90: Moretex
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I'd like to start the show by thanking all of the cortex and the many, many book recommendations
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that came flooding in after I requested them on the last show. I was upset. Why were you upset?
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Because I was getting emails. Oh, you were getting emails? Yeah. For me? For you. But they could just
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put it in the Reddit. I know. Which is why like I'm sorry to other people, but I archive every
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single one of them and Grey doesn't get the recommendations. I get it if you don't use
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Reddit but like, you know, think about me. I have a contact form on my website like people
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could use it. Yeah, go to him. Don't come to me. I'm sorry Myke but it does make me laugh.
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I think in the end the final tally was 200 plus books added to the potential recommendation list
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and I also have to say when you ask for something on the internet
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you never know what you're going to get. And you also don't know how well people are going
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to follow instructions. And I was very pleased that like, very few business books slip through.
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It was mostly the kind of stuff that I was looking for interesting nonfiction,
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but not business books, nothing we would read for Cortex homework. So thank you very much to
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all the Cortex and don't message Myke in the future. But I would like to keep this open
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as a, just like a, hey, ever read a good book?
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Feel free to let Gray know on the Reddit, pass it along.
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- A good place for that is the Cortex subreddit.
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- Yeah, yeah.
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- That is a really good place, 'cause that's where,
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like a place where people can submit things
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that are kind of more long running in the canon of the show.
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Like people still submit their home screens
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every now and then, right?
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Like that is just like a good place
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to put this kind of stuff, because it is a group of people
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who in theory will be interested possibly in that thing,
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because they've chosen to join that community.
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So yeah, I didn't think about that, but that's a great idea.
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And you can also get a little a little discussion going there.
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And yeah, so keep them open.
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People are always looking for good and interesting books.
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And thank you for all of your suggestions.
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I really appreciate it.
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While we're dealing with thank yous, I would like to thank everybody
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who signed up to become a relay FM member to get our wonderful
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special episode danger town beat down danger town beat down.
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So fun to say every time.
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Yeah, I love it.
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Although I'd sometimes say danger beat downtown or something like it.
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They're like four little words that can get mixed up in my brain sometimes.
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Uh, but since the last episode, there is now a video trailer.
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So you may have heard our audio trailer last time.
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Uh, Grey put together a video trailer, probably not great.
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Definitely not great.
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Grey instructed the creation of a video trailer, but it is incredible.
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Every year they get better too.
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Um, and the video trailer this year is fantastic.
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You can see it at cortexspecial.com and you can also sign up to become a member there to get the
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special episode if you haven't already. So that's cortexspecial.com for that. Thank you to everybody
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that has done it. It is genuinely very enjoyable and yes thank you to everybody who signed up
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and supported Relay and got to listen to all of the great specials from all of the great shows.
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So I very recently came back from our five year celebrations in San Francisco,
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which was like a whole huge thing.
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So we did, I mean, I spoke about it on the show before, right?
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Like we did this big live show, which there is, we played Family Feud.
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It was like 20 relay FM hosts in total.
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Does everyone in the world know what Family Feud is?
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I feel like this is a very American thing.
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Family Feud in America, Family Fortunes in the UK.
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So, so this would be known then?
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In the UK it would be, yeah.
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In the English speaking world.
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It is like a team based game where you are answering questions
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based upon a poll of other people.
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So like we polled the relay FM audience
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and got over 3000 responses to a selection of questions.
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And then your job as a player of the game
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is not to guess the right answer.
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It's to guess the most guessed answer
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by the people that were surveyed.
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It's an interesting way to play a game.
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And it becomes even more interesting when you know the exact type of person that will
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answer the questions, which are relay FM podcast listeners.
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So it's like excuse stuff a little bit.
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Yeah, it becomes very, I think, you think, I think.
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Like that's what this is.
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And that was definitely how the game went.
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But it was wonderful.
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There is audio and video of this event that's been published, in case you're
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wondering. I'll put links in the show notes.
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I think it's worth watching the video to see how good my suit was because I had a very
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nice suit on.
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Your suit was very nicely tailored, Myke.
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Thank you. Yeah, it was actually tailored.
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I got it. I really went big for this one.
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I was very happy with my Bart Blue suit.
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This whole thing, though,
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because I was away for a couple of weeks,
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and this is when me and Steven get together
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and we do kind of like our founder's time every year.
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We do this, like we get together and just like spend time together,
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talk about things that are on our mind with the company.
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It gives us a, I feel for me anyway,
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it gives me a nice kind of reset every year.
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And you know, we did it around the five year anniversary, which is nice. I got another tattoo. I got our five year logo tattoo.
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I did see that five year logo tattoo. I think it looks pretty good.
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Yeah, you saw it in the future.
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Wait a minute, what?
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I can't deal with this right now.
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No, wait, yes, I...
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Okay, now you're doing it again, Myke.
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If you just didn't say anything, it would have been fine.
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But this is the second show where we're sort of breaking each other's brains
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about what has happened in the actual timeline and what has happened
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in the recording timeline.
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Yeah, everyone's supposed to be confused right now.
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It will make sense at a later date, but I couldn't help myself at that moment
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because I had to like envision when it was and it...
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No, don't do this to me again, Myke.
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Yeah, because it's like, it would be fun.
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Just don't mention the time paradoxes.
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We could have gone right by that and how in the future I saw your tattoo which looks great
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above or below I guess from whichever perspective it is for the generic relay artwork tattoo
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So that's your podcast arm?
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Is that the plan?
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It's my, I don't know what it is yeah, I think it might be just like my Important Things
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Important Things arm.
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What's the other arm then?
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I haven't made up my mind yet.
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- 'Cause I've only got two tattoos so far.
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There'll be more.
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But this whole thing, like being away
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for a couple of weeks, doing this live show,
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it was a pretty big undertaking at a time
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where we're already pretty busy,
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which is like our membership season and stuff like that,
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as well as just trying to run the company in general.
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And it also being sandwiched in between
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our other two busy seasons, right, which is WWDC
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and kind of like September when new products start coming out.
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Now obviously for listeners, it makes sense that you launched Relay at this time of year,
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five years ago. But every time it's an anniversary, it always does feel like maybe you should have launched it at a different point in the year,
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so that it doesn't feel like everything happens over the summer.
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It's like, you have all of the summer travel, all of the conferences, which makes for you
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and for everyone involved in Relay, coordinating the schedules of recording podcasts much harder,
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which has all of this ripple effect on top of, oh, we're all also doing the members episode,
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and then on top of there's a time crunch because the Big Apple events are coming up.
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So it always does, like, I feel for you when, you know, you're going to Summit Relay and
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and you're discussing the future of the company,
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that it also comes in the middle of this very busy time
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- But, whilst I agree with all of that,
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it has helped me feel good about my yearly themes this year.
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Because in my themes, I've been able to not have to
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really kill myself on the focus, right?
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So I was talking about stabilization and diversification
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and my two yearly themes, right?
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And one of the big parts of the year of stabilization
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was to not be overly concerned with growth
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in the company's financials,
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in my company's financials.
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And to just feel like at this point, which I did,
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that I've kind of got that, got a stable level
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and see what happens.
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And I've been happy with it, right?
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Where I've seen that the company is still meeting
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what we would want in growth.
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And during August, I can see that we did good,
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but if I would have put the focus in different areas,
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we could have done even better, but I'm happy with that
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because we had other things to focus on.
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And so we have another big project
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that I'm gonna talk about in a minute,
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but it's made me feel like, okay, I did the right thing
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because my hypothesis was correct,
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that even if we were able to look elsewhere,
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we would still grow and that's still happening.
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And it also allowed for me to feel like I could divert my attention to other areas.
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So I would say that as we are hurtling towards the end of 2019, that I've been really pleased
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with my theme so far this year because it's allowed me to spread my wings out in a few
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different areas and I'm feeling pretty good about where I am at this point based upon
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what I wanted to do this year.
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I'm really glad to hear that because particularly for the kind of thing that you're trying to do,
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the easy thing to do is to continually say like focus on growth, growth, growth.
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That's just what people expect when you have a business.
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This is great when you don't have investors.
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Yes, Relay is set up so that structurally you don't have that kind of pressure, which gives you the option in the first place.
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But it's very easy to still just to get into that mental mindset.
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I see that in people who don't have investors and just in their own personal lives.
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It's the same thing of like growth, growth, growth.
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Everything's got to be bigger and better than it was before.
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And it's a much harder thing to turn away from what seems like that's the sort of obvious
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to be like, I'm really glad to hear that months later, you feel good about that decision.
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That's like you because choosing what not to do can be the much harder thing sometimes
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than than choosing what to do. And I think company growth is is definitely one of those
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those areas that it's like, it's a difficult path to turn away from sometimes because that's
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what people's expectations are. So I'm really happy to hear that that's gone. That's gone
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well for you.
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Yeah, like in my life.
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What I care about is being comfortable
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and happy right like that
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and I want my work to facilitate that.
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I'm not happy if I'm really killing myself
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to keep going for like more
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and more and more and more.
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I'm not happy that way.
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Yeah, there's a reason
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we didn't call this podcast.
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Perfect. That's great, Myke. I can see the artwork now. But yes, that is exactly it.
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And it's one of the reasons you and I have often enjoyed talking about work and work-related things.
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That endless focus, it works for some people, but it doesn't work for everyone. And it's not
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always easy to know which kind of person you are, and that's a really important thing to figure out.
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I think I have been more of that person and then have become less of that person.
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as time's gone on.
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As I've kind of realized most of what's important to me
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and how to get what I want, right,
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like how to get the type of life that I want,
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I've realized that I don't need to be crushing it every day
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to be that kind of guy.
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So that's why I was really happy to have stumbled upon
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this idea of stabilization for this year
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and then to have achieved it.
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And like right now, I've got a lot going on
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and I need to be able to put some focus
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some other stuff and I want to be able to do that.
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So I was pleased that my yearly theme
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has allowed me for that because I've spent
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the last nine months preparing myself
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to just cool it in a few areas.
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Or something I have also been doing
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is handing some of this type of stuff off.
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I've been allowing other people to put the pressure on
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in areas that they want to where I don't need to
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at the moment.
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And that's been just a very good feeling.
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- I'm glad that that works out so well,
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but I also do feel a little bit like
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you're cheating here on the theme discussions, Myke,
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because you never want to talk about the themes
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as it gets closer and closer to the end of the year.
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- We can learn.
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I'm always happy to review the current year theme.
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- I don't understand your rules, Myke.
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- I don't want to talk about the next year theme,
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even though I already know what mine is.
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I got it, I got the name,
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and I'm building out some parameters now
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it's gonna be, but I started with the name and it's a good name.
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It's one of those names that I don't need two themes to talk about everything I want to focus on.
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Because it has a double meaning.
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So you have just, you have one word.
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One word means two things.
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Interesting, okay, yeah. I still have two and I'm trying to collapse it down into one,
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but it's not quite working for collapsing down.
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That's when you've really made it, right?
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When you go like, "I have 16 things I want to do, one word."
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- Yeah, so I'm envious of you right now with your one word.
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Teasing the people with what the Amazing Myke theme
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is going to be.
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- I spoke about we had another project,
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and so I want to talk about something
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that's really important to us,
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because Relay FM has long raised money for
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and has looked to St. Jude's Children's Research Hospital,
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which is a cancer research hospital for children,
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which is based in Memphis, Tennessee.
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We have long looked at them as an organization
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that we've wanted to support.
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And we are very honored to be St. Jude's
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first podcast fundraising partner.
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St. Jude do a lot of work with Twitch streamers,
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and they have something called St. Jude Play Live,
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which has been an incredible success for them,
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and they've been able to raise a ton of money for it.
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And we are really excited now to hopefully start them on a path of being able to raise
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a bunch of money through podcasting and other types of media as well.
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Childhood cancer remains the leading cause of death by disease for children under the
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And children undergoing treatment for cancer and other life threatening diseases often
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need transfusions and physical and cognitive therapy and just so much more.
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And these organizations that provide this care to children that need it, it's, you know,
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got to think about from the people serving the lunches to the pharmacists,
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like just everyone in between. So we're trying to raise money through September,
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which is Childhood Cancer Awareness Month. We're trying to raise money for
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St. Jude because they are one of the leaders in trying to help make this
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better for everybody. Like their research is shared with institutions all over the
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world and your gift can help St. Jude provide the best care and treatment for
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their patients. If you go to stjude.org/cortex, you can go right now and help save St. Jude
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Kids. That is stjude.org/cortex. And we're trying to do a bunch of stuff. And one thing
00:15:53
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that we're doing is on September 20th, I'm going back to Memphis.
00:15:58
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Did you just come from Memphis?
00:16:01
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Just came from Memphis just a couple of weeks ago. On September 20th and going back from
00:16:06
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4 to 10 p.m. Eastern on September 20th I'm gonna be co-hosting a six-hour
00:16:15
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►
podcast-a-thon live on Twitch filmed and streamed from the St. Jude campus.
00:16:26
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Six hours? Yeah we're trying to raise $75,000 for St. Jude this year I want to
00:16:33
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raise more than that and so I want the help of the cortexins to help us do that
00:16:37
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and we're gonna be doing a bunch of wild stuff we're still putting together a
00:16:42
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►
bunch of pieces but we're gonna be calling in people and doing things and
00:16:46
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►
it's lots of meetings right now trying to work out exactly what we will fill
00:16:50
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►
six hours worth of content with but I'm sure there'll be a ton of humiliation
00:16:54
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►
for me I have no doubt about that yes yeah I think that's what you do with
00:16:58
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these types of things that is inevitable that's yeah that's what's going to
00:17:02
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happen. That's what the people want.
00:17:03
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Never done anything like this before.
00:17:05
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Six hour live stream on video.
00:17:08
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Oh, on video, are you going to be able to take bathroom breaks or just like six
00:17:13
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►
hours the whole time?
00:17:13
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It's like legit.
00:17:14
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We're going to have like videos that we can play.
00:17:17
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Like, you know, if you ever watch the telethon, they're like cut away for a
00:17:19
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►
minute and show you like a video as to what.
00:17:22
◼
►
So you're going to have a button that you can press when you're like, oh,
00:17:25
◼
►
commercial, cut to commercial.
00:17:26
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We won't be pressing the buttons.
00:17:28
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We're going to have someone pressing the buttons for us.
00:17:30
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►
This is like a very professional operation we're going into here.
00:17:35
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Like it's like an actual studio and everything.
00:17:37
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There's going to be a green screen.
00:17:38
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Like we're talking like big, serious stuff.
00:17:41
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They don't mess around at St. Jude.
00:17:43
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That's awesome.
00:17:46
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How are you, how are you feeling about that?
00:17:48
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I'm not nervous about it.
00:17:49
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►
I'm actually more excited about it.
00:17:51
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►
And we've, the fundraising is going so well so far that I figure it's just
00:17:57
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►
going to be a night of celebration.
00:17:59
◼
►
To be honest, people have been so generous so far, and I feel like they're going to continue to be that generous
00:18:07
◼
►
in such a way that I'm just really excited to be able to celebrate what our listeners have been able to do.
00:18:16
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So I'm really excited about it, and I really hope that people will consider giving to this organization
00:18:23
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►
because it means a lot to me.
00:18:25
◼
►
Yeah, St. Jude is a charity close to Relay's heart and it is a good organization to give
00:18:33
◼
►
So if you want to help out, please do so and tune in on September 20th.
00:18:38
◼
►
What was the exact time?
00:18:40
◼
►
4 to 10 Eastern PM, 4 to 10 PM Eastern.
00:18:43
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I'll put a link in the show notes to the Relay FM Twitch channel.
00:18:48
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►
That's where we're going to be streaming it.
00:18:50
◼
►
So you can tune in then as well if you want to.
00:18:53
◼
►
Today's show is brought to you by Eero. Eero is a game changer because it means actually
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One last time Eero dot com slash cortex and the code cortex our thanks to Eero for their support of this show and all of relay FM
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Notebooks sitting next to me right now 20 notebooks our journals. I should say is that how many we ordered?
00:20:49
◼
►
Yeah, that was the order number. They all came to me instead.
00:20:53
◼
►
I think something got lost in translation there, Myke.
00:20:57
◼
►
Yep, these were the production samples. The production samples have been approved.
00:21:00
◼
►
Oh, these are your 20 quality check books?
00:21:04
◼
►
My quality check has been completed.
00:21:07
◼
►
I don't want to speak too soon, and again, breaking the time paradox.
00:21:12
◼
►
By the time this episode goes out, it is very likely that the second run is on sale.
00:21:18
◼
►
Maybe there's still some available, who knows, we'll find out.
00:21:22
◼
►
But the reason I wanted to talk about the Theme System Journal a little bit today is
00:21:25
◼
►
because I've been dealing with a project which has been very daunting to me over the last
00:21:28
◼
►
few weeks, which is building out thethemesystem.com, which is something I promised to people, right?
00:21:33
◼
►
Which is, you wanted instructions, I have the information in my brain, I need to try
00:21:39
◼
►
and put it down in a way that I can try and explain it to you.
00:21:43
◼
►
So I've been working on that and have been building that, but it has been really, really
00:21:47
◼
►
difficult for me and has become, had become one of those type of projects where it was
00:21:54
◼
►
just getting put off and put off and put off. Mostly for me because it was a writing project.
00:21:59
◼
►
I know you're not a big fan of the writing, Myke.
00:22:01
◼
►
Yeah, it was difficult. And also it was one of those things, it is one of those things
00:22:05
◼
►
where I like, I'm so close to this and it's so tied up with me at this point that I'm
00:22:12
◼
►
almost like a little bit nervous to put it out to the world because it's like, here's
00:22:19
◼
►
my brain. Will you accept it? So it's up there. I'm pretty happy with it, but I do consider
00:22:26
◼
►
it a living document, as it were, at the moment. It's one of those things where it's like,
00:22:32
◼
►
okay, this is like the basic level of information that I think people need to take advantage
00:22:37
◼
►
of this project. But I'm also kind of waiting for some feedback as well on the instructions
00:22:42
◼
►
and seeing what people think about it and how it works for them and how it doesn't.
00:22:46
◼
►
But I wanted to kind of touch on this idea because I ended up writing it because I was
00:22:53
◼
►
concerned I had 48 hours left before I had to have had it completed after having put
00:22:59
◼
►
it off for like three weeks.
00:23:02
◼
►
Well also in the time paradox that we're in a little bit, it is very possible that the
00:23:07
◼
►
journals are going up for sale literally as we are recording this episode. Also, systems
00:23:14
◼
►
are in place, so it may be happening at this very moment, but we're not 100% sure when
00:23:21
◼
►
that is, which is part of the uncertainty of manufacturing, shipping, and selling physical
00:23:28
◼
►
If you hear me make any kind of whimpering noise over the next 45 minutes, then you'll
00:23:35
◼
►
know that it happened. But other than that, maybe it will happen today or tomorrow. We'll
00:23:41
◼
►
Wimmering noise. Is that because you're afraid that you're going to lose our bet about what's
00:23:47
◼
►
going to happen that we made in the past but will actually be heard in the future?
00:23:51
◼
►
Now you're doing it.
00:23:52
◼
►
Is that why you would whimper?
00:23:54
◼
►
My concern is not our bet, no.
00:23:57
◼
►
Don't worry, listeners, you'll hear about it later. But sorry, Myke. Look, if anyone's
00:24:04
◼
►
going to have sympathy about a writing project that you're having difficulty with.
00:24:07
◼
►
You are talking to the right man for that one.
00:24:09
◼
►
And, and, and like, this is also part of the difficulty of writing projects is when
00:24:15
◼
►
you have lived with it for so long, it's in your head and it is totally impossible
00:24:20
◼
►
to be objective about it.
00:24:22
◼
►
And this is also not a situation where I could really help you either because
00:24:28
◼
►
it's like, well, I've also been thinking about this for a really long time.
00:24:31
◼
►
and neither of us can be objective
00:24:35
◼
►
to even the most basic questions like,
00:24:37
◼
►
how clear are these instructions for someone
00:24:39
◼
►
who is unfamiliar with this whole project?
00:24:43
◼
►
Like that's why when you say it's a living document,
00:24:45
◼
►
it has to be because the ability for either of us
00:24:50
◼
►
to have any idea if this is clear is,
00:24:54
◼
►
it is not up to us, it's up to the reader
00:24:58
◼
►
and it's up to the sort of feedback that we get
00:25:00
◼
►
about what do people like or what do people not like.
00:25:05
◼
►
- I think it's good, but I also know
00:25:07
◼
►
like it's very difficult to be objective
00:25:10
◼
►
about these sort of things.
00:25:11
◼
►
So I have a lot of sympathy for you, Myke.
00:25:13
◼
►
- Thank you.
00:25:14
◼
►
But I wonder when you are faced with these types of things,
00:25:18
◼
►
like a project that you want, that you need to complete,
00:25:22
◼
►
but I'm struggling to, do you have any hot tips and tricks
00:25:27
◼
►
of how you like get over that wall.
00:25:30
◼
►
Because for me, it is purely like,
00:25:33
◼
►
the deadline makes it worse until it is unavoidable.
00:25:37
◼
►
Like the stress of a looming deadline,
00:25:40
◼
►
for some reason makes me like procrastinate
00:25:42
◼
►
or work procrastinate more until it's like,
00:25:45
◼
►
all right, you literally have no more choices anymore.
00:25:49
◼
►
You may, this may need to be going out to the world
00:25:52
◼
►
any moment now, so you must do it.
00:25:55
◼
►
Again, are you asking me for tips about hitting deadlines,
00:25:58
◼
►
Myke, is that what you're coming to me?
00:26:00
◼
►
- Oh yeah, I realize, well, I've just asked now.
00:26:03
◼
►
- Oh, let me tell you about deadlines.
00:26:06
◼
►
No, I am totally the same way that you are.
00:26:11
◼
►
It's so important for a person to understand themselves.
00:26:13
◼
►
For many people, deadlines are the way they work,
00:26:17
◼
►
and they are positive things that get stuff done.
00:26:21
◼
►
But I'm just like you, where there's nothing
00:26:24
◼
►
makes me resent the whole universe more than a deadline and I'm not a procrastinator kind of
00:26:30
◼
►
person unless there is a deadline and then suddenly I become the sort of person that I hate
00:26:36
◼
►
who puts stuff off until the absolute last second and just like deadlines just they make me
00:26:43
◼
►
they make me feel withered inside and so I can't like I can't help you and the problem
00:26:50
◼
►
the problem that you were facing is, I think, worse than a deadline. Because you had,
00:26:56
◼
►
and still technically do have, an uncertain deadline that at some point plus or minus a
00:27:04
◼
►
couple of weeks, maybe a month in the future, a thing has to be done. And when it needs to be
00:27:10
◼
►
done, it needs to be done immediately. That is a deadline hiding in a cloud waiting to ambush you,
00:27:18
◼
►
who knows when, which I don't know what to do about that, but it sounds terrible.
00:27:24
◼
►
Well, I mean, I reacted to it and I feel like I've just done it, right? Like it's done,
00:27:31
◼
►
but it's now like the deadline may be forever at this point because it is a thing that will
00:27:36
◼
►
need to be continued to be updated. Right, yes, that's what living document means. This is never
00:27:42
◼
►
done. But also, I think living document is a phrase that you can use to let yourself be finished.
00:27:49
◼
►
That's how I felt. I was like, okay, I know that I'm going to have to change this,
00:27:54
◼
►
so let me get what I think is the basic level into this and then await that feedback. Because
00:28:00
◼
►
I want the feedback. I want people to tell me what they need, what they need more explanation on,
00:28:05
◼
►
that kind of stuff, if they think it can be presented differently. But what I wanted to
00:28:09
◼
►
was the basic level that I think somebody needs
00:28:13
◼
►
to be able to get this.
00:28:16
◼
►
And if it still is a struggle to people,
00:28:18
◼
►
then I've got a couple of things I can learn from that.
00:28:21
◼
►
One, how can I explain it better?
00:28:22
◼
►
And two, then maybe I need to understand
00:28:25
◼
►
how this isn't for everybody and to work at it from there.
00:28:28
◼
►
- Finding a way to let yourself let go,
00:28:33
◼
►
especially I think with an uncertain deadline,
00:28:35
◼
►
is a very helpful thing.
00:28:37
◼
►
I mean, my version of this is I have a little folder that I replicate every time I start a new script for a video.
00:28:43
◼
►
And built into this little template is a subfolder for the footnotes that will go along with the video.
00:28:53
◼
►
Now, sometimes I do release a video that will have a footnote or two, like a little mini video that's attached to it.
00:29:01
◼
►
is not remotely representative of the number of theoretical footnotes that I create during the
00:29:06
◼
►
process of actually working on something. And I am very aware that that is part of my letting go.
00:29:15
◼
►
Here's an interesting thing. I'll talk about it in a footnote. And let me put it in the footnote,
00:29:20
◼
►
this little folder, and maybe sometimes I'll run through a couple of drafts. But deep down,
00:29:26
◼
►
I know this is where ideas go to die. That this is where I can like temporarily put
00:29:31
◼
►
something that's interesting but just doesn't fit and tell myself, "Oh, I'll just do a little thing
00:29:38
◼
►
on that when the video comes out." And 95% of the time it doesn't go anywhere. And that's my
00:29:47
◼
►
version of like, "This video has to get done. You can't talk about everything." And just like,
00:29:53
◼
►
Just put it over there and pretend like you're gonna include it, but you won't.
00:29:57
◼
►
Well, unless... unless... the footnotes become the video.
00:30:03
◼
►
Yeah, and that does happen sometimes. Not very often, but every once in a while that does happen.
00:30:09
◼
►
Quite recently.
00:30:10
◼
►
Yeah. Although, like, before we do move on, I will just mention something on this topic of, like,
00:30:18
◼
►
of trying to get started, since so many people have recommended books to me. I'll pass back
00:30:22
◼
►
a book recommendation. Recommendation is maybe a bit firm of a word, but there is a book called
00:30:33
◼
►
The War of Art, which is a strange little book. You're selling this one, really selling this one.
00:30:40
◼
►
Recommendation is the strong of a word, this is a strange little book.
00:30:44
◼
►
Yeah, but like, so it's written by an author, and it is just a little book talking about this idea
00:30:57
◼
►
of it's hard to get started. And it's not even a book that you can just sit down and read through,
00:31:07
◼
►
It's more like a little collection of paragraphs where the author is
00:31:13
◼
►
attacking this idea from various angles.
00:31:15
◼
►
So that's why I say it's a strange book because it doesn't exactly have a through line
00:31:22
◼
►
in the way that many books do.
00:31:23
◼
►
It's more just like, "Hey, are you having a hard time getting started with work?
00:31:29
◼
►
Here's a bunch of thoughts on this thing."
00:31:35
◼
►
And I've read this book a couple of times and always have the same sort of experience that
00:31:41
◼
►
there's a lot in the book that just doesn't resonate with me at all.
00:31:46
◼
►
But every once in a while, something really catches me like, oh, that's an interesting way
00:31:50
◼
►
to phrase that or that's that's a good way to think about this. And having talked with a lot
00:31:55
◼
►
of people in creative fields, this is a book that everybody agrees like you should take a look at
00:32:01
◼
►
if you're doing any kind of creative work at all. And it's not that you're going to love everything
00:32:06
◼
►
in it. But you don't have to there may just be a couple of paragraphs that really work with you and
00:32:14
◼
►
stick in your own brain. So that's why I say like, it's it's a strange recommendation, because I
00:32:20
◼
►
don't expect a person to take all of it away. I just expect that you might you might find a
00:32:26
◼
►
a couple of things that work in there for you. So that is a book I've read that maybe
00:32:31
◼
►
you should too if you work on creative stuff and it's The War of Art by Steven Pressfield
00:32:37
◼
►
if I remember correctly. So check that out, listeners. I don't know if there's an audiobook
00:32:41
◼
►
for you, Myke. I know you don't read. Actually, I just realized that book would be totally
00:32:49
◼
►
intolerable in audio form. I think the lack of a thread line through it I think would
00:32:52
◼
►
drive a person crazy in audiobook format. So I'm going to say maybe don't listen to
00:32:56
◼
►
that one Myke.
00:32:57
◼
►
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everything's drag and drop so I don't have to worry about getting deep. I was so concerned
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about getting the text correctly and making sure all of that was right, making sure all
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00:34:46
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Okay, so, listeners, Myke was teasing me a little bit before, because before the episode started,
00:34:53
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I showed Myke something that I was working on, and, you know, we're talking about
00:35:01
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new and difficult projects, and I've been away for a year. I've been working on difficult projects,
00:35:10
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►
and this one is now very, very soon to be released.
00:35:15
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It should be out shortly after this episode is out.
00:35:19
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►
And I showed Myke the current not completely finalized
00:35:22
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state of a video that I'm working on.
00:35:25
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- It was not final, it was very far from finalized.
00:35:29
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►
I was watched, it's like an 11 minute video or something.
00:35:33
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►
About six minutes of the video is just a screen
00:35:35
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that says, "Needs animation!"
00:35:38
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►
It's always fascinating to me to see these work in progress.
00:35:42
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►
Like I get, I've seen various levels of work in progress
00:35:45
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►
for your stuff and this is probably the most in progress
00:35:48
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►
that the work I have seen has been.
00:35:50
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►
- But by far, like I thought you might find it
00:35:53
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►
somewhat interesting hopefully on a meta level of seeing.
00:35:55
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- Yeah, you really did.
00:35:56
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- What does it look like as a thing is coming together?
00:36:00
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►
But Myke saw what I would describe as the first
00:36:05
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►
barely watchable work in progress for the video. About half of it has no visualizations
00:36:12
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►
at all, it just has words on the screen about what I need to do to get something on the
00:36:17
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►
screen there.
00:36:18
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And the funny thing is that the audio is like, about 90% of it is leveled horrifically, which
00:36:25
◼
►
is also kind of hilarious. I hope you know that, I'm sure you do.
00:36:28
◼
►
Oh yeah, yeah, no, there's none of the audio fine tuning has happened, there's nothing.
00:36:34
◼
►
It's all terrible. But even though I know showing it to someone else, this is like,
00:36:40
◼
►
"Oh, this is in a total garbage state," this is the first time I can look at it. And even though
00:36:45
◼
►
it is in this horrific state, I feel like, "Oh, my confidence is very high about this getting finished
00:36:51
◼
►
and released soon," just because I've been through this process long enough and kind of know how
00:36:55
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these things work. But all of this is is to is to lead up to this video started life as a footnote
00:37:02
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►
to my video about who owns the Statue of Liberty, which came out almost exactly a year ago now.
00:37:13
◼
►
And yeah, so this is a video about like a little little historical thing that I came across
00:37:21
◼
►
that I originally thought would be a little footnote, and it sort of expanded a bit,
00:37:26
◼
►
and I thought, "Oh, okay, I'll do it. I'll do it after that Federal Land video."
00:37:32
◼
►
And then here we are a year later, and it's finally going to actually be made.
00:37:39
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►
But I am, here's the thing, I'm very close to this project, and it's, I feel like it's very different
00:37:47
◼
►
for a few reasons so we haven't actually spoken about it and I'm a little bit curious to get some
00:37:52
◼
►
feedback from it. What do you think about what you saw even though it's in a bit of a very rough
00:37:58
◼
►
state? It's crazy in all the right ways. Like you have made of I think more than what I took from
00:38:13
◼
►
it is it's more than the video itself. What I feel like I saw in that video is your process.
00:38:21
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►
You are highlighting your process quite a lot of how you make a video.
00:38:26
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►
Like the research that you do, right? Because it's like you could have chosen to do all of
00:38:34
◼
►
the research and just, well there's nothing here. I can't make a video about this because there's no
00:38:41
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►
proof or anything. But instead you made a video about that process which I found very interesting
00:38:48
◼
►
and entertaining too because you sound like a wild person running around the globe. So it's
00:38:56
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►
a very entertaining video and has an interesting story at the end and a very, I just feel like a
00:39:02
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►
fascinating meta commentary on history.
00:39:07
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►
Okay, phew. I was holding my breath there because that's a big relief. That's sort of
00:39:15
◼
►
what I'm going for. There's a link in the show notes, but a quick recap, because I didn't
00:39:21
◼
►
want to describe it until I just let Myke talk. The full story is that there is this
00:39:26
◼
►
urban legend about why Staten Island is part of New York, and it has to do with this race
00:39:32
◼
►
around the island that just never occurred, but like it was supposed to have happened
00:39:36
◼
►
at some point in the 1600s. And when I was originally researching the Statue of Liberty
00:39:42
◼
►
video, which is actually a bit a video about the territorial disputes between New York
00:39:47
◼
►
and New Jersey, a bunch of sources referenced this race. And it's like, oh, this is a thing
00:39:54
◼
►
that happened. And it's why Staten Island is part of New York. And I had come across
00:39:59
◼
►
a few like slightly different versions of it. And there were a couple of things that
00:40:04
◼
►
felt like to me they were described in a vague way. And I did have a little bit of a sense
00:40:12
◼
►
for like, I've done this so much that I think I don't have a bad radar for what things should
00:40:18
◼
►
you like really try to investigate further. And I pushed a little bit on what are the
00:40:25
◼
►
primary sources for this story about this race. And over the course of the year, like the whole
00:40:31
◼
►
thing just totally fell apart, that this story just doesn't exist. Like there's no documentation
00:40:40
◼
►
for it happening at the time. There's no reason to think that it ever occurred. And I thought the
00:40:46
◼
►
race was interesting as a just as like a little urban legend in and of itself. But this kind of
00:40:54
◼
►
thing does happen to me all the time. And like a real frustration that I can have sometimes is,
00:41:01
◼
►
it's, it's really hard to track down something to the point where you feel like, oh, I'm confident
00:41:07
◼
►
enough putting that in a video. So most of the time, you just end up in a situation where it's
00:41:12
◼
►
like, oh, this thing isn't real, or I feel a little bit uncertain about it. And so all that happens is
00:41:18
◼
►
a paragraph of text gets deleted and nothing ever happens. No one ever knows about it. But
00:41:26
◼
►
the way this one unraveled I thought ended up being an interesting example of just trying to
00:41:40
◼
►
trace footnotes backwards through history. And there happened to be enough good and different
00:41:47
◼
►
examples going backwards through time of different sources talking about this story that I thought
00:41:54
◼
►
like, oh, this actually does make an interesting meta video that that this can become a little
00:42:02
◼
►
story about how the stories are made. And that's, that's sort of what I was hoping would would be
00:42:08
◼
►
the reaction that you would have to seeing it as kind of what I hope the viewers get out of it is
00:42:13
◼
►
you can enjoy this video on the primary level of of what it is actually talking about this
00:42:22
◼
►
historical event that didn't occur. But I do hope that a person can enjoy it on this secondary level
00:42:29
◼
►
like if you're it, you know, the for cortex listeners, people who are interested in how
00:42:35
◼
►
does this stuff get made? I think there's a meta level on which that video can be enjoyed. And,
00:42:40
◼
►
and you did, you did pick up on, you know, for me, what is a what is a tertiary level, which is a,
00:42:48
◼
►
like an uncomfortable commentary on history, and, and knowing the certainty of things like,
00:42:56
◼
►
I don't really go into that very much. It's not in the video, really. But it's it's as,
00:43:01
◼
►
I think it's a thought that is a natural implication of watching that video.
00:43:06
◼
►
- Right, because there's a weird thing where a building is maintained and turned into a museum
00:43:11
◼
►
to honor a person who apparently did a thing that nobody can prove was ever done.
00:43:16
◼
►
Because there's no way you're the first person who's tried to work this out.
00:43:19
◼
►
- No, I am not the first person who tried to work this out, and I got sort of unlucky
00:43:24
◼
►
with the original sources that I had come across this story in.
00:43:30
◼
►
Because yeah, other people have tried to track this down of like, this thing isn't real.
00:43:37
◼
►
But in the first month or two, I ended up not coming across any of those and totally felt like conspiracy man.
00:43:44
◼
►
And as the year went on, like just some weird things happened where it's a bit like, I don't want to be crazy.
00:43:51
◼
►
But why is it that the documents that happened to be the documents I'm exactly looking for are the only documents that you're missing?
00:43:58
◼
►
right? It's like, you know, I don't really think there's any conspiracy, but I did get, like, so
00:44:06
◼
►
deep about, like, what's Staten Island doing to protect their hometown hero, right? Like,
00:44:11
◼
►
it's, it was very, very strange, and my conclusion is, like, so the Captain Billup,
00:44:20
◼
►
the person who supposedly ran this race in the 1600s, his house exists as a museum today,
00:44:27
◼
►
But it's there because of something his great-grandson did.
00:44:31
◼
►
And his great-grandson was involved in the Revolutionary War.
00:44:37
◼
►
And then the stories of what the great-grandfather did don't show up for another hundred years.
00:44:43
◼
►
And so I think this is just an example of, there's enough thing in reality, like,
00:44:51
◼
►
"Oh, this house is important, but why? It was a hundred years ago."
00:44:56
◼
►
It just gives a little bit of a place for a story to start crystallizing over time that isn't really true and that people don't bother to check up on.
00:45:07
◼
►
So like I just I just think it's very interesting in a in a in a bunch of different ways.
00:45:12
◼
►
But I got to say this has been it is not a project that has been continuously worked on for a year, but it has taken a year because there were a lot of there are a lot of times where it's like.
00:45:24
◼
►
harassing a historical archive to send some papers and it takes a couple months before they come along and like the whole the whole thing just has to wait until I get a documents, you know from New Jersey sent to me in London, that kind of thing.
00:45:37
◼
►
So I feel like I've been living with this story for a year. And it's also been a project that's
00:45:46
◼
►
Sort of different and hard to think about how to do.
00:45:51
◼
►
And as we record, I'm still not entirely sure what the final thing will look like because
00:45:58
◼
►
it's the first time I've ever tried to blend animated style with doing something in real life.
00:46:05
◼
►
Yeah, I wondered if you wanted to talk about this part.
00:46:08
◼
►
Yeah, well, it's a little bit hard to talk about right now because I just don't know what the final
00:46:14
◼
►
thing will look like. Right now I know that the beginning is very heavily animated, and the end is almost entirely live action.
00:46:22
◼
►
But I still haven't decided for the middle part of it how much of a blend there is going to be.
00:46:30
◼
►
I just don't know, and it's a difficult sort of project to do, and like you were talking about before,
00:46:36
◼
►
about before. It's like you're very close to it and you lose you lose objectivity about what is
00:46:44
◼
►
this like? What is what is this like for viewers who are expecting my animated videos when it
00:46:49
◼
►
transitions into live action? How is that going to be received? Or like, how can I make it seem
00:46:54
◼
►
smooth? I don't, I don't know. And that stuff is still up in the air right now for me. What made
00:46:59
◼
►
you want to do the transition into some live action parts for this video? Because I think it
00:47:04
◼
►
makes sense for the story. I traveled to New Jersey to try and track down the historians who
00:47:13
◼
►
work at the museum that I was trying to get in touch with remotely, unsuccessfully, repeatedly.
00:47:19
◼
►
And I traveled to New York to try and track down some of the missing paperwork for this urban
00:47:27
◼
►
Like I really went there and that just feels like
00:47:32
◼
►
it makes sense to show it in real life.
00:47:35
◼
►
Like this is me going to the place.
00:47:38
◼
►
I don't think it would work in the same way
00:47:41
◼
►
if it was animation or I think it would maybe
00:47:44
◼
►
come off more as a story.
00:47:47
◼
►
- You could animate that but you did actually do it
00:47:51
◼
►
and you know how to work a camera.
00:47:53
◼
►
So maybe you should do,
00:47:56
◼
►
You know what, like, you could animate everything, you could animate the library, you could animate
00:48:02
◼
►
the door being closed, but you were actually in those places, so maybe people would want
00:48:07
◼
►
to see them.
00:48:08
◼
►
Do you think that's the right decision to have it live action at the end?
00:48:11
◼
►
Does that work for you as a viewer?
00:48:13
◼
►
I think it works for the video that you made.
00:48:17
◼
►
Because if you said to me, "I went to these places and I saw this thing and you weren't
00:48:21
◼
►
showing me the actual thing," I think I would be frustrated by it, because it's like, "Well,
00:48:25
◼
►
are you telling me about the graveyard that you visited in a thunderstorm?
00:48:30
◼
►
I was so wet.
00:48:31
◼
►
I want to see that instead. It made sense to show what you were talking about. I will
00:48:39
◼
►
be intrigued to see if and how Live Action Grey finds his way into other videos, if that's
00:48:46
◼
►
a thing that you want to do, but I think when the story needs it, like a vlog, you should
00:48:52
◼
►
show it and this one definitely benefited from being.
00:48:54
◼
►
Part animated Gray part vlogging Gray and I think blending those
00:49:01
◼
►
two together into a video is one interesting and two kind of
00:49:05
◼
►
surprising as a viewer pressing play on that video.
00:49:08
◼
►
I would never expect that you were going to do what you did
00:49:10
◼
►
and I think that that's kind of that's exciting.
00:49:15
◼
►
I think that's fun.
00:49:15
◼
►
That's sort of the thing that I'm going for because it also
00:49:18
◼
►
snuck up on me as I was working on this project slowly slowly the idea keeps creeping into
00:49:24
◼
►
my head of am I going to go to New Jersey?
00:49:27
◼
►
No, that's ridiculous.
00:49:32
◼
►
Who goes to New Jersey for a thing that didn't happen 400 years ago?
00:49:39
◼
►
Yeah, it's like, I'm like, I'm not going.
00:49:41
◼
►
I'm not going there now.
00:49:42
◼
►
But it really did keep growing on me.
00:49:52
◼
►
I found myself surprised that I was compelled to go.
00:49:57
◼
►
And the whole thing was ridiculous.
00:50:01
◼
►
And I told some people, and they're like, "Wait, you're going to Staten Island, why?"
00:50:07
◼
►
And it's like, "Well, there's this museum."
00:50:10
◼
►
And they never answered my phone calls or answered my emails and I want to go ask them
00:50:14
◼
►
some questions.
00:50:16
◼
►
Like about what?
00:50:17
◼
►
Oh, something that didn't happen at their museum.
00:50:21
◼
►
Quite reasonably, people thought that was not a good idea or they thought that was ridiculous.
00:50:27
◼
►
I really felt compelled, like I have to do this.
00:50:31
◼
►
I have to see this all the way to the end.
00:50:37
◼
►
And so there is a way in which it was surprising for me.
00:50:41
◼
►
And I do kind of hope to convey that in the video that it's like, this is not a thing
00:50:45
◼
►
that you would expect me to do.
00:50:47
◼
►
It's not a thing that I would expect me to do.
00:50:49
◼
►
That's interesting to me because I'm not surprised you did this.
00:50:56
◼
►
I'm surprised I did this.
00:50:58
◼
►
It seems very out of character, Myke.
00:51:02
◼
►
Yes, it is very out of character.
00:51:05
◼
►
I just like it seems I don't know like I feel like this seems like something that is for your
00:51:11
◼
►
curiosity. Yeah I guess the thing that that I can get 99.9% of the way there without having to leave
00:51:19
◼
►
my comfy home and it's just it's it's this last one percent that I didn't even really hope would
00:51:29
◼
►
would go anywhere, but it's like,
00:51:30
◼
►
"But I've got to see this thing through."
00:51:35
◼
►
Like, "I'm gonna stand at the grave of a man
00:51:39
◼
►
"who wasted my time centuries later.
00:51:42
◼
►
"Like, I'm gonna do it."
00:51:44
◼
►
And it's ridiculous.
00:51:46
◼
►
Because I think the other thing
00:51:47
◼
►
that you have to keep in mind is this,
00:51:49
◼
►
it's not clear for a very long time
00:51:52
◼
►
that this is actually going to be a video,
00:51:54
◼
►
from my side as the production person.
00:51:58
◼
►
What it really was is like spending a lot of time trying to track down this thing that
00:52:04
◼
►
became an increasingly interesting, I don't know, like mystery as it went along.
00:52:10
◼
►
That's why I said before, like I have this thing of this trick of putting interesting
00:52:14
◼
►
things in the footnote that don't really belong as videos of themselves and this is where
00:52:19
◼
►
they just go to silently die.
00:52:22
◼
►
And I just kind of felt like, oh, I'm spending a lot of time on this one.
00:52:25
◼
►
This is much more time than I would ever spend on something like this.
00:52:28
◼
►
And so it is also surprising to me that it ended up becoming a becoming a whole video.
00:52:32
◼
►
But I am pretty pleased with the state that it's currently in, even though I don't know
00:52:36
◼
►
what the final mix of animation and live action is, is going to be.
00:52:41
◼
►
But I've had I've had an interesting year.
00:52:44
◼
►
And this is this is one of these things that I'm like, I'm really glad to finally be able
00:52:49
◼
►
to get out of my head and out into the internet.
00:52:53
◼
►
I kind of think of this as a video for like the hardcore gray fans.
00:52:56
◼
►
is not a viral video generally applicable kind of thing.
00:53:03
◼
►
It's a project that's been really interesting to me to be a part of.
00:53:05
◼
►
Again, this is like, ah, time paradox.
00:53:10
◼
►
The Tesla video did really well.
00:53:13
◼
►
And I would say that that was more for the hardcore fan than this is.
00:53:21
◼
►
that was like here's a super long vlog about driving a Tesla which is not a new thing right
00:53:28
◼
►
this is not a new car right like this is like it wasn't like you had access to a special Tesla
00:53:33
◼
►
and it's like it's an hour long yeah yeah and that and that footage was at that point three summers
00:53:38
◼
►
old whereas all of this stuff I mean some of this stuff I only filmed but uh but a month ago
00:53:44
◼
►
Look at you! It's basically shiny new.
00:53:46
◼
►
Yeah I mean maybe you know and and if there's one thing I've learned over the years of making
00:53:54
◼
►
things for the internet is you can't have any expectations about whether things do well or
00:53:57
◼
►
whether things do poorly. That there's just like there's no point in in trying to play that game
00:54:01
◼
►
or even guessing. You can have feelings like you like I do but I just don't I don't put any I don't
00:54:07
◼
►
put any stock in those but I do want to get on the record that I was really soaked in that graveyard
00:54:12
◼
►
at the end. It looked terrible, but as I watched it, I was like, how perfect.
00:54:18
◼
►
You were blessed with that thunderstorm. I that it was a flash storm that came in.
00:54:27
◼
►
It like I have not seen any thunderstorms come in and I had no weather gear for that at all.
00:54:36
◼
►
And a thing that I have not told you is that storm broke my iPhone.
00:54:45
◼
►
That I was using my iPhone to do all of that footage because I was like, OK, I'm all set here.
00:54:54
◼
►
I've got a waterproof phone. Thank God I can film something because my other equipment was not ready
00:55:02
◼
►
for the rain. And I got all of that footage and I got it off of the phone, but water got in
00:55:10
◼
►
somewhere and I had to abandon my iPhone and roll back to my old iPhone X, and that's what I'm
00:55:19
◼
►
currently using. But I have some footage, it didn't make it into the video, but I have some footage
00:55:26
◼
►
where you can see the water start to roll over the interior of the camera lens.
00:55:30
◼
►
I need to see that. I need you to send me that. I need to see what that looks like,
00:55:37
◼
►
because that sounds fascinating. It just goes blurry, that's all it looks like.
00:55:42
◼
►
It's not anything, but when I got back to the hotel room and was drying off the equipment,
00:55:48
◼
►
I was looking at the camera lens and like, "Hey, there's water in there."
00:55:51
◼
►
Well, I guess that IP67 or whatever it is, we now know the limits of it.
00:55:56
◼
►
Yeah, and then, so I got all the footage off quickly, and I was like, "Oh, wait a minute,
00:56:03
◼
►
the 3D touch isn't working on this device anymore." And then, like, all input started to
00:56:08
◼
►
not work. I'm like, "Okay, iPhone." It was nice knowing you.
00:56:11
◼
►
Do you have AppleCare or are you not an AppleCare person?
00:56:15
◼
►
I am not an AppleCare person, because as we all know, insurance is gambling.
00:56:19
◼
►
Is that something we all know?
00:56:20
◼
►
Yeah, that's what insurance is. It's gambling. Everyone knows that.
00:56:23
◼
►
Oh, sorry. Sorry. Yeah, of course. Of course.
00:56:25
◼
►
AppleCare, you're gambling with your phone. Life insurance, gambling with your life.
00:56:30
◼
►
I don't think it is as clear cut as how you just presented it, but we can...
00:56:35
◼
►
No, that's just...
00:56:35
◼
►
It's catchy sounding.
00:56:37
◼
►
Yeah, I don't have AppleCare. I do have life insurance.
00:56:39
◼
►
There you go. I gamble on my life, not my phone.
00:56:43
◼
►
Yeah, that's ridiculous. And I have, over the years, come out way ahead on not
00:56:50
◼
►
not getting AppleCare. This is like the one time that I rolled the dice and it didn't work out in
00:56:56
◼
►
my favor. RIP phone, you died gloriously in a flash thunderstorm in a graveyard on Staten Island.
00:57:04
◼
►
You know, thank you for your service. If you're gonna go, there's quite a way to go.
00:57:08
◼
►
Yeah, I feel very lucky I didn't get Insomnia on the 45 minute drive back to my hotel in a
00:57:15
◼
►
completely soaked through hoodie with no other clothes.
00:57:19
◼
►
- Did you mean pneumonia?
00:57:20
◼
►
- Oh, what did I say?
00:57:24
◼
►
- I'm glad I didn't get insomnia or pneumonia.
00:57:27
◼
►
I'm very glad I didn't get that.
00:57:30
◼
►
- How'd you become an insomniac?
00:57:31
◼
►
Well, I went to a graveyard.
00:57:34
◼
►
- And now Disaway's ghost is following me and I can't sleep.
00:57:42
◼
►
This episode of Cortex is brought to you by MailRoute.
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thanks to mailroute for their support of this show and relay FM.
00:59:27
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On our next episode we're doing a Cortex Movie Club and we are watching Jiro Dreams of Sushi.
00:59:34
◼
►
This is a documentary about a man who is in his 80s at the time of filming who makes the
00:59:40
◼
►
best sushi in the world.
00:59:42
◼
►
So you can go watch that.
00:59:43
◼
►
I think it's on Netflix in America I believe and I know you can buy it on iTunes so you
00:59:51
◼
►
can go watch that.
00:59:52
◼
►
We're going to be talking about that on the next episode.
00:59:54
◼
►
We'll also have all of the answers to the time paradox problem that we've been describing
00:59:58
◼
►
throughout this entire episode.
01:00:00
◼
►
So if you're wondering what on earth we've been referring to, episode 91 will have all
01:00:04
◼
►
of these answers and more for you.
01:00:06
◼
►
Jiro dreams of sushi.
01:00:08
◼
►
Go watch it.
01:00:09
◼
►
I really think you should.
01:00:13
◼
►
Let's round out today's quite peculiar, I think, episode of Cortex with some #AskCortex
01:00:18
◼
►
We will go to the Cortexans.
01:00:20
◼
►
The first one comes from Emil.
01:00:22
◼
►
Emil asks, "What thing goes in which pocket
01:00:24
◼
►
"and does it change during summer and winter?"
01:00:26
◼
►
- You wanna go through your pockets, Myke?
01:00:27
◼
►
- Well, I can tell you there are only ever four things
01:00:30
◼
►
in my pockets, phone, wallet, AirPods, keys.
01:00:34
◼
►
They are the four things that go in my pockets.
01:00:36
◼
►
- Those are the four things, yep, that is true.
01:00:38
◼
►
- Wait, but I've seen you covered in pockets.
01:00:41
◼
►
Do you only ever have those four things
01:00:43
◼
►
when you're CG pockets?
01:00:45
◼
►
- Don't you start with this, Myke.
01:00:50
◼
►
I have seen you with a hat that has pockets in it and shirts that have pockets on it and
01:00:54
◼
►
trousers with pockets, but like lots of pockets.
01:00:57
◼
►
And then there was that whole cartility bag thing about your requirement for more pockets.
01:01:02
◼
►
So you only carry those four things?
01:01:04
◼
►
What do you bag for?
01:01:08
◼
►
I forgot when I showed you the pocket in my hat that I was keeping some paperwork in.
01:01:12
◼
►
I forgot about that.
01:01:13
◼
►
So it's like, I only have four things unless I'm covered in pockets, and then I'll just
01:01:17
◼
►
put anything in there.
01:01:19
◼
►
Bit of paperwork, sure.
01:01:21
◼
►
- Look, look, look.
01:01:22
◼
►
Why don't you tell me about your pockets, Myke?
01:01:24
◼
►
- All right.
01:01:25
◼
►
Right pocket is phone.
01:01:26
◼
►
It's the only thing that goes in my right pocket.
01:01:29
◼
►
I am left-handed.
01:01:32
◼
►
- But I do, my dominant hand is my right hand.
01:01:35
◼
►
That's an interesting thing about me.
01:01:37
◼
►
- That's not what left-handed means.
01:01:38
◼
►
- Right with my left hand.
01:01:40
◼
►
That is what it means.
01:01:41
◼
►
When people say they're left or right-handed,
01:01:43
◼
►
they mean by the way that they write.
01:01:45
◼
►
But my dominant hand, so everything else,
01:01:47
◼
►
I only write with my left hand.
01:01:49
◼
►
Everything else I do with my right hand.
01:01:50
◼
►
I use scissors with my right hand.
01:01:51
◼
►
My right arm is my stronger arm.
01:01:53
◼
►
Like, if I was gonna throw a punch,
01:01:55
◼
►
I would throw it right-handed.
01:01:56
◼
►
- No, you're just right-handed.
01:02:00
◼
►
- I'm left-handed.
01:02:01
◼
►
Nobody, okay, all right, so here's the thing, right?
01:02:03
◼
►
We're having a conversation, and I say I'm right-handed,
01:02:06
◼
►
and then you go, "Oh, okay,"
01:02:07
◼
►
and then you see me pick up a pen
01:02:09
◼
►
with my left hand to write something.
01:02:10
◼
►
You go, "You're left-handed."
01:02:12
◼
►
But if I say I'm left-handed,
01:02:13
◼
►
and I use scissors with my right hand,
01:02:15
◼
►
you don't go, "Hang on a second, you're right-handed."
01:02:17
◼
►
That's not how it goes.
01:02:18
◼
►
- No, you're right-handed.
01:02:20
◼
►
- No, I'm not.
01:02:21
◼
►
- You have one thing you do with your left hand.
01:02:23
◼
►
- No, I am left-handed,
01:02:25
◼
►
but I do everything else with my right hand.
01:02:27
◼
►
- I'm sorry, Myke, you were incorrect.
01:02:29
◼
►
No, I'm gonna buzz you out on Family Feud.
01:02:33
◼
►
That's the Family Feud question.
01:02:34
◼
►
Which handed is Myke?
01:02:35
◼
►
What does everybody else say?
01:02:36
◼
►
- There will be a link in the show notes to a Google form.
01:02:41
◼
►
It has one question.
01:02:43
◼
►
Is Myke left-handed?
01:02:45
◼
►
Is Myke right-handed?
01:02:47
◼
►
Go to this survey and answer this question.
01:02:50
◼
►
I will not let this one lie.
01:02:52
◼
►
You'll find out the answer in about a month.
01:02:55
◼
►
So bear that in mind, it's not coming up next time.
01:02:59
◼
►
- Yeah, there's plenty of time
01:03:01
◼
►
to send in your postal vote on this one.
01:03:02
◼
►
- Yes, but 'cause this is, I won't accept this.
01:03:05
◼
►
Stop trying to take away my identity.
01:03:07
◼
►
I'm a left-handed individual.
01:03:08
◼
►
- But no, I totally understand.
01:03:11
◼
►
That's exactly what happens here.
01:03:13
◼
►
You wanna be part of the embattled lefties, right?
01:03:15
◼
►
But you're actually just a right-handed.
01:03:16
◼
►
- I don't want to be a part of the embattled lefties.
01:03:18
◼
►
Like I have spent my life just like doing things
01:03:21
◼
►
like a right-handed person except for writing my left hand.
01:03:24
◼
►
Anyway, phone goes in my right pocket,
01:03:28
◼
►
my wallet goes in my back pocket.
01:03:30
◼
►
Yes, I know, I don't want to hear it.
01:03:32
◼
►
I have a very thin wallet.
01:03:34
◼
►
It has five credit cards in it and that's it.
01:03:36
◼
►
It's a Bellroy wallet.
01:03:37
◼
►
I'll put a link in the show notes.
01:03:38
◼
►
- I was gonna say, we have that same, the little slim one.
01:03:41
◼
►
It's a great little wallet. - Yeah, it's beautiful wallet.
01:03:44
◼
►
I've owned one for years and I'm very happy with it.
01:03:46
◼
►
It's exactly what I need because it also puts the restriction on me to not have too much in my wallet.
01:03:50
◼
►
And then my left pocket goes my keys and my AirPods.
01:03:54
◼
►
Okay, AirPods in front pocket, right?
01:03:57
◼
►
Yeah, front left, front left keys and AirPods.
01:04:00
◼
►
Right back is wallet, right front is phone.
01:04:03
◼
►
Okay, so then you have an empty back pocket?
01:04:08
◼
►
I am right-handed. I do everything with my right hand.
01:04:12
◼
►
This is not part of the question.
01:04:15
◼
►
My left hand is here for typing.
01:04:20
◼
►
ornamental reasons only.
01:04:22
◼
►
For holding sparkling water bottles while my right hand twists off the cap.
01:04:27
◼
►
It's the support arm.
01:04:29
◼
►
That's how handedness works.
01:04:31
◼
►
Now what Myke is trying to give me a real hassle about is the thing is Myke and I, we
01:04:37
◼
►
live in the same city, we often see each other when we're traveling on the other side of
01:04:43
◼
►
And Myke is then seeing travel gray.
01:04:47
◼
►
And travel gray has many more needs than at home gray.
01:04:53
◼
►
So this is this is why my frustration, my desire for a fertility bag, my need for a
01:05:00
◼
►
cowboy hat with a pocket in the top.
01:05:02
◼
►
You know, all of these things to put my natural cheese in.
01:05:06
◼
►
Yeah, because you've got Yeah.
01:05:11
◼
►
- You've got way more things you need
01:05:14
◼
►
when you're away from home than you're traveling.
01:05:16
◼
►
And I don't always want to carry around a big backpack,
01:05:20
◼
►
but there's just a bunch of little things
01:05:22
◼
►
that you'd like to have with you
01:05:24
◼
►
when you're out and about.
01:05:25
◼
►
You want to have like a couple aspirin,
01:05:29
◼
►
you want to have your earplugs,
01:05:31
◼
►
because everywhere is too loud,
01:05:33
◼
►
or people are trying to talk to you.
01:05:35
◼
►
You want to have a little hand sanitizer with you
01:05:37
◼
►
if the people touch you.
01:05:38
◼
►
Can I define, get a definition from you for what out and about is?
01:05:43
◼
►
I'm just trying to traveling, right?
01:05:45
◼
►
Where we're on, we're in California because it's apple season.
01:05:49
◼
►
That kind of thing.
01:05:50
◼
►
But like, I will see you with all your pockets on like Wednesday of WWDC, right?
01:05:59
◼
►
That's traveling.
01:06:00
◼
►
But if I see you in the street in London, you won't be adorned in pockets, right?
01:06:07
◼
►
I won't be adorned in pockets.
01:06:08
◼
►
So I'm trying to understand what the difference is.
01:06:10
◼
►
- Because the difference is, it's an uncertain environment.
01:06:13
◼
►
You don't know where, like look,
01:06:14
◼
►
the thing that has totally happened,
01:06:16
◼
►
people laugh at me, right, but you have to be prepared
01:06:20
◼
►
with like a beef jerky meal at any time
01:06:23
◼
►
when you're out on the road,
01:06:24
◼
►
because you never know when you're going to eat.
01:06:27
◼
►
- I agree with that when you were like in a car
01:06:30
◼
►
moving across the plains.
01:06:35
◼
►
you're in downtown of a city.
01:06:38
◼
►
- No, it's traveling.
01:06:39
◼
►
It's still traveling because you don't know
01:06:43
◼
►
what's going to happen.
01:06:44
◼
►
You're gonna get sucked into a meeting with people
01:06:46
◼
►
that goes on for way too long,
01:06:48
◼
►
or you're gonna suddenly be spirited away
01:06:50
◼
►
to a company headquarters.
01:06:52
◼
►
- There's always food at those places.
01:06:54
◼
►
- No, but you can't count on it,
01:06:55
◼
►
and you don't know what it's gonna be,
01:06:56
◼
►
and you don't know when it's gonna be.
01:06:58
◼
►
You need to always have water available
01:07:00
◼
►
because there's never enough water around.
01:07:02
◼
►
So this is traveling.
01:07:06
◼
►
I went to the best company cafeteria that I've ever been to.
01:07:10
◼
►
- Who has the best company cafeteria?
01:07:13
◼
►
- Industrial Light and Magic.
01:07:14
◼
►
- Oh, interesting.
01:07:17
◼
►
- When did you go there?
01:07:18
◼
►
- When I was in San Francisco.
01:07:20
◼
►
- Oh, sneaky, sneaky Myke.
01:07:22
◼
►
- I got a tour from a friend of the show, Todd.
01:07:25
◼
►
- What did you think of Industrial Light and Magic?
01:07:27
◼
►
- It's amazing.
01:07:29
◼
►
They have all the props just like hanging around.
01:07:34
◼
►
They're just like hanging around.
01:07:36
◼
►
It's incredible.
01:07:37
◼
►
Like every hallway, every entranceway
01:07:40
◼
►
is just surrounded by stuff.
01:07:43
◼
►
It's amazing.
01:07:44
◼
►
- For the people who are unfamiliar,
01:07:46
◼
►
what are the kinds of movie props
01:07:47
◼
►
that Industrial Light and Magic has?
01:07:49
◼
►
What are the projects they've been involved in?
01:07:51
◼
►
- Star Wars.
01:07:52
◼
►
- Right, there we go.
01:07:53
◼
►
- Is the big one, Ghostbusters.
01:07:55
◼
►
I got to take a picture and stand in front of the,
01:08:00
◼
►
Is it Igor's portrait from Ghostbusters 2?
01:08:04
◼
►
Vigo, the Vigo portrait from Ghostbusters 2.
01:08:08
◼
►
I got to stand right in front of that, take a picture of it.
01:08:11
◼
►
I have a picture of me in front of multiple Darth Vader costumes.
01:08:14
◼
►
It was amazing in there. And they had just an amazing cafeteria.
01:08:18
◼
►
And I had a cheeseburger in there, which was unbelievable.
01:08:23
◼
►
Everywhere people go, the food is the thing they remember the most.
01:08:26
◼
►
You need impressive cafeteria if you're a cool company.
01:08:30
◼
►
Yeah, well they all try and this was the best one.
01:08:33
◼
►
They did, everybody was paying though. I didn't understand what the situation was there. I didn't ask.
01:08:40
◼
►
I do actually think that is a healthier arrangement, like mentally, but I understand why most companies give the food away for free.
01:08:48
◼
►
I don't know if this is correct, but I have a very dim memory of San Francisco instituting
01:08:54
◼
►
some kind of city ordinance that changed the state of those cafeterias that the companies
01:08:59
◼
►
were charging instead of giving it away for free.
01:09:03
◼
►
There's some kind of like, "Oh, we have to count it as employee salaries thing otherwise."
01:09:07
◼
►
I don't remember exactly what it was, but I wonder if that's what it is.
01:09:11
◼
►
Why do you think it's healthier though?
01:09:13
◼
►
I wouldn't want that.
01:09:14
◼
►
If I was an employee, you can feed me.
01:09:16
◼
►
Whilst as an employee, I would love to get free food,
01:09:20
◼
►
I think that sometimes large tech companies use the food
01:09:25
◼
►
as like a stepping stone into the trapping in mentality
01:09:30
◼
►
that we saw at like Facebook.
01:09:32
◼
►
- Fortress Facebook.
01:09:34
◼
►
The literal walled city.
01:09:36
◼
►
- It is like the gateway
01:09:37
◼
►
because if the cafeteria is always open,
01:09:41
◼
►
then you can stay late and just have dinner.
01:09:44
◼
►
And that is, I think, something that a lot of people fall into.
01:09:48
◼
►
Yeah, I can see what you're saying there.
01:09:51
◼
►
I think I would still want it to be free.
01:09:53
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I can see that maybe works as a psychological nudge.
01:09:57
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If it's like, it's open for lunchtime only and the food is free, then that's cool.
01:10:03
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But a lot of these places is like, well, there's just always some food.
01:10:07
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And that is a little bit more uncomfortable to me.
01:10:10
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or as we saw, we have free food,
01:10:13
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and we'll also do your laundry.
01:10:15
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You can get a haircut, and we have a doctor,
01:10:18
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but oh, don't sleep under your desk,
01:10:20
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but we do have everything you would need
01:10:21
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if you were going to.
01:10:23
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- And that's what, that's kind of,
01:10:24
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I think it's like a gateway, right?
01:10:26
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Like the free food is like a gateway to that,
01:10:30
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and that's kind of the thing that, I don't know,
01:10:33
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it makes me feel like, hmm, I question it,
01:10:36
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but I've never worked in a place that have free food,
01:10:39
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but the food was incredible, but you didn't get it for free, you had to pay for it.
01:10:42
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Well the schools had free food. It wasn't especially delicious.
01:10:47
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I never had free food.
01:10:49
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What, as a student you had to pay for your food?
01:10:51
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Yeah, I used to have a packed lunch.
01:10:53
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Or you had to pay a small amount of money like the parent had to pay.
01:10:58
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It was free for me as the kid because I didn't have any money, but...
01:11:01
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Oh, I guess that's sort of what I was thinking, like,
01:11:04
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"Wait a minute, did you like work?"
01:11:08
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And I was going to say something about the difference between private and public schools,
01:11:13
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but then like, okay, wait, thankfully we got here fast enough, so I didn't say something really dumb.
01:11:19
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About like, wow, I'm really glad I didn't work in the public sector.
01:11:23
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Somebody's paying for the food.
01:11:25
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Right, right. Okay.
01:11:27
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John wants to know, "What were your first computers that got you started on your roads to professional geekdom?"
01:11:34
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And I like the way this question is asked because my first computer, I don't even remember it,
01:11:40
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but it was like a gateway or whatever. But like, I don't have any fondness for that. And it wasn't
01:11:45
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what started me on this journey. Like my first computer that really set me on the path that I am
01:11:51
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now was a 2005 Intel iMac, which was the first Intel iMac. So you're using this as this is the
01:11:59
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or this is the computer that started you
01:12:02
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down the career path?
01:12:04
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- Well, this was just what set,
01:12:05
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the question is like a professional geekdom, right?
01:12:09
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Oh, it may have been 2006, not 2005.
01:12:11
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Let me correct myself now.
01:12:12
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2006 into line-up.
01:12:14
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- Okay, I have a clarifying question then.
01:12:16
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So were you, were you like,
01:12:20
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I guess I never really thought of this,
01:12:21
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but I guess you're not really a computer person
01:12:28
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in this way of you were probably not a kid writing programs like when you were 12.
01:12:36
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That's not you.
01:12:37
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You need to remember, Gray.
01:12:38
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Like, I mean, there's not a big age difference, but like my...
01:12:41
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So I think for your childhood, it was you wrote programs for my childhood.
01:12:47
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It's like, hey, the internet.
01:12:49
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Yeah, no, no, like, yeah, we're just on the other side of that barrier.
01:12:55
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I've often feel really lucky to be born at what I feel like was just the right time for like maximum
01:13:02
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appreciation of technology, both because we've had this tremendous acceleration in technology over the
01:13:09
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past several decades.
01:13:11
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And, and, and also I feel glad to have predated the modern internet just enough.
01:13:23
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And I have often wondered that like if per capita there are fewer programmy people who
01:13:32
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were on the other side of that internet divide, like when you have real graphical user interfaces
01:13:38
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as your as your starting point.
01:13:39
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I mean, I used computers that had a green text on a black background, but like they
01:13:45
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were when I was very young and it was like, here's a couple of games you'd maybe play
01:13:49
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at the computer at your uncle's house, which is what my situation was.
01:13:53
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Yeah, and you're just a little too young to be doing the, like, what's underneath this part of it.
01:13:59
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You're still using it as an interface, even though it is text.
01:14:01
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Yeah, exactly. And then when I kind of got to the age where you were when you started paying
01:14:06
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attention to the stuff in that way, it was for me, look at these games on the BBC's website,
01:14:13
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you know, like, and then I moved on from there, like discovering the internet.
01:14:19
◼
►
So would you like again to clarify, would you say that that first Mac then is what?
01:14:23
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Started your interest in technology.
01:14:27
◼
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In and of itself, was it much more tool like for you?
01:14:32
◼
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I was interested in it before, but that was the computer that really set me on the path
01:14:38
◼
►
that I'm on now. What were you using before?
01:14:40
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A PC of some description like I don't even know. It was just like just a PC.
01:14:45
◼
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I got a PC world and it was the family computer like that. I'm a was also my it was the first
01:14:50
◼
►
computer that was mine. That was my computer. I just I saw this question as the follow up
01:14:56
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►
and I would not have guessed something so late in time, but I think that's like that's just that is
01:15:02
◼
►
interesting and it is a side effect of which side of the divide of the Internet. Were you on that
01:15:09
◼
►
same computer for you, I think was was for me of when I decided to make the switch from Linux and
01:15:17
◼
►
Windows to go to Mac instead. And, and that was also when I issued my family an ultimatum, that
01:15:24
◼
►
if you want tech support, you're going to have to follow me down this trail because I'm not keeping
01:15:29
◼
►
track of three different, three different systems. Was anyone else in the family using Linux gray?
01:15:34
◼
►
Really? I think you might have just been keeping track of that one for yourself.
01:15:38
◼
►
That's true, you know what, you're right. But it was very like, "FYI, I'm doing a thing,
01:15:46
◼
►
and you can come or you cannot, that's your choice, but there's going to be repercussions
01:15:51
◼
►
if you don't in terms of you gotta find your tech support somewhere else." So it's just funny that
01:15:56
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that's the computer that started you down the course. Well I think then, isn't that kind of
01:16:01
◼
►
the same for both of us, but there were other computers in our lives before where like, I was
01:16:06
◼
►
interested in technology, right? That's why I knew that the iMac was coming. I had iPods and stuff
01:16:14
◼
►
like that before, but I was using the family's computer because I didn't have the funds to buy
01:16:20
◼
►
my own. But I had a job then when I was 18, right? I had a part-time job while I was still in school.
01:16:26
◼
►
So I was watching all of these keynotes and I knew that my birthday was coming up and I was
01:16:32
◼
►
gonna buy an iMac and then they announced the Intel one it's like amazing I'm gonna get that one
01:16:37
◼
►
and then that was what really then from there it was like okay because that was the first computer
01:16:44
◼
►
where I was like this has so many amazing tools on it why don't I try and do something creatively
01:16:50
◼
►
you know like the very first podcast I ever recorded was on that machine it was uh abandoned
01:16:57
◼
►
and I think halfway through the recording, but I tried.
01:17:01
◼
►
- Yeah, but that's the start.
01:17:02
◼
►
- Yeah, right, and then I tried a bunch of other things.
01:17:06
◼
►
You know, I built iLife websites
01:17:08
◼
►
and all that kind of nonsense all on there, right?
01:17:12
◼
►
So iWeb, that was it, iWeb.
01:17:13
◼
►
It used to be like iWeb stuff and all of those things
01:17:16
◼
►
on that computer because it opened up
01:17:20
◼
►
all of these avenues to me and gave me the autonomy
01:17:24
◼
►
to be able to do whatever I wanted because it was mine
01:17:26
◼
►
and I could do whatever I wanted with it.
01:17:27
◼
►
And I was the only person in my family that had a Mac
01:17:30
◼
►
and knew how to use a Mac.
01:17:32
◼
►
It's like it was my computer.
01:17:33
◼
►
So then from there, that was the one that pushed me.
01:17:38
◼
►
I mean, if you want to think about what was the device
01:17:41
◼
►
that sent me on this path, it was the iPod Mini.
01:17:43
◼
►
'Cause the iPod Mini got me interested in Apple
01:17:48
◼
►
and then it kind of went on from there.
01:17:50
◼
►
- Yeah, those iPods were totally gateway drugs.
01:17:53
◼
►
- For everybody. - Yeah.
01:17:54
◼
►
- Yeah, that was my gateway drug too.
01:17:57
◼
►
This iPod is delicious.
01:17:58
◼
►
- I had a pink one.
01:18:01
◼
►
- Where can I get more of this?
01:18:02
◼
►
- I loved my pink iPod Mini, it was amazing.
01:18:05
◼
►
- Many hours of Solitaire playing on the first iPod.
01:18:08
◼
►
I was like, wow, this is amazing.
01:18:09
◼
►
- I did the Breakout type game more than Solitaire.
01:18:14
◼
►
- I forgot about Breakout, I totally forgot about that one.
01:18:17
◼
►
Okay, I've been looking for an image to show you
01:18:22
◼
►
of what I would regard as the computer that got me started professionally in computers.
01:18:28
◼
►
And this, I'm not sure if this is the exact model, but it is close enough.
01:18:34
◼
►
So I've sent you a link so you can see this image.
01:18:37
◼
►
Oh, wow. Look at you.
01:18:41
◼
►
So there were many computers in my youth, but this is the one that sticks out the most clearly for obvious reasons.
01:18:50
◼
►
this is a compact portable portable in 1000 quotations. Oh, and a handle on it a big thick
01:18:58
◼
►
leather handle. Look at that. Yes. So actually, when we went to the Computer History Museum,
01:19:06
◼
►
which is in in my vlog very briefly, there's a shot of me picking up one of these things.
01:19:12
◼
►
If you remember, there was a computer that they had in like a case where you could pick
01:19:15
◼
►
it up to feel what it weighed like as one of the first portable computers. That one
01:19:20
◼
►
was an old Osborne computer, but the compact was basically the same thing a few years later.
01:19:25
◼
►
And if if you imagine the tower of a big computer, and that if there was a spot where you could
01:19:35
◼
►
pull off a panel and that panel was a keyboard, and there was a tiny screen on one of the
01:19:40
◼
►
sides behind that keyboard. That's what the well that's what the compacts look like. They were very
01:19:46
◼
►
heavy. They were portable, in only the most technically correct kind of sense that yes,
01:19:54
◼
►
they could be moved from one location to another as a single piece. My parents had had computers
01:20:00
◼
►
around the house, but this computer was given to me to use as my computer many, many years after it
01:20:08
◼
►
it was manufactured. I'm guessing because my parents were basically like, we have no
01:20:12
◼
►
need use for this computer. It's just a piece of junk sitting around the house. Let's give
01:20:16
◼
►
it to our child. And if he totally breaks it, it doesn't matter. And so this is the
01:20:22
◼
►
computer that I remember feeling like I had real free reign on this thing. And this is
01:20:28
◼
►
where I remember playing around with the prompt and discovering programming and really having
01:20:35
◼
►
this idea that the computer is a machine that you can get to do things for you. And of course,
01:20:43
◼
►
in this very limited self contained world of programming, I was totally entranced by
01:20:49
◼
►
this idea of if I can figure it out, I can get this machine to do stuff for me, that
01:20:56
◼
►
idea was just completely hooked into my brain and was the start of everything. And for a
01:21:01
◼
►
very long time, I thought I was going to be a computer programmer. And I can very easily
01:21:07
◼
►
imagine if things had gone ever so slightly differently in my life. That's the path that
01:21:11
◼
►
I would have taken this portable computer that weighed 40 pounds was for me the real
01:21:17
◼
►
start of the thing. And I genuinely think that it's horrific limitations for being a very old
01:21:24
◼
►
computer at the time that that wasn't connected to the internet for a kid in a just pre-internet
01:21:32
◼
►
age were all advantages. That I had nothing but time to sit down and try to figure out this thing
01:21:39
◼
►
and it wasn't really designed as a gaming machine or anything else. It was just like a professional
01:21:45
◼
►
computer that happened to end up being a thing that my parents let me play around with. So
01:21:52
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►
That was the thing that got me started.