254: You`ve Ruined Pizza
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and comfortable t-shirts are on sale
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until july eight so go now to the
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incomparable dot-com / shirt or be sad
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forever or until we make sure it's the
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incomparable number 250 for july 2015
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welcome back everybody to be
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uncomfortable podcast on your host races
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now we're here to talk about a film that
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is in theaters now which very rarely
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happens but if we get enough people
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who've seen it and if I've managed to go
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out and see it which is tricky
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what with the the problematic children
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and all but a little less difficult when
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it is a pixar film because I can take my
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children with me to see it which I did
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and that's why we're going to talk about
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inside out
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i'm joined on this podcast by other
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people who have fortunately also seen
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inside out and therefore can talk about
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indian tacos out there hi Andy I'd like
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to talk like Richard kind for this whole
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show but I think that's why would I shot
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my locker yeah that was good that was a
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good Richard continue it was very it's
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very polished David lower hello hello
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hello I'm i'm really excited to talk
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about this and I just know this this
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episode is going to become a core memory
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good John syracuse out there wouldn't
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talk about pixar without John yeah Jason
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I would have an opening statement if i
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had seen this movie more than once but
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it's so no I've only seen it once it's
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true it's that new and my own personal
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bing-bong mi I'm Marilyn that does
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explain the cotton candy smell but well
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it's part of that it was you know
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animals were popular then that's great
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because if you make them cry at the end
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we got caramel em candy for my eyes it's
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good to have you here thanks
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we're not talking about we will leave
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the debate about whether the cat talks
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and kiki's delivery service to be able
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to celebrate high notes are right i
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would not be pasted will go to the end
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we'll get that up down all right inside
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I directed by the this is a film 4 2015
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always not about whether it's from and
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it's from now because it's in theaters
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ah we got you got your Amy Poehler as
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joy you got you got your uh you got your
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Phyllis from the office of sadness lot
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of lot of
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NBC sitcom kind of traditionally night
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alumni from mad about you
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yeah he was a must-see TV here bill
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hader the rare he's on a different from
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a different night of NBC lot of NBC
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people here and Lewis Black who I
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believe has never been allowed on NBC's
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air when I first heard about this movie
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it was in an article that was describing
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have a crazy hippies and pixar we're
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doing things that nobody understood and
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how could it ever be a movie and it was
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literally like a movie that's all about
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that takes place entirely inside the
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mind of a child like how could they do
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that they're they're nuts it'll never
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work kind of thing and I kept thinking
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about that as i watched it that that
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that's how you take a premise that seems
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so out there and you end up with a film
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that is I think beautiful and
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interesting and has a lot to say about
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actual like human beings and how they
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behave while also being very
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entertaining so i'll let you know just
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off the top well let's let's uh you know
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what what did you all take away from
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inside out
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we're gonna we're gonna start with that
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John what would you know what did you
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walk away with this film thinking about
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you remind me of the of hearing about it
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in that sort of adds to our contract
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remember that they're crazy how could i
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forget that movie it once it became
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concrete I forgot all of that and I got
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down to the business of how they're
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gonna sort sort out this tension between
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the world inside the head and the world
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outside the head and when I was watching
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the movie that's primarily
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intellectually what I was watching for
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how do you tell the story I because it
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what's going on inside the head you
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don't care about unless you also care
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about what's going on outside
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how do you balance it 5050 is it mostly
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inside the head is it mostly outside
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with just like a little angel or devil
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popping up on the shoulder you know that
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kind of trip this is sort of like the
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inversion that rope that's what i was
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thinking about when I was watching this
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movie and the other thing that struck me
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as I was watching it again
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intellectually more than the other
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emotional parts of the the story that
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i'm sure we'll talk about it at length
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was and i'm not sure about this you guys
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can help me and see what you think
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but kept thinking is this a movie made
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for parents that kids might like or
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system we made for kids that parents
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might like
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and obviously i am a parent and a lot of
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times you watch moving you think this
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movie is made for me there watching this
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moving like has there ever been a movie
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made aimed more squarely like moms and
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dads then this supposedly quote-unquote
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kids movie like isn't even a kids movie
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or is it a parent's movie that has stuff
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in it the kids might enjoy so that's
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really my strongest first impression
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that movie the balancing of the two
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worlds and that inside out as a parent's
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movie dangerously like an opening
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statement but not one Merlin what do you
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inside-out going into it even as
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recently as a couple weeks ago three
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weeks ago maybe my expectations were
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impossibly low i seen the trailer and I
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was just like oh boy not feeling great
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about this because I mean yeah okay I
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get it I see what you're doing here like
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you know I i think i get with weather
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going with this but you know kind of
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like you said in the opening they manage
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to do this impossible thing where they
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had this they basically told the story
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by analogy that was incredibly
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compelling and I guess I got a little
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bit of buzz of powerline had written one
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of the games you guys know a platform
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the internet he wrote one of the game's
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the Infinity game for this and he's like
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you seriously like this is really good
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does maybe the best thing it down while
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you're drunk you're totally drunk a
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couple my pals and pixar it said like
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hey don't like this and sounds like okay
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you know whatever and i had made the
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similar thoughts to what John had we're
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like I'm not sure I can tell who this is
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for my feeling is that like toy story 3i
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think this kind of is one for the
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parents may be evidence best by the fact
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that the biggest laugh and the entire
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movie is when joy and sadness slam in
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the window at the end like a huge left
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the two times that I've seen it but now
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but I was only night we'll talk about it
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length I was very it's obviously I felt
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a lot of extremely strong emotions and I
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cried a lot but the thing i'm still
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turning over my head is how they managed
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to pull off what they pulled off that's
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the part of find the most amazing is the
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the craft
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of not just you know making this the
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sappy story but you know who would have
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guessed that you return sadness into the
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hero of this story and i'm still turning
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over my head how they did it and i think
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it was a triumph
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yeah it's certainly an interesting i
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it's it's a philosophical take that I
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didn't expect going into the film which
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is that this is a movie that in some
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ways is about appreciating being a
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well-rounded person and that you've got
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to have levels and that sadness is
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actually part of life and one of the
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ways you appreciate life which again I
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think this may be leading to the idea
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that this is a layer more for parents
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than four children perhaps because
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that's a level that's kind of nuanced
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level but certainly I i was surprised by
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that when i saw it
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Andy you've got some opening thoughts
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about inside out
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yeah I I went into this with a lot more
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optimism then many people did because to
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me this is exactly the sort of movie
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that I hope that pixar makes i'm also
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looking forward to the minions movie
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because I thought their hysterically
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funny and in the group movies but we
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don't want AI I don't expect or want
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pics are to make a simple movie like
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that that's it's it's funny it's
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entertaining it's great what I'm looking
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for from pixar something that is just
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bizarre that you just don't immediately
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see what the story is about you don't
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know where this story is headed where
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you don't feel as he feels that they're
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really making one entire unit of a movie
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as opposed to connecting a whole bunch
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of some scenes will be fun to animate
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some scenes be fun to joke about some
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good voice work and so you have this
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idea of here is a movie in which the
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entire playing field of this movie is
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abstract it's not where you're looking
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at the life of this little girl and
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occasionally there cutaways the inside
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of her head
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it's no no the entire thing it exists in
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a plan in a world in which they have to
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invent everything from start to finish
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where if they decide that they want to
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do a scene in which everything is just
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an abstract shape like the dotted line
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of the chuck jones short from the
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sixties they can do that and if they
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want to invent new rules and breaking
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rules they can do that too
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I mean I really felt coming out of the
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theater that this was like a google moon
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shot you know where it's a crazy idea it
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shouldn't work the only way to prove
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that it's not gonna work is to actually
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try it and then you find out that I'll
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be darned this actually works for their
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problems with it but we can actually fix
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there's nothing more satisfying than
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walking out of the theater seeing
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something that you feel as though you've
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never ever seen before and that really
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is what what I how I walked out of this
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David what are your initial thoughts
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about inside out
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well you know I went into it optimistic
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because i'm at the point where you know
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they've won my trust right I'll go with
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them pretty much anywhere even the
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sequel's okay that I mean you have cars
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2 i'm not gonna watch cars to that many
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times but I didn't hate it you know and
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so this you know just sort of like this
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was the kind of thing I wanted to see
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them doing 20 years in right you know
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they're not just doing shrink five
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they're doing something different there
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doing something original and they've had
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a huge opening with it I mean you know
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forget the stupid dinosaur movie and it
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really is a stupid dinosaur movie but
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this is this is the best original movie
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opening of you know how many years and
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it the the it's such a hard sell
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you know and it's not it's not from 3d
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tickets and it's not from expensive
[TS]
00:10:17
◼
►
tickets it's a it's a movie for kids and
[TS]
00:10:19
◼
►
it's still keeping up with jurassic
[TS]
00:10:21
◼
►
world pretty well so you know what does
[TS]
00:10:24
◼
►
that say it's a really good movie and so
[TS]
00:10:26
◼
►
so I was optimistic going in and the
[TS]
00:10:30
◼
►
thing that the thing that makes me think
[TS]
00:10:31
◼
►
it's for kids though as much as as we're
[TS]
00:10:34
◼
►
getting out of it is that you know about
[TS]
00:10:38
◼
►
about a third of the way in I thought
[TS]
00:10:41
◼
►
you know my ten-year-old is going to go
[TS]
00:10:44
◼
►
bananas for this right and we all went
[TS]
00:10:46
◼
►
so we're all sitting there and you know
[TS]
00:10:48
◼
►
and I don't talk about this much but he
[TS]
00:10:50
◼
►
does have anger issues sometimes anger
[TS]
00:10:53
◼
►
and fear and just you know just getting
[TS]
00:10:55
◼
►
very tense and lashing out at sudden
[TS]
00:10:58
◼
►
moments and he's never been able to
[TS]
00:11:02
◼
►
verbalize this or explain why this
[TS]
00:11:05
◼
►
happened
[TS]
00:11:06
◼
►
or when this happens you what is it the
[TS]
00:11:08
◼
►
triggered it
[TS]
00:11:09
◼
►
I don't know I forgot right and watching
[TS]
00:11:13
◼
►
this by the end of the movie he was
[TS]
00:11:15
◼
►
bananas for it right because now he had
[TS]
00:11:20
◼
►
an analogy now he had a way to describe
[TS]
00:11:23
◼
►
what was going on in his head
[TS]
00:11:25
◼
►
now he had some way of visualizing what
[TS]
00:11:29
◼
►
anger could do to him and what could
[TS]
00:11:31
◼
►
happen if you let the anger get away
[TS]
00:11:33
◼
►
with it right and that loan
[TS]
00:11:37
◼
►
I mean yeah we're gonna go see the
[TS]
00:11:38
◼
►
minions movie we're not going to get
[TS]
00:11:40
◼
►
that kind of Revelation out of the
[TS]
00:11:42
◼
►
minions movie
[TS]
00:11:43
◼
►
this was just you know I i would have
[TS]
00:11:46
◼
►
loved it as is but just the insight into
[TS]
00:11:51
◼
►
his brain for both of us not just not
[TS]
00:11:54
◼
►
just him but for me and the sea change
[TS]
00:11:58
◼
►
that's come over him since we've seen it
[TS]
00:12:00
◼
►
because now he is able to sort of put
[TS]
00:12:02
◼
►
the brakes on and say wait nope i'm
[TS]
00:12:06
◼
►
letting that get out of control i can't
[TS]
00:12:07
◼
►
do that or or to be able to accept
[TS]
00:12:10
◼
►
sadness like you know when when we
[TS]
00:12:13
◼
►
talked about it after its you saying
[TS]
00:12:14
◼
►
well you know it made me think of when
[TS]
00:12:16
◼
►
grandmother passed away and I was very
[TS]
00:12:18
◼
►
sad and I didn't know what to do and
[TS]
00:12:21
◼
►
this this sort of let him except that it
[TS]
00:12:25
◼
►
was okay to be sad sometimes and that's
[TS]
00:12:27
◼
►
an important thing for kids I mean that
[TS]
00:12:29
◼
►
is the lesson the joy learns right you
[TS]
00:12:32
◼
►
can't always be happy you can always put
[TS]
00:12:36
◼
►
a smile on it and just get past it
[TS]
00:12:38
◼
►
sometimes you do have to be sad and a
[TS]
00:12:41
◼
►
lot of the modern world these days is up
[TS]
00:12:44
◼
►
just put on a happy face you'll be fine
[TS]
00:12:47
◼
►
and no it is okay to be sad
[TS]
00:12:50
◼
►
so so i think i think it's equally for
[TS]
00:12:53
◼
►
parents and kids I somebody in the
[TS]
00:12:55
◼
►
chatroom said and I had the same thought
[TS]
00:12:57
◼
►
to that these analogies will be used by
[TS]
00:13:00
◼
►
I think lots of people you know that
[TS]
00:13:03
◼
►
could be good or bad but I think
[TS]
00:13:05
◼
►
thinking about your emotions and and how
[TS]
00:13:08
◼
►
they how they affect you and that end
[TS]
00:13:10
◼
►
and how you access them having a
[TS]
00:13:13
◼
►
metaphor for that even if it is
[TS]
00:13:15
◼
►
something that has taken from a movie
[TS]
00:13:17
◼
►
could be could be really valuable and
[TS]
00:13:19
◼
►
I suspect something that my wife said at
[TS]
00:13:22
◼
►
dinner tonight went because she knew we
[TS]
00:13:24
◼
►
were going to be talking about this was
[TS]
00:13:26
◼
►
she's already seen just in her daily
[TS]
00:13:28
◼
►
life like working at the library that
[TS]
00:13:30
◼
►
people come in and you know are angry
[TS]
00:13:33
◼
►
and she's like yep there's somebody back
[TS]
00:13:36
◼
►
there you know pushing your buttons
[TS]
00:13:38
◼
►
that's what's happening it's just like
[TS]
00:13:39
◼
►
just to personify that a little bit more
[TS]
00:13:41
◼
►
about how you know why why are people
[TS]
00:13:43
◼
►
behaving the way they are and thinking
[TS]
00:13:45
◼
►
at that level about it and and and
[TS]
00:13:46
◼
►
creating some imagery around that I
[TS]
00:13:48
◼
►
think is interesting i mean i thought it
[TS]
00:13:50
◼
►
was fascinating that if you if you pay
[TS]
00:13:52
◼
►
attention
[TS]
00:13:53
◼
►
look at who's the central emotion ya
[TS]
00:13:57
◼
►
notice anyting each head as you see it
[TS]
00:14:00
◼
►
so i can the bus driver
[TS]
00:14:01
◼
►
they're all anger but in in the mother
[TS]
00:14:04
◼
►
its sadness absent father had anger
[TS]
00:14:07
◼
►
yeah and and that was just that and they
[TS]
00:14:10
◼
►
didn't edit in lean on that didn't like
[TS]
00:14:12
◼
►
how it out it was just there and I
[TS]
00:14:14
◼
►
noticed immediately as soon as that I
[TS]
00:14:15
◼
►
had I hadn't noticed in the trails which
[TS]
00:14:17
◼
►
is testament to how much as movie wraps
[TS]
00:14:18
◼
►
you into this world during the trailers
[TS]
00:14:20
◼
►
they showed the same seems like the
[TS]
00:14:21
◼
►
dinner table and whatever didn't notice
[TS]
00:14:22
◼
►
at all once i was into the movie the
[TS]
00:14:24
◼
►
second they cut inside the moms had one
[TS]
00:14:26
◼
►
just like it sadness is then charging
[TS]
00:14:28
◼
►
her head because they've trained you to
[TS]
00:14:30
◼
►
watch the movie by that point if they've
[TS]
00:14:32
◼
►
got you into the conceit around and you
[TS]
00:14:34
◼
►
know it now
[TS]
00:14:35
◼
►
whereas in the trailer you just go up
[TS]
00:14:37
◼
►
funny thing what did she say you know
[TS]
00:14:40
◼
►
yeah and it also kind of made me think
[TS]
00:14:42
◼
►
is it possible that the emotions in this
[TS]
00:14:45
◼
►
world can actually undergo transitions
[TS]
00:14:48
◼
►
because seeing how confident and assured
[TS]
00:14:50
◼
►
and not mopey sadness was inside her mom
[TS]
00:14:53
◼
►
said does that mean that at some point
[TS]
00:14:55
◼
►
sadness when you transitioned into
[TS]
00:14:57
◼
►
adulthood becomes coping knows
[TS]
00:15:00
◼
►
yes it seems it seems like an
[TS]
00:15:01
◼
►
interesting note that at that picture
[TS]
00:15:03
◼
►
was saying it was sending with that
[TS]
00:15:05
◼
►
yeah they're in a dress differently as
[TS]
00:15:07
◼
►
well and I really like the at the bit at
[TS]
00:15:09
◼
►
the end they do emphasize that the
[TS]
00:15:10
◼
►
control panel changes significantly more
[TS]
00:15:12
◼
►
buttons more more levels of detail and
[TS]
00:15:15
◼
►
now i have access to all the curse words
[TS]
00:15:18
◼
►
time for a sponsor break i want to talk
[TS]
00:15:21
◼
►
to you about our good friends over at
[TS]
00:15:22
◼
►
Harry's I like hairy stuff I use Harry's
[TS]
00:15:26
◼
►
products on my face you know I don't go
[TS]
00:15:28
◼
►
into an office every day I might shave
[TS]
00:15:30
◼
►
every other day
[TS]
00:15:31
◼
►
yeah imma
[TS]
00:15:33
◼
►
I'm fast and loose like that but when i
[TS]
00:15:34
◼
►
do shave shave with Harry's stuff now
[TS]
00:15:37
◼
►
shaping can be a pain bad equipment can
[TS]
00:15:40
◼
►
make it uncomfortable you can get razor
[TS]
00:15:41
◼
►
burn you get nicks I used to go back and
[TS]
00:15:43
◼
►
forth between different blades of you
[TS]
00:15:46
◼
►
know two blades and three blades and
[TS]
00:15:47
◼
►
four blades and sometimes use an
[TS]
00:15:49
◼
►
electric but then I'd have to use a
[TS]
00:15:50
◼
►
blade on top of that it was ridiculous
[TS]
00:15:53
◼
►
that was us
[TS]
00:15:53
◼
►
I i entered a shame spiral of shaving
[TS]
00:15:56
◼
►
but now i'm out of it and Harry's has
[TS]
00:15:58
◼
►
been a huge part in that now half the
[TS]
00:16:00
◼
►
price of the big branded blades that's
[TS]
00:16:04
◼
►
what you get for Harry's Harry's is not
[TS]
00:16:05
◼
►
a super-premium expensive i can't
[TS]
00:16:08
◼
►
believe i paid so much for this it's
[TS]
00:16:09
◼
►
just a razor blade kind of place and the
[TS]
00:16:12
◼
►
ship to your front door they bought the
[TS]
00:16:14
◼
►
whole factory they like the blades they
[TS]
00:16:17
◼
►
got from the factory in Germany so much
[TS]
00:16:18
◼
►
that Harry's bought the factory you get
[TS]
00:16:22
◼
►
a better shave respect your skin your
[TS]
00:16:24
◼
►
face your legs and your wallet no more
[TS]
00:16:27
◼
►
bad quality bit blades no more plexi
[TS]
00:16:29
◼
►
glass cabinets at the drugstore and find
[TS]
00:16:32
◼
►
a clerk and get them to unlock it
[TS]
00:16:34
◼
►
great starter set that they've got
[TS]
00:16:36
◼
►
fifteen dollars you get a razor you get
[TS]
00:16:37
◼
►
the moisturizing shave cream and you get
[TS]
00:16:39
◼
►
three razor blades and you can use my
[TS]
00:16:41
◼
►
promo code smell and get five dollars
[TS]
00:16:43
◼
►
off that for an even more amazing deal
[TS]
00:16:46
◼
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men women it doesn't matter
[TS]
00:16:50
◼
►
all of us have hair that we want to
[TS]
00:16:52
◼
►
shave away and we need razors that shave
[TS]
00:16:55
◼
►
well and do not suck this is the moment
[TS]
00:16:58
◼
►
where I have to tell you and I know some
[TS]
00:17:00
◼
►
people are tired of hearing this for me
[TS]
00:17:02
◼
►
but i love the shape cream from Harry's
[TS]
00:17:05
◼
►
I i loved the razor i use the harris
[TS]
00:17:07
◼
►
razor everyday it's changed the way i
[TS]
00:17:09
◼
►
shave i follow their approach you know
[TS]
00:17:11
◼
►
you shave down menu shave up but their
[TS]
00:17:15
◼
►
shape cream which has got this mild min
[TS]
00:17:17
◼
►
sent I've actually switch from my main
[TS]
00:17:19
◼
►
my big brand shaving gel to the shape
[TS]
00:17:22
◼
►
because i like how it feels and I like
[TS]
00:17:23
◼
►
how it smells i was very smell sensitive
[TS]
00:17:25
◼
►
i don't like I've always buy unscented
[TS]
00:17:27
◼
►
it's very hard to find the unscented
[TS]
00:17:29
◼
►
shaving cream
[TS]
00:17:29
◼
►
Harry's shave cream is scented but it is
[TS]
00:17:32
◼
►
very gentle a very little mint smell
[TS]
00:17:36
◼
►
that I can smell when it's going on but
[TS]
00:17:37
◼
►
by the time I watch my face off at the
[TS]
00:17:39
◼
►
end of my shave the smell is gone and it
[TS]
00:17:42
◼
►
doesn't linger with me all day which I
[TS]
00:17:45
◼
►
so I love
[TS]
00:17:45
◼
►
that about Harry's to alright shipped to
[TS]
00:17:48
◼
►
your door why quality shave looks and
[TS]
00:17:52
◼
►
feels great
[TS]
00:17:53
◼
►
what more do you need go to Harry's
[TS]
00:17:55
◼
►
dot-com right now five dollars off of
[TS]
00:17:57
◼
►
you use my coupon code smell with your
[TS]
00:17:59
◼
►
first purchase that's Harry calm and
[TS]
00:18:01
◼
►
enter coupon code smell for five dollars
[TS]
00:18:03
◼
►
off and thank you so much to harry's for
[TS]
00:18:05
◼
►
making men and women have smooth skin
[TS]
00:18:08
◼
►
without the hassle the moms the moms
[TS]
00:18:12
◼
►
people are all sitting around the table
[TS]
00:18:13
◼
►
all dress very seriously unlike a huge
[TS]
00:18:15
◼
►
console-like there at nasa mission
[TS]
00:18:17
◼
►
control right whereas inside the Riley's
[TS]
00:18:20
◼
►
head there dressed more fancifully their
[TS]
00:18:22
◼
►
control panels more like fisher-price
[TS]
00:18:24
◼
►
toy type of thing like that at every
[TS]
00:18:26
◼
►
level they really thought about all the
[TS]
00:18:28
◼
►
different things and some of them ended
[TS]
00:18:30
◼
►
up being important plot point someone
[TS]
00:18:31
◼
►
and it being gag lines and some of them
[TS]
00:18:33
◼
►
end up unmentioned at all like we're
[TS]
00:18:34
◼
►
just talking about the just they're just
[TS]
00:18:35
◼
►
the background of the movie but they all
[TS]
00:18:37
◼
►
ended in the giant like let's brainstorm
[TS]
00:18:40
◼
►
everything that we can say about the the
[TS]
00:18:43
◼
►
interior of the mind is clear that some
[TS]
00:18:44
◼
►
of them were elevated to this is going
[TS]
00:18:47
◼
►
to be an important part of the story
[TS]
00:18:48
◼
►
brothers were like this is a good idea
[TS]
00:18:50
◼
►
to that's just part of the world but
[TS]
00:18:52
◼
►
this isn't else is also interesting that
[TS]
00:18:54
◼
►
you have these the islands of what what
[TS]
00:18:57
◼
►
her world is really all about
[TS]
00:18:59
◼
►
I thought I was actually kind of scared
[TS]
00:19:00
◼
►
when I start co she's losing her ability
[TS]
00:19:03
◼
►
just to be a nut like okay I understand
[TS]
00:19:06
◼
►
that you become older and your ability
[TS]
00:19:07
◼
►
to simply say I don't I all I just want
[TS]
00:19:10
◼
►
to spin in circles until I throw up you
[TS]
00:19:12
◼
►
lose that you know hopefully when you
[TS]
00:19:13
◼
►
get into your teenage years but then say
[TS]
00:19:16
◼
►
oh god she's losing hockey she does that
[TS]
00:19:18
◼
►
mean that she's not gonna be she's going
[TS]
00:19:19
◼
►
to not want to play hockey anymore and
[TS]
00:19:21
◼
►
then when family starts to crumble that
[TS]
00:19:24
◼
►
starts oh noes that mean that she's
[TS]
00:19:25
◼
►
losing her connection her anchors to to
[TS]
00:19:28
◼
►
reality of and love I thought was really
[TS]
00:19:30
◼
►
interesting to see that you sort of the
[TS]
00:19:32
◼
►
the message of if there was one was that
[TS]
00:19:34
◼
►
it's not as though these things go away
[TS]
00:19:37
◼
►
forever but you rebuild a new version of
[TS]
00:19:39
◼
►
family that includes san francisco now
[TS]
00:19:42
◼
►
and you have a new version of hockey
[TS]
00:19:43
◼
►
that doesn't include the people that you
[TS]
00:19:45
◼
►
were playing with before but you
[TS]
00:19:47
◼
►
basically you had to destroy the old one
[TS]
00:19:49
◼
►
in order to build a brand new one that's
[TS]
00:19:50
◼
►
going to work for you for the next five
[TS]
00:19:51
◼
►
or six years
[TS]
00:19:52
◼
►
yeah that's definitely a parent message
[TS]
00:19:54
◼
►
because the message of other kids movies
[TS]
00:19:56
◼
►
is there is some sort of conflict is a
[TS]
00:19:57
◼
►
challenging your
[TS]
00:19:58
◼
►
for coming and you come out the other
[TS]
00:19:59
◼
►
side and so you have overcome it and
[TS]
00:20:02
◼
►
this one
[TS]
00:20:02
◼
►
like I don't know how much kids get from
[TS]
00:20:05
◼
►
this but like part of my feeling coming
[TS]
00:20:06
◼
►
out of the movie was just general cut
[TS]
00:20:08
◼
►
like there's like different melancholy
[TS]
00:20:10
◼
►
because it's like it's emphasizing the
[TS]
00:20:11
◼
►
thing that we all know as adults is that
[TS]
00:20:13
◼
►
as you get older and you know getting
[TS]
00:20:17
◼
►
more sophisticated control panel doing
[TS]
00:20:18
◼
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all that stuff like it comes with
[TS]
00:20:20
◼
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sacrifices those islands that crumble
[TS]
00:20:22
◼
►
and fall into think they don't come back
[TS]
00:20:23
◼
►
up and the ones that replace them are
[TS]
00:20:25
◼
►
different that they're there are parts
[TS]
00:20:27
◼
►
of yourself that are going to be
[TS]
00:20:28
◼
►
destroyed in painful ways not like
[TS]
00:20:30
◼
►
triumphantly destroyed and the Phoenix
[TS]
00:20:32
◼
►
comes from the ashes but as in you're
[TS]
00:20:34
◼
►
never going to get that back
[TS]
00:20:36
◼
►
that's like sort of the pain of growing
[TS]
00:20:37
◼
►
up right and kids maybe they're kind of
[TS]
00:20:40
◼
►
getting it but a lot of kids haven't
[TS]
00:20:42
◼
►
gone through that yet like in the movie
[TS]
00:20:43
◼
►
was unashamedly saying like this part of
[TS]
00:20:47
◼
►
you is going away and it's sad when it
[TS]
00:20:49
◼
►
goes away and the things they replace it
[TS]
00:20:51
◼
►
will be different and not as good and
[TS]
00:20:53
◼
►
deserving obviously be more
[TS]
00:20:54
◼
►
sophisticated more complicated more
[TS]
00:20:55
◼
►
interesting have their own interesting
[TS]
00:20:57
◼
►
challenges but the old you is dying and
[TS]
00:21:00
◼
►
the death of the old you is sad and for
[TS]
00:21:02
◼
►
a kids movie have that messages i don't
[TS]
00:21:05
◼
►
know it's it's a it's pretty
[TS]
00:21:06
◼
►
sophisticated and pretty serious i think
[TS]
00:21:10
◼
►
we any and the message the message of
[TS]
00:21:12
◼
►
the contestants just to underscore what
[TS]
00:21:14
◼
►
you're saying the the message that comes
[TS]
00:21:15
◼
►
out of that is not that this will be
[TS]
00:21:17
◼
►
replaced with something even more mature
[TS]
00:21:20
◼
►
or it will be replaced with something
[TS]
00:21:21
◼
►
different and the by analogy is
[TS]
00:21:24
◼
►
displacing other things it's like
[TS]
00:21:25
◼
►
literally getting rid of their going
[TS]
00:21:27
◼
►
into the memory dump they're gonna go
[TS]
00:21:29
◼
►
away and i think there's there's
[TS]
00:21:31
◼
►
something about that i think that's
[TS]
00:21:32
◼
►
ultimately what makes this movie its
[TS]
00:21:34
◼
►
wife for me the scenes in the memory
[TS]
00:21:35
◼
►
down for the ones that tore my heart out
[TS]
00:21:37
◼
►
the most was because that whole idea of
[TS]
00:21:39
◼
►
like one has a you know it made my kid
[TS]
00:21:42
◼
►
cry twice because I mean the idea of
[TS]
00:21:44
◼
►
like an unloved stuffed animal kind of
[TS]
00:21:46
◼
►
notion right there's this thing that I
[TS]
00:21:48
◼
►
remember used to used to like that not
[TS]
00:21:50
◼
►
only think about anymore isn't that
[TS]
00:21:51
◼
►
strange even a kid can get that but for
[TS]
00:21:54
◼
►
a parent I mean there's so many levels
[TS]
00:21:56
◼
►
that works on where you find yourself
[TS]
00:21:58
◼
►
thinking about me again why I can't help
[TS]
00:22:00
◼
►
but think of toy story 3 especially that
[TS]
00:22:02
◼
►
in the last act or III where it's about
[TS]
00:22:04
◼
►
so much more than toys and kids it's
[TS]
00:22:07
◼
►
about i mean the the the toy story 3 of
[TS]
00:22:09
◼
►
the parents we all know that we're the
[TS]
00:22:11
◼
►
ones that are needed where
[TS]
00:22:11
◼
►
once they're gonna go in the Attic
[TS]
00:22:12
◼
►
that's that's the part that becomes so
[TS]
00:22:14
◼
►
brutal as you're thinking like I
[TS]
00:22:16
◼
►
remember actually getting emotional but
[TS]
00:22:18
◼
►
I remember one day realizing that I
[TS]
00:22:21
◼
►
don't have that many memories that
[TS]
00:22:22
◼
►
precede being 45 years old up and i
[TS]
00:22:25
◼
►
remember having to stay with my kid was
[TS]
00:22:27
◼
►
in probably just about finishing
[TS]
00:22:28
◼
►
preschool was like wow it's very
[TS]
00:22:31
◼
►
unlikely that she's gonna remember
[TS]
00:22:33
◼
►
anything that happened to her before
[TS]
00:22:35
◼
►
this time she might remember one or two
[TS]
00:22:36
◼
►
things there might be things that we
[TS]
00:22:38
◼
►
help her build a memory about but like
[TS]
00:22:40
◼
►
all these things that like constitute my
[TS]
00:22:41
◼
►
entire relationship with my child are
[TS]
00:22:43
◼
►
going to be utterly obliterated miss
[TS]
00:22:45
◼
►
it's around the age of five between five
[TS]
00:22:46
◼
►
and 10 is when a huge amount of a
[TS]
00:22:48
◼
►
child's memories are very naturally kind
[TS]
00:22:50
◼
►
of wiped away and replaced with kind of
[TS]
00:22:51
◼
►
information so i don't know i think it
[TS]
00:22:53
◼
►
works on a lot of levels and it's it's
[TS]
00:22:55
◼
►
it's you know it but it can get to a kid
[TS]
00:22:58
◼
►
too and it's not you know i think that's
[TS]
00:23:00
◼
►
that's what makes a great pixar movies
[TS]
00:23:02
◼
►
you can take something this weird and
[TS]
00:23:04
◼
►
abstract and using things like
[TS]
00:23:05
◼
►
characters that are a certain color can
[TS]
00:23:08
◼
►
like take this out where the abstract
[TS]
00:23:09
◼
►
idea and make it something that's
[TS]
00:23:10
◼
►
incredibly affecting well and and you
[TS]
00:23:13
◼
►
know the again thinking of toy story 3
[TS]
00:23:15
◼
►
about about halfway through something in
[TS]
00:23:18
◼
►
my brain clicked and now I mean I love
[TS]
00:23:22
◼
►
toy story 3 and I've said for years that
[TS]
00:23:24
◼
►
I mean we walked out of that and I went
[TS]
00:23:26
◼
►
that's the divine comedy i mean it's
[TS]
00:23:28
◼
►
it's purgatory paradise and hell it's
[TS]
00:23:31
◼
►
all there
[TS]
00:23:32
◼
►
and this is almost i would love to know
[TS]
00:23:37
◼
►
if if anyone involved in it
[TS]
00:23:39
◼
►
intentionally or unintentionally made it
[TS]
00:23:43
◼
►
into the pilgrims progress by john
[TS]
00:23:44
◼
►
bunyan it's it's the same kind of thing
[TS]
00:23:47
◼
►
an abstract journey from one place to
[TS]
00:23:49
◼
►
another and the growth of a person as
[TS]
00:23:52
◼
►
they run into all these extra things i
[TS]
00:23:53
◼
►
gotta say the word David it's an hour
[TS]
00:23:55
◼
►
and it is what is it that's what analogy
[TS]
00:23:58
◼
►
it's an allegory yeah and and it's it's
[TS]
00:24:00
◼
►
just so artfully done and just being
[TS]
00:24:05
◼
►
able to look at this and go all right
[TS]
00:24:07
◼
►
this is this is a little more ambitious
[TS]
00:24:09
◼
►
than cars too
[TS]
00:24:10
◼
►
well I mean but I mean something
[TS]
00:24:12
◼
►
something about it is is what these
[TS]
00:24:13
◼
►
characters represent because you could
[TS]
00:24:14
◼
►
look at somebody like Bing bong I'm i
[TS]
00:24:17
◼
►
mentioned writing bomb right again great
[TS]
00:24:20
◼
►
woman great rich great Richard kind
[TS]
00:24:22
◼
►
performance to always liked him
[TS]
00:24:23
◼
►
I think it's just perfectly match
[TS]
00:24:25
◼
►
he's now often in front and a cat in the
[TS]
00:24:28
◼
►
back and I don't have gotten the middle
[TS]
00:24:30
◼
►
somewhere but a character like that not
[TS]
00:24:34
◼
►
that different in some ways from you
[TS]
00:24:36
◼
►
know from your your Sully and monsters
[TS]
00:24:39
◼
►
and ink or something like that right not
[TS]
00:24:41
◼
►
that doesn't have a different but it's
[TS]
00:24:42
◼
►
it's what he represents in this story
[TS]
00:24:46
◼
►
and in in the allegory here and that
[TS]
00:24:48
◼
►
that this is the the loss of innocence
[TS]
00:24:51
◼
►
and that he's a he's a UH a purified
[TS]
00:24:55
◼
►
fragment of childhood sweetness that is
[TS]
00:24:59
◼
►
yeah I noticed that I such respect for
[TS]
00:25:04
◼
►
Pixar that sometimes to my detriment I'm
[TS]
00:25:07
◼
►
think I'm trying to get ahead of the
[TS]
00:25:08
◼
►
movie and thinking oh bing-bong he's
[TS]
00:25:11
◼
►
pink and none of the emotions are pink
[TS]
00:25:13
◼
►
so I bet that he gets to like graduate
[TS]
00:25:16
◼
►
out of this place and he becomes like
[TS]
00:25:17
◼
►
another part of the control room and he
[TS]
00:25:20
◼
►
turns into another emotion when really
[TS]
00:25:22
◼
►
love rationally there really was only
[TS]
00:25:24
◼
►
one way for that for his storyline to
[TS]
00:25:27
◼
►
end he he was he was living he was
[TS]
00:25:30
◼
►
living where he was living because he
[TS]
00:25:31
◼
►
had no role and he was lucky to and he
[TS]
00:25:34
◼
►
just the there's he had there's no use
[TS]
00:25:37
◼
►
for him in the world that was coming as
[TS]
00:25:39
◼
►
a parent I immediately saw a big bong
[TS]
00:25:41
◼
►
and he was like a red shirt and star
[TS]
00:25:42
◼
►
trek I'm like oh man we have to see
[TS]
00:25:44
◼
►
because the the imaginary friends don't
[TS]
00:25:46
◼
►
survive right they don't survive so I
[TS]
00:25:48
◼
►
immediately liked 00 Big Hmong it's not
[TS]
00:25:50
◼
►
gonna go well right so I knew that he
[TS]
00:25:53
◼
►
was doomed going in because I I you know
[TS]
00:25:55
◼
►
I've seen that I've seen that happen and
[TS]
00:25:57
◼
►
like Merlin said like you'll bring it up
[TS]
00:26:00
◼
►
to your kid remember your imaginary
[TS]
00:26:02
◼
►
friend over the like they're like what
[TS]
00:26:04
◼
►
you're talking about i never had an
[TS]
00:26:04
◼
►
imaginary friend you remember it because
[TS]
00:26:06
◼
►
they had when they were three or four
[TS]
00:26:08
◼
►
but they have no memory of it at all
[TS]
00:26:09
◼
►
unless unless you work to keep reminding
[TS]
00:26:11
◼
►
them of it and there but like if you
[TS]
00:26:13
◼
►
wait a couple years and go ahead
[TS]
00:26:15
◼
►
remember when you were three and you
[TS]
00:26:16
◼
►
have an imaginary friend will be like
[TS]
00:26:17
◼
►
you don't know I didn't like it like it
[TS]
00:26:19
◼
►
really goes to the memory dump and is
[TS]
00:26:21
◼
►
you know replaced by something else
[TS]
00:26:24
◼
►
entirely and the the kid is none the
[TS]
00:26:28
◼
►
worse for wear a little you know it's
[TS]
00:26:29
◼
►
like paternalism or maternal isn't like
[TS]
00:26:31
◼
►
feeling like you have our have to
[TS]
00:26:34
◼
►
protect your travels but that's that's
[TS]
00:26:35
◼
►
where this movie hit me a lot as a
[TS]
00:26:37
◼
►
parent is that
[TS]
00:26:38
◼
►
these things that are happening the kids
[TS]
00:26:39
◼
►
internal world the thing is crumbling
[TS]
00:26:41
◼
►
and the difficulties or whatever in the
[TS]
00:26:44
◼
►
movie and you know in our hearts we feel
[TS]
00:26:46
◼
►
like that this is this is our fault
[TS]
00:26:48
◼
►
somehow and some of it is like we got
[TS]
00:26:50
◼
►
the new job and moved to the new city
[TS]
00:26:51
◼
►
how to suspect your kid everything you
[TS]
00:26:53
◼
►
do affects your kid in ways you can't
[TS]
00:26:54
◼
►
possibly imagine
[TS]
00:26:56
◼
►
is it like your fault these things are
[TS]
00:26:57
◼
►
happening and then you want to protect
[TS]
00:26:59
◼
►
your kids from like I don't want parts
[TS]
00:27:02
◼
►
of their world to crumble I don't want
[TS]
00:27:04
◼
►
their first day of school to end in
[TS]
00:27:05
◼
►
tears and yet it has two and you have no
[TS]
00:27:08
◼
►
control over it and this is what's going
[TS]
00:27:09
◼
►
to happen and should you never have
[TS]
00:27:11
◼
►
moved they have to live in a bubble like
[TS]
00:27:13
◼
►
that your kid is going to go through all
[TS]
00:27:14
◼
►
these things and grow up and have the
[TS]
00:27:16
◼
►
same category experiences that you do
[TS]
00:27:18
◼
►
and you don't want this stuff to happen
[TS]
00:27:20
◼
►
but it's going to and that's why I gotta
[TS]
00:27:23
◼
►
have that the melancholy feeling for the
[TS]
00:27:25
◼
►
the parent angles like in many respects
[TS]
00:27:28
◼
►
it's outside the parents control and
[TS]
00:27:30
◼
►
it's all the parents doing you know
[TS]
00:27:32
◼
►
indirectly like not really but you do
[TS]
00:27:35
◼
►
you feel that way you know you can see
[TS]
00:27:36
◼
►
them when my mom talks in the kid and
[TS]
00:27:39
◼
►
says you know thanks for being so happy
[TS]
00:27:40
◼
►
for us or whatever like you feel
[TS]
00:27:42
◼
►
terrible if you've ever said something
[TS]
00:27:44
◼
►
like that because I can you know do you
[TS]
00:27:45
◼
►
realize what you're putting on your kid
[TS]
00:27:46
◼
►
at that point maybe you do maybe you
[TS]
00:27:48
◼
►
don't maybe you had a bad day like this
[TS]
00:27:50
◼
►
is a brutal movie for kids or parents
[TS]
00:27:52
◼
►
like it could I'd like that the kids are
[TS]
00:27:54
◼
►
never going to get that I wouldn't have
[TS]
00:27:56
◼
►
gotten to know you know ten years ago
[TS]
00:27:57
◼
►
like it's just it's just brutal i can
[TS]
00:28:00
◼
►
and in a way like that the parents but
[TS]
00:28:02
◼
►
we aren't perfect parents to do the
[TS]
00:28:03
◼
►
right thing all the time and and the
[TS]
00:28:05
◼
►
parents aren't saving Riley from all
[TS]
00:28:07
◼
►
this pain and they can't and sometimes
[TS]
00:28:09
◼
►
they're making it worse and I mean they
[TS]
00:28:10
◼
►
come through in the end that's all we
[TS]
00:28:12
◼
►
can hope to do man it's like daggers to
[TS]
00:28:14
◼
►
the heart
[TS]
00:28:15
◼
►
well and just like just like accepting
[TS]
00:28:17
◼
►
for Riley that sadness or joy rather
[TS]
00:28:20
◼
►
that sadness is important sometimes
[TS]
00:28:22
◼
►
that's also important for us to accept
[TS]
00:28:24
◼
►
that we're not going to be perfect
[TS]
00:28:26
◼
►
parents we can't be
[TS]
00:28:28
◼
►
we can't always save the day and we just
[TS]
00:28:31
◼
►
have to know when is the right moment to
[TS]
00:28:33
◼
►
save the day you know at the end of the
[TS]
00:28:35
◼
►
movie they come in and and they do the
[TS]
00:28:37
◼
►
right thing at the right moment and it
[TS]
00:28:39
◼
►
all clicks and when we in the memory
[TS]
00:28:42
◼
►
where she loses the hockey game they
[TS]
00:28:44
◼
►
came in at the right moment and they
[TS]
00:28:46
◼
►
knew how to fix that and and you're
[TS]
00:28:50
◼
►
being able to accept that
[TS]
00:28:51
◼
►
yeah we're going to have those moments
[TS]
00:28:54
◼
►
and hopefully we'll have a lot of those
[TS]
00:28:56
◼
►
and hopefully that's the majority of the
[TS]
00:28:58
◼
►
moments we have but we're not always
[TS]
00:29:00
◼
►
going to be there we're not always gonna
[TS]
00:29:01
◼
►
be able to save the first day of school
[TS]
00:29:04
◼
►
I don't think it was an accident that
[TS]
00:29:06
◼
►
the screen that I went to there was a
[TS]
00:29:08
◼
►
lie here I heard a lot more grown-up
[TS]
00:29:10
◼
►
crying oh yeah oh yeah oh my god this is
[TS]
00:29:13
◼
►
this is one of those when i looked when
[TS]
00:29:15
◼
►
bing-bong looks down at his arm and it
[TS]
00:29:17
◼
►
starts fading and I idea I was like I
[TS]
00:29:20
◼
►
know exactly what's gonna happen now and
[TS]
00:29:22
◼
►
he's gonna jump out of the wagon and
[TS]
00:29:24
◼
►
she's gonna get up there and and that's
[TS]
00:29:26
◼
►
the hero's journey right the mentor the
[TS]
00:29:28
◼
►
friend sort of falls by the wayside to
[TS]
00:29:31
◼
►
let the hero continue that is the
[TS]
00:29:33
◼
►
purpose the parents journey to isn't it
[TS]
00:29:35
◼
►
is it is absolutely i gotta let this
[TS]
00:29:37
◼
►
person going to fade away into the
[TS]
00:29:39
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background of this person's life and
[TS]
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◼
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Undertaker to the moon that's my job
[TS]
00:29:43
◼
►
that's exactly what John was saying that
[TS]
00:29:44
◼
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like I'm having to realize every day is
[TS]
00:29:48
◼
►
that the the better i am at my job the
[TS]
00:29:51
◼
►
more I am figuring out the right time to
[TS]
00:29:53
◼
►
stay completely out of the way which is
[TS]
00:29:55
◼
►
a very difficult thing to accept much
[TS]
00:29:57
◼
►
harder than I ever expected and in a
[TS]
00:30:00
◼
►
case of something like that it's we
[TS]
00:30:02
◼
►
talked about this last night on Twitter
[TS]
00:30:04
◼
►
little bit Andy but the just the fact
[TS]
00:30:06
◼
►
that the way to use a wrestling term the
[TS]
00:30:08
◼
►
way bing bong sells it
[TS]
00:30:09
◼
►
I love that he's not sad in the pit
[TS]
00:30:11
◼
►
that's what makes it kind of 8 12 times
[TS]
00:30:14
◼
►
worse is he's like she's gonna be okay
[TS]
00:30:17
◼
►
is like don't feel bad you know he
[TS]
00:30:19
◼
►
doesn't signal feel bad about me is the
[TS]
00:30:20
◼
►
whole implications my whole job is to be
[TS]
00:30:22
◼
►
here I serve at your pleasure and like
[TS]
00:30:24
◼
►
just go take over the moon for me you
[TS]
00:30:25
◼
►
know like go do it this is our job
[TS]
00:30:28
◼
►
this is what we have he died with a
[TS]
00:30:29
◼
►
sword and shield in his hand which is
[TS]
00:30:30
◼
►
everything that you kind of want to do
[TS]
00:30:32
◼
►
also the env parents like it I i took my
[TS]
00:30:36
◼
►
kids to see this and then they enjoyed
[TS]
00:30:38
◼
►
it but i think i think very much it was
[TS]
00:30:40
◼
►
one of those things where they found an
[TS]
00:30:41
◼
►
enjoyable and have thought about the
[TS]
00:30:43
◼
►
emotion stuff afterward but it the there
[TS]
00:30:44
◼
►
is an emotional kick that parents get
[TS]
00:30:46
◼
►
that the kids don't get and I think it
[TS]
00:30:48
◼
►
stems from we talk about toys you
[TS]
00:30:50
◼
►
mentioned had that and and I was
[TS]
00:30:52
◼
►
thinking about this the when I was
[TS]
00:30:53
◼
►
putting my son to bed the other night
[TS]
00:30:54
◼
►
that you know his toy that he sleep with
[TS]
00:30:57
◼
►
every night to him is something that
[TS]
00:31:01
◼
►
he's going to give up at some point and
[TS]
00:31:02
◼
►
it's going to become kind of an abstract
[TS]
00:31:03
◼
►
fond memory
[TS]
00:31:04
◼
►
like oh yeah I had that monkey that that
[TS]
00:31:06
◼
►
you know slept forgiven or whatever
[TS]
00:31:08
◼
►
whatever it is an identifiable primate
[TS]
00:31:11
◼
►
that that that he has next has been
[TS]
00:31:14
◼
►
every night and for him that's going to
[TS]
00:31:16
◼
►
kind of fade away and and and that'll be
[TS]
00:31:18
◼
►
that for me
[TS]
00:31:20
◼
►
that thing is a representation of his
[TS]
00:31:23
◼
►
childhood and so in the end it's way
[TS]
00:31:26
◼
►
more sentimental for me it's way more
[TS]
00:31:27
◼
►
important emotionally for me than it is
[TS]
00:31:29
◼
►
for him even though i don't need to have
[TS]
00:31:31
◼
►
it next to my bed when I go to sleep he
[TS]
00:31:34
◼
►
does eat indian he will put it away and
[TS]
00:31:37
◼
►
that'sthat's all the stuff that I'm
[TS]
00:31:39
◼
►
thinking about when I'm when I'm looking
[TS]
00:31:40
◼
►
at bing bong is his you know his job is
[TS]
00:31:44
◼
►
to be is to fade away but you know as a
[TS]
00:31:46
◼
►
parent you also you know you mourn him
[TS]
00:31:50
◼
►
fading away because that's childhood
[TS]
00:31:52
◼
►
fading away
[TS]
00:31:53
◼
►
it's like I've I've got this paddington
[TS]
00:31:55
◼
►
bear sitting on my nightstand that I've
[TS]
00:31:58
◼
►
had for 35 years and so he still there
[TS]
00:32:03
◼
►
I haven't I haven't totally put him away
[TS]
00:32:04
◼
►
but when i was little he had a voice he
[TS]
00:32:09
◼
►
had a personality he interacted right
[TS]
00:32:11
◼
►
you know i was doing the whole jim
[TS]
00:32:13
◼
►
henson thing with them and it had
[TS]
00:32:14
◼
►
nothing to do with the actual Paddington
[TS]
00:32:15
◼
►
books or anything he abuses this totally
[TS]
00:32:18
◼
►
different personality that's good
[TS]
00:32:19
◼
►
because I'll be unauthorized fanfiction
[TS]
00:32:21
◼
►
David yes and I wouldn't I wouldn't do
[TS]
00:32:23
◼
►
that we want to talk about the star trek
[TS]
00:32:25
◼
►
place it but a couple years ago
[TS]
00:32:29
◼
►
you know I i picked him up and I thought
[TS]
00:32:31
◼
►
you know can i still do the voice
[TS]
00:32:33
◼
►
because you know that was before my
[TS]
00:32:34
◼
►
voice changed so it was a very high sort
[TS]
00:32:36
◼
►
of free voice and and i was able to
[TS]
00:32:40
◼
►
approximate but he sounded older and he
[TS]
00:32:42
◼
►
didn't you know the character didn't
[TS]
00:32:44
◼
►
quite come all the way back and it
[TS]
00:32:47
◼
►
wasn't quite the same and and obviously
[TS]
00:32:49
◼
►
I don't play with him all day long
[TS]
00:32:52
◼
►
because you know I'm not nine anymore
[TS]
00:32:55
◼
►
I know it's hard to believe and and and
[TS]
00:32:59
◼
►
that was that it was a similar kind of
[TS]
00:33:00
◼
►
sadness for me that that was like all
[TS]
00:33:03
◼
►
right this was a huge part of my life
[TS]
00:33:04
◼
►
this was a very important thing to me at
[TS]
00:33:07
◼
►
one point and it's not that I've
[TS]
00:33:09
◼
►
forgotten them it's not that I've let
[TS]
00:33:11
◼
►
him go completely but I can't quite get
[TS]
00:33:14
◼
►
that back and and that's not gonna come
[TS]
00:33:16
◼
►
back and it bent it's ok that it doesn't
[TS]
00:33:18
◼
►
compare but that's the irony is that
[TS]
00:33:20
◼
►
even I still got my first and second
[TS]
00:33:23
◼
►
stuffed animal they both been passed I
[TS]
00:33:25
◼
►
was a big fan of stuffed animals they
[TS]
00:33:26
◼
►
both passed on my kid
[TS]
00:33:28
◼
►
one of them is a stuffed dog my parents
[TS]
00:33:30
◼
►
got me was in the hospital when I was to
[TS]
00:33:31
◼
►
any other ones a teddy bear that i had a
[TS]
00:33:33
◼
►
few years after that even though I look
[TS]
00:33:35
◼
►
at them and it's a husk of what it was
[TS]
00:33:37
◼
►
because it doesn't it doesn't mean the
[TS]
00:33:39
◼
►
same thing so that's the other part of
[TS]
00:33:41
◼
►
this is even if you are like a memory
[TS]
00:33:43
◼
►
hoarder and you keep all the stuff
[TS]
00:33:45
◼
►
around the the the essence of what made
[TS]
00:33:48
◼
►
that thing special when your kid is gone
[TS]
00:33:50
◼
►
because you're not a kid anymore and
[TS]
00:33:52
◼
►
that's that's ultimately the sadness
[TS]
00:33:53
◼
►
inside of the sadness is that you know
[TS]
00:33:55
◼
►
you got what you want to still be really
[TS]
00:33:57
◼
►
into that stuffed animal will know
[TS]
00:33:58
◼
►
there's a part of you that knows that
[TS]
00:34:00
◼
►
that's gone that is in the memory dump
[TS]
00:34:01
◼
►
and will never come back even if being
[TS]
00:34:03
◼
►
more still around
[TS]
00:34:04
◼
►
they will be looking cute thing we think
[TS]
00:34:05
◼
►
about twice a year but that that's
[TS]
00:34:07
◼
►
that's the part that really gets me is
[TS]
00:34:08
◼
►
that a no I thought I'd love to talk a
[TS]
00:34:10
◼
►
little bit about the mechanics because
[TS]
00:34:12
◼
►
it sounds obvious but like to talk about
[TS]
00:34:14
◼
►
the mechanics of how you take this
[TS]
00:34:16
◼
►
really abstract idea using things as
[TS]
00:34:19
◼
►
simple as these avatars and these colors
[TS]
00:34:23
◼
►
the way the role of color and this is so
[TS]
00:34:24
◼
►
important to wear by the end I mean like
[TS]
00:34:27
◼
►
I my note here my first know right down
[TS]
00:34:30
◼
►
like that the moment I see a memory
[TS]
00:34:31
◼
►
that's blue and gold
[TS]
00:34:33
◼
►
I'm making that is one of the most
[TS]
00:34:35
◼
►
brilliant cinematic strokes I've ever
[TS]
00:34:38
◼
►
I like it started crying you explain
[TS]
00:34:40
◼
►
right but you explain that to somebody
[TS]
00:34:41
◼
►
it sounds it sounds so trite it sounds
[TS]
00:34:43
◼
►
so silly but like the the ability to
[TS]
00:34:45
◼
►
take all those incredibly abstract
[TS]
00:34:47
◼
►
emotionally heavy ideas but then create
[TS]
00:34:49
◼
►
what you call what you want the
[TS]
00:34:51
◼
►
mechanics or there they give the world
[TS]
00:34:53
◼
►
building a visual language gym right
[TS]
00:34:55
◼
►
time for a sponsor break let me tell you
[TS]
00:34:57
◼
►
about casper mattresses obsessively
[TS]
00:35:00
◼
►
engineering american-made mattresses at
[TS]
00:35:02
◼
►
a shockingly fair price
[TS]
00:35:05
◼
►
now you spend about a third of your life
[TS]
00:35:06
◼
►
this is a biological fact unless you're
[TS]
00:35:08
◼
►
some sort of vampire sleeping
[TS]
00:35:10
◼
►
you should do it on a good mattress but
[TS]
00:35:13
◼
►
when you go to a mattress store you
[TS]
00:35:15
◼
►
might lay down on a mattress for a
[TS]
00:35:17
◼
►
minute or two people start looking at
[TS]
00:35:20
◼
►
you funny feeling down for an hour to
[TS]
00:35:22
◼
►
and actually sleep on those mattresses
[TS]
00:35:24
◼
►
we have to make a guess when you're not
[TS]
00:35:26
◼
►
in a good position to judge
[TS]
00:35:29
◼
►
Casper solves the problem of a good
[TS]
00:35:32
◼
►
feeling mattress and the problem of
[TS]
00:35:34
◼
►
trying out a mattress both of these
[TS]
00:35:36
◼
►
things are solved by Casper the Casper
[TS]
00:35:38
◼
►
mattress itself has two great
[TS]
00:35:40
◼
►
technologies that have been that have
[TS]
00:35:41
◼
►
been brought together in this product
[TS]
00:35:43
◼
►
there's latex foam on top
[TS]
00:35:45
◼
►
very nice very comfy and memory foam
[TS]
00:35:48
◼
►
underneath so what they say is it's got
[TS]
00:35:50
◼
►
just the right sync on top just the
[TS]
00:35:51
◼
►
right bounce a lot of support no matter
[TS]
00:35:53
◼
►
how you sleep now the other part there's
[TS]
00:35:57
◼
►
a risk-free trial and return policy
[TS]
00:35:59
◼
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Casper will deliver a mattress straight
[TS]
00:36:01
◼
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to you in a box shipped to your door and
[TS]
00:36:03
◼
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you can try it for a hundred days and if
[TS]
00:36:06
◼
►
you're not happy they'll pick it back up
[TS]
00:36:08
◼
►
they'll take it away so you can decide
[TS]
00:36:10
◼
►
if you're afraid you're like I don't
[TS]
00:36:12
◼
►
know how it's going to feel I don't know
[TS]
00:36:13
◼
►
if I'm if I'm gonna like it try it and
[TS]
00:36:16
◼
►
if you don't like it you just send it
[TS]
00:36:17
◼
►
pretty neat they sent to me in that
[TS]
00:36:20
◼
►
little box opens and expands to fill the
[TS]
00:36:22
◼
►
space we got a queen-size mattress put
[TS]
00:36:24
◼
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in our bedroom replacing our old king
[TS]
00:36:26
◼
►
size mattress and it's super comfy
[TS]
00:36:28
◼
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I i can only tell you the truth I would
[TS]
00:36:31
◼
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not lie to you my friends podcast
[TS]
00:36:33
◼
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listeners it's actually a really
[TS]
00:36:35
◼
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comfortable mattress and I'm very happy
[TS]
00:36:37
◼
►
to have my casper mattresses now casper
[TS]
00:36:39
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mattresses
[TS]
00:36:39
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how much would you pay the answer is a
[TS]
00:36:41
◼
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lot less than you'd pay at a premium
[TS]
00:36:43
◼
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mattress store five hundred dollars for
[TS]
00:36:45
◼
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twin all the way up to 9 50 for a king
[TS]
00:36:47
◼
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you compare that to the industry
[TS]
00:36:48
◼
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averages it's a good price and now you
[TS]
00:36:51
◼
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can make it even better by giving fifty
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dollars off any mattress purchase by
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00:36:55
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going to Casper dot-com / smell that's
[TS]
00:36:58
◼
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my last name and using code smell at
[TS]
00:37:01
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checkout terms and conditions apply
[TS]
00:37:03
◼
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thank you so much to Casper for
[TS]
00:37:05
◼
►
sponsoring the incomparable this is a
[TS]
00:37:08
◼
►
difficult this high difficulty paying
[TS]
00:37:11
◼
►
high degree of difficulty right if
[TS]
00:37:12
◼
►
you're in the Olympics and you you tried
[TS]
00:37:14
◼
►
I've that's got a certain number of
[TS]
00:37:15
◼
►
flips right you they say it's a high
[TS]
00:37:17
◼
►
degree of difficulty
[TS]
00:37:18
◼
►
this is that I to me that it's hard i'm
[TS]
00:37:22
◼
►
a little bit i think getting started it
[TS]
00:37:24
◼
►
is i think it shows the skill that the
[TS]
00:37:27
◼
►
story department has that the brain
[TS]
00:37:29
◼
►
trust has that that that Pixar has
[TS]
00:37:31
◼
►
building these things because you need
[TS]
00:37:33
◼
►
to have done this is pro level stuff you
[TS]
00:37:35
◼
►
need to have done a lot of these two to
[TS]
00:37:37
◼
►
get this right and I do think they get
[TS]
00:37:39
◼
►
it right because there is so much
[TS]
00:37:40
◼
►
world-building in the first 15
[TS]
00:37:42
◼
►
minutes where they have to show you the
[TS]
00:37:44
◼
►
mechanics of what happens inside the
[TS]
00:37:46
◼
►
head and how it how it works outside in
[TS]
00:37:49
◼
►
the in the person that the the balls go
[TS]
00:37:51
◼
►
around and there's the thing that goes
[TS]
00:37:52
◼
►
to long-term memory and there's the core
[TS]
00:37:54
◼
►
thing that happens with the core
[TS]
00:37:56
◼
►
memories that glow and I have to admit
[TS]
00:38:00
◼
►
that there was a moment where I thought
[TS]
00:38:01
◼
►
wow this there's a lot of information
[TS]
00:38:03
◼
►
here like this is this is complicated
[TS]
00:38:05
◼
►
it-it-it past pretty quickly and after
[TS]
00:38:08
◼
►
about 10 or 15 minutes i thought well
[TS]
00:38:09
◼
►
you know even if that was a lot of work
[TS]
00:38:11
◼
►
now it's all pay off because now i
[TS]
00:38:13
◼
►
understand how this world works but it
[TS]
00:38:15
◼
►
was it is not a simple you know it's not
[TS]
00:38:18
◼
►
like what would it be like to be an and
[TS]
00:38:20
◼
►
it right it's it's a little more
[TS]
00:38:23
◼
►
complicated than that
[TS]
00:38:24
◼
►
hey the toys come to life they lead
[TS]
00:38:27
◼
►
another thing we do understand which is
[TS]
00:38:28
◼
►
we understand how people are born and
[TS]
00:38:30
◼
►
their babies and they grow so they
[TS]
00:38:32
◼
►
started out with the baby and the
[TS]
00:38:34
◼
►
control panel with the one button and
[TS]
00:38:36
◼
►
the one emotion of joy and then
[TS]
00:38:39
◼
►
switching just feel like they I think it
[TS]
00:38:41
◼
►
was a brilliant way to introduce the
[TS]
00:38:43
◼
►
world because if they had dumped you
[TS]
00:38:44
◼
►
right into Riley with her sweet of
[TS]
00:38:46
◼
►
people on her control panel
[TS]
00:38:48
◼
►
it might have been a lot to take in but
[TS]
00:38:49
◼
►
by bringing you by taking you through
[TS]
00:38:51
◼
►
all she was a baby and she had one
[TS]
00:38:52
◼
►
button and it was basically she was
[TS]
00:38:54
◼
►
happier she was said and moved up and
[TS]
00:38:56
◼
►
became you know like that that sort of
[TS]
00:38:58
◼
►
brings you along it tells it tells you
[TS]
00:39:00
◼
►
the rules of the world by analogy two
[TS]
00:39:03
◼
►
stages of development that you do
[TS]
00:39:04
◼
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understand and then we spend most of the
[TS]
00:39:06
◼
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movie and the however all she is
[TS]
00:39:07
◼
►
nine-year-old ten-year-old and that that
[TS]
00:39:11
◼
►
feels comfortable to us because we have
[TS]
00:39:13
◼
►
advanced through you know things and
[TS]
00:39:15
◼
►
showing you
[TS]
00:39:16
◼
►
they do a couple of like montages you
[TS]
00:39:17
◼
►
know of of the world building inside and
[TS]
00:39:21
◼
►
things happening outside and that is a
[TS]
00:39:23
◼
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pretty even split between inside outside
[TS]
00:39:25
◼
►
inside outside with like a voiceover and
[TS]
00:39:27
◼
►
and the the whole setup I felt like it
[TS]
00:39:29
◼
►
was very smooth i didn't feel
[TS]
00:39:30
◼
►
overwhelmed at any point and I I i saw a
[TS]
00:39:34
◼
►
little bit of the wires how they were
[TS]
00:39:35
◼
►
doing it but I thought that was fine
[TS]
00:39:37
◼
►
because I like I said by the time but
[TS]
00:39:39
◼
►
I'm they're up to any of the scenes that
[TS]
00:39:40
◼
►
were in the trailer i was completely
[TS]
00:39:42
◼
►
sold on on the mechanics of how they
[TS]
00:39:45
◼
►
were going to the movie like it was a
[TS]
00:39:46
◼
►
second nature for that
[TS]
00:39:47
◼
►
yeah I i had some drive home thoughts
[TS]
00:39:50
◼
►
that kind of bad away thinking that well
[TS]
00:39:53
◼
►
it doesn't make sense that if this is
[TS]
00:39:54
◼
►
true that maybe that shouldn't have been
[TS]
00:39:56
◼
►
true and they stated a rule that's
[TS]
00:39:59
◼
►
beginning that didn't seem to be
[TS]
00:40:00
◼
►
consistent at the end but it'sit's me
[TS]
00:40:03
◼
►
write it really is about degree of
[TS]
00:40:04
◼
►
difficulty where the overall impression
[TS]
00:40:07
◼
►
that this movie made me with such that
[TS]
00:40:09
◼
►
it doesn't matter it's this is like
[TS]
00:40:11
◼
►
arguing that that tomato is not actually
[TS]
00:40:13
◼
►
a vegetable you just sound you're
[TS]
00:40:15
◼
►
technically correct but you sound
[TS]
00:40:16
◼
►
foolish because you're not able to see
[TS]
00:40:18
◼
►
the reality that's around you and
[TS]
00:40:21
◼
►
there's just I mean so much that's
[TS]
00:40:23
◼
►
deeply resonant and unfortunately i
[TS]
00:40:26
◼
►
don't have kids and after a movie like
[TS]
00:40:28
◼
►
this that is one of those times where i
[TS]
00:40:30
◼
►
am the am compelled to say that
[TS]
00:40:32
◼
►
compelled to say that the sad that I
[TS]
00:40:34
◼
►
don't have kids and even then even there
[TS]
00:40:37
◼
►
there's a lot of deep residents for the
[TS]
00:40:41
◼
►
people that you feel as though you were
[TS]
00:40:43
◼
►
serving rolls you're hoping that you're
[TS]
00:40:45
◼
►
serving a certain role in people's lives
[TS]
00:40:47
◼
►
are hoping that you're doing the right
[TS]
00:40:48
◼
►
job for them in your own life you
[TS]
00:40:51
◼
►
recognize the times when boy that was
[TS]
00:40:54
◼
►
really really tough and I did that thing
[TS]
00:40:55
◼
►
that I had to do and part of me did
[TS]
00:40:57
◼
►
crumble away and die and it was replaced
[TS]
00:41:00
◼
►
by something else but it was something
[TS]
00:41:02
◼
►
that is not correct to call it
[TS]
00:41:03
◼
►
necessarily something better but it's
[TS]
00:41:05
◼
►
something different and that's just sort
[TS]
00:41:07
◼
►
of the natural way of things and they're
[TS]
00:41:08
◼
►
very few I mean they're do I can't think
[TS]
00:41:11
◼
►
of many movies that are intended for
[TS]
00:41:13
◼
►
kids that can really just said its hooks
[TS]
00:41:15
◼
►
that deeply you what when the complaints
[TS]
00:41:18
◼
►
that i've been reading off and on online
[TS]
00:41:20
◼
►
is that this is not something that kids
[TS]
00:41:23
◼
►
are really going to get but that's ok
[TS]
00:41:24
◼
►
there how many great movies have I seen
[TS]
00:41:26
◼
►
where I enjoyed them on a certain level
[TS]
00:41:28
◼
►
when I was nine ten or eleven but only
[TS]
00:41:31
◼
►
when i became an adult and had different
[TS]
00:41:32
◼
►
perspective was able to really see
[TS]
00:41:34
◼
►
everything that was going on it because
[TS]
00:41:36
◼
►
it just opens new layers as you get more
[TS]
00:41:38
◼
►
layers of sophistication in your own
[TS]
00:41:40
◼
►
self is a ticking time bomb for kids
[TS]
00:41:42
◼
►
yeah i watch it now that we're 30 and
[TS]
00:41:45
◼
►
they have their own because they're
[TS]
00:41:45
◼
►
gonna watch it again and go all my god
[TS]
00:41:47
◼
►
movie is destroying me what is happening
[TS]
00:41:48
◼
►
i'm seeing it again for the first night
[TS]
00:41:50
◼
►
the the other part i agree with you and
[TS]
00:41:52
◼
►
there's times where I thought like you
[TS]
00:41:54
◼
►
know in that world building if if said
[TS]
00:41:56
◼
►
it touches something that supposed to
[TS]
00:41:57
◼
►
turn blue that doesn't always happen i
[TS]
00:41:59
◼
►
had this
[TS]
00:41:59
◼
►
I'm kind of thoughts but there's another
[TS]
00:42:01
◼
►
part of me and this is I guess my is
[TS]
00:42:02
◼
►
Kiki really talking to the cat part for
[TS]
00:42:04
◼
►
this one excellent and thank you
[TS]
00:42:06
◼
►
that wouldn't be a visit without me
[TS]
00:42:08
◼
►
doing that actually I have a I have a
[TS]
00:42:10
◼
►
kitty cat thing i have a Kiki note 2 so
[TS]
00:42:12
◼
►
yeah but the but there's a part of me
[TS]
00:42:14
◼
►
that also think that somebody who is
[TS]
00:42:16
◼
►
very interested in the idea of
[TS]
00:42:17
◼
►
mindfulness as i get older and I think
[TS]
00:42:19
◼
►
more about where emotions come from the
[TS]
00:42:21
◼
►
the movie they can see the movie that
[TS]
00:42:23
◼
►
really that works is that there's this
[TS]
00:42:25
◼
►
control panel in your head and your
[TS]
00:42:26
◼
►
emotions are guiding what you do the
[TS]
00:42:28
◼
►
thing that they couldn't do without
[TS]
00:42:29
◼
►
overcomplicating it is the idea that we
[TS]
00:42:31
◼
►
also do have control over our emotions
[TS]
00:42:34
◼
►
right so like when my daughter now we're
[TS]
00:42:35
◼
►
talking about tonight as tony was kinda
[TS]
00:42:36
◼
►
stressing out as I couldn't really have
[TS]
00:42:38
◼
►
that many smart things to say about this
[TS]
00:42:39
◼
►
what should we talk about it was telling
[TS]
00:42:41
◼
►
her how like she said well you know she
[TS]
00:42:43
◼
►
really liked the scene where anger goes
[TS]
00:42:46
◼
►
against the light bulb how great is that
[TS]
00:42:48
◼
►
power and plug it in and it's like we
[TS]
00:42:50
◼
►
were like yeah but you know hangers
[TS]
00:42:52
◼
►
hangers doing the best he can
[TS]
00:42:53
◼
►
in that case but like think about what
[TS]
00:42:55
◼
►
really happened there what we say is
[TS]
00:42:57
◼
►
we'll anchor had this idea that we can
[TS]
00:42:59
◼
►
fix this
[TS]
00:43:00
◼
►
logistical problem my problem of the
[TS]
00:43:02
◼
►
mechanics of the film basically we fix
[TS]
00:43:04
◼
►
this problem by running away and that's
[TS]
00:43:06
◼
►
the story but let's say what really
[TS]
00:43:08
◼
►
happened rally was mad so she decided to
[TS]
00:43:11
◼
►
run away from home like when you put it
[TS]
00:43:13
◼
►
in those terms like any other movie that
[TS]
00:43:15
◼
►
wouldn't be as interesting but in this
[TS]
00:43:17
◼
►
case there is this interplay between
[TS]
00:43:18
◼
►
like what I don't know how you talk
[TS]
00:43:20
◼
►
about the different parts of ourselves
[TS]
00:43:21
◼
►
you know without sounding like a loon
[TS]
00:43:23
◼
►
but like we do have some control over
[TS]
00:43:25
◼
►
our motion motion an awareness of our
[TS]
00:43:27
◼
►
emotions and we can with practice get
[TS]
00:43:30
◼
►
good at deciding who gets to push the
[TS]
00:43:31
◼
►
button and it but I mean I think if
[TS]
00:43:33
◼
►
they'd added that as an overt thing that
[TS]
00:43:35
◼
►
O'Reilly was like that Riley was up
[TS]
00:43:37
◼
►
sending you know something in a
[TS]
00:43:39
◼
►
pneumatic tube that they had to all
[TS]
00:43:41
◼
►
agree on like that that's not the point
[TS]
00:43:42
◼
►
the emotions are these different island
[TS]
00:43:45
◼
►
island sorry term of art but these do
[TS]
00:43:47
◼
►
these different characters with these
[TS]
00:43:49
◼
►
different jobs different roles but we as
[TS]
00:43:51
◼
►
people as we get older have more and
[TS]
00:43:53
◼
►
more executive function over what those
[TS]
00:43:55
◼
►
emotions will do will do so you know the
[TS]
00:43:57
◼
►
mechanic they couldn't have without
[TS]
00:43:58
◼
►
overcomplicating it is the rally also
[TS]
00:44:00
◼
►
has an impact on her own emotions and as
[TS]
00:44:03
◼
►
she gets older she'll have more and more
[TS]
00:44:04
◼
►
ability to do that and but i think i'm
[TS]
00:44:07
◼
►
glad they didn't overcomplicate that I'm
[TS]
00:44:09
◼
►
glad they gave us the mechanics
[TS]
00:44:10
◼
►
understand the vocabulary of how this
[TS]
00:44:13
◼
►
movie is telling the story and you know
[TS]
00:44:15
◼
►
it's one of those things where like you
[TS]
00:44:16
◼
►
know what I like you said and like I
[TS]
00:44:18
◼
►
don't care if it's all exactly right
[TS]
00:44:20
◼
►
according to the rules if it feels right
[TS]
00:44:22
◼
►
it feels emotionally right that this is
[TS]
00:44:24
◼
►
this is how it feels to be a person
[TS]
00:44:26
◼
►
the beauty of the of the screen the
[TS]
00:44:29
◼
►
light bulb there is that you know you
[TS]
00:44:31
◼
►
have moments of crystallization that
[TS]
00:44:33
◼
►
come from an emotion and then you move
[TS]
00:44:35
◼
►
from there and you have to act on them
[TS]
00:44:37
◼
►
and I felt like that was the metaphor
[TS]
00:44:38
◼
►
that we really got with screwing in the
[TS]
00:44:40
◼
►
anger light bulbs and you can't give you
[TS]
00:44:42
◼
►
a light bulb unscrewed yeah and great
[TS]
00:44:44
◼
►
for the idea which was you could run
[TS]
00:44:45
◼
►
away and then she acts on it right but
[TS]
00:44:49
◼
►
its I like that idea that it's like this
[TS]
00:44:51
◼
►
is a gem of an idea that comes out of
[TS]
00:44:54
◼
►
anger but anchors not in the driver's
[TS]
00:44:57
◼
►
seat the whole time after that it's just
[TS]
00:44:58
◼
►
like that was the moment that end and
[TS]
00:45:01
◼
►
you know I think we all feel that way
[TS]
00:45:02
◼
►
you you have an idea and if you are
[TS]
00:45:05
◼
►
mindful enough if you if you are enough
[TS]
00:45:07
◼
►
connected to your own emotions you can
[TS]
00:45:09
◼
►
be like all right I know where this is
[TS]
00:45:11
◼
►
coming from and I can you know I can
[TS]
00:45:13
◼
►
manage this idea and if you have any if
[TS]
00:45:16
◼
►
you have less of that then you just act
[TS]
00:45:17
◼
►
out because that idea is there but i
[TS]
00:45:19
◼
►
think it's interesting the way the way
[TS]
00:45:21
◼
►
it's it's it's visually put in the movie
[TS]
00:45:24
◼
►
with the light bulb that goes in it's
[TS]
00:45:26
◼
►
like we're going to let anger put this
[TS]
00:45:27
◼
►
in there and then it's in there and it's
[TS]
00:45:29
◼
►
an end and you're on the path that point
[TS]
00:45:31
◼
►
she's on that well and I think some of
[TS]
00:45:33
◼
►
that is is latent that if you if you
[TS]
00:45:36
◼
►
think about it
[TS]
00:45:37
◼
►
where do they all sit and Riley's head
[TS]
00:45:40
◼
►
they're all kind of running around
[TS]
00:45:41
◼
►
haphazardly where's by the time you get
[TS]
00:45:43
◼
►
to the mom's head they all have seats at
[TS]
00:45:46
◼
►
a console right there organizer roll
[TS]
00:45:48
◼
►
their insurance close they know what
[TS]
00:45:50
◼
►
they're doing and end up having Los
[TS]
00:45:51
◼
►
Angeles some have when when you get to
[TS]
00:45:54
◼
►
see the other adult characters into
[TS]
00:45:56
◼
►
their heads and and you know to varying
[TS]
00:45:59
◼
►
degrees but they're there in much more
[TS]
00:46:02
◼
►
of a controlled much more of an
[TS]
00:46:03
◼
►
organized fashion than in any of the
[TS]
00:46:06
◼
►
kids heads are the animals hits which I
[TS]
00:46:08
◼
►
guess we'll get to later I hope we get
[TS]
00:46:11
◼
►
to later because i love the cat but you
[TS]
00:46:14
◼
►
need so i think that is there but again
[TS]
00:46:16
◼
►
they didn't they didn't call a lot of
[TS]
00:46:18
◼
►
attention to it they didn't go hey look
[TS]
00:46:19
◼
►
at us we're doing this extra layer of
[TS]
00:46:22
◼
►
organization to these
[TS]
00:46:24
◼
►
characters they just they let it be and
[TS]
00:46:26
◼
►
they focused on Riley's emotions which I
[TS]
00:46:28
◼
►
thought was was the right thing and it
[TS]
00:46:30
◼
►
definitely works mean it
[TS]
00:46:31
◼
►
what I liked about anger is that it's it
[TS]
00:46:33
◼
►
again message because top of the movie
[TS]
00:46:36
◼
►
if it's not necessarily correct
[TS]
00:46:37
◼
►
psychologically but you have to sort of
[TS]
00:46:40
◼
►
you there's a residence the fact that
[TS]
00:46:42
◼
►
anger does the best that anger can just
[TS]
00:46:45
◼
►
like joy does the best that joy can wear
[TS]
00:46:47
◼
►
Joy's answered everything is well what
[TS]
00:46:49
◼
►
if we just force ourselves to be happy
[TS]
00:46:51
◼
►
anger is like I've gotta do something
[TS]
00:46:52
◼
►
now I've got to do something active I've
[TS]
00:46:54
◼
►
got to do something aggressive and of
[TS]
00:46:56
◼
►
course his his aggression wasn't simply
[TS]
00:46:59
◼
►
run away but i'm going to all of our
[TS]
00:47:01
◼
►
memories are back home let's go back
[TS]
00:47:03
◼
►
home and we'll get them back again
[TS]
00:47:04
◼
►
without understanding that no you can't
[TS]
00:47:06
◼
►
go backwards you can only evenly really
[TS]
00:47:09
◼
►
go forwards but it's I think that one of
[TS]
00:47:12
◼
►
the most important things about this
[TS]
00:47:14
◼
►
movie when the most healthy things about
[TS]
00:47:16
◼
►
this movie is understanding that the
[TS]
00:47:19
◼
►
emotions that in a lesser movie would
[TS]
00:47:21
◼
►
have been the villain sadness and anger
[TS]
00:47:23
◼
►
teaming up just to undermine undermine
[TS]
00:47:26
◼
►
Riley and every at every event this is
[TS]
00:47:28
◼
►
the statement here is that no no both of
[TS]
00:47:30
◼
►
these emotions have a seat at the table
[TS]
00:47:32
◼
►
I mean one of the many things that you
[TS]
00:47:35
◼
►
reflect upon when you think about the i
[TS]
00:47:37
◼
►
will say saintliness of Mister Rogers is
[TS]
00:47:39
◼
►
that he one of his best songs was have
[TS]
00:47:42
◼
►
never been so angry that you want to
[TS]
00:47:44
◼
►
just bite and at entire segment
[TS]
00:47:48
◼
►
basically telling kids don't be afraid
[TS]
00:47:50
◼
►
of your anger don't be ashamed of your
[TS]
00:47:51
◼
►
anger you were you the reason the the
[TS]
00:47:54
◼
►
reason why your brain is wired to be
[TS]
00:47:56
◼
►
angry about things sometimes it's
[TS]
00:47:57
◼
►
because it's a natural emotion and so it
[TS]
00:48:00
◼
►
had you have to you don't always have to
[TS]
00:48:03
◼
►
express it but you always have to
[TS]
00:48:05
◼
►
process it and so if I am I don't want
[TS]
00:48:09
◼
►
to get ahead of ourselves here but the
[TS]
00:48:10
◼
►
I've when the other things that struck
[TS]
00:48:13
◼
►
me immediately when i was coming out of
[TS]
00:48:15
◼
►
this movie was that I had no idea that
[TS]
00:48:18
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one day I would say that the most
[TS]
00:48:20
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brilliant scene I've ever seen animation
[TS]
00:48:23
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ever was the scene was a scene in which
[TS]
00:48:25
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three people simply hug each other
[TS]
00:48:27
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because that is just the weight of
[TS]
00:48:30
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10,000 anvils just striking the ground
[TS]
00:48:33
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outside your house your house shaking
[TS]
00:48:35
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everything
[TS]
00:48:36
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and the subtly in which this was not
[TS]
00:48:39
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only with the great subtlety with which
[TS]
00:48:41
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this was rendered animated the
[TS]
00:48:43
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performances that pixar got out of those
[TS]
00:48:46
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three actors and also the importance of
[TS]
00:48:48
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that simple thing the entire movie comes
[TS]
00:48:51
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together with a hug and I'm sure that
[TS]
00:48:54
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anyone who's listening to this is
[TS]
00:48:55
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already heard this before but just in
[TS]
00:48:57
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case i want to give the context but the
[TS]
00:49:00
◼
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fact that this was all with the movie
[TS]
00:49:02
◼
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was about it's not going to be the this
[TS]
00:49:04
◼
►
is gonna be a frantic car chase through
[TS]
00:49:06
◼
►
san francisco and it's going to be got
[TS]
00:49:08
◼
►
cars are going to be leaping over hills
[TS]
00:49:10
◼
►
and it's going to be a big helicopter
[TS]
00:49:11
◼
►
shot over the over the bridge as they
[TS]
00:49:13
◼
►
chase after something rather it's going
[TS]
00:49:15
◼
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to know it's going to basically this is
[TS]
00:49:17
◼
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going to crisis is gonna end the way
[TS]
00:49:18
◼
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that would end for real and it's going
[TS]
00:49:20
◼
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to end the most difficult way to write
[TS]
00:49:22
◼
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in the difficult way to act and that
[TS]
00:49:25
◼
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both as an emotional closer to the
[TS]
00:49:27
◼
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storyline and also a representation of
[TS]
00:49:29
◼
►
everything that makes this a truly great
[TS]
00:49:32
◼
►
it's all there in three and a half
[TS]
00:49:34
◼
►
minutes but that's why this movie it
[TS]
00:49:36
◼
►
doesn't end up not being completely
[TS]
00:49:37
◼
►
devastating to parents because for most
[TS]
00:49:40
◼
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of the movie from the parent's
[TS]
00:49:41
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perspective you see that this child is
[TS]
00:49:43
◼
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in trauma and then in freefall
[TS]
00:49:46
◼
►
practically the whole world that these
[TS]
00:49:48
◼
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parents worked to build up and are they
[TS]
00:49:50
◼
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built they built her happy life they
[TS]
00:49:52
◼
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built her into a healthy happy person
[TS]
00:49:55
◼
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with hobbies and interests and
[TS]
00:49:56
◼
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achievements and skills and personality
[TS]
00:49:59
◼
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and as it's all crumbling down you see
[TS]
00:50:02
◼
►
how how powerless the parents are to do
[TS]
00:50:05
◼
►
anything about it how little awareness
[TS]
00:50:06
◼
►
they even have that things are that
[TS]
00:50:08
◼
►
things are going wrong and it's like a
[TS]
00:50:10
◼
►
horror movie for parents and to the to
[TS]
00:50:13
◼
►
bring it back at the end it's like to
[TS]
00:50:14
◼
►
give you hope to say even though parents
[TS]
00:50:16
◼
►
you're going to be clueless and you're
[TS]
00:50:18
◼
►
going to be dealing with the moving
[TS]
00:50:19
◼
►
truck that's lost and you're not going
[TS]
00:50:20
◼
►
to understand that your child is because
[TS]
00:50:22
◼
►
growing up and these things are
[TS]
00:50:23
◼
►
happening and like it you know in the
[TS]
00:50:27
◼
►
end if you are just there at the right
[TS]
00:50:29
◼
►
time with like you know that you don't
[TS]
00:50:31
◼
►
have to that these things are going to
[TS]
00:50:33
◼
►
happen they're going to be bad
[TS]
00:50:34
◼
►
I and it's not hopeless it's not because
[TS]
00:50:37
◼
►
it is certain point the movie it seems
[TS]
00:50:38
◼
►
hopeless certain point in the movie
[TS]
00:50:39
◼
►
you're like well that's it this is going
[TS]
00:50:41
◼
►
to be serial killer like you know
[TS]
00:50:42
◼
►
they're just gonna you know forget it
[TS]
00:50:45
◼
►
just signed the kid up like it's just
[TS]
00:50:47
◼
►
it's so so you notice how it feels
[TS]
00:50:49
◼
►
inside the kid's head up
[TS]
00:50:50
◼
►
and you're busy with other things like
[TS]
00:50:51
◼
►
is there anything we can do is it
[TS]
00:50:53
◼
►
hopeless and it's like you're if you're
[TS]
00:50:55
◼
►
not there ninety percent of the time if
[TS]
00:50:57
◼
►
you just there for the ten percent of
[TS]
00:50:58
◼
►
you just there when it counts for that
[TS]
00:51:00
◼
►
hug at the end right to like the back
[TS]
00:51:03
◼
►
ensure everything up and that can help
[TS]
00:51:04
◼
►
build new islands and that you know the
[TS]
00:51:06
◼
►
the the mixed memory with the blue and
[TS]
00:51:08
◼
►
then the other thing or the and a lesser
[TS]
00:51:09
◼
►
movie the triumphal return of the orbs
[TS]
00:51:12
◼
►
they would have been super bright not
[TS]
00:51:14
◼
►
just yellow but look at what now that
[TS]
00:51:15
◼
►
you're an older person they're super
[TS]
00:51:17
◼
►
bright know they're never gonna be that
[TS]
00:51:19
◼
►
bright again they're always like that
[TS]
00:51:21
◼
►
they're always going to be darker like
[TS]
00:51:22
◼
►
that you know it's not they're not going
[TS]
00:51:24
◼
►
to be super shiny triumphant white light
[TS]
00:51:27
◼
►
streaming out of them that's not the end
[TS]
00:51:29
◼
►
of this movie the parents aren't going
[TS]
00:51:31
◼
►
to be that white light for the thing
[TS]
00:51:32
◼
►
like the parents are just absent or
[TS]
00:51:34
◼
►
screwing up for most of the movie don't
[TS]
00:51:36
◼
►
even know their kids gone frantically
[TS]
00:51:37
◼
►
looking for them and just you know it in
[TS]
00:51:39
◼
►
that moment it sells you parents your
[TS]
00:51:42
◼
►
there is hope
[TS]
00:51:44
◼
►
like it's terrible and everything and
[TS]
00:51:45
◼
►
you're probably doing a bad job with the
[TS]
00:51:46
◼
►
time but if you're if you know if you
[TS]
00:51:48
◼
►
get the basics right if you're there
[TS]
00:51:50
◼
►
when you need to be that there is there
[TS]
00:51:52
◼
►
is hope I still felt at it you know
[TS]
00:51:54
◼
►
large overwhelming sadness coming out of
[TS]
00:51:57
◼
►
this movie but the hopeful barbie and
[TS]
00:51:58
◼
►
makes it knotted up down or a movie at
[TS]
00:52:01
◼
►
well another thing I loved about the the
[TS]
00:52:04
◼
►
rebuilt islands and and there they are
[TS]
00:52:07
◼
►
different and they're bigger and you
[TS]
00:52:08
◼
►
know with different shapes and buildings
[TS]
00:52:10
◼
►
and everything is the thought and I mean
[TS]
00:52:12
◼
►
this has been it would studies have been
[TS]
00:52:16
◼
►
talking about this for a while that we
[TS]
00:52:18
◼
►
kind of rewrite our memories all the
[TS]
00:52:21
◼
►
time we we don't always have every
[TS]
00:52:24
◼
►
detail and and the sharpest details
[TS]
00:52:26
◼
►
might stay there but then you remember
[TS]
00:52:29
◼
►
someone is wearing a different colored
[TS]
00:52:30
◼
►
shirt than they actually wore or you
[TS]
00:52:32
◼
►
remember we're river pet who was there
[TS]
00:52:34
◼
►
who wasn't actually there are little
[TS]
00:52:36
◼
►
things like that and i loved how the
[TS]
00:52:39
◼
►
rebuilt islands I mean yes she still had
[TS]
00:52:42
◼
►
a family Island but it was different and
[TS]
00:52:45
◼
►
she still had the sports our area and it
[TS]
00:52:48
◼
►
was different and you know it so it was
[TS]
00:52:50
◼
►
a nice evolution but they were the
[TS]
00:52:53
◼
►
colors were so much more muted
[TS]
00:52:55
◼
►
everything was less less whimsical but
[TS]
00:52:57
◼
►
if she had a sibling born her family
[TS]
00:53:00
◼
►
Island would have crumbled to dust and
[TS]
00:53:02
◼
►
disciplines I've seen this happen
[TS]
00:53:03
◼
►
absolutely and you need a new family
[TS]
00:53:06
◼
►
I'll it has room for this other person
[TS]
00:53:08
◼
►
and where the hell did they come from
[TS]
00:53:10
◼
►
like even just something as simple as
[TS]
00:53:12
◼
►
that which again like one of the ideas
[TS]
00:53:14
◼
►
that could have been up on the big board
[TS]
00:53:15
◼
►
like you got it can't fit in where you
[TS]
00:53:16
◼
►
can fit in the movie but like so much of
[TS]
00:53:19
◼
►
that Island analogy and just like it
[TS]
00:53:21
◼
►
watching them crumble and watching the
[TS]
00:53:22
◼
►
new ones we built like that that fits so
[TS]
00:53:25
◼
►
well with so many experiences of that
[TS]
00:53:27
◼
►
particular phase of childhood for Riley
[TS]
00:53:29
◼
►
having to share that crummy little attic
[TS]
00:53:30
◼
►
room with a brother or sister oh my god
[TS]
00:53:33
◼
►
it's been it's been known to happen
[TS]
00:53:35
◼
►
don't have my keys cat thing by the way
[TS]
00:53:37
◼
►
the sophistication that I kept thinking
[TS]
00:53:39
◼
►
they were going to go to I did actually
[TS]
00:53:41
◼
►
but I get the more I realize they
[TS]
00:53:43
◼
►
weren't going to go to the same reason
[TS]
00:53:44
◼
►
they weren't you like there's lots of
[TS]
00:53:45
◼
►
ideas that can be up on the big board
[TS]
00:53:47
◼
►
that can fit in this movie they didn't
[TS]
00:53:48
◼
►
go to this one it's a good idea because
[TS]
00:53:49
◼
►
going in this direction does not get you
[TS]
00:53:51
◼
►
anywhere good but like inside the head
[TS]
00:53:54
◼
►
of every one of those individual
[TS]
00:53:55
◼
►
emotions of course are a bunch of other
[TS]
00:53:57
◼
►
emotions right there you know who's
[TS]
00:53:58
◼
►
running anger like that's it's not the
[TS]
00:54:01
◼
►
executive function thing that Merlin was
[TS]
00:54:02
◼
►
talking about but it's closed was like
[TS]
00:54:04
◼
►
once you're doing this kind of modeling
[TS]
00:54:05
◼
►
thing that every sort of actor has these
[TS]
00:54:08
◼
►
individual components with the control
[TS]
00:54:09
◼
►
board that just reverses and then you're
[TS]
00:54:11
◼
►
off to the races
[TS]
00:54:12
◼
►
alright so they didn't do that even for
[TS]
00:54:14
◼
►
like a little stinger a post-credit
[TS]
00:54:15
◼
►
sequence they didn't do that but i think
[TS]
00:54:17
◼
►
you could do some fun stories will you
[TS]
00:54:19
◼
►
get out in like I'm creating some of
[TS]
00:54:20
◼
►
this from slate culture culture gabfest
[TS]
00:54:22
◼
►
but I didn't like lust or maybe
[TS]
00:54:24
◼
►
ambivalence about that pre-puberty it
[TS]
00:54:27
◼
►
saves them from a lot of stuff that's
[TS]
00:54:28
◼
►
why they had the gags at the end if you
[TS]
00:54:30
◼
►
get into a post pretty yes you need more
[TS]
00:54:33
◼
►
players at the table because a little
[TS]
00:54:35
◼
►
bit weird why you'd see on the parents
[TS]
00:54:36
◼
►
control panels a similar suite of people
[TS]
00:54:38
◼
►
but you know again scope you got you
[TS]
00:54:40
◼
►
can't fight scope creep here
[TS]
00:54:42
◼
►
well you know they do say that like
[TS]
00:54:43
◼
►
taste is made up of like four different
[TS]
00:54:45
◼
►
for different components and different
[TS]
00:54:47
◼
►
degrees right so it's like the varying
[TS]
00:54:49
◼
►
degrees but you're right then that their
[TS]
00:54:50
◼
►
sub components inside disgust and anger
[TS]
00:54:52
◼
►
and they they interacted different ways
[TS]
00:54:55
◼
►
and and they they combine the team up in
[TS]
00:54:57
◼
►
different ways like schadenfreude what
[TS]
00:54:59
◼
►
is that a combination of pp doctor was
[TS]
00:55:01
◼
►
talking about this i think cash I've
[TS]
00:55:03
◼
►
heard so much about this i forget me on
[TS]
00:55:05
◼
►
fresh air was talking about i guess
[TS]
00:55:06
◼
►
originally if you guys know jump in but
[TS]
00:55:09
◼
►
originally it was supposed to be joy or
[TS]
00:55:12
◼
►
happiness happiness and fear they're
[TS]
00:55:15
◼
►
supposed to be
[TS]
00:55:15
◼
►
yeah the two main characters
[TS]
00:55:17
◼
►
you guys have any color on that yeah one
[TS]
00:55:19
◼
►
and I'm sure that was part of the idea
[TS]
00:55:20
◼
►
behind casting Amy Poehler and Bill
[TS]
00:55:23
◼
►
Hader together because we know they play
[TS]
00:55:25
◼
►
well together so I it was that they had
[TS]
00:55:29
◼
►
a moment where they realized that
[TS]
00:55:30
◼
►
sadness was a player that needed to be
[TS]
00:55:32
◼
►
in here and that's when that's when
[TS]
00:55:35
◼
►
everything changed apparently yeah and
[TS]
00:55:37
◼
►
then think about sadness in the movie is
[TS]
00:55:38
◼
►
that give her kind of a dual role as
[TS]
00:55:40
◼
►
like the touching things turn things
[TS]
00:55:43
◼
►
boobs like oh is this the thing that
[TS]
00:55:44
◼
►
makes you sad but then when she shows
[TS]
00:55:47
◼
►
like it were talking about like that the
[TS]
00:55:49
◼
►
sophistication of the layout inside the
[TS]
00:55:51
◼
►
thing we're in Raleigh said they're just
[TS]
00:55:53
◼
►
kind of running around no no to do a
[TS]
00:55:54
◼
►
one-point joy is driving a truck circle
[TS]
00:55:57
◼
►
on the ground and trying to put like
[TS]
00:55:58
◼
►
that is that is a child sophistication
[TS]
00:56:01
◼
►
of dealing with their emotions like
[TS]
00:56:02
◼
►
maybe i can put sadness and a little
[TS]
00:56:03
◼
►
chalk circle and you stand like they
[TS]
00:56:05
◼
►
have no idea what they're doing like
[TS]
00:56:06
◼
►
this how this works and maybe there's no
[TS]
00:56:07
◼
►
role for this if you just stand over
[TS]
00:56:08
◼
►
here can you just don't touch anything
[TS]
00:56:10
◼
►
and let me do this and I'll just take
[TS]
00:56:11
◼
►
over like that no idea anything is gonna
[TS]
00:56:14
◼
►
work and so later when sadness show when
[TS]
00:56:16
◼
►
she talks to bing bong and makes
[TS]
00:56:18
◼
►
bing-bong feel better she doesn't make
[TS]
00:56:19
◼
►
big bug feel sad by touching mama said
[TS]
00:56:21
◼
►
his touch bring bunkie feels bad now
[TS]
00:56:23
◼
►
like the function of it's not like she
[TS]
00:56:25
◼
►
is the source of sadness she is how
[TS]
00:56:28
◼
►
Riley deals with sadness how is not
[TS]
00:56:31
◼
►
you're not in service
[TS]
00:56:32
◼
►
right just like get you enjoy understand
[TS]
00:56:36
◼
►
joint so when she talked to bring
[TS]
00:56:37
◼
►
bonkers like it
[TS]
00:56:39
◼
►
joy can't help being bond feel better
[TS]
00:56:41
◼
►
hey look at me
[TS]
00:56:43
◼
►
bing-bong everything aren't you all
[TS]
00:56:44
◼
►
happy no big box not happy he said in
[TS]
00:56:46
◼
►
joy and sadness sits down next to him
[TS]
00:56:48
◼
►
and talk to me she can't she can't help
[TS]
00:56:50
◼
►
that's not that that's her role and she
[TS]
00:56:52
◼
►
is useless to damaging and that's it is
[TS]
00:56:56
◼
►
it's inside the kind of person who Yanks
[TS]
00:56:59
◼
►
and that that's the beauty part is when
[TS]
00:57:00
◼
►
you get to where it's it's like the same
[TS]
00:57:02
◼
►
thing you eventually learn as an adult
[TS]
00:57:04
◼
►
is like when somebody has someone in
[TS]
00:57:05
◼
►
their family died
[TS]
00:57:06
◼
►
don't tell them back up you know don't
[TS]
00:57:08
◼
►
tell I'm you know the only thing the
[TS]
00:57:10
◼
►
only consolation I have to offer anybody
[TS]
00:57:11
◼
►
is I hope someday this feels less bad
[TS]
00:57:14
◼
►
and that's the only thing can really say
[TS]
00:57:16
◼
►
to somebody you know and it like that
[TS]
00:57:18
◼
►
the rebel again that the mechanics to
[TS]
00:57:19
◼
►
merrr what I obsess about having watched
[TS]
00:57:21
◼
►
this twice now just the scrubbing and
[TS]
00:57:24
◼
►
scrubbing on the emotion and it's that
[TS]
00:57:26
◼
►
moment of we scrub back and it turns
[TS]
00:57:28
◼
►
blue and you go
[TS]
00:57:30
◼
►
ok it's it's my sadness that me on the
[TS]
00:57:32
◼
►
twisty tree that made these people come
[TS]
00:57:34
◼
►
to me like that has that is more than
[TS]
00:57:36
◼
►
just like a piece of damaged to be
[TS]
00:57:38
◼
►
repaired like this has a role in making
[TS]
00:57:40
◼
►
me a whole person we talked about the
[TS]
00:57:42
◼
►
user interface of emotion orbs for a
[TS]
00:57:45
◼
►
yeah I think I was going to school and
[TS]
00:57:46
◼
►
directions wrong it was nice that they
[TS]
00:57:48
◼
►
could do that with like that sort of a
[TS]
00:57:50
◼
►
modern you know it's one of the first
[TS]
00:57:51
◼
►
thing we're seeing a movie or like
[TS]
00:57:52
◼
►
making out they can do that without
[TS]
00:57:54
◼
►
explaining it because everybody knows
[TS]
00:57:55
◼
►
yeah swiping on a glass smartphone
[TS]
00:57:57
◼
►
interface for emotions right assume
[TS]
00:57:59
◼
►
still though
[TS]
00:57:59
◼
►
yeah so I like I just I thought that was
[TS]
00:58:01
◼
►
really interesting in as a shorthand yes
[TS]
00:58:03
◼
►
John it was one of those things of like
[TS]
00:58:04
◼
►
oh we all get this now but that you just
[TS]
00:58:08
◼
►
swipe with your finger to go backward
[TS]
00:58:10
◼
►
and forward through the emotion i
[TS]
00:58:11
◼
►
thought that was just really clever but
[TS]
00:58:13
◼
►
also funny that you know in in the
[TS]
00:58:15
◼
►
intervening however many years it is now
[TS]
00:58:17
◼
►
we all totally get that metaphor
[TS]
00:58:18
◼
►
yeah our own version that is a telephone
[TS]
00:58:20
◼
►
like if anyone picked up something and
[TS]
00:58:22
◼
►
pretended it was like a telephone or any
[TS]
00:58:23
◼
►
sort of communication device that
[TS]
00:58:25
◼
►
involved picking up something with the
[TS]
00:58:26
◼
►
court and holding it to your head like
[TS]
00:58:27
◼
►
that was ours that you can do and now
[TS]
00:58:29
◼
►
apparently it's anything glass you can
[TS]
00:58:30
◼
►
rub your finger and make things go
[TS]
00:58:32
◼
►
forward but that was such a brilliant
[TS]
00:58:34
◼
►
metaphor to because that is just so
[TS]
00:58:37
◼
►
universally true that you can have a
[TS]
00:58:41
◼
►
memory that was that is just an awful
[TS]
00:58:43
◼
►
memory and then 10 years later becomes a
[TS]
00:58:46
◼
►
good memory because you was an awful
[TS]
00:58:48
◼
►
time but you know what i actually
[TS]
00:58:50
◼
►
responded in a way that makes me very
[TS]
00:58:52
◼
►
very proud and I think I learned
[TS]
00:58:53
◼
►
something from that and that can that
[TS]
00:58:55
◼
►
can make you happy and then you have
[TS]
00:58:57
◼
►
memories of that are just bursting with
[TS]
00:59:01
◼
►
joy and then unfortunately you lose the
[TS]
00:59:04
◼
►
family member that the the family member
[TS]
00:59:06
◼
►
that was part of memory and it's hard to
[TS]
00:59:09
◼
►
look at that photo again and not feel
[TS]
00:59:11
◼
►
sad that ok i'm not going to be able to
[TS]
00:59:12
◼
►
see this person everything exactly its
[TS]
00:59:15
◼
►
natural i mean that that was one of the
[TS]
00:59:17
◼
►
things we were talking about afterwards
[TS]
00:59:18
◼
►
with the kids wear again think about
[TS]
00:59:21
◼
►
sadness and think about when their
[TS]
00:59:22
◼
►
grandmother passed away and now it's
[TS]
00:59:25
◼
►
been a couple years and obviously the
[TS]
00:59:28
◼
►
one the one kid is older than the the
[TS]
00:59:30
◼
►
other and but they're both they have
[TS]
00:59:33
◼
►
they have memories of her but it's not
[TS]
00:59:35
◼
►
quite as sharp now and and and you know
[TS]
00:59:39
◼
►
the older ones was worried about that is
[TS]
00:59:41
◼
►
what if I forget about
[TS]
00:59:42
◼
►
so you won't forget about her you're not
[TS]
00:59:45
◼
►
going to remember every day that you
[TS]
00:59:47
◼
►
spent with her and and that's okay
[TS]
00:59:50
◼
►
because you're going to meet other
[TS]
00:59:52
◼
►
people and and you can have more life
[TS]
00:59:54
◼
►
you know but just the thought that there
[TS]
00:59:59
◼
►
was there is fuzzyness
[TS]
00:59:59
◼
►
was there is fuzzyness
[TS]
01:00:00
◼
►
to his memories that was sort of that
[TS]
01:00:02
◼
►
sank in with this movie hadn't really
[TS]
01:00:04
◼
►
thought about that before I the home
[TS]
01:00:07
◼
►
selective memory thing which again is
[TS]
01:00:09
◼
►
that this idea that all of us have to
[TS]
01:00:12
◼
►
process our memories and things go to
[TS]
01:00:14
◼
►
long-term memory from short-term and so
[TS]
01:00:16
◼
►
and then things get weeded out and and
[TS]
01:00:18
◼
►
and trying to conceptualize that in some
[TS]
01:00:20
◼
►
way and do it with jokes do it with
[TS]
01:00:23
◼
►
funny jokes i was very impressed by that
[TS]
01:00:24
◼
►
the the you know like let's just keep
[TS]
01:00:27
◼
►
heart and soul and chopsticks and lose
[TS]
01:00:29
◼
►
all the other piano since the people
[TS]
01:00:31
◼
►
that was just I i was i was super i was
[TS]
01:00:34
◼
►
laughing and also super impressed that
[TS]
01:00:36
◼
►
this was getting across this concept
[TS]
01:00:39
◼
►
with jokes that's like wow again degree
[TS]
01:00:42
◼
►
of difficulty I was very impressed
[TS]
01:00:44
◼
►
Mikey related thing by the way since
[TS]
01:00:46
◼
►
it's all about kiki's delivery service
[TS]
01:00:48
◼
►
even when it's not is it i wanted to
[TS]
01:00:51
◼
►
bring up this is a film without a
[TS]
01:00:52
◼
►
villain and one of the things I love
[TS]
01:00:54
◼
►
about kiki's delivery service is there's
[TS]
01:00:56
◼
►
no villain it is about her keys internal
[TS]
01:00:59
◼
►
struggle and coming of age and this is a
[TS]
01:01:02
◼
►
movie like that i mean there is an
[TS]
01:01:04
◼
►
internal struggle in in this film but
[TS]
01:01:07
◼
►
it's dramatized the characters are the
[TS]
01:01:10
◼
►
internal struggle which is kind of
[TS]
01:01:11
◼
►
interesting but even there there's no
[TS]
01:01:13
◼
►
real villain joy think sadness is the
[TS]
01:01:16
◼
►
villain but sadness isn't the villain
[TS]
01:01:18
◼
►
which is which is exactly what joy
[TS]
01:01:19
◼
►
should think i think so i think it's
[TS]
01:01:22
◼
►
just the joy is and here and here is
[TS]
01:01:24
◼
►
where Amy Poehler and where was riding
[TS]
01:01:26
◼
►
her dialogue just they just deserve
[TS]
01:01:28
◼
►
Awards it's she's pushy she's bossy she
[TS]
01:01:31
◼
►
really does think that her job at the
[TS]
01:01:34
◼
►
job of all of them is to keep keep Riley
[TS]
01:01:36
◼
►
happy that's how that's gonna be the
[TS]
01:01:38
◼
►
solution everything and I don't think
[TS]
01:01:39
◼
►
she's so much bullying sadness so much
[TS]
01:01:43
◼
►
as hoping that the team is going to the
[TS]
01:01:45
◼
►
feeling as those sadness is going to be
[TS]
01:01:47
◼
►
holding the team back and it eventually
[TS]
01:01:49
◼
►
really does it and any other actress i
[TS]
01:01:52
◼
►
think it was amy g Amy Poehler she's
[TS]
01:01:55
◼
►
just smiling and giggling if she's
[TS]
01:01:56
◼
►
telling you that you got eight months to
[TS]
01:01:58
◼
►
it just comes out in a happy way it's
[TS]
01:02:00
◼
►
and non-threatening I just don't think
[TS]
01:02:04
◼
►
that it's a very very soft balance they
[TS]
01:02:07
◼
►
did between making her the bully and
[TS]
01:02:09
◼
►
just making the point that joy is just
[TS]
01:02:13
◼
►
spot anything that does not involve
[TS]
01:02:14
◼
►
being happy it's a fine line to walk in
[TS]
01:02:16
◼
►
the fact that your main characters in
[TS]
01:02:18
◼
►
this film can't really grow
[TS]
01:02:20
◼
►
I mean they can in a way in in getting
[TS]
01:02:23
◼
►
some other their nuanced and getting
[TS]
01:02:26
◼
►
some of the rough edges sand it off but
[TS]
01:02:29
◼
►
you know joy doesn't turn into sadness
[TS]
01:02:31
◼
►
joy learns how to live with sadness and
[TS]
01:02:34
◼
►
in a normal character in a film you you
[TS]
01:02:37
◼
►
wouldn't treat like this and i think
[TS]
01:02:39
◼
►
that I'll add that to the difficulty
[TS]
01:02:41
◼
►
scale too is that these are emotions
[TS]
01:02:43
◼
►
personified they can't have the same
[TS]
01:02:45
◼
►
character progression I think they can
[TS]
01:02:47
◼
►
be as likely to be in the adult version
[TS]
01:02:49
◼
►
is there more chill like I said I get
[TS]
01:02:50
◼
►
the idea is a little off yes but you
[TS]
01:02:53
◼
►
still have the rules that they have to
[TS]
01:02:54
◼
►
play well the actual image of joy
[TS]
01:02:56
◼
►
drawing a truck circling around trying
[TS]
01:02:58
◼
►
to put sadness and it is such a visual
[TS]
01:03:01
◼
►
manifestation of so many mental so many
[TS]
01:03:04
◼
►
poor coping strategies that adults have
[TS]
01:03:06
◼
►
forget about kids don't sound yeah that
[TS]
01:03:08
◼
►
this is a viable strategy that if I find
[TS]
01:03:11
◼
►
said mrs. gimble in a circle and draw
[TS]
01:03:13
◼
►
the circle around then i'll be happy all
[TS]
01:03:15
◼
►
the time like it nevermind kids thing I
[TS]
01:03:17
◼
►
think that's it level of sophistication
[TS]
01:03:18
◼
►
kids aren't don't have in their own head
[TS]
01:03:20
◼
►
but certainly many adults like the their
[TS]
01:03:23
◼
►
strategy for dealing with those guys are
[TS]
01:03:24
◼
►
running around their heads just is
[TS]
01:03:26
◼
►
terrible like there's no manuals on the
[TS]
01:03:28
◼
►
wall like they have here of like trying
[TS]
01:03:29
◼
►
to fit you know like what you want is
[TS]
01:03:31
◼
►
these all these characters to get to the
[TS]
01:03:34
◼
►
point where they're all sitting nicely
[TS]
01:03:37
◼
►
at the console all with their hands on
[TS]
01:03:39
◼
►
the controls at appropriate times being
[TS]
01:03:42
◼
►
called on to you know like working as a
[TS]
01:03:44
◼
►
team vs in you know in and Riley's head
[TS]
01:03:46
◼
►
where their adversarial and there's
[TS]
01:03:49
◼
►
still the possibility that one is going
[TS]
01:03:51
◼
►
to be like you know like what is our
[TS]
01:03:54
◼
►
goal our goal is to do exactly just in
[TS]
01:03:56
◼
►
our goal enjoy defines our goal our goal
[TS]
01:03:58
◼
►
is to make really happy all the time
[TS]
01:03:59
◼
►
because that was a viable strategy when
[TS]
01:04:01
◼
►
she was a baby and either you're angry
[TS]
01:04:02
◼
►
because you're you're hungry or
[TS]
01:04:04
◼
►
something or you know like that that
[TS]
01:04:05
◼
►
that that was the outline everyone else
[TS]
01:04:07
◼
►
was like subservient to drive is like
[TS]
01:04:09
◼
►
well you know we did what we all want
[TS]
01:04:11
◼
►
Riley to be happy right like the whole
[TS]
01:04:12
◼
►
idea that when you're a kid you think
[TS]
01:04:14
◼
►
that being happy is the state that
[TS]
01:04:16
◼
►
you're supposed to be and that you're
[TS]
01:04:18
◼
►
all you know everything is working
[TS]
01:04:20
◼
►
towards you should be happy all the time
[TS]
01:04:22
◼
►
and that is not a a good strategy for
[TS]
01:04:26
◼
►
to have because it's just it will make
[TS]
01:04:28
◼
►
you miserable in the end and so it's
[TS]
01:04:30
◼
►
nice with the exception of maybe the bus
[TS]
01:04:32
◼
►
driver that the adults that seemed to
[TS]
01:04:34
◼
►
have settled into a spat a job
[TS]
01:04:38
◼
►
description for all the different
[TS]
01:04:40
◼
►
components that is reasonable and that
[TS]
01:04:42
◼
►
involves all of them that one has not
[TS]
01:04:43
◼
►
come to dominate even though sadness in
[TS]
01:04:45
◼
►
charge in the moms not sad all the time
[TS]
01:04:48
◼
►
sadness is very articulate and
[TS]
01:04:49
◼
►
discussing things and they work as a
[TS]
01:04:51
◼
►
team to get mom can do things that's
[TS]
01:04:53
◼
►
very appropriate because the mission of
[TS]
01:04:55
◼
►
a child keeps changing every year
[TS]
01:04:58
◼
►
year-and-a-half rest the mission of an
[TS]
01:05:00
◼
►
adult who maybe soon as you have kids
[TS]
01:05:03
◼
►
it's pretty little there's very little
[TS]
01:05:06
◼
►
changes for decades so nothing provokes
[TS]
01:05:09
◼
►
a team to gel together understand what
[TS]
01:05:11
◼
►
each one's role is as consistency and I
[TS]
01:05:15
◼
►
think that's part that I think this but
[TS]
01:05:16
◼
►
a stability that that that helps out
[TS]
01:05:18
◼
►
that scenario that we represent one of
[TS]
01:05:21
◼
►
the biggest laughs at the end comes
[TS]
01:05:22
◼
►
where the new dashboard comes in and
[TS]
01:05:24
◼
►
there's a button marked puberty that's
[TS]
01:05:25
◼
►
covered with you sir turn your key
[TS]
01:05:27
◼
►
Launch System notice that yet and you
[TS]
01:05:31
◼
►
just know that the sequel to this is
[TS]
01:05:33
◼
►
just gonna be really really hard for for
[TS]
01:05:35
◼
►
everybody it's like that forehead that
[TS]
01:05:38
◼
►
was the best of visual gag line i think
[TS]
01:05:40
◼
►
with the the the inside of the boy's
[TS]
01:05:42
◼
►
head who's justice baby what happened
[TS]
01:05:44
◼
►
hasn't been actually accurate i think
[TS]
01:05:47
◼
►
the chaos and girls like that girl that
[TS]
01:05:50
◼
►
was going but it's just their they're
[TS]
01:05:51
◼
►
running on the ceilings they're just you
[TS]
01:05:53
◼
►
know they're hair's on fire
[TS]
01:05:55
◼
►
it's complete chaos yet that there was a
[TS]
01:05:58
◼
►
beautiful visual representation of I
[TS]
01:06:00
◼
►
mean this is about animation can do
[TS]
01:06:02
◼
►
right is a visual gags like you get the
[TS]
01:06:05
◼
►
pet if you've established this world
[TS]
01:06:06
◼
►
that I love that they saved most of
[TS]
01:06:07
◼
►
those to the end it's like we've we've
[TS]
01:06:09
◼
►
told the star we're going to take this
[TS]
01:06:11
◼
►
to tell we have a bunch of really funny
[TS]
01:06:13
◼
►
ideas for gags didn't fit in the
[TS]
01:06:14
◼
►
restroom over here they here are the
[TS]
01:06:16
◼
►
best three of them I felt like that
[TS]
01:06:17
◼
►
might have come from earlier drafts of
[TS]
01:06:20
◼
►
the script like maybe one of the
[TS]
01:06:22
◼
►
approaches to the story they threw out
[TS]
01:06:25
◼
►
was that you get to see you get to see
[TS]
01:06:26
◼
►
inside all kinds of people's heads right
[TS]
01:06:28
◼
►
for they figure out that no we really
[TS]
01:06:29
◼
►
need to make it it's all about Riley and
[TS]
01:06:32
◼
►
we're gonna peek into different 444
[TS]
01:06:33
◼
►
effect we're going to
[TS]
01:06:35
◼
►
take peaks once or twice but you you got
[TS]
01:06:38
◼
►
a wife I felt maybe as though there is
[TS]
01:06:41
◼
►
going to be as the was supposed to be a
[TS]
01:06:43
◼
►
scene with the the pizza clerk at a
[TS]
01:06:47
◼
►
scene with the Tennessee with these
[TS]
01:06:49
◼
►
other with a bus driver because it's the
[TS]
01:06:52
◼
►
wastebaskets of pixar they're really
[TS]
01:06:54
◼
►
good wastebaskets there's a throw things
[TS]
01:06:56
◼
►
in there and Dreamworks and Fox are like
[TS]
01:06:58
◼
►
yeah why don't we will do that for you
[TS]
01:07:00
◼
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like a home movie at gag and I mean that
[TS]
01:07:03
◼
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the beautiful part of it is that you
[TS]
01:07:04
◼
►
have this overwhelming and melancholy
[TS]
01:07:08
◼
►
and sadness by the end and then they
[TS]
01:07:09
◼
►
give you all these quick gags to just
[TS]
01:07:11
◼
►
sort of leave you on a greased note and
[TS]
01:07:13
◼
►
just not ready to give you a chance to
[TS]
01:07:14
◼
►
recover the family's gonna be okay we're
[TS]
01:07:17
◼
►
not going to leave you worry that
[TS]
01:07:18
◼
►
there's gonna be hard hard more horrible
[TS]
01:07:20
◼
►
things coming up and you know I i loved
[TS]
01:07:22
◼
►
the the glimpse and then in the boy's
[TS]
01:07:24
◼
►
head but I still love the cabinet this
[TS]
01:07:26
◼
►
is your I want to bring up some things
[TS]
01:07:28
◼
►
about this but this is also your time to
[TS]
01:07:29
◼
►
talk about the cat that this David yes
[TS]
01:07:33
◼
►
the the thing i love about that is that
[TS]
01:07:35
◼
►
all of the all of the emotions in the
[TS]
01:07:37
◼
►
cat's head couldn't care less and it
[TS]
01:07:40
◼
►
just happens to be that the fear cat is
[TS]
01:07:42
◼
►
just walking on the console is going to
[TS]
01:07:44
◼
►
em and you come back and the caps passes
[TS]
01:07:46
◼
►
out like yes this was this was made by
[TS]
01:07:49
◼
►
cat owners they know they know they know
[TS]
01:07:51
◼
►
how it works so I i think it's an
[TS]
01:07:54
◼
►
interesting theory that there used to be
[TS]
01:07:55
◼
►
more of this the end credits is a very
[TS]
01:07:59
◼
►
nice way to use the end credits to be
[TS]
01:08:01
◼
►
like this is the logical extension and
[TS]
01:08:03
◼
►
we're going to of of this premise and
[TS]
01:08:05
◼
►
now we're going to use it to drop it
[TS]
01:08:06
◼
►
needs these jokes but I want to talk
[TS]
01:08:08
◼
►
briefly at least i want to mention the
[TS]
01:08:11
◼
►
scene early on or or the scene in the
[TS]
01:08:14
◼
►
debt the what is at the dinner table
[TS]
01:08:15
◼
►
where we see everybody's pilots
[TS]
01:08:18
◼
►
everybody's emotions and because that is
[TS]
01:08:22
◼
►
a scene that struck me as as kind of
[TS]
01:08:25
◼
►
breathtaking in its in the information
[TS]
01:08:30
◼
►
density and in the like like I've only
[TS]
01:08:33
◼
►
seen the movie once I imagine that's a
[TS]
01:08:35
◼
►
scene that I could watch 20 times and
[TS]
01:08:38
◼
►
get something different every time and
[TS]
01:08:40
◼
►
even watching it the one time I thought
[TS]
01:08:42
◼
►
oh my god this is like on a whole other
[TS]
01:08:45
◼
►
level because there's so much in such a
[TS]
01:08:48
◼
►
period of time and then there are funny
[TS]
01:08:50
◼
►
gags and and you let it wash over you
[TS]
01:08:52
◼
►
and you laugh at it but i also was just
[TS]
01:08:54
◼
►
so impressed with there are so many
[TS]
01:08:56
◼
►
layers there that you were singing
[TS]
01:08:58
◼
►
you're getting a brief glimpse into
[TS]
01:09:00
◼
►
everybody else and how they work too and
[TS]
01:09:03
◼
►
then you sort of swept away and you go
[TS]
01:09:04
◼
►
back to the plot and and it's done at
[TS]
01:09:07
◼
►
one moment and it's done basically for
[TS]
01:09:10
◼
►
laughs but at the same time there's so
[TS]
01:09:13
◼
►
much in there and there's no time to
[TS]
01:09:15
◼
►
dwell on it we just move on i was just i
[TS]
01:09:17
◼
►
that that is the one seen that really
[TS]
01:09:19
◼
►
left me breathless basically like oh my
[TS]
01:09:23
◼
►
god what did I just see I cannot believe
[TS]
01:09:25
◼
►
I just saw that and you know if I was
[TS]
01:09:27
◼
►
watching it on a on a on a DVD or
[TS]
01:09:30
◼
►
something i would back it up and watch
[TS]
01:09:31
◼
►
it again several times i was very
[TS]
01:09:34
◼
►
impressed by that
[TS]
01:09:34
◼
►
um i'm gonna i'm going to list some
[TS]
01:09:37
◼
►
other things that that I I don't think
[TS]
01:09:39
◼
►
we've talked about that i always want to
[TS]
01:09:40
◼
►
mention John at one point earlier
[TS]
01:09:41
◼
►
mentioned his train of thought I i
[TS]
01:09:45
◼
►
enjoyed the train of thought I thought
[TS]
01:09:47
◼
►
that was again another another kind of
[TS]
01:09:49
◼
►
funny gag but that that also had had
[TS]
01:09:52
◼
►
meaning and it was a nice i love it when
[TS]
01:09:54
◼
►
you can when you can make the jokes also
[TS]
01:09:56
◼
►
be meaningful and there's a lot of facts
[TS]
01:10:00
◼
►
and opinions yeah oh yeah I got a big
[TS]
01:10:02
◼
►
laugh the two times I thought we have
[TS]
01:10:04
◼
►
that that's a really good one
[TS]
01:10:05
◼
►
um I pictures based in emeryville which
[TS]
01:10:09
◼
►
is across the bay from San Francisco
[TS]
01:10:10
◼
►
there are lots of San Francisco and
[TS]
01:10:12
◼
►
Silicon Valley jokes and miss at the
[TS]
01:10:14
◼
►
expense of San Francisco and Silicon
[TS]
01:10:16
◼
►
Valley in general and I you talking
[TS]
01:10:17
◼
►
about we talk about bring I i want my
[TS]
01:10:19
◼
►
brain t-shirt you ruin pizza to the
[TS]
01:10:22
◼
►
registry San Francisco you ruin feet and
[TS]
01:10:25
◼
►
it's just that it's done very knowingly
[TS]
01:10:27
◼
►
and that's the beauty i heard some
[TS]
01:10:28
◼
►
people are like haha make fun of
[TS]
01:10:30
◼
►
Francisco you live there and I'm like
[TS]
01:10:31
◼
►
yeah they live here too they know
[TS]
01:10:33
◼
►
exactly what it is a surgical precision
[TS]
01:10:36
◼
►
Seattle the depiction of the entire
[TS]
01:10:40
◼
►
feeling of moving to san francisco was
[TS]
01:10:42
◼
►
so great so perfect welcome to three
[TS]
01:10:45
◼
►
labs so the timeless and but i will say
[TS]
01:10:49
◼
►
my wife was annoyed because she loves
[TS]
01:10:51
◼
►
white pizza with broccoli so and she got
[TS]
01:10:54
◼
►
in the east coast so artisan pizza place
[TS]
01:10:57
◼
►
only sold that kind of pizza right key
[TS]
01:10:59
◼
►
people not just as they did
[TS]
01:11:01
◼
►
different pieces of putting probably on
[TS]
01:11:03
◼
►
it but that is the only kind of peace
[TS]
01:11:04
◼
►
that is of course everybody was a kid it
[TS]
01:11:06
◼
►
was plausible and and you know dad's
[TS]
01:11:08
◼
►
gotta start up with funding and that's
[TS]
01:11:10
◼
►
why they moved its all you know
[TS]
01:11:11
◼
►
Thank You Silicon Valley for ruining
[TS]
01:11:13
◼
►
Riley slide yeah and then the key plot
[TS]
01:11:15
◼
►
of the movie like what happens in this
[TS]
01:11:17
◼
►
movie a family moved to Minnesota so to
[TS]
01:11:19
◼
►
san francisco that's it that's and is
[TS]
01:11:21
◼
►
the crisis in the movie but if you're a
[TS]
01:11:23
◼
►
little girl it is i want to sidebar and
[TS]
01:11:25
◼
►
complement the movie for giving the
[TS]
01:11:27
◼
►
parents that who cannot possibly be the
[TS]
01:11:30
◼
►
center of this they have to be at the
[TS]
01:11:31
◼
►
margins but in those few lines they give
[TS]
01:11:33
◼
►
them they give them a good reason to be
[TS]
01:11:36
◼
►
behaving the way they're behaving that a
[TS]
01:11:38
◼
►
move across the country is incredibly
[TS]
01:11:39
◼
►
stressful dad would be easy to make him
[TS]
01:11:42
◼
►
into like madmen sort of characters are
[TS]
01:11:44
◼
►
all I I've moved the family because I
[TS]
01:11:46
◼
►
we're going to achieve and I've got my
[TS]
01:11:49
◼
►
it's like no he stressed out because
[TS]
01:11:50
◼
►
look their investors are pulling out he
[TS]
01:11:52
◼
►
doesn't have too lately people off so
[TS]
01:11:54
◼
►
his focus is not on the family at this
[TS]
01:11:56
◼
►
moment the the mom has her focus is not
[TS]
01:12:00
◼
►
on the family over these next three four
[TS]
01:12:01
◼
►
days because there's a truck somewhere
[TS]
01:12:03
◼
►
with all their belongings in it and no
[TS]
01:12:04
◼
►
one seems to know where it is
[TS]
01:12:06
◼
►
so you can be so easy to make them into
[TS]
01:12:07
◼
►
just in a tent of jerks herself involved
[TS]
01:12:09
◼
►
in some way but they know you you really
[TS]
01:12:11
◼
►
like these people they're way more
[TS]
01:12:13
◼
►
well-adjusted an actual parents would be
[TS]
01:12:15
◼
►
a situation like this is an idealized
[TS]
01:12:17
◼
►
version we all wish we could be as and
[TS]
01:12:20
◼
►
even then they end up saying the wrong
[TS]
01:12:21
◼
►
thing to their kids are ignoring a lot
[TS]
01:12:23
◼
►
of time but at least they don't blow up
[TS]
01:12:24
◼
►
their kids will be much more realistic
[TS]
01:12:25
◼
►
it was actually the dad who stopped the
[TS]
01:12:28
◼
►
head of that poor Mouse he saw something
[TS]
01:12:29
◼
►
small and living he had killed somebody
[TS]
01:12:32
◼
►
but but the nice thing about it is that
[TS]
01:12:34
◼
►
even at that in their own ways they are
[TS]
01:12:36
◼
►
worrying about family it's just their
[TS]
01:12:38
◼
►
priority i have the one worried about is
[TS]
01:12:41
◼
►
different right and he's worried about
[TS]
01:12:43
◼
►
not just his own family but his work
[TS]
01:12:45
◼
►
family who are also dependent on the
[TS]
01:12:48
◼
►
investors in the success of brang
[TS]
01:12:50
◼
►
whatever that and and you know the mom
[TS]
01:12:52
◼
►
is worried about their stuff i mean you
[TS]
01:12:54
◼
►
can't you can't live without your stop
[TS]
01:12:57
◼
►
but they also but they also i mean like
[TS]
01:12:58
◼
►
in in fairness to the parents you know
[TS]
01:13:01
◼
►
and they end up obviously this ends up
[TS]
01:13:02
◼
►
being a little bit of a problem is that
[TS]
01:13:04
◼
►
they think of riley is it basically
[TS]
01:13:06
◼
►
happy well-adjusted kid right well if we
[TS]
01:13:08
◼
►
provide these basic things and this is
[TS]
01:13:10
◼
►
again this place right back into the
[TS]
01:13:12
◼
►
whole story arc is the joy runs that
[TS]
01:13:14
◼
►
show Riley has always been a happy kid
[TS]
01:13:17
◼
►
she'll probably be fine
[TS]
01:13:18
◼
►
so you know when the mom goes in and
[TS]
01:13:20
◼
►
says you know we have only all done this
[TS]
01:13:22
◼
►
you did no one wants to admit this but
[TS]
01:13:24
◼
►
you have said hey you looking just like
[TS]
01:13:26
◼
►
the not not a sad tomato for a couple
[TS]
01:13:28
◼
►
weeks like this is a tough time we all
[TS]
01:13:30
◼
►
gotta power through this like I didn't
[TS]
01:13:32
◼
►
see her as being a huge villain in that
[TS]
01:13:33
◼
►
I saw her as saying like hey you know
[TS]
01:13:35
◼
►
you're basically happy person can you
[TS]
01:13:36
◼
►
just be basically happy for a while
[TS]
01:13:38
◼
►
it's something we all do all the time
[TS]
01:13:40
◼
►
but it the one moment that they
[TS]
01:13:42
◼
►
shouldn't have like it's it's exactly
[TS]
01:13:43
◼
►
the wrong thing to say at the wrong time
[TS]
01:13:45
◼
►
because like the kid is in crisis and
[TS]
01:13:46
◼
►
you're saying by the way I know you like
[TS]
01:13:48
◼
►
that it's not even acknowledging the
[TS]
01:13:50
◼
►
crisis saying look mommy daddy are
[TS]
01:13:52
◼
►
having a difficult time here it's tough
[TS]
01:13:53
◼
►
for everybody liked it we look we're so
[TS]
01:13:56
◼
►
thankful that you have been your normal
[TS]
01:13:58
◼
►
happy self
[TS]
01:13:59
◼
►
this is like and she's like my normal
[TS]
01:14:01
◼
►
happy what I'm going through you know
[TS]
01:14:03
◼
►
problems here that had such personal
[TS]
01:14:05
◼
►
residence to me because i remember a
[TS]
01:14:07
◼
►
time when I was a kid and my mom thought
[TS]
01:14:10
◼
►
that she was being some grateful and
[TS]
01:14:13
◼
►
nice and encouraging which he said
[TS]
01:14:15
◼
►
something almost exactly like the one
[TS]
01:14:16
◼
►
you know there's a lot of problems right
[TS]
01:14:18
◼
►
now and I just it's just makes us so
[TS]
01:14:20
◼
►
happy to know that we don't have to
[TS]
01:14:21
◼
►
worry about you and I'm like okay I hope
[TS]
01:14:24
◼
►
you have god I'll be I'm dying inside
[TS]
01:14:26
◼
►
but i will make sure that unit now I
[TS]
01:14:28
◼
►
know I wasn't mad and I feel bad about
[TS]
01:14:30
◼
►
how I feel bad but now I know there's no
[TS]
01:14:33
◼
►
hope for rescue the one people in the
[TS]
01:14:35
◼
►
world do I think are supposed to
[TS]
01:14:36
◼
►
understand me think everything is fine
[TS]
01:14:38
◼
►
and are thanking me for everything being
[TS]
01:14:40
◼
►
fine so my choices here are to
[TS]
01:14:42
◼
►
disappoint them by not being fine by or
[TS]
01:14:45
◼
►
you know to create likely but my parents
[TS]
01:14:48
◼
►
are having prior up there was a problem
[TS]
01:14:51
◼
►
with my parents but it's like they're
[TS]
01:14:52
◼
►
voided if the way that i can show
[TS]
01:14:55
◼
►
gratitude is by not causing more
[TS]
01:14:56
◼
►
problems by you know again being upset
[TS]
01:14:59
◼
►
with something happened at school today
[TS]
01:15:00
◼
►
so I was like oh boy that was a great
[TS]
01:15:02
◼
►
scene and for the record I've I've
[TS]
01:15:04
◼
►
decided that bring is a service that
[TS]
01:15:07
◼
►
comes to your house and takes all the
[TS]
01:15:08
◼
►
boxes that other stuff was delivered to
[TS]
01:15:11
◼
►
your house away they take them away and
[TS]
01:15:14
◼
►
they are they leave without they leave
[TS]
01:15:16
◼
►
without stealing so it's over but for
[TS]
01:15:17
◼
►
recycling
[TS]
01:15:18
◼
►
I I thought it was a servant more
[TS]
01:15:21
◼
►
advanced dropbox right what did you
[TS]
01:15:24
◼
►
well we bring this thing over here and
[TS]
01:15:26
◼
►
never going to
[TS]
01:15:27
◼
►
it over to you and you can download it
[TS]
01:15:28
◼
►
here and she is just their boxing but i
[TS]
01:15:31
◼
►
think the ring is the brain is the
[TS]
01:15:32
◼
►
opposite of bringing so things were
[TS]
01:15:34
◼
►
brought to you and now Brandon takes the
[TS]
01:15:35
◼
►
background and your your your the fact
[TS]
01:15:37
◼
►
he's from minnesota i believe bring is a
[TS]
01:15:39
◼
►
way of organizing and cataloging people
[TS]
01:15:41
◼
►
bringing opted for potluck right so you
[TS]
01:15:44
◼
►
don't get for noodle salads it's like
[TS]
01:15:46
◼
►
it's like dude foods roll it's super hot
[TS]
01:15:48
◼
►
dish superfluous theories about the
[TS]
01:15:50
◼
►
reason why the funding back out is that
[TS]
01:15:51
◼
►
they misjudged how many Lutheran's
[TS]
01:15:53
◼
►
actually live in the Bay Area well
[TS]
01:15:55
◼
►
that's why I Frank's gonna have problems
[TS]
01:15:56
◼
►
that's what i'm saying i also want to
[TS]
01:15:58
◼
►
mention the scene that I think is just I
[TS]
01:16:01
◼
►
mean it is kind of pics are showing off
[TS]
01:16:02
◼
►
going completely off model and
[TS]
01:16:05
◼
►
brilliantly where they entered the area
[TS]
01:16:07
◼
►
of abstract yeah yeah and yet we get
[TS]
01:16:10
◼
►
different art styles through that whole
[TS]
01:16:12
◼
►
segment to the end where they become
[TS]
01:16:14
◼
►
two-dimensional and you get that great
[TS]
01:16:16
◼
►
joke like everybody just fall down just
[TS]
01:16:17
◼
►
fall down or two-dimensional fall down
[TS]
01:16:19
◼
►
then you can go through the door
[TS]
01:16:20
◼
►
maybe I'm a scourge but I want to cut
[TS]
01:16:22
◼
►
that scene really now because I don't
[TS]
01:16:24
◼
►
think it's brilliant but just because I
[TS]
01:16:26
◼
►
don't feel like I feel like it was one
[TS]
01:16:27
◼
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of those ideas they just couldn't let go
[TS]
01:16:28
◼
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because it was too good too good of an
[TS]
01:16:30
◼
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idea like it doesn't it doesn't
[TS]
01:16:31
◼
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necessary other than I think maybe it
[TS]
01:16:35
◼
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makes you think a little bit more about
[TS]
01:16:37
◼
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how trustworthy bing-bong is why i think
[TS]
01:16:41
◼
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it's i think it's important for Bing
[TS]
01:16:43
◼
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bongs trustworthiness or intelligence
[TS]
01:16:46
◼
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but i do think it is important to be
[TS]
01:16:48
◼
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able to show abstract thought and to be
[TS]
01:16:50
◼
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able to say there's there's still stuff
[TS]
01:16:51
◼
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we don't understand and even even those
[TS]
01:16:53
◼
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of us who live in this place don't
[TS]
01:16:55
◼
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understand what's what's going on with
[TS]
01:16:57
◼
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other dimensions to I wouldn't realize
[TS]
01:16:59
◼
►
abstract thought with an analogy to
[TS]
01:17:01
◼
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abstract art I wouldn't have gone that
[TS]
01:17:03
◼
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far and I feel like they did that seem
[TS]
01:17:06
◼
►
like I'm not saying it was bad but like
[TS]
01:17:07
◼
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I usually they cut everything so perfect
[TS]
01:17:09
◼
►
and I feel like this one because they're
[TS]
01:17:11
◼
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animators is just too good to let go
[TS]
01:17:13
◼
►
it wasn't very long think that's okay i
[TS]
01:17:15
◼
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mean you gotta you gotta sometimes go
[TS]
01:17:17
◼
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down the hill and your snowboard and do
[TS]
01:17:19
◼
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the do the 360 that was the completely
[TS]
01:17:21
◼
►
unnecessary just to show how much your
[TS]
01:17:23
◼
►
enjoying doing this I think that was not
[TS]
01:17:25
◼
►
we're not we're not we're not talking
[TS]
01:17:26
◼
►
about lava the shorts that preceded it
[TS]
01:17:28
◼
►
but one of the things that disappointing
[TS]
01:17:29
◼
►
me about is that what I love about pixar
[TS]
01:17:32
◼
►
shorts is that it's we got six minutes
[TS]
01:17:34
◼
►
to do something completely different use
[TS]
01:17:36
◼
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a technique we've never known before
[TS]
01:17:37
◼
►
done something really experimental and
[TS]
01:17:40
◼
►
it was just a very
[TS]
01:17:41
◼
►
dimensional thing so is good with with
[TS]
01:17:42
◼
►
every single shot in this movie
[TS]
01:17:44
◼
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practically being something experimental
[TS]
01:17:46
◼
►
where it's a canvas where anything can
[TS]
01:17:49
◼
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happen the art direction can be
[TS]
01:17:50
◼
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literally anything i just thought that
[TS]
01:17:52
◼
►
at some point they're close enough to
[TS]
01:17:54
◼
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just being completely abstract they may
[TS]
01:17:57
◼
►
as well just have a scene which they
[TS]
01:17:58
◼
►
just have color form stickers on the
[TS]
01:18:01
◼
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screen for for a good three minutes i
[TS]
01:18:03
◼
►
enjoy the abstract stuff as a in fact
[TS]
01:18:07
◼
►
I'll honestly a little bit as a respite
[TS]
01:18:09
◼
►
from the plot at that point just to have
[TS]
01:18:11
◼
►
some laughs in a row they throw so much
[TS]
01:18:14
◼
►
at you in that in that part of the movie
[TS]
01:18:15
◼
►
there's so much stuff it is a little bit
[TS]
01:18:17
◼
►
like there's a Looney Tunes cartoon
[TS]
01:18:19
◼
►
that's employees very much like duck
[TS]
01:18:21
◼
►
c'mon let's stop
[TS]
01:18:22
◼
►
we're going to do this Looney Tunes
[TS]
01:18:23
◼
►
thing and then we'll continue with the
[TS]
01:18:25
◼
►
plot and it's so it's kind of almost
[TS]
01:18:27
◼
►
just a relief to laugh at how totally
[TS]
01:18:29
◼
►
left field it is and then move on with
[TS]
01:18:31
◼
►
the film so I i enjoyed it because it
[TS]
01:18:33
◼
►
was so daring and weird and I and yeah
[TS]
01:18:36
◼
►
maybe a little bit of a respite you know
[TS]
01:18:37
◼
►
i think was actually necessary because
[TS]
01:18:39
◼
►
that and told the entire sequence it's
[TS]
01:18:42
◼
►
so tightly allegorical where it's like
[TS]
01:18:44
◼
►
we are now in the room where all the
[TS]
01:18:46
◼
►
memories are and now we're in the place
[TS]
01:18:47
◼
►
where everything looks like a game
[TS]
01:18:49
◼
►
because it's this it's like it's nice to
[TS]
01:18:51
◼
►
have those three minutes which know we
[TS]
01:18:52
◼
►
the audience are completely disoriented
[TS]
01:18:54
◼
►
we have no tethered to reality just like
[TS]
01:18:56
◼
►
the characters do it for the animation
[TS]
01:18:58
◼
►
styles in the movie i thought the the
[TS]
01:19:00
◼
►
regular part of the movie had enough
[TS]
01:19:03
◼
►
interest of different things that you
[TS]
01:19:06
◼
►
know that Pixar and done before i had
[TS]
01:19:08
◼
►
like the texture of joy skin was not she
[TS]
01:19:12
◼
►
wasn't a muppet she didn't have fur she
[TS]
01:19:15
◼
►
wasn't smooth she wasn't fuzzy she was
[TS]
01:19:18
◼
►
impossible to pin down every time you
[TS]
01:19:20
◼
►
would try to look at what is joy surface
[TS]
01:19:22
◼
►
made of it was you know Africa slows
[TS]
01:19:25
◼
►
yeah I wish it was like watching
[TS]
01:19:27
◼
►
molecules but as I used up of a bunch of
[TS]
01:19:30
◼
►
motes of light and was also the very
[TS]
01:19:32
◼
►
slightest trail like a little tiny
[TS]
01:19:35
◼
►
trailer pixel like pixie dust when she
[TS]
01:19:37
◼
►
moves around
[TS]
01:19:38
◼
►
yeah I'm just brilliant show chill down
[TS]
01:19:41
◼
►
like if you look at the the joys inside
[TS]
01:19:44
◼
►
the adults they're not as sparkly and
[TS]
01:19:47
◼
►
it's like they always do something like
[TS]
01:19:49
◼
►
some some new texturing or lighting
[TS]
01:19:51
◼
►
technique or whatever
[TS]
01:19:52
◼
►
and.and in this movie was on main
[TS]
01:19:55
◼
►
characters and it was just really i
[TS]
01:19:58
◼
►
think it lent a visual interest to the
[TS]
01:20:00
◼
►
movie that like there there's a certain
[TS]
01:20:03
◼
►
a certain kind of I feel like a pic out
[TS]
01:20:05
◼
►
maybe i'm picking at render man I don't
[TS]
01:20:07
◼
►
know what I'm picking out but i can i
[TS]
01:20:08
◼
►
can pick out a pixar sort of look and
[TS]
01:20:10
◼
►
feel of how they light their scenes and
[TS]
01:20:12
◼
►
everything you can show me a shot from
[TS]
01:20:14
◼
►
brave and shot from strek that are
[TS]
01:20:16
◼
►
showing like a table and I could tell
[TS]
01:20:18
◼
►
you which is which because it just looks
[TS]
01:20:20
◼
►
different and this one I think look
[TS]
01:20:22
◼
►
different again then all of the earlier
[TS]
01:20:24
◼
►
pixar movies in an interesting way which
[TS]
01:20:27
◼
►
is again why I think you didn't need the
[TS]
01:20:28
◼
►
abstract animation thing because the
[TS]
01:20:31
◼
►
rest of the movie was also very
[TS]
01:20:32
◼
►
inventive these weren't just like oh
[TS]
01:20:34
◼
►
this is exactly how we draw people in
[TS]
01:20:36
◼
►
toy story 3 and now they're just gonna
[TS]
01:20:37
◼
►
be a bunch of people running around in a
[TS]
01:20:38
◼
►
head they really thought about every
[TS]
01:20:41
◼
►
aspect of that internal world and how it
[TS]
01:20:43
◼
►
can be different and hyper real and like
[TS]
01:20:46
◼
►
and the real world was sort of more like
[TS]
01:20:48
◼
►
hey we can do people now decently
[TS]
01:20:50
◼
►
whatever but inside the head world if
[TS]
01:20:52
◼
►
you know is fair game to make things out
[TS]
01:20:54
◼
►
of clay or shiny plastic or blowing
[TS]
01:20:58
◼
►
bubbles bouncing around or whatever
[TS]
01:21:00
◼
►
right but but every other portion of of
[TS]
01:21:03
◼
►
the interior stuff was very
[TS]
01:21:05
◼
►
comprehensible and and so I felt I felt
[TS]
01:21:09
◼
►
it really needed something to say that
[TS]
01:21:10
◼
►
no we still don't understand every part
[TS]
01:21:13
◼
►
of the brain and even even they don't
[TS]
01:21:14
◼
►
understand your project was just the
[TS]
01:21:16
◼
►
crew just cleaning that was burned that
[TS]
01:21:17
◼
►
stuff out you know like the idea that
[TS]
01:21:20
◼
►
there are sections they get messed up
[TS]
01:21:22
◼
►
and you just burn them out by
[TS]
01:21:24
◼
►
simplifying them down to their elemental
[TS]
01:21:26
◼
►
thoughts may just prove away you could I
[TS]
01:21:28
◼
►
get another way they could have gone in
[TS]
01:21:29
◼
►
like the early meetings for this is 0
[TS]
01:21:31
◼
►
the inside of the mine the whole movie
[TS]
01:21:32
◼
►
could have been like that the whole
[TS]
01:21:33
◼
►
movie could have been super abstract
[TS]
01:21:35
◼
►
experimental like something that you
[TS]
01:21:37
◼
►
would see on a one-off episode of like
[TS]
01:21:39
◼
►
the electric company or something they
[TS]
01:21:41
◼
►
would just blow your brains out which is
[TS]
01:21:42
◼
►
what i said in the beginning it's sort
[TS]
01:21:44
◼
►
of like that's what is what when it was
[TS]
01:21:45
◼
►
first described that's what I wasn't
[TS]
01:21:47
◼
►
expecting maybe that's what they were
[TS]
01:21:48
◼
►
initially thinking and then it evolved
[TS]
01:21:51
◼
►
into society still gotta have a story
[TS]
01:21:53
◼
►
you know you can't get away with you you
[TS]
01:21:54
◼
►
gotta have a story cannot be like super
[TS]
01:21:56
◼
►
abstract and and yet 422 to contain what
[TS]
01:21:59
◼
►
it contains and still have that story it
[TS]
01:22:03
◼
►
yeah it's an impressive achievement to
[TS]
01:22:05
◼
►
do that
[TS]
01:22:05
◼
►
or we are running out of time but I
[TS]
01:22:07
◼
►
wanted to see if there are there other
[TS]
01:22:09
◼
►
things that you wanted to bring up to
[TS]
01:22:11
◼
►
talk about that we haven't covered the
[TS]
01:22:13
◼
►
triple dent gun cum jingle Oh best
[TS]
01:22:15
◼
►
running gag the last 15 minutes
[TS]
01:22:17
◼
►
remaining
[TS]
01:22:18
◼
►
my wife has a as an encyclopedic
[TS]
01:22:20
◼
►
knowledge of certain TV commercial
[TS]
01:22:23
◼
►
jingles from her childhood now that it
[TS]
01:22:26
◼
►
is amazing and so that was a moment
[TS]
01:22:28
◼
►
where i had to give her a little elbow
[TS]
01:22:30
◼
►
okay in here but yep yep yep she knew
[TS]
01:22:33
◼
►
she knew this stuff you just did it
[TS]
01:22:35
◼
►
stuck in there you can't get it out
[TS]
01:22:37
◼
►
you want to get out but you can't yep i
[TS]
01:22:39
◼
►
like to highlight the fact that this is
[TS]
01:22:42
◼
►
a Pixar movie and the main character is
[TS]
01:22:45
◼
►
yeah and it hadn't seen that brought up
[TS]
01:22:47
◼
►
a lot because the concentration is
[TS]
01:22:49
◼
►
entirely on the the world inside the
[TS]
01:22:52
◼
►
head of the person you know right
[TS]
01:22:55
◼
►
and interestingly the emotions inside
[TS]
01:22:58
◼
►
the head aren't or all girls or boys
[TS]
01:23:00
◼
►
either but like the main characters
[TS]
01:23:02
◼
►
movie riley is a girl and it did didn't
[TS]
01:23:05
◼
►
have to be that you know the issue she
[TS]
01:23:07
◼
►
could have been a boy in this movie
[TS]
01:23:08
◼
►
would work just as well and so it was a
[TS]
01:23:10
◼
►
choice to say you know what we have
[TS]
01:23:12
◼
►
enough movies where the main character
[TS]
01:23:13
◼
►
is a boy how about some more the main
[TS]
01:23:15
◼
►
character is a girl and I think that
[TS]
01:23:16
◼
►
that goes a long way and then character
[TS]
01:23:18
◼
►
inside the head
[TS]
01:23:19
◼
►
joy is female sadness also female given
[TS]
01:23:23
◼
►
the gender makes inside the head is
[TS]
01:23:24
◼
►
interesting i don't know if there was a
[TS]
01:23:25
◼
►
rhyme or reason for that error is just a
[TS]
01:23:27
◼
►
casting choice or whatever just decided
[TS]
01:23:29
◼
►
these like why aren't they all girls
[TS]
01:23:30
◼
►
inside the head you know there's well
[TS]
01:23:32
◼
►
that you know we we see we see some of
[TS]
01:23:34
◼
►
the female quote-unquote emotions with
[TS]
01:23:37
◼
►
mustaches in the dad's head right yeah
[TS]
01:23:40
◼
►
well it looked like all of the emotions
[TS]
01:23:42
◼
►
in each of the parents heads were the
[TS]
01:23:46
◼
►
same gender and I think Riley's clearly
[TS]
01:23:49
◼
►
a tomboy with with her love of hockey
[TS]
01:23:52
◼
►
and everything so she hasn't said she
[TS]
01:23:54
◼
►
hasn't quite decided maybe and you know
[TS]
01:23:56
◼
►
maybe that involves I don't know
[TS]
01:23:58
◼
►
well I like I'm none of those things
[TS]
01:23:59
◼
►
were plot points like yeah she likes
[TS]
01:24:01
◼
►
hockey so watch is a girl so what like
[TS]
01:24:03
◼
►
it did and it hasn't come up in any of
[TS]
01:24:05
◼
►
the reviews of my co take your little
[TS]
01:24:07
◼
►
girl to see inside out you know which i
[TS]
01:24:09
◼
►
think is appropriate because no one ever
[TS]
01:24:11
◼
►
says I'll take your little boys to see
[TS]
01:24:12
◼
►
whatever the spooky is no just because
[TS]
01:24:14
◼
►
the makers of the boy
[TS]
01:24:15
◼
►
obviously you can't take girls it like
[TS]
01:24:18
◼
►
sort of casual up improvements and
[TS]
01:24:24
◼
►
gender parity and the whole mixed-gender
[TS]
01:24:27
◼
►
inside the head things for kids is
[TS]
01:24:29
◼
►
another curves unlike ambience like I
[TS]
01:24:32
◼
►
don't think that was a big message of
[TS]
01:24:33
◼
►
the movie but i think it's there i think
[TS]
01:24:35
◼
►
it will work its way into into people's
[TS]
01:24:37
◼
►
heads and in the same kind of way that
[TS]
01:24:39
◼
►
you know frozen is a you know a giant
[TS]
01:24:42
◼
►
allegory for not enough the side of the
[TS]
01:24:44
◼
►
right world David tell me for
[TS]
01:24:45
◼
►
homosexuality like just they snuck that
[TS]
01:24:47
◼
►
in there and the city movie that
[TS]
01:24:49
◼
►
everyone going to take their kids to
[TS]
01:24:50
◼
►
write not in this movie that you know
[TS]
01:24:52
◼
►
gender identity issues and gender roles
[TS]
01:24:54
◼
►
and the idea that you can have a summer
[TS]
01:24:57
◼
►
blockbuster we centered around a girl
[TS]
01:24:58
◼
►
and everyone will go see it and it's
[TS]
01:24:59
◼
►
fine and have nobody talking about any
[TS]
01:25:02
◼
►
of that and just have to be there
[TS]
01:25:03
◼
►
I like that yeah I don't wanna I wanna
[TS]
01:25:06
◼
►
bring the place down bring us down
[TS]
01:25:08
◼
►
Merlin well I you're gonna make this
[TS]
01:25:10
◼
►
craft you touch it if you touch it it's
[TS]
01:25:12
◼
►
gonna turn sad
[TS]
01:25:13
◼
►
don't touch it Merlin it's a half hour
[TS]
01:25:15
◼
►
past midnight right now and i'll be
[TS]
01:25:17
◼
►
going to bed about 20 minutes send me to
[TS]
01:25:19
◼
►
bed just a feeling Carolyn I'm drawing a
[TS]
01:25:21
◼
►
circle on the floor
[TS]
01:25:23
◼
►
stay inside the circle grabbed me by my
[TS]
01:25:25
◼
►
ankle and drag me around
[TS]
01:25:27
◼
►
well i was gonna be a little time but I
[TS]
01:25:30
◼
►
mean just I i just think that sadness
[TS]
01:25:33
◼
►
was a triumph but they have a highlight
[TS]
01:25:36
◼
►
is I guess the memory dump because
[TS]
01:25:39
◼
►
that's where I really felt my harp heart
[TS]
01:25:43
◼
►
ripped out and i think it was so well
[TS]
01:25:45
◼
►
done and I feel like I you know I could
[TS]
01:25:47
◼
►
watch this movie a few more times and
[TS]
01:25:48
◼
►
still gets so much about on the one hand
[TS]
01:25:52
◼
►
the the emotional arc of the movie
[TS]
01:25:56
◼
►
really just blows up in the memory down
[TS]
01:26:00
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because if you really think what's
[TS]
01:26:01
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happening you know joy the the basic
[TS]
01:26:03
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emotion the emotion is kind of the boss
[TS]
01:26:05
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that runs the the center is gone
[TS]
01:26:07
◼
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she's in this memory dump and there's
[TS]
01:26:09
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just something so like it maybe even
[TS]
01:26:11
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more than the toys headed toward the
[TS]
01:26:13
◼
►
incinerator in toy story 3 there's
[TS]
01:26:15
◼
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something just gut-wrenching about the
[TS]
01:26:17
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way that she's picking up these memories
[TS]
01:26:19
◼
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that she remembers these are kind of her
[TS]
01:26:21
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memories to these these black these
[TS]
01:26:23
◼
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charred memories and she's watching
[TS]
01:26:25
◼
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disappear around her
[TS]
01:26:27
◼
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there's something so affecting about
[TS]
01:26:28
◼
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that scene
[TS]
01:26:29
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►
and it's not it's not exactly mawkish is
[TS]
01:26:32
◼
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what's weird is it's because you're like
[TS]
01:26:34
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you would not appreciate joy as her own
[TS]
01:26:36
◼
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character and understand that for joy as
[TS]
01:26:39
◼
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a hard-working part of this console team
[TS]
01:26:41
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like she knows like that's her memory to
[TS]
01:26:43
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going away and just sitting there and
[TS]
01:26:45
◼
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watching those go away is was was rough
[TS]
01:26:50
◼
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but you know also then when they sing
[TS]
01:26:53
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the song and in the end the rocket you
[TS]
01:26:55
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know wagon shows up I just like that
[TS]
01:26:57
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whole bit was about as dark as you could
[TS]
01:27:00
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get and still be so triumphant and I
[TS]
01:27:04
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think I feel like that is a master class
[TS]
01:27:06
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in a certain kind of economical
[TS]
01:27:07
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storytelling down to the the fully of
[TS]
01:27:10
◼
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what it sounds like when you tumble down
[TS]
01:27:12
◼
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a whole bunch of dying memories down to
[TS]
01:27:14
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like how economically they compressed
[TS]
01:27:17
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the three different tries that getting
[TS]
01:27:19
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up to the cliff did that to me feels
[TS]
01:27:21
◼
►
like a master course in a certain kind
[TS]
01:27:23
◼
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of a certain kind of storytelling that i
[TS]
01:27:27
◼
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thought was I thought it was just I
[TS]
01:27:30
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thought was brilliant absolutely the the
[TS]
01:27:32
◼
►
pacing of that is so well done and I
[TS]
01:27:35
◼
►
mean I always make jokes about Chekhov's
[TS]
01:27:37
◼
►
gun right you know if you reduce a gun
[TS]
01:27:39
◼
►
in the first act that has to go off by
[TS]
01:27:40
◼
►
the third act and so I make jokes about
[TS]
01:27:42
◼
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you know all the cops check out the
[TS]
01:27:44
◼
►
I always just sort of sit back and let
[TS]
01:27:46
◼
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pixar wash over me and and the
[TS]
01:27:48
◼
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thirteen-year-old leaned over and said
[TS]
01:27:49
◼
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as as joy gets up to the the thing we're
[TS]
01:27:53
◼
►
in then leaves bing-bong he said that
[TS]
01:27:56
◼
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was checkups imaginary friends rocket
[TS]
01:28:00
◼
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yeah and I went son of ya NE that's the
[TS]
01:28:03
◼
►
exact alignment I knew that wagon was
[TS]
01:28:05
◼
►
coming back i was still surprised an
[TS]
01:28:08
◼
►
anti delighted by the fact that you guys
[TS]
01:28:10
◼
►
you know I assumed it would come back in
[TS]
01:28:12
◼
►
a triumphant seen to a swell of music
[TS]
01:28:14
◼
►
with rainbows bursting from behind it
[TS]
01:28:15
◼
►
and it did sort of but not really
[TS]
01:28:18
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►
yeah i mean and it didn't get exactly it
[TS]
01:28:21
◼
►
didn't fulfill your expectation of it
[TS]
01:28:22
◼
►
which was just beautiful also died I i
[TS]
01:28:26
◼
►
was nicely misdirected by that I thought
[TS]
01:28:29
◼
►
that when the wagon was tossed into the
[TS]
01:28:31
◼
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pit into the pit
[TS]
01:28:32
◼
►
it was basically if not not
[TS]
01:28:35
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►
put being put some place where it can be
[TS]
01:28:37
◼
►
used again so much as reminding
[TS]
01:28:39
◼
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everybody by the way you lose what's
[TS]
01:28:41
◼
►
that goes back in the pit it never comes
[TS]
01:28:43
◼
►
back again so here's the spot a danger
[TS]
01:28:45
◼
►
so wasn't until the characters
[TS]
01:28:47
◼
►
themselves were thinking gosh we're down
[TS]
01:28:49
◼
►
here how we're gonna get out there
[TS]
01:28:50
◼
►
I'm the way I didn't think about that
[TS]
01:28:52
◼
►
until the other characters did which is
[TS]
01:28:54
◼
►
something that I really really like you
[TS]
01:28:55
◼
►
know you did but we talk about the one
[TS]
01:28:57
◼
►
but maybe this is the one point where I
[TS]
01:28:59
◼
►
had that sort of okay I can see I can
[TS]
01:29:02
◼
►
see you solving a problem in the writers
[TS]
01:29:04
◼
►
room was you have this a lot of comedy
[TS]
01:29:07
◼
►
from the fact that joy is trying to
[TS]
01:29:08
◼
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protect these core memories and bring
[TS]
01:29:11
◼
►
them back and she's kind of juggling
[TS]
01:29:13
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them because of their awkward at all
[TS]
01:29:15
◼
►
big 1i have a bag you want to want to
[TS]
01:29:17
◼
►
bang one about your character oh wow
[TS]
01:29:19
◼
►
that would solve the problem having to
[TS]
01:29:21
◼
►
animate I me boy that would be a lot
[TS]
01:29:22
◼
►
more convenient to carry this around in
[TS]
01:29:24
◼
►
the kitchen sink comes out in a memory
[TS]
01:29:28
◼
►
dump talking about getting dark
[TS]
01:29:30
◼
►
the darkest part of this movie I think
[TS]
01:29:32
◼
►
they don't really go towards busy
[TS]
01:29:33
◼
►
because they shouldn't is so you've got
[TS]
01:29:35
◼
►
all these component emotions and
[TS]
01:29:37
◼
►
characters in the end and she's losing
[TS]
01:29:38
◼
►
them and then enjoy goes into the memory
[TS]
01:29:40
◼
►
dump like so many plot points that
[TS]
01:29:43
◼
►
happen inside this movie are one step
[TS]
01:29:46
◼
►
away from madness basically saying when
[TS]
01:29:48
◼
►
this happens when your joy was in the
[TS]
01:29:50
◼
►
memory dump and disintegrates like
[TS]
01:29:51
◼
►
you've got problems you know this
[TS]
01:29:53
◼
►
synthesis you know so many things that
[TS]
01:29:55
◼
►
can go simple things that can go wrong
[TS]
01:29:57
◼
►
in terms of people getting lost and no
[TS]
01:29:58
◼
►
longer being at the console are
[TS]
01:30:00
◼
►
essentially like terrible mental
[TS]
01:30:02
◼
►
illnesses or madness
[TS]
01:30:04
◼
►
it's so close to uniting like we know is
[TS]
01:30:06
◼
►
a Pixar movie they're gonna you know
[TS]
01:30:07
◼
►
we're gonna come back was going to be
[TS]
01:30:09
◼
►
new islands or whatever but it and you
[TS]
01:30:10
◼
►
like at various points this moving like
[TS]
01:30:12
◼
►
where they going with this like is this
[TS]
01:30:14
◼
►
kid like i'd mention you have a serial
[TS]
01:30:16
◼
►
killer but even just something like it
[TS]
01:30:18
◼
►
its once you have this world established
[TS]
01:30:21
◼
►
mundane things that happened in it have
[TS]
01:30:24
◼
►
massive consequences for the future of
[TS]
01:30:26
◼
►
that but like what if what if you can't
[TS]
01:30:28
◼
►
feel joy what if your joy loses a leg
[TS]
01:30:30
◼
►
right now how is that affect you for the
[TS]
01:30:32
◼
►
rest of your life what if one of your
[TS]
01:30:34
◼
►
sadness is giant and eats to your other
[TS]
01:30:37
◼
►
emotions like you know like what what
[TS]
01:30:40
◼
►
status designed a stroll you know
[TS]
01:30:42
◼
►
like the parity and sorry we only have
[TS]
01:30:44
◼
►
enough thought bubbles for four of us so
[TS]
01:30:47
◼
►
one of you I think you know what to do
[TS]
01:30:49
◼
►
I kind of imagined I i had that same
[TS]
01:30:51
◼
►
thought John and and I was thinking that
[TS]
01:30:53
◼
►
that what happens if joy were to
[TS]
01:30:54
◼
►
disintegrate there and my thought is
[TS]
01:30:56
◼
►
that at some point after some therapy
[TS]
01:30:57
◼
►
you know a new joy would appear in the
[TS]
01:31:00
◼
►
hand like a little bit like we were I
[TS]
01:31:02
◼
►
think alternative read The Sandman I
[TS]
01:31:04
◼
►
think we're all thinking about how we
[TS]
01:31:06
◼
►
can help like the light becomes delirium
[TS]
01:31:08
◼
►
and how dream becomes Daniel I think
[TS]
01:31:11
◼
►
that those affecting some of our thought
[TS]
01:31:12
◼
►
processes well and I that's another
[TS]
01:31:15
◼
►
thing to bring up is we haven't even
[TS]
01:31:16
◼
►
talked about the dreams the dreams icon
[TS]
01:31:19
◼
►
which I me not how brilliant was that
[TS]
01:31:23
◼
►
the reality distortion filter yeah yeah
[TS]
01:31:26
◼
►
well that was a laugh-out-loud moments
[TS]
01:31:27
◼
►
for some of us
[TS]
01:31:29
◼
►
the reality star trek something was
[TS]
01:31:31
◼
►
believer everyone yeah yeah I thought
[TS]
01:31:33
◼
►
you had that the dream the the idea that
[TS]
01:31:35
◼
►
the dream is a movie studio yeah and and
[TS]
01:31:38
◼
►
all the actors like this little block
[TS]
01:31:39
◼
►
indistinct blobs but through the camera
[TS]
01:31:41
◼
►
lens and ya know that was a thing of
[TS]
01:31:44
◼
►
beauty and then the way they kind of
[TS]
01:31:45
◼
►
like in incompetently send a message to
[TS]
01:31:49
◼
►
wake her up and then the clown comes and
[TS]
01:31:51
◼
►
is terrifying is that was all that was
[TS]
01:31:54
◼
►
all gold
[TS]
01:31:55
◼
►
here's a here's a victory lap for you
[TS]
01:31:56
◼
►
ready for this 94 minutes please believe
[TS]
01:32:01
◼
►
that I mean like so many of the movies
[TS]
01:32:03
◼
►
we make all movies 94 minutes long run
[TS]
01:32:05
◼
►
well yeah well I never well all animated
[TS]
01:32:09
◼
►
movies are pretty much 90 minutes long
[TS]
01:32:11
◼
►
so what I mean like we love think it in
[TS]
01:32:13
◼
►
so well in the last year we have really
[TS]
01:32:15
◼
►
loved a ton of superior movies the Harry
[TS]
01:32:19
◼
►
Potter movies have loomed large over the
[TS]
01:32:21
◼
►
last year but like 94 minutes that is so
[TS]
01:32:24
◼
►
much story to get into 94 minutes
[TS]
01:32:26
◼
►
oh yeah and world building and if ever
[TS]
01:32:29
◼
►
there was a movie that was going to
[TS]
01:32:30
◼
►
spill out to be two hours would be this
[TS]
01:32:31
◼
►
one because like there's an infinite
[TS]
01:32:33
◼
►
number we just went through all the
[TS]
01:32:34
◼
►
ideas that weren't in this movie that
[TS]
01:32:36
◼
►
would just be so much so much more that
[TS]
01:32:37
◼
►
you that you mean I know there's a part
[TS]
01:32:39
◼
►
of this it is let's be honest certain
[TS]
01:32:42
◼
►
amount of pixar hagiography pixar takes
[TS]
01:32:44
◼
►
like apple takes a lot of pride in
[TS]
01:32:46
◼
►
certain kinds of things
[TS]
01:32:47
◼
►
Pixar has certain stories that they like
[TS]
01:32:49
◼
►
to share with you they will hit you meet
[TS]
01:32:51
◼
►
someone picks are they will tell you
[TS]
01:32:52
◼
►
about how they took 10 minutes out of
[TS]
01:32:53
◼
►
the incredibles it's a great story
[TS]
01:32:55
◼
►
and in this case though I mean like the
[TS]
01:32:57
◼
►
thing is as you guys on the incomparable
[TS]
01:32:58
◼
►
like to say it's on the screen that they
[TS]
01:33:00
◼
►
got all that in 94 minutes without any
[TS]
01:33:02
◼
►
more like no but no but no but we have
[TS]
01:33:04
◼
►
to explain this more and they didn't
[TS]
01:33:06
◼
►
they they put everything that needed to
[TS]
01:33:08
◼
►
be there on the screen and they got out
[TS]
01:33:09
◼
►
in like the length of the Merv Griffin
[TS]
01:33:11
◼
►
Show yeah and that's not that's not to
[TS]
01:33:13
◼
►
be diminished a little over the weekend
[TS]
01:33:15
◼
►
i saw a movie that was 14 minutes long
[TS]
01:33:17
◼
►
and I could see oh my god it's nine
[TS]
01:33:20
◼
►
minutes to is way way too long i can I
[TS]
01:33:23
◼
►
can't sit through this entire thing
[TS]
01:33:24
◼
►
because it is so not need to be a
[TS]
01:33:26
◼
►
40-minute long movie but as a zebra said
[TS]
01:33:29
◼
►
you know no good movie is is long enough
[TS]
01:33:31
◼
►
no bad movie is short enough and pixar I
[TS]
01:33:34
◼
►
can't actually I I'm not sure haven't
[TS]
01:33:36
◼
►
seen the two cars movies but I can't
[TS]
01:33:38
◼
►
think of a single Pixar movie that had a
[TS]
01:33:40
◼
►
scene that I thought yeah they could
[TS]
01:33:41
◼
►
have lost this you know if they wanted
[TS]
01:33:42
◼
►
to make this movie longer like i
[TS]
01:33:44
◼
►
mentioned at the beginning the balance
[TS]
01:33:45
◼
►
between the inside the head and outside
[TS]
01:33:47
◼
►
the head it's clear that when it came
[TS]
01:33:49
◼
►
time to choose which is more important
[TS]
01:33:52
◼
►
inside the head one so they had to show
[TS]
01:33:54
◼
►
you enough of outside Riley for you to
[TS]
01:33:56
◼
►
understand rally as the character for
[TS]
01:33:58
◼
►
there to be stakes but there wasn't a
[TS]
01:34:01
◼
►
lot of plot driven by you get to see
[TS]
01:34:04
◼
►
Riley doing stuff like it was always
[TS]
01:34:06
◼
►
your inside the head and then you zoomed
[TS]
01:34:08
◼
►
out to see what's happening with rally
[TS]
01:34:09
◼
►
during this time and then back in again
[TS]
01:34:11
◼
►
and so if you wanted to make the longer
[TS]
01:34:12
◼
►
movie you could have had more outside
[TS]
01:34:14
◼
►
stuff but they made the right choice and
[TS]
01:34:16
◼
►
I think in the balance of concentrating
[TS]
01:34:18
◼
►
on only pulling back out to show you the
[TS]
01:34:20
◼
►
context and then go back in that because
[TS]
01:34:23
◼
►
I mean and that's true to the experience
[TS]
01:34:25
◼
►
of living like you live inside your own
[TS]
01:34:26
◼
►
head right you don't live in third
[TS]
01:34:28
◼
►
person watching yourself for the most
[TS]
01:34:30
◼
►
part so that was a wise choice and I
[TS]
01:34:31
◼
►
think that really helps cut down the
[TS]
01:34:33
◼
►
time even if you could have made sort of
[TS]
01:34:35
◼
►
like a fuller movie with more with more
[TS]
01:34:38
◼
►
external outside stuff is important
[TS]
01:34:40
◼
►
because of steaks but it's also
[TS]
01:34:42
◼
►
important to keep you connected to the
[TS]
01:34:43
◼
►
metaphor i think that one of the ways
[TS]
01:34:44
◼
►
that this film could have lost it lost
[TS]
01:34:48
◼
►
I mean but I mean like really really
[TS]
01:34:50
◼
►
lost itself it like literally I don't
[TS]
01:34:53
◼
►
know how this actually it connects to a
[TS]
01:34:55
◼
►
person and that what I think it would
[TS]
01:34:57
◼
►
have been really easy to do that that
[TS]
01:34:59
◼
►
like oh it's an imaginary world inside
[TS]
01:35:01
◼
►
your head and every time we go back out
[TS]
01:35:03
◼
►
into the outside world I feel like that
[TS]
01:35:05
◼
►
it that is one of the things that the
[TS]
01:35:06
◼
►
film is doing is is resetting it
[TS]
01:35:08
◼
►
mr. if they stayed inside you would have
[TS]
01:35:10
◼
►
demanded the thing i mentioned before is
[TS]
01:35:11
◼
►
it well inside all these characters
[TS]
01:35:13
◼
►
heads surely there are five people to
[TS]
01:35:15
◼
►
control panel of joy because suddenly
[TS]
01:35:17
◼
►
joy becomes the main character and she's
[TS]
01:35:19
◼
►
on an adventure through brain land
[TS]
01:35:20
◼
►
that's not the movie and what does it
[TS]
01:35:21
◼
►
mean what does it mean the joy and
[TS]
01:35:23
◼
►
sadness or lost and that the other
[TS]
01:35:24
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emotions are at the controls what does
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that mean you have to see how how her
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emotions change when she's cut off from
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those emotional her external behavior
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changes otherwise you lose for that for
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what happens on the inside to have
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meaning you have to see something and be
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able to compare it to like this is the
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human behavior that it that stems from
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this thing we're seeing inside her head
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it can't be just an adventure movie
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inside brain land it can't be like help
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joy and sadness find their way to the
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golden when they make their way to the
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goal everything will be okay and then
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we'll show you on the outside that
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everything is ok that's not what this
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movie is about right
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XR they're pretty good at what they do I
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think bold statement don't they'll do it
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01:36:02
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they're one of the studios that you just
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you just trust them you can really just
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trust them whatever whatever they I they
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I had that first sort of questionable
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moment with the the pre news about up
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all i know is that ok it's about a guy
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in his eighties and he flies away in his
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house at by tying a lot of balloons to
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it all man this looks pretty thin and
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then you just okay from now on I trust
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pixar they've got twelve dollars they
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they might not get the second twelve
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dollars for the second shooting but they
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definitely get the first twelve dollars
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alright it's been a pleasure talking
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about inside out i'm glad we got to do
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that we we often get requests for movies
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that are in theaters now on the
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uncomfortable and we don't do it a lot i
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01:36:48
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did the analysis it's something like I
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think it's less than 10 10 times we've
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done in five years
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01:36:52
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it is rare but I'm glad we got to do it
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and i would like to thank my panelists
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for joining me tonight and Aiko thanks
[TS]
01:36:57
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for being here it's been a slice i'm
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going to cry a little bit but it's been
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a slice
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01:37:02
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laughs we cried we learned we grew a
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01:37:05
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little salsa really are
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01:37:06
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David lower thank you I've got a good
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01:37:09
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feeling about this one John siracusa
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01:37:11
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what color are your emotion orbs i was
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01:37:15
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going to say i love you but your friend
[TS]
01:37:16
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to basket
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01:37:17
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your question and merlin mann it is
[TS]
01:37:22
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always a pleasure to have you when i'm
[TS]
01:37:23
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so happy that you can join us
[TS]
01:37:25
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crying helps me slow down and obsess
[TS]
01:37:26
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over the weight of life's problems and
[TS]
01:37:29
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thank you to everybody out there
[TS]
01:37:30
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listening to the incomparable we'll see
[TS]
01:37:32
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you next week
[TS]
01:37:33
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this is jason still something up
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01:37:38
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hi Erica
[TS]
01:37:43
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hi Steven what are you doing here well
[TS]
01:37:45
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we're talking about a doctor who podcast
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01:37:47
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that we do together called lazy doctor
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01:37:50
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oh really what's that about it's where
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01:37:52
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you and I watch Doctor Who from the very
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01:37:55
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first episode made in 1963 up to the
[TS]
01:37:58
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present day and then we talk about it on
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01:38:00
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the podcast what over 800 episodes of
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01:38:03
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Doctor Who from William Hartnell the
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01:38:05
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Peter capacity all in one sitting
[TS]
01:38:07
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no silly we talk about each episode as
[TS]
01:38:10
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we watch them or maybe we talked about a
[TS]
01:38:13
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couple episodes per podcast or however
[TS]
01:38:15
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many we feel like watching in a
[TS]
01:38:16
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particular night
[TS]
01:38:18
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how on earth are we gonna fit all of
[TS]
01:38:20
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these podcasts in well that is the
[TS]
01:38:22
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beauty of it we record a podcast
[TS]
01:38:24
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whenever we get around to it and for
[TS]
01:38:26
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however long we want to talk for or lazy
[TS]
01:38:28
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like that so it's a doctor who podcasts
[TS]
01:38:32
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where the hosts are kind of lazy so lazy
[TS]
01:38:35
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doctor who find it on the incomparable
[TS]
01:38:37
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network on itunes or at lazy doctor who
[TS]
01:38:41
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dot com thanks for explaining that I was
[TS]
01:38:43
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feeling lazy
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