00:19:37
◼
►
I think the sharing of health information is something that is so – all of us have
00:19:41
◼
►
like 20 things that we feel like we're the only people who has that.
00:19:47
◼
►
you're suffering from something, you go on the web and you realize there's like a million
00:19:50
◼
►
people out there who have felt like you were one time or another, and for some reason,
00:19:54
◼
►
it felt compelled to share that.
00:19:56
◼
►
Just the simple fact that you can put stuff out there and everybody can read it or see
00:20:02
◼
►
it or watch it or listen to it, depending on what, you know, if it's something you wrote
00:20:06
◼
►
or music or video or something like that. It's still the most amazing thing.
00:20:10
◼
►
Yeah. I mean, it's totally remarkable. And, you know, some projects you're doing, you
00:20:16
◼
►
you have not as many readers as you want,
00:20:18
◼
►
or like right now you're on a big roll
00:20:20
◼
►
and you have a ton of readers,
00:20:22
◼
►
but I think sometimes people get down on themselves
00:20:25
◼
►
and say, "Well, I only had 100 people read this,"
00:20:27
◼
►
or "50 people read this,"
00:20:28
◼
►
or even sort of more middle-level blogger
00:20:31
◼
►
that might have, "I got 10,000 reads
00:20:34
◼
►
"and it seems small in this day and age,"
00:20:37
◼
►
whereas it seems so exciting during the first boom.
00:20:39
◼
►
"Oh my God, I built something," or "I wrote something
00:20:41
◼
►
"and thousands of people are reading it."
00:20:43
◼
►
That's crazy.
00:20:44
◼
►
Now we've sort of become dead into that because the numbers on the internet are so big, a
00:20:49
◼
►
billion users of this and a hundred million users of that.
00:20:53
◼
►
But sometimes when I go to, like out in San Francisco, we have a theater called Herb's
00:20:56
◼
►
Theater where a lot of the famous authors come to get interviewed.
00:20:59
◼
►
I'd say it holds maybe 1,500 people or so.
00:21:04
◼
►
Every now and then I'll just sit in one of those theaters and I'll think, "If I think
00:21:10
◼
►
it's something to write right now, even if it doesn't do that well, there's probably
00:21:14
◼
►
a chance about this many people are going to read it in a couple hours after I choose
00:21:19
◼
►
That's just incredibly powerful.
00:21:22
◼
►
I don't mean that in an ego sense like, "Wow, look at how great I am.
00:21:26
◼
►
I can get 1,500 or 15,000 readers."
00:21:29
◼
►
I just mean the idea that the barrier between sharing your ideas has gone down so far.
00:21:38
◼
►
With a little serendipity and a little merit, you can actually have people that you have
00:21:42
◼
►
no contact with, sort of experience what you think on a topic and maybe best case scenario
00:21:48
◼
►
start riffing about their opinion on it in response to you.
00:21:52
◼
►
And I thought that was the coolest part about the web the first day I fired up a browser
00:21:57
◼
►
and I still think that's the coolest part about the web now.
00:21:59
◼
►
Yeah, it's absolutely, I mean, and it went from attention being an artificially limited
00:22:10
◼
►
resource, or maybe not attention isn't quite the right word, but the number of platforms
00:22:15
◼
►
were artificially limited to being almost a zero-sum type situation.
00:22:20
◼
►
Here's what I mean by that.
00:22:21
◼
►
Let's say that I want to do what I do, like write as quickly as possible, let's say in
00:22:29
◼
►
traditional terms daily or weekly, about what's going on in technology.
00:22:35
◼
►
And I want to have, let's just say, 100,000 people read what I write.
00:22:41
◼
►
There were only a handful of gigs like that, that people, pre-internet, that people could
00:22:47
◼
►
have, right?
00:22:48
◼
►
You could write for a major newspaper.
00:22:50
◼
►
But even in that era, really, a lot of the major newspapers weren't national, right?
00:22:54
◼
►
The New York Times really only became a national newspaper, I think in the 90s.
00:22:58
◼
►
It was sort of coincident with the rise of the internet.
00:23:03
◼
►
I mean, it was certainly famous, and it certainly had a very high circulation, but it really
00:23:07
◼
►
was a New York newspaper.
00:23:11
◼
►
I mean, USA Today was only invented in, what, 1984 or something like that?
00:23:15
◼
►
I was associated with Reagan.
00:23:18
◼
►
And didn't really run, never really ran the type of stuff that I write, you know, that's
00:23:24
◼
►
There just was no way.
00:23:25
◼
►
I mean, what?
00:23:26
◼
►
Maybe I could, you know…
00:23:27
◼
►
How many people can write about technology for Time or Newsweek or something like that,
00:23:32
◼
►
handful of gigs where you could have a lot of readers and write about this stuff and
00:23:36
◼
►
that's there was no way to invent your own. I often I also think about the fact that when
00:23:42
◼
►
I was in college, I was at the student newspaper at Drexel. And I think we used to print I
00:23:47
◼
►
had memories are hazy. But I think maybe like 3000 issues a week. It was a weekly newspaper.
00:23:53
◼
►
I think we printed somewhere in the low single 1000s, you know, I don't know, two, three,
00:23:57
◼
►
four thousand issues. And it was a huge, and you know, you realize when you print that
00:24:04
◼
►
many that a lot of those, it's not that there's three, four thousand students at
00:24:08
◼
►
the school, it was, you know, people would pick one up Monday and read it in class and
00:24:12
◼
►
then they'd pick up another copy on Tuesday in a different class, you know, and throw
00:24:15
◼
►
them out. So I don't know how many students really read the thing, let's just say, I
00:24:18
◼
►
don't know, a thousand. But it was a huge deal, a monumental effort every week just
00:24:23
◼
►
distribute. I mean, 4000 copies of like a 20, 30 page newspaper is an enormous amount of newspapers.
00:24:32
◼
►
Like, it was actually like a huge thing. And that was just for a small university
00:24:37
◼
►
student newspaper to reach, you know, I don't know, 1000 students a week, you just had this
00:24:41
◼
►
entire expensive and heavy paper just coming in week after week after week.
00:24:50
◼
►
I also think there's something really uniquely cool about the relationship between a blogger
00:24:57
◼
►
or some other kind of Internet writer and his or her audience, because I realized this
00:25:02
◼
►
probably in the early, early days when I first launched Dave and Eddix.
00:25:07
◼
►
It appeared in a couple of publications, I think it was the New York Post and the San
00:25:11
◼
►
Jose Mercury News back when they were sort of the paper record for the Valley out here.
00:25:18
◼
►
Jason Kotke linked to it.
00:25:21
◼
►
I'll never forget on that day when I looked at my—they weren't real-time stats back
00:25:25
◼
►
then so I still had some semblance of control over my minute-to-minute of my life.
00:25:29
◼
►
But at the end of the day or the next morning when I looked at the stats, to see how many
00:25:32
◼
►
more people had come from Kotke.org than those two other big publications with multi-million
00:25:40
◼
►
dollar budgets behind them was pretty inspiring.
00:25:45
◼
►
We know intuitively why, right?
00:25:46
◼
►
is it's people are not reading just a brand
00:25:50
◼
►
when they're reading somebody's blog,
00:25:51
◼
►
they're reading that person.
00:25:53
◼
►
And when that person shares a link,
00:25:55
◼
►
they're saying, hey, trust me,
00:25:56
◼
►
this is gonna be worth your time.
00:25:58
◼
►
If I have too many times when it's not worth your time,
00:26:01
◼
►
you're gonna stop reading me.
00:26:02
◼
►
So I have a lot at stake here to make sure
00:26:04
◼
►
I'm giving you something I think you'll like.
00:26:06
◼
►
So the likelihood of somebody clicking on a blog link
00:26:09
◼
►
versus clicking on a newspaper link is so much higher.
00:26:13
◼
►
And also just signing up once they get there.
00:26:16
◼
►
like, "Hey, Jason said this is good. Dave or John say this is good. Let's do it. Let's
00:26:20
◼
►
give it a try," because we're actually, in a weird way, friends with them. It's
00:26:24
◼
►
not just some brand telling me this is cool. This is not a restaurant review from a paper
00:26:29
◼
►
I've heard of. This is my friend saying, "Dude, you're going to love the pasta at
00:26:33
◼
►
this place. Go check it out."
00:26:34
◼
►
Yeah, and part of it is implicit, and it comes out of almost the subconscious of the publication,
00:26:45
◼
►
whether it's a one-man operation like mine and Kottke's and David and Edick's, or an
00:26:50
◼
►
institution like a newspaper, which is, what do you really want the person who's reading
00:26:56
◼
►
this thing to do?
00:26:58
◼
►
And the newspapers, even today, what they really want you to do is stay on their site.
00:27:05
◼
►
Read another one.
00:27:06
◼
►
Load another page.
00:27:08
◼
►
Click this, you know.
00:27:11
◼
►
But in the 90s, it was endemic.
00:27:14
◼
►
I mean, it was almost, it almost killed, maybe it was, I think it might have been the leading
00:27:17
◼
►
cause of death for a lot of those portals, right?
00:27:23
◼
►
The whole idea of portals was get them to come in and stay here, right?
00:27:29
◼
►
And it almost killed Yahoo, right?
00:27:31
◼
►
I mean, Yahoo certainly could have been Google because Yahoo started with, you know, cool
00:27:35
◼
►
side of the day and go to Yahoo to find something else cool on the internet, right?
00:27:42
◼
►
like what Yahoo was in 1994. Go to Yahoo. I don't know. I want something to interest
00:27:48
◼
►
me. I know. I'll go to Yahoo and they'll send me somewhere good. When they shifted
00:27:54
◼
►
to this strategy of people come to Yahoo, let's keep them on Yahoo is when they almost
00:28:00
◼
►
choke to death. Whereas, you know, like Kottke, when you go to Kottke, he really wants you
00:28:06
◼
►
to click the links, right? I mean, when you come to my site, I want you to go and read
00:28:11
◼
►
the thing I'm linking to. And I trust that you will, you know, and it's, it's super satisfying
00:28:17
◼
►
to me. It is, you know, almost, you know, like, when I link to somebody, and it breaks their
00:28:23
◼
►
website, it, it does me, I'm not glad that people's websites occasionally break. But I'm glad that so
00:28:29
◼
►
many that it's just like, it's, it's like, almost, I can feel it, that people really do follow the
00:28:36
◼
►
links. Like, I want you to go away. Trenton Larkin
00:28:39
◼
►
Right. I definitely feel the same about Next Draft. I send that out with what I think are
00:28:44
◼
►
the most fascinating news stories of the day. One of the key measurements, of course I measure
00:28:50
◼
►
opens and forwards and shares and stuff like that, but probably my key measurement of whether that
00:28:55
◼
►
day was a success was how many links got hit a lot and were there any that really stood out and
00:29:03
◼
►
got several thousand clicks that both made a difference for my readership, obviously,
00:29:08
◼
►
and also sort of made a noticeable difference on the stats page for that person I'm linking to.
00:29:13
◼
►
You know, I said, "Wow, this is pretty cool," especially if it's sort of an unusual article.
00:29:17
◼
►
You know, occasionally Jason Kotke and I syndicate each other, and he'll syndicate a blurb out of
00:29:24
◼
►
Nextdraft once a week, and I'll syndicate one of his blurbs once a week in Nextdraft.
00:29:29
◼
►
And when we do that, occasionally we're linking to stuff that's not necessarily that popular yet,
00:29:38
◼
►
And it's fun occasionally I've seen between the two of us,
00:29:41
◼
►
I can pretty quickly go to the most popular item
00:29:43
◼
►
on that site.
00:29:45
◼
►
So that's another thing, you feel like you have
00:29:47
◼
►
some influence of, I think you're gonna think this is cool,
00:29:51
◼
►
and you did think this was cool.
00:29:54
◼
►
But the whole blogger mentality is sort of built on,
00:29:58
◼
►
it's not built on how many page views do I get
00:30:00
◼
►
or how many ads do I sell, it's really built on,
00:30:06
◼
►
I'm trying to be interesting to you.
00:30:08
◼
►
I'm trying to get you to like me.
00:30:10
◼
►
I'll give you whatever it takes
00:30:13
◼
►
for you to sort of be my friend and to love me.
00:30:15
◼
►
It sounds crazy, but I think that's more of the goal.
00:30:17
◼
►
So the web is about saying,
00:30:20
◼
►
here's these cool stuff, check it out.
00:30:21
◼
►
So it makes sense every blogger
00:30:23
◼
►
would immediately go to that model
00:30:24
◼
►
because they want to be,
00:30:26
◼
►
they want to have these virtual friends.
00:30:28
◼
►
They want to have these people that count on them
00:30:30
◼
►
that when there's something big,
00:30:32
◼
►
they'll point them in the right direction.
00:30:33
◼
►
They'll be one of the first stops they come to.
00:30:35
◼
►
something happens if there's a big story that breaks in the Mac world.
00:30:40
◼
►
You know, I'll probably go to Daring Fireball first, read your intro, and then click over
00:30:44
◼
►
to that big story because…
00:30:46
◼
►
Well, but a lot of times, too, my personal pacing and style is such that I'm usually
00:30:52
◼
►
not first, and sometimes I'm very far behind, or at least I have anything substantial to
00:30:57
◼
►
say about something.
00:31:00
◼
►
My favorite example of that is whenever there's an Apple event.
00:31:04
◼
►
My traffic goes through the roof, especially live while it's happening.
00:31:08
◼
►
But I don't do the live blog thing.
00:31:11
◼
►
And because most of the time I'm there in the audience and I'm listening and I'm
00:31:16
◼
►
taking notes, I'm not posting anything.
00:31:20
◼
►
But the site goes nuts.
00:31:22
◼
►
And it's just people reloading the homepage of Daring Fireball with last night's last
00:31:29
◼
►
item at the top over and over and over again, waiting for me to say something.
00:31:32
◼
►
Right and it is good in a sense. It's it's an honor and no and if I had a page view based
00:31:39
◼
►
Revenue model I would have to have something. I mean, I guess I'd have to live vlog or something to take advantage of that
00:31:45
◼
►
But it's kind of cool because it's a very nice knowing that the site is going nuts is a very nice sort of
00:31:54
◼
►
Implicit deadline like hey get your get your thoughts together, but get them up there people are waiting, you know, like
00:32:01
◼
►
a "I don't want to disappoint these people" sort of feeling in my gut.
00:32:06
◼
►
Yeah, no, I think that feeling of feeling like you're part of this conversation or
00:32:14
◼
►
community and people are sort of waiting to hear you chime in on something is a pretty
00:32:18
◼
►
powerful feeling.
00:32:23
◼
►
My goal with Next Draft basically is that when a big news story breaks—the presidential
00:32:29
◼
►
was yesterday, the Academy Awards were last night,
00:32:32
◼
►
the Super Bowl is Sunday, that one of the stops
00:32:36
◼
►
people assume on their day, and maybe even during the event,
00:32:39
◼
►
they're thinking, huh, I wonder if Abel
00:32:40
◼
►
will have something weird or funny to say
00:32:42
◼
►
about that moment tomorrow.
00:32:44
◼
►
I'm looking forward to seeing what he says about it.
00:32:47
◼
►
And that feeling is definitely what drives me.
00:32:50
◼
►
And I almost feel the responsibility to do it,
00:32:53
◼
►
but that makes me feel sort of more connected with the news
00:32:55
◼
►
and more connected with the readers.
00:32:58
◼
►
And I've always sort of been news obsessed,
00:33:01
◼
►
so having a take on big news events is in my DNA.
00:33:05
◼
►
So sharing those is sort of like a pleasure for me.
00:33:08
◼
►
- Yeah, we're two of a kind in that regard.
00:33:10
◼
►
Like I remember one of the happiest little things
00:33:15
◼
►
of like my high school years was that, you know,
00:33:19
◼
►
we got our homeroom teachers assigned randomly.
00:33:22
◼
►
And I got Mr. Choyka, he was a great teacher too.
00:33:26
◼
►
He was a social studies teacher
00:33:27
◼
►
taught current events. And this is about 50 miles, it's a suburb about 50 miles outside
00:33:32
◼
►
Philly. But he had a daily subscription to his office of the Philly Inquirer, which was
00:33:37
◼
►
… So, A, there was a daily newspaper right there when I got to homeroom every day. And
00:33:42
◼
►
he was, you know, I forget what he did, but he was, you know, shared it with, you know,
00:33:47
◼
►
anybody in homeroom who wanted to do it. And none of the other kids wanted to read a newspaper.
00:33:51
◼
►
So it wasn't like I had to fight over the sections. It was like I had my own subscription
00:33:55
◼
►
to the Philly Inquirer every day.
00:33:58
◼
►
And it was just great, to me that was just great, because it was so clearly a better
00:34:01
◼
►
newspaper than the Redding Eagle, the local newspaper.
00:34:07
◼
►
And the Inquirer, especially in the 80s, had a host of great columnists, just in the great
00:34:15
◼
►
sense of the, the traditional sense of being a newspaper columnist.
00:34:19
◼
►
Like guys who would write about anything, you know, from and women, current events,
00:34:25
◼
►
you know, politics, to, you know, local stuff.
00:34:30
◼
►
I remember one time it was a great column in Philadelphia, it was crazy, some, you know,
00:34:34
◼
►
average city has stuff like this.
00:34:36
◼
►
But we have this big, big street, it goes to the big north-south boulevard is Broad
00:34:42
◼
►
And Broad Street, on both sides, north and south, it's separated by City Hall.
00:34:47
◼
►
Broad Street is north of City Hall, South Broad Street is south of City Hall. There's
00:34:53
◼
►
a median strip. So two lanes of traffic or two or three lanes of traffic each way and
00:34:57
◼
►
then one lane in the middle that's empty. In South Philly, you're allowed to park there.
00:35:06
◼
►
It's between yellow lines. You clearly, by the painting of the lines, should not be able
00:35:10
◼
►
to park there. But if you do, you will not get a ticket. And so all – it's like three
00:35:14
◼
►
miles from City Hall down to, you go down Broad Street and then you end up at the sports
00:35:18
◼
►
complex where the Phillies and Eagles play. And Broad Street, it's parking on the curbs
00:35:23
◼
►
and parking in the middle of the street. If you park in the middle of Broad Street in
00:35:28
◼
►
North Philly, just one block, one block up above City Hall, you'll get a ticket within
00:35:32
◼
►
five minutes and they'll probably call a tow truck. And there was one columnist, he
00:35:38
◼
►
wouldn't write about it every week, but maybe once a year or so, he would, you know,
00:35:41
◼
►
he would just, like an annual tradition was he would take one of the inquirer's company
00:35:45
◼
►
cars, park it on South Broad for 24 hours, see if he got a ticket, never did, and then
00:35:50
◼
►
park it on North Broad. And the inquirer building happened to be on North Broad, and then time
00:35:56
◼
►
how long it took to get a ticket. And to me, that was, I just love stuff like that, the
00:36:01
◼
►
way that he would do it like once a year. To me, that was, that's what I wanted to do
00:36:05
◼
►
when I grew up. In a weird way, kind of is.
00:36:08
◼
►
Yeah, my news childhood was probably more on the international side than on the local
00:36:17
◼
►
Our religion on weekends was the Sunday talk shows.
00:36:20
◼
►
Me and my parents watched all the news.
00:36:23
◼
►
If I ever moved to a new city, the first thing I'd do is get cable and turn on Bernard Shaw
00:36:27
◼
►
and CNN and feel like I was at home.
00:36:30
◼
►
When I was in college, a typical phone conversation with me and my dad, the phone would ring and
00:36:35
◼
►
I'd say, "Hello," and he'd say, "That's cooking."
00:36:37
◼
►
much," and he'd say, "Well, what do you think of this Gorbachev guy?" And basically, now a few
00:36:43
◼
►
decades later, he calls and says, "What's cooking?" And I say, "Not much. How are the kids? Good. Well,
00:36:48
◼
►
what do you think of this Putin guy?" That's basically our—really, a huge part of our
00:36:53
◼
►
communication was about news, so I've always sort of been—it's just part of our family dialogue,
00:36:58
◼
►
so I've always sort of been pretty news obsessed and following it, certainly more on the national
00:37:04
◼
►
scale or international than—
00:37:05
◼
►
Where did you grow up?
00:37:06
◼
►
I grew up outside of San Francisco and San Rafael.
00:37:11
◼
►
So what was the big newspaper?
00:37:12
◼
►
I mean, our town would have a newspaper called the Marin IJ, but most people there still,
00:37:18
◼
►
their main paper was the San Francisco Chronicle.
00:37:20
◼
►
Right. And a big fat Sunday edition.
00:37:23
◼
►
Yeah, we had a big fat Sunday edition. We had the pink section for entertainment,
00:37:29
◼
►
and the sports section was actually green and called the sporting green. So I thought that was
00:37:34
◼
►
When people ask me why I have such an excellent eye for user interface, I have to give credit
00:37:39
◼
►
to the Chronicle making their sporting green, green.
00:37:43
◼
►
This seems like the sort of thing that you'd have a strong opinion on.
00:37:45
◼
►
I know I did.
00:37:47
◼
►
Which of the network news broadcasts was your go-to network news broadcast?
00:37:54
◼
►
This year, it's—you mean like during the election?
00:37:56
◼
►
No, like in the old days.
00:37:57
◼
►
Oh, in the old days.
00:37:59
◼
►
As soon as we had CNN, definitely, as soon as Ted Turner hooked us up with that 24-hour
00:38:05
◼
►
intravenous feed, that was it, man.
00:38:07
◼
►
My family was either CNN or Wheel of Fortune.
00:38:11
◼
►
Everything I learned about life, I either learned from CNN or Wheel of Fortune.
00:38:14
◼
►
I learned about society from CNN.
00:38:16
◼
►
I learned everything I know of business from Wheel of Fortune.
00:38:20
◼
►
When somebody would buy a vowel after they already knew the answer to a little Wheel
00:38:24
◼
►
fortunate in my family that was like always a teachable moments like look at
00:38:29
◼
►
this guy buddy I'm buying a bottle for or the what's the other big mistake the
00:38:34
◼
►
other big mistake is when you know that he knows the he knows the answer and you
00:38:39
◼
►
there's four T's you know there's gonna be four T's and then he wastes it on
00:38:43
◼
►
like $200 like he gets like 200 and then goes for the T and only gets 800 bucks
00:38:47
◼
►
it's like no no you you know do the end and spin again to get a bigger number
00:38:52
◼
►
for the tea, right?
00:38:53
◼
►
- Right, yeah.
00:38:55
◼
►
No, Wheel of Fortune was in many ways
00:38:57
◼
►
a pivotal part of our family.
00:38:59
◼
►
We used to have a rule where we couldn't watch TV
00:39:01
◼
►
during dinner, so our average dinner length
00:39:04
◼
►
was about seven minutes.
00:39:05
◼
►
And once Wheel of Fortune came, man,
00:39:08
◼
►
that combination of the letters, the prizes,
00:39:12
◼
►
the blonde chick turning the letters,
00:39:15
◼
►
like there was something for everybody in my family
00:39:17
◼
►
and that rule just went right out the window
00:39:18
◼
►
and spent the next four or five years watching,
00:39:21
◼
►
eating dinner in front of Wheel of Fortune.
00:39:23
◼
►
- Glenn Fleischmann and I were talking about game shows
00:39:25
◼
►
'cause he was on, when he was on the talk show
00:39:27
◼
►
a few weeks ago 'cause he was on Jeopardy.
00:39:29
◼
►
- And I was thinking about it,
00:39:31
◼
►
we were talking about Wheel of Fortune
00:39:32
◼
►
and I'm thinking about it more and more
00:39:33
◼
►
and I really do think, I never really gave it
00:39:35
◼
►
that much thought but I do think there really is something
00:39:38
◼
►
to the sustained success, perennial popularity of that show
00:39:43
◼
►
that has something to do with the fact that you at home
00:39:47
◼
►
can figure out the answer so far in advance
00:39:52
◼
►
Puzzle actually being solved and it can create a lot of drama
00:39:56
◼
►
Especially if you're uncertain whether the person spinning also knows the answer like you you figured it out
00:40:01
◼
►
But you're not quite sure if they did and and you can get like I'm thinking like we are cuz I remember watching with my
00:40:08
◼
►
Fan and they'd get like five grand they'd get the big one and you'd be like are are there's four hours
00:40:13
◼
►
And then if you know it was this incredible tension of please say are so you get all this money
00:40:18
◼
►
funny. Don't screw this up.
00:40:21
◼
►
There's also the aspect of the game where the game was slow enough that even if you
00:40:26
◼
►
had no idea what the puzzle is, if somebody else in your house yelled it out, you could
00:40:30
◼
►
almost mimic them closely enough to get your last letter out just a fraction of a second
00:40:34
◼
►
after they did.
00:40:36
◼
►
It looked like, "Oh, you just beat me."
00:40:38
◼
►
And it does play into Hitchcock's definition of suspense a little bit or recipe for suspense,
00:40:44
◼
►
which was that, you know, like his analogy or story was, imagine a scenario where there's
00:40:49
◼
►
a terrorist who's going to put a bomb in a movie, a packed movie theater.
00:40:53
◼
►
Everybody's first instinct in a movie or trying to create suspense is to have it be a surprise
00:40:59
◼
►
and that you so show these people in the audience and then boom, the bomb explodes and the audience,
00:41:04
◼
►
you watching the movie, are just as surprised by this explosion as the people on screen.
00:41:10
◼
►
And he said, that's all wrong.
00:41:12
◼
►
What you do is you show the people in the theater, and then you move the camera down
00:41:16
◼
►
underneath a little girl, and you show that the bomb is under her chair.
00:41:21
◼
►
Then you go back to the audience.
00:41:22
◼
►
Now you, the people watching the movie, are filled with suspense, because you know there's
00:41:27
◼
►
a bomb, and the characters on screen do not.
00:41:31
◼
►
That's suspense, right?
00:41:33
◼
►
And Wheel of Fortune has that, where you can know the answer, and you don't know if the
00:41:38
◼
►
contestants do.
00:41:39
◼
►
But basically the threat of somebody buying an unnecessary vowel was that bomb under my seat at the dinner table
00:41:46
◼
►
for about five years of my life I
00:41:48
◼
►
Don't know I feel like game shows are a lost art
00:41:53
◼
►
Yeah, there's not there they've gone overboard with all the reality stuff
00:41:59
◼
►
Yeah, they've been replaced with this mishmash of reality and game shows, you know, like I guess survivors the canonical example
00:42:08
◼
►
which is sort of a game show sort of a reality show, but it's it's
00:42:13
◼
►
You know just the the the hokiness of a traditional game show with
00:42:19
◼
►
Buzzers and wheels that you spin and the fact that it's so clearly shot in a studio in Los Angeles
00:42:24
◼
►
Something's lost. I do think in a strange way game shows were a precursor to social networks though. How so
00:42:33
◼
►
Well, I've always felt there's certain television shows or classes of television shows that there's some people whether you read them on the web
00:42:40
◼
►
Or you're talking they're like, I can't believe you watch that dude. There's no way you sit through Wheel of Fortune
00:42:46
◼
►
Oh my god, Beverly Hills of you know, I mean the Real Housewives of Beverly Hills. That's so brutal
00:42:52
◼
►
How can you waste your time with that entertainment? And the truth is you can't waste your time with those forms of entertainment unless
00:42:59
◼
►
And this is a big unless unless there's somebody else in the room with you
00:43:02
◼
►
If you're with your wife and you're watching the Real Housewives of Beverly Hills the entire time
00:43:07
◼
►
All you're doing is talking about how stupid all the people are
00:43:10
◼
►
Is the pleasure said once you're done talking about all of the other couples, you know
00:43:16
◼
►
And all the other families and you've done all the gossip for the day. It's like alright
00:43:19
◼
►
Let's figure out some other people we can gossip about for a few hours. So you put on these shows even game shows even jeopardy
00:43:25
◼
►
It's sort of fun when you're by yourself, but it's much more fun when you're competing
00:43:29
◼
►
against somebody.
00:43:31
◼
►
If you look at the early days of the web, some of it was sort of interesting, but there's
00:43:36
◼
►
just some stuff that's more fun to laugh together at than to laugh alone at.
00:43:41
◼
►
Last night when Google released the new Maps thing, there were about 40 jokes in my Twitter
00:43:47
◼
►
I'm part of that, like you, part of this strange community that forget the 12-12-12
00:43:53
◼
►
forget any other TV that's on, forget the fact that it's Wednesday night, it might be a good time just to relax with the family.
00:44:02
◼
►
It's like, no, this is a huge tectonic news story right here. The Google Maps app has been approved.
00:44:08
◼
►
But because there's this inside conversation about this event that happened where everybody sort of knows the backstory,
00:44:16
◼
►
Everybody knows the characters.
00:44:19
◼
►
You can get away with making jokes that are one line because people know what you're
00:44:22
◼
►
referring to.
00:44:23
◼
►
It sort of adds to the story, whereas sitting home alone in front of your screen reading
00:44:29
◼
►
that the Google app got released, it's like, "Okay, great.
00:44:32
◼
►
What's next?"
00:44:33
◼
►
But because there's a group of people talking about it, it adds so much value.
00:44:38
◼
►
I see what you mean.
00:44:39
◼
►
What you're saying is that a trashy TV show like Real Housewives of insert any town where
00:44:44
◼
►
have of the show, is not really best seen as a way to zone out in front of the TV in the classic couch
00:44:51
◼
►
potato sense, but rather it's fuel for conversation. Right. I mean, I think that's this whole second
00:45:01
◼
►
screen movement, right? It's saying, "Hey, you can't pay attention to something. So, you know,
00:45:06
◼
►
look down at your other screen and share that experience with somebody, right? So now you can
00:45:10
◼
►
can watch The Real Housewives of Beverly Hills with me if we're on IM or Twitter or whatever,
00:45:16
◼
►
But I think in a really weird way, the television, and this is one of the reasons why I'm very
00:45:20
◼
►
protective of television and I like the web.
00:45:23
◼
►
Television is like my blood.
00:45:25
◼
►
And I'm very wary of how the new TV revolution, that it doesn't ruin and make TV too interactive.
00:45:33
◼
►
Because when we were kids, television was seen as this, "Oh, my family's not talking
00:45:39
◼
►
to each other anymore, everybody sitting in silence in a room.
00:45:42
◼
►
We used to sit around the dinner table and have a conversation.
00:45:45
◼
►
Today, TV has the exact opposite role in our society.
00:45:48
◼
►
Today, if you close your laptop and just watch a TV show,
00:45:52
◼
►
it's actually one of the rare times the whole family,
00:45:54
◼
►
or a few people from the family, are doing something together
00:45:57
◼
►
at the same time and are focused on the exact same topic.
00:46:02
◼
►
And in a weird way, if it's a great show,
00:46:05
◼
►
you're getting nurtured another way, right?
00:46:07
◼
►
If somebody talks during Mad Men, you're like, "Dude, stop."
00:46:11
◼
►
But if it's something stupid like a game show or a reality show, it's actually, you're
00:46:16
◼
►
actually interacting with the other person on the couch where if the TV were off, at
00:46:22
◼
►
least in my house, both laptops would be open and there'd be no interaction from the people.
00:46:27
◼
►
So in a weird way, I feel like the TV is this one little character on our couch that I don't
00:46:33
◼
►
want it to become so interactive that it becomes that you can have community while you're
00:46:39
◼
►
alone. I want that community to still come from all the other people on the couch.
00:46:42
◼
►
Dave Asprey That's interesting. I kind of agree with
00:46:44
◼
►
that and I never really thought about it that way. Let me take a quick break here and do
00:46:51
◼
►
a sponsor, thank our sponsor of the week. Is that all right?
00:46:56
◼
►
I want to thank our friends at Global Delight.
00:47:00
◼
►
They've sponsored the show all year long.
00:47:02
◼
►
They've been great supporters of the talk show.
00:47:04
◼
►
So I'm very, very happy here, though, to tell you about their huge Christmas sale starting
00:47:10
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on December 18th.
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It's amazing.
00:47:13
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This is very exciting stuff.
00:47:16
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Here's what the sale includes.
00:47:19
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It's for the Mac.
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Makes your sound sound better.
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Regularly it's seven bucks.
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Right now it's on sale for four bucks.
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That's 43% off.
00:47:36
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Like, voila.
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That's their Mac screen capture, screen recording, and image editing.
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Almost like a studio app.
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It's a sharing tool.
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A totally professional setup for taking screen captures and screen recording.
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Regular price, $29.99.
00:47:52
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Thirty bucks, right?
00:47:53
◼
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can get it for $4.99, $5. That's 83% off. I mean, this is a huge sale. It's a $30 app,
00:48:01
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well worth $30. You can get it for $5. Camera+ Pro. Camera+ Pro sponsored the show just two
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weeks ago. Great, great app. Beautiful, powerful, simple camera and photo editing app for the
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iPhone. It's celebrating its third anniversary on the 18th of December. I guess that's why
00:48:18
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they've coincided the sale with this. This is the app that really made Global Delight
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You take black and white photos and then you paint over little sections of them to recolorize
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them. A lot of fun. You can make some really beautiful effects with it. Right now, it's
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That's on sale, 99 cents.
00:48:45
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That's 50% off.
00:48:49
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And this year's Best of Macworld show winner, the 2011, or 2012 I should say, Macworld Best
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It's called Game Your Video.
00:49:00
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And that's absolutely free.
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That's the first time it's been free.
00:49:02
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It wasn't free before.
00:49:07
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Best of Show at Macworld this year, it just won.
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this week. It was announced by Apple as one of the App Store best of 2012 apps. Award-winning
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app. It's amazing. It's absolutely amazing. Sounds too good to be true. Normally, two
00:49:20
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bucks but they're giving it away for free. Honestly, I think these people are nuts. I
00:49:24
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can't believe it but it's a free app. Game your video. So, if you got an iPhone, an iPod
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◼
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Touch, an iPad or a Mac, you've got to have some of these apps. And if you don't have
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an iPhone, an iPod Touch, an iPad or a Mac, I honestly don't know why you listen to this
00:49:37
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show. It's a good chance to get these great apps. Never going to be a better chance than
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during this sale. And in addition to all of that, in addition, if that's not enough that
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they have these great apps on sale for these great prices, they're also giving away a 16
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you go to their website. Here's what you do. You want to find out anything about these
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Go there now, you'll get great apps and a chance to win an iPad Mini.
00:50:23
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►
My sincere thanks to Global Delight for their continuing support of the talk show.
00:50:29
◼
►
So here's one of the things I want to talk to you about.
00:50:32
◼
►
So you mentioned this a little bit earlier,
00:50:34
◼
►
that Dave and Eddick's kind of wound down originally.
00:50:39
◼
►
You know, it was, and this sort of thing
00:50:42
◼
►
does fascinate me for total self,
00:50:45
◼
►
you know, just self-absorbed reasons.
00:50:48
◼
►
But, you know, the fact that there aren't a lot of blogs
00:50:52
◼
►
that have longevity.
00:50:54
◼
►
People get into it.
00:50:55
◼
►
I mean, there's not many people like Kotke
00:50:57
◼
►
who've been going for 14 consecutive years.
00:51:01
◼
►
Why did you stop with Davinetics?
00:51:04
◼
►
I mean, not that it ever was shuttered,
00:51:07
◼
►
but it ceased to be a daily thing.
00:51:11
◼
►
- No, it's a great question.
00:51:12
◼
►
I mean, I think the shorter answer is that it was a mistake.
00:51:17
◼
►
I think probably if I had to pick one mistake
00:51:22
◼
►
that I could take back or redo on the web,
00:51:24
◼
►
it's that I just have had too many brands over the years.
00:51:30
◼
►
And that was sort of an example of that where I love launching new sites and I love doing
00:51:37
◼
►
the branding and the logos and the taglines and thinking of something new and having a
00:51:42
◼
►
fresh start.
00:51:43
◼
►
I invest in and work with startups and the only part that I have any passion for is the
00:51:48
◼
►
first six months.
00:51:49
◼
►
I just love that sort of launching products and whether they're my own or helping with
00:51:53
◼
►
somebody else.
00:51:56
◼
►
And over the years, I thought, "Well, if it's Dave and Etix's associated with technology,
00:52:01
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►
that's creating something called Next Draft that's associated with news."
00:52:05
◼
►
But I think because of that, there would always be times where it would take people a little
00:52:10
◼
►
bit of time to find me again after that.
00:52:13
◼
►
And I probably would have had a stronger stretch or less ups and downs over the years if I'd
00:52:18
◼
►
had a single brand the whole time.
00:52:20
◼
►
If I just had DavePel.com instead of Dave Pelle, the musician, getting it first, or
00:52:27
◼
►
I just stuck with Dave and Eddix the whole way, I probably think it would have been fine
00:52:31
◼
►
to morph that product into whatever I was into at the time, as opposed to launching
00:52:35
◼
►
a totally new product.
00:52:37
◼
►
But I've had so many brands over the years.
00:52:39
◼
►
But now, that's all over now.
00:52:41
◼
►
My wife has been telling me this for years.
00:52:43
◼
►
We're focused on Nextdraft.
00:52:46
◼
►
I'm sticking with Nextdraft.
00:52:48
◼
►
Nextdraft is the brand, and that's it.
00:52:49
◼
►
You're not allowed to relaunch a new thing. I'm not allowed to rebrand in any way.
00:52:53
◼
►
Right. Well, why did you go away from Dave and Ex? Was it just that you wanted to switch to
00:53:00
◼
►
something new? It was the appeal of a novel new thing and a new logo and a new name and maybe,
00:53:06
◼
►
you know, a slightly new format or something like that was irresistible?
00:53:10
◼
►
Yeah, I think that… Because it is sort of the same thing. I mean,
00:53:16
◼
►
you know, in theory. You know, I mean, it's the same beat, it's the same sort of columnist-style
00:53:21
◼
►
injection of your personality into what you're doing and links, you know.
00:53:25
◼
►
Trevor Burrus Right. Well, I see the beat is a little—the
00:53:27
◼
►
beat, in terms of what you mean, is the writing style, for sure. In terms of the topic, it's
00:53:31
◼
►
definitely—next draft is all news. So, that's the big difference. Why didn't I just say,
00:53:36
◼
►
"Hey, I'm not just into technology, this is now—David and Alex is going to be on all news,
00:53:40
◼
►
hope you stick with me, and if you do, tell your friends." If I had to do it over again,
00:53:44
◼
►
that's what I would have done for sure. The reason I switched is because like I told you,
00:53:48
◼
►
I've always been obsessed with news and these broader issues. And I have,
00:53:52
◼
►
while I'm interested in technology and my job is in technology, I feel I have more interesting/
00:53:58
◼
►
potentially funny things to say about other areas. So I've always wanted to branch out into this
00:54:05
◼
►
sort of broader news category. And Next draft is sort of,
00:54:12
◼
►
It really is in the sweet spot of, you know, I wanted to focus on something that I felt like I
00:54:18
◼
►
could do, that my skills lent themselves to, and I could do uniquely well. I can look at 100 sites
00:54:25
◼
►
in a couple hours and pick out 10 stories that I'm really quite sure people will be interested in.
00:54:30
◼
►
I can counterpunch off those stories either by writing something informative or funny or both
00:54:36
◼
►
pretty quickly and proofread it and I don't get nervous at all about pressing send and go.
00:54:42
◼
►
And I really enjoy that process. So in a way, Nextdraft is really the perfect product for my
00:54:49
◼
►
personality, both my interest and my skills. Whether I should have had one brand all along,
00:54:55
◼
►
I don't think there's any doubt about that. That would have been a better move and
00:54:57
◼
►
wiser people than both of us have told me that several times over the last 15 years of our
00:55:06
◼
►
There's two issues, I guess, in play then. One's the branding angle, and I totally see
00:55:10
◼
►
what you say there, and I guess I agree with your wife. But the second one, too, is about
00:55:16
◼
►
format. And that is one of the things that the internet has really freed people like
00:55:24
◼
►
us, because I feel like I've been able to forge—and, you know, a big part of it, I've
00:55:32
◼
►
copied a lot of it. You know, I mean, Kottke was a huge influence on Daring Fireball. Dean
00:55:38
◼
►
Allen's Textism was an enormous influence on Daring Fireball. Mark Pilgrim's Dive into
00:55:47
◼
►
Mark started a little bit. I think it was also the same year that Daring Fireball did.
00:55:52
◼
►
But you know, his sort of just the way he wrote about technology was definitely an inspiration.
00:56:00
◼
►
But I think ultimately I've sort of, especially after three, four years of doing it, sort
00:56:05
◼
►
of wheedled it down.
00:56:07
◼
►
I don't want to call it a formula, but there's like a voice to a day, or maybe even better
00:56:12
◼
►
to look at it as like a week worth of content on Daring Fireball, that isn't really like
00:56:17
◼
►
anything that came before it.
00:56:18
◼
►
And it's certainly like nothing in print, right?
00:56:21
◼
►
I mean, like in the print days, which is probably what I would have done if I had lived a generation
00:56:26
◼
►
earlier, somehow try to break into print, but you were hamstrung by format, right? If
00:56:32
◼
►
you're a columnist for the New York Times, which is a great gig, right, but three times
00:56:36
◼
►
a week, every week you're writing 750 words. And it's 750 words every time, or two times
00:56:43
◼
►
a week, I guess. Whereas I can write, you know, three, four little pithy one-line things
00:56:51
◼
►
and then whip out a two thousand word piece,
00:56:55
◼
►
one right after another.
00:56:57
◼
►
Right, now I find it interesting that you've gone back
00:57:00
◼
►
to the, what do you want to call it, a newsletter, right?
00:57:05
◼
►
It's a daily, next draft is a weekday, once a day issue.
00:57:13
◼
►
- Which is--
00:57:14
◼
►
- On email and an iOS app.
00:57:16
◼
►
- Right, but it started as email, and in either case,
00:57:20
◼
►
I said, I guess the nugget of delivery is the issue, right? And the issue contains 10
00:57:26
◼
►
items. So instead of sending out 10 posts a day or 10 emails a day or 10 whatevers a
00:57:31
◼
►
day, there's one issue and the issue has 10 items. I'm curious what drew you back to that.
00:57:37
◼
►
And it does seem like that's your natural format.
00:57:40
◼
►
Trevor Burrus Yeah, it's interesting. When I first did Next
00:57:43
◼
►
Next draft as a younger man with more Red Bull, I actually had a column at the lead
00:57:47
◼
►
of the whole thing.
00:57:51
◼
►
So I'd write a column and then I'd link to the day's most interesting news.
00:57:58
◼
►
There's something about the format.
00:57:59
◼
►
First of all, email in general and these days the app also.
00:58:05
◼
►
When I first relaunched Next draft about a year and a half ago, a friend of mine who
00:58:08
◼
►
had used to Reddit said, "Hey, you should relaunch Next draft.
00:58:10
◼
►
People would love it.
00:58:11
◼
►
They need it."
00:58:12
◼
►
get it right now. People have Twitter, Facebook, they're overwhelmed by news that keeps flowing in.
00:58:19
◼
►
They don't want another news source. And my friend argued, "No, what they need is a news source that
00:58:24
◼
►
somebody else goes out there and deals with the flood and then says, "Here's 10 things I'm pretty
00:58:30
◼
►
sure you'll be interested in and you don't have to worry about following every incoming link for the
00:58:35
◼
►
rest of it." So I was sort of dubious, but because I loved it so much when I did it, it's always been
00:58:41
◼
►
my favorite thing to do on the internet.
00:58:43
◼
►
I sort of launched it again, and I followed a really similar format from before, but I
00:58:48
◼
►
think of it as a column with links.
00:58:53
◼
►
It has numbers, so it's easier for people to sort of scroll through and know when it's
00:58:57
◼
►
going to start and end, or on the iPhone and iPad app, you can sort of swipe through it
00:59:02
◼
►
and know where you are in the story.
00:59:05
◼
►
But ultimately I do think of it as sort of, it's my column on today with links.
00:59:13
◼
►
A lot of people tell me that they never click on the links.
00:59:17
◼
►
They just read it, they get enough of an overview so that they enjoy reading it, getting my
00:59:22
◼
►
overview of the day's news and they feel like they have enough data to sort of be semi-interesting
00:59:28
◼
►
at a dinner party that night.
00:59:29
◼
►
Probably the most common user will click through on one or two things, maybe three.
00:59:38
◼
►
There's something about it that is sort of this story that I like doing and I like being
00:59:42
◼
►
able to refer back to other stuff.
00:59:43
◼
►
There's certainly limitations.
00:59:45
◼
►
If a big story breaks ten minutes after I publish my newsletter, that's a bit of a
00:59:54
◼
►
I love something about that newsletter feel.
00:59:56
◼
►
I think eventually there will be a blog version.
00:59:58
◼
►
In fact, I'm sure of it, but there's something I've always loved about email, and I feel
01:00:04
◼
►
like the app sort of mimics that experience without all the clutter of your inbox.
01:00:09
◼
►
There's been so much criticism of email over the years, especially not entirely limited,
01:00:15
◼
►
but especially among people in our industry that get 15 million of them a day and feel
01:00:21
◼
►
compelled to update us on the status of their inbox on Twitter, which is to me the one thing
01:00:26
◼
►
more irritating than a crowded, cluttered inbox.
01:00:28
◼
►
You know what I've started doing recently?
01:00:31
◼
►
And I got away with this from this years ago, and I sort of was relying on filters and stuff
01:00:38
◼
►
What I've started doing is when I encounter an email and I'm annoyed by it, and I know
01:00:42
◼
►
that it's not an email from a person, it's some sort of automated email.
01:00:47
◼
►
If I'm annoyed by it, I've gone back to going to the bottom, clicking the unsubscribe
01:00:51
◼
►
link and opting out of whatever the hell it is and going through.
01:00:56
◼
►
And I've found that my email has been—I don't know, there's something about that.
01:01:03
◼
►
And I think that's the complaint a lot of people have, is that you look at your inbox
01:01:06
◼
►
and you can just tell by scanning it before you start reading messages that a lot of it
01:01:10
◼
►
is shit you don't want to read.
01:01:12
◼
►
And I got to a point where I would just, you know, there was only one more click on the
01:01:17
◼
►
down arrow from going past the one I don't want to read. But I find that I'm actually
01:01:23
◼
►
happier if I take a little bit of time to try to keep the crap out in the first place.
01:01:29
◼
►
It makes me more likely to even go and check my email.
01:01:32
◼
►
Right. I've always found myself to be a little defensive about email because it gets
01:01:37
◼
►
criticized so much, but I don't think that the medium is the problem. I think the content
01:01:41
◼
►
is the problem. Most emails suck. So people assume that email sucks. I think email was
01:01:50
◼
►
nice at the outset. I think actually in the day of Twitter and Facebook where you're
01:01:54
◼
►
constantly inundated by incoming content, it's actually in a strange way even more
01:02:02
◼
►
valuable because with Twitter, the links go by, the streams go by, the stories on – we
01:02:11
◼
►
We talked about how many tabs we have open.
01:02:13
◼
►
It all sort of passes by and you're not sure where you saw something or how it related
01:02:17
◼
►
to something else you saw, but email is always just right where you left it.
01:02:21
◼
►
I started reading this email.
01:02:23
◼
►
I know exactly where it is.
01:02:24
◼
►
It's right where I left it.
01:02:25
◼
►
I can go finish it later if I want to.
01:02:29
◼
►
Do I acknowledge that for many people, especially in industries, that they sort of have a ton
01:02:35
◼
►
of co-workers, sending them thousands of emails a day, paid email for sure. That's why I launched
01:02:41
◼
►
an iOS app and sort of said it's the exact same sort of private intimate experience.
01:02:49
◼
►
Something you can count on being there that doesn't sort of just scroll by without you.
01:02:54
◼
►
But it's out of your inbox.
01:02:55
◼
►
**Matt Stauffer** It makes sense because, and it doesn't seem,
01:02:59
◼
►
it feels natural because like I said, to me, they feel like daily issues and anywhere where
01:03:05
◼
►
idea of an issue makes sense is a natural for Nextgraph and that the app
01:03:09
◼
►
feels just as it doesn't feel like it's a newsletter oh and you can read it
01:03:15
◼
►
through an app it you know the when you're when I read it in the app it
01:03:18
◼
►
feels just as natural as reading the reading in an email yeah well I'm glad
01:03:24
◼
►
that's definitely definitely the goal when when how did you decide what's your
01:03:30
◼
►
schedule like like you work in the morning or do you do start doing the
01:03:35
◼
►
next day's issue the afternoon before? When do you put an issue? What's your schedule
01:03:40
◼
►
like every day?
01:03:41
◼
►
Yeah, I mean, I basically, I never really turn off on that topic and finding stories.
01:03:46
◼
►
So I'll always check at least once a few sites the night before to make sure I'm
01:03:52
◼
►
not going to miss anything that, like we said, it's all transient. It goes away by the
01:03:56
◼
►
next morning sometimes. So I'll always check things, but my hard schedule is more I usually
01:04:04
◼
►
get into my office around eight or so, and I just crank for the next three and a half,
01:04:08
◼
►
four hours. Half that time or so is finding the stories, and the other half is sort of
01:04:14
◼
►
writing proofread format. I'm pretty old school. I write it all in BP edit and just paste it
01:04:19
◼
►
into a web form at MailChimp and send it out.
01:04:23
◼
►
There's one big difference you have from what I have there for, and it's really like
01:04:29
◼
►
almost retro, is that when an issue goes out, especially with email, I guess you could fix
01:04:34
◼
►
it in the app, but if you have a typo, it's in there. Right? And it makes me not—I certainly
01:04:41
◼
►
proofread before I publish, but I'm certainly far lazier than I would be otherwise. And
01:04:48
◼
►
my typical style is to proofread myself, but I do it quickly, publish, and then pay attention
01:04:54
◼
►
to my email and Twitter for the next five minutes to fix any typos.
01:04:58
◼
►
Right because they're gonna be reported
01:05:00
◼
►
Whereas that does not eat that that ain't gonna work with a newsletter, right?
01:05:04
◼
►
No, I always tell people if you want to test and be sure if people are really reading your stuff
01:05:09
◼
►
Just put a typo in the first paragraph
01:05:13
◼
►
So especially like a one that's like a pet peeve typo, right? Yeah, it's you left the imposter free out of its right
01:05:20
◼
►
You know major conniption
01:05:23
◼
►
Part is that when you get the people email it and say like I'm sure I'm not the first person to tell you this but
01:05:28
◼
►
And then it follows with three paragraphs on the different meaning of its and its all right, right
01:05:33
◼
►
And then you have to email them back to say yeah, actually
01:05:35
◼
►
Nobody else bothered. It was just you but thanks, you know
01:05:38
◼
►
I made a name for that typo and it never caught on I'd still like it to catch on I call it an it so
01:05:44
◼
►
That sounds good. And it's either way. It's it and it so is
01:05:48
◼
►
writing one of the IT apostrophe s or or ITS where what you wanted was the other one either one it's an it so and
01:05:57
◼
►
And then you could just say to someone, "You have an itso in the first paragraph."
01:06:00
◼
►
Right. Yeah.
01:06:03
◼
►
I-T-S-O. Itso. Let's try to make that. Can we make that catch on?
01:06:07
◼
►
I'll do that. Next time somebody, the next 30 times somebody emails me about that, I will
01:06:12
◼
►
respond and say, "Thanks for giving me the heads up about the itso."
01:06:14
◼
►
The other one, too, is that there's this weird history in internet culture of it being deemed
01:06:19
◼
►
rude to point out that somebody made a grammatical or spelling mistake, and therefore, sometimes
01:06:23
◼
►
when people write to me, they'll be extraordinarily apologetic, like almost over the top apologetic.
01:06:29
◼
►
I can't believe I'm bringing this up to you. And I'm so sorry. I really love your site. I've been
01:06:33
◼
►
reading it for years. I buy your t-shirts. And I hate to tell you this, but you use the, you know,
01:06:38
◼
►
you've got a t-a-g-i-r where you meant t-h-e-y apostrophe r in the third paragraph of this piece.
01:06:44
◼
►
And then I always write back and be like, "No apologies." You know, if readers didn't point
01:06:48
◼
►
this out, I'd never catch them. Carl -
01:06:50
◼
►
Yeah, I probably differ with you there. I like that. I like the several paragraphs of love that
01:06:55
◼
►
precede it. I hate it. I hate it. Because I feel bad because I feel like there's people out there
01:07:00
◼
►
who see these or seeing typos and aren't reporting them to me because they're
01:07:03
◼
►
so apologetic that they don't even want to send them to me.
01:07:07
◼
►
Well, you know, you can trust from our relationship that if I ever email you, notify
01:07:14
◼
►
you about a typo, it's mostly because I want you to link to one of my projects.
01:07:19
◼
►
So you find yourself—you don't have a problem editing your own prose. I do. I find
01:07:29
◼
►
myself usually repulsed by my own writing, especially when it's fresh, like when I'm
01:07:33
◼
►
done writing it.
01:07:34
◼
►
Yeah, I have a secret friend who's always on IM during the day when I'm writing, who
01:07:41
◼
►
for some reason enjoys Next Draft and thinks it's a worthy use of my time, with or without
01:07:47
◼
►
a revenue model. And so if I ever have a problem, I usually don't need the whole thing proofed,
01:07:53
◼
►
Fred, but occasionally I'll have one or two sections that I feel like I'm not sure it works,
01:07:59
◼
►
or is this joke going too far, or, you know. Get somebody else's eyes to look at it.
01:08:05
◼
►
Yeah. And this guy, his name is Morty. He's a lot more literal than I am. So sometimes I'll have
01:08:11
◼
►
six or seven cups of coffee and sort of get a little too wound up and I'm firing off some
01:08:16
◼
►
tweets and I've just got it going on, and then I'll sort of have a paragraph that the joke is
01:08:21
◼
►
sort of an inside joke between me and myself. So occasionally I'll run one of those by him too.
01:08:27
◼
►
And in the process, if he tells me that I have an apostrophe in one of my "its-os,"
01:08:31
◼
►
then that's just the "shit-so."
01:08:35
◼
►
Pete: I think I read about it on Nextdraft actually. Was it last week? The story, I'm sure
01:08:40
◼
►
you put it in Nextdraft, but I think it's where I first saw it was the news that somebody's,
01:08:45
◼
►
some scientists have said that drinking excessive amounts of coffee is good for you.
01:08:49
◼
►
That the people who drink, I don't know, I forget what the cutoff was, but a fair amount of coffee
01:08:55
◼
►
every day have significantly higher life, or statistically, relevantly longer life expectancy.
01:09:03
◼
►
Yeah, they're just too apt to die.
01:09:05
◼
►
Right. But I see, and I know that I'm a total,
01:09:10
◼
►
hypocrites not the right word, but I
01:09:12
◼
►
When news about like the stuff that I like to take the coffee booze when it says that it's good for you
01:09:20
◼
►
I I jump all over it and I read it and and I love it and then when something comes out
01:09:25
◼
►
You know that points the other way. I just say yeah, it doesn't apply to me. Yeah, you just explained all of media right there
01:09:32
◼
►
Why MSNBC only has left-wingers and Fox only has right wingers, you know, and I don't feel like I'm that way
01:09:40
◼
►
politically I do I like to read well-written pieces from the opposing
01:09:45
◼
►
View I tend to be liberal I tend to vote Democrat. I like to read some of the
01:09:52
◼
►
You know certainly not the Tea Party types, but there's certainly the reasonable types
01:09:56
◼
►
You know I like to read George will once in a while
01:09:58
◼
►
I like to see what what you know I like to open my mind to stuff like that
01:10:02
◼
►
But when it comes to the coffee
01:10:03
◼
►
I don't want to read I don't want to hear about problems that you get from drinking too much coffee right well
01:10:07
◼
►
But you need your stuff for claimed chowder, so you gotta read some of the dummies once
01:10:13
◼
►
I'm trying to think.
01:10:14
◼
►
Anything else before?
01:10:15
◼
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We should probably talk about Google Maps.
01:10:17
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So you mentioned that the Google Maps app, as we record today, on Thursday, December
01:10:23
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13th, the Google Maps iPhone app hit last night.
01:10:27
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You know, I have two things I want to say about that.
01:10:30
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One was there was this crazy story on all things D that they promoted as an exclusive,
01:10:35
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Kara Swisher tweeted it and it was this big story on all things D last night which was
01:10:42
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that they had an exclusive which was that Google Maps was coming out later that night
01:10:46
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and it's like a 700 word article and I the thing that struck me about it is you know
01:10:51
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I'm not saying they should if they found out obviously they had a source who confirmed
01:10:56
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before everybody else knew that Google Maps for iPhone was coming out last night well
01:10:59
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that is news but if the entirety of what you know can fit in a tweet then it should just
01:11:05
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be a tweet. Right? Just tweet it. Right? This incessant desire for exclusives and the page
01:11:11
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view driven mindset that would make you write an article. They didn't have screenshots.
01:11:15
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They didn't get to use it. It wasn't a review of it. They didn't have the app yet. All they
01:11:20
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had was the knowledge that it was coming out.
01:11:22
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Trevor Burrus Yeah. Well, that kind of stuff is mostly an
01:11:25
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SEO play all learned from the folks over at the Huffington Post, you know? Think about
01:11:31
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what people are going to be searching for in the next 45 minutes and have a headline
01:11:34
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up that matches that. Ah, I didn't even think about that angle.
01:11:37
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What time is the Super Bowl? I guarantee there'll be a big headline on Huffington Post
01:11:42
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a day before the Super Bowl that will say what time is the Super Bowl and they'll come up first.
01:11:46
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And the worst part is they don't answer the question right away, the article.
01:11:51
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Right, they don't care about that. They just want the page view.
01:11:54
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The truth is even a lot of technology news is funny, right? Because you're
01:12:00
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sort of breaking exclusives at a time of night when there's like 16 of us who give a shit and
01:12:06
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we all already know it. So there's always this weird thing also, you know, there's this sort of
01:12:11
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race to inform the 12 people who care about something who already know it.
01:12:15
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Yeah, I hear this article and I tend to follow, you know, because you tend to follow people who
01:12:20
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see things the way you do, at least on Twitter. So the people I follow tend to be the type who
01:12:25
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are opposed to that. And it's like an endless, almost like an in joke among a bunch of us that
01:12:29
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putting exclusive in a headline is, it's, ah, it like, every time I see it, it just rings,
01:12:36
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it just, I don't know, grates upon me.
01:12:40
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Trevor Burrus Yeah, certainly like with the John
01:12:41
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McAfee story, you know, everybody had an exclusive with him. Here's like a crazy guy standing on a
01:12:46
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corner in Guatemala mumbling to himself. That's not an exclusive. We can all hear him.
01:12:51
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Trenton Larkin But they were all exclusive, call it.
01:12:56
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I heard it from a slightly different angle than these other 12 Guatemalans did.
01:13:01
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And part of it is that it's a total internetism because it's all about, you know, like in the old
01:13:07
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days, there was never like, in the print days, nobody ever put the word exclusive in a headline.
01:13:12
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There was no need to, right? If you were first, you were first and everybody had to wait another
01:13:16
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day to catch up anyway, right? The exclusive was inherent, right? Like if New York Times had an
01:13:22
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exclusive, a bit of news about, I don't know, the war in Afghanistan. They just,
01:13:27
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you know, and they still do this. They don't put "exclusive" in the headline at
01:13:30
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the New York Times, but it was exclusive for a day, right? It was, because nobody
01:13:35
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else, it took another day for you, the Washington Post, to get another issue
01:13:39
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out. So, you didn't have to tell people something was exclusive, it was
01:13:43
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exclusive. Now, people put "exclusive" in the headline, and as soon as it comes out,
01:13:47
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everybody's linking to it anyway, and it's not exclusive. So I guess that's what bothers me.
01:13:53
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When things were exclusive because of the nature of print, nobody ever had to say they were
01:13:58
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exclusive. Now people brag about things being exclusive, and they're not. There's nothing
01:14:02
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exclusive about it. I also, as a related thing that I find incredibly, I don't know if it's
01:14:09
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angering or humorous or maybe some combination of the both, is the live tweeting and live blogging
01:14:15
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of events that every single person in your Twitter stream is already live blogging or live tweeting
01:14:20
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with, but with no irony, no added value, no joke. So I admit I live tweet every Apple event from the
01:14:28
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comfort of my own desk here in San Francisco. But I mean, I'm just making jokes.
01:14:33
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You're adding color. Right.
01:14:34
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Like I just, it's incredible that people are absolutely seriously saying like, Oh,
01:14:42
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the new phone is going to have a camera in the front and it does 10 more pixels, you know,
01:14:46
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it's like, well, you know, that you're the 48th person to say that, right. And it's really not
01:14:52
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urgent because it comes out in a month and a half anyway. Back is now aluminum, not glass. Yeah.
01:14:57
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And everybody does it. But it's like, at least add an opinion or a joke or something. You got
01:15:03
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140 characters at least make three or four of those characters, something I don't already know.
01:15:08
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But I guess people get obsessed with that stuff. I have a couple friends who don't tweet much,
01:15:15
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but every now and then they just get really into a football game and they'll just start tweeting
01:15:19
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specific plays from the game as if we're all watching together. They don't name the game,
01:15:25
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they just sort of say, "Oh, sweep left goes for two, second and seven."
01:15:29
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It's like, I'm just not sure how that's adding any value here. That's how I see live tweeting.
01:15:37
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I can see it second and seven. That's not a tweet, dude. Let's go.
01:15:40
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Putting exclusive in a headline is no better than putting first exclamation point in a comment
01:15:48
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under the article. You're just telling people that you're the first to write this, you know?
01:15:54
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Crazy. So, Google Maps, what do you think? What do you think of the new Apple Maps? You probably
01:16:01
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don't leave the Bay Area much. The Apple Maps are pretty good out there, right?
01:16:05
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Yeah, I didn't find them that terrible. I was mostly just reading about it, the problems people
01:16:10
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were having, and definitely hearing about a lot of the frustrations at Apple about it.
01:16:15
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Honestly, I'm not a huge Maps user.
01:16:20
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Me neither. So I do find it hard to write about.
01:16:25
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In the rare circumstances that I don't know where something is, I either just ask somebody
01:16:29
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who'll know or I will use Google Maps or something on the web and just take a quick glance at
01:16:35
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and say, okay, that's the directions.
01:16:37
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I don't really, I'm not the type to open up an app
01:16:39
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and say, okay, turn left at here, you know.
01:16:42
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Maybe that's because I'm a little insular here, you know,
01:16:44
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which tends to happen to us old internet people.
01:16:46
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I probably, I'm about as far from my desk as I ever get
01:16:49
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and I'm really right next to it.
01:16:52
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But I thought, you know,
01:16:55
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I thought that Apple Maps was well-designed
01:16:56
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and had the typical problems you would think it would have.
01:16:58
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You know, it didn't have multiple years
01:17:01
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of millions of people hammering on it
01:17:03
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finding the holes and saying, "Fill these holes."
01:17:06
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I thought the UI and the look and feel of it was fine.
01:17:09
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I didn't really have that much of a problem with it.
01:17:11
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With Google Maps that I've tried in anticipation of this conversation, like I said, it's not
01:17:16
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something I was anticipating with bated breath.
01:17:19
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I feel like the map part of it is awesome.
01:17:22
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You click the button and says, "Locate me.
01:17:25
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It nailed me right to the corner."
01:17:28
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And I said, "Show me the front of the place
01:17:30
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"I used to live in in New York City."
01:17:33
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It took me right to that address
01:17:35
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and gave me a beautiful street view of the exact unit.
01:17:38
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And all that stuff was great.
01:17:40
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When I actually started using it and saying like,
01:17:42
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"Hey, take me on a drive from my office to my house
01:17:47
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"as a test," it took me about five minutes
01:17:50
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to figure out how to get out of that screen.
01:17:52
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I just, I couldn't quite get out of that screen.
01:17:54
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I feel like there's no doubt Google is improving on software, but I still don't feel like it's
01:18:02
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For me, it wasn't as intuitive as it could be.
01:18:04
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I know people are raving about it.
01:18:06
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When I tested it to route my directions from my office to my house, it definitely gave
01:18:12
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me good directions, but I was just testing it.
01:18:15
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When I wanted to get out of that screen, it actually took me a few minutes to navigate
01:18:23
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All the things that you would expect from a Google mapping program and from a mapping
01:18:27
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back end, whether it be street view or directions or locating yourself, finding nearby stuff,
01:18:32
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all seems awesome.
01:18:33
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That's the critical stuff.
01:18:35
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That's what they're great at and they've done a great job.
01:18:37
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When it comes to navigating the map, a maps product, I actually found it was almost slower
01:18:42
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for me to navigate through the app than it was to navigate through space using the app.
01:18:48
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Well, I think it's pretty good.
01:18:51
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I do think that one of the things that's interesting, and I know not a lot of people have both things,
01:18:57
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you know, you have to be like a gadget nerd to do it, but I think it's better designed
01:19:01
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than the Android Maps app, the Android Maps app that they did. It's very similar, it's
01:19:07
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certainly far more similar than it used to be. But the iOS one is cleaner. It's sort
01:19:13
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of, you know, they're not trying to shoehorn the Android look and feel into iOS. They are
01:19:18
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writing apps purposefully for the iPhone. And I guess the other thing I find
01:19:24
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interesting about it is that I think Google, you know, in this whole saga,
01:19:33
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Google lost something because it was really, really, what they really want is
01:19:38
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to collect location data for both you as a user so they can serve you targeted
01:19:44
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and collectively because it's sort of this crowdsourcing that makes the information accurate and up-to-date and relevant.
01:19:52
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And they lost something by not being the default data provider for all iOS users.
01:19:57
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And Apple, I'm sure, I mean, certainly doesn't like the perception, but I'm sure that they actually want their own mapping product to be as good or better than Google's.
01:20:09
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better than Google's, and they don't have that. I think it's better than the reputation
01:20:16
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as conventional wisdom holds, but it's still clearly not as good, especially for search,
01:20:23
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which is a big use of maps. So Google didn't get what they want. They've lost being the
01:20:27
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default for all iOS users, and Apple hasn't been able to do what it wants, which is provide
01:20:31
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a best-of-breed mapping experience. But the result as of now, it's one of those cases
01:20:37
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where I feel like the users win because the users get an Apple Maps app that's probably
01:20:43
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the best designed app, right, like you were saying about the navigation. And if you want
01:20:48
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Google Maps, now you have a Google Maps app that's better than what we had before this
01:20:54
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whole thing started because now it has vector map tiles that load faster and it does turn-by-turn
01:20:59
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direction, which we didn't have before.
01:21:01
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Right. No, I think that's certainly on the broadest level. That's the story here. The
01:21:06
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users have won, and Google got better at design, and we got a better product, and we have the
01:21:12
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Right. And I feel like part of the excoriation that Apple went through was short-sighted.
01:21:18
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It was a three-month period where iOS 6 had shipped, and last night when the Google Maps
01:21:27
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app became available. And so you could say, well, yeah, kind of things were kind of if
01:21:32
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you if you use, you know, lived in a place where the maps are more accurate, or you use
01:21:36
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them for a purpose that the apples one was really just worse or bad or, you know, literally
01:21:41
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put you in the middle of nowhere instead of where you wanted to go. That sucked, but it
01:21:47
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was just a three month blip in the history of years. And now afterwards, it's actually
01:21:52
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better for users. Right? The excoriation was that Apple put its own interest above those
01:21:56
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of users. But I think in the long run, iPhone users are now better off than they ever were
01:22:03
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before when it comes to mapping, which is sort of curious.
01:22:07
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Right. Wasn't the whole controversy at the beginning that Google didn't want to share
01:22:11
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the turn-by-turn directions with iOS users also?
01:22:14
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Yeah. And well, but what they wanted to do, it was a classic negotiation situation where
01:22:22
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It's not that they were outright refusing.
01:22:25
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It's that in exchange for it, they wanted Apple to have that built-in Maps app do more
01:22:35
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with Google services, like provide a way to log in to the Google location, whatever it's
01:22:43
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What's it called?
01:22:45
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But, or Google+ or something like that, so that they could do more.
01:22:49
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They wanted more information about, you know, identifiable information from users.
01:22:55
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So Apple didn't want to give them that for their own reasons, competitive reasons.
01:22:59
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So Apple didn't want to give them the data, but without the data, Google didn't want
01:23:04
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to give them the turn-by-turn and the vector map tiles.
01:23:08
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And I think that if anybody made a mistake, I think that the people at Google who ultimately
01:23:14
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had to make this decision, overestimated Apple's willingness to just say, "Fuck you, we're
01:23:23
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going ahead with our own maps, whether they're worse or not."
01:23:25
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Because I think that they had an accurate sense of how good Apple's maps were going
01:23:31
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It was sort of—it wasn't really a secret, but I mean, I knew.
01:23:37
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I mean, like, it was a lot more as of WWDC, right?
01:23:41
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WWDC is when this maps thing was announced.
01:23:44
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Everybody knew Apple though, it was working on maps.
01:23:46
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I mean, the acquisitions of mapping companies over the last few years are public knowledge.
01:23:53
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You don't buy, spend 20, 30, 100 million dollars on mapping companies and not be building your
01:24:00
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own mapping system.
01:24:01
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But there was a general sense that Apple's maps weren't yet up to snuff.
01:24:06
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Maybe they were good and okay, but not great.
01:24:09
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And I think Google knew that, and I think Google sort of internally estimated, well,
01:24:14
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there's no way that their maps are good enough yet, so they're not—they'll come
01:24:18
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They'll give in, and, you know, in exchange for the vector and the turn-by-turn, we'll
01:24:23
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get more integration with our, you know, Google+ and stuff like that.
01:24:30
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And I think that's why it, you know, the Google Maps app wasn't ready on day one,
01:24:36
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is that they thought that they had at least another year.
01:24:40
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But ultimately, I feel like it's all worked out.
01:24:46
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I don't think that, I feel like people are missing that.
01:24:49
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I don't see that in the coverage of this.
01:24:51
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- Yeah, I mean, that was pretty much my take
01:24:54
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in next draft was that everybody here wins
01:24:56
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except for the guys who were working
01:24:57
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on the Apple Maps team.
01:24:59
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- Well, and even they do now.
01:25:00
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It's even, I mean, I don't know that they win,
01:25:03
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but it certainly, they know how high the bar
01:25:07
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has been raised, right?
01:25:10
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- So I don't know.
01:25:12
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I think it's wrong to think that Apple's,
01:25:16
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that the situation now for iOS users
01:25:18
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is that they're screwed on maps.
01:25:20
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I think it's better.
01:25:22
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- Oh, no doubt, no doubt.
01:25:23
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The users are coming out good here.
01:25:24
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They had three months of a little bit of frustration
01:25:28
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for some users here and there,
01:25:29
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probably outweighed by the amount of discourse
01:25:32
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fun that they had around the issue and now they have the maps product they want
01:25:37
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and better than ever that's probably a good place to end the show Dave Pell
01:25:43
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thank you for for being here people can find out more pride number one website
01:25:49
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did you'd want people to go to they want if they want more Dave Pell go to go to
01:25:52
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next draft calm and right you could find out about the app you can find out about
01:25:57
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how to sign up for the newsletter you can see a picture of Dave with with the
01:26:01
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top part of his skull coming off his head.
01:26:04
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It's as good a selling point as any.
01:26:08
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I really appreciate it.
01:26:09
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[BLANK_AUDIO]