270: Love Blooms Naturally on a Vespa
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general we've checked everything out I'm
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absolutely confident that nothing can go
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wrong it's not brain science its rocket
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surgery
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this is Frankenstein Meets The space
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monster
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the incomparable number 379 October 2015
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certified 100-percent Frankenstein free
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hello everybody this is a Jason
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stoneware back with incomparable rocket
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surgery where we watch a bad movie from
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a decade we've we've progressed to the
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sixties now and although when you think
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about every movies from a decade but
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we've been picking different decades
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that's how this works and joining me to
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watch this movie were David lower hello
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hello there and Fleischmann hi
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what oh yes hello auntie Ashley hi there
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hello and Steve Lyons hi jason i was
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going to skip the recording session
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tonight but then i was informed that
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this podcast was code 24 code 2424 so
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naturally i had to be here
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I i agree with you it's simple just skip
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out on a coat 24 five years if you don't
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if you know what's good for you
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co 24 is the rule on the internet that
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there's some kind of podcast for every
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subject code 24 i think is code for
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bring at least five minutes of a
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military no stock footage you know
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income 24 is co 24 is is a theory that
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suggests that on the Internet
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everything has met the space monster and
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that's good thank you for taking my bad
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idea turning and also his boy Elroy the
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film the film that we watched and I
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don't know why other than that was a
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great title is 1965 Frankenstein Meets
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The space monster and I will point out
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if your Wikipedia page has two words for
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space monster please correct yourself
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because in the in the credits it is very
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clearly one word space monster space
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monster are you already a purist a
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Frankenstein Meets The space monster
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hardcore fan and mr. space months then
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also the name Frankenstein is a misnomer
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but we'll get to that I think the doctor
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was named Frankenstein Meets The space
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man there is no space in space monster
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120 and this movie is crammed full skirt
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is a sponsor ate the space and let there
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is yes it has money points out this
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movie is like to third space
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yeah yeah walking and driving and
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walking over I got ok so I'm I unless
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anybody has an opening statement about
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Frankenstein Meets because I feel like
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that the the decision to make this movie
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went somewhere along the lines of this
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gentleman i have a monster costume some
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bald caps and a whole crapload of stock
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footage
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yes do you think that is enough reason
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to to make a film where we film a bunch
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of youngish girls running around in
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bikinis you're here
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well I don't but if you have an
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above-ground pool that can be fitted out
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with some cardboard to make it look like
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a spaceship then we've got a deal
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I'm sorry if there's no moped involved
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this film cannot be made if you cannot
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borrow a best stuff from a cousin of
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somebody who works in the production no
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deal with the sooner we're in business
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could we film in Puerto Rico though I've
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always wanted to go to Africa go to
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Puerto Rico actually was delayed to see
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them go to Puerto Rico because
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traditionally cheap exploitation movies
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are shot in the Philippines ah and this
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was a nice change from all the other
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ones I've seen mostly starring said hey
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before we get there we have to begin in
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sort of so basically Dracula and
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Cleopatra station a spaceship which
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looks either like a glowing ping-pong
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ball or an out-of-focus Golden Snitch
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depending on my mood chance you're
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skipping at least 10 minutes of that
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radar dish radar dish so there there
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there is as we as we already said
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throughout this movie and will point to
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give me a massive amount of stock
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footage like eight not kidding off but
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they didn't just take like shots of
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rockets lifting off from from Kennedy
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Space Center they they have they have
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some jet footage that obviously came
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from some sort of military military
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stock footage they got a shot of the
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bunch of shots of kennedy space center
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itself which i assume is from like an
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industrial film of like a trip to cap
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space center
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I mean that noted look fake to me so I
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went and looked up a reference image and
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accurate as always i think i've been
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through that gate it's that gotta get
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cavities face so ya know it's there
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really don't type in small letters on
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above the building that looks ridiculous
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like someone hand-lettered it and that's
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real yeah but it looks like it's falling
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really need throughout this film
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anything you can think of that could be
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used with stock footage is and including
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the spaceships your own rockets which
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are very tightly cropped shot of an
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American rocket but what's more
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impressive is that they give them a lot
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of room to breathe but i really like the
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stock footage like it was great the
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footage of the NASA transfer van you
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never see stuff like that really enjoyed
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the opening shot i thought it was
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actually great montage actually kind of
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beautiful
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it started as like well jason said this
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is what is all great bad films you want
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to talk about a long time like this will
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be fun whatever then I'm like oh this is
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actually like kinda party and like not a
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bad way to the moon it was interesting
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the first reaction was actually kind of
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beautiful was afraid I was not expecting
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to hear on this podcast I i actually
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have the complete the complete
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statistics on the on the stock footage
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usage in this film which we can get to
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towards the end of this podcast is I
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want to spoil anything for our listeners
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but suffice it to say that this movie
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runs one hour 16 minutes and eight
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seconds and roughly 15 minutes and 47 of
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that is stock footage so that's about a
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quarter of the film that's listen if you
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can call it that well some of it was
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shot for the movie like all thats best
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footage and I think the driving footage
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was also that's true ok maybe I should
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have more charitably can say that 15
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minutes and 47 seconds is just people
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going from one place to another using
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some form of transportation / wholly
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inappropriate music she knew how to ride
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okay i have really got the sale yet
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we'll get there and I have a strong
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opinion about lately I have to we got to
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dr. nader yet
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yes Jon Lovitz appearing effeminate
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Nosferatu icici i'm going to disagree
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with the characterization of as Jon
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Lovitz is much more like dr. evil but he
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is he definitely looks like a Dracula
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and there's the Princess of Mars because
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we've discovered that the from Mars will
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they only refer to it as their planet
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and she did Princess of Mars is dressed
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up sort of like Cleopatra and they are
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in their spaceship and he is dr.
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dr.nader and what a great name for a
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character in this movie I think that
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Destiny's yeah
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dr. ass man yes so million well yes this
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unit you're the one who found when we
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should trivia we found on the internet
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go ahead sore because I know that it's
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impossible for we listen to this podcast
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to look up things on the internet it's a
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plan for us it should i landed let us
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know I have this the whole come and
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watch the guy had looked up the cast was
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like these must all be you know C&D
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movie actors and never do anything again
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which wasn't true
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I'm sure why do I know this guy why
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don't know the sky yes he's a famous
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seinfeld single episode like 10 second
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appearance but memorable face it also
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features jeans Karim is Caitlyn's to be
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mr. pathmark the the face of pathmark
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grocery stores for 20 years own new york
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new jersey that to me James Karen will
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always be the boss on poltergeist to the
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definer of Indian burial grounds that
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great transformation is the house sort
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of folds in on itself and his face will
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forever be burned into my memory from
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that I want to quibble with the
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description of dr. eight years at
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Dracula he's clearly a Nosferatu okay
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sure sure
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alright i still I'm still leader John
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love isn't a nose for auto what kind of
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Dracula well yeah he's a kind of fraud
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to is a ripoff Dracula that doesn't want
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to pay from Stoker any model right but
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it's it's the ears in the here yeah and
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she looks like Cleopatra yeah
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yes no more old TV serial or a movie
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serial princess like the setup was she
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talked and she talks like like the
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princess of the undersea city or an
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underground city in that a movie that we
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remove random Empire yeah I i saw that
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connection to i'm still going Jon Lovitz
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for nadir though i'm alright it's really
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blows the the blows the rocket out of
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the sky there's this little this little
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smirk on his face that it's just it's
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just all a hundred percent Jon Lovitz
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and it's also fantastic sort of devil
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Jon Lovitz that Jon Lovitz yeah she's
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exactly
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ok he's way better than anyone else in
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the movies right yeah especially well
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beyond wonderful fish is very
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entertaining so they're they're they're
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coming from Mars to the earth there
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hovering over the earth of the
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indeterminate location that apparently
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is very close so they can land very
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quickly
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well they've been attracted by the
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gigantic radar dish that we saw in the
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first 10 yesterday they have received
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they have received radio signals and
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then a missile is set up by somebody and
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they blow it up my they have launched a
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missile attack it may be aimed at US
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isn't a mission to another planet
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another missile attack
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well that's what happens we don't want
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this one oh I think that's the same
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message I think we just cut back earlier
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yes II always what this is regarding of
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anything was right
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this is one of those are alias six hours
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earlier things like that but that's an
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application blew up to things and and
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really I think it was only there so we
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could see that smart a second time
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because it was so great
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the other thing i love about the two of
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them aside from all the transit scenes
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is there a lot of scenes of a human
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Cleopatra sharing looks and meaningful
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looks and then we're looks and its it's
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like long stretches of looking later
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later I've got a note down there is a
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wonderful scene later where where they
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they finish their dialogue and she kind
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of purses her lips yeah and then they
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have to look at each other and it just
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stays one again like everything in this
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movie every shot this movie goes on many
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dates do but that's that moment I
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thought was kind of hilarious that
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they're both like rah ah looking at each
[TS]
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other and variable have notes later in
[TS]
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the movie to say who is dr. nader
[TS]
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◼
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talking to and then who is he looking at
[TS]
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◼
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is using audio why is he looking at the
[TS]
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screen it's the yellow anyway so there
[TS]
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◼
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they blow up the the space probe or
[TS]
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◼
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today and cut to surf guitar is rocket
[TS]
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◼
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we're in NASA on Florida's swing space
[TS]
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◼
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coast as a car with it looks like four
[TS]
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◼
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people sitting across the back so
[TS]
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◼
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obvious is elastomeric for military
[TS]
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◼
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brass to right around cram for to
[TS]
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vaccine Florida forget the camera in the
[TS]
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front seat and with blinds covering the
[TS]
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◼
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back window so you can see where they
[TS]
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◼
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are for the turtle shot just like in
[TS]
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◼
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venetian blinds inside the car
[TS]
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yeah why not you've never been to
[TS]
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◼
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Florida here's the line i like the
[TS]
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◼
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general says how you doing miss grant my
[TS]
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responses
[TS]
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well besides being crammed behind two
[TS]
00:11:00
◼
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large been in a motel room on wheels but
[TS]
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◼
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she has no response to that she just
[TS]
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◼
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stares like I'm not doing so good it
[TS]
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◼
►
makes a strange expression we only hear
[TS]
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◼
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the surf guitar in the external shot
[TS]
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◼
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which are cut intercut with the internal
[TS]
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that was one of the great things then
[TS]
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◼
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they had a little moment and then it's
[TS]
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◼
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like more than ordinary and then come
[TS]
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◼
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back and they'll be like a line of
[TS]
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◼
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dialogue that is punctuated by cut
[TS]
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◼
►
outside there's more guitar but this is
[TS]
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◼
►
a case where the location footage is
[TS]
00:11:26
◼
►
completely extraneous yeah I enjoyed it
[TS]
00:11:29
◼
►
yes are you watching a movie you know
[TS]
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◼
►
where there's a lot of shots of nineteen
[TS]
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◼
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seventies Times Square going like our
[TS]
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◼
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kids through cocoa beach and stuff like
[TS]
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◼
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that they're rolling up the road to get
[TS]
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◼
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2 to Kennedy Space Center and I i I've
[TS]
00:11:41
◼
►
gone up that road I'm like yep that's
[TS]
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◼
►
right the one that made me laugh out
[TS]
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◼
►
loud with that line of dialogue that was
[TS]
00:11:46
◼
►
how much longer
[TS]
00:11:47
◼
►
five minutes baba in a real-time and
[TS]
00:11:50
◼
►
look how much longer before we reach a
[TS]
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◼
►
Space Center sergeant about five minutes
[TS]
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◼
►
[Music]
[TS]
00:11:58
◼
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the best bet is you think it's gonna be
[TS]
00:12:01
◼
►
over when they get to the gate of the
[TS]
00:12:02
◼
►
Space Center and they sort of slow down
[TS]
00:12:04
◼
►
a little bit then the cards comes on the
[TS]
00:12:05
◼
►
role and we got at least another 30
[TS]
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◼
►
seconds or buildings to see at the Space
[TS]
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◼
►
Center that but finally they get the
[TS]
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◼
►
Space Center and met the guy who's
[TS]
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◼
►
playing the surf guitar has to take a
[TS]
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◼
►
break so we got time for a hastily
[TS]
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◼
►
called a press conference so realistic
[TS]
00:12:20
◼
►
that but they are announcing that
[TS]
00:12:23
◼
►
they're sending a man to Mars and no
[TS]
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◼
►
mass conference with for reporters
[TS]
00:12:27
◼
►
that's the entire coverage for the man
[TS]
00:12:29
◼
►
to Mars the worst reporters in the world
[TS]
00:12:31
◼
►
by they are sitting in the uncompleted
[TS]
00:12:33
◼
►
heaters in the back of the room
[TS]
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◼
►
it's basically like those seams in the
[TS]
00:12:35
◼
►
Martian it's essentially like that
[TS]
00:12:37
◼
►
except totally not guys and we meet
[TS]
00:12:40
◼
►
Colonel Frank Saunders who is our new
[TS]
00:12:42
◼
►
our new Mars commander he's been picked
[TS]
00:12:45
◼
►
by NASA computer and they say as a
[TS]
00:12:48
◼
►
finalist as it as the finest a person
[TS]
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◼
►
for us to send tomorrow
[TS]
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◼
►
oh and good journalism i love the jury
[TS]
00:12:56
◼
►
was gonna wait a minute I'm diversity
[TS]
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◼
►
report i've been covering this for a
[TS]
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◼
►
long time why would you say it's like
[TS]
00:13:01
◼
►
that was you know i'm shy i guess i'm
[TS]
00:13:04
◼
►
shy type and then he and then they
[TS]
00:13:05
◼
►
freeze frame of the camera and I think
[TS]
00:13:07
◼
►
there's been a horrible error in the
[TS]
00:13:09
◼
►
film but actually beautiful zooms in on
[TS]
00:13:11
◼
►
him but it turns out that he he has
[TS]
00:13:14
◼
►
stopped moving and they can we clear the
[TS]
00:13:16
◼
►
room and then we get a really great NASA
[TS]
00:13:18
◼
►
PR handling moment when the the
[TS]
00:13:21
◼
►
marketing guy basically says he drinks
[TS]
00:13:23
◼
►
on me at the officers lounge and all the
[TS]
00:13:25
◼
►
journalists like well okay that sounds
[TS]
00:13:27
◼
►
journalists don't mind the guy going
[TS]
00:13:28
◼
►
completely catatonic to get back to the
[TS]
00:13:32
◼
►
journalists in the journal all doubt
[TS]
00:13:33
◼
►
looking down taking notes they don't
[TS]
00:13:35
◼
►
yea though i don't know i just other
[TS]
00:13:39
◼
►
that was super beautifully creepy like
[TS]
00:13:41
◼
►
it was actually great creepy moment
[TS]
00:13:43
◼
►
however his smile is definitely very
[TS]
00:13:45
◼
►
creepy it does it
[TS]
00:13:46
◼
►
is frozen zoomed-in but it turns out
[TS]
00:13:49
◼
►
that they just take off like his hair
[TS]
00:13:51
◼
►
and he has like computer parts in the
[TS]
00:13:53
◼
►
brain so the answer is robot then
[TS]
00:13:55
◼
►
Frankenstein a parent was more of a
[TS]
00:13:57
◼
►
cyborg I think that was really what is
[TS]
00:14:00
◼
►
gonna sleep or but I said he's an extra
[TS]
00:14:02
◼
►
row but they clearly say the things that
[TS]
00:14:05
◼
►
we roll with rubies right so he's a
[TS]
00:14:07
◼
►
realtor not-so-pleasant yeah the jury's
[TS]
00:14:09
◼
►
out on whether he's a robot but
[TS]
00:14:10
◼
►
definitely a robot a robot
[TS]
00:14:12
◼
►
yeah well yes but they they get him back
[TS]
00:14:14
◼
►
be pulling back into the like doctors
[TS]
00:14:16
◼
►
room and they say something about like
[TS]
00:14:19
◼
►
they have problems with the humidity is
[TS]
00:14:20
◼
►
like okay you've gotta wrote you gotta
[TS]
00:14:22
◼
►
robots in florida and you decide where
[TS]
00:14:26
◼
►
he saved to show to the press
[TS]
00:14:28
◼
►
yeah but he's got a problem with
[TS]
00:14:30
◼
►
humidity he can't make it through a
[TS]
00:14:31
◼
►
five-minute press conference but he'll
[TS]
00:14:33
◼
►
be fine in our community in space it's
[TS]
00:14:36
◼
►
it's a dry heat up there
[TS]
00:14:38
◼
►
let's take a brief break from the space
[TS]
00:14:40
◼
►
monster and tell you about the sponsor
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00:14:43
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our sponsor this week is 23andme our
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00:15:20
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00:15:21
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00:15:24
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[TS]
00:15:28
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could possibly be you got a little bit
[TS]
00:15:30
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[TS]
00:15:32
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your ancestors were hanging out in
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00:15:33
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[TS]
00:15:35
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after that pretty much they were
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00:15:37
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frolicking on the British Isles and
[TS]
00:15:39
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maybe in Germany a little bit too and
[TS]
00:15:42
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that's it which i sort of suspected
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00:15:43
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because i'm a very pale white person but
[TS]
00:15:46
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uh it was confirmed genetically through
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00:15:48
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00:15:50
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00:15:53
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[TS]
00:16:53
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return to the space monster
[TS]
00:16:55
◼
►
there's two things I like about the 1965
[TS]
00:16:58
◼
►
conception of robots first of all I'm
[TS]
00:17:00
◼
►
not sure what the point of molding a
[TS]
00:17:02
◼
►
plastic brain around all the resistors
[TS]
00:17:04
◼
►
is since it's covered by a scalp anyway
[TS]
00:17:06
◼
►
but it is kind of a good look
[TS]
00:17:07
◼
►
yeah and and secondly i like that their
[TS]
00:17:09
◼
►
idea of robot repair basically consists
[TS]
00:17:11
◼
►
of prodding and his capacitors with a
[TS]
00:17:13
◼
►
nail file they like moving back and
[TS]
00:17:15
◼
►
forth a couple times short grounded out
[TS]
00:17:17
◼
►
a little bit he's all better
[TS]
00:17:19
◼
►
yeah that's what you doing the typing
[TS]
00:17:20
◼
►
pool this is the point where i'll say
[TS]
00:17:22
◼
►
I'll say again my notes are very clear
[TS]
00:17:24
◼
►
he's technically not Frankenstein he's
[TS]
00:17:26
◼
►
Frankenstein's astronaut okay just eat
[TS]
00:17:29
◼
►
these Frank's lenders now you're okay
[TS]
00:17:31
◼
►
with calling dr. Napier Dracula this
[TS]
00:17:34
◼
►
guy's way closer to Frankenstein was not
[TS]
00:17:37
◼
►
somebody else's brain later he's much
[TS]
00:17:39
◼
►
closer I guess technically he's he's
[TS]
00:17:41
◼
►
Adam steals astronaut i'm not a frank
[TS]
00:17:44
◼
►
it's not but you're right as rain would
[TS]
00:17:46
◼
►
I like her
[TS]
00:17:47
◼
►
freeze frankenstein-like don't really
[TS]
00:17:48
◼
►
get the point of putting Frankenstein in
[TS]
00:17:50
◼
►
your title if you're not going to have
[TS]
00:17:51
◼
►
Frankenstein you get none of the
[TS]
00:17:52
◼
►
benefits of having Frankenstein but all
[TS]
00:17:54
◼
►
the legal hassles what legal hassles man
[TS]
00:17:58
◼
►
its public Mary Wollstonecraft Shelley
[TS]
00:18:00
◼
►
is famously litigious pretty pretty much
[TS]
00:18:03
◼
►
your whole benefit is the people who
[TS]
00:18:04
◼
►
were too dumb to watch the trailer and
[TS]
00:18:06
◼
►
go wait that's not Frankenstein she
[TS]
00:18:08
◼
►
could be shot in that blankets they
[TS]
00:18:09
◼
►
could have called Colonel Frank Stein
[TS]
00:18:12
◼
►
yeah I'm saying that would have been
[TS]
00:18:14
◼
►
close i would have been really cares
[TS]
00:18:16
◼
►
anyway but but this this completely
[TS]
00:18:18
◼
►
human-like robot is able to be
[TS]
00:18:21
◼
►
controlled by um like white TV clicker
[TS]
00:18:24
◼
►
it turns out apparently while he's in
[TS]
00:18:26
◼
►
space as well get all complexity of
[TS]
00:18:28
◼
►
human behavior can be controlled by a
[TS]
00:18:30
◼
►
little white TV clicker it's an ansible
[TS]
00:18:32
◼
►
apple is working on that
[TS]
00:18:33
◼
►
no yeah it's a i like i like that and
[TS]
00:18:38
◼
►
that leads to a very funny line later in
[TS]
00:18:39
◼
►
the film that will that will guess yes I
[TS]
00:18:41
◼
►
then we enter a new montage of stock
[TS]
00:18:44
◼
►
footage about astronauts taking off with
[TS]
00:18:46
◼
►
launch video with a song with sort of
[TS]
00:18:47
◼
►
more doors like I guess a little more
[TS]
00:18:50
◼
►
psychedelic area needles mere numbers
[TS]
00:18:52
◼
►
that we're gonna be but actually it's
[TS]
00:18:54
◼
►
got service fighter pilots now you
[TS]
00:18:56
◼
►
skipped right past the NASA transfer van
[TS]
00:18:59
◼
►
which i think is the star of the movie
[TS]
00:19:00
◼
►
right there entertaining i agree i've
[TS]
00:19:03
◼
►
never seen that before they appear to
[TS]
00:19:04
◼
►
have taken stock footage that nobody
[TS]
00:19:06
◼
►
else use which is at least putting some
[TS]
00:19:08
◼
►
effort into I agree
[TS]
00:19:09
◼
►
well they want they they left no stone
[TS]
00:19:11
◼
►
unturned did I thought if they could use
[TS]
00:19:13
◼
►
in this movie but it's 1965 it's
[TS]
00:19:15
◼
►
entirely possible some random dude just
[TS]
00:19:17
◼
►
has NASA transfer van painted on the
[TS]
00:19:19
◼
►
side of his vehicle that's possible is
[TS]
00:19:21
◼
►
the ice cream man in Cocoa Beach Florida
[TS]
00:19:23
◼
►
just clean it's great is as you drive
[TS]
00:19:25
◼
►
along it plays the Star Trek theme it's
[TS]
00:19:27
◼
►
awesome
[TS]
00:19:28
◼
►
also I i'm amused that they call this
[TS]
00:19:30
◼
►
mission the Mayflower to which ok it's
[TS]
00:19:36
◼
►
just a robot going to Mars I don't know
[TS]
00:19:38
◼
►
why we call it Mayflower to the pilgrims
[TS]
00:19:40
◼
►
it's when astronauts astronauts are
[TS]
00:19:42
◼
►
watching avidly the launch on a little
[TS]
00:19:45
◼
►
TV set which doesn't seem quite like
[TS]
00:19:48
◼
►
Mission Control to me it seems it seems
[TS]
00:19:50
◼
►
kinda low love this funny idea that they
[TS]
00:19:52
◼
►
might have snuck in and shot some
[TS]
00:19:54
◼
►
footage in around things somewhat stock
[TS]
00:19:56
◼
►
footage somewhat is they got a stolen
[TS]
00:19:58
◼
►
Nazi and so I don't know some parts of
[TS]
00:20:01
◼
►
them like I'm not sure how they really
[TS]
00:20:03
◼
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got upset i think NASA cooperated with
[TS]
00:20:06
◼
►
them for somehow I think they had a
[TS]
00:20:08
◼
►
visitor's pass because the car they show
[TS]
00:20:10
◼
►
driving around Florida seems to be part
[TS]
00:20:13
◼
►
of the production and I see that you're
[TS]
00:20:15
◼
►
going through the gate to get into NASA
[TS]
00:20:17
◼
►
itself so we're going into kennedy space
[TS]
00:20:20
◼
►
center and
[TS]
00:20:20
◼
►
exactly difficulty well well maybe they
[TS]
00:20:23
◼
►
thought this would NASA thought this
[TS]
00:20:24
◼
►
would enhance the space program it would
[TS]
00:20:25
◼
►
be a big boost in the public relations
[TS]
00:20:27
◼
►
department
[TS]
00:20:28
◼
►
yeah you got Frankenstein you say well
[TS]
00:20:30
◼
►
it could be someone related to space
[TS]
00:20:33
◼
►
commander you're not so sure on the
[TS]
00:20:35
◼
►
space monster where we're not entirely
[TS]
00:20:36
◼
►
sold on fridays like beats the space
[TS]
00:20:38
◼
►
blanket shine isn't the then it's okay i
[TS]
00:20:40
◼
►
trust that guy
[TS]
00:20:41
◼
►
they're not fighting they're just
[TS]
00:20:42
◼
►
meeting it's fun so the Martians are
[TS]
00:20:45
◼
►
watching dr meteors watching and they
[TS]
00:20:47
◼
►
decided to convince their attack on on
[TS]
00:20:51
◼
►
this this launch as the as the rocket
[TS]
00:20:54
◼
►
containing the robot goes up Frank the
[TS]
00:20:57
◼
►
robot one of my favorite lines of
[TS]
00:20:59
◼
►
dialogue from this movie said which is
[TS]
00:21:01
◼
►
we did it Adam we proved that science
[TS]
00:21:03
◼
►
and military could accomplish the
[TS]
00:21:05
◼
►
impossible
[TS]
00:21:07
◼
►
unfortunately there's a malfunction all
[TS]
00:21:10
◼
►
systems Frank request permission to
[TS]
00:21:12
◼
►
abort and I'm thinking well I mean all
[TS]
00:21:15
◼
►
systems are broken i think you pretty
[TS]
00:21:17
◼
►
much need to come back home with that
[TS]
00:21:18
◼
►
point all systems break because they've
[TS]
00:21:20
◼
►
been attacked right i mean it's not like
[TS]
00:21:22
◼
►
things ya blows up dr. Napier
[TS]
00:21:24
◼
►
straight-out freaks out he thinks
[TS]
00:21:26
◼
►
they're being attacked by a missile when
[TS]
00:21:27
◼
►
it's just innocent robot it's just a
[TS]
00:21:29
◼
►
missile attack
[TS]
00:21:31
◼
►
yeah so the thing there's a huge
[TS]
00:21:32
◼
►
explosion on the screen of the margins
[TS]
00:21:33
◼
►
but Frank is still radioing back to
[TS]
00:21:35
◼
►
earth which is dance then we get the
[TS]
00:21:37
◼
►
pulsating parachute scene where more
[TS]
00:21:40
◼
►
stock footage of NASA capsule deploying
[TS]
00:21:42
◼
►
parachutes now I was concerned I mean
[TS]
00:21:45
◼
►
they're the issue here is that the space
[TS]
00:21:47
◼
►
aliens believe that they might have been
[TS]
00:21:49
◼
►
seen right i mean that's why they have
[TS]
00:21:51
◼
►
to blow this thing up so yes the key to
[TS]
00:21:54
◼
►
keep a low profile i would think blowing
[TS]
00:21:56
◼
►
up the rocket would not be your first
[TS]
00:21:58
◼
►
so i'm not sure about their motivations
[TS]
00:22:01
◼
►
well there are 30 afraid that they've
[TS]
00:22:02
◼
►
been spotted and they're being attacked
[TS]
00:22:04
◼
►
and then they realize that while the
[TS]
00:22:06
◼
►
princess gets very angry right that that
[TS]
00:22:07
◼
►
that the this has been sold to her as a
[TS]
00:22:10
◼
►
missile but it was obviously a spaceship
[TS]
00:22:11
◼
►
and this could jeopardize everything she
[TS]
00:22:15
◼
►
fortunately her next her next command is
[TS]
00:22:17
◼
►
very clear find him and destroy sure
[TS]
00:22:21
◼
►
ok this is so they're going to land the
[TS]
00:22:26
◼
►
ship on earth and i have i just want to
[TS]
00:22:28
◼
►
point out when people like to make fun
[TS]
00:22:29
◼
►
of how Star Trek has people flinging
[TS]
00:22:31
◼
►
themselves around the ship to make it
[TS]
00:22:32
◼
►
seem like the ship is shaking
[TS]
00:22:34
◼
►
whenever they they say that it's really
[TS]
00:22:36
◼
►
bad i recommend that you bring them to
[TS]
00:22:37
◼
►
youtube where this familiar film is
[TS]
00:22:39
◼
►
available in its entirety and make them
[TS]
00:22:41
◼
►
see the scene where the ship is landing
[TS]
00:22:44
◼
►
where it's literally like the director
[TS]
00:22:46
◼
►
is saying to everybody just quiver your
[TS]
00:22:49
◼
►
arms and legs slightly vibrating always
[TS]
00:22:51
◼
►
but the scene where dr. nadir the
[TS]
00:22:54
◼
►
princess slowly sit up to show that the
[TS]
00:22:57
◼
►
gravity has returned to normal or
[TS]
00:22:59
◼
►
whatever while the people in the
[TS]
00:23:01
◼
►
background haven't moved at all and i
[TS]
00:23:04
◼
►
like that scene that's good stuff this
[TS]
00:23:07
◼
►
movie is all about realism em they
[TS]
00:23:09
◼
►
picked the clearly visible edge of the
[TS]
00:23:12
◼
►
bald caps on the guys to materially
[TS]
00:23:14
◼
►
screen space alien that's a no human
[TS]
00:23:16
◼
►
would wear his bald cap is that your
[TS]
00:23:18
◼
►
particular and racial three you don't
[TS]
00:23:20
◼
►
know what's on that they would cover
[TS]
00:23:21
◼
►
their shame it's like it's like dwarf
[TS]
00:23:23
◼
►
said about the Klingons like you don't
[TS]
00:23:25
◼
►
want to know we don't talk about us
[TS]
00:23:27
◼
►
because i like that they put the
[TS]
00:23:28
◼
►
Cleopatra hat on the princess because
[TS]
00:23:30
◼
►
they could never get a bald cap she
[TS]
00:23:31
◼
►
probably has a decent amount of hair
[TS]
00:23:33
◼
►
under there and there's no she wasn't
[TS]
00:23:35
◼
►
going to put on those ears every time so
[TS]
00:23:37
◼
►
now your princess
[TS]
00:23:38
◼
►
yeah totally they'll and it's it's easy
[TS]
00:23:42
◼
►
and they come out of their little
[TS]
00:23:43
◼
►
cardboard geodesic dome thing and
[TS]
00:23:45
◼
►
there's like a hunter there that they
[TS]
00:23:47
◼
►
laser to death because he immediately
[TS]
00:23:49
◼
►
shoot that well there there there it's
[TS]
00:23:51
◼
►
Florida and we're already a salient
[TS]
00:23:53
◼
►
that's what you do in Florida as they
[TS]
00:23:55
◼
►
ever stand your ground against earth you
[TS]
00:23:57
◼
►
know aliens standard earth ground laws
[TS]
00:24:00
◼
►
yep and your earth interterra really
[TS]
00:24:02
◼
►
stand your earth it's that simple so
[TS]
00:24:05
◼
►
that you know there's that there's a
[TS]
00:24:06
◼
►
frank is also crashed at this point of
[TS]
00:24:08
◼
►
course and they they shoot their lasers
[TS]
00:24:11
◼
►
at Frank to try and kill him too because
[TS]
00:24:13
◼
►
this is the whole reason they've landed
[TS]
00:24:14
◼
►
is to is to get get our friends and will
[TS]
00:24:16
◼
►
destroy and destroy him and he gets all
[TS]
00:24:20
◼
►
burned inside of his face gets melted so
[TS]
00:24:22
◼
►
he looks super Frankensteiner at this
[TS]
00:24:24
◼
►
point and the best part here is that as
[TS]
00:24:26
◼
►
soon as he blows up he turns his head to
[TS]
00:24:28
◼
►
the right and and freezes in that
[TS]
00:24:30
◼
►
position for about 15 to 20 seconds so
[TS]
00:24:33
◼
►
we can see the awesome makeup effects
[TS]
00:24:35
◼
►
yep yeah also by the way we're not in
[TS]
00:24:37
◼
►
Florida anymore they did it turns out
[TS]
00:24:39
◼
►
that landed in Puerto Rico and there's a
[TS]
00:24:40
◼
►
very nice palm tree by the way that's
[TS]
00:24:41
◼
►
right next to where the spaceship landed
[TS]
00:24:44
◼
►
it's a good landmark for people so
[TS]
00:24:47
◼
►
let's see the the they can implement
[TS]
00:24:50
◼
►
their plans if detected we've heard
[TS]
00:24:52
◼
►
again about the Martian plans there's a
[TS]
00:24:54
◼
►
really nice bit of redundant dialogue
[TS]
00:24:56
◼
►
where nadir says shall I initiate the
[TS]
00:24:58
◼
►
preliminary pre takeoff procedures and
[TS]
00:25:01
◼
►
she says proceed with the procedures
[TS]
00:25:03
◼
►
ok what's going to be careful
[TS]
00:25:06
◼
►
the preliminary pre preliminary
[TS]
00:25:09
◼
►
procedure procedures and here's what we
[TS]
00:25:11
◼
►
learned that sort of the leader of the
[TS]
00:25:13
◼
►
the other aliens aboard the ship is
[TS]
00:25:15
◼
►
smashing pumpkins billy corgan which is
[TS]
00:25:18
◼
►
uh yeah early appearance by him
[TS]
00:25:20
◼
►
yeah like my face another great line
[TS]
00:25:22
◼
►
he's unconscious but here's what he told
[TS]
00:25:24
◼
►
us he is busy this is where they the the
[TS]
00:25:28
◼
►
wear of the princess really is chewing
[TS]
00:25:30
◼
►
the scenery and then baby they have that
[TS]
00:25:32
◼
►
hilarious thing where they look they
[TS]
00:25:34
◼
►
give each other a look which is pretty
[TS]
00:25:36
◼
►
nice but in order to punish the the guy
[TS]
00:25:38
◼
►
who is allowed Frank to get away they
[TS]
00:25:40
◼
►
say bring him to mall who is as you do
[TS]
00:25:44
◼
►
when you're flying a spaceship on an
[TS]
00:25:46
◼
►
invasion of another planet
[TS]
00:25:47
◼
►
you keep a monster with you in a Cell
[TS]
00:25:50
◼
►
you never know when you're gonna need
[TS]
00:25:51
◼
►
him did they were explained why they
[TS]
00:25:53
◼
►
have a monster though because it the
[TS]
00:25:56
◼
►
movie title i think that's the answer I
[TS]
00:25:58
◼
►
I when we saw the first time I went oh I
[TS]
00:26:01
◼
►
wonder if that's the space monster
[TS]
00:26:03
◼
►
spoiler it is i will say that the it I
[TS]
00:26:07
◼
►
we didn't talk about this but the
[TS]
00:26:09
◼
►
opening credits where we see the
[TS]
00:26:10
◼
►
silhouette of the space monster in the
[TS]
00:26:12
◼
►
background are actually pretty good only
[TS]
00:26:15
◼
►
when you get your space monster costume
[TS]
00:26:17
◼
►
up that closely it actually looks pretty
[TS]
00:26:20
◼
►
I credit design the font design it's
[TS]
00:26:23
◼
►
it's actually quite lovely and at the
[TS]
00:26:24
◼
►
end the end credits a nice the titles
[TS]
00:26:26
◼
►
were designed by everage shazam which is
[TS]
00:26:30
◼
►
my favorite credit ironing ever really
[TS]
00:26:33
◼
►
underground remember color
[TS]
00:26:34
◼
►
unfortunately he now has to go by effort
[TS]
00:26:36
◼
►
Captain Marvel there was a lawsuit
[TS]
00:26:38
◼
►
yeah alas the credits do not tell us
[TS]
00:26:40
◼
►
because he is uncredited that the man in
[TS]
00:26:42
◼
►
the monster suit is none other than
[TS]
00:26:43
◼
►
Bruce Hellion Glover father of Crispin
[TS]
00:26:46
◼
►
wow there's a little bit of trivia for
[TS]
00:26:49
◼
►
the night
[TS]
00:26:50
◼
►
rise so my mom with my logic problem
[TS]
00:26:52
◼
►
here is she sent this guy to death logic
[TS]
00:26:55
◼
►
problem here yes here the residuary this
[TS]
00:26:59
◼
►
time code
[TS]
00:27:00
◼
►
trying to figure out this whole thing
[TS]
00:27:01
◼
►
when she gives us the exposition about
[TS]
00:27:02
◼
►
you know the planet was put a corrupted
[TS]
00:27:04
◼
►
by the nuclear war and they repopulated
[TS]
00:27:06
◼
►
and like I think there's six guys right
[TS]
00:27:09
◼
►
now or seven and she kills one of them
[TS]
00:27:12
◼
►
because he's incompetent thinking this
[TS]
00:27:14
◼
►
does not help you what her issue is
[TS]
00:27:16
◼
►
there's only one lady and it's her
[TS]
00:27:18
◼
►
that's why they have to get more ladies
[TS]
00:27:19
◼
►
so she doesn't have dr. dear on her
[TS]
00:27:21
◼
►
we have won the war but we have no women
[TS]
00:27:24
◼
►
says a woman yeah thicker legs into the
[TS]
00:27:27
◼
►
purpose it could be like an aunt or
[TS]
00:27:28
◼
►
something yeah they need more they need
[TS]
00:27:30
◼
►
more women apparently and this is never
[TS]
00:27:32
◼
►
explain why humans and Martians can I
[TS]
00:27:36
◼
►
can mate and that they know there are
[TS]
00:27:38
◼
►
humans they just need to go get them
[TS]
00:27:41
◼
►
that's weird because they didn't know
[TS]
00:27:42
◼
►
there were humans at the beginning of
[TS]
00:27:43
◼
►
time be nice
[TS]
00:27:44
◼
►
ya know that tracking their tracking the
[TS]
00:27:46
◼
►
signal from the radar dish and so they
[TS]
00:27:48
◼
►
assume that intelligent life is on the
[TS]
00:27:50
◼
►
planet so they figure well it's probably
[TS]
00:27:52
◼
►
made able means intelligent i can meet
[TS]
00:27:54
◼
►
with it really was sixty seventy percent
[TS]
00:27:57
◼
►
likelihood that's basically the
[TS]
00:27:58
◼
►
definition of intelligence as far as I'm
[TS]
00:28:00
◼
►
concerned
[TS]
00:28:00
◼
►
sure he may double that's good so Frank
[TS]
00:28:03
◼
►
in a horror movie tradition Frank finds
[TS]
00:28:06
◼
►
two kids in a car
[TS]
00:28:07
◼
►
yeah but the boys got it all wait guys
[TS]
00:28:10
◼
►
kind of older than a kid though it's coo
[TS]
00:28:12
◼
►
i don't know it's indicating honest here
[TS]
00:28:14
◼
►
that's too just very old kid it's
[TS]
00:28:16
◼
►
typical driving along
[TS]
00:28:17
◼
►
yeah and uh and the the guy gets out and
[TS]
00:28:21
◼
►
i'm not quite sure what he does is he
[TS]
00:28:22
◼
►
like many different scents him with the
[TS]
00:28:24
◼
►
boat with like a bowling ball or
[TS]
00:28:26
◼
►
something just to do about your mom or
[TS]
00:28:29
◼
►
something i'm not really Frank strangles
[TS]
00:28:31
◼
►
that yeah and enrolled which of these
[TS]
00:28:33
◼
►
rules are doing the screaming is
[TS]
00:28:34
◼
►
effective because she just screams and
[TS]
00:28:35
◼
►
screams and screams and doesn't move and
[TS]
00:28:37
◼
►
just sit in the car and Frank is finally
[TS]
00:28:39
◼
►
like basically enough with the screaming
[TS]
00:28:40
◼
►
any leaves like I can't deal with this
[TS]
00:28:42
◼
►
i'm sorry it's weird that this astronaut
[TS]
00:28:45
◼
►
robot immediately goes on the killings
[TS]
00:28:48
◼
►
rub it was gonna be this a strobe it
[TS]
00:28:51
◼
►
immediately goes on a killing spree as
[TS]
00:28:53
◼
►
you were supposed to be rooting for him
[TS]
00:28:54
◼
►
instead of the space monster but the
[TS]
00:28:55
◼
►
space monster didn't hurt anybody
[TS]
00:28:57
◼
►
well he's redeemed later but he's right
[TS]
00:28:59
◼
►
now he's been the explosion has set in
[TS]
00:29:00
◼
►
office all is explained in the
[TS]
00:29:02
◼
►
exposition section of the movie it is
[TS]
00:29:04
◼
►
that you mention that he can experience
[TS]
00:29:06
◼
►
pain which seems like a weird thing to
[TS]
00:29:08
◼
►
design in
[TS]
00:29:09
◼
►
it really does no no pee is a good
[TS]
00:29:11
◼
►
corrective so you don't do things that
[TS]
00:29:13
◼
►
would endanger your body well they
[TS]
00:29:14
◼
►
didn't seem too bothered by it when they
[TS]
00:29:15
◼
►
were jabbing his resistors for the nail
[TS]
00:29:17
◼
►
file earlier it's just well that doesn't
[TS]
00:29:20
◼
►
this wasn't just his braids so our
[TS]
00:29:23
◼
►
friend dr. Steele at this point explains
[TS]
00:29:25
◼
►
to his sisters carefully actually wrote
[TS]
00:29:27
◼
►
down the names of the characters in this
[TS]
00:29:29
◼
►
thing Adam isn't Adam steel seal you
[TS]
00:29:32
◼
►
wrote down the name of every actor
[TS]
00:29:34
◼
►
it's a shame that Josie listen here
[TS]
00:29:36
◼
►
those are the people he explains to
[TS]
00:29:38
◼
►
Karen that that if he got wounded he
[TS]
00:29:41
◼
►
would be a blank and Astro but with no
[TS]
00:29:43
◼
►
knowledge we get that very clearly here
[TS]
00:29:44
◼
►
and and my note here is that Adam steel
[TS]
00:29:47
◼
►
seems about as convincing as well he's
[TS]
00:29:49
◼
►
reading all this dialogue is the
[TS]
00:29:50
◼
►
professor on gilligan's island where
[TS]
00:29:52
◼
►
there is a great line where she says
[TS]
00:29:55
◼
►
what you're saying is he could turn into
[TS]
00:29:57
◼
►
a Frankenstein done down to which adam
[TS]
00:30:00
◼
►
Steele says well technically I it would
[TS]
00:30:02
◼
►
be a Frankenstein's monster and then she
[TS]
00:30:03
◼
►
punches him and I wish that happened ep
[TS]
00:30:06
◼
►
it doesn't instead we cut back to Frank
[TS]
00:30:08
◼
►
who has founded a nice man whose
[TS]
00:30:10
◼
►
chopping things is opening a coconut
[TS]
00:30:13
◼
►
with a machete
[TS]
00:30:14
◼
►
yeah and he's shetty Torah bleep machete
[TS]
00:30:16
◼
►
to death by the Astro but says that
[TS]
00:30:18
◼
►
looks fun and he proceeded to open the
[TS]
00:30:20
◼
►
dude with a machete
[TS]
00:30:21
◼
►
uh-huh well like the coconut shies
[TS]
00:30:23
◼
►
exactly what Frankenstein would do so
[TS]
00:30:25
◼
►
yeah he's a Frankenstein or Dracula and
[TS]
00:30:28
◼
►
Frankenstein is what i'm saying is this
[TS]
00:30:30
◼
►
where he lurches under the to look into
[TS]
00:30:31
◼
►
the beach yes so we so the same Beach
[TS]
00:30:33
◼
►
seem so windy it's so windy I'm like
[TS]
00:30:37
◼
►
like visit Puerto Rico where the winds
[TS]
00:30:39
◼
►
will tear your skin off at the beach
[TS]
00:30:40
◼
►
it's funny I had a similar i also was
[TS]
00:30:43
◼
►
workshopping some marketing materials
[TS]
00:30:45
◼
►
for Puerto Rico tourism Glenn mine says
[TS]
00:30:47
◼
►
exciting puerto rico a girl in a bikini
[TS]
00:30:49
◼
►
sits uncomfortably in the water while
[TS]
00:30:51
◼
►
aboard man read the newspaper on the
[TS]
00:30:53
◼
►
beach and this is an older gentleman and
[TS]
00:30:57
◼
►
and this and never seen I have never
[TS]
00:30:59
◼
►
seen such as my line was I've never seen
[TS]
00:31:02
◼
►
a heterosexual man look with such
[TS]
00:31:04
◼
►
disinterest at a woman and everything
[TS]
00:31:06
◼
►
had a pretty a pretty blonde and looking
[TS]
00:31:07
◼
►
also they don't speak because these are
[TS]
00:31:09
◼
►
asteroids and they're not allowed to
[TS]
00:31:10
◼
►
speak dialogue pay them if the rhythms
[TS]
00:31:13
◼
►
it's been clear since one of the very
[TS]
00:31:15
◼
►
first seems that nothing nothing is
[TS]
00:31:17
◼
►
recorded on set like there's a guy right
[TS]
00:31:19
◼
►
in the union says I'm hanging up they
[TS]
00:31:21
◼
►
just walked in
[TS]
00:31:22
◼
►
yeah yes voices anywhere close to his
[TS]
00:31:25
◼
►
mouth but this lady in the water it's
[TS]
00:31:28
◼
►
like she posed where she thought it
[TS]
00:31:30
◼
►
would look nice when the water wave over
[TS]
00:31:31
◼
►
her and then to wait two hours for the
[TS]
00:31:34
◼
►
tide to come in
[TS]
00:31:35
◼
►
yeah he's nowhere near it no no and when
[TS]
00:31:39
◼
►
she screamed she screams with her her
[TS]
00:31:41
◼
►
face turned away from the camera so this
[TS]
00:31:43
◼
►
may be stock footage actually footage of
[TS]
00:31:45
◼
►
them to bikini everybody says you know
[TS]
00:31:48
◼
►
of like a guy in a goofy hat and a girl
[TS]
00:31:50
◼
►
in a bikini getting blown up by spaces i
[TS]
00:31:52
◼
►
live by space lasers yeah this check
[TS]
00:31:54
◼
►
your phone you probably got so yeah this
[TS]
00:31:56
◼
►
is this is this isn't Frank is that this
[TS]
00:31:58
◼
►
is the old ones are here is this frank
[TS]
00:32:00
◼
►
or the aliens the aliens
[TS]
00:32:02
◼
►
yeah they laid the laser the laser
[TS]
00:32:03
◼
►
guidance and they and they take the girl
[TS]
00:32:05
◼
►
right but um but he never he sees aliens
[TS]
00:32:08
◼
►
surround him and he never says a word
[TS]
00:32:09
◼
►
because he contractually was not allowed
[TS]
00:32:13
◼
►
it's because approach them in a very
[TS]
00:32:15
◼
►
menacing fashion no yeah like mother
[TS]
00:32:18
◼
►
actually was surely they could have even
[TS]
00:32:20
◼
►
less populated place in this order to
[TS]
00:32:22
◼
►
help repopulate the planet
[TS]
00:32:23
◼
►
yeah look like it's it's a super weird
[TS]
00:32:26
◼
►
seem especially since they don't speak
[TS]
00:32:28
◼
►
and its really uncomfortable and of all
[TS]
00:32:30
◼
►
that this may be one of the least
[TS]
00:32:31
◼
►
comfortable scenes ever featuring a
[TS]
00:32:34
◼
►
blonde in a bikini on beach it is not it
[TS]
00:32:38
◼
►
is distressing it is really really weird
[TS]
00:32:40
◼
►
that the site is coming to find anything
[TS]
00:32:42
◼
►
to use glass at the beach from a laser
[TS]
00:32:45
◼
►
of some sort and therefore it can't be
[TS]
00:32:46
◼
►
frank a space laser let's see if yes
[TS]
00:32:49
◼
►
displays the moon laser it has been
[TS]
00:32:52
◼
►
found these around Los Alamos at some
[TS]
00:32:53
◼
►
point apparently oh yes we actually saw
[TS]
00:32:56
◼
►
some last week its nuclear cool it's
[TS]
00:32:58
◼
►
it's called Trinitite at least from
[TS]
00:33:00
◼
►
their nuclear space lasers
[TS]
00:33:02
◼
►
oh yeah i forgot to point out that when
[TS]
00:33:04
◼
►
the princess is explaining in great
[TS]
00:33:06
◼
►
detail to the crew the plans that they
[TS]
00:33:07
◼
►
no doubt already know about we we get
[TS]
00:33:10
◼
►
our are cameo are required nineteen
[TS]
00:33:13
◼
►
sixties cameo from atomic war this
[TS]
00:33:16
◼
►
aliens have left their planet because
[TS]
00:33:18
◼
►
atomic war has devastated and these are
[TS]
00:33:21
◼
►
all these are all that's left
[TS]
00:33:23
◼
►
yep sad bald cap wearing individuals and
[TS]
00:33:26
◼
►
princes
[TS]
00:33:26
◼
►
meanwhile Franco's medicine women and we
[TS]
00:33:29
◼
►
get some nice dialogue where karen says
[TS]
00:33:32
◼
►
Frank has become so real so real to me
[TS]
00:33:34
◼
►
I'm worried too which doctors
[TS]
00:33:36
◼
►
he'll just simply replies nobody's gonna
[TS]
00:33:38
◼
►
ruin 10 years of my life's work
[TS]
00:33:40
◼
►
so is this where Frank hides behind a
[TS]
00:33:42
◼
►
wall because there's a woman with an
[TS]
00:33:44
◼
►
awesome i'm not sure you can really call
[TS]
00:33:45
◼
►
it menacing there's a limit sweeping he
[TS]
00:33:48
◼
►
stands on a wall and another woman
[TS]
00:33:49
◼
►
approaches and he runs away
[TS]
00:33:50
◼
►
welcome to the drinking of killing her
[TS]
00:33:53
◼
►
maybe he's just mounting the wall
[TS]
00:33:55
◼
►
he's probably curious about senior
[TS]
00:33:57
◼
►
running trainer with a broom actually to
[TS]
00:33:59
◼
►
be honest but then he sees a second
[TS]
00:34:00
◼
►
woman help I gotta get out of your other
[TS]
00:34:02
◼
►
side would continue women they could
[TS]
00:34:04
◼
►
take these it
[TS]
00:34:04
◼
►
this leads us to hear it is it would
[TS]
00:34:08
◼
►
let's talk we can talk about it we have
[TS]
00:34:09
◼
►
you ate Alaska music that plays a solid
[TS]
00:34:12
◼
►
style as as a friend at 10 is Karen and
[TS]
00:34:17
◼
►
an atom ride there right there scooter
[TS]
00:34:21
◼
►
yes and my note here is that it's
[TS]
00:34:23
◼
►
weirdly romantic this is the cut that
[TS]
00:34:25
◼
►
you know sheet she works for him and now
[TS]
00:34:27
◼
►
all of a sudden she's kind of hugging
[TS]
00:34:28
◼
►
him and and there's this you know
[TS]
00:34:30
◼
►
romantic kind of beetle ask music
[TS]
00:34:33
◼
►
playing which it seems inappropriate for
[TS]
00:34:35
◼
►
which you're searching the streets of
[TS]
00:34:36
◼
►
san juan for a murderous Frankenstein
[TS]
00:34:37
◼
►
you know and love just blooms naturally
[TS]
00:34:39
◼
►
on a Vespa you know
[TS]
00:34:41
◼
►
yeah your item once and suddenly I think
[TS]
00:34:43
◼
►
that looks like a fun place to write a
[TS]
00:34:45
◼
►
vest along with another place worth it
[TS]
00:34:47
◼
►
has nothing to do with the movie but i
[TS]
00:34:48
◼
►
enjoy the sequence because that's a cool
[TS]
00:34:50
◼
►
best but they look like they're actually
[TS]
00:34:52
◼
►
don't look like they're having fun at
[TS]
00:34:53
◼
►
first to have into hunting the songs a
[TS]
00:34:57
◼
►
the thing that got me is this scene fits
[TS]
00:34:59
◼
►
perfectly in a scooby-doo and edit out
[TS]
00:35:02
◼
►
the first is that last scene is the one
[TS]
00:35:05
◼
►
where they're well we'll get to it all
[TS]
00:35:06
◼
►
pointed out later but yeah it's it's
[TS]
00:35:08
◼
►
just the sort of montage united states i
[TS]
00:35:10
◼
►
would say this song has more of an oven
[TS]
00:35:11
◼
►
Everly Brothers feel to it the people's
[TS]
00:35:13
◼
►
feelings
[TS]
00:35:14
◼
►
right okay yeah mommy's little chat with
[TS]
00:35:16
◼
►
covered a lot of ground i was thinking
[TS]
00:35:17
◼
►
you know the early early
[TS]
00:35:19
◼
►
yes you don't like meet the Beatles 0
[TS]
00:35:21
◼
►
yeah well the movies from 1965 so it's
[TS]
00:35:23
◼
►
probably shot very close to meet people
[TS]
00:35:26
◼
►
assume i would like to criticize the
[TS]
00:35:28
◼
►
Vesper riding every please your honor
[TS]
00:35:30
◼
►
here this guy has never ridden a value
[TS]
00:35:33
◼
►
is a nobody should ever write a Vespa
[TS]
00:35:35
◼
►
know I have a best time I enjoy very
[TS]
00:35:37
◼
►
much but this guy i would like to
[TS]
00:35:40
◼
►
criticize Monty at this both get in line
[TS]
00:35:42
◼
►
with sarah recognizes zealots he's
[TS]
00:35:44
◼
►
writing very slowly at first and at
[TS]
00:35:47
◼
►
least twice doesn't absolutely does not
[TS]
00:35:50
◼
►
seem to know it has a kickstand at one
[TS]
00:35:53
◼
►
point he leads it the whole vespa
[TS]
00:35:55
◼
►
against the nearest vertical object he
[TS]
00:35:59
◼
►
gets better at the best but later but I
[TS]
00:36:01
◼
►
am pretty sure they handed him the best
[TS]
00:36:03
◼
►
but minutes before the season started
[TS]
00:36:05
◼
►
said ride this with her on it and he's
[TS]
00:36:07
◼
►
terrified he does look a little nervous
[TS]
00:36:11
◼
►
we're not going very fast right now we
[TS]
00:36:13
◼
►
have two minutes and 10 seconds of the
[TS]
00:36:15
◼
►
distant cousins to get through
[TS]
00:36:16
◼
►
yeah we can hear through san juan no
[TS]
00:36:19
◼
►
only send an extra days to write it on a
[TS]
00:36:21
◼
►
rough road through puddles and stopped
[TS]
00:36:24
◼
►
suddenly and he does not do weight of
[TS]
00:36:26
◼
►
that I just imagine that there you know
[TS]
00:36:27
◼
►
many years later they tell their kids
[TS]
00:36:29
◼
►
well we fell in love in san juan when
[TS]
00:36:31
◼
►
the military fluence there on the jet
[TS]
00:36:32
◼
►
because our Frankenstein crash-landed it
[TS]
00:36:34
◼
►
was killing people they did you look
[TS]
00:36:36
◼
►
very relaxed considering the writing off
[TS]
00:36:37
◼
►
to save their robot from certain
[TS]
00:36:39
◼
►
destruction
[TS]
00:36:39
◼
►
yeah I may have had some cuba libre days
[TS]
00:36:41
◼
►
before continuing the but that the the
[TS]
00:36:45
◼
►
mood is broken by lots of theremin music
[TS]
00:36:48
◼
►
and immediately places to home battle
[TS]
00:36:56
◼
►
well suddenly becomes like an extended
[TS]
00:36:58
◼
►
music video yeah reason like this
[TS]
00:37:00
◼
►
transition neatly into that it's it's
[TS]
00:37:03
◼
►
it's really weird their screams Frank is
[TS]
00:37:05
◼
►
there he he's got that neat cave later
[TS]
00:37:09
◼
►
he keeps walking kind of doing the mike
[TS]
00:37:11
◼
►
myers elevator thing walking down into
[TS]
00:37:13
◼
►
and what
[TS]
00:37:13
◼
►
yeah yeah buddy Adam warrants warns
[TS]
00:37:18
◼
►
Karen remember he's a he's a robot not a
[TS]
00:37:20
◼
►
man as cheesy apologizes for saying the
[TS]
00:37:22
◼
►
wrong thing at that point in me and then
[TS]
00:37:24
◼
►
he attaches alligator clips and starts
[TS]
00:37:26
◼
►
poking the second mile down this cave
[TS]
00:37:28
◼
►
and they're like poking around his brain
[TS]
00:37:30
◼
►
yeah and it certainly like he was
[TS]
00:37:32
◼
►
playing like your birds into him his
[TS]
00:37:34
◼
►
plane operated his song they say they do
[TS]
00:37:38
◼
►
manage to calm him down a bit though as
[TS]
00:37:39
◼
►
yesterday brought his brain
[TS]
00:37:41
◼
►
maybe your arms down energy says Karen
[TS]
00:37:43
◼
►
to go get general Bowers off by herself
[TS]
00:37:45
◼
►
they completely oddly awkward spot where
[TS]
00:37:48
◼
►
she leaves just serve skipper click
[TS]
00:37:51
◼
►
yep they barely know each other or
[TS]
00:37:53
◼
►
anything i don't know i guess i'll leave
[TS]
00:37:55
◼
►
then just kind of walk out display cave
[TS]
00:37:58
◼
►
and so she's off to get to this is
[TS]
00:38:00
◼
►
probably a man in robots and he's down
[TS]
00:38:02
◼
►
there taking care of Israel but
[TS]
00:38:03
◼
►
meanwhile back at the palm tree the the
[TS]
00:38:07
◼
►
Martians have sent out there there are
[TS]
00:38:08
◼
►
me to get more women and this is the
[TS]
00:38:10
◼
►
scene that I like to call a hard day's
[TS]
00:38:12
◼
►
night meets the space monster hell yeah
[TS]
00:38:14
◼
►
yeah yeah
[TS]
00:38:15
◼
►
then this is the one that that reminded
[TS]
00:38:16
◼
►
me again of scooby-doo because it's like
[TS]
00:38:18
◼
►
I expected them to get into a hallway
[TS]
00:38:20
◼
►
where they were running back and forth
[TS]
00:38:21
◼
►
between all sorts of different doors
[TS]
00:38:24
◼
►
rate it was that weird manic its anyway
[TS]
00:38:27
◼
►
it's a bunch bit but of course it's the
[TS]
00:38:29
◼
►
it's Frankenstein Meets The space
[TS]
00:38:31
◼
►
sponsor so they don't have they have
[TS]
00:38:32
◼
►
like a camera at the other end of the
[TS]
00:38:33
◼
►
pool right the way the shot is framed
[TS]
00:38:35
◼
►
there's a party shooting are on the
[TS]
00:38:37
◼
►
diving board
[TS]
00:38:38
◼
►
yeah across the diving board there are
[TS]
00:38:39
◼
►
there like four people in the pool and
[TS]
00:38:41
◼
►
then there are a lot of people packed in
[TS]
00:38:43
◼
►
a very small space between the back of
[TS]
00:38:44
◼
►
the house well to be honest Jason I'm
[TS]
00:38:46
◼
►
not certain their people but there are a
[TS]
00:38:47
◼
►
lot of butts on the other side yeah
[TS]
00:38:49
◼
►
we're just assuming there's people are
[TS]
00:38:51
◼
►
after those mostly all we can see is
[TS]
00:38:52
◼
►
this would be willing rights while while
[TS]
00:38:55
◼
►
some more beetle ask music plays my
[TS]
00:38:57
◼
►
notes and now closed up some butts and
[TS]
00:39:00
◼
►
then like 20 !
[TS]
00:39:03
◼
►
the scientists reported seeing the
[TS]
00:39:05
◼
►
opening of the woman in the bikini-clad
[TS]
00:39:06
◼
►
strangely no reaction we access was
[TS]
00:39:08
◼
►
evaluating her definitely Corrigan
[TS]
00:39:10
◼
►
really are minors no no literally hurts
[TS]
00:39:13
◼
►
it gets cold by the clearance paper
[TS]
00:39:16
◼
►
industry bring her and she turns around
[TS]
00:39:18
◼
►
yeah she's completely unconcerned that
[TS]
00:39:20
◼
►
she's on this ship she isn't so because
[TS]
00:39:22
◼
►
she doesn't say anything but she's not a
[TS]
00:39:24
◼
►
lot this is not a ready when they could
[TS]
00:39:26
◼
►
have had her screen while she was facing
[TS]
00:39:27
◼
►
the other direction now did this movie
[TS]
00:39:29
◼
►
really have such rigorous contracts that
[TS]
00:39:31
◼
►
people had to get paid more if they
[TS]
00:39:33
◼
►
spoke well i think i don't know i think
[TS]
00:39:36
◼
►
that's like standard procedure right a
[TS]
00:39:37
◼
►
speaking part pays more you're an extra
[TS]
00:39:39
◼
►
but not certainly speed on what they
[TS]
00:39:41
◼
►
were in a film yeah that's why you get
[TS]
00:39:43
◼
►
paid extra if they're in a bikini but if
[TS]
00:39:45
◼
►
they're terrible and they say don't
[TS]
00:39:47
◼
►
speak or they were they were shot on
[TS]
00:39:49
◼
►
location in san juan and didn't speak
[TS]
00:39:50
◼
►
English that's all that's also possible
[TS]
00:39:53
◼
►
that's right because they don't they
[TS]
00:39:54
◼
►
don't speak regardless you're right it
[TS]
00:39:55
◼
►
is a super creepy see look I mean
[TS]
00:39:57
◼
►
they're at this is a movie from the
[TS]
00:39:58
◼
►
mid-sixties there it is it there is
[TS]
00:40:01
◼
►
plenty o sexism throughout it but I i
[TS]
00:40:04
◼
►
will say the plot of the Martians
[TS]
00:40:06
◼
►
basically assaulting women and dragging
[TS]
00:40:08
◼
►
them back to the spaceship kind of
[TS]
00:40:10
◼
►
uncomfortable but it's it's matched by V
[TS]
00:40:12
◼
►
scene where the princess basically tells
[TS]
00:40:15
◼
►
the blonde from the in a bikini too kind
[TS]
00:40:18
◼
►
of twirl around and then like lift her
[TS]
00:40:20
◼
►
arms up and then put them back their own
[TS]
00:40:22
◼
►
series and all the way should leave them
[TS]
00:40:24
◼
►
slightly just part of the way it was a
[TS]
00:40:28
◼
►
very small set let ya know when to shut
[TS]
00:40:31
◼
►
the cardboard cardboard on the ramp
[TS]
00:40:33
◼
►
I appreciate how small that set is
[TS]
00:40:35
◼
►
because it for once you can actually
[TS]
00:40:36
◼
►
imagine that this being the inside of
[TS]
00:40:38
◼
►
that exterior of the spit of the flying
[TS]
00:40:42
◼
►
yeah sure it is interesting that the
[TS]
00:40:44
◼
►
princess has say on which of the bikini
[TS]
00:40:47
◼
►
girls are our quality enough to stick
[TS]
00:40:50
◼
►
well i mean i think what was clears me
[TS]
00:40:53
◼
►
dear approves of all of them
[TS]
00:40:55
◼
►
well yeah so she's like no no I got
[TS]
00:40:57
◼
►
standard see we talk about ordering the
[TS]
00:40:59
◼
►
the epic purification seen as which is
[TS]
00:41:02
◼
►
coming coming up but first the pool
[TS]
00:41:03
◼
►
party and I don't know why they laser
[TS]
00:41:06
◼
►
that the guy on the diving boards death
[TS]
00:41:08
◼
►
because he should have but one time too
[TS]
00:41:10
◼
►
many standing on the diving board doing
[TS]
00:41:12
◼
►
his butt shake so he's lasered and
[TS]
00:41:14
◼
►
explodes and then all the spaceman come
[TS]
00:41:16
◼
►
in and and fairly easily just take all
[TS]
00:41:18
◼
►
the girls and walk away
[TS]
00:41:20
◼
►
it seems like the sentiment from all of
[TS]
00:41:21
◼
►
the guys at the party is so you guys in
[TS]
00:41:23
◼
►
space helmets are gonna take off with
[TS]
00:41:25
◼
►
all the women are well okay then
[TS]
00:41:27
◼
►
Jorge see ya well they're a long way
[TS]
00:41:29
◼
►
away that's like march the women this
[TS]
00:41:31
◼
►
great distance there's a handful of them
[TS]
00:41:33
◼
►
and they marched them in various states
[TS]
00:41:35
◼
►
of dress and maybe this movie was made
[TS]
00:41:38
◼
►
by the San Juan department of tourism
[TS]
00:41:40
◼
►
and they want you to get the message
[TS]
00:41:41
◼
►
women are just here for the takin let's
[TS]
00:41:43
◼
►
come visit our strangely leaf forest in
[TS]
00:41:46
◼
►
our fingers and our roads and our many
[TS]
00:41:49
◼
►
swing and mud parties
[TS]
00:41:50
◼
►
yes got my pick up a lady are clearly
[TS]
00:41:52
◼
►
cold windy computer been pitches
[TS]
00:41:57
◼
►
oh yeah okay electronic purification is
[TS]
00:41:59
◼
►
next they they what does they use this
[TS]
00:42:03
◼
►
to check the purity of the women that
[TS]
00:42:05
◼
►
they're that they're testing a lot of
[TS]
00:42:07
◼
►
there with we were checking the purity
[TS]
00:42:09
◼
►
or with a purifying them this is about
[TS]
00:42:10
◼
►
different things but they were purifying
[TS]
00:42:12
◼
►
I thought no they should i think the
[TS]
00:42:14
◼
►
princess are learning which ones are
[TS]
00:42:16
◼
►
pure enough to stick around so maybe she
[TS]
00:42:19
◼
►
didn't want me they go on the conveyor
[TS]
00:42:21
◼
►
in my headcanon it's both if you don't
[TS]
00:42:23
◼
►
everything I and you have a hit-and-run
[TS]
00:42:25
◼
►
raids meeting space what are absolutely
[TS]
00:42:27
◼
►
just what you have to just a patch up
[TS]
00:42:29
◼
►
the plot so basically if you're not pure
[TS]
00:42:31
◼
►
enough you are I guess choked off screen
[TS]
00:42:34
◼
►
and if you are hearing up if you are
[TS]
00:42:36
◼
►
pure enough they drape a fitted sheet
[TS]
00:42:38
◼
►
over you and you slide down somewhere on
[TS]
00:42:41
◼
►
its ok i love i love this scene i love
[TS]
00:42:43
◼
►
the seamer dr. day he looks at her and
[TS]
00:42:45
◼
►
she shakes her head no and he looks at
[TS]
00:42:48
◼
►
the soldiers and he shakes his head and
[TS]
00:42:51
◼
►
they accept bizarre cracking motion with
[TS]
00:42:53
◼
►
his hand like you can snap the neck
[TS]
00:42:55
◼
►
that's why i said yeah they're choking
[TS]
00:42:56
◼
►
them to death or what they not just give
[TS]
00:42:58
◼
►
her give her to the space monster
[TS]
00:43:00
◼
►
yeah I'm it's well it's possible but
[TS]
00:43:02
◼
►
it's there's not time for them to walk
[TS]
00:43:04
◼
►
them i don't know maybe it's not that
[TS]
00:43:05
◼
►
big ship I guess it's not that big of a
[TS]
00:43:07
◼
►
ship they could easily belonging to the
[TS]
00:43:08
◼
►
space monsters cage they seem to
[TS]
00:43:10
◼
►
suddenly have a hundred women and their
[TS]
00:43:11
◼
►
shipping off to some other part of the
[TS]
00:43:13
◼
►
ship it's very confusing so so karen is
[TS]
00:43:15
◼
►
also there and they discovered that she
[TS]
00:43:17
◼
►
has the remote control that we saw
[TS]
00:43:18
◼
►
before the controls Frank this is a very
[TS]
00:43:21
◼
►
advanced looking mechanism for this is
[TS]
00:43:23
◼
►
I do know Steve you got your gonna this
[TS]
00:43:25
◼
►
is this is the best part you got you
[TS]
00:43:27
◼
►
gotta put in the pause there because
[TS]
00:43:28
◼
►
that is the who killed me
[TS]
00:43:29
◼
►
this is a very advanced looking
[TS]
00:43:32
◼
►
mechanism for the society we haven't
[TS]
00:43:35
◼
►
analyzed it but it looks like it would
[TS]
00:43:36
◼
►
be advanced so he was putting a little
[TS]
00:43:40
◼
►
extra spin on the dialing up yet because
[TS]
00:43:42
◼
►
it's stupid diet because the man is a
[TS]
00:43:44
◼
►
professional that's what yep so I put
[TS]
00:43:47
◼
►
her in the cage next to next to mall
[TS]
00:43:49
◼
►
yes come on the space monster just a
[TS]
00:43:52
◼
►
mall or mole or I are small mole malas
[TS]
00:43:56
◼
►
and you're going to get mauled by the
[TS]
00:43:57
◼
►
space monster maybe i was thinking like
[TS]
00:43:59
◼
►
Carlos the moment our list them all just
[TS]
00:44:02
◼
►
like that we never see him run this
[TS]
00:44:04
◼
►
leads to a weird scene where they just
[TS]
00:44:06
◼
►
sort of sit there and smile while sound
[TS]
00:44:08
◼
►
effects play and it goes on for a long
[TS]
00:44:11
◼
►
time they love smiling and looking
[TS]
00:44:14
◼
►
yeah this and then of course the moment
[TS]
00:44:17
◼
►
is very angry the space monster and it
[TS]
00:44:19
◼
►
reaches out with her with well they
[TS]
00:44:21
◼
►
didn't put her clothes without with her
[TS]
00:44:22
◼
►
with her right so with his claws
[TS]
00:44:25
◼
►
apparently his clothes are quite soft
[TS]
00:44:26
◼
►
because it does no damage she's just
[TS]
00:44:28
◼
►
sort of softly pulling gently pulling
[TS]
00:44:30
◼
►
her maybe he's not so bad maybe she
[TS]
00:44:33
◼
►
eventually falls asleep she's
[TS]
00:44:35
◼
►
comfortable for lashes white this is
[TS]
00:44:38
◼
►
quite soothing thank you massage the
[TS]
00:44:39
◼
►
malls Claus it'sit's kong in fay wray
[TS]
00:44:42
◼
►
it's you know you like sir again though
[TS]
00:44:45
◼
►
i should say the space monster suit is
[TS]
00:44:47
◼
►
far better than it needs to be for this
[TS]
00:44:49
◼
►
film it is i wondered if it was from
[TS]
00:44:52
◼
►
something else because it is a pretty
[TS]
00:44:54
◼
►
good monster outfit I think he's kind of
[TS]
00:44:57
◼
►
creepy weird and creepy and spooky it's
[TS]
00:44:59
◼
►
uh it's from a very high-end bukit on
[TS]
00:45:02
◼
►
theater club I at the dinner theater
[TS]
00:45:05
◼
►
they have the sense not to show it too
[TS]
00:45:07
◼
►
much just yet we close up and they don't
[TS]
00:45:09
◼
►
get away right and then smartly when you
[TS]
00:45:11
◼
►
see him later it's obscured by smoke as
[TS]
00:45:13
◼
►
well so right yeah some some competence
[TS]
00:45:16
◼
►
in in the filming of this movie into the
[TS]
00:45:18
◼
►
indeed there's there's some of their
[TS]
00:45:20
◼
►
yeah there's something they had an idea
[TS]
00:45:22
◼
►
of what they were trying to do you know
[TS]
00:45:23
◼
►
I mentioned the dialogue recorded later
[TS]
00:45:26
◼
►
but people do a pretty good job of
[TS]
00:45:27
◼
►
matching it up with the lips mmm I've
[TS]
00:45:30
◼
►
seen way worse
[TS]
00:45:32
◼
►
that's a worse high praise for friends
[TS]
00:45:35
◼
►
each minute that was Vincent Canby is
[TS]
00:45:39
◼
►
pull quotes but this is where we get the
[TS]
00:45:43
◼
►
alert to the army that something is
[TS]
00:45:46
◼
►
going on in Puerto Rico there's a report
[TS]
00:45:48
◼
►
of unusual civilians to which somebody
[TS]
00:45:50
◼
►
says it's probably castro in that bunch
[TS]
00:45:53
◼
►
which is strange topical references but
[TS]
00:45:57
◼
►
this steve is where we get the the point
[TS]
00:45:59
◼
►
that but generally you don't understand
[TS]
00:46:00
◼
►
its code 24 general code 2400 yeah and
[TS]
00:46:05
◼
►
so he's sitting there reading the paper
[TS]
00:46:07
◼
►
you soon as this small happy look at
[TS]
00:46:09
◼
►
that hotel room the whole time I just I
[TS]
00:46:11
◼
►
mean I went into rifftrax mode where I'm
[TS]
00:46:13
◼
►
just going to no man that Andy Capp
[TS]
00:46:16
◼
►
beating his wife again what an adorable
[TS]
00:46:17
◼
►
and and then is as having the phone
[TS]
00:46:20
◼
►
calls like come on get it over with I
[TS]
00:46:22
◼
►
want to go back to my paper read the
[TS]
00:46:23
◼
►
funnies may doesn't make a serious until
[TS]
00:46:24
◼
►
you find out you know it's kind of those
[TS]
00:46:26
◼
►
code 20 but then once he understands
[TS]
00:46:28
◼
►
it's serious he sent out all the stock
[TS]
00:46:30
◼
►
footage the Army has dropped 20 for me a
[TS]
00:46:33
◼
►
fighter Hillary's Piper Cub that's
[TS]
00:46:35
◼
►
available with that he scrambled
[TS]
00:46:36
◼
►
immediately
[TS]
00:46:37
◼
►
Oh 24 means five or more minutes of
[TS]
00:46:39
◼
►
b-roll helicopters that are clearly in
[TS]
00:46:41
◼
►
Vietnam get them over here
[TS]
00:46:43
◼
►
yep the proper problem get this crappy
[TS]
00:46:46
◼
►
actually kept coming back to it yea even
[TS]
00:46:48
◼
►
after they've shown us the fighter jet
[TS]
00:46:50
◼
►
expect the best part of that prop plane
[TS]
00:46:51
◼
►
footage is is where we get a shot from
[TS]
00:46:53
◼
►
the prop plane and we hear nothing
[TS]
00:46:55
◼
►
interesting down there
[TS]
00:46:57
◼
►
yeah they're slaves down that looks like
[TS]
00:47:01
◼
►
some trees from going home
[TS]
00:47:03
◼
►
ah well it's you know the Army's mad now
[TS]
00:47:05
◼
►
they've sent an airplane so watch out
[TS]
00:47:07
◼
►
also I I have at this point I have to
[TS]
00:47:09
◼
►
ask why just care and have the remote if
[TS]
00:47:11
◼
►
then adam has to like grab hold Frank's
[TS]
00:47:15
◼
►
hand and lead them along to take him
[TS]
00:47:17
◼
►
somewhere I don't know why you would
[TS]
00:47:18
◼
►
leave a remote control with the the
[TS]
00:47:20
◼
►
robot I think about especially white is
[TS]
00:47:22
◼
►
care and have the remote period he seems
[TS]
00:47:24
◼
►
to work pretty well on his boat you know
[TS]
00:47:26
◼
►
it doesn't he keeps killing people
[TS]
00:47:28
◼
►
it's actually you know as its jostling
[TS]
00:47:30
◼
►
around in her purse it's bumping into
[TS]
00:47:32
◼
►
the differences but residents we're
[TS]
00:47:33
◼
►
making him go
[TS]
00:47:34
◼
►
killin printable kill button it's all
[TS]
00:47:36
◼
►
because of practice identity but here's
[TS]
00:47:38
◼
►
your problem the kill button in the back
[TS]
00:47:40
◼
►
of Frank was set to on the accident yeah
[TS]
00:47:42
◼
►
that I'm now starting to question
[TS]
00:47:43
◼
►
whether he's really a robot with one of
[TS]
00:47:45
◼
►
our remote-control can you be a robot
[TS]
00:47:47
◼
►
you really just did you know I was just
[TS]
00:47:50
◼
►
an emergency only an arson card that are
[TS]
00:47:52
◼
►
over now he's designed to work on his
[TS]
00:47:54
◼
►
own but in certain cases like when he's
[TS]
00:47:57
◼
►
not I piloting a rocket so when he's in
[TS]
00:48:00
◼
►
a press conference or on a beach then
[TS]
00:48:04
◼
►
you need to take over manual control of
[TS]
00:48:07
◼
►
that's what that's why we see that that
[TS]
00:48:08
◼
►
remote so frequently turning this film
[TS]
00:48:11
◼
►
oh dear it's gonna look for other earth
[TS]
00:48:14
◼
►
devices and Karen satchel what you come
[TS]
00:48:17
◼
►
up with and that was that was redacted
[TS]
00:48:20
◼
►
for the time they're earth device
[TS]
00:48:22
◼
►
advanced looking devices
[TS]
00:48:24
◼
►
yes d just makes a buzzing noise I don't
[TS]
00:48:26
◼
►
understand some people out still goes to
[TS]
00:48:29
◼
►
get general Bowers he picks up the
[TS]
00:48:31
◼
►
scooter which is right there and you
[TS]
00:48:32
◼
►
know what the surf guitar comes back
[TS]
00:48:34
◼
►
whenever you're ready to serve scooter
[TS]
00:48:35
◼
►
so that is a that is funny we also get
[TS]
00:48:37
◼
►
form of the percent accurate by the way
[TS]
00:48:39
◼
►
for ya for a movie that involves a
[TS]
00:48:41
◼
►
Puerto Rico there's very little spanish
[TS]
00:48:42
◼
►
but here we do get el telefone oh hello
[TS]
00:48:45
◼
►
hello telephone oh yeah I become officer
[TS]
00:48:49
◼
►
my favorite character in the movie
[TS]
00:48:51
◼
►
absolutely no audible vulnerable leave
[TS]
00:48:55
◼
►
LA tonight before we get to that guy can
[TS]
00:48:57
◼
►
I complain about the dude who didn't
[TS]
00:48:59
◼
►
know what telephone meant but didn't
[TS]
00:49:00
◼
►
know what telephoto meant yeah you're
[TS]
00:49:03
◼
►
not helping that you know I think he was
[TS]
00:49:04
◼
►
just lying days I think he was just
[TS]
00:49:06
◼
►
grieving the yeah the guy because he
[TS]
00:49:08
◼
►
wanted to sell the drink happens the
[TS]
00:49:11
◼
►
comm officer is great because basically
[TS]
00:49:14
◼
►
Adam steel calls him and says there's an
[TS]
00:49:17
◼
►
alien spaceship is like I don't think I
[TS]
00:49:20
◼
►
cannot do that i don't think i can tell
[TS]
00:49:22
◼
►
the general that he's just like you're
[TS]
00:49:23
◼
►
you're you're crazy person like no
[TS]
00:49:25
◼
►
listen here you tell him like alright
[TS]
00:49:28
◼
►
well give it a try and then he you know
[TS]
00:49:30
◼
►
he called that's right a spaceship
[TS]
00:49:32
◼
►
controls a plane and the plane calls the
[TS]
00:49:35
◼
►
general and federalism he is general up
[TS]
00:49:38
◼
►
in the problem did the prop plane is
[TS]
00:49:40
◼
►
root relaying the message to the general
[TS]
00:49:43
◼
►
down in his jeep right who declares turn
[TS]
00:49:45
◼
►
this Jeep around on this gene
[TS]
00:49:47
◼
►
bow around and more importantly scramble
[TS]
00:49:49
◼
►
all jets I feel like that the common
[TS]
00:49:52
◼
►
officer has to be one of the stops that
[TS]
00:49:53
◼
►
the filmmakers made to NASA to get them
[TS]
00:49:55
◼
►
to you know give them NASA footage like
[TS]
00:49:58
◼
►
okay sure we'll put one of your majors
[TS]
00:49:59
◼
►
in the in the film he seems strangely
[TS]
00:50:01
◼
►
capable and does not believe that there
[TS]
00:50:03
◼
►
is a spaceship is that would be stupid
[TS]
00:50:07
◼
►
he's not the best actor in the film and
[TS]
00:50:09
◼
►
you'll probably the best character I
[TS]
00:50:11
◼
►
kind of love ya I kind of love because
[TS]
00:50:12
◼
►
he's he's basically sitting in the
[TS]
00:50:13
◼
►
center of this film going
[TS]
00:50:15
◼
►
no this is no this is felt alright i
[TS]
00:50:19
◼
►
guess i'll say there's a spaceship but
[TS]
00:50:21
◼
►
really the indigenous alright fine our
[TS]
00:50:24
◼
►
answer right a spaceship that's right a
[TS]
00:50:26
◼
►
spaceship I don't think I can relay a
[TS]
00:50:29
◼
►
message like that but it's more there's
[TS]
00:50:31
◼
►
more surf guitar at this point is got
[TS]
00:50:33
◼
►
various guys run out to various cars in
[TS]
00:50:37
◼
►
order to hold ya scramble the Jets we
[TS]
00:50:40
◼
►
see cept for cars and the squad runs out
[TS]
00:50:42
◼
►
of the building and gets into the car
[TS]
00:50:44
◼
►
drives away to thinking surely they will
[TS]
00:50:46
◼
►
show us that forever
[TS]
00:50:48
◼
►
nope here comes the next round to get
[TS]
00:50:49
◼
►
into that car is trying to get a reprise
[TS]
00:50:51
◼
►
of that's the way it's got to be by the
[TS]
00:50:53
◼
►
poets at this point which actually works
[TS]
00:50:55
◼
►
pretty well from when they're running
[TS]
00:50:56
◼
►
out in their cars and just kind of
[TS]
00:50:58
◼
►
getting themselves into position
[TS]
00:51:00
◼
►
it's literally like from a documentary
[TS]
00:51:02
◼
►
about when the the fighter jet squadron
[TS]
00:51:05
◼
►
is scrambled big very big lie to their
[TS]
00:51:07
◼
►
cars and then go to their jets and we
[TS]
00:51:09
◼
►
see it all all the Congress are loaded
[TS]
00:51:13
◼
►
um Frank decides that he is going to see
[TS]
00:51:17
◼
►
he's surrounded by spaceman he tries to
[TS]
00:51:20
◼
►
use a stick to beat them to death but it
[TS]
00:51:23
◼
►
doesn't work there too many of them and
[TS]
00:51:25
◼
►
the robot gets knocked out somehow
[TS]
00:51:27
◼
►
yes he died not sure how that works
[TS]
00:51:28
◼
►
maybe his brain pan was jostles and yes
[TS]
00:51:32
◼
►
someone questions and somebody's to prod
[TS]
00:51:34
◼
►
one of those resistors immediately
[TS]
00:51:35
◼
►
well the princess might have pushed a
[TS]
00:51:37
◼
►
button on the thing later he takes he
[TS]
00:51:39
◼
►
takes a lot of damage on his head later
[TS]
00:51:40
◼
►
which I thought was pretty impressive
[TS]
00:51:42
◼
►
given that he's brain is like just right
[TS]
00:51:44
◼
►
under a wig with no hardshell of any
[TS]
00:51:48
◼
►
kind but here he does get kinda like
[TS]
00:51:50
◼
►
punked and he's 0 and many's a humidity
[TS]
00:51:53
◼
►
well the humidity doesn't help you know
[TS]
00:51:55
◼
►
because he's still that's it that's a
[TS]
00:51:56
◼
►
bit a bug in the beta test you know one
[TS]
00:51:59
◼
►
of those little silicon
[TS]
00:52:00
◼
►
l packets underneath that plastic brain
[TS]
00:52:02
◼
►
would have done one Minnesota don't you
[TS]
00:52:03
◼
►
couldn't have launched him from Houston
[TS]
00:52:05
◼
►
or something instead of Florida there
[TS]
00:52:07
◼
►
that worried about a humidity is pretty
[TS]
00:52:10
◼
►
human Houston to what you can launch
[TS]
00:52:12
◼
►
from Houston but you have to have the
[TS]
00:52:13
◼
►
press conference in Florida that's just
[TS]
00:52:14
◼
►
that's where the four guys are that yeah
[TS]
00:52:16
◼
►
that's because that's where the press
[TS]
00:52:19
◼
►
corps is an American space program in
[TS]
00:52:21
◼
►
the sixties was really not widely
[TS]
00:52:22
◼
►
followed after drinks at the officer's
[TS]
00:52:25
◼
►
club you don't want to press driving
[TS]
00:52:26
◼
►
back you know home a little sauced and
[TS]
00:52:28
◼
►
it's true there would be no coverage
[TS]
00:52:30
◼
►
from that point on any of the space
[TS]
00:52:31
◼
►
program
[TS]
00:52:32
◼
►
Karen uh has to wake up Frank here to be
[TS]
00:52:35
◼
►
shouting at him to get off he's been
[TS]
00:52:38
◼
►
he's been taken captive inside the
[TS]
00:52:39
◼
►
spaceship and she still chained up next
[TS]
00:52:42
◼
►
to the monster and she's trying to get
[TS]
00:52:45
◼
►
him awake while there while ace a
[TS]
00:52:46
◼
►
barrage of stock planes and and dead
[TS]
00:52:50
◼
►
how are happening outside along with the
[TS]
00:52:52
◼
►
firing of rockets because why not fire
[TS]
00:52:55
◼
►
rockets at the spaceship when you find a
[TS]
00:52:57
◼
►
spaceship what that when somebody tells
[TS]
00:53:00
◼
►
you there's a spaceship
[TS]
00:53:01
◼
►
what do you do fire rockets out
[TS]
00:53:03
◼
►
naturally tip when they fired that
[TS]
00:53:06
◼
►
spaceship up at the aliens the aliens
[TS]
00:53:07
◼
►
immediately blew it up
[TS]
00:53:09
◼
►
yeah this is how it worked in the
[TS]
00:53:10
◼
►
sixties this is why we were in such dire
[TS]
00:53:13
◼
►
geopolitical straight but the Rockets
[TS]
00:53:15
◼
►
have no effect you know they're just
[TS]
00:53:16
◼
►
they just aren't working
[TS]
00:53:17
◼
►
although the Martians feel like they
[TS]
00:53:19
◼
►
need to leave immediately we discovered
[TS]
00:53:20
◼
►
india fears nuclear weapons
[TS]
00:53:22
◼
►
yes that would destroy them that's not
[TS]
00:53:25
◼
►
unusual though especially coming from a
[TS]
00:53:28
◼
►
planet that has been leveled by atomic
[TS]
00:53:31
◼
►
you would think that the very least the
[TS]
00:53:32
◼
►
Rockets would sort of do put out big
[TS]
00:53:35
◼
►
divots and it might like tip the
[TS]
00:53:36
◼
►
spaceship over something but it were
[TS]
00:53:38
◼
►
just told that the Rockets cause they're
[TS]
00:53:40
◼
►
we see some very small explosions happen
[TS]
00:53:42
◼
►
around it but the spaceship is all
[TS]
00:53:44
◼
►
divots to begin with
[TS]
00:53:45
◼
►
that's true are they from Mars no I
[TS]
00:53:48
◼
►
don't have noticed a nuclear war up
[TS]
00:53:49
◼
►
there now I don't think anything
[TS]
00:53:51
◼
►
happened to Mars now I think they're
[TS]
00:53:53
◼
►
from some distant galaxies and it just
[TS]
00:53:55
◼
►
happens that we're sending a guy up to
[TS]
00:53:57
◼
►
Mars simultaneous to them
[TS]
00:53:59
◼
►
ok arriving interesting okay good i
[TS]
00:54:02
◼
►
really feel like there are nuclear war
[TS]
00:54:04
◼
►
on Mars somebody here would notice it
[TS]
00:54:06
◼
►
seems likely that NASA might pocket that
[TS]
00:54:08
◼
►
characterization of their ability to
[TS]
00:54:09
◼
►
monitor
[TS]
00:54:11
◼
►
Mars why can't I can't I can't say it's
[TS]
00:54:13
◼
►
canonical in the text of this fine but i
[TS]
00:54:16
◼
►
believe it was referred to in some
[TS]
00:54:19
◼
►
markets more specifically as Mars
[TS]
00:54:22
◼
►
Attacks puerto rico Mars invades puerto
[TS]
00:54:26
◼
►
rico so you know again non-canonical
[TS]
00:54:29
◼
►
yeah the title can't be trusted anyway I
[TS]
00:54:31
◼
►
grite witness Frankenstein Meets The
[TS]
00:54:34
◼
►
space monster we're about to get to the
[TS]
00:54:37
◼
►
point where that sort of happens
[TS]
00:54:38
◼
►
look I know what a space monster with a
[TS]
00:54:40
◼
►
space in the middle looks like but this
[TS]
00:54:41
◼
►
could very well be a space monster the
[TS]
00:54:43
◼
►
space monster not a sponsor there's one
[TS]
00:54:47
◼
►
just monsters the one well then that
[TS]
00:54:49
◼
►
makes the end actually kind of tragic it
[TS]
00:54:52
◼
►
does spoilers but also the word meets is
[TS]
00:54:54
◼
►
not entirely accurate for going forward
[TS]
00:54:56
◼
►
but if there's a meeting maybe I have
[TS]
00:54:59
◼
►
Frankenstein it's not like they had
[TS]
00:55:01
◼
►
learned that introduced or anything it's
[TS]
00:55:04
◼
►
not a formal social introduction mr.
[TS]
00:55:06
◼
►
like you you must be the space monster
[TS]
00:55:08
◼
►
I'm Frank Frank let's talk to you later
[TS]
00:55:11
◼
►
yeah Frank so Frank gets up i connect
[TS]
00:55:13
◼
►
the about document years we must leave
[TS]
00:55:15
◼
►
immediately because they're gonna be my
[TS]
00:55:17
◼
►
new cust but Frank gets up he gets a gun
[TS]
00:55:19
◼
►
from one of the spaceman he frees all
[TS]
00:55:21
◼
►
the women and and this is happening just
[TS]
00:55:23
◼
►
as they're stopping the firing of of the
[TS]
00:55:27
◼
►
rockets at the spaceship which is
[TS]
00:55:28
◼
►
convenient otherwise they would kill all
[TS]
00:55:30
◼
►
the women who are now fleeing from the
[TS]
00:55:31
◼
►
spaceship that because but Adam has
[TS]
00:55:33
◼
►
stopped it because he's written up on
[TS]
00:55:35
◼
►
his best buy and told the general to
[TS]
00:55:37
◼
►
cease fire which is this is what you do
[TS]
00:55:39
◼
►
when their Rockets coming down
[TS]
00:55:40
◼
►
everywhere you ride your best but yeah
[TS]
00:55:43
◼
►
damn right you do
[TS]
00:55:44
◼
►
you totally saved their very agile
[TS]
00:55:46
◼
►
little vehicles you know very tight
[TS]
00:55:48
◼
►
turning radius so now the women can
[TS]
00:55:51
◼
►
escape but mall the mont space monster
[TS]
00:55:54
◼
►
is released this I wrote in my notes is
[TS]
00:55:57
◼
►
what we waited for finally Frankenstein
[TS]
00:56:00
◼
►
Meets The space monster Frank pushes
[TS]
00:56:02
◼
►
Karen out of the out of the spaceship
[TS]
00:56:04
◼
►
but Frank for some reason doesn't jump
[TS]
00:56:08
◼
►
after her or in that moment it's not
[TS]
00:56:10
◼
►
edited well but in that moment where he
[TS]
00:56:11
◼
►
might go
[TS]
00:56:12
◼
►
he's pulled back inside by the space
[TS]
00:56:14
◼
►
monster at which point they meet by
[TS]
00:56:16
◼
►
which i mean they fight you Frank thinks
[TS]
00:56:18
◼
►
to himself I I really would like to meet
[TS]
00:56:20
◼
►
that space monster
[TS]
00:56:21
◼
►
mm and the space months because a we
[TS]
00:56:24
◼
►
haven't
[TS]
00:56:24
◼
►
bed yet gimme ya get it right there so
[TS]
00:56:28
◼
►
we get the epic smoke obscure duel that
[TS]
00:56:30
◼
►
we were promised between robot in the
[TS]
00:56:31
◼
►
space monster and by dual I mean that
[TS]
00:56:33
◼
►
they they hold each other's shoulders
[TS]
00:56:35
◼
►
and rock back and forth help and this
[TS]
00:56:37
◼
►
was the time for some dance music really
[TS]
00:56:39
◼
►
looks more like a gentle waltz really
[TS]
00:56:41
◼
►
then yeah big total we only have one
[TS]
00:56:43
◼
►
application of each of these special
[TS]
00:56:44
◼
►
effects makeup so don't touch the face
[TS]
00:56:46
◼
►
after fighting it's that you know it's
[TS]
00:56:49
◼
►
the title they're grappling the
[TS]
00:56:50
◼
►
grappling is what they're doing it
[TS]
00:56:52
◼
►
should be Frankenstein grafals facebook
[TS]
00:56:54
◼
►
yeah right that gives away too much
[TS]
00:56:56
◼
►
though we're meeting really really
[TS]
00:56:58
◼
►
closely but you're hardly going to grab
[TS]
00:57:00
◼
►
the guy if you haven't met him so
[TS]
00:57:01
◼
►
certain nadir says you know a launch the
[TS]
00:57:04
◼
►
Rockets the Rockets start to go up Frank
[TS]
00:57:07
◼
►
is still fighting the space monster and
[TS]
00:57:11
◼
►
then uh they've what he blows up the
[TS]
00:57:15
◼
►
well technically he shoots one of the
[TS]
00:57:17
◼
►
guns toward the princess and ear at
[TS]
00:57:19
◼
►
which point they are crushed by beams
[TS]
00:57:22
◼
►
well well so the ship we see an
[TS]
00:57:25
◼
►
explosion on the outside of the ship
[TS]
00:57:26
◼
►
inside the ship the cardboard roof of
[TS]
00:57:29
◼
►
the set falls down on them
[TS]
00:57:30
◼
►
I way I'm excited to see that crushed by
[TS]
00:57:32
◼
►
beams is already a classic spaceship
[TS]
00:57:34
◼
►
death in 1965 no predating khan by but
[TS]
00:57:38
◼
►
almost two decades
[TS]
00:57:40
◼
►
yeah well that's what's gonna get you
[TS]
00:57:41
◼
►
it's not the airless airless vacuum of
[TS]
00:57:44
◼
►
it's the it's the same useless am being
[TS]
00:57:47
◼
►
just the roof beams ya weilin beams
[TS]
00:57:49
◼
►
somebody needs to really perfect the
[TS]
00:57:51
◼
►
beam free space ship design and again
[TS]
00:57:53
◼
►
say this is one of those points where
[TS]
00:57:55
◼
►
the that mean I love to the music
[TS]
00:57:57
◼
►
shifted between the doors and beetles
[TS]
00:57:59
◼
►
that ever leave style and then like the
[TS]
00:58:02
◼
►
man from uncle soundtrack on seed yeah
[TS]
00:58:05
◼
►
it was nuts
[TS]
00:58:06
◼
►
I think we have spaceship without beams
[TS]
00:58:08
◼
►
but they will have bottomless pit
[TS]
00:58:10
◼
►
without railings either i still don't
[TS]
00:58:14
◼
►
know why they brought the monster but
[TS]
00:58:16
◼
►
their lease you meet frankenstein you've
[TS]
00:58:19
◼
►
got to have a monster how are you gonna
[TS]
00:58:21
◼
►
menace lady scientists to find out what
[TS]
00:58:24
◼
►
their devices are you don't expect a
[TS]
00:58:26
◼
►
monster was others a plot hole that
[TS]
00:58:28
◼
►
wants to is like caused by radiation
[TS]
00:58:29
◼
►
knew he was the old king or no Prince
[TS]
00:58:32
◼
►
he's just a nice monster mama they have
[TS]
00:58:36
◼
►
him in a cage
[TS]
00:58:37
◼
►
try to read a whole bunch of sardines
[TS]
00:58:38
◼
►
crap into this thing is just a space
[TS]
00:58:40
◼
►
process sometimes space monsters just a
[TS]
00:58:42
◼
►
space monster well the end of the film
[TS]
00:58:44
◼
►
he decays new pilot boom oh just so that
[TS]
00:58:47
◼
►
it does
[TS]
00:58:47
◼
►
ya know he's very exclusively because if
[TS]
00:58:50
◼
►
you don't have a space monster you
[TS]
00:58:52
◼
►
cannot intimidate lady scientists into
[TS]
00:58:54
◼
►
giving up the secrets of their advanced
[TS]
00:58:57
◼
►
looking for devices don't think dr. dear
[TS]
00:58:59
◼
►
could do that on his own
[TS]
00:59:01
◼
►
I think he's holding himself that I
[TS]
00:59:02
◼
►
don't think he's terribly intimidating
[TS]
00:59:03
◼
►
to be honest this phone could be called
[TS]
00:59:06
◼
►
just called Frankenstein space robots
[TS]
00:59:08
◼
►
yes you could or smiles and looks at
[TS]
00:59:12
◼
►
Madison or stockings and I yeah cut out
[TS]
00:59:14
◼
►
everything that's not dr. dear you've
[TS]
00:59:16
◼
►
got a great so it's very sad Frank Frank
[TS]
00:59:18
◼
►
it has died but the threat from the
[TS]
00:59:20
◼
►
space whatever is is over because
[TS]
00:59:22
◼
►
they're dead apparently ? monster is
[TS]
00:59:25
◼
►
also died so another sad thing
[TS]
00:59:26
◼
►
yea indeed we don't blame him he's a
[TS]
00:59:29
◼
►
monster it's his nature and that's at
[TS]
00:59:31
◼
►
the end and then we get more scooter
[TS]
00:59:34
◼
►
music and writing of scooters the end
[TS]
00:59:37
◼
►
credits two more minutes of them farting
[TS]
00:59:39
◼
►
around san juan on a scooter and a
[TS]
00:59:41
◼
►
prominent song credit or to prominence
[TS]
00:59:43
◼
►
on credit which reminded me of the
[TS]
00:59:45
◼
►
Roxette credit in the supermarket
[TS]
00:59:48
◼
►
yeah yes but that's the way it's gotta
[TS]
00:59:52
◼
►
be by the poets and to have and to hold
[TS]
00:59:53
◼
►
by the distant cousins because God knows
[TS]
00:59:56
◼
►
you want to have and hold your distant
[TS]
00:59:58
◼
►
cousin cousins
[TS]
00:59:58
◼
►
cousin cousins
[TS]
01:00:00
◼
►
golden cliffs their key decisions
[TS]
01:00:02
◼
►
clothes in your distant cousins closer
[TS]
01:00:04
◼
►
it is worth noting that the final scene
[TS]
01:00:06
◼
►
before the last scooter scene is James
[TS]
01:00:09
◼
►
Karen and the lady scientist weeping
[TS]
01:00:11
◼
►
bitterly over the state of their careers
[TS]
01:00:14
◼
►
no doubt that you only fail upwards it
[TS]
01:00:17
◼
►
now so they got a better job build a
[TS]
01:00:18
◼
►
bigger role than that yeah they got the
[TS]
01:00:20
◼
►
next rope it just go back and build
[TS]
01:00:22
◼
►
another robot robot lhr fit their space
[TS]
01:00:26
◼
►
men out there but not space women
[TS]
01:00:28
◼
►
because the last one blew up in that
[TS]
01:00:30
◼
►
spaceship apparently this is what led to
[TS]
01:00:32
◼
►
the giant to increase military budgets
[TS]
01:00:34
◼
►
after that area found out they were
[TS]
01:00:35
◼
►
space monsters and the bigger limits but
[TS]
01:00:40
◼
►
natural enemy of the space monster the
[TS]
01:00:42
◼
►
robot or Frank nature in all its beauty
[TS]
01:00:44
◼
►
of all these predators and prey so
[TS]
01:00:46
◼
►
Frankenstein Meets The space monster
[TS]
01:00:49
◼
►
yes what I would like to let's talk
[TS]
01:00:52
◼
►
about that man I would like that's like
[TS]
01:00:54
◼
►
radar dish know whether because we watch
[TS]
01:00:56
◼
►
these movies thinking that they're going
[TS]
01:00:58
◼
►
to be bad but you know they could be
[TS]
01:00:59
◼
►
different kinds of bad they could be
[TS]
01:01:00
◼
►
spookily good bad they could be
[TS]
01:01:02
◼
►
frightening ly funny they could be as
[TS]
01:01:04
◼
►
totally Storify ignore other things like
[TS]
01:01:07
◼
►
that I'm just kind of curious things
[TS]
01:01:08
◼
►
what everybody thought of Frankenstein
[TS]
01:01:11
◼
►
Meets The the space monster let's start
[TS]
01:01:14
◼
►
with Monty I thought it was fascinating
[TS]
01:01:17
◼
►
it's very reliant on stock footage but
[TS]
01:01:20
◼
►
its stock footage that I enjoyed looking
[TS]
01:01:21
◼
►
at so what ya up
[TS]
01:01:24
◼
►
oh I I do not regret a minute of the 88
[TS]
01:01:29
◼
►
minutes I spent watching it or the 66
[TS]
01:01:32
◼
►
minutes I've now spent talking about it
[TS]
01:01:33
◼
►
up all right
[TS]
01:01:36
◼
►
glen III have to concur hardly with
[TS]
01:01:39
◼
►
muddy I was not sure what to expect I
[TS]
01:01:41
◼
►
knew you enjoyed it so i expect it would
[TS]
01:01:43
◼
►
be you know at least a romp and i found
[TS]
01:01:45
◼
►
it like wasn't sophisticated no tell
[TS]
01:01:48
◼
►
wasn't sophisticated but um it was it
[TS]
01:01:51
◼
►
was really for all it was a it was so
[TS]
01:01:54
◼
►
was made so weirdly and sometimes semi
[TS]
01:01:57
◼
►
amateurishly that it was fascinating to
[TS]
01:01:59
◼
►
watch what people who didn't really know
[TS]
01:02:01
◼
►
how to make a movie would do when
[TS]
01:02:03
◼
►
presented with the opportunity to make
[TS]
01:02:05
◼
►
one so it came across i don't know i
[TS]
01:02:06
◼
►
think their crosses as a fun with lots
[TS]
01:02:09
◼
►
of you know some moments of long drives
[TS]
01:02:11
◼
►
but then also people stuffed in the back
[TS]
01:02:13
◼
►
of cars i mean you know there's a long
[TS]
01:02:15
◼
►
drive but they're also like five people
[TS]
01:02:17
◼
►
stuck in the backseat so if that made it
[TS]
01:02:19
◼
►
better so I i quite enjoyed this idea
[TS]
01:02:21
◼
►
this much more than I think I have any
[TS]
01:02:23
◼
►
right to expect to enjoy a movie of this
[TS]
01:02:25
◼
►
kind david i-i thought it was charmingly
[TS]
01:02:30
◼
►
I mean it was delightful but it was I
[TS]
01:02:32
◼
►
mean it was terrible
[TS]
01:02:35
◼
►
I've seen worse films I and i gotta say
[TS]
01:02:38
◼
►
I like any film
[TS]
01:02:40
◼
►
yeah that also from Vincent Canby I i
[TS]
01:02:44
◼
►
have to say i like any bad film that I
[TS]
01:02:47
◼
►
can continuously rip through without
[TS]
01:02:49
◼
►
thinking about it and without watching
[TS]
01:02:51
◼
►
it a second time it was just sort of it
[TS]
01:02:53
◼
►
was a very very fertile film for ripping
[TS]
01:02:58
◼
►
so i like that i can say was good but
[TS]
01:03:01
◼
►
but and but even at that you know there
[TS]
01:03:03
◼
►
were a couple of scenes that were
[TS]
01:03:04
◼
►
actually kind of not badly thought-out
[TS]
01:03:08
◼
►
if not well made and some of the stock
[TS]
01:03:14
◼
►
footage was interesting I mean this was
[TS]
01:03:15
◼
►
the first time I went out to Cocoa Beach
[TS]
01:03:17
◼
►
was only about nine years later so it
[TS]
01:03:19
◼
►
was kind of interesting to see and go
[TS]
01:03:20
◼
►
hey I would do remember this this is
[TS]
01:03:22
◼
►
cold so you know having flashbacks for
[TS]
01:03:26
◼
►
the first 20 minutes I don't know
[TS]
01:03:28
◼
►
so just spookily good bail carry so
[TS]
01:03:31
◼
►
Steve our way when you first watch this
[TS]
01:03:33
◼
►
you posted a thing in our in our slack
[TS]
01:03:35
◼
►
channel saying this is mst3k bad guys
[TS]
01:03:38
◼
►
so what do you think now I stand by that
[TS]
01:03:40
◼
►
it is mst3k bad I i wish i wish it were
[TS]
01:03:44
◼
►
I wish there were retracted this would
[TS]
01:03:47
◼
►
be idling a very rippable movie
[TS]
01:03:49
◼
►
well the problem is the problem is this
[TS]
01:03:50
◼
►
and and this is why I didn't enjoy this
[TS]
01:03:53
◼
►
movie and that is that the stock footage
[TS]
01:03:54
◼
►
did nothing for me I've seen all of it
[TS]
01:03:56
◼
►
before and I will say it was common for
[TS]
01:03:58
◼
►
maybe the astro van it was constantly I
[TS]
01:04:01
◼
►
thought the right have not seen the
[TS]
01:04:02
◼
►
Astro fan before but it was competently
[TS]
01:04:04
◼
►
woven into the narrative which is more
[TS]
01:04:06
◼
►
than I can say for a lot of uses of
[TS]
01:04:08
◼
►
stock footage and bad movies
[TS]
01:04:09
◼
►
I mean it actually like it made sense
[TS]
01:04:11
◼
►
for there to be a tank at this point or
[TS]
01:04:13
◼
►
for there to be a car at this point
[TS]
01:04:15
◼
►
which sometimes that doesn't happen but
[TS]
01:04:18
◼
►
yea mostly I was just bored by what I
[TS]
01:04:20
◼
►
what I was calling modes of
[TS]
01:04:22
◼
►
transportation the musical
[TS]
01:04:25
◼
►
and here's why from 357 25 42 we get a
[TS]
01:04:30
◼
►
minute and 45 seconds of driving through
[TS]
01:04:32
◼
►
orlando to a half-minute adventures
[TS]
01:04:34
◼
►
track for two effects from 1139 to 1430
[TS]
01:04:38
◼
►
we got two minutes and 51 seconds of a
[TS]
01:04:41
◼
►
NASA stock footage montage we do the
[TS]
01:04:44
◼
►
transfer van at this point which is nice
[TS]
01:04:45
◼
►
and the strains of that's the way it's
[TS]
01:04:47
◼
►
gotta be
[TS]
01:04:48
◼
►
and then more stock watch footage from
[TS]
01:04:50
◼
►
1655 to 1739 we get 44 seconds of
[TS]
01:04:53
◼
►
traveling by parachute after ejecting
[TS]
01:04:55
◼
►
from the caps are i love the parachutes
[TS]
01:04:57
◼
►
done wonderful who we get a minute and
[TS]
01:04:59
◼
►
31 seconds from 33 25 to 34 56 of
[TS]
01:05:03
◼
►
traveling from the San Juan plane to the
[TS]
01:05:05
◼
►
airport to the car and the slowstar was
[TS]
01:05:07
◼
►
slow motorcade top where Rico from 3922
[TS]
01:05:11
◼
►
4130 we get two minutes and 10 seconds
[TS]
01:05:13
◼
►
of scootering through san juan with the
[TS]
01:05:15
◼
►
distant cousins which I would watch on
[TS]
01:05:18
◼
►
its own 5431 we get a minute nine
[TS]
01:05:20
◼
►
seconds of stock military vehicle
[TS]
01:05:22
◼
►
footage at 5920 we get 57 seconds of
[TS]
01:05:26
◼
►
scooter riding with James Karen there
[TS]
01:05:27
◼
►
are exclamation marks at the end of all
[TS]
01:05:29
◼
►
of these notes by the way I 10 248 we
[TS]
01:05:32
◼
►
get a minute and 20 seconds of men
[TS]
01:05:34
◼
►
running out of buildings and getting
[TS]
01:05:35
◼
►
into fighter jets and the jets play
[TS]
01:05:36
◼
►
around for a while I want to 544 we get
[TS]
01:05:40
◼
►
a minute and 16 seconds of choppers and
[TS]
01:05:42
◼
►
tanks and stuff at one 1404 we get more
[TS]
01:05:44
◼
►
riding around on a scooter over the end
[TS]
01:05:46
◼
►
credits for a grand total of fifteen
[TS]
01:05:48
◼
►
minutes and 47 seconds of people going
[TS]
01:05:51
◼
►
from one place to another with some
[TS]
01:05:53
◼
►
weird off off-brand music playing over
[TS]
01:05:57
◼
►
the back of it and you know it as much
[TS]
01:06:01
◼
►
as I would like to say i absolutely love
[TS]
01:06:03
◼
►
nature and I like the songs this side
[TS]
01:06:05
◼
►
the scenes he's in all i could probably
[TS]
01:06:07
◼
►
have done a similar timeline of all of
[TS]
01:06:08
◼
►
the nods and smiles
[TS]
01:06:10
◼
►
oh yes but when you've got roughly a
[TS]
01:06:14
◼
►
quarter of your hour and 60 minute movie
[TS]
01:06:16
◼
►
that's just pure stock footage you just
[TS]
01:06:18
◼
►
don't have enough to hook me and as much
[TS]
01:06:20
◼
►
as I would like to see a rifftrax done
[TS]
01:06:22
◼
►
something like this there's just there's
[TS]
01:06:23
◼
►
only so many times you can say something
[TS]
01:06:25
◼
►
like it's the charge of the stock
[TS]
01:06:26
◼
►
footage brigade before it gets kind of
[TS]
01:06:28
◼
►
da I was thinking you might need to
[TS]
01:06:31
◼
►
write some parody lyrics to the to the
[TS]
01:06:34
◼
►
scooter song oh that might be a way to
[TS]
01:06:36
◼
►
go to heaven to hold yeah you could
[TS]
01:06:39
◼
►
maybe get mileage out of that for the
[TS]
01:06:40
◼
►
first appearance of that but then you
[TS]
01:06:42
◼
►
got another two minutes and 10 seconds
[TS]
01:06:43
◼
►
at the end where you have a reprieve it
[TS]
01:06:45
◼
►
so it's it's tough i don't know didn't
[TS]
01:06:48
◼
►
do much for me i gotta say although it
[TS]
01:06:50
◼
►
wasn't as bad as I imagined it could be
[TS]
01:06:54
◼
►
based on the kind of reviews that got
[TS]
01:06:56
◼
►
yeah I I this disappeared in some like
[TS]
01:06:59
◼
►
worst films of all time list and I just
[TS]
01:07:01
◼
►
don't see that I I I feel like we've
[TS]
01:07:03
◼
►
seen worst films we've seen worst films
[TS]
01:07:05
◼
►
in the rocket surgery series oh yeah
[TS]
01:07:07
◼
►
that's true yes i mean this this is head
[TS]
01:07:10
◼
►
and shoulders above super mario brothers
[TS]
01:07:12
◼
►
this is at least vaguely coherent you're
[TS]
01:07:14
◼
►
gonna make that guy on the internet who
[TS]
01:07:16
◼
►
luvs super mario brothers very angry now
[TS]
01:07:18
◼
►
llamas i don't know if i would say it's
[TS]
01:07:20
◼
►
coherent but I i'm actually gonna go
[TS]
01:07:22
◼
►
with David and say this is spookily good
[TS]
01:07:24
◼
►
bad i I'm not somebody like Monty who I
[TS]
01:07:27
◼
►
think takes an extra-special Glee in
[TS]
01:07:30
◼
►
things that are bad men and wondering
[TS]
01:07:33
◼
►
why you know I i need i just i need a
[TS]
01:07:37
◼
►
little bit more and yet this this hit
[TS]
01:07:38
◼
►
the right spot in the sense that it's
[TS]
01:07:39
◼
►
got the music and it's I could I could
[TS]
01:07:41
◼
►
laugh at the leg v.i.c I enjoyed the
[TS]
01:07:44
◼
►
lengthy stock footage things in the
[TS]
01:07:46
◼
►
linky linky scooter rides just because
[TS]
01:07:48
◼
►
it's it was so silly and that and the
[TS]
01:07:50
◼
►
butt party is hilarious about parties
[TS]
01:07:53
◼
►
great i will grant you but party i do
[TS]
01:07:55
◼
►
nobody's criticizing the butt part know
[TS]
01:07:57
◼
►
why I hope not
[TS]
01:07:59
◼
►
so I yeah I would say I i was
[TS]
01:08:01
◼
►
entertained by it for all of its
[TS]
01:08:03
◼
►
whatever 88 minutes of it but the the
[TS]
01:08:06
◼
►
stock footage i was i joyed playing find
[TS]
01:08:09
◼
►
the stock footage right which is a
[TS]
01:08:10
◼
►
really easy game to play in this movie
[TS]
01:08:12
◼
►
but it was fun it was like what will the
[TS]
01:08:14
◼
►
next batch of stock footage be a party
[TS]
01:08:17
◼
►
actually almost has the character of
[TS]
01:08:19
◼
►
stock footage at certain yes like ya
[TS]
01:08:21
◼
►
seen if somebody's mom walking around
[TS]
01:08:24
◼
►
with a cup on her head
[TS]
01:08:25
◼
►
that seems like that could have been
[TS]
01:08:26
◼
►
through film and just a couple of those
[TS]
01:08:27
◼
►
close-ups of dancing was like that car
[TS]
01:08:30
◼
►
at the beginning of the movie probably
[TS]
01:08:32
◼
►
shot for the movie but could just as
[TS]
01:08:34
◼
►
well be stock footage it showed up
[TS]
01:08:36
◼
►
throughout we saw that car that we had
[TS]
01:08:38
◼
►
one car for the film
[TS]
01:08:39
◼
►
yeah probably so i looked at the credits
[TS]
01:08:43
◼
►
i was interested to Karen that this is
[TS]
01:08:46
◼
►
the kind of people who you cast and
[TS]
01:08:47
◼
►
Frank that means the space monster kit
[TS]
01:08:49
◼
►
Karen had a very brief career
[TS]
01:08:51
◼
►
we're playing characters with names like
[TS]
01:08:54
◼
►
pool jumper and second woman ice
[TS]
01:08:59
◼
►
meanwhile know the Maryland handled who
[TS]
01:09:02
◼
►
who was the princess was in a couple of
[TS]
01:09:04
◼
►
episodes of the batman TV series
[TS]
01:09:07
◼
►
actually that she she was in an in like
[TS]
01:09:09
◼
►
flint as Amazon number eight
[TS]
01:09:11
◼
►
she was basically the one of the shoes
[TS]
01:09:13
◼
►
AAA sort of a stock pretty woman in
[TS]
01:09:17
◼
►
small parts for a lot of other way was
[TS]
01:09:19
◼
►
she was she's a brain was she the woman
[TS]
01:09:22
◼
►
in the brain that wouldn't die
[TS]
01:09:23
◼
►
who is the brain that wouldn't die you
[TS]
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want to shut off and is in the brain
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that wouldn't die without the cut-off
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head not Jan in the pan like so yeah
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sheshe was in some other stuff but
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anyway I anyway I enjoyed it because i
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was i was dreading the kind
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this is what I've learned from listening
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flophouses it turns out that bad movies
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01:09:44
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aren't the worst thing to watch boring
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movies the worst thing to watch and I
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wasn't I wasn't because of the music and
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01:09:50
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the sixties it is such a sixties movie
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it is so well it's ok it's such a bits
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copied from lots of other 60 movies and
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stock footage that I i was never
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particularly as particularly board or
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too bored anyway and and i laughed a lot
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at how ridiculous was so you know it is
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more to it than something like monster
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01:10:14
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ago go or how well come on dude and it's
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01:10:17
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more and it's because its plot is it's
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01:10:19
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fairly linear and and and he's not a
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01:10:21
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Frankenstein he's a robot but still it's
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going to do better than you know yours
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you're battling Zardoz plots or
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01:10:28
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Frankenstein island or something like
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that where just makes no sense at all
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this is American island much worse movie
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01:10:34
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with Frankenstein in the title i
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recommend that they actually managed to
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make a movie from this which is pretty
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01:10:40
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impressive one more thing on dr. nadir
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01:10:43
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yes amazing Larry in pee-wee's big
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adventure
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mhm he has some some interesting credits
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01:10:49
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yeah he's got great facial expressions
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01:10:51
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he's really good
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01:10:52
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yeah he's like 90 things and
[TS]
01:10:54
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is he what he does he's the guy who does
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01:10:57
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that thing he does very well excuse just
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01:11:00
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like a loosely installed guy who does
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that thing he does very well no you know
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the thing he does
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someday I hope to have that on my
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tombstone he's the kind of guy that did
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01:11:08
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more than one roll on Barney Miller i
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will say i did like it better on this on
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the rewatch than I did the first time i
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01:11:14
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think the the aisle I was able to let
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01:11:16
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the stock footage just wash / add some
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01:11:18
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way to do it but you gotta do that I
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01:11:21
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don't fight it any and when it starts to
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01:11:24
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flag you just think there's a butt party
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01:11:25
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coming up its butt but parties on the
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01:11:27
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way man long as I know the block party
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01:11:29
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is just over the horizon
[TS]
01:11:31
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I'm okay with all this coming hearing
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01:11:33
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what he's coming hold a hot but it's
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01:11:36
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hard to come and go through but party
[TS]
01:11:38
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alright well we we have we have survived
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01:11:41
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the nineteen sixties with rocket surgery
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01:11:43
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I do we dare go to the fifties I guess
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01:11:46
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we have to do that don't worry I we
[TS]
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kinda have to
[TS]
01:11:48
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why I don't know because they've got to
[TS]
01:11:51
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be terrible looked terrible sci-fi
[TS]
01:11:53
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movies made in the fifties right guess
[TS]
01:11:54
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we have to ask why a couple of episodes
[TS]
01:11:57
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alright well until we meet again to be
[TS]
01:11:59
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stupid people who watch a bad movie and
[TS]
01:12:02
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talk about it i'd like to thank my
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01:12:04
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guests for joining me for another
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01:12:06
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edition of the incomparable rocket
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surgery
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01:12:09
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David lower thank you thank you and and
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01:12:11
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to quote the thirteen-year-old why are
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01:12:13
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you watching this this there's no good
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01:12:18
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Glenn fleischmann thank you very much
[TS]
01:12:19
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thank you i'll always remember this but
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01:12:22
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a monster
[TS]
01:12:23
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I don't even know any of that means but
[TS]
01:12:27
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minister is one of the less known houses
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01:12:31
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of houses of parliament Monty Ashley
[TS]
01:12:34
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thank you know Jason ever since I was a
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01:12:37
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kid I've always wanted to be an extra
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01:12:38
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robe it well keep dreaming that dream
[TS]
01:12:41
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and and Steve let's Jason I was gonna
[TS]
01:12:45
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say on the contrary i'm actually a
[TS]
01:12:46
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stupid person in between episodes so I
[TS]
01:12:49
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don't just save it for these Rockets
[TS]
01:12:50
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surgeries you you're an example to us
[TS]
01:12:53
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all code 24 code 24 scramble the stupid
[TS]
01:12:58
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people have for the uncomfortable I have
[TS]
01:13:01
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Ben Jason Snell we did it everyone we
[TS]
01:13:04
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did it we prove that i passed can
[TS]
01:13:06
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accomplish the impossible combined
[TS]