The Incomparable

00:00:00 ◼   ► this episode of the incomparable is [TS]

00:00:02 ◼   ► brought to you by Squarespace the [TS]

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00:00:17 ◼   ► enter offer code smell at checkout to [TS]

00:00:19 ◼   ► get ten percent off [TS]

00:00:20 ◼   ► Squarespace build it beautiful [TS]

00:00:23 ◼   ► it's not brain science its rocket [TS]

00:00:28 ◼   ► surgery this is Zardoz the incomparable [TS]

00:00:37 ◼   ► number 250 jun 2015 i welcome back to [TS]

00:00:44 ◼   ► the uncomfortable rocket surgery we take [TS]

00:00:46 ◼   ► a look at a movie with questionable [TS]

00:00:47 ◼   ► morals from various one of the various [TS]

00:00:49 ◼   ► decades of history and if it's the [TS]

00:00:52 ◼   ► seventies this time and it's john [TS]

00:00:54 ◼   ► boarman zai he wrote he directed it [TS]

00:00:56 ◼   ► he produced it it's hard cause keep in [TS]

00:00:59 ◼   ► mind that in the context of the [TS]

00:01:00 ◼   ► seventies there is no such thing as [TS]

00:01:02 ◼   ► questionable morals [TS]

00:01:03 ◼   ► yeah that well we'll get to that I mean [TS]

00:01:05 ◼   ► it's all such things from this I could [TS]

00:01:09 ◼   ► not think of a 747 is moving in this [TS]

00:01:11 ◼   ► joining me to discuss Zardoz the the [TS]

00:01:15 ◼   ► crew this time begins with Steve lot so [TS]

00:01:18 ◼   ► you just heard hi Steve [TS]

00:01:19 ◼   ► hello there Jason I'm excited to discuss [TS]

00:01:22 ◼   ► this film wearing my red diaper I I [TS]

00:01:25 ◼   ► expected no less of you Erica and sign [TS]

00:01:27 ◼   ► also you heard earlier [TS]

00:01:28 ◼   ► hello hello second I got are less [TS]

00:01:31 ◼   ► excited test ray boom [TS]

00:01:34 ◼   ► David J lower also out there hello hello [TS]

00:01:36 ◼   ► all i can say is pay no attention to the [TS]

00:01:39 ◼   ► man behind the Fox Logan Glenn [TS]

00:01:42 ◼   ► fleischmann inexplicably has lots to say [TS]

00:01:46 ◼   ► about this movie so we invited him [TS]

00:01:47 ◼   ► behind hello glad this podcasters evil [TS]

00:01:51 ◼   ► and fair enough [TS]

00:01:53 ◼   ► hi Joe rosenstiel is out there hi Joe [TS]

00:01:56 ◼   ► I just enjoying some green bread over [TS]

00:01:58 ◼   ► here and first time on the uncomfortable [TS]

00:02:02 ◼   ► though she's going around the track [TS]

00:02:02 ◼   ► before and we praise your book before [TS]

00:02:05 ◼   ► it's Halloween worker hello hello thank [TS]

00:02:08 ◼   ► you so much for having me i tattooed on [TS]

00:02:10 ◼   ► a beer just for the occasion [TS]

00:02:12 ◼   ► yeah tattoo a is my anyway and and for [TS]

00:02:16 ◼   ► those of you who are not good or not [TS]

00:02:18 ◼   ► aware i'm jason snelling I am Zardoz i [TS]

00:02:21 ◼   ► have podcast 249 episodes and I long to [TS]

00:02:24 ◼   ► die just got instead is bouncing around [TS]

00:02:28 ◼   ► his recording studio but death is no [TS]

00:02:30 ◼   ► longer possible [TS]

00:02:31 ◼   ► I am immortal I present now my story [TS]

00:02:34 ◼   ► full of mystery and intrigue rich [TS]

00:02:36 ◼   ► entirety and chocolate and most [TS]

00:02:38 ◼   ► hypercritical it is it that he had a [TS]

00:02:40 ◼   ► ridiculous film so none of these events [TS]

00:02:41 ◼   ► will ever occur [TS]

00:02:43 ◼   ► be warned lest you end as I in this tale [TS]

00:02:46 ◼   ► I'm host by occupation and a rocket [TS]

00:02:48 ◼   ► surgeon by inclination Merlin Mann is my [TS]

00:02:51 ◼   ► hero i am the puppet master say hello [TS]

00:02:54 ◼   ► Johnny like Jason I manipulate many of [TS]

00:02:57 ◼   ► the panelists and events you will see [TS]

00:02:58 ◼   ► but I invented to for your entertainment [TS]

00:03:00 ◼   ► and amusement and you poor creatures who [TS]

00:03:03 ◼   ► conjured you out of the ether is your [TS]

00:03:05 ◼   ► smartphone and show business to all i [TS]

00:03:08 ◼   ► can see you can't see us but we're all [TS]

00:03:11 ◼   ► doing jazz hands at you I think you put [TS]

00:03:14 ◼   ► more thought into that little rant then [TS]

00:03:16 ◼   ► john boarman put into this entire [TS]

00:03:18 ◼   ► two-hour movie [TS]

00:03:18 ◼   ► oh good i had to do that i would like to [TS]

00:03:24 ◼   ► make an opening statement when I have [TS]

00:03:26 ◼   ► statements [TS]

00:03:28 ◼   ► sir I have things to say about this pump [TS]

00:03:32 ◼   ► I know I opening statement is I watched [TS]

00:03:35 ◼   ► a few weeks ago and I meant to watching [TS]

00:03:37 ◼   ► and have not watched the second time [TS]

00:03:38 ◼   ► except replaying it again and again and [TS]

00:03:40 ◼   ► again in my mind in the VCR that is good [TS]

00:03:43 ◼   ► mind and hopefully actual details but my [TS]

00:03:45 ◼   ► takeaway from this film since we haven't [TS]

00:03:48 ◼   ► talked about yet is I can't figure out [TS]

00:03:50 ◼   ► whether Foreman is trying to make [TS]

00:03:53 ◼   ► commentary about like the nature of [TS]

00:03:56 ◼   ► feminism in the change in society as a [TS]

00:03:59 ◼   ► comedy of what he thinks as the d [TS]

00:04:03 ◼   ► sexualisation and d masculinization of [TS]

00:04:06 ◼   ► society the nineteen seventies or if [TS]

00:04:09 ◼   ► he's laughing at everybody who thinks [TS]

00:04:10 ◼   ► that's what's happening [TS]

00:04:12 ◼   ► that's my opening i'm still I I don't [TS]

00:04:14 ◼   ► have an answer maybe we'll come up with [TS]

00:04:15 ◼   ► one boy I I'm just the the one quote i [TS]

00:04:19 ◼   ► found from Borman and this sort of said [TS]

00:04:22 ◼   ► it all for me quote [TS]

00:04:24 ◼   ► it was the seventies and I was doing a [TS]

00:04:27 ◼   ► lot of drugs [TS]

00:04:28 ◼   ► frankly I'm not even sure what parts of [TS]

00:04:31 ◼   ► the movie or about unquote [TS]

00:04:34 ◼   ► well it ends one of the last lines in [TS]

00:04:36 ◼   ► the film is as friend the character [TS]

00:04:39 ◼   ► friend is shot he see announces success [TS]

00:04:42 ◼   ► it was all a joke [TS]

00:04:44 ◼   ► so yeah I would suggest that has [TS]

00:04:46 ◼   ► something to do with your answer [TS]

00:04:48 ◼   ► I mean it reminded me of a love of the [TS]

00:04:50 ◼   ► movie head by the monkeys but more [TS]

00:04:53 ◼   ► coherent than that there is ahead in [TS]

00:04:55 ◼   ► this film there is a yes a couple of her [TS]

00:04:58 ◼   ► is stone had originally games with you [TS]

00:05:01 ◼   ► have to own head [TS]

00:05:02 ◼   ► I'm actually comforted by the experience [TS]

00:05:05 ◼   ► of watching this movie not because it [TS]

00:05:07 ◼   ► was any good [TS]

00:05:08 ◼   ► it wasn't not even because i liked it i [TS]

00:05:11 ◼   ► didn't know what brings me comfort is a [TS]

00:05:14 ◼   ► sense of stability and continuity the [TS]

00:05:17 ◼   ► stability of knowing that Glenn is still [TS]

00:05:19 ◼   ► my incomparable opposite haven't been [TS]

00:05:25 ◼   ► everything you've said about this movie [TS]

00:05:26 ◼   ► so far i am confident that we are still [TS]

00:05:28 ◼   ► like opposing pillars of competing have [TS]

00:05:31 ◼   ► I been supplanted as the anti Erica [TS]

00:05:33 ◼   ► that's terrible [TS]

00:05:34 ◼   ► archival actually in canada though [TS]

00:05:36 ◼   ► because your husband needs extensive [TS]

00:05:38 ◼   ► psychiatric care after having seen this [TS]

00:05:40 ◼   ► film he was mad he was he was very upset [TS]

00:05:44 ◼   ► with me for making him watch this film [TS]

00:05:46 ◼   ► now I just up for my part I just found [TS]

00:05:49 ◼   ► that this far as you know Glenn your you [TS]

00:05:51 ◼   ► thought about the the feminism thing is [TS]

00:05:54 ◼   ► just sort of saw it as a an incredibly [TS]

00:05:56 ◼   ► tired trope science fiction trope that [TS]

00:05:58 ◼   ► was that was tired even at the time you [TS]

00:06:00 ◼   ► know the futuristic utopian society [TS]

00:06:02 ◼   ► suddenly needs this manly man to come [TS]

00:06:05 ◼   ► and show them the error of their ways in [TS]

00:06:07 ◼   ► this case it happens to be a murderer [TS]

00:06:09 ◼   ► and a rapist and and in this case the [TS]

00:06:11 ◼   ► Utopia utopian society seems to have [TS]

00:06:13 ◼   ► women in a position of at least equality [TS]

00:06:15 ◼   ► if not not power and you know they they [TS]

00:06:18 ◼   ► need to be to be shown how how wrong [TS]

00:06:20 ◼   ► they are about the way that they have [TS]

00:06:21 ◼   ► have have taken things and it's just it [TS]

00:06:24 ◼   ► I've read a gazillion stories like that [TS]

00:06:26 ◼   ► and this was a poorly done version [TS]

00:06:28 ◼   ► thereof although i will say it wasn't as [TS]

00:06:30 ◼   ► on entertaining as i expected it to be [TS]

00:06:32 ◼   ► I'm on Team America I have not read a [TS]

00:06:34 ◼   ► gazillion stories like this and i found [TS]

00:06:37 ◼   ► it strangely fascinating [TS]

00:06:38 ◼   ► and I absolutely no idea what to expect [TS]

00:06:41 ◼   ► from this movie when i started in on it [TS]

00:06:43 ◼   ► and that is exactly what I got I i still [TS]

00:06:46 ◼   ► have no idea what i want to i watched it [TS]

00:06:48 ◼   ► twice [TS]

00:06:48 ◼   ► it's so literal that's why I wonder it's [TS]

00:06:51 ◼   ► so literal if it's really literal this [TS]

00:06:53 ◼   ► is the same animate deliverance he made [TS]

00:06:55 ◼   ► the incredibly odd Excalibur it's which [TS]

00:06:58 ◼   ► is not that [TS]

00:07:00 ◼   ► excalibur has levels of depth not [TS]

00:07:02 ◼   ► suggesting but it's it's so weird in its [TS]

00:07:06 ◼   ► literalness that I feel like it is [TS]

00:07:08 ◼   ► almost a joke that if you take it [TS]

00:07:09 ◼   ► seriously as a tired trope that he's [TS]

00:07:11 ◼   ► actually totally won the framing [TS]

00:07:13 ◼   ► mechanism is part of that but i think [TS]

00:07:14 ◼   ► i'm giving them too much credit [TS]

00:07:16 ◼   ► yeah yeah he was he was doing a lot of [TS]

00:07:18 ◼   ► drugs [TS]

00:07:19 ◼   ► yeah it seemed like an art film made by [TS]

00:07:20 ◼   ► the weird guy in film class who just [TS]

00:07:22 ◼   ► sits in the back and mutters to himself [TS]

00:07:23 ◼   ► and stares creeply that way that's just [TS]

00:07:26 ◼   ► this is what happens when you as a [TS]

00:07:27 ◼   ► director and writer are given too much [TS]

00:07:29 ◼   ► rope because a surprising number of [TS]

00:07:31 ◼   ► people wanted to see Ned Beatty squeal [TS]

00:07:33 ◼   ► like a pig [TS]

00:07:34 ◼   ► no I mean he got he got to do whatever [TS]

00:07:37 ◼   ► he wanted and what he wanted to do was [TS]

00:07:39 ◼   ► make lord of the rings and someone [TS]

00:07:42 ◼   ► wisely said new new new [TS]

00:07:46 ◼   ► so when did this instead I wish somebody [TS]

00:07:48 ◼   ► would have said no to this to that's the [TS]

00:07:50 ◼   ► problem to get the same guy writing [TS]

00:07:51 ◼   ► producing and directing you don't have [TS]

00:07:53 ◼   ► somebody to say those notes also is the [TS]

00:07:55 ◼   ► seventies so there's nobody there to say [TS]

00:07:57 ◼   ► that that's too [TS]

00:07:58 ◼   ► i I don't know enough about the history [TS]

00:08:00 ◼   ► of you know the trope but Eric I had [TS]

00:08:02 ◼   ► that same response of this must have [TS]

00:08:05 ◼   ► been tired even then that the feeling of [TS]

00:08:08 ◼   ► you know it i don't know i have have a [TS]

00:08:12 ◼   ► very weird soft spot for this movie [TS]

00:08:14 ◼   ► because I first saw it when I was an [TS]

00:08:16 ◼   ► incredibly impression about 19 year old [TS]

00:08:18 ◼   ► and it was the first thing like this i [TS]

00:08:22 ◼   ► had ever seen because i had a pretty [TS]

00:08:24 ◼   ► sheltered suburban life growing up in [TS]

00:08:26 ◼   ► all the movies i saw were with my [TS]

00:08:27 ◼   ► parents and they would never have seen [TS]

00:08:29 ◼   ► anything like this in front of me at [TS]

00:08:31 ◼   ► least so you know here i was in a [TS]

00:08:33 ◼   ► college basement with my boyfriend a [TS]

00:08:35 ◼   ► bunch of other people and with my jaw on [TS]

00:08:37 ◼   ► the floor just watching this so it was [TS]

00:08:40 ◼   ► it was a very weird sort of education in [TS]

00:08:43 ◼   ► you know seventies whoo sci-fi [TS]

00:08:47 ◼   ► and you know it and it actually held up [TS]

00:08:52 ◼   ► in some respects better this time than i [TS]

00:08:55 ◼   ► was expecting it to because I haven't [TS]

00:08:56 ◼   ► seen it since I was 19 but yeah that's [TS]

00:08:58 ◼   ► sort of like oh god is this all he's [TS]

00:09:00 ◼   ► gonna say like you know putting aside [TS]

00:09:03 ◼   ► all like you know just okay here here [TS]

00:09:06 ◼   ► the rapist is the hero I mean I mean [TS]

00:09:08 ◼   ► talk about I mean big flashing nope nope [TS]

00:09:12 ◼   ► nope sign but but the it's like i wanted [TS]

00:09:17 ◼   ► i wanted something a little more depth [TS]

00:09:20 ◼   ► that wasn't just like okay obviously [TS]

00:09:22 ◼   ► he's just doing more and more drugs [TS]

00:09:24 ◼   ► through the movie until the end is is [TS]

00:09:26 ◼   ► like you know justjust complete [TS]

00:09:28 ◼   ► performance art but anyway that might be [TS]

00:09:30 ◼   ► getting ahead of ourselves [TS]

00:09:31 ◼   ► it did feel I I died a couple of [TS]

00:09:33 ◼   ► thoughts one is a did feel like he was [TS]

00:09:35 ◼   ► like you know that last scene in 2001 [TS]

00:09:37 ◼   ► when we have a lot of seems like i can't [TS]

00:09:41 ◼   ► actually make reference to 2001 the [TS]

00:09:42 ◼   ► poster for this film to me and I think [TS]

00:09:45 ◼   ► the copy on that poster is something [TS]

00:09:46 ◼   ► along the lines of you had no idea what [TS]

00:09:48 ◼   ► happened in these three movies and [TS]

00:09:50 ◼   ► you'll really have no idea what happens [TS]

00:09:52 ◼   ► in this movie [TS]

00:09:53 ◼   ► oh yeah the trailer is brilliant because [TS]

00:09:54 ◼   ► it's know beyond 2001 ya be on here and [TS]

00:09:58 ◼   ► then beyond life beyond death [TS]

00:10:01 ◼   ► sorry not sorry i want to give you [TS]

00:10:03 ◼   ► chasing the 2001 dragon this is a pretty [TS]

00:10:05 ◼   ► good follow-up well but the more obvious [TS]

00:10:06 ◼   ► one is a is the time machine right which [TS]

00:10:08 ◼   ► I just looked up at you not in 1962 [TS]

00:10:11 ◼   ► version thing here with Rod Taylor very [TS]

00:10:13 ◼   ► well George panel movie [TS]

00:10:14 ◼   ► yes you could say the trip goes back to [TS]

00:10:16 ◼   ► you know the 18 was a tease or something [TS]

00:10:18 ◼   ► in the book with the original was [TS]

00:10:19 ◼   ► written where you have sort of [TS]

00:10:21 ◼   ► androgynous not in this case not very [TS]

00:10:25 ◼   ► bright they have don't have to retain [TS]

00:10:26 ◼   ► the Eloi don't have to retain any [TS]

00:10:27 ◼   ► intelligence there are the Morlocks [TS]

00:10:29 ◼   ► working for them on their behalf toiling [TS]

00:10:31 ◼   ► for them and then they eat some of them [TS]

00:10:33 ◼   ► from time to time so the relationship is [TS]

00:10:34 ◼   ► a little different but it's still it's [TS]

00:10:37 ◼   ► still the same kinda mechanism in the [TS]

00:10:39 ◼   ► 1960s movie was pretty literal the other [TS]

00:10:41 ◼   ► kubrick movie i want to mention and this [TS]

00:10:43 ◼   ► goes back to lean and Erica talking [TS]

00:10:44 ◼   ► about the yes our hero he is a murderer [TS]

00:10:47 ◼   ► multiple murderer rapist but he's our [TS]

00:10:50 ◼   ► hero is a clockwork orange and also I [TS]

00:10:53 ◼   ► interested you don't want it reminded me [TS]

00:10:54 ◼   ► a lot of a clockwork orange which is [TS]

00:10:55 ◼   ► like [TS]

00:10:56 ◼   ► fucking violence but it's commentary but [TS]

00:10:58 ◼   ► it's shocking violence but it's [TS]

00:11:00 ◼   ► commentary a little bit of that vibe in [TS]

00:11:02 ◼   ► in here to either the violence here is [TS]

00:11:04 ◼   ► relatively muted it is don't you want to [TS]

00:11:06 ◼   ► see a lot of it up close and personal [TS]

00:11:08 ◼   ► yeah both movies and with Beethoven also [TS]

00:11:10 ◼   ► what an interesting Derek directorial [TS]

00:11:13 ◼   ► career though I mean I think deliverance [TS]

00:11:15 ◼   ► and Excalibur are both generally [TS]

00:11:16 ◼   ► considered good to great by a lot of [TS]

00:11:19 ◼   ► people but then he also did this and he [TS]

00:11:21 ◼   ► followed this up with exercises to the [TS]

00:11:23 ◼   ► heritage which is probably the worst [TS]

00:11:24 ◼   ► horror movie sequel of all time and [TS]

00:11:28 ◼   ► that's saying something that's saying a [TS]

00:11:30 ◼   ► lot [TS]

00:11:30 ◼   ► wow that's a high bar a lot I I was [TS]

00:11:34 ◼   ► gonna walk through the movies i was [TS]

00:11:36 ◼   ► actually this is a plot that strong [TS]

00:11:39 ◼   ► strong word for it and you and let you [TS]

00:11:41 ◼   ► stop me at any point are we ready to do [TS]

00:11:44 ◼   ► that now because I can do that now maybe [TS]

00:11:46 ◼   ► trip through it is better than walk you [TS]

00:11:48 ◼   ► know I i gotta disagree with the strong [TS]

00:11:50 ◼   ► word for plot i mean the plot makes a [TS]

00:11:52 ◼   ► lot of sense [TS]

00:11:52 ◼   ► up until about an hour and 15 seconds [TS]

00:11:55 ◼   ► anyway I guess what i can say is I walk [TS]

00:11:57 ◼   ► through the scenes and that may be a [TS]

00:11:58 ◼   ► strong word for some of the scenes like [TS]

00:12:00 ◼   ► I'm not sure what happens here whistles [TS]

00:12:03 ◼   ► there's a lot of that so there's gonna [TS]

00:12:04 ◼   ► be one usually want to walk through this [TS]

00:12:05 ◼   ► there's also skip over something and [TS]

00:12:06 ◼   ► steals a way Jason you miss that's gonna [TS]

00:12:09 ◼   ► happen a lot i think that may happen a [TS]

00:12:11 ◼   ► lot of you know I so we start of course [TS]

00:12:12 ◼   ► with the with the cheesy narrator [TS]

00:12:14 ◼   ► narration that I just reprieved at the [TS]

00:12:16 ◼   ► top of this show [TS]

00:12:17 ◼   ► follow the bouncing head of Arthur Frayn [TS]

00:12:19 ◼   ► I hadn't had a note that said that that [TS]

00:12:21 ◼   ► we're talking about how high the [TS]

00:12:22 ◼   ► director was there are probably a lot of [TS]

00:12:24 ◼   ► like a essays and and papers written in [TS]

00:12:28 ◼   ► college classes about this movie and [TS]

00:12:29 ◼   ► I'll just say now they should have all [TS]

00:12:30 ◼   ► got naps [TS]

00:12:32 ◼   ► it begins with these are logo appearing [TS]

00:12:35 ◼   ► which are I couldn't help but think [TS]

00:12:37 ◼   ► reminds me of the spinal tap logo and in [TS]

00:12:40 ◼   ► fact it and i find it an early example [TS]

00:12:42 ◼   ► of marketing where they're like let's [TS]

00:12:43 ◼   ► not just put up the name and in like a [TS]

00:12:45 ◼   ► regular font let's like make a crazy [TS]

00:12:48 ◼   ► like chrome logo and use that everywhere [TS]

00:12:51 ◼   ► so we get that the big sore hot dogs [TS]

00:12:54 ◼   ► it's going to zzz how could it not be [TS]

00:12:57 ◼   ► awesome like heavy metal we are in the [TS]

00:12:59 ◼   ► year 2293 where there is a floating [TS]

00:13:02 ◼   ► stonehead flop it flies around and [TS]

00:13:05 ◼   ► floats it gives the gift of the gun it's [TS]

00:13:07 ◼   ► like a little dispenser that throws out [TS]

00:13:09 ◼   ► the [TS]

00:13:10 ◼   ► like vomits out guns it's it's a giant [TS]

00:13:12 ◼   ► PEZ dispenser [TS]

00:13:13 ◼   ► I just love the quantity the ridiculous [TS]

00:13:15 ◼   ► sort of i don't even miles on it [TS]

00:13:16 ◼   ► ridiculous with this like hundreds of [TS]

00:13:18 ◼   ► God's like work guns [TS]

00:13:20 ◼   ► well it's gotta last time a year right i [TS]

00:13:21 ◼   ► mean nothing's coming back once a year [TS]

00:13:23 ◼   ► for the harvest I actually kind of like [TS]

00:13:25 ◼   ► that seen the the the angle and just [TS]

00:13:28 ◼   ► like that the all this flood of guns [TS]

00:13:31 ◼   ► just started pouring out this commotion [TS]

00:13:32 ◼   ► was just just it was something about it [TS]

00:13:35 ◼   ► was really compelling it was like oh my [TS]

00:13:36 ◼   ► gosh like that's that's a lot of guns i [TS]

00:13:39 ◼   ► give you the gift of the gun i like that [TS]

00:13:41 ◼   ► seen up until the dialogue starts yeah i [TS]

00:13:45 ◼   ► actually wrote and starred on speaks to [TS]

00:13:48 ◼   ► you [TS]

00:13:49 ◼   ► Zardoz has exposition for you you know [TS]

00:13:52 ◼   ► and i think this film this is the [TS]

00:13:54 ◼   ► earliest somebody says penis in any of [TS]

00:13:56 ◼   ► the movies watching this podcast and [TS]

00:13:58 ◼   ► that is saying something [TS]

00:13:59 ◼   ► the the key lines being the penis is [TS]

00:14:01 ◼   ► evil go forth and kill I was kind of [TS]

00:14:04 ◼   ► surprised i I really wasn't expecting [TS]

00:14:06 ◼   ► I've been told to expect so this is a [TS]

00:14:08 ◼   ► broader issue but it's i was told this [TS]

00:14:10 ◼   ► was a terrible nearly unwatchable film [TS]

00:14:13 ◼   ► and I i we can talk about whether that's [TS]

00:14:15 ◼   ► true i think it's actually a really [TS]

00:14:16 ◼   ► compelling film however terrible it is [TS]

00:14:18 ◼   ► yeah but I wasn't expecting the promises [TS]

00:14:20 ◼   ► evil [TS]

00:14:21 ◼   ► I didn't know it was I didn't know he [TS]

00:14:22 ◼   ► was going that should have been the [TS]

00:14:24 ◼   ► tagline quite friendly penises evil go [TS]

00:14:27 ◼   ► forth and kill I mean you'd watch that i [TS]

00:14:29 ◼   ► gotta say i would i would pay really [TS]

00:14:30 ◼   ► good money for his art oz PEZ dispenser [TS]

00:14:32 ◼   ► is seriously would shoot out [TS]

00:14:35 ◼   ► hey a seed unfortunately [TS]

00:14:41 ◼   ► Oh Sean Sean Connery is there he's got a [TS]

00:14:45 ◼   ► red diaper thing on like diapers [TS]

00:14:48 ◼   ► analyzers vendors huh [TS]

00:14:50 ◼   ► the the guns get tossed out from the [TS]

00:14:52 ◼   ► mountains are does and then and then [TS]

00:14:55 ◼   ► there's an interesting narrative think [TS]

00:14:56 ◼   ► your wishes [TS]

00:14:57 ◼   ► Sean Connery ends up inside the inside [TS]

00:15:00 ◼   ► the the floating head and we don't know [TS]

00:15:02 ◼   ► until later why yes he's shot us at this [TS]

00:15:05 ◼   ► point and so we pass out for a while [TS]

00:15:07 ◼   ► yeah the credits finish up and then we [TS]

00:15:09 ◼   ► return to Sean inside under a pile of [TS]

00:15:11 ◼   ► grain [TS]

00:15:12 ◼   ► yes I thought that the James Bond shot [TS]

00:15:15 ◼   ► was that though it in in a number of I [TS]

00:15:18 ◼   ► mean you can i'm sure we can argue [TS]

00:15:20 ◼   ► forever about what the worst directorial [TS]

00:15:22 ◼   ► decision in this movie was perfectly [TS]

00:15:23 ◼   ► that one for me was right up there only [TS]

00:15:26 ◼   ► like a 90-minute show the worst decision [TS]

00:15:30 ◼   ► was action [TS]

00:15:31 ◼   ► yeah well the whole movie is a James [TS]

00:15:34 ◼   ► Bond film I mean he isn't he's an [TS]

00:15:36 ◼   ► exterminator with a license to kill [TS]

00:15:39 ◼   ► he shoots the camera right at the [TS]

00:15:40 ◼   ► beginning of the movie in the prologue [TS]

00:15:42 ◼   ► oh he converts the woman tube to his [TS]

00:15:45 ◼   ► love it it's more like the prisoner with [TS]

00:15:47 ◼   ► starring James Bond a red diaper its [TS]

00:15:49 ◼   ► this is so prisoner e oh my god the end [TS]

00:15:52 ◼   ► is you know this massive kill spree [TS]

00:15:54 ◼   ► where he escapes with the woman and then [TS]

00:15:56 ◼   ► those that have sex with her [TS]

00:15:58 ◼   ► yeah it's a Bond film you like the main [TS]

00:16:00 ◼   ► character of the prisoner you don't like [TS]

00:16:02 ◼   ► me no here no well yeah he's interested [TS]

00:16:06 ◼   ► is all that he's not that he's not [TS]

00:16:08 ◼   ► likable in the in the in the stone ahead [TS]

00:16:12 ◼   ► Sean Connery finds people in plastic [TS]

00:16:14 ◼   ► bags there are a surprising number of [TS]

00:16:15 ◼   ► shrink-wrapped naked people 44 inside of [TS]

00:16:18 ◼   ► a stone head I think there's no I you [TS]

00:16:20 ◼   ► don't usually see that many free grab me [TS]

00:16:23 ◼   ► people have understood that there's like [TS]

00:16:25 ◼   ► six or seven in there again again spinal [TS]

00:16:27 ◼   ► tap in imagery i I've decided that the [TS]

00:16:29 ◼   ► people who made spinal tap the totally [TS]

00:16:31 ◼   ► took lots of cheesy things from Zardoz [TS]

00:16:34 ◼   ► absolutely never reason for the [TS]

00:16:36 ◼   ► shrink-wrap naked people inside the head [TS]

00:16:38 ◼   ► as long as we know you know mister [TS]

00:16:40 ◼   ► mister sharpie beard is the only guy who [TS]

00:16:42 ◼   ► to the Outlands and suddenly you've got [TS]

00:16:45 ◼   ► all these backup folks I think that's a [TS]

00:16:47 ◼   ► blue pyro beer [TS]

00:16:48 ◼   ► I don't know it looks like a sharp eared [TS]

00:16:49 ◼   ► to me Glenn yeah i got inside with Eric [TS]

00:16:51 ◼   ► I'm to America [TS]

00:16:52 ◼   ► yes well all that that that say that [TS]

00:16:54 ◼   ► looks like it's just pen it could be a [TS]

00:16:56 ◼   ► sir marks a lot [TS]

00:16:57 ◼   ► yeah he's had several hundred years to [TS]

00:17:00 ◼   ► perfect that thing and it still shocks [TS]

00:17:01 ◼   ► ya know you draw it on never comes off [TS]

00:17:05 ◼   ► your mortal its permanent this permanent [TS]

00:17:07 ◼   ► partner wasn't that the markers that [TS]

00:17:10 ◼   ► were scratching sniffing markers the it [TS]

00:17:13 ◼   ► doesn't smell like licorice [TS]

00:17:14 ◼   ► yeah i think so but they don't know what [TS]

00:17:16 ◼   ► licorice is anymore they just think it's [TS]

00:17:17 ◼   ► the smell of the black pan that makes a [TS]

00:17:18 ◼   ► beard [TS]

00:17:19 ◼   ► there's licorice but it's blue that's [TS]

00:17:21 ◼   ► the drug he was on [TS]

00:17:22 ◼   ► hello Eternals i come from the Outlands [TS]

00:17:24 ◼   ► from the world of the brutal's it is a [TS]

00:17:26 ◼   ► horrible world a world full of spam [TS]

00:17:29 ◼   ► viruses and bounced email and now I come [TS]

00:17:31 ◼   ► here to this wonderful place where you [TS]

00:17:33 ◼   ► the Eternals call home [TS]

00:17:35 ◼   ► it is the land of [TS]

00:17:36 ◼   ► mail route here in mail route you can [TS]

00:17:39 ◼   ► open your email and see only the [TS]

00:17:41 ◼   ► legitimate mail that you want and need [TS]

00:17:43 ◼   ► to receive thanks to the brilliant mind [TS]

00:17:46 ◼   ► the tabernacle of mail route mail route [TS]

00:17:49 ◼   ► lives in the cloud [TS]

00:17:50 ◼   ► you don't have to install any hardware [TS]

00:17:52 ◼   ► software here in order to be free of [TS]

00:17:54 ◼   ► spam viruses and bounced email that's [TS]

00:17:56 ◼   ► because in the cloud mail route is [TS]

00:17:58 ◼   ► receiving our mail it's sorting it and [TS]

00:18:00 ◼   ► its delivery only the clean email to our [TS]

00:18:03 ◼   ► mailboxes all of the terrible stuff [TS]

00:18:05 ◼   ► remains in the outside world safely [TS]

00:18:07 ◼   ► available should we choose to look at it [TS]

00:18:09 ◼   ► but it doesn't come to us unless we ask [TS]

00:18:12 ◼   ► if you are using a desktop you will find [TS]

00:18:15 ◼   ► that the mail route user interface is [TS]

00:18:17 ◼   ► simple and effective this is a simple [TS]

00:18:19 ◼   ► world we live in here if you are an [TS]

00:18:21 ◼   ► email administrator or IT professional [TS]

00:18:24 ◼   ► one of the worker class they have built [TS]

00:18:26 ◼   ► all the tools for you in mind there is [TS]

00:18:28 ◼   ► an API for easy account management if [TS]

00:18:31 ◼   ► you wonder what an API is asks our dogs [TS]

00:18:33 ◼   ► and our daughter shall tell you mail [TS]

00:18:35 ◼   ► route supports ldap Active Directory TLS [TS]

00:18:38 ◼   ► male bagging ask said about male backing [TS]

00:18:41 ◼   ► outbound relay everything you would want [TS]

00:18:43 ◼   ► from people handling your mail and my [TS]

00:18:47 ◼   ► friends you can start a risk-free trial [TS]

00:18:49 ◼   ► with mail route no credit card is [TS]

00:18:50 ◼   ► required to sign up you change your MX [TS]

00:18:53 ◼   ► records your mailbox and hardware are [TS]

00:18:55 ◼   ► completely protected there's no reason [TS]

00:18:57 ◼   ► not to try it you don't have to put down [TS]

00:18:58 ◼   ► a credit card please please I implore [TS]

00:19:01 ◼   ► your friends check it out [TS]

00:19:03 ◼   ► all listeners to this fine podcast known [TS]

00:19:07 ◼   ► as the incomparable can receive ten [TS]

00:19:09 ◼   ► percent off for the lifetime of access [TS]

00:19:12 ◼   ► to mail route not just for a month or a [TS]

00:19:14 ◼   ► year for as long as your subscriber here [TS]

00:19:17 ◼   ► is the information you need [TS]

00:19:18 ◼   ► go to mail route dotnet / smell that's [TS]

00:19:21 ◼   ► mail route dotnet / smell now and you [TS]

00:19:26 ◼   ► will learn of the greatness of the being [TS]

00:19:29 ◼   ► that lives in the cloud and protects us [TS]

00:19:30 ◼   ► from awful things in our email known as [TS]

00:19:33 ◼   ► mail route now I return this podcast to [TS]

00:19:36 ◼   ► you i will say i did approve of the [TS]

00:19:38 ◼   ► continuous odd partial nudity throughout [TS]

00:19:42 ◼   ► this film is inexplicable in the [TS]

00:19:45 ◼   ► quantity but also the lack of erotic [TS]

00:19:47 ◼   ► isn't it was it was like we're going to [TS]

00:19:49 ◼   ► show a lot of bodies until we reach the [TS]

00:19:51 ◼   ► point where you don't even notice what [TS]

00:19:53 ◼   ► people are wearing because we're just [TS]

00:19:54 ◼   ► showing flesh sort of randomly on [TS]

00:19:56 ◼   ► different points [TS]

00:19:57 ◼   ► well maybe he's trying to make some sort [TS]

00:19:59 ◼   ► of point there because of course the [TS]

00:20:00 ◼   ► Eternals themselves have lost the [TS]

00:20:02 ◼   ► ability to become aroused this is this [TS]

00:20:04 ◼   ► is actually a theme and I can't believe [TS]

00:20:06 ◼   ► I'm gonna say this but this is when you [TS]

00:20:08 ◼   ► gotta do you guys want to walk eyes [TS]

00:20:10 ◼   ► smile because there's that scene where [TS]

00:20:12 ◼   ► they show him all the porn and and he [TS]

00:20:15 ◼   ► does he because they're gonna get him [TS]

00:20:16 ◼   ► around because they don't know what [TS]

00:20:17 ◼   ► erections are like in the future you [TS]

00:20:22 ◼   ► think they just drawn on with a sharpie [TS]

00:20:23 ◼   ► yeah he's not aroused and then he looks [TS]

00:20:27 ◼   ► at about what's-her-name charlotte [TS]

00:20:30 ◼   ► rampling she's gotta come out Consuela [TS]

00:20:32 ◼   ► Consuela and and and and i liked [TS]

00:20:36 ◼   ► actually that was even I mean I subtle [TS]

00:20:38 ◼   ► is not the word for it but i like how [TS]

00:20:39 ◼   ► cleverly that shot where he looks at her [TS]

00:20:42 ◼   ► and everybody's like blue around him and [TS]

00:20:45 ◼   ► all that but that is a commentary about [TS]

00:20:46 ◼   ► how like just looking at it it wasn't [TS]

00:20:49 ◼   ► titillating at all [TS]

00:20:50 ◼   ► I I you know I think maybe that is [TS]

00:20:53 ◼   ► something that inside john boarman is [TS]

00:20:55 ◼   ► addled mind what he was thinking was [TS]

00:20:57 ◼   ► part of what he was trying to do with [TS]

00:20:59 ◼   ► this movie glad you know what I'm I i [TS]

00:21:01 ◼   ► hate to do this but I'm going to also [TS]

00:21:03 ◼   ► agree with that everything happens to [TS]

00:21:07 ◼   ► everyone would probably master know the [TS]

00:21:10 ◼   ► costumes i actually I enjoyed the [TS]

00:21:12 ◼   ► costumes not I i agree that he was kind [TS]

00:21:14 ◼   ► of going for that sort of not quite sexy [TS]

00:21:18 ◼   ► lots of flesh sort of look but I just I [TS]

00:21:20 ◼   ► really like the designs of the costume [TS]

00:21:22 ◼   ► yeah themselves yet because they were [TS]

00:21:24 ◼   ► they were they were flattering without [TS]

00:21:26 ◼   ► being too titillating and they just [TS]

00:21:28 ◼   ► looked very comfortable and they breathe [TS]

00:21:31 ◼   ► was like oh I could wear those around [TS]

00:21:33 ◼   ► the house I've never seen so many men [TS]

00:21:35 ◼   ► wearing so much crochet though it was it [TS]

00:21:38 ◼   ► lift it was a friend you hear that with [TS]

00:21:41 ◼   ► their red sort of openwork crochet that [TS]

00:21:44 ◼   ► tied in the front and I don't obviously [TS]

00:21:47 ◼   ► spent too long looking at it if i can [TS]

00:21:49 ◼   ► remember exactly what it looks like but [TS]

00:21:52 ◼   ► it was I just kept looking at it like my [TS]

00:21:55 ◼   ► grandma would make that everyone else [TS]

00:21:57 ◼   ► looked fantastic for some reason it just [TS]

00:22:00 ◼   ► didn't [TS]

00:22:01 ◼   ► got him crochet is for potted plants do [TS]

00:22:03 ◼   ► it [TS]

00:22:04 ◼   ► there's also the thing that everybody [TS]

00:22:06 ◼   ► you know he's trying to show this sort [TS]

00:22:07 ◼   ► of the fact that everyone there's no [TS]

00:22:08 ◼   ► rawness in left two people can get [TS]

00:22:10 ◼   ► aroused and procreation is dead and [TS]

00:22:12 ◼   ► they're all getting bored [TS]

00:22:13 ◼   ► everyone is super androgynous as if [TS]

00:22:15 ◼   ► that's a bad thing like in this world [TS]

00:22:17 ◼   ► and Raja means like I like the women the [TS]

00:22:19 ◼   ► man all sort of look alike and they [TS]

00:22:20 ◼   ► dress like and it's all been sort of [TS]

00:22:23 ◼   ► desexualize to this sort of middle [TS]

00:22:24 ◼   ► ground that's terrible his you know and [TS]

00:22:26 ◼   ► you need a guy with still extra chest [TS]

00:22:29 ◼   ► hairy doesn't have the the star trek [TS]

00:22:31 ◼   ► gothic on chest plate on because he's [TS]

00:22:33 ◼   ► needed you know he's got his own chest [TS]

00:22:35 ◼   ► hair on the chest hair means it wouldn't [TS]

00:22:36 ◼   ► stick know there's also the use of [TS]

00:22:40 ◼   ► nudity and set dressing which was [TS]

00:22:42 ◼   ► especially disturbing is that one shot [TS]

00:22:46 ◼   ► of that of that statute it's like hey be [TS]

00:22:49 ◼   ► the one that shot is literally like hey [TS]

00:22:50 ◼   ► guys did you notice that the statue has [TS]

00:22:52 ◼   ► a penis on it because you should check [TS]

00:22:55 ◼   ► that out for a long time [TS]

00:22:58 ◼   ► is that what you made Joey that was my [TS]

00:22:59 ◼   ► example work I was talking about the [TS]

00:23:02 ◼   ► weird glass room with the water [TS]

00:23:05 ◼   ► oh yeah and stuff yeah that was that I [TS]

00:23:09 ◼   ► don't know it was wonderfully disturbing [TS]

00:23:11 ◼   ► their growing the dead people back at [TS]

00:23:13 ◼   ► that because i was at a tabernacle draw [TS]

00:23:15 ◼   ► people bag that's where Arthur Frayn [TS]

00:23:17 ◼   ► reappears after he's fallen out of the [TS]

00:23:19 ◼   ► stone head which hasn't happened yet in [TS]

00:23:21 ◼   ► our narrative and no no he's one shot by [TS]

00:23:24 ◼   ► step by Sean Connery and falls out of [TS]

00:23:25 ◼   ► the stone head so there we got you were [TS]

00:23:27 ◼   ► there Arthur Frayn appears and mumbles [TS]

00:23:30 ◼   ► things in a shot and is dead except [TS]

00:23:32 ◼   ► he'll be back we shot the army didn't [TS]

00:23:34 ◼   ► have to fall out that was part to follow [TS]

00:23:36 ◼   ► now he does have the very prescient line [TS]

00:23:38 ◼   ► here how pointless at which point point [TS]

00:23:45 ◼   ► a John Connor takes a ride in a stone [TS]

00:23:48 ◼   ► head back to an English country village [TS]

00:23:52 ◼   ► as yet is full of inflatable plastic [TS]

00:23:55 ◼   ► bubbles lots of plastic bags we got more [TS]

00:23:57 ◼   ► so we got more inflatable bubbles and [TS]

00:23:59 ◼   ► more plastic bags full of stuff in this [TS]

00:24:01 ◼   ► case plants and things everything in the [TS]

00:24:02 ◼   ► seventies came wrapped in plastic [TS]

00:24:04 ◼   ► they're all pretty much everything that [TS]

00:24:06 ◼   ► was being passed around in the the staff [TS]

00:24:08 ◼   ► room and on the set was wrapped in [TS]

00:24:10 ◼   ► plastic is amazing expand [TS]

00:24:11 ◼   ► you need to that's where he got the idea [TS]

00:24:14 ◼   ► probably this is one of those places [TS]

00:24:15 ◼   ► where I'm not quite sure what happens [TS]

00:24:17 ◼   ► next the next thing that I wrote down is [TS]

00:24:18 ◼   ► where he there's that scene where [TS]

00:24:20 ◼   ► there's the heat like investigates [TS]

00:24:21 ◼   ► jack-in-the-box and there are 12 boxing [TS]

00:24:24 ◼   ► from elf and there's a bunch of clocks [TS]

00:24:25 ◼   ► he said he wants to shoot i'm glad you [TS]

00:24:28 ◼   ► didn't shoot the jack-in-the-box [TS]

00:24:29 ◼   ► actually I wish he had shot the [TS]

00:24:30 ◼   ► jack-in-the-box we had a spinning [TS]

00:24:32 ◼   ► schedule for the Apple watch and he had [TS]

00:24:33 ◼   ► to go upstairs and put it on and then [TS]

00:24:35 ◼   ► you know let's give the holographic [TS]

00:24:37 ◼   ► keeps doing the thing where the the [TS]

00:24:38 ◼   ► apple watch like shoots the projection [TS]

00:24:40 ◼   ► everywhere and he keeps covering it and [TS]

00:24:42 ◼   ► great another unit and the whole time [TS]

00:24:44 ◼   ► like every time I see that all i think [TS]

00:24:47 ◼   ► is a wise guy yeah and because he keeps [TS]

00:24:49 ◼   ► doing it over and over is like Mira no [TS]

00:24:52 ◼   ► no you still there anyways never seen [TS]

00:24:55 ◼   ► these are savage he's never seen a [TS]

00:24:56 ◼   ► hologram ring before one of the themes [TS]

00:24:58 ◼   ► of this film if we can call it that is [TS]

00:25:00 ◼   ► sort of the evolution of mankind what [TS]

00:25:02 ◼   ► comes next after homo sapiens and I [TS]

00:25:05 ◼   ► think here's where it introduces he [TS]

00:25:07 ◼   ► walks into the room and it sort of [TS]

00:25:08 ◼   ► cleverly introduces that idea when he [TS]

00:25:10 ◼   ► walks past for some reason our frames [TS]

00:25:12 ◼   ► painted on his wall [TS]

00:25:14 ◼   ► you know me and fall and Homo sapiens [TS]

00:25:16 ◼   ► and then there's the eternal and then [TS]

00:25:18 ◼   ► there's a big question mark [TS]

00:25:20 ◼   ► you know I'm actually surprised there [TS]

00:25:21 ◼   ► are neon lights flashing her what kind [TS]

00:25:25 ◼   ► of drawing Sean Connery there's so like [TS]

00:25:29 ◼   ► I said there's this is an English manor [TS]

00:25:30 ◼   ► house it did remind me a little bit of [TS]

00:25:31 ◼   ► the prisoner there are lots of plastic [TS]

00:25:33 ◼   ► bubbles and a pyramid prisoners plastic [TS]

00:25:34 ◼   ► bubbles to there's a lake he sees a [TS]

00:25:38 ◼   ► woman he tries to shoot her cuz that's [TS]

00:25:41 ◼   ► which is actually strange because [TS]

00:25:42 ◼   ► shouldn't he tried to rape her because [TS]

00:25:43 ◼   ► that's sort of his job with women he [TS]

00:25:45 ◼   ► shoots the Mandrake's the women anyway [TS]

00:25:46 ◼   ► he feels pain and throws his gun into [TS]

00:25:49 ◼   ► the water no my good that was my good [TS]

00:25:51 ◼   ► gun and explains that she asked if he [TS]

00:25:54 ◼   ► thinks he said he's dead and and then [TS]

00:25:57 ◼   ► there's a group of that that's a weird [TS]

00:25:59 ◼   ► scene and then they're all debating the [TS]

00:26:00 ◼   ► brutal which we learn is what the name [TS]

00:26:02 ◼   ► is for the people outside the brutal and [TS]

00:26:06 ◼   ► we meet our our our women from the [TS]

00:26:08 ◼   ► village including Consuela who speaking [TS]

00:26:10 ◼   ► of Lord of the Rings reminded me of its [TS]

00:26:13 ◼   ► Charlotte Rampling write me a lot of [TS]

00:26:14 ◼   ► Kate planchette actually mmm [TS]

00:26:16 ◼   ► I will point out at this moment to that [TS]

00:26:19 ◼   ► Charlotte Rampling i believe is the only [TS]

00:26:20 ◼   ► person behind besides Sean Connery who [TS]

00:26:23 ◼   ► survived this film [TS]

00:26:25 ◼   ► well no no no no I'm sorry the actor of [TS]

00:26:29 ◼   ► the actor [TS]

00:26:31 ◼   ► oh my god she's good she's gonna hurt us [TS]

00:26:35 ◼   ► and he's actually very good machines [TS]

00:26:36 ◼   ► very good and she went on to be in [TS]

00:26:38 ◼   ► everything i would say that the acting [TS]

00:26:39 ◼   ► in this film considering everything else [TS]

00:26:41 ◼   ► about the film is actually pretty solid [TS]

00:26:43 ◼   ► oh yeah even you her friend is you know [TS]

00:26:45 ◼   ► it's it's a choice but he does it well i [TS]

00:26:49 ◼   ► will go to the vortex you're hurting me [TS]

00:26:53 ◼   ► this is a very strange this is so we're [TS]

00:26:55 ◼   ► learning we gotta download of all the [TS]

00:26:56 ◼   ► weird terminology weird seventies sci-fi [TS]

00:26:59 ◼   ► film terminology and in that way it felt [TS]

00:27:01 ◼   ► it felt kind of at home to me because [TS]

00:27:03 ◼   ► I've seen a bunch of these movies in [TS]

00:27:04 ◼   ► there they're all kind of Spacey like [TS]

00:27:06 ◼   ► this where they're like just a little [TS]

00:27:09 ◼   ► you takes sci-fi tropes and then you add [TS]

00:27:11 ◼   ► some hippie stuff and you say wound now [TS]

00:27:14 ◼   ► it's cool cutting-edge sci-fi stuff for [TS]

00:27:18 ◼   ► about four years and then it's dated so [TS]

00:27:21 ◼   ► what's the things about the vortex for [TS]

00:27:22 ◼   ► texts for their in the vortex are never [TS]

00:27:25 ◼   ► clear on this terminology as the movie [TS]

00:27:27 ◼   ► goes along and how it actually makes any [TS]

00:27:28 ◼   ► sense but we get to learn about what [TS]

00:27:32 ◼   ► Sean Connery's job is which is they are [TS]

00:27:35 ◼   ► the chosen so they're the only ones were [TS]

00:27:37 ◼   ► supposed to pass on their genetic [TS]

00:27:39 ◼   ► material so they wait the women they [TS]

00:27:41 ◼   ► kill all the men and are we learn about [TS]

00:27:44 ◼   ► Arthur Frayn our friend with a sharpie [TS]

00:27:46 ◼   ► facial hair in the beginning he was the [TS]

00:27:49 ◼   ► only one who wanted to run the Outlands [TS]

00:27:51 ◼   ► he's an artist he does it with [TS]

00:27:53 ◼   ► imagination he's like Doug inning [TS]

00:27:55 ◼   ► Doug Henning had better have magic and [TS]

00:28:00 ◼   ► fascination and fantasy sardos instructs [TS]

00:28:03 ◼   ► me to break into the broadcast right now [TS]

00:28:06 ◼   ► and tell you about something very [TS]

00:28:08 ◼   ► important and I obeys are does i would [TS]

00:28:11 ◼   ► like to tell you about lootcrate if you [TS]

00:28:13 ◼   ► classify yourself as a geek gamer [TS]

00:28:15 ◼   ► pop-culture nerd you're listening to be [TS]

00:28:16 ◼   ► uncomfortable i think maybe you are Luke [TS]

00:28:19 ◼   ► rate is the subscription box service for [TS]

00:28:21 ◼   ► you for less than 20 hours a month [TS]

00:28:23 ◼   ► you'll get six to eight items of gamer [TS]

00:28:25 ◼   ► and pop-culture licensed gear apparel [TS]

00:28:27 ◼   ► collectibles unique one-of-a-kind items [TS]

00:28:30 ◼   ► and much more make sure to head to loot [TS]

00:28:32 ◼   ► crate calm / Snell and enter code smell [TS]

00:28:35 ◼   ► my last name to say three dollars on any [TS]

00:28:37 ◼   ► new subscription every month there's a [TS]

00:28:39 ◼   ► different theme you're guaranteed forty [TS]

00:28:41 ◼   ► dollars are more worth of items that's [TS]

00:28:43 ◼   ► right less than twenty dollars a month [TS]

00:28:44 ◼   ► forty dollars or more worth of items [TS]

00:28:46 ◼   ► there are curated around a specific [TS]

00:28:48 ◼   ► theme inspired by classic movies video [TS]

00:28:51 ◼   ► game releases pulling from pop culture [TS]

00:28:53 ◼   ► franchises previous creates included [TS]

00:28:55 ◼   ► franchises like Star Wars Marvel the [TS]

00:28:57 ◼   ► walking dead legend of zelda and many [TS]

00:28:59 ◼   ► more [TS]

00:29:00 ◼   ► this month's lootcrate involves joining [TS]

00:29:01 ◼   ► the cyber revolution maybe Zardoz will [TS]

00:29:04 ◼   ► be involved and a servant of cool tech [TS]

00:29:06 ◼   ► theme collectibles from a wide array of [TS]

00:29:08 ◼   ► Awesome franchises awesome franchise so [TS]

00:29:11 ◼   ► not Zardoz they're featuring exclusive [TS]

00:29:12 ◼   ► items from terminator genisys [TS]

00:29:14 ◼   ► borderlands 2 and much more including an [TS]

00:29:16 ◼   ► exclusive t-shirt you won't find [TS]

00:29:17 ◼   ► anywhere else that's why its exclusive [TS]

00:29:19 ◼   ► look great as a friend they know what [TS]

00:29:21 ◼   ► you love a surprise you with awesome [TS]

00:29:23 ◼   ► presence every month and they shipped to [TS]

00:29:24 ◼   ► over 13 different countries you have [TS]

00:29:26 ◼   ► until the nineteenth of any given month [TS]

00:29:28 ◼   ► at nine p.m. pacific time to subscribe [TS]

00:29:29 ◼   ► and receive that months crate once that [TS]

00:29:32 ◼   ► cutoff happens that's it it's over so [TS]

00:29:33 ◼   ► don't delay go to loot crate calm / [TS]

00:29:36 ◼   ► smell and enter code smell to say three [TS]

00:29:38 ◼   ► dollars on your new subscription today [TS]

00:29:40 ◼   ► and thank you look great for sponsoring [TS]

00:29:41 ◼   ► being comfortable it's amazing how even [TS]

00:29:44 ◼   ► though this is hundreds of years in the [TS]

00:29:45 ◼   ► future there apparently is a really mine [TS]

00:29:48 ◼   ► or something that they go to to create [TS]

00:29:50 ◼   ► the world's endless supply of sort of [TS]

00:29:52 ◼   ► business casual wear with outside the [TS]

00:29:55 ◼   ► men are running in these techniques [TS]

00:29:57 ◼   ► tailor-made suits that are afraid but [TS]

00:29:59 ◼   ► apparently they've endless supply of [TS]

00:30:00 ◼   ► them one of my notes is that and I [TS]

00:30:03 ◼   ► actually think this is a clever thing is [TS]

00:30:05 ◼   ► that Sean Connery and his guys are like [TS]

00:30:06 ◼   ► sort of like bare-chested wearing their [TS]

00:30:08 ◼   ► diaper things but the people that their [TS]

00:30:11 ◼   ► menacing are all wearing like frayed [TS]

00:30:13 ◼   ► like blazers and button up shirts and [TS]

00:30:18 ◼   ► things like that like their and living [TS]

00:30:20 ◼   ► in the ruins of recognizable sort of [TS]

00:30:22 ◼   ► like suburbs or cities so I think that's [TS]

00:30:24 ◼   ► fascinating like you get the sense [TS]

00:30:25 ◼   ► initially that these are like outlaws in [TS]

00:30:27 ◼   ► the countryside and then but the people [TS]

00:30:29 ◼   ► that they're harassing are like just the [TS]

00:30:31 ◼   ► regular old survivors of this [TS]

00:30:33 ◼   ► catastrophe who we see later there's [TS]

00:30:36 ◼   ► also that scene where they flash back to [TS]

00:30:38 ◼   ► right after they set up the the shield [TS]

00:30:41 ◼   ► and they're all like banging on the [TS]

00:30:42 ◼   ► outside of the shield [TS]

00:30:43 ◼   ► old at the at the rich and powerful and [TS]

00:30:46 ◼   ► science ii who have gone inside this [TS]

00:30:49 ◼   ► little bubble who were just like [TS]

00:30:51 ◼   ► ignoring them and doing their stuff and [TS]

00:30:54 ◼   ► I i like that i like i like that that [TS]

00:30:56 ◼   ► aspect of it that it wasn't all just [TS]

00:30:57 ◼   ► like total chaos outside the bubble [TS]

00:30:59 ◼   ► there like you get the impression that [TS]

00:31:01 ◼   ► maybe there are people who are kind of [TS]

00:31:03 ◼   ► living a hard life but living life and [TS]

00:31:06 ◼   ► and then that makes the the the the Sean [TS]

00:31:10 ◼   ► Connery and his guys even worse because [TS]

00:31:12 ◼   ► the these are like you know they're just [TS]

00:31:13 ◼   ► randomly shooting all those people [TS]

00:31:15 ◼   ► well I'm trying to figure how many [TS]

00:31:16 ◼   ► people there are in the planet because I [TS]

00:31:18 ◼   ► there's apparently a lot of them they [TS]

00:31:20 ◼   ► all have access to suits and clothing [TS]

00:31:21 ◼   ► and but there's enough that they can be [TS]

00:31:24 ◼   ► killed randomly and constantly with the [TS]

00:31:26 ◼   ► thousands of guns at Sardis belches [TS]

00:31:28 ◼   ► forth and yet not enough to escape or [TS]

00:31:32 ◼   ► form any kind of opposition to men with [TS]

00:31:34 ◼   ► guns [TS]

00:31:35 ◼   ► I don't know its metaphor I guess you [TS]

00:31:38 ◼   ► can't equate their feelings with hours [TS]

00:31:39 ◼   ► behind this true what would regard to [TS]

00:31:42 ◼   ► the the the refreshing clothing within [TS]

00:31:46 ◼   ► the vortex I I think they're pretty [TS]

00:31:47 ◼   ► self-sufficient inside the vortex I mean [TS]

00:31:49 ◼   ► they're capable of [TS]

00:31:51 ◼   ► they were previously capable of growing [TS]

00:31:53 ◼   ► all their own food but because of the [TS]

00:31:55 ◼   ► add the apathy disease that spreading [TS]

00:31:57 ◼   ► they have to i can't believe i spent [TS]

00:31:58 ◼   ► this much time thinking about this since [TS]

00:31:59 ◼   ► they don't have enough people to to [TS]

00:32:03 ◼   ► continue to work to feed the apathetic [TS]

00:32:06 ◼   ► so that that's when they have to begin [TS]

00:32:08 ◼   ► to dream that that's when they have to [TS]

00:32:10 ◼   ► get the the exterminators that to get [TS]

00:32:13 ◼   ► the other brutal's to grow food for them [TS]

00:32:14 ◼   ► which is what sets Connery over the edge [TS]

00:32:17 ◼   ► eventually but so presumably they're [TS]

00:32:19 ◼   ► they're able date they normally eat meat [TS]

00:32:21 ◼   ► and so they they must have wool now and [TS]

00:32:25 ◼   ► one they'll work right that's one of the [TS]

00:32:26 ◼   ► things that uh that the friend [TS]

00:32:28 ◼   ► complaints about is like a tired of [TS]

00:32:29 ◼   ► working about working for hundreds of [TS]

00:32:31 ◼   ► years feeding myself and server my right [TS]

00:32:33 ◼   ► i mean so they they they are not you [TS]

00:32:35 ◼   ► know they don't have a a slave class [TS]

00:32:38 ◼   ► inside the bubble it seems they're like [TS]

00:32:40 ◼   ► a hippie commune kind of place right in [TS]

00:32:43 ◼   ► fact they're ticked off at him for [TS]

00:32:44 ◼   ► getting a sean connery to serve the [TS]

00:32:46 ◼   ► superyacht potatoes potatoes potatoes [TS]

00:32:48 ◼   ► potatoes [TS]

00:32:51 ◼   ► oh I like the line again really really [TS]

00:32:55 ◼   ► on the nose which is you know that [TS]

00:32:58 ◼   ► saying if looks could kill with though [TS]

00:33:00 ◼   ► it's been hundreds hundreds of years we [TS]

00:33:01 ◼   ► have saying from the outside well it's a [TS]

00:33:03 ◼   ► saying and here they can huh [TS]

00:33:06 ◼   ► there's a little too little too much [TS]

00:33:07 ◼   ► well here they can because that's like [TS]

00:33:09 ◼   ► psychic power is a is okay got it got it [TS]

00:33:13 ◼   ► i did like the bit where they're doing [TS]

00:33:14 ◼   ► the mental imagery the recovering it for [TS]

00:33:16 ◼   ► Sean Connery and and then they like oh [TS]

00:33:18 ◼   ► let's see what Arthur frame was thinking [TS]

00:33:19 ◼   ► and we find it is called the tabernacle [TS]

00:33:22 ◼   ► I don't think we find it at this point [TS]

00:33:23 ◼   ► it's called that their computer pulls up [TS]

00:33:25 ◼   ► Arthur free apparently they're [TS]

00:33:27 ◼   ► constantly it's like it's like Netflix [TS]

00:33:29 ◼   ► without comcast interruption [TS]

00:33:31 ◼   ► it's constantly streaming images from [TS]

00:33:32 ◼   ► our brains so that we can be [TS]

00:33:34 ◼   ► reconstructed later in this in this [TS]

00:33:36 ◼   ► glorious future and it's just our thirds [TS]

00:33:39 ◼   ► of his point of view falling from the [TS]

00:33:41 ◼   ► head it's really lovely actually it's [TS]

00:33:42 ◼   ► not as pretty show himself yeah [TS]

00:33:45 ◼   ► also it's like itself images just like [TS]

00:33:47 ◼   ► Sean Connery can see himself while he's [TS]

00:33:50 ◼   ► no shooting people and raping women also [TS]

00:33:52 ◼   ► it's the mind's eye as opposed to like [TS]

00:33:54 ◼   ► actual point of view [TS]

00:33:55 ◼   ► yeah if you're lazy directing it can you [TS]

00:33:57 ◼   ► see these erection here we also have so [TS]

00:33:59 ◼   ► I'm in this section we've got the [TS]

00:34:01 ◼   ► oversized clock that he holds and maybe [TS]

00:34:04 ◼   ► all the monkey doesn't know how to tell [TS]

00:34:05 ◼   ► time [TS]

00:34:06 ◼   ► there's the pyramid that's got the [TS]

00:34:07 ◼   ► mirror we have the guy saying saying [TS]

00:34:09 ◼   ► actual words but they've dubbed him in [TS]

00:34:11 ◼   ► to make him sound like he's saying [TS]

00:34:12 ◼   ► nonsense [TS]

00:34:13 ◼   ► what was that about they never actually [TS]

00:34:15 ◼   ► all the end it's the future [TS]

00:34:17 ◼   ► hey it's mike that's like their secret [TS]

00:34:19 ◼   ► language or something that they do a [TS]

00:34:20 ◼   ► scene later where they're all saying [TS]

00:34:22 ◼   ► like but yeah there's a bit of em but in [TS]

00:34:25 ◼   ► this case I get the feeling that he's [TS]

00:34:27 ◼   ► reciting some sort of poem he's [TS]

00:34:29 ◼   ► constructed because everybody applauds [TS]

00:34:30 ◼   ► afterwards yeah but they dumped it all [TS]

00:34:32 ◼   ► out and replace it with the nonsense we [TS]

00:34:34 ◼   ► want that was actually clever i did too [TS]

00:34:36 ◼   ► but what I didn't think that was clever [TS]

00:34:37 ◼   ► you have a one-word explanation for that [TS]

00:34:39 ◼   ► in its drugs i also well I had no down [TS]

00:34:45 ◼   ► that was a the this section of the movie [TS]

00:34:47 ◼   ► reminded me of terry gilliam movie but [TS]

00:34:50 ◼   ► the battery the bad kind [TS]

00:34:52 ◼   ► it's not a good time for job walking bad [TS]

00:34:55 ◼   ► i have in my notes [TS]

00:34:56 ◼   ► monty python's brave new world it's a [TS]

00:34:58 ◼   ► little like that too it's a little Monty [TS]

00:34:59 ◼   ► Python ask ya somewhere in there maybe [TS]

00:35:02 ◼   ► world [TS]

00:35:02 ◼   ► the TV version of brave new world isn't [TS]

00:35:04 ◼   ► the wow that was truly truly awful [TS]

00:35:08 ◼   ► mhm oh god yes so the the old we meet [TS]

00:35:12 ◼   ► the old people who are who are the [TS]

00:35:13 ◼   ► monsters old people are monsters in this [TS]

00:35:17 ◼   ► world it's the walking old i think it's [TS]

00:35:20 ◼   ► interesting just to go back just a [TS]

00:35:22 ◼   ► little bit yeah see I told you it would [TS]

00:35:24 ◼   ► happen when the Eternals learned that [TS]

00:35:28 ◼   ► Arthur has been apparently selectively [TS]

00:35:30 ◼   ► breeding the chosen ones to do some sort [TS]

00:35:33 ◼   ► of you know personal eugenics project [TS]

00:35:35 ◼   ► for his own enjoyment they just kind of [TS]

00:35:38 ◼   ► you know [TS]

00:35:38 ◼   ► oh ok well he's he's been up to that [TS]

00:35:40 ◼   ► places where these enlightened people [TS]

00:35:42 ◼   ► and I guess it's our that's sort of [TS]

00:35:44 ◼   ► entertaining [TS]

00:35:45 ◼   ► I think they just don't care about what [TS]

00:35:46 ◼   ► happens in the in the Outlands like they [TS]

00:35:48 ◼   ► said he's the only one who he's gotta [TS]

00:35:49 ◼   ► you know he's only one who would take it [TS]

00:35:51 ◼   ► on and you get the sense maybe he said [TS]

00:35:52 ◼   ► alright well I get to do whatever I get [TS]

00:35:54 ◼   ► to do out there right now like yeah [TS]

00:35:55 ◼   ► whatever he's an artist and yet when [TS]

00:35:57 ◼   ► said arrives from the Outlands they're [TS]

00:35:59 ◼   ► intensely interested in what's been [TS]

00:36:01 ◼   ► going on out there so that doesn't make [TS]

00:36:03 ◼   ► a hell of a lot of sense it's because [TS]

00:36:04 ◼   ► he's come to them but i'm thinking it's [TS]

00:36:05 ◼   ► like you know some people that culture [TS]

00:36:07 ◼   ► making macrame men's vests other than [TS]

00:36:10 ◼   ► other people are all he's got are just [TS]

00:36:12 ◼   ► gonna be huge ethics [TS]

00:36:14 ◼   ► thank you every kid needs a hobby [TS]

00:36:16 ◼   ► it'sit's not macrame him but you know [TS]

00:36:19 ◼   ► it'll get my name is like let's put him [TS]

00:36:20 ◼   ► in charge of the Outlands to keep him [TS]

00:36:22 ◼   ► busy so we won't have to deal with him [TS]

00:36:23 ◼   ► so it's stupid magic tricks and his [TS]

00:36:25 ◼   ► bubbles and his paces painted on beard [TS]

00:36:28 ◼   ► on the way i should say when they go to [TS]

00:36:30 ◼   ► see the old people who are monsters he [TS]

00:36:33 ◼   ► drags he drags friend around in a cart [TS]

00:36:35 ◼   ► like he just pulls it looks like he's [TS]

00:36:38 ◼   ► the horse [TS]

00:36:39 ◼   ► I'm not dead yet I appreciated that he [TS]

00:36:41 ◼   ► didn't object to any of this that that I [TS]

00:36:45 ◼   ► was expecting sort of like rebellion [TS]

00:36:49 ◼   ► your belly and yeah and he isn't he just [TS]

00:36:53 ◼   ► sort of picks up the cart and goes and [TS]

00:36:55 ◼   ► he then follows friend around and [TS]

00:36:56 ◼   ► service potatoes and and that that was [TS]

00:36:59 ◼   ► sort of interesting and it wasn't until [TS]

00:37:02 ◼   ► I mean later in the film you see what [TS]

00:37:04 ◼   ► his motivations are and that you know [TS]

00:37:06 ◼   ► he's actually got a plan and whatever [TS]

00:37:08 ◼   ► but at that point I was like well he's [TS]

00:37:10 ◼   ► this is he's used to being in [TS]

00:37:14 ◼   ► for all to something he's used to being [TS]

00:37:15 ◼   ► thrown to a god so this must just be him [TS]

00:37:18 ◼   ► like you know just sort of continuing in [TS]

00:37:21 ◼   ► that mold which was interesting was an [TS]

00:37:23 ◼   ► interesting choice i felt it did it seem [TS]

00:37:26 ◼   ► to know I don't know be a lot less [TS]

00:37:29 ◼   ► tiring than then if it had been constant [TS]

00:37:32 ◼   ► know you you know you animal you drag me [TS]

00:37:35 ◼   ► around no I don't want to know you do it [TS]

00:37:36 ◼   ► you know back and just felt better than [TS]

00:37:39 ◼   ► that i agree but they did also [TS]

00:37:43 ◼   ► threatened to kill him [TS]

00:37:44 ◼   ► that's what time so yeah so he probably [TS]

00:37:47 ◼   ► didn't want to provoke them but yeah you [TS]

00:37:50 ◼   ► like that one guy except strange I'd [TS]

00:37:54 ◼   ► like to put in a word for friend to I [TS]

00:37:56 ◼   ► thought the the actor but the acting and [TS]

00:37:58 ◼   ► the part was one of the more interesting [TS]

00:38:00 ◼   ► things like one more interesting [TS]

00:38:01 ◼   ► characters in the movie because he was [TS]

00:38:03 ◼   ► part of a smartass any didn't think the [TS]

00:38:05 ◼   ► society that seriously he was also doing [TS]

00:38:07 ◼   ► all the exposition and and I think he [TS]

00:38:10 ◼   ► was actually the most consistently [TS]

00:38:12 ◼   ► interesting you know non-serious [TS]

00:38:14 ◼   ► character in the whole thing is a Greek [TS]

00:38:15 ◼   ► aziza subversive he's not actually a [TS]

00:38:18 ◼   ► part of the society that's unfolding [TS]

00:38:21 ◼   ► around us season he's mocking it but [TS]

00:38:24 ◼   ► doesn't doesn't go far enough mocking it [TS]

00:38:27 ◼   ► i don't think you know he does it when [TS]

00:38:29 ◼   ► he gets old later he's like hold on half [TS]

00:38:31 ◼   ► his face is that weird like everybody [TS]

00:38:33 ◼   ► else gets old and he he gets like the [TS]

00:38:35 ◼   ► half McCartney treatment that makeup [TS]

00:38:39 ◼   ► actually looked pretty decent though I [TS]

00:38:41 ◼   ► think that was one of the better effects [TS]

00:38:42 ◼   ► there and maybe they're like we know [TS]

00:38:44 ◼   ► it's not gonna work for a full face so [TS]

00:38:46 ◼   ► we'll just do a half and it'll seem [TS]

00:38:49 ◼   ► suitably convincing just didn't explain [TS]

00:38:51 ◼   ► it at a picnic we were going to make you [TS]

00:38:54 ◼   ► five years older instead we made half of [TS]

00:38:56 ◼   ► you ten years [TS]

00:38:59 ◼   ► this is where we get so he meets the [TS]

00:39:02 ◼   ► heats the apathetic so the the zombie [TS]

00:39:05 ◼   ► girls who are who are just kind of like [TS]

00:39:08 ◼   ► staring into space and the and friends [TS]

00:39:11 ◼   ► like yeah sure take one end of fondling [TS]

00:39:14 ◼   ► and he goes well he could yeah because [TS]

00:39:16 ◼   ► he looks at how many sticks his hand [TS]

00:39:17 ◼   ► under under her dress which is not hard [TS]

00:39:19 ◼   ► because it's like he open an easy access [TS]

00:39:21 ◼   ► and then he like takes her inside like [TS]

00:39:23 ◼   ► throws are in a haystack and and she's [TS]

00:39:26 ◼   ► completely dead too [TS]

00:39:27 ◼   ► world and so he is like that that's not [TS]

00:39:29 ◼   ► cool you know I guess he is primary [TS]

00:39:33 ◼   ► secondary and I guess it's he like he [TS]

00:39:35 ◼   ► likes it as a rapist he you know he [TS]

00:39:37 ◼   ► expects resistance [TS]

00:39:38 ◼   ► I suppose it is part of the physical [TS]

00:39:41 ◼   ► violence that's awful but it's also is [TS]

00:39:43 ◼   ► that thing it's like he's just almost [TS]

00:39:45 ◼   ► disgusted by them because they don't [TS]

00:39:47 ◼   ► have a result cases and he said is an [TS]

00:39:48 ◼   ► interesting character because but what [TS]

00:39:50 ◼   ► we get is he's a monster and he's a [TS]

00:39:52 ◼   ► creation of this of this uh totally [TS]

00:39:55 ◼   ► destroyed society that I cannot believe [TS]

00:39:56 ◼   ► I am taking it seriously was created but [TS]

00:39:59 ◼   ► I started looking at the track but um [TS]

00:40:01 ◼   ► but I it is but it's also kind of a [TS]

00:40:05 ◼   ► trick right it turns out that as we're [TS]

00:40:07 ◼   ► going to get to in the plot here but it [TS]

00:40:09 ◼   ► turns out he's actually been genetically [TS]

00:40:11 ◼   ► engineered to be incredibly like smart [TS]

00:40:13 ◼   ► and a quick learner and his read all the [TS]

00:40:15 ◼   ► books and and later he will learn even [TS]

00:40:18 ◼   ► more things throughout osmosis thinking [TS]

00:40:21 ◼   ► for projection but I it so there's more [TS]

00:40:25 ◼   ► there [TS]

00:40:26 ◼   ► he's an interesting character in that [TS]

00:40:27 ◼   ► way where there's like he's awful based [TS]

00:40:29 ◼   ► on the events we see but there's also [TS]

00:40:31 ◼   ► this other side of him that we don't [TS]

00:40:32 ◼   ► really realize yet at this point I'm not [TS]

00:40:35 ◼   ► sure they are completely connectable at [TS]

00:40:37 ◼   ► all but there it is [TS]

00:40:39 ◼   ► this is where they this is where they [TS]

00:40:41 ◼   ► don't they they explained that they [TS]

00:40:42 ◼   ► don't understand directions in the [TS]

00:40:44 ◼   ► future show important and then they say [TS]

00:40:45 ◼   ► come swales done the trick yourself haha [TS]

00:40:48 ◼   ► in one of their fine levels of hedonism [TS]

00:40:51 ◼   ► bot kind of us [TS]

00:40:52 ◼   ► yeah we attend a short seminar that is [TS]

00:40:55 ◼   ► titled the mysteries of the boner what [TS]

00:40:58 ◼   ► we got we also in in the part where [TS]

00:41:01 ◼   ► friend and hands that are traveling [TS]

00:41:05 ◼   ► around on the cart we get the trial of [TS]

00:41:06 ◼   ► George Satan which is sort of [TS]

00:41:08 ◼   ► interesting where we see what happens to [TS]

00:41:10 ◼   ► those who put out a negative aura during [TS]

00:41:12 ◼   ► 2nd level meditation which will replace [TS]

00:41:15 ◼   ► sleep and in this kommune right yeah [TS]

00:41:19 ◼   ► they they have votes it's like all done [TS]

00:41:21 ◼   ► over the internet through there a little [TS]

00:41:23 ◼   ► little hollow rings and they just do [TS]

00:41:25 ◼   ► their little love they do their votes at [TS]

00:41:27 ◼   ► one point I have in my notes blah blah [TS]

00:41:28 ◼   ► blah votes boring but the Federation his [TS]

00:41:32 ◼   ► trial is a little more a little more [TS]

00:41:33 ◼   ► interesting the for a dissident to see [TS]

00:41:35 ◼   ► what happens to the dissident and we [TS]

00:41:37 ◼   ► learned that friend it likes somebody [TS]

00:41:39 ◼   ► who stirring the pot [TS]

00:41:40 ◼   ► I've been making trouble because at [TS]

00:41:42 ◼   ► least it's interesting now because [TS]

00:41:43 ◼   ► they're bored there i mean this is a [TS]

00:41:45 ◼   ► decayed society because they've been you [TS]

00:41:47 ◼   ► know not aging for hundreds of years and [TS]

00:41:50 ◼   ► people are getting a pathetic and [TS]

00:41:52 ◼   ► dropping out or yeah there's just it's a [TS]

00:41:54 ◼   ► ditz just this decadent decaying society [TS]

00:41:56 ◼   ► this perfect solution for the [TS]

00:41:58 ◼   ► advancement of humanity [TS]

00:41:59 ◼   ► yes surprise surprise they're actually [TS]

00:42:01 ◼   ► static admit and somebody from the [TS]

00:42:03 ◼   ► outside needs to come in and shake them [TS]

00:42:04 ◼   ► up this is this is the we've seen this [TS]

00:42:06 ◼   ► story before kinda pending right Erica [TS]

00:42:08 ◼   ► and selenium it didn't take long a lot [TS]

00:42:12 ◼   ► of the mortals take millions of years to [TS]

00:42:14 ◼   ► get this moment you have a hundred years [TS]

00:42:15 ◼   ► like 200 years right [TS]

00:42:17 ◼   ► well their new immortals remember that [TS]

00:42:19 ◼   ► this is the first generation of the [TS]

00:42:21 ◼   ► immortals and probably got a storyboard [TS]

00:42:22 ◼   ► that he's not going to be a second one [TS]

00:42:24 ◼   ► the my one there there there can't be [TS]

00:42:27 ◼   ► because the other so they're just so [TS]

00:42:29 ◼   ► bored another movie this reminds me of a [TS]

00:42:30 ◼   ► sleeper this is like the serious no [TS]

00:42:33 ◼   ► jokes version of sleeper with my way and [TS]

00:42:35 ◼   ► he saw sleeper and said what you want to [TS]

00:42:38 ◼   ► improve that film remove the humor [TS]

00:42:40 ◼   ► uh-huh just get rid of humor yeah more [TS]

00:42:43 ◼   ► boobs and unless humor can you please [TS]

00:42:46 ◼   ► let john boarman he wrote down on a [TS]

00:42:49 ◼   ► cocktail napkin at one point and begin [TS]

00:42:53 ◼   ► LSD block he had it framed later let's [TS]

00:42:56 ◼   ► see what in this section eight so they [TS]

00:42:58 ◼   ► explain the thing about sleeping and how [TS]

00:42:59 ◼   ► the meditation is replaced sleeping [TS]

00:43:01 ◼   ► there there is at this point in the film [TS]

00:43:03 ◼   ► suddenly some narration that kind of [TS]

00:43:05 ◼   ► comes out of nowhere like they didn't [TS]

00:43:08 ◼   ► know what was happening so they just [TS]

00:43:09 ◼   ► dropped in some narration apparently [TS]

00:43:12 ◼   ► just tested poorly know oddly enough [TS]

00:43:15 ◼   ► it's actually explaining part of the [TS]

00:43:18 ◼   ► plot of blade runner right there [TS]

00:43:20 ◼   ► yeah time for a break in the action for [TS]

00:43:22 ◼   ► me to tell you about one of our sponsors [TS]

00:43:23 ◼   ► it's Squarespace you know I've been [TS]

00:43:25 ◼   ► building websites on and off since the [TS]

00:43:27 ◼   ► very beginning of the web first website [TS]

00:43:29 ◼   ► i built was built in the email program [TS]

00:43:32 ◼   ► Eudora's text editor terrible place to [TS]

00:43:34 ◼   ► build a website and then uploaded to a [TS]

00:43:36 ◼   ► server that serve God pages by ftp we [TS]

00:43:39 ◼   ► didn't even have a proper web server to [TS]

00:43:41 ◼   ► do it we've come a long way the [TS]

00:43:42 ◼   ► uncomfortable website for good or ill [TS]

00:43:44 ◼   ► was built by me by hand using various [TS]

00:43:47 ◼   ► tools the tools have gotten a lot better [TS]

00:43:49 ◼   ► but here's the thing i had in order to [TS]

00:43:51 ◼   ► build that site i had to use CSS [TS]

00:43:53 ◼   ► and an HTML and JavaScript and I had it [TS]

00:43:56 ◼   ► was an incredibly complicated process [TS]

00:43:58 ◼   ► involving design and lots of custom [TS]

00:44:01 ◼   ► stuff here's the beauty of how far we've [TS]

00:44:03 ◼   ► come [TS]

00:44:04 ◼   ► is Squarespace means you don't need to [TS]

00:44:06 ◼   ► know CSS and HTML and JavaScript you [TS]

00:44:09 ◼   ► don't need to be a graphic designer you [TS]

00:44:10 ◼   ► know don't need to be an architect of [TS]

00:44:13 ◼   ► information and user experience and [TS]

00:44:15 ◼   ► that's because Squarespace provides you [TS]

00:44:16 ◼   ► beautiful templates that are responsive [TS]

00:44:19 ◼   ► which means they look great on big [TS]

00:44:22 ◼   ► screens like laptops and desktop [TS]

00:44:24 ◼   ► computers as well as small screens like [TS]

00:44:25 ◼   ► iPads and smartphones and take it from [TS]

00:44:28 ◼   ► me I had to do some of that by hand on [TS]

00:44:31 ◼   ► the uncomfortable site and it's hard and [TS]

00:44:33 ◼   ► it took me a lot to learn how to do that [TS]

00:44:35 ◼   ► you don't have to learn this stuff with [TS]

00:44:37 ◼   ► squarespace your site will look [TS]

00:44:38 ◼   ► professionally designed you don't have [TS]

00:44:40 ◼   ► to have any skill in this area [TS]

00:44:42 ◼   ► the tools are easy to use their [TS]

00:44:43 ◼   ► state-of-the-art technology powering [TS]

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00:44:47 ◼   ► it's going to be stable it's gonna stay [TS]

00:44:49 ◼   ► up but when somebody finds you and it's [TS]

00:44:51 ◼   ► like oh my god everybody check out this [TS]

00:44:52 ◼   ► site will stay up it will stay running [TS]

00:44:54 ◼   ► it's not gonna crash [TS]

00:44:55 ◼   ► it's trusted by millions of people [TS]

00:44:57 ◼   ► Squarespace host some of the most [TS]

00:44:58 ◼   ► respected brands in the world and the [TS]

00:45:01 ◼   ► price is kind of unbelievable i have to [TS]

00:45:03 ◼   ► say i canna can't believe that for eight [TS]

00:45:04 ◼   ► dollars a month that's what it takes to [TS]

00:45:06 ◼   ► start a Squarespace account if you up [TS]

00:45:08 ◼   ► for an entire year you pay for the first [TS]

00:45:10 ◼   ► year you'll get a free domain [TS]

00:45:11 ◼   ► registration on top of that it's really [TS]

00:45:14 ◼   ► an amazing deal so start your free trial [TS]

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00:45:20 ◼   ► signup you actually get to just put in [TS]

00:45:22 ◼   ► some information and start building your [TS]

00:45:24 ◼   ► site and then after the trial is over [TS]

00:45:26 ◼   ► you can make a decision give them their [TS]

00:45:28 ◼   ► correct your credit card when you do [TS]

00:45:30 ◼   ► that use this offer code smell my last [TS]

00:45:33 ◼   ► name and you'll get ten percent off of [TS]

00:45:34 ◼   ► your first purchase at Squarespace so if [TS]

00:45:38 ◼   ► you're building a website you owe it to [TS]

00:45:39 ◼   ► yourself [TS]

00:45:40 ◼   ► check out Squarespace super easy you [TS]

00:45:42 ◼   ► don't have to become an expert in [TS]

00:45:43 ◼   ► website design and site-building and [TS]

00:45:45 ◼   ► technical stuff to build a beautiful [TS]

00:45:47 ◼   ► modern web site so thank you to [TS]

00:45:49 ◼   ► squarespace for sponsoring me [TS]

00:45:50 ◼   ► uncomfortable [TS]

00:45:51 ◼   ► Squarespace build it beautiful part of [TS]

00:45:53 ◼   ► the problem with this movie is that he [TS]

00:45:55 ◼   ► has so many weird ideas that he wants to [TS]

00:45:57 ◼   ► stuff in here only way too many for a [TS]

00:46:00 ◼   ► film of this length and that is why [TS]

00:46:02 ◼   ► roughly two-thirds of the film is taken [TS]

00:46:04 ◼   ► up with telepathy exposition [TS]

00:46:07 ◼   ► Gator you know where we look into [TS]

00:46:08 ◼   ► somebody's mind and see something that [TS]

00:46:10 ◼   ► happened earlier or you know for some [TS]

00:46:12 ◼   ► reason somebody needs to know exactly [TS]

00:46:14 ◼   ► how it was that the the vortexes came [TS]

00:46:17 ◼   ► about and I mean a huge chunk of the [TS]

00:46:20 ◼   ► movies taken up with it and I think it [TS]

00:46:21 ◼   ► kind of if there was there was flow to [TS]

00:46:24 ◼   ► be broken up [TS]

00:46:24 ◼   ► yeah that definitely does it yeah this [TS]

00:46:27 ◼   ► movie doesn't need any of that talk [TS]

00:46:29 ◼   ► about like the vortexes and all that [TS]

00:46:31 ◼   ► kind of feel like it [TS]

00:46:33 ◼   ► yeah I again I can't believe I'm saying [TS]

00:46:35 ◼   ► this but I feel like if somebody had [TS]

00:46:36 ◼   ► rewritten the script to have it be a [TS]

00:46:38 ◼   ► little more down-to-earth a little more [TS]

00:46:41 ◼   ► just sort of like recognizable of the [TS]

00:46:43 ◼   ► characters and not as much weird [TS]

00:46:45 ◼   ► terminology i kind of felt like there [TS]

00:46:47 ◼   ► might have been an interesting movie [TS]

00:46:48 ◼   ► here but it is such a god-awful mess in [TS]

00:46:52 ◼   ► it and sometimes fascinatingly a mess [TS]

00:46:55 ◼   ► but it is just a it's just a mess and [TS]

00:46:57 ◼   ► yeah and I think it goes back to writer [TS]

00:47:00 ◼   ► director producer right you do whatever [TS]

00:47:02 ◼   ► just nobody said no there's a million [TS]

00:47:05 ◼   ► dollars now that the way it looks on [TS]

00:47:07 ◼   ► this particular set i get the impression [TS]

00:47:08 ◼   ► that everyone was kind of in you know [TS]

00:47:10 ◼   ► this this seems cool man [TS]

00:47:12 ◼   ► he seemed like a loan multi-month party [TS]

00:47:16 ◼   ► was it really a million dollars because [TS]

00:47:18 ◼   ► it looks like maybe 20,000 1.57 million [TS]

00:47:23 ◼   ► dollars [TS]

00:47:24 ◼   ► no he's not really always you don't you [TS]

00:47:26 ◼   ► don't have to flatter any other costs I [TS]

00:47:28 ◼   ► gotta say that they didn't they made [TS]

00:47:30 ◼   ► that go a long way when you consider [TS]

00:47:31 ◼   ► that ice pirates was like 11 million [TS]

00:47:33 ◼   ► well and you gotta think Connery cost a [TS]

00:47:37 ◼   ► little bit yeah yeah I should have the [TS]

00:47:39 ◼   ► nissan saying this film was good though [TS]

00:47:40 ◼   ► is actually it was so sort of both [TS]

00:47:43 ◼   ► natural and we're decides to drive [TS]

00:47:45 ◼   ► footing and it kind of made a lot of [TS]

00:47:47 ◼   ► sense and and he [TS]

00:47:49 ◼   ► Oh totally and and but it didn't look [TS]

00:47:53 ◼   ► like a high budget film to me for [TS]

00:47:54 ◼   ► exactly that reason and he act i wonder [TS]

00:47:58 ◼   ► if-if some of the stuff with like that [TS]

00:48:00 ◼   ► they're you know half of it is watching [TS]

00:48:02 ◼   ► people make their own bread and and and [TS]

00:48:05 ◼   ► so bed sheets to have encounters under [TS]

00:48:08 ◼   ► and that sort of thing it was just just [TS]

00:48:10 ◼   ► the day he went for like the low-tech [TS]

00:48:13 ◼   ► British village with weird plastic [TS]

00:48:16 ◼   ► inflated bags everywhere because it was [TS]

00:48:19 ◼   ► an intern [TS]

00:48:20 ◼   ► sting juxtaposition that also didn't [TS]

00:48:23 ◼   ► spend you know it tried to make it look [TS]

00:48:26 ◼   ► futuristic would have just blown the [TS]

00:48:28 ◼   ► budget entirely so you know he ended up [TS]

00:48:32 ◼   ► I don't know it just felt to me like the [TS]

00:48:33 ◼   ► sort of like constraint that produces [TS]

00:48:35 ◼   ► something interesting [TS]

00:48:36 ◼   ► it looks me a lot like a [TS]

00:48:37 ◼   ► middle-of-the-road seventies porn like [TS]

00:48:39 ◼   ► just think the film is actually the [TS]

00:48:41 ◼   ► resetting it was it very much and it's [TS]

00:48:44 ◼   ► not very little wall panel though in [TS]

00:48:46 ◼   ► this track was missing after the [TS]

00:48:48 ◼   ► prisoners browser TV series i was shot [TS]

00:48:50 ◼   ► in like a spanish village i think that [TS]

00:48:52 ◼   ► was a very interesting look that made it [TS]

00:48:54 ◼   ► look I'm slightly unreal given that was [TS]

00:48:56 ◼   ► completely real to so stark and the [TS]

00:48:58 ◼   ► Prisoner show got you completely [TS]

00:49:01 ◼   ► off-balance because the environment both [TS]

00:49:03 ◼   ► sort of normal and peculiar to RI some [TS]

00:49:06 ◼   ► it was filmed in Wales actually with [TS]

00:49:08 ◼   ► whales out there was a Spanish just know [TS]

00:49:10 ◼   ► portmeirion wails oh yeah it's a weird [TS]

00:49:13 ◼   ► resource very cool [TS]

00:49:14 ◼   ► this is the point where is Zed discovers [TS]

00:49:17 ◼   ► through by offloading book that is [TS]

00:49:19 ◼   ► actually held by Zardoz but he's [TS]

00:49:21 ◼   ► invisible or something that he learns [TS]

00:49:24 ◼   ► about books and learns to read and [TS]

00:49:26 ◼   ► discovers the secret which is that is [TS]

00:49:29 ◼   ► our dogs just a story taken from the [TS]

00:49:32 ◼   ► with zardari bars close the wizard of oz [TS]

00:49:36 ◼   ► eau plot twist mind that came up because [TS]

00:49:40 ◼   ► i didn't see it coming [TS]

00:49:41 ◼   ► this seemed puzzled me because he's a [TS]

00:49:43 ◼   ► maze interrogating him to get this [TS]

00:49:45 ◼   ► information and he doesn't want to tell [TS]

00:49:46 ◼   ► her in it it's confusing because why [TS]

00:49:49 ◼   ► doesn't he want to tell I mean it's not [TS]

00:49:51 ◼   ► it is why does this part matter and it [TS]

00:49:55 ◼   ► just sort of drags for a really long [TS]

00:49:57 ◼   ► time for this interrogation [TS]

00:49:59 ◼   ► well he's owning up to the fact that [TS]

00:50:00 ◼   ► he's there to destroy their society at [TS]

00:50:02 ◼   ► this point so i would say it kind of [TS]

00:50:03 ◼   ► does matter is I think he also feels a [TS]

00:50:06 ◼   ► little like like ashamed and embarrassed [TS]

00:50:08 ◼   ► at having been taken in by the by the [TS]

00:50:11 ◼   ► giant floating Godhead that was actually [TS]

00:50:12 ◼   ► just like the man behind the curtain [TS]

00:50:14 ◼   ► that was that was my sort of read on it [TS]

00:50:16 ◼   ► but yeah he's embarrassed i never [TS]

00:50:19 ◼   ► learned to read and goals are starting i [TS]

00:50:22 ◼   ► lost my initials [TS]

00:50:24 ◼   ► the library you know there is there is a [TS]

00:50:27 ◼   ► certain amount of parallel to wizard of [TS]

00:50:29 ◼   ► oz with you know being transported to [TS]

00:50:32 ◼   ► another place there's the cyclone that [TS]

00:50:34 ◼   ► takes Arthur Frayn away in the beginning [TS]

00:50:36 ◼   ► there's you know the the manor house is [TS]

00:50:39 ◼   ► kinda like the Emerald City and and then [TS]

00:50:42 ◼   ► he discovers the you know pay no [TS]

00:50:44 ◼   ► attention to the man behind the curtain [TS]

00:50:45 ◼   ► maker emerald bread the bread is going [TS]

00:50:48 ◼   ► to bed [TS]

00:50:49 ◼   ► yeah nice together it all ties together [TS]

00:50:52 ◼   ► old bread what it all makes sense [TS]

00:50:55 ◼   ► why'd ya we're going to stop talking [TS]

00:50:57 ◼   ► pretty soon we're going to like this [TS]

00:50:59 ◼   ► movie and I can't alone 0 unit could not [TS]

00:51:01 ◼   ► allow that to happen [TS]

00:51:02 ◼   ► that's the magic of the film Jason [TS]

00:51:04 ◼   ► there's something there you gotta admit [TS]

00:51:06 ◼   ► he gets kid gets caught [TS]

00:51:07 ◼   ► uh and and yet showing his perhaps [TS]

00:51:10 ◼   ► mutant power he sort of escapes Consuela [TS]

00:51:14 ◼   ► power a little bit but is blinded but [TS]

00:51:16 ◼   ► then they put like eyedrops in them or [TS]

00:51:17 ◼   ► something in his we missed me missed my [TS]

00:51:19 ◼   ► friend gets only we talk about that my [TS]

00:51:21 ◼   ► friend gets senile old yeah we did we [TS]

00:51:23 ◼   ► skip that over i think yes he didn't [TS]

00:51:25 ◼   ► want to go to level two [TS]

00:51:26 ◼   ► man it was the most ridiculous thing [TS]

00:51:28 ◼   ► that always get out because that's the [TS]

00:51:30 ◼   ► whole thing where they give him like the [TS]

00:51:31 ◼   ► brute weird fires jazzy's it's like they [TS]

00:51:35 ◼   ► took a transport the cast of Godspell [TS]

00:51:37 ◼   ► from several traveling companies in one [TS]

00:51:39 ◼   ► room and the parachute system is no I [TS]

00:51:43 ◼   ► don't want to go to show you looked up [TS]

00:51:48 ◼   ► roger ebert's review and and the last [TS]

00:51:50 ◼   ► line of the review it's brilliant uses [TS]

00:51:52 ◼   ► zeros is a movie that will certainly aid [TS]

00:51:55 ◼   ► you two hours that scene with them with [TS]

00:51:59 ◼   ► the jazz hands and stuff actually it [TS]

00:52:01 ◼   ► kind of at the very beginning we have [TS]

00:52:03 ◼   ► the floating head and the crazy [TS]

00:52:04 ◼   ► monologue i just turned to Stephen and I [TS]

00:52:06 ◼   ► said is this communicator and when this [TS]

00:52:10 ◼   ► team came along with jazz hands I turned [TS]

00:52:12 ◼   ► back to Stephen and said this is [TS]

00:52:13 ◼   ► community are you're the Christ you're [TS]

00:52:16 ◼   ► the great Jesus Christ be uh you have a [TS]

00:52:20 ◼   ► second level although that's his [TS]

00:52:21 ◼   ► rebellion right that he's saying i'm [TS]

00:52:23 ◼   ► tired of you people [TS]

00:52:24 ◼   ► what you gonna do to me and the answer [TS]

00:52:26 ◼   ► is we're going to age you on half of [TS]

00:52:27 ◼   ► your face [TS]

00:52:29 ◼   ► well I think they actually kill him here [TS]

00:52:31 ◼   ► which is pitches which eventually here's [TS]

00:52:33 ◼   ► to die at that point I assume that he [TS]

00:52:35 ◼   ► was a lot [TS]

00:52:36 ◼   ► reconstructed in the tabernacle as half [TS]

00:52:38 ◼   ► old yeah I guess that's I guess that's [TS]

00:52:40 ◼   ► it or do they repair him or whatever I'm [TS]

00:52:43 ◼   ► i was unclear on whether they always [TS]

00:52:45 ◼   ► just died or whether they fix them and [TS]

00:52:46 ◼   ► all that be right [TS]

00:52:47 ◼   ► maybe so maybe they reconstitute him and [TS]

00:52:49 ◼   ► he's just sort of halfway broken I just [TS]

00:52:51 ◼   ► study past I think I think you're you're [TS]

00:52:53 ◼   ► giving it continuity that it doesn't [TS]

00:52:55 ◼   ► deserve you be making an argument that's [TS]

00:52:58 ◼   ► what he's mentioned earlier that he's [TS]

00:53:00 ◼   ► killed himself on sun several occasions [TS]

00:53:02 ◼   ► right ankle just reconstruct them so [TS]

00:53:04 ◼   ► here we make some sense be mind-blown [TS]

00:53:06 ◼   ► and then taken away to be aged this is [TS]

00:53:08 ◼   ► this is around at the point in the movie [TS]

00:53:10 ◼   ► by the way where somebody says speaking [TS]

00:53:12 ◼   ► of tropes that we are going to see a lot [TS]

00:53:14 ◼   ► and have seen a lot literally stay say [TS]

00:53:17 ◼   ► to sean connery you are the one no [TS]

00:53:20 ◼   ► liberated yep yep Stephen turn to me I'm [TS]

00:53:25 ◼   ► like yep it's the major favor and then [TS]

00:53:28 ◼   ► she gives him will be that's right at [TS]

00:53:31 ◼   ► least 11 so why not leave will help you [TS]

00:53:33 ◼   ► at an unknown time in the future sleep [TS]

00:53:35 ◼   ► will help you [TS]

00:53:35 ◼   ► why did he go blind she messed up his [TS]

00:53:38 ◼   ► head man [TS]

00:53:39 ◼   ► yeah it was but it was observed line [TS]

00:53:40 ◼   ► blitz he was able to resist her to a [TS]

00:53:43 ◼   ► certain extent but he was blinded in the [TS]

00:53:45 ◼   ► process [TS]

00:53:45 ◼   ► IC and then for some reason instead of [TS]

00:53:47 ◼   ► immediately killed killing him they [TS]

00:53:49 ◼   ► allow the lady to take him off to the [TS]

00:53:50 ◼   ► hydroponic bubble [TS]

00:53:51 ◼   ► yes can I promise and give him a magical [TS]

00:53:54 ◼   ► leaf it makes perfect sense glad you [TS]

00:53:57 ◼   ► believe you should be recapping this [TS]

00:53:59 ◼   ► that that that was that was perfect that [TS]

00:54:01 ◼   ► was washed twice and it actually made [TS]

00:54:02 ◼   ► some sense on the second viewing only [TS]

00:54:04 ◼   ► know probably I think browsers a bad [TS]

00:54:06 ◼   ► side you want to take us the rest of the [TS]

00:54:08 ◼   ► way because you know day you just dump [TS]

00:54:11 ◼   ► it all right i prefer to interrupt you [TS]

00:54:12 ◼   ► Jason ok the world was dying which was [TS]

00:54:17 ◼   ► good and put it into plastic tent which [TS]

00:54:22 ◼   ► is which is fascinating to so we EV is [TS]

00:54:24 ◼   ► this freak a plastic tent and a nail [TS]

00:54:27 ◼   ► pylon and hands-on in the plastic and [TS]

00:54:29 ◼   ► there's a moment where people are like [TS]

00:54:30 ◼   ► okay it's okay he's in the plants now he [TS]

00:54:31 ◼   ► can't get out of the plastic and [TS]

00:54:32 ◼   ► reconstructive plastic they're like it [TS]

00:54:34 ◼   ► can't be done [TS]

00:54:36 ◼   ► you could you can trip the plastic bag [TS]

00:54:38 ◼   ► if you use saran wrap oh my god that I [TS]

00:54:42 ◼   ► just how involved he is he could never [TS]

00:54:43 ◼   ► have like 50 he's got mutiny plastic [TS]

00:54:46 ◼   ► ripping plat power is this guy [TS]

00:54:49 ◼   ► I I there's a there's a weird scene [TS]

00:54:51 ◼   ► where he is now he's on the run and he [TS]

00:54:53 ◼   ► goes up to the shield and he's pushing [TS]

00:54:55 ◼   ► against the shield and he he does like [TS]

00:54:56 ◼   ► the hand signal to his guys on the [TS]

00:54:58 ◼   ► outside you like how he's gotta plan [TS]

00:55:00 ◼   ► this is all part of the plan they set [TS]

00:55:02 ◼   ► the building on fire to smoke them out [TS]

00:55:03 ◼   ► that doesn't really work [TS]

00:55:05 ◼   ► there's there's a bunch of chases I like [TS]

00:55:07 ◼   ► the scene where the horses are running [TS]

00:55:08 ◼   ► along the side of the hill and so he [TS]

00:55:09 ◼   ► just likes kids on his butt down there [TS]

00:55:11 ◼   ► down the angle of the hill to get in [TS]

00:55:13 ◼   ► front of them i thought that was funny [TS]

00:55:14 ◼   ► and I wanted how many takes they had to [TS]

00:55:15 ◼   ► do where his diaper kept coming off man [TS]

00:55:18 ◼   ► yeah i'm not going to change enough for [TS]

00:55:21 ◼   ► dish so he's on the run the apathetic [TS]

00:55:23 ◼   ► scum to him [TS]

00:55:24 ◼   ► it turns out his I don't know sweat make [TS]

00:55:27 ◼   ► them come awake and then they all start [TS]

00:55:29 ◼   ► kissing each other because life flows [TS]

00:55:31 ◼   ► out of you and into us as they say [TS]

00:55:34 ◼   ► what's interesting here is the feet that [TS]

00:55:35 ◼   ► the dropouts have tuned in and turned on [TS]

00:55:38 ◼   ► at that point what a turn about that [TS]

00:55:41 ◼   ► wasn't Stephen tweeted that [TS]

00:55:43 ◼   ► Zardoz is the soft core porn parody of [TS]

00:55:46 ◼   ► itself [TS]

00:55:47 ◼   ► yeah you can work it took a monkey yeah [TS]

00:55:51 ◼   ► I I thought it was that was a bizarre [TS]

00:55:53 ◼   ► scene where they're all just like I [TS]

00:55:55 ◼   ► touched your sweat and now i'm awake and [TS]

00:55:56 ◼   ► now i will touch my hand with your sweat [TS]

00:55:58 ◼   ► onto them and we will all yeah that was [TS]

00:56:01 ◼   ► I was wondering where that scene was [TS]

00:56:02 ◼   ► going said it's like that psychotropic [TS]

00:56:04 ◼   ► frog is another great moment when [TS]

00:56:07 ◼   ► they're looking on though where they're [TS]

00:56:08 ◼   ► passing around his sweat and we get a [TS]

00:56:10 ◼   ► close-up on Seth's face and the look on [TS]

00:56:12 ◼   ► his face a crisis like what the hell is [TS]

00:56:14 ◼   ► that was actually Connery on the set [TS]

00:56:18 ◼   ► that wasn't forget it forget it said [TS]

00:56:20 ◼   ► it's a pathetic you'd appreciate that [TS]

00:56:23 ◼   ► they showed that they showed you know [TS]

00:56:24 ◼   ► women kissing women men kissing I [TS]

00:56:26 ◼   ► noticed that surround that swell so it [TS]

00:56:28 ◼   ► was a gala Therrien so this is the [TS]

00:56:30 ◼   ► climax of the movie i guess the old [TS]

00:56:32 ◼   ► people and the apathetic sarkar are out [TS]

00:56:35 ◼   ► and about [TS]

00:56:36 ◼   ► they're all killing people and having [TS]

00:56:38 ◼   ► sex Sean Connery is dressed up like a [TS]

00:56:41 ◼   ► like a like a bride with a veil because [TS]

00:56:45 ◼   ► that's what was that a very clever [TS]

00:56:46 ◼   ► little disguise of his no one will [TS]

00:56:49 ◼   ► figure out why they're there is this so [TS]

00:56:52 ◼   ► I'm just again just stop me whenever I [TS]

00:56:54 ◼   ► the line i wrote down here was [TS]

00:56:56 ◼   ► we will touch teach you and you will [TS]

00:56:58 ◼   ► give us your seed ok so he basically [TS]

00:57:00 ◼   ► what's happening is they have sex with [TS]

00:57:02 ◼   ► him while they teaching math and that [TS]

00:57:04 ◼   ► goes on for a long time because there's [TS]

00:57:06 ◼   ► a lot of math there's a lot of poetry [TS]

00:57:07 ◼   ► and there's some explanation for why [TS]

00:57:09 ◼   ► this has happened because it's through [TS]

00:57:10 ◼   ► osmosis Steve they're learning through [TS]

00:57:12 ◼   ► osmosis but we have to explain why this [TS]

00:57:14 ◼   ► is all going on which is that is is that [TS]

00:57:16 ◼   ► made the scientists still believes that [TS]

00:57:18 ◼   ► they could not destroy the vortex and [TS]

00:57:21 ◼   ► that with his his enlightened jeans they [TS]

00:57:24 ◼   ► could build a better breathe better [TS]

00:57:25 ◼   ► society and right and so the idea is to [TS]

00:57:28 ◼   ► continue on to whatever is next for [TS]

00:57:30 ◼   ► humanity by going to give they're going [TS]

00:57:32 ◼   ► to give him all their knowledge and [TS]

00:57:34 ◼   ► getting knowledge is going to impress [TS]

00:57:36 ◼   ► you in the mood yeah yeah they're [TS]

00:57:37 ◼   ► basically there's a spin there that i [TS]

00:57:39 ◼   ► thought was telling to take it seriously [TS]

00:57:41 ◼   ► for one second is that they're like it [TS]

00:57:43 ◼   ► turned out we were too imperfect vessels [TS]

00:57:45 ◼   ► like we weren't strong enough because [TS]

00:57:47 ◼   ► we're all endogenous or women or [TS]

00:57:48 ◼   ► whatever it was like this little i think [TS]

00:57:50 ◼   ► a sexist or some kind of throw away [TS]

00:57:52 ◼   ► which is like we were so weak but you [TS]

00:57:54 ◼   ► were a virile man you can take all this [TS]

00:57:56 ◼   ► knowledge that you have and we don't [TS]

00:57:57 ◼   ► have you got all the chest hair [TS]

00:57:58 ◼   ► yeah also point out that i like the [TS]

00:58:01 ◼   ► projection apparently you learn by [TS]

00:58:02 ◼   ► having things projected a naked bodies i [TS]

00:58:04 ◼   ► know that work for me in school I really [TS]

00:58:06 ◼   ► like that sequence by the way with the [TS]