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Cortex

157: Being Better

 

00:00:00   Are you familiar with the TV show The Bear?

00:00:02   No.

00:00:04   Are you aware of it at all?

00:00:05   No, I paused there because I was thinking like,

00:00:08   The Bear, is that where the guy gets eaten by a bear?

00:00:11   But that wasn't a show, that was a Werner Herzog documentary.

00:00:15   This is about a chef in Chicago, it's very different.

00:00:18   Does he get eaten by a bear?

00:00:19   There is a bear in it at one point,

00:00:21   but I think that's a dream sequence.

00:00:23   Oh, all right.

00:00:25   So no, I'm unfamiliar with The Bear.

00:00:27   I think that's totally fine,

00:00:28   but basically I was watching this show.

00:00:30   So ostensibly, I think what you need to know is

00:00:33   The Bear focuses on a world-class chef

00:00:36   and he comes back to his hometown to open a restaurant.

00:00:38   And he is cooked all over the world

00:00:41   in all the best restaurants

00:00:42   and he wants to open a restaurant in his hometown.

00:00:44   And it's a really good show.

00:00:45   Are you gonna bet a point on this, Mike?

00:00:47   For our more text listeners,

00:00:49   they know that I am very, very poor track record-wise

00:00:54   on my recommendations to you,

00:00:55   so I'm not recommending this one to you

00:00:57   because I don't feel confident that you would like it,

00:01:00   but maybe you would.

00:01:01   Yeah, Mike's gotten real hesitant to risk

00:01:04   the reputation points that he has been betting

00:01:06   on media recommendations and more text.

00:01:08   And I will say in all fairness,

00:01:11   in the previous more text, when we discussed Fallout,

00:01:14   you just had some real bad luck.

00:01:16   That was just bad luck.

00:01:17   That's understandable.

00:01:17   That's why my ears perk up the moment

00:01:20   that Mike starts making any media recommendations,

00:01:22   because all I'm thinking is like,

00:01:24   ooh, is he gonna bet a point?

00:01:26   Is it a point worthy?

00:01:27   But the bear is not.

00:01:28   Well, I love it.

00:01:29   There's just lessons to be learned from the bear?

00:01:31   Is that what's happening?

00:01:32   Yeah, and by the way,

00:01:32   Severance is coming back next year, January.

00:01:35   Yeah, you did get a point for Severance.

00:01:36   Well, I bet my reputation on Severance.

00:01:39   Oh, is that where it started?

00:01:40   Yes.

00:01:41   (laughs)

00:01:42   Oh, okay, that's where it started.

00:01:43   Where over dinner, I bet my reputation

00:01:46   that you would like Severance.

00:01:47   Yes, that's right.

00:01:48   'Cause you were unwilling to take my recommendations

00:01:51   at that point, and so I had to up the stakes.

00:01:54   (laughs)

00:01:55   I had blacklisted you.

00:01:57   I completely forgot.

00:01:58   And so he were like,

00:01:59   I'm going all or nothing on Severance.

00:02:01   That's how it began, okay.

00:02:03   So really the thing that I wanted to take away for this,

00:02:06   and the thing I maybe took away for the most recent season,

00:02:08   is the bear is about a chef who is a master at his craft,

00:02:13   and is basically torturing himself for perfection,

00:02:20   and what he needs to do to get to perfection.

00:02:26   And I think I took the wrong lesson away from the show.

00:02:29   (laughs)

00:02:30   I think.

00:02:31   Uh-oh.

00:02:31   (laughs)

00:02:32   I just think maybe you're supposed to be like,

00:02:34   oh man, he shouldn't do that.

00:02:36   Where I'm like, no, I think he kind of has to do that,

00:02:39   is where I'm coming from when watching the show.

00:02:42   Okay, go on.

00:02:43   Because of what it takes to be the best, right?

00:02:46   Like if you want to be the best, you must sacrifice.

00:02:49   That's kind of what it is about to be the best

00:02:51   at anything in any field.

00:02:54   But to take it back a level from that,

00:02:56   the show has left me thinking a lot about the idea

00:03:00   of being better, and how I also feel like

00:03:05   I'm in this constant state of being unsatisfied

00:03:10   with my level of skill in the things that I do,

00:03:14   and wanting to be better, like meaningfully better.

00:03:18   I sometimes feel like I'm in this conflict with myself

00:03:22   about wanting to be immediately better at what I do,

00:03:25   but then being impatient about the time that it takes

00:03:27   to be better at what I do.

00:03:29   And then also being very aware of,

00:03:33   by the time that I actually get to that level of better,

00:03:35   I don't even see it anymore, because you kind of,

00:03:38   you lose the perspective of your skill level increasing.

00:03:43   And I think for me, this kind of idea comes from

00:03:47   the things that I do, I want them to be the best

00:03:50   that they can possibly be, but also feeling frustrated

00:03:55   at understanding that I'm not sure

00:03:58   that I can actually do that, to make these things

00:04:01   the very best they possibly can be,

00:04:04   is always, it feels like it's outside of my skill level,

00:04:09   because I know I'm not the best, right?

00:04:13   Like when I think about any of the endeavors,

00:04:16   so let's say, if I think about podcasting,

00:04:19   I think about product design, the two areas of my work

00:04:22   that I'm focusing on, I can see things that I want to be,

00:04:27   or want to do, and I can see past those things as well,

00:04:33   like what areas could I imagine somehow getting to,

00:04:36   but knowing that I'll never actually get there,

00:04:41   this is a thing I've been rolling around in my head.

00:04:43   - This is a big, heavy start, boy,

00:04:46   it's like a thousand things already in what you said.

00:04:48   Do you feel this way ever?

00:04:51   - This is a topic among creative people,

00:04:55   like it's a thing that you're just gonna run across

00:04:57   the moment you start trying to make anything,

00:04:59   even just like pure skill at anything.

00:05:03   There's something that's slightly different about tasks

00:05:06   in particular that involve creativity,

00:05:08   like product design, like podcasting, and like chefing,

00:05:12   chefing up a storm as you're getting better and better

00:05:15   at your chefing.

00:05:16   - Or making YouTube videos.

00:05:17   - Well, yeah, okay, so I was sort of trying

00:05:18   to avoid YouTube videos, but I guess I'll get to one,

00:05:21   like what's one of the first things that from my end

00:05:25   comes up, but might be just a bit,

00:05:27   I think it's probably a little bit different

00:05:29   because of the nature of my work,

00:05:30   but I still think it might be a useful idea to keep in mind.

00:05:33   There is a thing that happens when I am, like now,

00:05:38   working on a video, you're in the middle of things,

00:05:41   like I'm writing the scripts,

00:05:43   and I don't have great language for this,

00:05:47   the best I have come up with to describe it

00:05:50   is to talk about how you can be working on something

00:05:55   and you are thinking about what it could be,

00:06:00   but what is hard to know is if that thought in your head

00:06:06   is more like when your brain dreams.

00:06:12   I think about this with dreams a lot.

00:06:14   There is a phenomenon that I always think of as like,

00:06:17   you wake up and you think you had a great idea

00:06:19   in your dream, but what you really had

00:06:22   was the idea of a great idea.

00:06:24   You didn't have a great idea,

00:06:26   but you had all the emotional resonance

00:06:28   to it being a good idea in your dream.

00:06:30   You're like, "Oh, why can't I think of the details?"

00:06:32   It's like, because there weren't any details there at all.

00:06:36   That's on my mind right now because I'm in the process

00:06:39   of doing visuals for the script,

00:06:42   and that's a moment where it can really make it

00:06:44   quite clear sometimes where it's like,

00:06:45   "Oh, this section of the script,

00:06:48   I was kind of dreaming the version

00:06:52   that is the good version,

00:06:54   but the moment we start to try to put visuals to it,

00:06:56   it's like, "Oh, these couple of paragraphs

00:06:58   are just terrible.

00:06:58   They're not really working at all."

00:07:00   And I just had some idea in my head

00:07:03   of what the better future version would be,

00:07:05   but it turns out that idea wasn't real at all.

00:07:07   There were no concrete details to it at all.

00:07:10   I think that's partly for me a stronger phenomenon

00:07:12   because I'm working across media.

00:07:15   I'm producing writing that then has to be turned

00:07:18   into something else,

00:07:19   and the details of that always really matter

00:07:21   and can be kind of easy to not think about sometimes.

00:07:25   But I do have it with scripts as well.

00:07:27   Like, when I'm working on the script,

00:07:29   there's often an idea in my head

00:07:31   of the amazing version of this script,

00:07:35   and it can be dispiriting at times

00:07:37   to work with that in your mind.

00:07:39   You feel like you can see the better version of this.

00:07:44   You just can't get to the point

00:07:46   where you can feel like, "I got to that level."

00:07:49   You know, like, you know the emotional feeling,

00:07:52   but then how do you replicate that?

00:07:54   - But sometimes that really can be a dream.

00:07:56   Sometimes there just isn't the better version of the thing.

00:08:00   Like, that that's not real,

00:08:01   that you can't get the details right

00:08:03   because those details don't exist,

00:08:06   and you're having some kind of different response

00:08:09   to the thing that you're working on,

00:08:11   which is, "This thing isn't good.

00:08:13   I can imagine a better version of it."

00:08:16   But can you really?

00:08:17   Because, like, the details are what matters,

00:08:20   and it's very different to look at something

00:08:22   and think like, "Oh, this could be better."

00:08:24   That's always the case when you're working on stuff.

00:08:26   Like, this kind of work never ends.

00:08:28   You can always refine out the last 0.001%

00:08:31   of making it better.

00:08:32   But there is a different thing that can sometimes happen,

00:08:35   which is you are comparing yourself

00:08:39   to just the idea of it being better

00:08:43   without any of the specifics.

00:08:45   And so I just like, again, that may or may not resonate

00:08:48   at all with you or people who are listening,

00:08:50   but I think it's a good idea to have in the back of your mind

00:08:53   as a thing to pay attention to

00:08:55   as something that can happen.

00:08:58   So that's one place in which I come at this topic

00:09:00   a little bit differently,

00:09:02   is I sometimes feel like this is a bit of an illusion,

00:09:06   but the ability for it to be an illusion

00:09:09   becomes less and less true

00:09:12   the more you are working in the physical world.

00:09:16   And so with product design, with cooking,

00:09:21   with actual skills, the more you get down to something like,

00:09:25   "I'm here practicing my pitching."

00:09:27   And it's like, "OK, I'm a baseball pitcher.

00:09:29   That's what I'm doing."

00:09:31   There, it's like you're talking about a pure skill,

00:09:33   and it's very clear, your visualization of

00:09:36   what is it that you're supposed to be doing?

00:09:37   The ball's supposed to be going faster and curvier.

00:09:41   It's supposed to drop down at the end.

00:09:42   Like it's very physical things, right?

00:09:44   It goes into the catcher's mitts, and then they're out.

00:09:49   That's like, you know what's supposed to happen.

00:09:51   - Big baseball fan.

00:09:52   - Yeah, so these are the extremes, right?

00:09:54   Clear physical skill that has less creativity.

00:09:58   It is just a thing to achieve,

00:10:00   and you have like a very clear success metric

00:10:03   of what that looks like.

00:10:04   And then you can just brush up against

00:10:07   physical limitations or limitations in practice time

00:10:11   or refining skill.

00:10:12   Like that can be the boundary.

00:10:14   And then the stuff in the middle is,

00:10:17   I mean like in some ways, Mike,

00:10:18   I feel like product design might be one of the harder things

00:10:20   because you are right in the middle of that.

00:10:22   There's just actual physical reality

00:10:25   that you're dealing with, trying to make things better.

00:10:28   But there is an element of the creativity

00:10:32   and the like dreaming possibilities of what could it be,

00:10:35   where it is important to not nail down those details

00:10:38   because you want your brain to be able

00:10:40   to run around and like put different things together

00:10:44   in a creative way.

00:10:45   So I do not think that you are even remotely alone

00:10:50   in this feeling of like, it's frustrating.

00:10:54   And of course there is, I think it's from Ira Glass,

00:10:57   but it's like, it's the quote,

00:10:58   which the detail of it don't matter,

00:11:00   but I think he made the excellent point.

00:11:02   And this is why I like working with you,

00:11:04   that the reason you're able to do a bunch of the things

00:11:08   that you do is you have good taste.

00:11:12   You have a skill at visual sensibility.

00:11:17   Like I'm just like, I am lacking this skill.

00:11:19   It's like, it's clearly turned up much more in you.

00:11:23   You also have like very strong and I think correct senses

00:11:27   about what makes podcasts good.

00:11:29   It's the same thing there.

00:11:31   And Ira Glass like sort of made the fundamental point

00:11:35   that is good to keep in mind that your skill

00:11:38   at taste and perceiving will always be better

00:11:43   than your skill at producing.

00:11:46   It's like the one that leads to the other.

00:11:49   Like when I go visit your studio

00:11:50   and there's a thousand notebooks everywhere,

00:11:51   like your ability to discern little details between these

00:11:55   of like, oh, this is what makes this one feel good.

00:11:57   This is why this one works better.

00:12:00   That is what leads you to making things.

00:12:02   But it just kind of has to be true

00:12:05   that you will always be better at the perceiving

00:12:08   than the doing.

00:12:10   It just has to be that way

00:12:11   because otherwise your doing couldn't possibly improve.

00:12:13   Like you wouldn't have something to aim for

00:12:17   if you couldn't have that like refined sense of taste

00:12:21   of like, ah, this is what matters.

00:12:22   And this isn't what matters.

00:12:25   This needs to be tweaked this way.

00:12:26   This needs to be tweaked that way.

00:12:28   - So I just found a quote.

00:12:30   "Your taste, the thing that got you into the game

00:12:32   "is still killer and your taste

00:12:34   "is why your work disappoints you."

00:12:35   It's pulled out from a discussion

00:12:37   where he's just talking about this phenomenon in general.

00:12:39   I've heard this reference a bunch of times

00:12:41   because I just feel like he really cut to the core

00:12:43   of what is the problem in this way.

00:12:46   Your taste is better than your ability to do,

00:12:49   but one is really causing the other.

00:12:51   It just has to be this way.

00:12:52   - That's interesting.

00:12:53   - Think about a chef.

00:12:54   A chef literally couldn't be better at cooking

00:12:57   than they are better at tasting.

00:12:59   How on earth could they possibly refine

00:13:01   their ability to cook if they're worse at tasting

00:13:04   than they are at cooking?

00:13:05   Like it's so obvious in that case

00:13:08   that it has to go this way.

00:13:10   - It's interesting.

00:13:12   I feel like for me, maybe this is true for a lot of people,

00:13:16   but I think I'm in this situation

00:13:20   where the things that I want to be good at,

00:13:23   there are lots of people around me that I know are better.

00:13:28   I work with these people.

00:13:29   They have the skills that I aspire to have.

00:13:34   And I think some of the things that I am maybe best at

00:13:38   are not as valued in my peer group,

00:13:42   but it's part of why I'm here.

00:13:44   - Do you have examples of that?

00:13:45   Yeah, like what are you thinking about there?

00:13:47   - I think I'm good at business.

00:13:49   I think I have a pretty good gut instincts

00:13:52   and good problem solving that apply well to business,

00:13:57   which is one of the reasons why I'm in the circle

00:14:00   that I'm in.

00:14:02   And I also think I have a good understanding

00:14:04   of content planning, which that is a skill

00:14:07   that I am happy I have,

00:14:09   but I think a lot of my colleagues have that one too.

00:14:13   But when I think about product design,

00:14:17   there are people around me like Tom and Dan

00:14:19   who are leagues ahead of me and I'm happy to be around them.

00:14:23   But again, I look at what they're doing and I'm like,

00:14:25   that's so easy to you.

00:14:26   It's so hard to me.

00:14:28   And then, some of the people that I work with

00:14:31   on my other shows, they're able to generate better takes

00:14:34   than mine faster and more easily.

00:14:36   And I would like to be able to generate as good takes

00:14:40   where I feel like my best takes are further between,

00:14:44   like there is further time between my good takes.

00:14:47   - Just right there is a great example.

00:14:49   You have thought much more about podcasting than I have,

00:14:53   obviously, because you've done it 10 times more.

00:14:56   And I never would have pulled out like,

00:14:59   oh, we're trying to put together a portfolio

00:15:01   of podcast skills.

00:15:02   Take-a-tude is obviously a skill

00:15:04   that belongs in this portfolio.

00:15:05   And it would not have, never crossed my mind,

00:15:09   but it crosses your mind because you're paying

00:15:11   much closer attention across a greater number of podcasts.

00:15:16   - And it definitely applies more to podcasts

00:15:19   that are about events, whether it's technology news,

00:15:23   politics news, sports, whatever, right?

00:15:25   But your ability to have good takes will help you

00:15:30   in that scenario.

00:15:31   And so your take-a-tuity level is important.

00:15:36   - Take-a-tuitiveness.

00:15:37   - Take-a-tuitiveness, yes, thank you, is good to have.

00:15:39   And I feel like I have good takes,

00:15:42   but they are rarer to the point where sometimes I feel like

00:15:47   I notice it or another thing I notice is that people write

00:15:52   in to tell me my take is good in a way that I feel.

00:15:57   - Oh no, oh right, right.

00:15:58   - They're like, oh, Mike, you had a really good take.

00:16:01   And it's like, I appreciate that comment, I do.

00:16:03   But we're not seeing this for Jason every week,

00:16:07   but he's having lots of good takes.

00:16:09   So yeah, you know.

00:16:10   But this is like a good and bad thing, right?

00:16:14   Where like, by being surrounded by these people

00:16:16   who I respect and look up to,

00:16:19   and this also includes you, of course,

00:16:21   your ability to create content from nothing

00:16:24   is a skill that is almost unparalleled.

00:16:26   Hence why you are one of the most successful in your field.

00:16:29   But looking at the people that I work with

00:16:31   and wanting to be able to get closer to their skill level

00:16:36   pulls me forward, but it is also sometimes where you're like,

00:16:41   God damn it, you know?

00:16:44   Like 'cause you, obviously everybody else is getting better.

00:16:47   And it's a conflict that I feel sometimes

00:16:52   where sometimes this need to be better

00:16:55   can also make me wanna give up on something,

00:16:59   you know, at the same time.

00:17:00   Because it's the kind of double-edged sword of it,

00:17:03   which is at times this desire can actually push you

00:17:06   to make the decisions, but it can also make you

00:17:10   wanna back away from something and not try as hard

00:17:13   because it feels like pushing that boulder

00:17:16   up the hill forever, you know?

00:17:17   - Yeah, again, I feel like there's just like a lot of

00:17:21   separate things to think about here.

00:17:23   Like get kind of muddled up, right?

00:17:25   'Cause again, that's why it's like,

00:17:26   oh, the moment you start talking about this,

00:17:28   it's like, oh, this is connected to a thousand things.

00:17:30   This is connected to everything.

00:17:32   I think like even that nature of the topic,

00:17:35   like I want to get better at X,

00:17:38   is very overwhelming because of that connectedness.

00:17:41   So just to try to pull a few things out.

00:17:44   One of the things which you already know,

00:17:46   but it is helpful to remind you,

00:17:48   is that other people's improvement

00:17:52   is always more obvious to you than your own improvement.

00:17:56   And this just feels like some kind of human bias.

00:17:59   Whatever new level you reach somehow instantly

00:18:03   becomes the baseline of the skill.

00:18:05   Like that's just, that's how it feels in your brain.

00:18:09   Again, this is harder in a creative field,

00:18:11   but it's why it's good to have objective records

00:18:14   of progress in any area where you're trying

00:18:17   to get better at a thing.

00:18:19   It's like, oh, I've been working on my health

00:18:21   a bunch this year.

00:18:22   And it's a similar thing of like,

00:18:23   oh, no particular day does it feel like

00:18:25   I'm making a ton of progress.

00:18:27   But it's like, oh, I have objective records

00:18:29   that's like, I actually have made a lot of progress.

00:18:31   It's just that with creative stuff,

00:18:33   that's significantly harder.

00:18:36   And especially in a podcast medium,

00:18:40   like that's also very hard to try to like,

00:18:43   think about how you have improved.

00:18:46   It's like, it is still there and it may be good

00:18:49   to occasionally go back and just like,

00:18:52   listen to your old stuff and just like,

00:18:55   see how much has changed.

00:18:58   I think there's also this problem, right?

00:18:59   Like, I feel it, I know you feel this too.

00:19:00   It's like, I know I should do that,

00:19:02   but I really don't want to look at my old stuff.

00:19:04   Like I try to basically like never really watch a video

00:19:09   after it's gone up for publication.

00:19:11   It's like, I just never want to see it again.

00:19:13   But every once in a while, I do have to go back

00:19:15   and look at some old video.

00:19:17   And like, I find it quite startling sometimes,

00:19:21   like how much things have improved

00:19:23   when I look at the old things.

00:19:24   'Cause it's like, oh, there's something I need to reference

00:19:26   in this video, like how exactly did I say that thing?

00:19:29   And I kind of like, wow, those old videos,

00:19:31   like they hold up real well,

00:19:33   but they're just objectively worse

00:19:36   on a lot of these like taste metrics that I do care about

00:19:41   and I have wanted to improve over the years.

00:19:44   So yeah, like I think you would feel that way

00:19:45   with looking at your old work in podcasting.

00:19:48   - Oh yeah, yeah, yeah.

00:19:49   One of the things that's very funny to me

00:19:51   and one of the things that I immediately notice is gaps.

00:19:56   So like in people speaking, like so somebody says something

00:20:02   and then nobody says anything.

00:20:03   It's like, that is just like such a thing of like,

00:20:07   this is solved two ways and you didn't do either of them.

00:20:11   - Right, right, and neither of them were taken, yes, yes.

00:20:13   - And that is one of the things that I immediately notice

00:20:16   in like much older work.

00:20:18   I feel like I do need to say,

00:20:20   'cause I'm like, I'm not really feeling bad about this.

00:20:24   This isn't like I'm disappointed or I'm upset or whatever.

00:20:28   Like I'm not really feeling down.

00:20:30   This is more just like a thing where I've noticed,

00:20:34   just in reflection of watching this show,

00:20:36   of actually thinking about how can I be better

00:20:41   as opposed to I don't think I'm good enough,

00:20:45   if that makes sense.

00:20:46   - Yeah, that sort of was the next part of this.

00:20:49   It's like, just keep in mind that you make more progress

00:20:52   than you think you do.

00:20:53   It's very hard to see.

00:20:54   There's lots of frustrations here,

00:20:56   but this is why I was saying it's connected to everything.

00:20:58   Thinking about, for example,

00:21:00   like the portfolio of podcasting skills, right?

00:21:02   Like how do you get better at podcasting?

00:21:04   Well, you can look at any skill or any process

00:21:08   and break it down and be like,

00:21:08   there's a bunch of sub-processes here.

00:21:11   And the trick is trying to figure out which areas,

00:21:15   in a sense like, can you make the most marginal gain

00:21:20   on the fastest?

00:21:21   Like that's really what you should be trying to think about.

00:21:24   And sometimes that means abandoning one area

00:21:29   and just accepting it as fundamentally unimprovable,

00:21:32   but that's fine because skills exist in a portfolio.

00:21:37   And it's a good thing to know sometimes,

00:21:42   like this is my weakness.

00:21:44   I may be able to improve it,

00:21:46   but it is just not worth actually doing that

00:21:51   relative to where else I could put in the effort

00:21:53   in this portfolio of skills.

00:21:55   And so I think if you kind of like pay attention

00:21:59   to really skilled people at what they're doing,

00:22:02   we all know that this is the case

00:22:03   that they're like skilled people also have

00:22:06   like really deep flaws often

00:22:08   at the thing that they're skilled at.

00:22:10   And really obvious flaws sometimes

00:22:12   at the thing that they're skilled at.

00:22:14   But it's not important because what matters

00:22:17   is the multiplication of all of the values

00:22:20   in this portfolio, right?

00:22:21   Like you're scoring like 10 on a bunch of skills,

00:22:24   but you score 300 on one and two on another,

00:22:29   depending on how that balance goes,

00:22:31   like nobody really cares because like the maxing out

00:22:35   on one ability in this portfolio of skills

00:22:38   is where the value is.

00:22:40   And you're just accepting the cost of like,

00:22:43   oh, but I'm bad at this,

00:22:44   but I'm just not gonna spend any time on this.

00:22:47   I think like that is the delicate trick.

00:22:50   And it's particularly difficult in creative fields

00:22:53   that are public because boy,

00:22:55   will people constantly remind you

00:22:57   the thing that you're bad at.

00:22:59   And because you have good taste and good perception,

00:23:02   you're like, yup, I sure can see that too.

00:23:06   It's right there, staring me in the face every day.

00:23:10   I get it.

00:23:11   But you just have to make a call sometimes about like,

00:23:13   is this worth improving or is this not worth improving?

00:23:17   Is this an area where you're going to be making

00:23:20   the next best marginal gain in whatever it is

00:23:24   that you're trying to do?

00:23:25   And it's like an interesting thing

00:23:26   where really skilled people,

00:23:29   you'll notice that they often will spend

00:23:33   like a dedicated time on some sub area of that skill.

00:23:38   I'm gonna get better at product design

00:23:41   is extraordinarily overwhelming,

00:23:43   but like you can narrow down and be like,

00:23:47   I'm gonna spend a little while just learning

00:23:49   everything I can about this one kind of like

00:23:53   sub kind of paper.

00:23:54   And like, that's where I'm gonna be like pushing forward

00:23:57   the average portfolio.

00:23:59   That's a way to get better.

00:24:00   But I really do think that it is just,

00:24:04   it is critical to know what to let go of

00:24:09   and what to just accept and say like,

00:24:12   this sucks and it's fine.

00:24:14   I'm just going to accept that.

00:24:17   For me, the most obvious thing is like,

00:24:20   I am a slow writer and I spent a lot of years

00:24:24   being really frustrated with that.

00:24:26   But at some point it's like, it's fine trying to like

00:24:31   improve the rapidity of the writing

00:24:35   impinges on the other things in this portfolio

00:24:39   that make the writing good.

00:24:41   I have a different ratio of skills in the area of like,

00:24:46   explaining and creating presentations.

00:24:48   Speed is not one of them.

00:24:50   And that's fine.

00:24:52   But again, I will be constantly and frequently reminded

00:24:56   about how slow I am at all of the things that I do.

00:24:59   And it's like, yeah, that's what it is to do

00:25:01   this kind of stuff in public.

00:25:02   - And then I guess your problem with the speed is like,

00:25:04   you get better at other things,

00:25:06   which actually makes you slower.

00:25:07   - That's an excellent point, right?

00:25:09   Like it's not even just that it's a weakness.

00:25:11   It's like, it's a weakness that's sort of gotten worse

00:25:14   because other things cause it to be slower.

00:25:17   Because of increases in animation quality,

00:25:20   we can talk about things that we never would before,

00:25:24   but that slows everything down.

00:25:27   The metric paper video is a perfect example.

00:25:29   Like it took forever to write.

00:25:31   But the only reason that that project remotely happened

00:25:35   is because of like a lot of work

00:25:37   on how to animate these things

00:25:38   and how to make them look good.

00:25:39   And how can we have this whole process lined up?

00:25:42   And so getting better at animation,

00:25:45   unlocked harder writing tasks,

00:25:48   which take even longer.

00:25:50   And it's like, yep, as you get better,

00:25:52   it can make your worst parts worse.

00:25:55   But if you are getting significantly better

00:25:58   at the good parts, you're fine.

00:26:00   Like you're still ahead.

00:26:02   You are like on average better

00:26:05   when you're looking at the final product

00:26:07   than you were earlier.

00:26:08   Even if like you're worse at some individual part of it.

00:26:11   - I don't have an end to this.

00:26:12   Like I barely had a start.

00:26:14   My point for having this conversation today, really,

00:26:17   like for bringing it to the show

00:26:18   and not just like talking to you about it,

00:26:20   was I thought that there could be a value

00:26:23   in people that are listening that are creatives

00:26:26   and aspiring creatives hearing

00:26:27   that people who are professional creatives

00:26:29   still feel like they're not good enough sometimes.

00:26:32   But I think that that's okay.

00:26:35   'Cause I think it is what pushes some people like me,

00:26:38   like you, to try and be better.

00:26:39   And also to like accept the things

00:26:42   that you're maybe not as good at and get help with them.

00:26:44   - The best way to handle weaknesses

00:26:45   is if you can outsource them

00:26:46   and have somebody else do the thing that you're bad at.

00:26:48   But the thing that I always bring up is like,

00:26:52   the more you hire, the more you risk losing the magic,

00:26:55   which is just a thing I feel very sensitive to

00:26:58   with lots of YouTube channels.

00:26:59   There's like tons of them where it's like,

00:27:00   "Oh, I love them."

00:27:01   And they bring on more people.

00:27:02   And it's like, it's mostly the same,

00:27:05   but it's just kind of gotten a little worse

00:27:07   in ways that are hard to define.

00:27:09   As like, that is one of the risks

00:27:11   of like trying to compensate for all of this stuff.

00:27:13   But I don't have an ending either,

00:27:15   but I do want to just go back to the,

00:27:16   like the very first thing you said,

00:27:17   because it always really irritates me,

00:27:18   this thing about like perfection.

00:27:20   I wanted to cheer you on.

00:27:21   Like obviously I haven't seen the show,

00:27:23   but when you say like the show has this message of,

00:27:25   "Oh, he shouldn't aim to be so perfect."

00:27:28   And you feel like you're drawing the opposite message.

00:27:31   I could not encourage you more in that.

00:27:32   I find this real annoying.

00:27:34   There's something about, I cannot pin this down,

00:27:39   but there is some cultural idea around perfectionism

00:27:45   that I find incredibly frustrating.

00:27:48   It is a thing that I see like people who are really skilled

00:27:51   get accused of all the time.

00:27:53   Like, "Oh, you're being a perfectionist."

00:27:57   But when I look around, I don't know,

00:28:01   this may be harsh to say, but keep in mind,

00:28:04   listeners, like this is an unarticulated thought.

00:28:06   I just, I can't put words to it.

00:28:08   But the people who I observe are good at things

00:28:13   are not perfectionists.

00:28:15   They're so obviously not perfectionists.

00:28:18   What they're doing is they're trying to get better,

00:28:21   like this exact topic.

00:28:22   They're trying to get better at some skill.

00:28:25   And to get better at the skill requires focusing on details

00:28:30   that to people who don't know anything

00:28:33   about how something is made

00:28:34   seem like crazy obsessive details.

00:28:38   But they really do matter.

00:28:40   I don't know, the people I see who more often

00:28:43   actually talk about like,

00:28:45   "Oh, I have such a hard time getting started

00:28:48   because I'm a perfectionist."

00:28:50   Those people on average disproportionately

00:28:52   don't strike me as very skilled people

00:28:55   who get anything done.

00:28:57   I don't know, it's like the cultural idea

00:28:59   is somehow backwards here.

00:29:01   And I haven't seen the show,

00:29:03   but I am very aware of it as a thing in media

00:29:06   that it's like presented as though perfectionism

00:29:10   is this thing that skilled people

00:29:12   should learn how to chill out about.

00:29:15   And I just don't observe this in reality at all.

00:29:18   Skilled people are not perfectionists.

00:29:20   If anything, they're like very understanding

00:29:23   of the flaws in their thing

00:29:25   and extremely accepting of them.

00:29:27   And meanwhile, it's people who don't do very much at all

00:29:31   who seem like incredibly concerned with perfectionism.

00:29:34   So ill-formed thoughts there.

00:29:36   But yes, that's my general frustration.

00:29:38   I feel like your gut instinct of,

00:29:41   "This show is trying to tell me one thing,

00:29:42   but I feel something else is correct."

00:29:45   - 'Cause he's a really good chef

00:29:46   and I think he has to not be distracted.

00:29:49   - Like it goes right to the core of a bunch of things.

00:29:51   Like, "Yeah, there's trade-offs in life.

00:29:54   Do you want to be really good at a thing?

00:29:57   I have bad news for you.

00:29:59   That means you're going to have to be significantly worse

00:30:02   at a lot of other things in your life."

00:30:04   It's just the way it goes.

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00:32:34   of this show and Relay FM.

00:32:35   (phone chimes)

00:32:36   July is here, we're in July.

00:32:38   - Big month July.

00:32:40   - Yeah, it's turned into one.

00:32:42   So as of recording, we're about two weeks away

00:32:46   from the Relay FM 10th anniversary live show

00:32:49   that we're having in London.

00:32:52   And it's been a very, very large undertaking.

00:32:57   - How you holding up over there?

00:32:58   - Fine.

00:32:59   Here's my thing.

00:33:00   As I speak to you right now,

00:33:02   I am equally excited and like nervous/stressed about it.

00:33:06   You know, like there was a time,

00:33:08   I think maybe a couple of weeks ago

00:33:09   where I wasn't so excited about it

00:33:11   and was much, much more just stressed.

00:33:14   But as we're getting closer,

00:33:15   the excitement level is increasing.

00:33:17   I think because the amount of things left to do

00:33:19   or the amount of things I can do is just decreasing, right?

00:33:22   As we get closer and closer.

00:33:23   - Right, right, yeah.

00:33:24   There's only so much you can do

00:33:26   when a thousand guests are coming to town.

00:33:27   - Exactly.

00:33:28   And one of the things that I have really noticed

00:33:31   in the last week or so,

00:33:32   so we're, you said a thousand,

00:33:35   we're in a big theater, it's called the Hackney Empire.

00:33:38   We've sold over a thousand tickets

00:33:39   and the theater holds up to 1200 people.

00:33:42   We do have some last minute tickets available.

00:33:44   If people wanna come see us in London on the 27th of July

00:33:47   at relay.fm/london, you can go find out more.

00:33:50   The thing that I have come to realize is

00:33:54   I think people like us

00:33:56   shouldn't try and hire a venue of this size.

00:33:58   It's like, it's not--

00:33:59   - What do you mean?

00:34:00   - Just in the sense that the system

00:34:04   is not built in that way.

00:34:07   People that hire the Hackney Empire,

00:34:10   usually their tour manager or some professional

00:34:14   is arranging the show.

00:34:16   - Right, yeah.

00:34:17   - Where luckily for us, the people at the Hackney Empire

00:34:20   have been very understanding

00:34:24   of how little I know

00:34:27   about putting on a show of this scale.

00:34:31   Because they're asking me for things

00:34:34   and I don't even know what they are,

00:34:37   let alone being able to provide it.

00:34:40   I'm like, we've gotten through fine,

00:34:41   but it's just, they're just like,

00:34:43   oh, can you send over this thing?

00:34:44   I'm like, I don't know what that is.

00:34:47   I don't even know what that,

00:34:49   you've just used an acronym that I don't understand.

00:34:52   There's been a lot of that.

00:34:53   - Can you send over the run list, Mike?

00:34:55   And it's like, ah, yes, the run list.

00:34:58   - Run list, they can't move from run lists around here.

00:35:01   - Typey, typey, typey, what is a run list?

00:35:04   - Yeah, so there's just been a lot of that, right?

00:35:06   And so it's been a large undertaking.

00:35:09   I mean, let alone the fact that so many hosts

00:35:12   are coming to town and just like working around all of that

00:35:15   and planning stuff and there's a lot going on.

00:35:18   And it's been quite taxing to add this to my workload.

00:35:23   When we originally planned to do this,

00:35:26   I was gonna help and Steven was gonna manage it

00:35:29   because he's always done the live show stuff.

00:35:31   We realized quite quickly into the planning

00:35:34   that that wasn't going to work because Steven is in Memphis

00:35:39   and I happen to be in the city where the show is happening.

00:35:42   - It does feel like that was just inevitably doomed

00:35:45   as an idea.

00:35:46   Can you set it up remotely in the place where I am?

00:35:50   Like, ooh, it's not gonna work.

00:35:52   - The reason is that we've never done a show in Memphis.

00:35:54   Every show we've ever done, it's always been remote,

00:35:57   but it just kind of became a thing quite quickly

00:35:59   where there's just conventions in the UK.

00:36:04   It's just gonna be easier for me to do.

00:36:06   And so we ended up, we made a deal

00:36:09   that I have not been involved

00:36:10   in any of the podcast-a-thon planning

00:36:13   that is currently ongoing.

00:36:14   So like all of our St. Jude stuff,

00:36:16   like I'm not doing any of it and I will join in

00:36:20   kind of in August.

00:36:21   So then like I will then be ready to go.

00:36:23   So like there are, I think, weekly calls happening

00:36:26   about the fundraiser right now

00:36:27   and I've not been on any of them.

00:36:29   And so like that's kind of been the trade, which has worked.

00:36:32   It worked in a sense of I'm not losing my mind

00:36:35   'cause I feel like I would have been

00:36:36   if I was trying to juggle both of these.

00:36:38   It's been eye-opening for sure,

00:36:41   like trying to put something like this together,

00:36:44   but I'm feeling, right now I'm feeling good about it.

00:36:47   You know, like there's been a lot of emotional weight

00:36:49   and like expectation that I'm putting on this event

00:36:53   and kind of coming to terms with what the event actually is

00:36:58   has made me feel better.

00:36:59   Like basically there was a point where I was like,

00:37:01   there's not enough theatrics for the show, right?

00:37:05   Like we're not doing enough.

00:37:06   And as I was talking this through with people,

00:37:10   I was being reminded a lot of like,

00:37:12   this is not why people are coming to this show.

00:37:14   People are coming to this show to celebrate with us

00:37:19   that we have reached the frankly incredible milestone

00:37:23   of a media business today lasting for 10 years.

00:37:27   - Oh yeah. - Right?

00:37:29   Which is quite a thing.

00:37:30   And so like, you know, the people that are coming

00:37:31   to the show, they're coming to celebrate with us

00:37:34   and then kind of that helped me really rebalance it

00:37:37   of like, ideally this needs to be A, as simple as possible

00:37:42   and B, as close to what people expect

00:37:46   from the people that they're coming to see.

00:37:48   - Yeah, you're not putting on the "Eras" tour here, Mike?

00:37:50   - Exactly. - Yeah.

00:37:51   - Turns out it's not what I'm going for anymore.

00:37:53   - Anymore. (laughs)

00:37:55   Mike was dreaming big "Eras" dreams previously.

00:37:58   - I don't know.

00:37:59   I just wasn't sure if they needed to be more like

00:38:02   laser light shows or whatever.

00:38:03   You know what I mean?

00:38:04   - Yeah, more costume changes.

00:38:06   And again, like I get it.

00:38:07   And this also just goes right to the previous thing.

00:38:09   Like it's very easy to dream like the ideal version of this

00:38:13   in very many ways.

00:38:14   Yeah, yeah. - Yeah.

00:38:15   - It's a version of this show that existed in my mind

00:38:18   before we ever even thought about doing it, right?

00:38:21   And it was a very, very different affair.

00:38:24   And what I have come to realize is it wouldn't have worked.

00:38:28   Even if I could have managed to do any of the things

00:38:31   that I'd imagined, it just wouldn't have made any sense

00:38:34   for why on earth we all of a sudden were doing this.

00:38:37   And that what we're able to do instead is,

00:38:42   you know, there's gonna be something like 20 hosts

00:38:45   that are gonna be a part of the event.

00:38:48   And it's about actually just making it that everyone

00:38:52   gets to share in that moment together

00:38:55   rather than like giving someone a solo.

00:38:58   You know what I mean?

00:38:59   So yeah, it's been a lot of effort

00:39:01   and I'm so excited about it now for the same reason

00:39:05   that I wanted to do it in the first place

00:39:06   where being able to put on a show like this in my hometown

00:39:10   is just like, it's incredible.

00:39:13   I just wanted to mention it because this is the last show

00:39:16   before it happens.

00:39:17   - Oh God, right, yeah, yeah, of course.

00:39:19   - The thing that I'm looking forward to the most

00:39:20   and the thing that I can't wait for

00:39:22   and the thing that I think about multiple times a day,

00:39:25   every single day is walking onto that stage.

00:39:28   It was something that I asked Steven for very early on,

00:39:31   like every live show we've ever done,

00:39:32   Steven always comes out first

00:39:34   and he will like kind of MC the show in that way

00:39:37   and like bring everybody out.

00:39:39   And I really, really wanted to come out first for this show

00:39:43   because of what this one means to me.

00:39:45   It means I think something a little extra to me

00:39:47   than it's gonna mean for really anybody else

00:39:50   and that it is to have gotten to a point

00:39:53   where I could do something like this

00:39:54   in the place that I grew up

00:39:55   and to have all of my family there.

00:39:58   I'm counting down the days to be able to get to the point

00:40:01   where I walk out onto that stage

00:40:02   and I'm just so excited about it

00:40:04   and I have no idea how it's gonna feel

00:40:07   and I have no idea how I'm gonna react.

00:40:09   I can foresee four different reactions from me

00:40:13   and I have no idea if I'm gonna have any of them

00:40:15   or a combination of them or what that combination might be.

00:40:18   Like so it's exciting.

00:40:19   - All we know for sure is it is going to be loud

00:40:22   because everybody hearing my voice now

00:40:25   when Mike goes out on stage,

00:40:27   they are going to go wild in that crowd.

00:40:29   - That's what I want, that's what I want.

00:40:32   The last thing I'll say on this,

00:40:33   which is the other reason that this show

00:40:36   is very exciting for me

00:40:38   is my family know what I do for a living, right?

00:40:40   Like from a conceptual level,

00:40:42   they understand that I have a business

00:40:45   where I make podcasts and people listen to those podcasts.

00:40:48   I think it's gonna be something very different

00:40:50   when they see that.

00:40:52   - Oh yeah, yeah.

00:40:53   - When I walk onto a stage and people make noise for me,

00:40:57   for as much as these things are,

00:40:59   the first time I ever did a live show and that happened

00:41:01   and it was like, wow.

00:41:03   I think I look forward to my mom especially

00:41:07   seeing that and I'm excited about that.

00:41:10   - I don't know what the conversion ratio is,

00:41:12   but it's something like,

00:41:14   you have an audience that is very large,

00:41:15   but is very dispersed, literally all over the world.

00:41:20   It's like, yes, you can tell people these numbers

00:41:23   that it's always abstract.

00:41:25   Like here's how many people hear Mike's voice every week

00:41:28   and it's a big number.

00:41:30   But there's like an impressiveness conversion ratio,

00:41:34   which has gotta be something like 10,000 to one,

00:41:38   a hundred thousand to one of just like getting people

00:41:42   in person is just so much more viscerally impressive

00:41:47   than big numbers of people dispersed all around the world.

00:41:53   So yeah, it's a real effect.

00:41:54   It's like just very impressive

00:41:56   and I imagine also quite emotionally impactful for some.

00:42:01   - One last thing that we decided to do

00:42:03   that I'm now very thankful,

00:42:05   I'm not recording any shows that week.

00:42:07   - Oh my God, what a relief.

00:42:09   - Yeah, it was a decision that was like,

00:42:11   oh, you know what?

00:42:12   Like we had talking about,

00:42:13   me and Steven were talking about it in January.

00:42:14   It's like maybe we should just take that week off.

00:42:17   And as the closer I get, I am like,

00:42:20   oh man, was that a good decision?

00:42:22   Oh boy, was that a good decision?

00:42:25   - Yeah, I bet it was.

00:42:28   - There is a possibility that I'm gonna be at one day

00:42:31   unloading chairs into a theater.

00:42:34   - It's gonna depend on if you got the run list right.

00:42:35   That's what it's gonna depend on.

00:42:36   - You know what it probably does?

00:42:37   - Running chairs out or not.

00:42:38   - You know what, maybe that's what the run list is for.

00:42:41   (laughing)

00:42:42   - It's about running out the chairs.

00:42:43   - Oh, oh.

00:42:44   (laughing)

00:42:46   - Did you put that on there?

00:42:46   They mean it last week.

00:42:47   - Everyone's getting a stand, I forgot the run list.

00:42:49   (laughing)

00:42:52   Should we do some Ask Cortex?

00:42:54   - Let's do some Ask Cortex.

00:42:55   - Taylor asks, what is a piece of technology

00:42:58   that has the most negative impact on your productivity

00:43:02   besides your phone?

00:43:04   - Yeah, phone's the obvious answer there, right?

00:43:06   - I like that Taylor just immediately foresaw the answer

00:43:09   and was like, nope, you can't get out of it that easy.

00:43:11   - I think that's a general good advice

00:43:13   for submitting Ask Cortex questions is,

00:43:15   it's like, well, it's the most obvious thing

00:43:17   and try to be like, except for this, right?

00:43:19   Which makes stuff more interesting.

00:43:21   I remember reading a while ago that,

00:43:23   it was a professional advice columnist

00:43:25   who was writing about their work

00:43:27   and commented how it was just absolutely unbelievable

00:43:31   that when people would like write in and be like,

00:43:33   hey, I want your advice on this,

00:43:35   like in old timey newspapers.

00:43:37   And then the first half of the letter

00:43:39   would be their question and then the second half

00:43:41   would be like very obviously what they're supposed to do.

00:43:44   (laughing)

00:43:45   Just like, oh, okay, well, I'll just take the question

00:43:47   and then I'll reword the second part.

00:43:49   And it's like, I'm sure that made the work

00:43:51   as an advice columnist very easy,

00:43:53   but does not produce the most interesting answers.

00:43:56   So I do like this, like foreclose off

00:43:58   the most obvious first thing, like besides the phone.

00:44:01   And I saw this a couple of days ago

00:44:04   and it's kind of been on my mind.

00:44:05   Like I think it's interesting because yeah,

00:44:07   eliminating the phone, it does make it tricky.

00:44:12   I think I have a weird answer,

00:44:13   which kind of falls into the same category of the phone,

00:44:18   which is I am going to say that the piece of tech

00:44:22   that has most negatively impacted my productivity recently

00:44:27   is chat GPT.

00:44:29   And I mentioned this just like in passing

00:44:33   on the previous show, but I started out by using chat GPT

00:44:37   as a thesaurus for like, oh, I need like different kinds

00:44:41   of words was the main thing I was using it while writing.

00:44:44   And it had just been growing on my mind

00:44:48   that something about using this was just increasingly

00:44:53   not good for the writing process.

00:44:57   I still have a hard time putting my finger on what it is,

00:45:01   but I have recently established a rule for myself

00:45:05   of like, while I am writing, I cannot ask a chat GPT

00:45:10   for like alternate wording suggestions or anything else.

00:45:14   It's like, I can just use the Apple dictionary

00:45:16   that's on my computer offline.

00:45:18   This is much better.

00:45:19   And it's like later I can do some of the like fancier

00:45:24   question asking stuff if I want to,

00:45:27   but it has to be like a very different productivity mode.

00:45:31   - Do you find it like derails you?

00:45:32   Like what is the impact that you're feeling

00:45:35   that like for some reason thesaurus is okay?

00:45:38   - So again, it's like, it's hard to put into words.

00:45:42   I think the best way I can describe it is,

00:45:46   so like it starts with thesaurus stuff,

00:45:49   but it slowly started expanding into be like,

00:45:52   this sentence is awkward.

00:45:54   Like, is there a different way to word that?

00:45:56   So I started asking some questions like that.

00:45:58   But here's the thing, like fundamentally,

00:46:02   I just don't think a chat GPT is good at this really.

00:46:06   That's why last episode I made the remark of like,

00:46:08   a lot of the output is like nutritionless food in a way.

00:46:12   Like the problem wasn't, oh, I'm using chat GPT too much.

00:46:17   The problem was more like,

00:46:21   oh, I can use a chat GPT as a thesaurus, which is good.

00:46:26   But then I would always go like one further and be like,

00:46:29   can I ask like this question?

00:46:30   And then it would be like,

00:46:32   like this chat GPT answer is just terrible.

00:46:35   Is there a different way I can ask

00:46:37   to try to get more of what I want?

00:46:39   And I was like, sort of, not really.

00:46:40   But it's like, what am I doing?

00:46:42   I just broke my flow where I was like looking for a thing.

00:46:47   And it's like, why did I go to the thesaurus?

00:46:51   The reason I went to the thesaurus,

00:46:53   which is still hard to say,

00:46:54   the reason I tried to find an alternative word

00:46:57   is because the word that I am looking for

00:47:01   is going to directly impact

00:47:03   the sound of the next few paragraphs.

00:47:06   Like what I didn't realize is when I'm writing

00:47:09   and I'm like, this word is no good, I need a different one.

00:47:12   Why is that?

00:47:13   It's not because it's a one-off word that I want to change.

00:47:16   It's because I'm like setting something up with that word

00:47:20   that is going to reoccur.

00:47:22   So I do need to know the answer now.

00:47:24   Like if I'm gonna say it this way, it sounds like this,

00:47:27   and then the sentence rhythms are this and whatever.

00:47:30   But opening up chat GPT was kind of like,

00:47:34   instead of opening up a thesaurus,

00:47:36   it's a little bit like asking a person,

00:47:39   hey, I wanted to do this, but what about this?

00:47:42   It's like very hard not to just have

00:47:45   some follow-up questions.

00:47:47   But those follow-up questions

00:47:48   are just immediately derailing from,

00:47:51   no, no, what you need to do

00:47:51   is you need to make a quick executive decision.

00:47:53   Like here's five options, which of these is the best?

00:47:57   This one is obviously the best and go with it.

00:48:00   But chat GPT allows you to be picky, right?

00:48:02   Where it's like, I don't really like any of those words.

00:48:05   How many more do you have?

00:48:06   Do you have any more?

00:48:08   Could you just like scrape the bottom

00:48:11   of this half million word vocabulary of English

00:48:14   to find any word related to this word

00:48:17   that I might like better?

00:48:19   It's derailing, that's sort of what it is.

00:48:22   And what popped into my head that I realized,

00:48:24   like, oh, the feeling that it reminded me of,

00:48:26   it reminded me of when I used to have Twitter on my phone.

00:48:30   And just by it being there,

00:48:34   some small part of my brain was always like,

00:48:37   what's a funny thing you could tweet, right?

00:48:39   What's a funny thing you could tweet now?

00:48:40   Is it like, could you take a picture of this thing?

00:48:42   That's kind of funny.

00:48:43   You could put that on Twitter.

00:48:44   And like getting rid of that,

00:48:46   just like shut down that part of my brain.

00:48:48   And that's kind of what like having chat GPT around

00:48:51   was a bit like.

00:48:52   Like some part of my brain at any moment's hesitation

00:48:57   was like, you can ask chat GPT about this.

00:49:00   And in my experience, like, yeah, I could.

00:49:02   And then I'm just gonna like waste five minutes

00:49:05   and more importantly, break flow,

00:49:08   getting like a mediocre improvement

00:49:11   when if I had just sat there and continued forward,

00:49:15   it would have obviously been a thousand times better.

00:49:17   So yeah, that's why I like, I set that as a rule now

00:49:19   of like, basically it's like, is it before noon?

00:49:23   No AI, you have a dictionary and a thesaurus.

00:49:27   Like it's the year 1600 and it's perfectly fine.

00:49:31   In fact, this is the best.

00:49:33   So yeah, chat GPT is my answer.

00:49:36   - My answer is, it's kind of in the spirit of the question,

00:49:39   but not exactly.

00:49:39   So like I would say eight games consoles.

00:49:42   - I mean, yeah, I guess I was like, sure.

00:49:46   I almost feel like that's a bit saying it's like,

00:49:48   what in your life most negatively impacts productivity?

00:49:53   You're like, oh, well, all of my nonworking life

00:49:55   is what most negatively impacts my productivity I guess.

00:49:58   If that's what we're trying to figure out,

00:50:00   what's the most impactful?

00:50:02   All of the times I'm not being productive.

00:50:03   - Yeah, but I think it's of the technology that I have,

00:50:06   it is the thing where I'm most likely to spend time

00:50:09   longer than I intended.

00:50:11   - Right, yeah, that's different.

00:50:12   - So like, oh, I'm gonna take 15 minutes

00:50:14   and play some Mario Kart or whatever and then an hour goes by.

00:50:18   But for me, I have found in the last few years

00:50:21   that it's actually good for me to do that

00:50:23   because otherwise I would just sit,

00:50:25   what else is I gonna be doing?

00:50:26   Just sit and refresh my email inbox for an hour?

00:50:28   Like what was the point?

00:50:30   And I find for me that this stuff is good

00:50:33   even though it is the thing where I'm most likely

00:50:35   to spend time unintentionally.

00:50:40   But when it comes to unintentionally spent time,

00:50:44   gaming is preferable for me in a way.

00:50:46   - Yeah, it's better than that kind of like nothing

00:50:50   like you're describing, that sort of vague,

00:50:52   like I'm sitting in front of the computer,

00:50:54   I'm not really getting anything done

00:50:56   and I feel bad about that, which is just like a negative loop.

00:51:00   Yeah, it's better to just like take a real break.

00:51:02   I do find it kind of miraculous

00:51:04   that you can actually take a gaming break

00:51:06   and even if it lasts longer than you expect,

00:51:08   then go back and do something after.

00:51:10   I was just like, I'm completely incapable of doing that.

00:51:13   It's like, if I'm gonna pick up a game, the day is over,

00:51:15   so I better have finished everything.

00:51:17   Like there's no universe in where I'm playing

00:51:20   15 minutes of Mario Kart.

00:51:22   It's like I'm playing four hours of Mario Kart

00:51:24   or I'm playing no hours of Mario Kart.

00:51:26   Those are the only options.

00:51:27   - Yeah, but that's one of the differences

00:51:29   between mine and your work life

00:51:31   where I have more things on the schedule

00:51:33   than on the calendar.

00:51:34   So like at some point I have to stop

00:51:36   because otherwise I'm not going to the next meeting.

00:51:39   - Yeah, whereas it's like I just have blown off meetings

00:51:42   where it's like, sorry, this can't happen.

00:51:45   - Maybe there's a combination of difference

00:51:48   in personality and calendar.

00:51:50   - I guess I'm trying to say, Mike,

00:51:51   you have a more iron will when it comes to gaming than I do.

00:51:55   - Hannah says, has the 2 million view Instagram reel

00:51:58   translated into a spike in sales at the Sidekick notepad

00:52:01   according to gray spreadsheets?

00:52:03   There is some context required here, I think.

00:52:06   So. - What's the context?

00:52:07   - Yeah, well, last year I was working with a variety

00:52:10   of content creators and producing media for Instagram,

00:52:15   photos and videos and stuff like that.

00:52:17   And we're trying out a bunch of different styles

00:52:18   and I got in contact with a company based in Australia

00:52:21   called Yuzu and they made a reel for us.

00:52:26   They made a selection of reels for us actually

00:52:28   using the Sidekick notepad.

00:52:30   And I really loved them, but we couldn't use them

00:52:34   because we were waiting on your video, right?

00:52:36   So we were beefing up stock

00:52:38   and not really messing around with anything

00:52:40   because we wanted to make sure that we had stock in place

00:52:44   and that for the video that you were producing.

00:52:46   So I kind of sat on them.

00:52:47   And then a few months ago, I was like, okay,

00:52:50   we're into a kind of like, things are stable now.

00:52:53   Like we've got our stock back in again.

00:52:56   I would like to post these stuff now

00:52:58   and then maybe boost them on Instagram

00:53:00   and stuff like that, right?

00:53:02   And so we posted this reel and it's,

00:53:07   I think the first piece of content

00:53:10   that I've ever been a part of that went viral in this way.

00:53:15   - I feel like there's a lot of asterisks around that,

00:53:17   but yeah, okay, yeah, yeah.

00:53:18   - I mean, this is the highest view count

00:53:20   of anything I have been related to

00:53:22   for a single piece of media.

00:53:24   - I guess my hesitation around that is,

00:53:25   I feel like it's kind of like shorts.

00:53:26   I don't really know how to weigh the view count

00:53:29   on Instagram reels. - I know, I know.

00:53:31   - But yeah, it's like, I will grant that to you,

00:53:33   but I do feel like you have to think about it

00:53:35   in a certain way for that to be true.

00:53:38   - Yeah, I mean, cut it in half

00:53:39   and then that's maybe closer to the actual amount

00:53:42   like the view count.

00:53:43   - Yeah, yeah.

00:53:44   - Because people watch reels twice by accident,

00:53:49   it just starts again, but it's definitely like,

00:53:52   from a virality perspective of just the speed

00:53:56   and the fact that it was kind of disconnected

00:54:00   from anything that could have otherwise really boosted it

00:54:03   as such.

00:54:04   Now we ended up putting money behind it

00:54:06   as a piece of boosted marketing,

00:54:09   but it hit nearly a million views all on its own.

00:54:14   It just got sucked into the algorithm and that was that.

00:54:17   And this was incredibly exciting for me.

00:54:19   Like it was just fun to watch the numbers go up.

00:54:22   From a sense of like spike of sales,

00:54:25   it was kind of interesting really.

00:54:27   The sales for like, I don't know,

00:54:29   maybe the first couple of weeks of the reel

00:54:32   when it was hitting its highest virality,

00:54:35   it maybe doubled our daily sales,

00:54:37   but that is a minute fraction compared to the response

00:54:42   of anything that we're able to generate

00:54:44   from either the podcast or from the video that you made.

00:54:49   Which makes sense, right?

00:54:50   Like I wouldn't have expected anything really different

00:54:53   because if somebody sees you talking about the products,

00:54:58   it comes with like the relationship you have with the viewer

00:55:02   that they trust you,

00:55:03   rather than here's like a random piece of media as an ad.

00:55:06   It's just another ad you've seen.

00:55:08   But the thing that was very beneficial

00:55:11   is it massively boosted our Instagram following,

00:55:14   which for me was like the perfect thing

00:55:17   that I could have wished for out something like this,

00:55:18   honestly, 'cause that's,

00:55:19   as we've spoken about on the show in the past,

00:55:22   it's something that I've wanted to increase over time

00:55:26   and this did it.

00:55:27   - Yeah, the conversion ratio between,

00:55:30   it's like, oh, we talked about the sidekick on the podcast

00:55:32   or I make a video about it.

00:55:34   That conversion ratio of like, oh,

00:55:37   how many listens equals a sale or how many video views

00:55:41   equals a sale, like that conversion ratio is much higher

00:55:44   than the Instagram views because like you said,

00:55:47   like quite obviously, most people on Instagram

00:55:50   are coming to it without any context at all.

00:55:52   They don't know who we are and there's like,

00:55:54   there's no background.

00:55:55   So the conversion is much, much lower

00:55:57   for like per million views on Instagram into sales.

00:56:01   But like, this is one thing where it always has been

00:56:05   like a slight point of disagreement between us

00:56:07   because I am just like significantly less convinced

00:56:11   by a lot of the social media stuff than you have been.

00:56:14   It's interesting, it's like on my head of logistics

00:56:17   to-do list is like, I've been meaning to like rework

00:56:19   a bunch of the data so I can run like regression analysis

00:56:23   on like, what are we doing

00:56:24   and what's having an impact on sales

00:56:26   and what are the exact conversion ratios

00:56:28   and how should we think about that?

00:56:30   But when something like this happens, it's like, oh, yeah,

00:56:33   I don't need to run some fancy analysis.

00:56:36   I can immediately see that like this is converting

00:56:38   into sales at a positive ratio.

00:56:40   And it's like, sure, that Instagram conversion factor

00:56:43   is much worse than other mediums.

00:56:45   But like, I don't need to tease out the data

00:56:47   when sales double and stay doubled for exactly the duration

00:56:51   that this video is getting a ton of views.

00:56:54   And that also to me was like,

00:56:56   it was just a great proof of concept to see,

00:57:00   yes, like this is what we want to know

00:57:02   that without context, without the background of knowing us

00:57:06   and like what's gone into the product

00:57:08   and like all of the details and everything else.

00:57:10   Even just the like, listener knows Mike has great tastes

00:57:14   so trusts to like try out a product that he has designed.

00:57:17   Like without any of that, people just see the thing

00:57:19   and think, yes, like I would like to try that product.

00:57:22   So it was very interesting to see

00:57:24   and like behind the scenes, we had some conversations

00:57:27   where it was like, I just don't know if I trust

00:57:29   any of this Instagram malarkey.

00:57:30   And then like along comes a mega viral Instagram video

00:57:34   with like obvious impact on spreadsheet sales.

00:57:36   And I was like, oh, Mike might be onto something here.

00:57:39   I don't know.

00:57:40   - Oh, but this is the thing though,

00:57:41   where like this was actually valuable to me

00:57:44   for the same reason, because our yearly theme

00:57:47   for Cortex brand is the year of basics, right?

00:57:49   And one of the things in the year of basics was like,

00:57:52   let's actually try and get a better handle over this idea.

00:57:57   Because you know, the idea of having an Instagram account

00:58:00   and it being a sales marketing funnel and da, da, da, da, da.

00:58:04   It's a thing that I know businesses do,

00:58:06   but I don't know how to do it.

00:58:07   And I don't know if it actually works, but everybody does it.

00:58:10   So surely there must be some value to it was my thinking.

00:58:13   But like trying to extract that and understand that

00:58:16   is incredibly complicated

00:58:18   and still kind of remains complicated.

00:58:20   But at least from this video

00:58:23   and then a couple of other pieces of marketing

00:58:25   that we've done, I've been able to see

00:58:28   that there is the ability to increase effectiveness

00:58:32   and get a metric out of the end of it.

00:58:35   And that has been really interesting to me

00:58:40   for that same thing you're saying of like,

00:58:42   I know that there is a higher conversion

00:58:45   over our personalities leading to the sale.

00:58:47   Like people being familiar with us.

00:58:49   But the thing is we actually can't easily

00:58:54   put a number on that.

00:58:55   It's like very hard to do.

00:58:56   And then also, even if we were able to,

00:58:59   it's incredibly hard to just keep putting the money in

00:59:03   and getting more people.

00:59:04   And that is exactly what Instagram provides, right?

00:59:07   We can get the number and we have the number.

00:59:10   So like at the moment,

00:59:11   I'm running this video as an ad on Instagram

00:59:15   with the call to action to go to the Sidekick Notepad website

00:59:19   and read more about it.

00:59:20   At the moment, this piece of media,

00:59:24   it's seven pence per click.

00:59:27   So for every seven pence we put in,

00:59:29   we get someone to click and go and watch it.

00:59:31   And this is better than any other piece of media

00:59:34   that we've done.

00:59:35   We had some that were two times,

00:59:36   three times, four times that amount.

00:59:38   And so like it's helping me understand

00:59:40   that like whatever it is about this video,

00:59:42   people like it.

00:59:44   It encourages them to go and learn more.

00:59:45   And we have one other thing at the moment,

00:59:48   like which is we made a post about the Ink Magazine article

00:59:52   that was written about the Sidekick Notepad

00:59:55   that is also performing at seven pence per click

00:59:57   to go and find out more about the product.

00:59:59   I was like, this is interesting stuff to me

01:00:01   because there's two things.

01:00:02   One, all right, so whatever it is about these pieces

01:00:05   of media, they resonate with people.

01:00:07   And also just because of the way Instagram works,

01:00:10   it's not like it has to stop.

01:00:12   You just keep it going.

01:00:14   And we keep getting the same results.

01:00:16   We keep putting money in, we keep getting the same result.

01:00:19   And that's really interesting.

01:00:20   That is not something we can do with a podcast.

01:00:22   And it's not something we could do with a YouTube video.

01:00:24   We cannot keep replicating the same result

01:00:27   because both of those pieces of media,

01:00:32   the effectiveness is capped out at the exact maximum already.

01:00:36   Right, like we can only talk to the same amount of people

01:00:40   on the show as we can every month essentially.

01:00:43   And for your video, it's already hit the highest amount

01:00:47   of people with the highest amount effectiveness.

01:00:50   We can't just, if we took that video of yours on YouTube

01:00:54   and put money behind it, you know,

01:00:55   it was promoting on YouTube, we wouldn't get the same result.

01:00:58   We'd probably get a similar result to the Instagram ad.

01:01:01   And I think that that's been really interesting to me

01:01:03   to kind of finally have something

01:01:05   that broke out a little bit to be able to teach me

01:01:09   this lesson about why people do this kind of stuff

01:01:12   because basically everybody in the world

01:01:14   is on this platform.

01:01:15   You can just keep reaching them.

01:01:16   And also because of the way these kinds of things work,

01:01:19   we'll hit the same person like four times

01:01:21   and then they'll finally click on it

01:01:22   and now they've become one of the seven pence clicks.

01:01:25   It's just been really interesting for me.

01:01:27   I don't know what to do with it still,

01:01:29   but it's been very beneficial.

01:01:31   And also just the style of that video

01:01:34   and the way it looks visually is something

01:01:37   that we're gonna start leaning more towards

01:01:39   because I really love the style

01:01:41   and clearly so do the people that wanna buy our products.

01:01:43   So that's very good.

01:01:44   - Like a viral success.

01:01:46   They can be inexplicable and they can be irreplicable,

01:01:50   but they can also point you like,

01:01:52   this is generally the right direction to head.

01:01:55   Think about what happened here and what worked here

01:01:58   and now start trying to iterate on that

01:02:01   and see where you can go from there.

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01:04:45   Mark asks, "How do you handle failure?

01:04:49   "You often talk about the systems and practices

01:04:51   "you have in place to succeed in your work,

01:04:53   "but when things don't go to plan,

01:04:55   "how do you deal with it and get back to work?

01:04:58   "I'm a scientist, so it's my job repeatedly

01:05:00   "to fail and learn from it,

01:05:02   "but I'm also a human being,

01:05:04   "so this can be a tough thing to keep doing."

01:05:06   - Flashbacks to my working at a physics lab days

01:05:10   that it was like, yep, your default assumption

01:05:12   at the start of every day is like,

01:05:14   well, none of this is going to work.

01:05:16   It's gonna be a whole day of like doing stuff

01:05:19   and none of it works.

01:05:21   I know that feeling very well.

01:05:23   I mean, partly for me,

01:05:24   I feel like there's a cheat answer I have, which is true,

01:05:27   which is just, I'm not a very looking backward kind of guy.

01:05:32   That is just not the way my personality is.

01:05:36   And so I am just temperamentally inclined

01:05:40   to move on immediately and not care at all about failures.

01:05:45   I've made some real bad decisions sometimes,

01:05:49   and it's funny, I was just talking to someone

01:05:51   about a thing came up about something that happened

01:05:53   in the past and it was like,

01:05:54   "Oh yeah, that was a real bad decision."

01:05:56   I was like, "Oh yeah, I just haven't really thought

01:05:58   "about that at all in forever."

01:06:01   It just doesn't come up.

01:06:01   So I think I am a bad person to ask

01:06:05   because it's just like it's

01:06:06   because of temperamental indications.

01:06:08   But I do think there's a different thing

01:06:11   that I wanna pull out,

01:06:13   which is like expected failures and unexpected failures,

01:06:18   particularly being a scientist here.

01:06:21   That's like the key example of expected failures.

01:06:24   Like, "Oh, you're gonna be running an experiment

01:06:26   "where you're testing different materials,

01:06:28   "looking for property X, you know going into that,

01:06:33   "you're gonna have months of just like,

01:06:35   "Oh, none of this worked."

01:06:36   Every day in a sense was a failure every time.

01:06:39   But that's just like part of the thing.

01:06:42   And I don't know, I feel like if it was an expected failure,

01:06:47   if you started some process in your work or in your life,

01:06:50   and you know extremely confidently ahead of time

01:06:54   that there's going to be like percentage X of failures,

01:06:59   I just feel like that's not even a failure at all.

01:07:02   It's something more like grinding, right?

01:07:04   You're like grinding through to get where you want to.

01:07:08   And it's like grinding is not a lot of fun,

01:07:10   but you just have to do it for certain kinds of things.

01:07:14   So if a failure was well expected,

01:07:17   I just feel like it should be mentally reframed as,

01:07:20   was this part of a grind?

01:07:22   Or I guess the other way it can be is like,

01:07:24   was this part of a calculated risk?

01:07:26   And you had some notion in your head of like,

01:07:28   "Oh, okay, here's the probability of failure."

01:07:32   And I just like knew that going in.

01:07:35   I feel like, oh, it's like there's nothing to deal with there at all.

01:07:38   But the thing that's more like,

01:07:42   what do you want to pay attention to?

01:07:44   And what do I pay attention to?

01:07:45   Is more like unexpected failures.

01:07:48   Like something has gone wrong in a way

01:07:50   that you didn't predict at all and didn't see coming.

01:07:55   Like that is a very different thing that feels more like,

01:07:58   oh, this is an actual failure.

01:08:00   And you just have to do like a retrospective analysis

01:08:05   of what was missed in the lead up to this.

01:08:10   How did this come out of nowhere?

01:08:12   What led to this occurring?

01:08:14   And then, I mean, kind of going to the discussion earlier

01:08:17   about deciding the things that you're improving on

01:08:20   and not improving on.

01:08:22   Sometimes the result is like, well, that's what happens.

01:08:25   Unexpected failures, by definition,

01:08:27   they're unexpected, they can be unpredictable.

01:08:30   And it just might not be worth changing anything

01:08:34   to try to avoid that in the future.

01:08:38   I feel like this is one of the many slow poisons

01:08:42   and slow deaths of like big companies and big bureaucracies

01:08:47   is they ossify in trying to make it

01:08:52   so that every unexpected failure

01:08:55   that they have ever encountered can never happen again.

01:08:59   This is why you get terms of service.

01:09:01   They're like 20,000 pages long.

01:09:03   It's like, what is this document?

01:09:05   Oh, it's like a historical record of everything bad

01:09:08   that ever happened to this company

01:09:10   and also everything bad that ever happened

01:09:12   to all of their friends that they ever asked about.

01:09:15   So you get like this enormous document

01:09:17   trying to cover like every possible corner case.

01:09:19   And it's the problem that bureaucracies get of like,

01:09:22   there's a million steps because each one was added

01:09:25   because sometime there was a problem

01:09:27   and they put in an institutional fix

01:09:30   and everything just gets slower and slower.

01:09:33   So I know like with unexpected failures,

01:09:36   I think it is also just worth considering.

01:09:38   It could just be better to eat it as a failure

01:09:41   and accept that you're gonna go forward

01:09:44   and not try to plan for this.

01:09:46   But I know it's just, it's so variable, right?

01:09:48   It depends on the nature of what the failure is.

01:09:51   But I think it's good to mentally separate them

01:09:54   into expected versus unexpected.

01:09:56   And then if it's unexpected,

01:09:58   is it worth attempting to prevent something similar

01:10:01   in the future or is it not?

01:10:04   So that's the decision tree for failures

01:10:07   off the top of my head.

01:10:08   That's what you can do and then pick one

01:10:11   and don't worry about it.

01:10:12   That's how you handle failure.

01:10:13   - So if I have an unexpected failure of a project

01:10:16   that I'm working on or whatever,

01:10:18   I will be bummed out about it,

01:10:19   especially if I thought that it could have led

01:10:21   to something more or I had a greater idea for it.

01:10:24   And so I've experienced that enough throughout my career.

01:10:28   But in having had those experiences early on,

01:10:31   it kind of got me to the point now

01:10:34   where my preparations for a project

01:10:37   include the ways in which the failure is dealt with.

01:10:42   And essentially my two systems for dealing with failure

01:10:46   is commitment and experience.

01:10:49   So if I'm embarking on a project,

01:10:53   I understand that that project may not succeed,

01:10:57   but what I won't do is just abandon it.

01:10:59   I will take it to a point in which it will end,

01:11:04   but that it won't just be like, well, that didn't work

01:11:06   and then just get rid of it.

01:11:08   Because then I feel like I'm not gonna learn anything

01:11:09   from that project.

01:11:11   And if I just abandon everything that fails,

01:11:14   I'm also gonna keep starting too many things, right?

01:11:17   So this is a thing I've learned over time,

01:11:19   which is now why I'm like, no more podcasts, none,

01:11:23   no more, done, right?

01:11:25   Because I just learned over time,

01:11:27   it just became harder and harder to be successful

01:11:30   with new shows that are made the way

01:11:32   that I like to make podcasts.

01:11:34   And to try and get a success now

01:11:38   to the level that the successes that I have

01:11:40   is really, really hard and takes more time

01:11:44   than I have to give to a project.

01:11:47   And so having that commitment to be like,

01:11:49   well, if this doesn't work,

01:11:51   I will see this project through to an end state.

01:11:54   That is a thing that is a commitment to the people

01:11:56   that are there or that have bought into it,

01:11:59   but also not to a point where I'm just

01:12:01   dragging something behind me forever, right?

01:12:04   And then that also leads to gaining the experience

01:12:10   for how to make something successful

01:12:14   and or successful enough that you can find the time

01:12:18   at which to bail out from it.

01:12:20   That kind of my two ways that I deal with projects now

01:12:23   so that they're less likely to fail, I feel like.

01:12:28   Like for example, we've done enough now

01:12:33   for the promoting of products to understand

01:12:37   how to make them successful,

01:12:40   because we've had some stuff that didn't necessarily

01:12:42   go the way that I thought they were going to

01:12:44   because I made too many assumptions.

01:12:46   And now we have like a better idea of how to do stuff

01:12:49   and I think is getting better all the time.

01:12:52   And it's also just informing that some of the bets

01:12:55   that we make on things can be reduced.

01:12:58   And like you can start off ordering less units of a product

01:13:01   and you can see if it resonates with people

01:13:03   and then use that to improve it or change it

01:13:06   and or to then build the way to announce it

01:13:09   bigger to the world.

01:13:10   Like that is the kind of experience portion,

01:13:13   which means that like something can succeed

01:13:15   but succeed less and it not be a failure

01:13:17   because you're not carrying around the same stock

01:13:20   or the same item for like six years or whatever.

01:13:22   - Yeah, actually, that's a good point

01:13:24   'cause I was, as you were talking,

01:13:26   I was sort of thinking like, again,

01:13:28   it's easier to talk about with physical products

01:13:30   like with Cortex brand, but it's like,

01:13:32   oh, our products have done well,

01:13:36   but at some point we're going to have like a failure, right?

01:13:40   We're going to have something where it's like,

01:13:41   oh, this just didn't go very well.

01:13:43   If you keep launching products, it's bound to happen.

01:13:46   - I mean, look, I think it already did happen,

01:13:49   but nobody else will agree with me or will allow me to agree.

01:13:52   The subtle notebook was a failure.

01:13:53   - I was like, are you still hung up

01:13:55   about the subtle notebook? - I'm talking about

01:13:56   the subtle notebook, yes.

01:13:57   I'm talking about the subtle notebook.

01:13:59   - Okay, listen, everybody.

01:14:00   I just completely disagree with Mike about this.

01:14:02   I feel like Mike's brain is all like weird

01:14:05   about the subtle notebook.

01:14:06   Subtle notebook is great.

01:14:08   By the way, your head of logistics says

01:14:10   we need to order more very soon.

01:14:12   - For a variety of reasons, it can't happen.

01:14:15   So like, we're just going to have to deal with this later on.

01:14:18   - Listen to me, I will not let subtle notebook die.

01:14:21   - No, no, but this is the point though.

01:14:23   This is my experience.

01:14:23   So, okay, so what happened was

01:14:25   we made the theme system journal and I was like,

01:14:27   an easy next product is a notebook

01:14:29   that is basically the same construction,

01:14:31   but blank inside, right?

01:14:33   And it was like, this can only surely succeed

01:14:36   to the exact same level that the theme system succeeded.

01:14:39   No, it didn't because we ordered an amount

01:14:42   that was way too high and we're still selling

01:14:44   from that initial stock amount.

01:14:46   We significantly over ordered

01:14:48   and over committed to that product.

01:14:50   I don't think that the idea of a product

01:14:53   like the subtle notebook is a bad one,

01:14:55   but whenever we get to the point

01:14:57   that we're going to replace it or like reorder for it,

01:15:01   I'm not going to order that same amount again.

01:15:03   Like the failure. - Okay, yeah, yeah.

01:15:04   - We bet way too hard on that product and it did not work.

01:15:08   Like it did not work.

01:15:10   - Okay, I guess would you remind me again

01:15:12   that we overbought by literally many years worth of stock.

01:15:17   Yeah, I guess that did go bad.

01:15:19   I just really liked that product.

01:15:21   And I also just think it's kind of funny.

01:15:23   - I like it too.

01:15:24   And that we have fans of that product,

01:15:25   including some friends of like, not just you,

01:15:28   I have other friends who are like,

01:15:29   please never get rid of this

01:15:30   'cause I use it all the time.

01:15:31   It's like, I get it,

01:15:33   but it's going to be replaced at some point

01:15:36   with something else.

01:15:37   But we will deal with that the same way

01:15:39   that we have like are dealing with variants

01:15:41   of the Sidekick notepad, right?

01:15:42   So we have the calendar companion.

01:15:44   We ordered way less and it's going great

01:15:48   because we are less financially committed to that product.

01:15:52   - Okay, so concede you're more right

01:15:55   about the subtle notebook that I give you credit for.

01:15:59   Hashtag Mike was right.

01:16:00   - But it's just the experience.

01:16:01   We'd learned something from it.

01:16:02   - Yeah, that's where I was sort of going with that

01:16:04   is what I was thinking about.

01:16:05   Just again, like sort of thinking forward,

01:16:07   it's like, oh right, like projects,

01:16:09   like we'll definitely have some projects

01:16:10   that are like failures in some sense.

01:16:14   But like I already feel so much better

01:16:17   and partly because of the calendar companion.

01:16:19   I'm just like, oh, but the way that we're thinking

01:16:21   of rolling out stuff,

01:16:22   we've made a bunch of structural changes behind the scenes

01:16:26   and it's like, oh right.

01:16:28   I didn't really think about this.

01:16:29   But like we have definitely put a lot of effort

01:16:31   into downside mitigation of if it goes wrong

01:16:35   while maintaining the ability to get the benefits

01:16:39   of the upside if it does go right.

01:16:41   So yeah, that is a thing that like,

01:16:44   we've gotten significantly better over time with that.

01:16:47   So yeah, that's like totally like learning

01:16:49   from failure experience and incorporating it going forward.

01:16:52   - And that's also like the commitment thing, right?

01:16:54   So when we were struggling handling all of the eels

01:16:56   and ordered like just a obscene amount of sidekick notepads

01:16:59   to prepare for your video,

01:17:01   there was a conversation that we had, which was like,

01:17:03   okay, if this video doesn't work, like we will sell these.

01:17:07   Like we will do everything in our power to sell these,

01:17:12   which is just like not a thing that we thought about before.

01:17:14   But like that is the commitment part of it

01:17:17   to make sure that even if this does not go the way

01:17:19   that we hope, we won't allow it to like fail

01:17:23   because we know we can sell them.

01:17:25   It's just gonna take a different commitment level

01:17:26   to make that work.

01:17:28   - I have a question for you via Chris.

01:17:32   Chris writes in to ask, "Given both of your inclinations

01:17:35   to track your time and calculate ROI,

01:17:38   are you able to figure out the ballpark returns

01:17:40   on your time spent watching Lord of the Rings for Mortex?"

01:17:45   And I feel like, are we Mike?

01:17:47   I actually haven't even, I haven't thought about this at all.

01:17:50   I don't know.

01:17:51   I don't know if we like have the data

01:17:53   to even calculate something like that.

01:17:55   - I mean, I have the data,

01:17:56   but it's about what's the question in a way where like,

01:18:00   obviously that was an incredible outlay of time.

01:18:05   So if you consider the movies and the episodes

01:18:09   and the edit, it's probably like 50, 60 hours of work,

01:18:14   probably something like that.

01:18:15   - Yeah, I will again flag up.

01:18:17   I had the funny experience during the time

01:18:20   that we decided to do that.

01:18:22   At one point just,

01:18:24   must've been around the two towers time,

01:18:26   but I was complaining to my wife.

01:18:28   I was like, "God, I just feel so like busy and overloaded.

01:18:32   Why is that?"

01:18:33   And she's like, "You just doubled the recording of Cortex

01:18:35   with this stuff where you wanna watch like 12 hours

01:18:39   of behind the scenes footage to prepare."

01:18:41   It's like, "Yeah, you just dropped a like bomb of hours

01:18:45   in the middle of what you're trying to do."

01:18:47   That's why this question is kind of funny

01:18:49   because it is strange in the nature of our work

01:18:54   that it's like, "Oh, this totally does count as work time."

01:18:57   But my brain just doesn't really frame it that way.

01:19:01   And so that's why I had like a kind of confused experience

01:19:05   of like, I just feel like I'm so busy and overloaded

01:19:09   all of a sudden because my brain was just like,

01:19:11   "You're just watching Lord of the Rings, man?

01:19:13   You're making some notes?"

01:19:15   So yes, but I was because of time pressure,

01:19:18   like doing some of the extras watching,

01:19:20   like during what would have otherwise been

01:19:23   like normal working hours.

01:19:24   But my brain was like hiding all of that from me.

01:19:27   But I like this question because it is a funny thing

01:19:30   to sort of think about.

01:19:32   And I know people ask this a lot,

01:19:35   but I think I don't do the time tracking

01:19:38   and the return on investment in the way

01:19:41   that people think that I do.

01:19:43   So it's like, no, I like I time track for Cortex

01:19:47   just like as a whole.

01:19:49   And I do think about that in terms of like,

01:19:52   "Oh, where does this fit in my life?"

01:19:55   But it feels like I would not have time tracked

01:19:58   the Lord of the Rings project and then been like,

01:20:02   "Oh, let's see if the ROI was positive on that."

01:20:05   Because one, it's a thing that we'd just been talking about

01:20:08   for years that was two, a good excuse for me

01:20:12   to rewatch the movies, which I wanted to do anyway.

01:20:15   And like you wanted to see them at some point.

01:20:18   And then like three, I just thought it was a good idea

01:20:22   for the more tech subscribers.

01:20:23   Like here's a bunch of stuff that we can talk about

01:20:26   that I think is fun.

01:20:27   And like, I think we did a really good job

01:20:28   on those episodes.

01:20:29   I just think this is a way in which it's like,

01:20:31   I always encourage people to time track,

01:20:33   but this is the danger is I think people naturally

01:20:37   want to over time track that I think can,

01:20:41   like you lose the big picture here.

01:20:45   - Yes, yes, yes.

01:20:46   - And the big picture is we think this was a good idea

01:20:51   for the people who sign up for more techs

01:20:53   and it makes sense on like a bunch of axes,

01:20:56   we should do it.

01:20:57   And like, that's sort of the end of the conversation

01:20:59   and I'm very glad we did it.

01:21:01   - Yeah, so like, I know that right now, like to date,

01:21:04   no, it has not been ROI positive.

01:21:08   And it probably won't be for a long period of time.

01:21:10   If all we're basing it on is incremental new subscribers.

01:21:15   - Yeah.

01:21:16   - Where to have done that amount of work

01:21:20   and then generate a positive ROI

01:21:23   compared to regular more techs would be,

01:21:27   it's impossible to do.

01:21:29   - I guess if I was thinking it through,

01:21:31   it's like, what's the comparison I guess?

01:21:33   I guess the comparison would be like ROI compared to,

01:21:38   we recorded three extra episodes of Cortex

01:21:41   and put ads on them.

01:21:42   And just because of the economics

01:21:44   of the way these things work is like,

01:21:46   oh yeah, those Lord of the Rings episodes

01:21:48   will probably never pay off if that's the comparison.

01:21:52   Like no way will they ever pay off,

01:21:54   but that's like, it's just not the right way

01:21:56   to think about it at all, yeah.

01:21:58   - Because the way that I considered it

01:22:00   and I do consider it is what we're doing with that

01:22:03   is making the more techs proposition more appealing

01:22:07   to people because this content lives there now.

01:22:11   Because more techs existing is very beneficial to my ROI.

01:22:16   And what it provides for me financially is it's fantastic.

01:22:21   And so doing anything to increase that,

01:22:26   which is also a fun thing to,

01:22:28   like if you can think of a fun thing to do

01:22:31   that also makes that part of my business

01:22:34   more attractive to the people that are there, fantastic.

01:22:37   And if what we ended up doing was by providing that,

01:22:40   a bunch of people decided to stick around for longer, great.

01:22:44   That was the whole reason to do it.

01:22:46   But if we were like, all right,

01:22:48   we need to make this 40 hours worth,

01:22:53   it was impossible to do, right?

01:22:56   If we give like half an hour for each episode

01:23:00   to get to 40 hours, you know what I mean?

01:23:04   Like we would have had to, I don't know,

01:23:05   like 20, 40 X the amount, like it wouldn't,

01:23:10   it doesn't work out like that.

01:23:12   It doesn't work out like that, but like,

01:23:14   this is just kind of the point.

01:23:15   It is like a thank you to the people that have subscribed

01:23:18   and will subscribe in the future.

01:23:20   Like not only do you get this part,

01:23:21   but also that bigger part.

01:23:23   And like, it kind of is one of those things where

01:23:25   I wouldn't want to do a hard ROI calculation on that.

01:23:28   And neither should you always,

01:23:30   I don't believe that that is a thing.

01:23:32   It's like, for me, I only review as listeners of the show.

01:23:35   No, right?

01:23:36   Like I reviewed my time tracking on an annual basis.

01:23:40   I don't look at month to month stuff.

01:23:42   I look at a year and then every year I do an ROI calculation

01:23:47   on all of the various projects that I'm a part of.

01:23:50   Now it happens once a year.

01:23:51   - This is like totally appropriate time scale.

01:23:53   - So it can help me make big decisions, much bigger decisions

01:23:57   I think if you're ROI calculating every little thing you do,

01:24:01   you'll never be able to focus on anything

01:24:03   'cause you won't allow for big change.

01:24:06   - So I guess if you want to listen to

01:24:08   the Lord of the Rings episodes, go to getmoretext.com.

01:24:12   And Mike and I are now, we're now going to transition

01:24:16   into Moretext where, I don't know,

01:24:18   I guess I could tell you a little bit of what I've been doing

01:24:21   the last couple of months, I'm not sure.

01:24:23   We'll find out in a few minutes.

01:24:25   - Getmoretext.com.