333: Pesky Human Issues
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So, the two of us plucked out that $20 and we legitimately found $20.
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That's how the plague began to spread.
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Yeah, right.
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It's a four-time better story than my previous story when I only found $5.
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I'm not sure that's how stories work.
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All right, so let's get started.
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We are required by law to do some follow-up.
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A friend of the show, allegedly, a friend of the show, Guy Rambo, has discovered an
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expansion slot utility app in Catalina, which is for the new Mac Pro.
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And I think we had seen a screenshot of this.
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I feel like I've seen this before somewhere, but this had more information than I'd seen
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And so tell me, gentlemen, what this is about.
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So I don't pay attention to the internals of PCs anymore or about computers anymore
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because I just buy whatever sized laptop or desktop I want.
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I haven't had to worry about a tower since like college.
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So what is happening here?
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This is arranging PCI cards in the most efficient way possible?
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So first of all, this is version two of this utility because version one of this utility
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was made for John's computer and actually the one right before it.
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Because it's a way-- and I don't know, John, was there even one before this for like G5s
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There were similar things, but they only told you how you were doing.
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They would show you all your expansion slots and memory slots and everything and show you
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what's in them and then it would scold you if you have put things in non-optimal places.
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And this is different though.
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So there's a couple things going on here.
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Number one is when you have desktop components, you have a lot of slots and people can kind
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of arrange things that they want as opposed to like an iMac is kind of always optimized
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in the right way and everything.
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There's been a couple of things over time where like if you-- for certain chipsets,
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there's like an optimal number of RAM sticks or it has to be like a multiple of two or
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three or something to get optimal performance because there's like two or three memory controllers.
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And there's similar things, although two that work a little bit differently, with PCI Express
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lanes and PCI Express lane allocations for different slots and different parts.
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Now we don't have to worry about PCI Express lanes on most Macs because they allocate the
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lanes when they design the computers and there's no slots and so you can't change how they're
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You occasionally will see like some part of the internal limitations or designs will leak
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out in ways like how not all of the Thunderbolt ports on all of the laptops have equal bandwidth.
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They'll have like the K-based articles that say like on 13 inch MacBook Pro with four
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slots like the left two will have more bandwidth than the right two or something like that,
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PCI Express, the communication protocol used between most high speed peripherals and things
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these days inside computers and actually Thunderbolt is basically PCI Express over a cable.
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PCI Express has a certain number of lanes that come out of the CPU and every CPU family
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has a different number of these.
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One of the reasons why the high end computers use Xeons is because Xeons tend to have more
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PCI Express lanes than the consumer chips and the laptops like the reason why the escape
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only has two Thunderbolt ports and the bigger MacBook Pros have four and why the 12 inch
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only has one port and it isn't even Thunderbolt is all related to like each of those chips
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from Intel has a certain number of PCI Express lanes that it offers and how you allocate
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those lanes to different parts, you know, it's up to the engineer of the computer.
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Anyway, the new Mac Pro has a lot of PCI Express lanes.
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I think it has like 32 or 48 coming out of the CPU, something like that, but if you add
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up all the amount of PCI Express lanes that all of its slots and built in peripherals
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need, it's way more than that.
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So they actually do a few tricks to allocate these things.
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The main thing is that they have a bridge chip in there and I don't know the details
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of it but I know there is one there.
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I was told there is, they actually are using a bridge that or some kind of switch or something
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like that, like a PCI Express multiplier basically that can allocate, it can offer more lanes
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to peripherals than what the CPU actually has available and then you can kind of allocate
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how those work and I think what this is telling us with this utility, I think you can actually
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maybe dynamically allocate them as opposed to just like, oh you have to move this card
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to this other slot every time.
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But there are also certain slots that have more lanes available to them than others and
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so what this utility is telling us is like, there's going to be certain configurations
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where certain cards you put in there, they don't need meaningful bandwidth.
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Things like a USB port card doesn't need much.
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An audio card, like for sound internet, it doesn't need much.
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But a GPU needs a lot, certain other kinds of cards need more or less and so this utility
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is there to basically tell you the user when you have plugged something into a slot that
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is not offering it the amount of lanes it needs and can make recommendations to you
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of where to move it and like the example, the screen shot said move this card from slot
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five to slot three or something like that.
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And all this is to get around the fact that you don't actually have enough PCI Express
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lanes in a Mac Pro to allocate full bandwidth to all of its slots.
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And that's just, that's not Apple cheaping out in some way, that's simply limitations
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on the Xeon CPUs that Intel offers for this computer.
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And apparently there's two pools of bandwidth, again probably getting back to the switch
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type thing where there's a bunch of radio buttons where you can change, you can't change
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the speed of the slots, an AX slot, a 4X slot, like they're labeled and it's fixed, but you
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can change which pool those lanes are allocated to and presumably you're trying to strike
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some kind of balance.
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There's also a checkbox that says automatic bandwidth configuration that will theoretically
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divvy stuff up into pools according to what the computer thinks is best.
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But for most of the history of Apple's, most of the modern history of Apple's slotted computers
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in the PowerPC era and later, if you put something in a non-optimal slot, whether it be RAM or
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PCI cards or whatever, usually on the first boot some dialogue from a similar utility
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that this will pop up and tell you that you've put things in a suboptimal place, sometimes
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you just dismiss that and it will never bother you again, sometimes it'll pop up every time
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depending on how dire the situation is, but this utility, like everything else having
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to do with the Mac Pro, is getting bigger and fancier.
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All right, so big week?
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A little bit.
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So we got word, what was it, the day after we recorded last week I think it was, as is
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off to happen.
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I was thinking about that by the way.
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Our show is kind of sort of intentionally on Wednesday because Apple does lots of announcements
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on Tuesdays, but Apple announces good news on Tuesdays.
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Apple does not announce bad news on Tuesdays.
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So I think we struck the right balance and I'd rather have the show like right after
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the good news comes out.
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I'm fine with waiting, you know, almost a week to talk about the bad news.
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So here we are.
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So the news, which may or may not be bad, is that Johnny Ive is officially leaving Apple.
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He is going to start his own consultancy, which is called what, Love From, I believe,
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or something like that.
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Terrible name, yes, that's what it's called.
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It is a truly terrible name, but you know, it is what it is.
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It doesn't matter what the name is.
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No, it doesn't.
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It's Johnny Ive's design firm, that's it.
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Yeah, design companies always have weird names anyway.
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Yeah, it's a thing.
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Yeah, it's like ad agencies.
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These are not names that the public tends to see.
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Anyway, so he's going to start this new design firm and Mark Newsome is going to, is that
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I believe I read that somewhere.
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I believe that's right.
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And I think Richard Howarth also.
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Oh, is that right?
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It seems like Ive, Howarth, and Mark Newsome, I think it seems like they all might have
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left together.
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Interesting.
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So one way or another, Apple was quick to point out that Apple will be consulting with
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Love From, or whatever it's called.
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You know, Apple will be a client.
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All is well, everyone.
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Don't worry, don't worry, everything's okay.
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Don't look behind the curtain.
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And then they have announced that Evans Hanke is going to be head of industrial design,
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and we'll talk about her a little bit more in a minute.
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And Alan Dye is going to be the VP of human interface design, and we'll talk about him
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a little more in a minute.
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Before we discuss the two of them, though, what are your guys' initial impressions?
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I actually recorded an episode of Clockwise earlier today where this was one of the subjects,
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and I feel like if you look at the tea leaves for the last several years, and I think Ben
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Thompson was the first one I noticed to get kind of in front of this, it sure seems like
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Ive has been moseying his way out the door for the last several years.
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And there was a semi-explosive piece from the Wall Street Journal, I believe it was,
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where they said basically Johnny Ive's a big turd and he's blowing off meetings left and
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right and he's caused strife and blah blah blah.
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And then Tim Cook responded saying, "Oh no, none of that's true, blah blah blah."
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So I don't know what's going on here.
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All you can do is guess.
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But it seems to me like this is mostly a non-event.
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But I don't know, one of you guys convinced me that I'm wrong, and let's start with Marco.
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Before we start with Marco, we were out in front of this, don't give Ben Thompson credit
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I went back and listened to my shirt.
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We haven't talked about this in a long time, and it's mostly because back in the episode
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when he had his title changed, we all basically wrote him off.
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It's like, well that's it, he's on his way out in everything.
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But it took a while for it to happen, I don't remember what episode that was, but I did
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go back and dig it out.
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And I think it's part of the reason we haven't really talked about, other than occasionally
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invoking his name as an expletive when complaining about some piece of hardware or whatever,
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which is something that I think we'll talk about.
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We've mostly not discussed him in the same way that we've discussed other Apple executives,
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because I think we collectively wrote him off back when we did that show, and this doesn't
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come up again.
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Anyway, I went back and listened to the audio, and that was my impression.
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And that was everyone's take, really.
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When was it, did he get changed to Chief Design Officer, CDO or something?
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So anyway, go on, Margot, I didn't mean to interrupt you and your mute switch that
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you're fighting with.
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No, it's fine.
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- Thank you for your correction, Jon.
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- I think this isn't nothing.
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I don't think it's as big of a deal as a lot of people think, because again, I do think,
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as Jon said, that this seems to have been in the works for years.
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We've heard bits and pieces here and there of Johnny slowly backing away and being less
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and less involved in day to day.
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And I think the announcement of his promotion to the Chief Design Officer, I think, was
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a very clear move.
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Like, Johnny Ive, who is the head of industrial design, no longer is involved in day to day
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management from that point.
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It's like, okay, well then what is he doing if he's not day to day managing?
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That's usually, yeah, that person's just not really working here anymore.
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And I understand from a lot of reports that it wasn't quite so severe in this case, but
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clearly it was a step in the direction of him ascending into the sky and slowly leaving
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It has seemed for a while that he was probably experiencing severe burnout, that he might
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have been creatively bored and wanting to explore other areas.
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He was known to have played major roles in the design of Apple Park and a lot of the
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details of Apple Park, like interior details.
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Didn't he also design the desks and the chairs and stuff?
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And he did a bunch of stuff.
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He's a designer, he's a creative person.
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There's only so much you can do, there's only so many iPhones you can design before you
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get bored and want to do other things.
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And he very clearly, for years, has been extremely interested in branching out into other areas
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of product design.
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He did that Christmas tree a few years ago, remember?
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I think also in collaboration with Mark Knudsen, he did obviously the Apple Watch and a lot
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of the Apple Watch bands and stuff like that.
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There was a good discussion about this on the talk show this week with John Gruber,
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with Ben Thompson as the guest.
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They talked a lot about this stuff.
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Basically, you have somebody like Johnny Ive, a professional designer and a well-known,
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world-renowned designer.
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They want to do other things.
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And he especially seems very interested in the world of high design, I guess, if there's
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a thing like high fashion, but for design.
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I don't know what that world is called, but the world of high-profile design, where you're
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not going to be able to hire him.
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His studio is going to do whatever he wants.
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He doesn't need your money.
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He's going to do fun stuff that is shown off in hoity-toity exhibitions and places like
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Sotheby's and stuff.
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That's where his stuff's going to go.
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You're not going to be able to go to Target next year and buy a Johnny Ive toaster.
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Nope, that's not at all the kind of stuff he's likely to be doing.
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So creatively, I think he clearly has wanted to do other things for years now.
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Apple was able to keep him going with things like the watch for a while longer.
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I think that extended his time there.
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But ultimately, it's kind of like when somebody is unhappy with a job, you can offer them
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more money, and they might stay for a little while longer.
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But ultimately, they're going to leave because you're just buying a little bit of time, maybe.
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And so similarly, it's like Johnny Ive clearly both was suffering from severe burnout and
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also clearly wanted to design other things that Apple would never make.
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Things like, well, I was going to say things like cars, but maybe not.
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Maybe that was a bad example.
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That's one of the things that we talked about, I think, when going back and listening to
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that episode was what kind of things would keep someone like Johnny Ive around after
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he's already made the iPhone and the iPod and the iMac and stuff like that.
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I don't think Apple Park was something we discussed because maybe that wasn't a thing
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on our minds at that point.
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But I think we did talk about the cars.
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That's something you could do to keep – because he is into cars, and it's very unlike computers,
00:16:09
◼
►
But in the end, A, nothing car-related has shipped yet other than carplay.
00:16:15
◼
►
And B, like you said, Marco, that's extending your timeline for sure, but it's not really
00:16:21
◼
►
satisfying whatever the itch is.
00:16:24
◼
►
So Johnny Ive had a high public profile for Apple, and it would have looked bad for Apple
00:16:31
◼
►
if he just all of a sudden left one day with no warning.
00:16:34
◼
►
And so his exit was designed.
00:16:37
◼
►
It was very carefully staged out over years.
00:16:40
◼
►
And this is – Apple clearly has a way that they do succession planning.
00:16:47
◼
►
Back when Steve was around, they knew when it became clear that Steve's health was
00:16:52
◼
►
failing and that he might not make it.
00:16:54
◼
►
I think they very carefully staged out the public introduction of Tim Cook as the new
00:17:02
◼
►
CEO until it was time to actually execute the transition, and then when Steve ultimately
00:17:08
◼
►
We were – like the public and the shareholders and the markets and the press, we were introduced
00:17:14
◼
►
to that transition gradually, and so it wasn't as big of a shock.
00:17:19
◼
►
And Apple wasn't immediately "doomed" or anything like that.
00:17:22
◼
►
For the most part, the market was okay.
00:17:24
◼
►
The stock didn't totally tank when Tim took over or when Steve actually did die.
00:17:29
◼
►
It was mostly a smooth transition.
00:17:32
◼
►
Johnny Ive had such a high profile, not quite Steve Jobs high, but still very high.
00:17:38
◼
►
And so for him to leave had to be staged out very carefully with the press, with the markets,
00:17:46
◼
►
with public perception.
00:17:48
◼
►
It was clear he was going to leave or burn out at some point soon.
00:17:53
◼
►
So I think that was what this chief design officer thing was.
00:17:57
◼
►
Clearly they knew then he was leaving.
00:18:00
◼
►
That was just part of it.
00:18:01
◼
►
I think we're also seeing this transition now.
00:18:03
◼
►
I think we're seeing that Jeff Williams is the backup for Tim Cook.
00:18:09
◼
►
Whether Tim Cook is going to retire or leave anytime soon, I don't know.
00:18:14
◼
►
I don't think this indicates that either way, but I do think we are seeing now Johnny Ive
00:18:20
◼
►
was slowly escalated into the sky and now he's just disappearing.
00:18:28
◼
►
And by the way, this thing about he's now a consultant to Apple and Apple's going to
00:18:31
◼
►
be a customer of his, that's nothing.
00:18:33
◼
►
Nothing's going to come out of that.
00:18:35
◼
►
Maybe he might design a watch band or something, but Johnny Ive is not going to be designing
00:18:39
◼
►
major Apple products anymore.
00:18:41
◼
►
That's not what this is.
00:18:44
◼
►
That's spin.
00:18:45
◼
►
It worked and that's great.
00:18:46
◼
►
But Johnny Ive is no longer designing things for Apple in the sense that any of us would
00:18:52
◼
►
The whole thing about, "Oh, now he's a consultant, that's a smokescreen."
00:18:54
◼
►
I was a consultant too.
00:18:55
◼
►
I never was a consultant.
00:19:01
◼
►
So they have done that.
00:19:03
◼
►
They did that with Steve to Tim.
00:19:05
◼
►
They did it with Johnny to the sky.
00:19:08
◼
►
And now I think they are also clearly preparing the public for Jeff Williams to be the next
00:19:16
◼
►
And I don't know whether that's the official plan, whether Tim actually does intend to
00:19:22
◼
►
leave in the next few years or whether they just want to always have a backup where in
00:19:28
◼
►
case something happens to Tim or in case he has to leave quickly, then they have somebody
00:19:33
◼
►
kind of groomed, ready to go to the public.
00:19:38
◼
►
They have a clear plan.
00:19:40
◼
►
If Tim Cook decided he wanted to run for president or something, he could just quit and Jeff
00:19:45
◼
►
Williams would take over now and it wouldn't be that big of a disruption it seems to the
00:19:50
◼
►
We don't know how it works internally.
00:19:51
◼
►
To the public it kind of seems.
00:19:52
◼
►
Anyway, I don't think the way Johnny left was a surprise at all.
00:19:57
◼
►
I don't think the timing was that much of a surprise.
00:20:00
◼
►
And ultimately, going back to the initial design side of this, I actually don't think
00:20:05
◼
►
this is going to be that big of a change because it does seem, you know, Tim's email can
00:20:10
◼
►
say things about how collaborative they are and everything else, but the reality is there's
00:20:13
◼
►
a lot of smoke behind the fire that he really wasn't that involved recently and that he
00:20:18
◼
►
really wasn't very hands-on in the last few years even in the actual products.
00:20:24
◼
►
I don't think he had zero design or zero influence.
00:20:28
◼
►
I think he had some, but it certainly does seem like most of the design of Apple's
00:20:34
◼
►
products over the last few years has been coming out of the people who are still there
00:20:38
◼
►
now, not Johnny Ive personally himself.
00:20:41
◼
►
They have a design team and actually, and Evans Hanke apparently, I've never heard
00:20:46
◼
►
of her before this.
00:20:47
◼
►
It doesn't seem like she had any kind of public profile before this, but in the wake
00:20:51
◼
►
of this news, we've heard rumblings here and there and stories here and there.
00:20:56
◼
►
She seems very well respected and she seems like she's been running stuff there for
00:21:00
◼
►
a while in industrial design.
00:21:01
◼
►
It seems like she's basically been running the team effectively for a while now.
00:21:07
◼
►
This is more like making formal what was already basically happening.
00:21:12
◼
►
I'm guessing most of the change of what's going to happen when Johnny Ive leaves Apple,
00:21:19
◼
►
I bet most of that change has already happened.
00:21:21
◼
►
I bet we're already seeing what's going to happen when Johnny Ive has left Apple.
00:21:26
◼
►
It wouldn't surprise me if much of the recent design coming out of Apple had little to no
00:21:32
◼
►
Johnny involvement.
00:21:35
◼
►
How much of the new Mac Pro do you think he designed?
00:21:37
◼
►
We know that was designed entirely in the last two years.
00:21:40
◼
►
How much of that do you think he designed?
00:21:41
◼
►
I'm guessing nearly zero.
00:21:43
◼
►
Do you think he designed the newest iPad Pro that had a radically different shape than
00:21:46
◼
►
the previous ones?
00:21:47
◼
►
Maybe, maybe he had some involvement, but probably not heavy involvement.
00:21:51
◼
►
The more recent designs, do you think he designed much of the iPhone X?
00:21:57
◼
►
Maybe, but I bet a lot of the people who are still there now did a lot of that work.
00:22:03
◼
►
I think we're already seeing post Johnny Apple.
00:22:06
◼
►
We've been seeing it now for years and it's fine because ultimately the design team is
00:22:12
◼
►
a big ... Well, it's not a big team, but it's a team of multiple people, not just the one
00:22:19
◼
►
guy whose name we knew, who we heard in videos in white worlds.
00:22:25
◼
►
It was always much deeper than that and it seems like the people who have been doing
00:22:30
◼
►
most of the design and most of the operating of that team for the last few years are now
00:22:35
◼
►
just formally in charge and before they were kind of been formally in charge.
00:22:39
◼
►
That's kind of how it seems.
00:22:40
◼
►
I'm not worried at all about this transition.
00:22:43
◼
►
We should get to the whole reporting to ops thing the group brought up, but before we
00:22:48
◼
►
do, Jon, did I get most of this right so far?
00:22:52
◼
►
I disagree with some of your assessments, but it's hard to admit it's just a gut feeling
00:22:57
◼
►
because neither one of us actually knows we're not there talking to the design team.
00:23:01
◼
►
It's an age-old problem we talk about all the time.
00:23:02
◼
►
It's hard to tell what exactly is going on inside Apple.
00:23:06
◼
►
One thing, the idea of him phasing out of the company, again, when he had the title
00:23:11
◼
►
change it was so clear that he's done a lot of things.
00:23:18
◼
►
He's accomplished what he wanted to accomplish in this realm and probably wants to be less
00:23:26
◼
►
closely involved.
00:23:27
◼
►
That would have been a nice smooth ramp over multiple years to him transitioning out, except
00:23:31
◼
►
that in the middle there, because these things are never planned out perfectly, same thing
00:23:35
◼
►
with Jeff Williams being a successor CEO, he might leave and go run JC Penney.
00:23:40
◼
►
Weird things happen.
00:23:43
◼
►
After he became CDO, there was a period where apparently Tim Cook or whoever convinced him
00:23:50
◼
►
to come back and take a more hands-on role because apparently he pulled too far back
00:23:56
◼
►
and maybe the transition wasn't ready, so it was kind of a bumpy ride on his way out.
00:24:00
◼
►
It wasn't like, "You'll just slowly fade away."
00:24:02
◼
►
It was like, "I'm disengaging.
00:24:04
◼
►
I'm going to be the CDO."
00:24:06
◼
►
And then it's like, "Well, we need a little bit more from you.
00:24:08
◼
►
Okay, I'll come back, but no, actually I'm out."
00:24:12
◼
►
These things never quite go as smoothly as you would want them to.
00:24:16
◼
►
As for what he'll do next, sure, he likes to do those weird Christmas tree things and
00:24:20
◼
►
the super expensive stuff for rich people.
00:24:25
◼
►
Certainly he'll end up doing weird things, weird from the perspective of the guy who
00:24:28
◼
►
makes iPhones because he's done a lot of consumer electronics.
00:24:33
◼
►
I don't expect him to do immediately more consumer electronics.
00:24:36
◼
►
I expect him to do a spatula or God knows what I mean.
00:24:39
◼
►
But for everything I know about him, I don't think...
00:24:45
◼
►
What do I know about him?
00:24:46
◼
►
I read a book on him.
00:24:47
◼
►
I've seen him in lots of videos.
00:24:48
◼
►
That's what I know.
00:24:49
◼
►
Anyway, based on that, I'm not sure he would be satisfied just doing weird designer stuff
00:24:54
◼
►
for rich people because there is a kind of populist, silversmith son, man of the people
00:25:04
◼
►
angle where he wants to make things that people actually use.
00:25:11
◼
►
Granted, you've got a weird Christmas tree, but I think he would be equally excited about
00:25:17
◼
►
a really good pen that costs $1.50.
00:25:21
◼
►
Can you make a good pen for $1.50 or a spatula or whatever?
00:25:24
◼
►
No, you can't.
00:25:28
◼
►
Anyway, I think that inevitably, if he continues to work at all, which is not a given because
00:25:37
◼
►
like you said, he doesn't need to work anymore, I think one of the things he may end up doing
00:25:42
◼
►
is more prosaic design that has a chance of being used by people other than his .001%
00:25:50
◼
►
rich friends.
00:25:51
◼
►
Because obviously, going from a company where you make something that literally billions
00:25:57
◼
►
of people use, you're going to step back and make something that five rich people use.
00:26:02
◼
►
But inevitably, if he keeps doing that, it's going to be like, "You know what?
00:26:05
◼
►
I'm kind of sick of making extremely expensive baubles that look really cool.
00:26:11
◼
►
I'd rather make something that I think some people will actually use and appreciate in
00:26:17
◼
►
He's not becoming an artist or a sculptor.
00:26:21
◼
►
He wants to be a designer, and I really believe he has bought into the idea that design is
00:26:27
◼
►
about being functional for the intended purpose and all that stuff.
00:26:30
◼
►
So who knows?
00:26:32
◼
►
If he continues to work at all in the long term, I expect him to make boring things occasionally.
00:26:41
◼
►
Will we know that he made them?
00:26:42
◼
►
I suppose so.
00:26:43
◼
►
I don't even know how this works in the world of high profile design.
00:26:46
◼
►
Will he put his name on them?
00:26:49
◼
►
They probably won't be in Target.
00:26:50
◼
►
You're right about that, but who knows?
00:26:53
◼
►
Weirder things will happen.
00:26:54
◼
►
When you have somebody like him who doesn't have anything to prove, first of all, his
00:27:00
◼
►
resume is set.
00:27:02
◼
►
He never needs to do anything else significant in his life ever again, and he's fine.
00:27:08
◼
►
Doesn't need money.
00:27:10
◼
►
When someone is in that scenario, they can end up doing weird things.
00:27:14
◼
►
So if he wakes up one day and says, "You know what?
00:27:15
◼
►
I want to make that spatula for Target," by God, he's going to make that spatula for Target
00:27:19
◼
►
because no one can tell him not to.
00:27:22
◼
►
It's not going to diminish anything that he's done.
00:27:26
◼
►
There's no thing that he can design that will diminish his past accomplishments.
00:27:31
◼
►
I'm ready for weird stuff, but I'm also ready for him to just…
00:27:36
◼
►
He's never been the most public person, and I expect to see him not be grabbing the spotlight
00:27:44
◼
►
at every opportunity.
00:27:45
◼
►
That's just the MO for anyone important who leaves Apple.
00:27:47
◼
►
If you look at all the people, even if they leave on bad terms like Forrestal, he didn't
00:27:50
◼
►
run out and be like, "I'm going to be on every cable news channel bad-mouthing Apple
00:27:54
◼
►
every time someone wants a comment for the next five years."
00:27:56
◼
►
That is not how things work, even when you essentially get fired and leave on bad terms.
00:28:00
◼
►
So I really don't expect Johnny Ive to be appearing on every cable news show every time
00:28:06
◼
►
they need someone to talk about design.
00:28:08
◼
►
I don't know.
00:28:09
◼
►
Was it Tony Fidell who seemed to be very forthcoming with the bad-mouthing of Apple once he left?
00:28:14
◼
►
Is that who I'm thinking of?
00:28:15
◼
►
Yeah, he definitely does that, but even he had a quiet period immediately after he left.
00:28:21
◼
►
Whether it's because people aren't interested in hearing what he has to say or he got involved
00:28:25
◼
►
in other things, it's not the usual MO for the big executives.
00:28:30
◼
►
Again, Tony Fidell is not leaving on the same terms as Johnny Ive, like going out a hero
00:28:35
◼
►
to the company or whatever.
00:28:39
◼
►
What I'm most interested in on this topic before we get to the new folks at Apple is
00:28:48
◼
►
taking a little bit of time now, because if not now, then when, to look back at Johnny
00:28:55
◼
►
Ive's work at Apple.
00:29:01
◼
►
What did he mean to the company?
00:29:02
◼
►
What did he mean to the products, the Johnny Ive era?
00:29:07
◼
►
It spans all of his career where he was a publicly known person, more or less, and all
00:29:12
◼
►
the products we know about.
00:29:14
◼
►
I think it's worth looking back at that.
00:29:18
◼
►
I think it also, at least my view of looking back on it, also influences how I think the
00:29:25
◼
►
company will go forward without him, because it's sort of like, well, when he was there,
00:29:30
◼
►
what did he do?
00:29:31
◼
►
Now that he's not there, what will not be done or be done differently?
00:29:36
◼
►
I want to start with what I think is an easy one, but I think it's worth saying explicitly,
00:29:42
◼
►
especially on this program, which is, do we think that Johnny Ive's time at Apple has
00:29:51
◼
►
been a net positive for the company?
00:29:53
◼
►
Oh, yeah, definitely.
00:29:55
◼
►
Is that a legitimate question?
00:29:58
◼
►
The correct answer is yes.
00:30:00
◼
►
I just wanted to put that out there.
00:30:01
◼
►
The reason I want to say that is because if you've listened to this show, especially if
00:30:04
◼
►
you only listened recently, the only time you ever hear us invoke the name Johnny Ive
00:30:09
◼
►
is when we're complaining that the laptops are too thin or they don't have enough ports
00:30:12
◼
►
or the keyboard is bad.
00:30:16
◼
►
I said before, his name is used as an expletive, as the singular personification of all the
00:30:22
◼
►
design we don't like at Apple, because he was in charge of all design at Apple, and
00:30:26
◼
►
therefore if there's some part of design at Apple that you don't like, you get to use
00:30:29
◼
►
that name as your little hook to explain who you're talking about.
00:30:34
◼
►
But let's be clear.
00:30:37
◼
►
Second only to Steve Jobs.
00:30:39
◼
►
I feel like the two of them combined, which I think is worth discussing that team, have
00:30:47
◼
►
done the biggest turnaround in U.S. corporate history, added tremendous value to the company,
00:30:54
◼
►
made not one, not two, but three, four, five, depending on how you count them, insanely popular,
00:31:03
◼
►
good products that sold really well, that were beloved, that did things, that broke
00:31:08
◼
►
new ground, that defined entire product segments and industries.
00:31:11
◼
►
If you take any one of those things, the iMac, the iPhone, the iPod, the iPad, I would say
00:31:18
◼
►
even the Apple Watch, any of those things, pick any single one and any designer would
00:31:22
◼
►
kill to, if it had been remotely involved with a single one of those, and to be the
00:31:25
◼
►
head of design or personally responsible for major aspects of design before he was elevated
00:31:30
◼
►
to that level, for a single one of those is just the accomplishment of a lifetime.
00:31:34
◼
►
He has this ridiculous resume.
00:31:37
◼
►
During that time, Apple went from a company that was basically going out of business,
00:31:41
◼
►
because remember, he was there before Steve came back.
00:31:43
◼
►
He was at Apple.
00:31:44
◼
►
It was at the Apple that was going down the tubes, toiling away behind the scenes, making
00:31:49
◼
►
things that no one actually had him ship until Jobs came and said, "Look at all this great
00:31:54
◼
►
We should let this guy ship some of this stuff.
00:31:55
◼
►
I think it'll be cool."
00:31:56
◼
►
We got the iMac and all that other stuff.
00:31:59
◼
►
So yes, Johnny Ive, probably the best product designer that has ever existed, as measured
00:32:07
◼
►
by anything that you can objectively measure.
00:32:10
◼
►
You could have opinions about what product you think is better or more elegant or whatever,
00:32:15
◼
►
but as measured by, beloved by the most people, sold the most number, made the most money,
00:32:23
◼
►
turned around the company that he worked at, was the most positive influence in the company
00:32:26
◼
►
that he worked at.
00:32:27
◼
►
Apple is head and shoulders above anybody else, just because of the scale of things.
00:32:31
◼
►
We talk about this all the time, but great designers of the past who made things that
00:32:34
◼
►
are iconic, the designers of the Volkswagen Beetle.
00:32:38
◼
►
So rarely has there been a singular name associated with it, and so rarely have there been a series
00:32:45
◼
►
of them within the same company that have pulled that company from the brink of bankruptcy
00:32:52
◼
►
to the biggest company in the world.
00:32:54
◼
►
It's a story that hasn't existed before, and Apple is so large that if you actually compare
00:32:57
◼
►
any of the numbers against anything that you can think of, except maybe the wheel.
00:33:03
◼
►
The iPhone is the biggest, best-selling, most influential product ever made, especially
00:33:09
◼
►
when you consider that every phone on the market is now essentially an iPhone, in terms
00:33:13
◼
►
of its influence on the world of products.
00:33:19
◼
►
And I'm not sure if he was involved in any of the laptops, but this is the old man segment
00:33:23
◼
►
of the show.
00:33:25
◼
►
Apple basically defined what the modern laptop is, too, when they decided to make a laptop
00:33:29
◼
►
where the keyboard is shoved up against the screen and below it is a pointing device,
00:33:32
◼
►
which started as a trackball and eventually became a trackpad.
00:33:35
◼
►
That's what every laptop looks like now, still.
00:33:38
◼
►
Before Apple made the PowerBook line, that is not what laptops look like at all.
00:33:41
◼
►
So in the same way that before Apple made the phone, phones did not look like the iPhone,
00:33:44
◼
►
and then after Apple made the iPhone, now all phones look like that.
00:33:49
◼
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I don't know if that was...
00:33:51
◼
►
I don't know if Johnny Iovine worked at the company at that point, and of course the Mac
00:33:55
◼
►
with the GUI.
00:33:56
◼
►
Apple has done that a couple of times, but Johnny Iovine has been involved with a lot
00:34:00
◼
►
of them, and especially all the most recent ones.
00:34:03
◼
►
So all that is a long-winded way to say that regardless of what we may think about his
00:34:10
◼
►
particular tastes versus our particular tastes as they relate to the details of an individual
00:34:15
◼
►
product, I'm not going to say we're nitpicking, because it's not just nits.
00:34:19
◼
►
They are fundamental differences, but you can't argue with the results.
00:34:23
◼
►
There is no arguing with his work as a designer.
00:34:26
◼
►
He is one of the greatest designers to ever live, probably the greatest designer we'll
00:34:31
◼
►
ever see in our entire lifetime.
00:34:34
◼
►
Doesn't mean that he's always right.
00:34:35
◼
►
Doesn't mean that everything he did is perfect and without flaw and without argument.
00:34:41
◼
►
Doesn't even mean his design philosophy has not evolved over the course of that, but you
00:34:46
◼
►
can't argue with the numbers.
00:34:49
◼
►
So I am not a avid designer by any means, and I feel like as I get older and older,
00:34:56
◼
►
I appreciate design more and more, but I don't really know what I'm talking about when it
00:34:59
◼
►
comes to design.
00:35:01
◼
►
But I feel like I know enough to know that Dieter Rams is frequently cited as one of
00:35:06
◼
►
the best designers, if not the best designer who has ever lived.
00:35:09
◼
►
I don't know the answer to this question because I'm not familiar enough with Rams' work, but
00:35:13
◼
►
if you, John, I'm hoping you're at least slightly familiar with it, if you had to pick between
00:35:18
◼
►
him and I, would you still pick Ive?
00:35:20
◼
►
Yeah, based on objective measures, for sure.
00:35:22
◼
►
Because yes, he did, it was very influential and he made some beautiful, elegant products,
00:35:27
◼
►
but did he take the companies that he worked for, his design studio, to the levels that
00:35:33
◼
►
Ive took Apple?
00:35:34
◼
►
Are his products in the hands of as many people as Ive's products have been?
00:35:37
◼
►
Are his products as beloved by as many people as Johnny's?
00:35:40
◼
►
It's just scale, right?
00:35:41
◼
►
And I feel like you can judge an artistic merit and say, "Well, this one designer who
00:35:46
◼
►
made this one thing that five people have ever seen is really the best."
00:35:49
◼
►
But I'm saying, "All right, that's like judging a level of art or whatever."
00:35:55
◼
►
But as a practical concern, if your goal is to make great things that are useful and beloved
00:36:02
◼
►
by people the sheer scale of Apple, it's the only thing you can objectively measure.
00:36:07
◼
►
Everything else is just opinion.
00:36:08
◼
►
But if you say fact-based, are you a successful product designer?
00:36:14
◼
►
How do you measure the success of a product?
00:36:16
◼
►
And I feel like the way you measure the success is that everybody likes it, that the company
00:36:22
◼
►
you work for as a designer is successful because of your designs, and the products are successful
00:36:28
◼
►
at what they're intended to do.
00:36:30
◼
►
And I feel like Dieter Rams, his scale is one bazillionth the size of Johnny Ive's scale.
00:36:35
◼
►
That's fair.
00:36:37
◼
►
So the other aspect of this, and we've talked about his legacy, and I've said all these
00:36:42
◼
►
nice things because now I want to bring the more difficult question, which is...
00:36:47
◼
►
All right, so getting back to the idea that Johnny Ive is not designing these things personally,
00:36:57
◼
►
this is, and also the concept that we can't actually know what goes on inside Apple, we're
00:37:02
◼
►
just looking in from the outside.
00:37:04
◼
►
Those two things combined gets back to my rule that I always invoke whenever talking
00:37:07
◼
►
about Apple, which is that in the end, it doesn't matter who specifically decides that
00:37:15
◼
►
the laptop should be this thin or shouldn't have an SD card slot or the keyboard, they
00:37:21
◼
►
should stick to the butterfly keyboard, or any particular design concern you might have,
00:37:25
◼
►
and you know, it's frequently attributed to that darn Johnny Ive, he wants the things
00:37:29
◼
►
to be featureless with no buttons on them.
00:37:31
◼
►
We have no idea if that's not like a faction inside his design studio, and in fact, Johnny
00:37:35
◼
►
Ive wanted to add tons more buttons, but was deferring to his design.
00:37:39
◼
►
We just don't know, but here's what we do know.
00:37:41
◼
►
We can never know those internals until they write their telebooks, but here's what we
00:37:44
◼
►
He was in charge of design, and despite all the collaborative type of things where like,
00:37:50
◼
►
"Oh, we discussed it all together," whatever, the buck stops with the people who are in
00:37:55
◼
►
So the bottom line is, if there's something that you don't like about Apple design during
00:38:00
◼
►
the time when Johnny Ive was the head of design, it's on Johnny Ive, whether it was his decision
00:38:06
◼
►
And certainly it wasn't his design, but he was the person who made the decisions.
00:38:11
◼
►
He was the one who gave the thumbs up or thumbs down.
00:38:13
◼
►
And ultimately, what is produced design-wise by the company is his responsibility.
00:38:17
◼
►
That's what it means to be a leader, right?
00:38:19
◼
►
The buck stops with him, even if he had nothing to do with it, even if he was against the
00:38:23
◼
►
idea but went along with it.
00:38:25
◼
►
That's the job of being the leader.
00:38:27
◼
►
It's not to design all the things, it's to have a position and a vision and make decisions
00:38:33
◼
►
that people below you can have positions and argue for them or whatever.
00:38:38
◼
►
But in the end, it's a hierarchy.
00:38:40
◼
►
And I feel like, especially with the absence of jobs, that Tim Cook was highly unlikely
00:38:44
◼
►
to override Johnny Ive's design decisions.
00:38:48
◼
►
So if there is something you don't like, if you think the laptop should have an SD card
00:38:53
◼
►
slot, if you don't like getting rid of touch ID to have the swipey home button, if you
00:38:59
◼
►
don't like something about the Apple Watch, no matter what it is, I feel it is entirely
00:39:03
◼
►
comfortable to not blame Johnny Ive personally, but to say that is part of his legacy.
00:39:09
◼
►
Because during the time that he was in charge of design, Apple did certain things.
00:39:13
◼
►
Every single thing Apple did, I'm totally comfortable saying that's at his feet, because
00:39:18
◼
►
he could have stopped that from happening.
00:39:20
◼
►
He could have made a different thing happen, right?
00:39:23
◼
►
So despite the fact that we know he's not doing anything personally, and despite the
00:39:28
◼
►
fact that we can't know what goes on inside there, I will continue to think about the
00:39:32
◼
►
legacy of Johnny Ive in terms of what the company produced when he was in charge.
00:39:37
◼
►
Not in terms of what he did personally, not in terms of his specific opinions, but that's
00:39:44
◼
►
your legacy when you're at that level of an executive.
00:39:46
◼
►
Like were we to get Johnny Ive on the program?
00:39:48
◼
►
I'm sure we could ask him lots of questions about his opinions about design.
00:39:52
◼
►
But ultimately, you can also ask him, say, during your tenure at Design at Apple, here
00:39:56
◼
►
are some things that Apple did.
00:39:59
◼
►
Looking back on those, are the things that the company did during your tenure that you
00:40:03
◼
►
regret, that you are particularly proud of, that you wish could have been more like this
00:40:07
◼
►
and less like that?
00:40:08
◼
►
Like you can, as a leader, you can have opinions on your legacy in that way without it being
00:40:14
◼
►
personal because you're like, well, I didn't design the iPhone 5 personally and draw every
00:40:20
◼
►
I saw seven competing designs and picked one of them and herded it and refined it or gave
00:40:24
◼
►
a vision statement or whatever.
00:40:25
◼
►
But in the end, Apple ships a thing and that's a thing that you said, yes, we're going to
00:40:30
◼
►
So that I feel like is the most important lens through which outsiders can judge Johnny
00:40:38
◼
►
Ive not so much as a designer, but as a leader of designers, as a leader of the design wing
00:40:47
◼
►
of the company best known for design.
00:40:49
◼
►
And so that's why I will continue to invoke his name despite the fact that we all know
00:40:52
◼
►
that he's not drawing every single design and he's, you know, at half the time he may
00:40:56
◼
►
be deferring to strongly held opinions by his collaborative group.
00:41:01
◼
►
But in the end, it's his responsibility.
00:41:02
◼
►
Well, the thing with that that's very interesting to me is as I'm thinking about the things
00:41:08
◼
►
that the three of us love to complain about, things like the keyboard, things like the
00:41:13
◼
►
Apple TV remote, things like the touch bar, as I sit back and think about all of these
00:41:18
◼
►
things, I can't think of anything other than the keyboards that I really and truly believe
00:41:27
◼
►
is unequivocally bad.
00:41:28
◼
►
I will even go to bat for the Apple TV remote.
00:41:30
◼
►
I know I'm the only one on the planet that will.
00:41:32
◼
►
It has problems.
00:41:33
◼
►
I'm not denying that, but I don't think it's objectively bad.
00:41:37
◼
►
The touch bar to me is not objectively bad.
00:41:41
◼
►
It may not be for the three of us, but I don't think it's objectively bad.
00:41:46
◼
►
So many of the laptops and computers of recently, I don't think that they're objectively bad.
00:41:54
◼
►
Like I want an SD card slot, but I don't think it is objectively wrong that it's not a part
00:42:00
◼
►
of Apple laptops anymore.
00:42:02
◼
►
And I'm trying to think, is there anything, and I know you're going to light me up about
00:42:05
◼
►
the Apple TV remote, but is there anything other than the keyboards that we can say,
00:42:11
◼
►
no matter who you are or what you're doing with this device, this is actually bad or
00:42:17
◼
►
wrong or what have you.
00:42:18
◼
►
Is there anything?
00:42:19
◼
►
Yeah, the remote definitely qualifies.
00:42:21
◼
►
And here's why, like you can, it's like, you can have opinions about what features a product
00:42:26
◼
►
Oh, I wanted to have this port.
00:42:27
◼
►
I wanted to have this battery life or whatever, but every product has a job to do.
00:42:31
◼
►
The job of the remote is to let you control what happens on a television while you're
00:42:37
◼
►
sitting on the couch.
00:42:38
◼
►
And you can measure how well the Apple TV remote does that job.
00:42:43
◼
►
And you can, like, I mean, bad, what does bad mean?
00:42:46
◼
►
You'd measure it against other remote controls and you'd have to come up with some criteria.
00:42:50
◼
►
What criteria do we care about?
00:42:52
◼
►
You pick anything.
00:42:54
◼
►
You're the person who's going to say, I'm going to judge remotes against each other
00:42:57
◼
►
and I'm going to have a bunch of tests to see if they fulfill the purpose.
00:43:03
◼
►
Almost anything that you can think of, the Apple TV remote does worse than the best remotes
00:43:09
◼
►
for sure, which I feel like is the bar that Apple should be judged against.
00:43:12
◼
►
Is it worse than the worst cable box remote?
00:43:15
◼
►
Maybe not, right?
00:43:16
◼
►
Maybe it comes out as a wash, nothing.
00:43:18
◼
►
But against a good remote, the Apple TV remote gets destroyed.
00:43:24
◼
►
You can have lots of opinions about features and sort of the product design, but I feel
00:43:28
◼
►
like the job to be done in the parlance of all the economic whiz kids is supposed to
00:43:33
◼
►
let you control your television.
00:43:36
◼
►
And it does that, but it does that very, very badly in almost all aspects.
00:43:41
◼
►
That's a great example of a thing that I put at the feet of Johnny Ive, whether he had
00:43:45
◼
►
anything to do with that remote or not.
00:43:46
◼
►
The bottom line is he was in charge and they shipped that.
00:43:48
◼
►
Now, all that said, back when Jobs was there, it was clear to everybody involved that Johnny
00:43:54
◼
►
Ive got to have a say, but in the end, if Steve decided something needed to be stitched
00:43:59
◼
►
leather, it was going to be stitched leather.
00:44:01
◼
►
It doesn't really matter what Johnny Ive or anybody else thought, right?
00:44:04
◼
►
So when he was there, that's why I'm totally comfortable putting it at the feet of Steve
00:44:07
◼
►
Jobs, everything.
00:44:09
◼
►
And it's weird, like I said before, well, then Jobs goes and you don't put this all
00:44:12
◼
►
at the feet of Tim Cook.
00:44:13
◼
►
Yes, kind of ultimately, but my read on the dynamic inside the company is that, again,
00:44:19
◼
►
Tim Cook, unless there is some large economic concern, even if there is one like with the
00:44:22
◼
►
gold watch, it seems to me that Tim Cook is not inclined to override Johnny Ive when it
00:44:27
◼
►
comes to design or anything like that.
00:44:30
◼
►
Override maybe when it comes to pricing and maybe when it comes to what we should make
00:44:34
◼
►
and what we shouldn't, like Johnny Ive had to pitch Tim Cook reportedly to say we should
00:44:37
◼
►
make a watch.
00:44:38
◼
►
Ultimately, Tim Cook said, "Sure, fine, go ahead."
00:44:40
◼
►
Again, perhaps another thing to get Johnny to stick around, right?
00:44:45
◼
►
But I don't think Tim is the design decider in chief, despite the fact that rank-wise
00:44:50
◼
►
he could decide that, especially if Tim ever did that, Johnny would have left long ago
00:44:56
◼
►
because I don't think he would stay at a company where that happens.
00:44:58
◼
►
Would he stay at a company where Steve Jobs overrides him?
00:45:01
◼
►
But that's probably the only person on the planet that Johnny Ive would allow that to
00:45:04
◼
►
happen from, at the point that he's grown to the level that he is.
00:45:09
◼
►
So yeah, there are definitely, I think, objectively bad designs as measured by anything that you
00:45:16
◼
►
could objectively measure about the job that thing is supposed to do.
00:45:19
◼
►
Are they the worst?
00:45:21
◼
►
But it's like average or somewhere below good and we want apples to be the best.
00:45:26
◼
►
And the remote is so galling because it's obvious to almost anybody what the problems
00:45:31
◼
►
with the thing are.
00:45:32
◼
►
It's not some nuance or subtlety that you have to really understand the essence of a
00:45:39
◼
►
It's like, no, it's hard to use.
00:45:41
◼
►
You make mistakes all the time.
00:45:42
◼
►
The thing gets lost.
00:45:43
◼
►
It's not comfortable to hold.
00:45:44
◼
►
I don't want to talk about the remote, but that's an easy one.
00:45:47
◼
►
Which part you could argue that accidental input is more of a problem than they think?
00:45:51
◼
►
And then, of course, obviously the keyboard.
00:45:52
◼
►
The reason why you gave that as a gimme is like its job is to type letters and if it
00:45:55
◼
►
doesn't do that right, sometimes it doesn't make any letters and sometimes make double,
00:46:00
◼
►
you know, that's no good.
00:46:02
◼
►
And you say, well, it still gets the job done.
00:46:04
◼
►
It's just a little bit tricky.
00:46:05
◼
►
I got to do that backspace part.
00:46:06
◼
►
Like, yeah, but we're judging it against average competence and it is below the average competence.
00:46:12
◼
►
Therefore we say it's bad.
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The dynamic that you said a minute ago about like, you know, Tim wouldn't really want to
00:48:16
◼
►
override Johnny on Munch because like that's, that was probably like a very expensive fight
00:48:21
◼
►
I think the dynamic between like, you know, what happens when Steve died and then there's
00:48:27
◼
►
a new CEO who's not a product person at all.
00:48:31
◼
►
And there's this designer that everyone loves, you know, much the same way they loved Steve
00:48:35
◼
►
who is still there.
00:48:39
◼
►
And there, it created this weird dynamic where like it seemed in some ways that Johnny was
00:48:44
◼
►
more, was more powerful than, than Tim or, or at least like, you know, there was, there
00:48:50
◼
►
was, there were like lines drawn that like Tim probably didn't want to cross certain
00:48:54
◼
►
lines because it would, it would, you know, cause friction with Johnny or, or override
00:48:59
◼
►
Johnny in ways that Tim thought that he should be empowered or things like that.
00:49:03
◼
►
And so what ends up happening when, you know, when Steve left, Johnny got elevated to not
00:49:11
◼
►
like a dictatorship, but like, but to a position of extreme power, more power than he had before
00:49:17
◼
►
with very little editing going on.
00:49:19
◼
►
And look, many of the world's greatest creatives really benefit from some editing.
00:49:26
◼
►
And Johnny was that way too, you know?
00:49:28
◼
►
But when, because of like the, the politics and the stature of, of the higher ups, because
00:49:34
◼
►
of like how that all worked out over the last few years, you know, after Steve died and
00:49:39
◼
►
everything, Johnny had seemingly a lot more power and influence than he probably should
00:49:48
◼
►
And for various political reasons with the public, especially, maybe with markets and
00:49:52
◼
►
whatever else, like, you know, Tim basically turned Johnny into the new Steve in like a
00:49:59
◼
►
power sense.
00:50:01
◼
►
He moved software design under Johnny.
00:50:03
◼
►
He moved, you know, he, he, he seemed to let design dictate a lot more about the products
00:50:09
◼
►
than before.
00:50:10
◼
►
And so like, like when Gruber initially wrote the take, you know, last week about like worrying
00:50:15
◼
►
that Johnny wasn't replaced because the new heads of design report directly to Jeff
00:50:22
◼
►
I don't see that as a problem because I see the current situation like up till now
00:50:29
◼
►
as being a weird hierarchy where basically design has been in charge of all products.
00:50:36
◼
►
Like the head of products, you know, we, we wondered like for the last few years, like
00:50:41
◼
►
who at Apple is the head of products really?
00:50:44
◼
►
You know, it was Steve before.
00:50:46
◼
►
Tim never had that job and didn't seem to want that job or have the ability to do it.
00:50:51
◼
►
He seemed to delegate it, but it seemed like he delegated it mostly to Johnny.
00:50:54
◼
►
So effectively the head of products at Apple, if you had to pick someone who it was, it
00:51:01
◼
►
seemed to be Johnny for the last, you know, X years.
00:51:05
◼
►
And so now, and I'm so mad that Gruber wrote this article today, cause I was, I was, I
00:51:11
◼
►
was waiting for the last few days to come on this podcast.
00:51:13
◼
►
That's what happens when, when it happens the wrong day for our show.
00:51:17
◼
►
Like I've been waiting to come on this podcast and say exactly what Gruber wrote in his article
00:51:21
◼
►
So basically like, so you know, for the last few years, Jeff Williams seemingly has, has
00:51:28
◼
►
been being slowly elevated into the role where now the answer, you know, the question of
00:51:34
◼
►
who is the head of product design at Apple, the answer now seems to be Jeff Williams.
00:51:40
◼
►
And I have a lot of thoughts about that.
00:51:43
◼
►
And most of it is a little, you know, little trepidation cause like we don't really know
00:51:47
◼
►
what Jeff Williams is like as a product, as the head of product, except that we can see
00:51:52
◼
►
the Apple watch, right?
00:51:54
◼
►
Like it seems, it seems like he has effectively always been the head of product for the Apple
00:51:59
◼
►
So we, we have that example seemingly, but we don't know much about Jeff Williams.
00:52:04
◼
►
You know, he, he, he doesn't have, you know, much personality display to the public.
00:52:09
◼
►
And so it's hard to really get a read on him for, from, from our side of things.
00:52:13
◼
►
But it does seem like now Jeff Williams is the head of product, whatever.
00:52:18
◼
►
Tim is like the administrator above all of this, you know, and Tim can probably like,
00:52:22
◼
►
you know, set the direction of large initiatives like privacy, but like services, that kind
00:52:28
◼
►
But like, it doesn't, it doesn't seem like Tim has any interest in, in like, you know,
00:52:30
◼
►
product details and that's fine.
00:52:32
◼
►
Well, he decides whether or not they're going to make a watch for example.
00:52:37
◼
►
That's his call.
00:52:38
◼
►
Yeah, that, that, that, yeah, that's probably right.
00:52:39
◼
►
But like, it seems like before the head of products was somebody who kind of was on his
00:52:47
◼
►
own, you know, Johnny I was like kind of on his own, kind of politically more powerful
00:52:52
◼
►
than Tim maybe, which, or at least closer to equals, which probably made that relationship
00:52:56
◼
►
a little bit awkward or a little bit hard to, you know, to edit or administer.
00:53:02
◼
►
And also if Johnny did indeed have this role of being the kind of de facto head of products,
00:53:07
◼
►
and even if not in his role as the head of design, it's kind of weird to have a head
00:53:14
◼
►
of design who's barely there or who is, who is, who is working out of his house in San
00:53:19
◼
►
Francisco when the rest of the company is an hour away working in an office every day.
00:53:23
◼
►
And you know, like Johnny, like even if only a little bit of that is true, that, that's
00:53:28
◼
►
still like when you have a manager who is very powerful, very respected, very opinionated,
00:53:35
◼
►
but is not always there, that makes it hard to make decisions.
00:53:40
◼
►
Or when you have that manager who is busy like, you know, designing the building and
00:53:43
◼
►
the desks and stuff, like it's for the last few years, they've had kind of a half absentee,
00:53:50
◼
►
highly distracted, highly burnt out head of design.
00:53:55
◼
►
Now they have moved the design organizationally back where it belongs in the ranks.
00:54:02
◼
►
Now they have some, they have two people who are clearly officially in charge.
00:54:10
◼
►
You have Evans Hanke as industrial design head, you have Alan Dye as VP of human interface
00:54:15
◼
►
design, which I think he is horrible.
00:54:16
◼
►
Oh God, I really don't like that he is the head of this, but he has been, you know, since
00:54:20
◼
►
iOS 7, so this is, you know, this is not new.
00:54:22
◼
►
Oh my God, I don't like Alan Dye's direction, but that's, that's for another day.
00:54:31
◼
►
But like now you have two clear heads of design, hardware and software, and they both report
00:54:38
◼
►
to the COO who is basically the head of product right now.
00:54:42
◼
►
That seems like an actual functioning, healthy organization.
00:54:47
◼
►
And I don't think you need design to be CEO level.
00:54:53
◼
►
You don't need like the chief design officer, like you don't need that if you have a functioning
00:54:57
◼
►
hierarchy where there is a head of product who is very empowered to do things, whether
00:55:01
◼
►
it's the CEO or not.
00:55:04
◼
►
It should be, I think in Apple it should be somebody very close to the CEO.
00:55:07
◼
►
Like I think it only works here, like with Jeff Williams being that, that's probably
00:55:10
◼
►
only going to work because Tim is very happy to delegate that to him.
00:55:15
◼
►
But you have design reporting to the head of product.
00:55:21
◼
►
That is the way it was under Steve.
00:55:23
◼
►
Steve was the head of product, design reporter to him.
00:55:26
◼
►
So I think this now makes a lot more sense than the kind of weird, vague, you know, minefield
00:55:33
◼
►
of how things were before.
00:55:35
◼
►
And because now we have actual full-time employees on site serving in these roles, I think things
00:55:41
◼
►
are going to be a lot more clear.
00:55:43
◼
►
And it's probably going to function better.
00:55:46
◼
►
So I think even though I don't know anything about these people really, the few things
00:55:52
◼
►
I've heard about Evans Hanke have been very good.
00:55:55
◼
►
I have high hopes that I think this is like cleaning up something that was kind of messy,
00:56:04
◼
►
putting it in a way, in a structure that is more likely to produce good, consistent results.
00:56:12
◼
►
So that mess is, it's part of, you know, part of any group of people doing anything,
00:56:18
◼
►
but certainly part of corporate America or large companies.
00:56:23
◼
►
I like to think of it as, you know, they make products and we talk about their products
00:56:28
◼
►
and we judge the various political maneuverings and the org chart and their financials.
00:56:35
◼
►
But in the end, in the end, these are all, this is just people.
00:56:38
◼
►
They're all just people.
00:56:39
◼
►
And people problems are always the biggest problems of any corporation, which is why
00:56:43
◼
►
staffing, HR, all those sort of soft skills, they call them or whatever, like that's
00:56:52
◼
►
the whole ball game, right?
00:56:53
◼
►
So in a situation like, like how did Apple find itself in this situation?
00:56:59
◼
►
They were so successful and they had these successful products and they had this team
00:57:02
◼
►
making them.
00:57:03
◼
►
And eventually that success, you know, your success as a company leads to the elevation
00:57:10
◼
►
of individual people within the company to the point where, you know, you mentioned before
00:57:15
◼
►
that Johnny Ive had been elevated, but then, you know, you later clarified, it's not
00:57:18
◼
►
like he had been elevated in the passive voice.
00:57:21
◼
►
Tim Cook elevated him.
00:57:22
◼
►
Tim Cook elevated him for several good reasons.
00:57:26
◼
►
One, he was your meal ticket.
00:57:28
◼
►
He made Apple what it is today, right?
00:57:32
◼
►
Two, there is a public perception, which was probably the truth, that he is Apple's meal
00:57:38
◼
►
And if there's a fight between Forrestal and Johnny Ive and you pick Ive, that's
00:57:44
◼
►
probably the right call.
00:57:45
◼
►
Like as far as the stock market is concerned, certainly, but probably as far as you're
00:57:49
◼
►
concerned in terms of like what is fair, who has meant more to the company, who is more
00:57:54
◼
►
important to keep, right?
00:57:56
◼
►
And so, and, you know, these kinds of decisions, you think of them academically, but in the
00:58:00
◼
►
end, those are actual people.
00:58:02
◼
►
So if you get to the point where you're in a situation where you are convinced and
00:58:06
◼
►
everyone around you is convinced, and it may actually even be the right thing to be
00:58:10
◼
►
convinced that it's really important for you to keep Johnny Ive happy and he wants
00:58:13
◼
►
to be in San Francisco and be less engaged from the company, you start doing things that
00:58:19
◼
►
if you had pulled back a little bit, like, is this actually the best for the company
00:58:23
◼
►
and the products?
00:58:25
◼
►
Or at a certain point, am I, you know, pigheadedly pursuing a goal that involves keeping a human
00:58:33
◼
►
happy when really, like, that's great, and it is good to keep Johnny around, but I feel
00:58:39
◼
►
like the company probably passed the point where they should have let him go.
00:58:45
◼
►
Like, if he wasn't engaged anymore, like, the goal of the company is not keep Johnny
00:58:51
◼
►
Ive employed and happy.
00:58:52
◼
►
Like, the company doesn't exist to serve Johnny Ive.
00:58:54
◼
►
Johnny Ive exists to serve the company, right?
00:58:57
◼
►
I don't know if from the inside it ever looked like that.
00:59:01
◼
►
From the outside, I feel like that may be the case.
00:59:04
◼
►
And, you know, again, trying to read the tea leaves and say, well, he's responsible
00:59:07
◼
►
for everything they ship.
00:59:08
◼
►
If there's something that characterizes, you know, the time after he was elevated to
00:59:12
◼
►
the head of everything, I feel like when it came time to make a product better, the philosophy
00:59:19
◼
►
embodied by the product and the execution by the design team was to, you know, attack
00:59:24
◼
►
it as designers and do things to it that had mixed success in the market, let's say.
00:59:32
◼
►
And I'm contrasting this with, and you go back to what Marco was saying earlier in the
00:59:35
◼
►
show about, like, we already kind of know what post-Johnny Ive looks like this.
00:59:38
◼
►
I'm contrasting this to the product design philosophy as embodied by things like the
00:59:46
◼
►
Mac Pro and the iMac Pro and, like, the Pro workflow team.
00:59:50
◼
►
Like, the idea of addressing that market and figuring out what their needs are and doing
00:59:54
◼
►
something that generally designed under both Steve and Johnny didn't do, which is, like,
01:00:00
◼
►
let's ask the customers what they want, which is the antithesis of Apple design.
01:00:03
◼
►
If you ask them what they want, they say, "A faster horse."
01:00:06
◼
►
Like, it's the whole, you know, you don't, if you ask people what they want, you don't
01:00:08
◼
►
get the iPhone, right?
01:00:09
◼
►
You don't get the iMac or the iPod.
01:00:11
◼
►
You don't, like, that's not how great design works.
01:00:15
◼
►
But you can take the other approach too far, especially if you have a singular person with
01:00:20
◼
►
a tremendous amount of power who the entire company thinks is very important to keep happy.
01:00:24
◼
►
You can end up with designs like the Apple TV remote and, you know, things like the Touch
01:00:30
◼
►
Bar, whatever your pet peeve is or the very thin keyboard that ends up not being reliable,
01:00:36
◼
►
Whatever you want to assign the blame for that, it's clear that, like, the fault in
01:00:40
◼
►
those things wasn't that Apple was asking for too much customer feedback and just making
01:00:45
◼
►
what customers wanted.
01:00:46
◼
►
Like, there's a spectrum, right?
01:00:48
◼
►
If you go too far and you just make what customers want, you will never make an innovative product.
01:00:52
◼
►
You will never make a hit and you will end up making, like, mainframes, right?
01:00:55
◼
►
On the other hand, if you just do what one very powerful person wants to do at their
01:01:00
◼
►
whim, despite, you know, ignoring what the customers want, you might end up with products
01:01:04
◼
►
that are less successful than they could be, let's say.
01:01:06
◼
►
And I feel like towards the end of Jonny Ive's tenure, that's how things were going.
01:01:10
◼
►
And I feel like the whole pro-workflow team is, like, if, look, if Jonny Ive wanted to
01:01:16
◼
►
have something like that, he would have had that long ago.
01:01:18
◼
►
It came recently, right?
01:01:20
◼
►
It was a change in direction for the company.
01:01:22
◼
►
It has demonstrably changed the kind of products Apple produces and the way they produce them.
01:01:27
◼
►
And I would argue for the better.
01:01:30
◼
►
For the better as far as we're concerned, but certainly it has changed them, right?
01:01:33
◼
►
You know, and we were seeing the fruits of that change.
01:01:36
◼
►
We like it better.
01:01:37
◼
►
Some people might like it worse.
01:01:38
◼
►
But I feel like, again, we can measure objectively how well-loved are the new laptops compared
01:01:44
◼
►
to the history of all the laptops that Apple has ever made.
01:01:47
◼
►
I would argue that these are not particularly well-loved in the pantheon of Apple laptops
01:01:50
◼
►
for a variety of reasons, right?
01:01:52
◼
►
And so you can like them or not like them, but you can judge them against history and
01:01:56
◼
►
you can look at why they may be less well-loved versus, for example, how well-loved was the
01:02:01
◼
►
iMac Pro in the pantheon of all-in-one computers from Apple.
01:02:05
◼
►
Pretty well-loved by the people who that product is aimed at, as far as I can tell.
01:02:09
◼
►
Like it's an all-in-one computer.
01:02:10
◼
►
Apple has made a lot of them.
01:02:12
◼
►
Some of them have been more loved than others.
01:02:13
◼
►
Everybody freaking loves the iMac Pro, like for the people who are in that market, right?
01:02:19
◼
►
So there are ways to measure the success.
01:02:22
◼
►
And I feel like the pesky human issues of the individual person who has, you know, they're
01:02:31
◼
►
all their own feelings and emotions and accomplishments and ego and, you know, just opinions and the
01:02:39
◼
►
amount of power they're given, like that all, it's not a toxic hell stew, Tim, but it is
01:02:44
◼
►
quite a stew.
01:02:46
◼
►
And even the biggest, the best companies in the end can be reduced to the decisions of
01:02:52
◼
►
a small number of people and those people problems can result in less than optimal situations.
01:02:58
◼
►
And, you know, I'm not going to say they should have got rid of him sooner or he should have
01:03:02
◼
►
been allowed to leave sooner or whatever.
01:03:04
◼
►
Like there's lots of different ways this could have gone.
01:03:05
◼
►
Obviously the Pro workflow team and everything happened while Johnny was ostensibly still
01:03:10
◼
►
So it's not like he was opposed to it or left because of its existence or felt like it was
01:03:13
◼
►
undercutting him.
01:03:14
◼
►
But like, and I totally believe in all the, you know, all the press releases about how
01:03:17
◼
►
they're collaborative.
01:03:18
◼
►
I believe that's true.
01:03:19
◼
►
Like they are collaborative.
01:03:21
◼
►
They do bounce out as each other.
01:03:22
◼
►
I bet even Tim is involved with in some capacity, right?
01:03:26
◼
►
But there is a hierarchy of where the decisions get made, right?
01:03:29
◼
►
The hierarchy is clear.
01:03:30
◼
►
The fact that they're collaborative at the highest levels is the strength of the company.
01:03:34
◼
►
The fact that ideas can come from anywhere that Phil Schiller, the marketing guy, can
01:03:37
◼
►
come up with the click wheel on the iPod, for example, and they don't just dismiss the
01:03:41
◼
►
idea because he's just the marketing guy, right?
01:03:43
◼
►
I believe all of that, that it is collaborative and it is true.
01:03:46
◼
►
But there are also lines of hierarchy and that's how they resolve the collaboration.
01:03:50
◼
►
It's not designed by committee.
01:03:52
◼
►
It is collaborative design within the design group, in the leadership team of Apple, all
01:03:57
◼
►
the way down to the rank and file levels.
01:03:58
◼
►
Like that's how, you know, great things get made.
01:04:02
◼
►
But you do need those decision points.
01:04:05
◼
►
And in the end, Johnny, I feel like was elevated to the point where he had, where his power
01:04:10
◼
►
and his engagement combined to allow some of his, I'm not going to say his worst instincts,
01:04:18
◼
►
but some of his instincts that were less optimal to Apple's product success than they had
01:04:24
◼
►
been either when his opinions were different or when his opinions were, I'm not going
01:04:29
◼
►
to say moderated by or edited by, I'm going to say combined with a collaborator like Steve
01:04:36
◼
►
Jobs, right?
01:04:37
◼
►
Or even Forstahl or whoever, like whatever, if you want to be an antagonistic collaboration
01:04:41
◼
►
or like this came up on a couple of our Slack channels or maybe it was also in someone's
01:04:45
◼
►
The comparison a lot of people drew between Ive and Jobs was John Lennon and Paul McCartney,
01:04:51
◼
►
which also at times was antagonistic, but also very fruitful collaboration of two very
01:04:56
◼
►
different people.
01:04:57
◼
►
One was not editing the other, or rather they were both editing at each other, but that
01:05:01
◼
►
the collaboration produced more than the individuals could have done.
01:05:04
◼
►
And I feel like that's why Apple collaborates at the highest level.
01:05:08
◼
►
And that collaboration comes down to individuals, right?
01:05:10
◼
►
So how will Allen Dye, Evans Hankey, and Jeff Williams collaborate together in the absence
01:05:17
◼
►
How will the pro workflow team be factored into that?
01:05:21
◼
►
Who runs the pro workflow team?
01:05:22
◼
►
Who decides that it's a thing that they should do or continue doing?
01:05:26
◼
►
How will Tim Cook collaborate with them differently than he collaborated with Johnny Ive?
01:05:30
◼
►
Presumably Tim Cook is less concerned about keeping Evans Hankey happy than he was about
01:05:36
◼
►
keeping Johnny Ive happy.
01:05:38
◼
►
He wants everyone to be happy, but the power dynamic between Evans Hankey and Tim Cook
01:05:42
◼
►
is different than it was between Johnny Ive, inventor of name and Brazilian products.
01:05:47
◼
►
The dynamics, the people are different, the arrangement of people are different in the
01:05:52
◼
►
corporate hierarchy, and the interpersonal dynamics are different.
01:05:56
◼
►
We're hoping that the new dynamic will produce products that are more successful, that we
01:06:03
◼
►
like better, whatever, pick your criteria, right?
01:06:06
◼
►
But honestly, we don't entirely know.
01:06:07
◼
►
We know a little bit if we assume that Johnny Ive has been checked out for a long time,
01:06:11
◼
►
but in the end, he was there, and if there was something that he vehemently didn't
01:06:15
◼
►
like, he could have given him a thumbs down, which is why we have all those stories about,
01:06:18
◼
►
"Oh, the team had to go out to San Francisco and wait around for Johnny to come, and in
01:06:24
◼
►
the end, he didn't even give us the decision we wanted."
01:06:25
◼
►
Why did they need his decision?
01:06:26
◼
►
Because he was in charge of design, and they had like, "We have option A and option B,
01:06:30
◼
►
and we have opinions in both directions.
01:06:32
◼
►
We need you to pick one, because that's your job as the leader."
01:06:37
◼
►
We bring you what we think are the best options, and we have factions internally, but none
01:06:42
◼
►
of us can decide because you're the boss, and they were disappointed that no decision
01:06:46
◼
►
was made, which happens all the time, and it's not like slamming him for not making
01:06:50
◼
►
the decision.
01:06:51
◼
►
Sometimes you just need to think about it some more or whatever, but again, getting
01:06:53
◼
►
back to what I said before, in the end, everything that goes out the door when he's in charge
01:06:57
◼
►
is on him, whether it was his idea or whether he even, maybe he just punched it and they
01:07:01
◼
►
just went with whatever they, you know, we don't know the dynamics, but we know it's
01:07:06
◼
►
his responsibility.
01:07:07
◼
►
Anyway, that's how I feel about the tail end of Johnny Ive's tenure at Apple, that
01:07:15
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it could have gone better, is what I'm going to say.
01:07:18
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I think that's fair.
01:07:19
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But you made, you said a moment ago, you know, pick any one of the gazillions of products
01:07:24
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that Ive has done, you know, to cite as an example, but from what I understand, Evans
01:07:30
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has done a ton of products at Apple and has like hundreds of patents with her name on
01:07:38
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them or something like that.
01:07:39
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And so I was digging into, you know, who are Evans and Allen, and I came across an article,
01:07:46
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which of course I didn't save the link for, so now I'm going to have to dig it back
01:07:48
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up, but that's okay.
01:07:49
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I came across an article.
01:07:50
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professional podcasters.
01:07:51
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Yeah, there we go.
01:07:53
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Therein they discussed, you know, who these people are and they cited a tweet from Maylee
01:08:00
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Coe, I hope I pronounced that right, who I saw speak at layers several years ago and
01:08:05
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is tremendous.
01:08:07
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And Maylee wrote on Twitter, this is with regard to Evans, and she's been making s***
01:08:12
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run right for a long ass time, uncredited, undercredited, excuse me, in my personal opinion.
01:08:20
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So this is from someone who worked at Apple design.
01:08:24
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In fact, on Maylee's own website, she writes, in 2014, I left a long stint at Apple where
01:08:29
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I designed and prototype new things to poke at with the human interface design device
01:08:33
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prototyping team.
01:08:35
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My work included blah, blah, blah, blah, blah, fundamental UI concepts for Apple's force
01:08:39
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touch and taptic engine, and my explorations help justify and refine the development of
01:08:43
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the iPad mini, iPad pro and Apple pencil.
01:08:46
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So Maylee is someone who I would think knows what the crap she's talking about.
01:08:51
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And she says that Evans is very undercredited.
01:08:55
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So that is kind of a big deal.
01:08:57
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And certainly it sounds like Evans has been running the design studio for a long time
01:09:01
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and is effectively the head of has been the head of design for a long time as well from
01:09:06
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a, from what I can tell.
01:09:07
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Well, everybody in the design group is undercredited.
01:09:10
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Like that's the whole point of having a figurehead.
01:09:11
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Johnny Hive is the figurehead, but and then literally everyone else is undercredited.
01:09:15
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He is overcredited and everybody else because of the conservation of credit is undercredited.
01:09:19
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Like that's just how it works.
01:09:22
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I remember it used to be like, they didn't even, Apple didn't even want you to know who
01:09:25
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worked for them in the secret room.
01:09:26
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They didn't even want you to know those people's names, let alone their faces because they
01:09:29
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were afraid of people getting poached and they would brag about how that was no turnover.
01:09:33
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Yeah, of course, of course the actual work is done by the employees and the boss is just
01:09:37
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in charge and gets to take all the glory and credit because everyone can't be a figurehead.
01:09:41
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So I'm not sliding the work of the people who are actually doing the design, but there
01:09:46
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is a design direction and there is a head of design and that head of design makes decisions.
01:09:51
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And again, in the end we have to just judge the products that are put out no matter whose
01:09:55
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idea it was.
01:09:56
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It was Johnny's, you know, in the latter years, Johnny's decision to put it out.
01:10:00
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So that's, that's another question, right?
01:10:02
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So all these designers who are there doing their design, they have, design is having
01:10:06
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lots of ideas.
01:10:07
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Like, you know, if you read any of the books about the things the design team does, like
01:10:11
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when they were making the original iPhone, one of the original ideas they had was basically
01:10:14
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the iPhone 4.
01:10:15
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It looked kind of like an ice cream sandwich, you know, like we all know what the iPhone
01:10:18
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4 looks like.
01:10:19
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That was one of the designs in the running for the original iPhone.
01:10:23
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They didn't pick that one.
01:10:24
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They picked the design that we saw as the original iPhone.
01:10:26
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But eventually, many years later, they did the iPhone 4, right?
01:10:30
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And you know, these designers all have lots of ideas about what a product could be like,
01:10:36
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And they have ideas about the features that the product could have, and that shades into,
01:10:39
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you know, the sort of, there's designing the thing to do the job, and there's deciding
01:10:44
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what the heck is the job, right?
01:10:46
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And that's all part of the same, you know, part of the same stew when Johnny Ave is the
01:10:51
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head of everything, right?
01:10:53
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But with some more divisions, I feel like, what will these designers do?
01:10:57
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What kind of ideas will they have when given, given direction from not just Evans Hankey,
01:11:04
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but also from, you know, Jeff Williams, or maybe even from Alan Dye with the software
01:11:09
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idea like that when more people are combined, those same designers working in a different
01:11:15
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situation, maybe certain ideas that before wouldn't get past the, you know, here are
01:11:20
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a bunch of options stage, could go farther.
01:11:23
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Or you know, it really depends on what opinions the new bosses have about the work that is
01:11:30
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And, you know, this group of designers don't just dictate exactly what it's going to be
01:11:36
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and get it right on the first try.
01:11:37
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You try all sorts of things, you have all sorts of ideas, and you discuss them, and
01:11:41
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that discussion with those particular people and those particular bosses, it decides what
01:11:45
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actually makes it out the door.
01:11:47
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And so, certainly, with this new set of people, but the exact same designers, we're going
01:11:51
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to see different products.
01:11:52
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Even if they wanted to, they could make the same decisions as Johnny, because I'm sure
01:11:55
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Johnny, like every other person, is inscrutable, and who knows what he would affect.
01:11:58
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And I think that's actually a feature, not a bug.
01:12:02
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It seemed, especially up to about a few years ago, that Apple was kind of like running out
01:12:06
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of ideas of like how to move the products forward.
01:12:10
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And now, by having a change in design leadership, whether or not this was like kind of what
01:12:16
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was happening all along or not, this I think will give, almost like give them permission
01:12:22
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to do things differently.
01:12:23
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It'll certainly give the designer permission to do things differently, because they won't
01:12:25
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have the fear of like what if Johnny overrides this, or they'll be able to more explore
01:12:32
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new ideas without having to worry about what would Johnny do.
01:12:36
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So it's part of that, but also just like, I want to see what happens when Apple gets
01:12:40
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things shaken up a little bit, because when you're in a rut, which it seems for a while
01:12:46
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like the iPhone was in a rut before the iPhone X.
01:12:49
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You had like the 6, 7, they were all kind of just 6s.
01:12:53
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It was all kind of like, here's the most boring phone you've ever seen.
01:12:56
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And eventually it got improved with the X.
01:13:01
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The iPad was kind of in a lull for a while.
01:13:04
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And then the pros that came out last fall with the new industrial design are really
01:13:10
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You know, the laptops I think have been in a rut for a little while, and I really can't
01:13:14
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wait to see what this fall's one ends up being, to see what direction that's taking.
01:13:19
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But I'm looking forward to having the influence of new designers able to flourish, and able
01:13:27
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to get products out the door with just someone else being in charge, and someone else being
01:13:33
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the filter at the top of that group.
01:13:35
◼
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And this is why, to have Jeff Williams be seemingly the effective head of products,
01:13:42
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it seems a little weird to think about that, because we haven't really thought about
01:13:45
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Jeff Williams that way up till very recently, but he's somebody new to this role, seemingly,
01:13:53
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or at least new in scope of the role.
01:13:55
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I want to see what that brings.
01:13:57
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That's kind of exciting to me.
01:13:59
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And it isn't all going to be perfect.
01:14:01
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Not everything they do is ever perfect.
01:14:03
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But it's new, it's different, it's changed, it's moving things forward.
01:14:09
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It's getting new blood in there into existing roles.
01:14:13
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I want to see what that brings.
01:14:15
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And I'm kind of excited about that.
01:14:16
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And I know I'm not going to like everything, and that's fine.
01:14:19
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We wouldn't have a podcast if I liked everything.
01:14:23
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But I'm very excited to just see something being shaken up, and seeing some new blood,
01:14:31
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►
and seeing some people who have been apparently working for a very long time being elevated
01:14:35
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into new power.
01:14:37
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I want to see what that brings.
01:14:38
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Yeah, I couldn't agree with you more.
01:14:40
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I really feel like, I don't know if stagnant's the right word, but it's certainly, I feel
01:14:46
◼
►
like Apple has been, and again, I don't think cruising is the right word, but I can't think
01:14:51
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►
of the word I'm looking for.
01:14:52
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But it's just been kind of business as usual.
01:14:54
◼
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And I really am excited at the thought of having this new blood really allowed to spread
01:15:01
◼
►
their wings and do what they want to do.
01:15:04
◼
►
And this is going to be a very exciting time to be an Apple fan, which is good because
01:15:08
◼
►
in my opinion, Apple's been pretty dominant for the last several years.
01:15:15
◼
►
I mean, they're occasionally, if not often, the most valuable company in America, if not
01:15:20
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►
So it'll be interesting and cool to watch this all go down and watch this kind of work
01:15:25
◼
►
itself out, just like you said.
01:15:27
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Yeah, I'm right there with you, Marco.
01:15:28
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►
I'm really excited about where things are going from here.
01:15:32
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►
I wouldn't call it stagnation, but like this is another thing that from the outside I tend
01:15:37
◼
►
to map onto Jonny Ive because I assume that he is the one making these decisions.
01:15:42
◼
►
If you're doing any job, especially a creative job, but really any job for a very long period
01:15:48
◼
►
of time, like in the beginning when you're just getting started in whatever your career
01:15:54
◼
►
is, you're very excited to attain the skills that those skills in the art have, whatever
01:15:59
◼
►
the thing you're doing.
01:16:00
◼
►
If you're a baker, to make your first wedding cake or whatever.
01:16:04
◼
►
Just do the basics, do them with your own twist or flair, but become competent.
01:16:10
◼
►
And you can keep going along that ramp where then you start having your own style more
01:16:13
◼
►
and deciding what you like and what you don't like.
01:16:15
◼
►
But if you're doing this for a very long time and you're very successful, especially in
01:16:20
◼
►
creative endeavors, I think people have a tendency both because as they age and get
01:16:24
◼
►
more experienced, but also as they become more skilled, you're less excited by things
01:16:29
◼
►
that you've already done.
01:16:33
◼
►
And whatever your philosophy is for your craft or your art, I'm not going to say you make
01:16:40
◼
►
more extreme versions of it, but you pursue your muse more thoroughly.
01:16:46
◼
►
So in the beginning, when you're making your wedding cake, you may be like, "Well, in general,
01:16:53
◼
►
cakes tend to be layered with big layers on the bottom and small layers on the top, like
01:16:57
◼
►
a kind of thing.
01:16:59
◼
►
And they're made of this kind of material, and this is about how big they are."
01:17:04
◼
►
You're constrained by the orthodoxy a lot because you're just learning.
01:17:09
◼
►
In the middle, you're like, "I'm making a wedding cake that's a single layer and it's
01:17:13
◼
►
a cylinder straight up and down, and it's the new design trend, and now I've defined what
01:17:18
◼
►
wedding cakes are going to look like for the next 20 years or whatever.
01:17:20
◼
►
They're not pyramid-shaped.
01:17:21
◼
►
They're like skyscraper-shaped or something.
01:17:24
◼
►
And by the way, they're pink or whatever."
01:17:28
◼
►
Whatever your muse is, I feel like you do end up pursuing it, trying to get it the root
01:17:40
◼
►
If you've seen Johnny Ive's videos in his white world over the course of the past decade
01:17:43
◼
►
or so, you see him talk about always trying to find the essential nature of the product,
01:17:48
◼
►
the essence of the product, to get rid of extraneous things.
01:17:53
◼
►
As expressed in those videos, his design philosophy is not about ornamentation.
01:18:00
◼
►
It's about figuring out what is the essence of "insert whatever the product is," whether
01:18:04
◼
►
it's a laptop or, you would probably say, a remote or a pencil or an iPad or a phone.
01:18:11
◼
►
What is the essential nature of this product?
01:18:13
◼
►
What parts of it that we think are integral to the product are actually superfluous?
01:18:19
◼
►
And can I get rid of those?
01:18:21
◼
►
Can I simplify the design?
01:18:23
◼
►
Can I use fewer parts?
01:18:25
◼
►
Can I remove ornamentation or extra things?
01:18:35
◼
►
Under his design leadership, Apple has pursued that philosophy in its products to an ever
01:18:39
◼
►
more extreme degree, almost entirely across the board, with only recently a slight change
01:18:45
◼
►
in direction with the pro products.
01:18:47
◼
►
And it made me think of something I saw recently.
01:18:51
◼
►
This is a program on Netflix that's like a sci-fi anthology series of little animated
01:18:57
◼
►
It reminds me of Liquid Television and MTV back in the day.
01:18:59
◼
►
A particular episode called Zima Blue.
01:19:02
◼
►
The series is called Love, Death, and Robots.
01:19:05
◼
►
It's on Netflix.
01:19:07
◼
►
Every episode is standalone.
01:19:08
◼
►
Most of them are not that good.
01:19:09
◼
►
Some of them are kind of exploitive and extreme.
01:19:11
◼
►
But I would recommend that everybody take a look at Zima Blue.
01:19:14
◼
►
And it's a sci-fi story.
01:19:16
◼
►
It's animated and it's a story of an artist.
01:19:18
◼
►
And this artist, I won't spoil the thing for you.
01:19:20
◼
►
You should watch it.
01:19:21
◼
►
It's like 15 minutes long.
01:19:22
◼
►
They're all very short.
01:19:25
◼
►
Pursues his muse, his passion, his artistic intent to an extreme, for an explicable reason,
01:19:34
◼
►
a more extreme than Johnny Ive because, again, it's a sci-fi story.
01:19:37
◼
►
But I would encourage everybody to check out Zima Blue on Netflix to see what could have
01:19:44
◼
►
become of Johnny Ive if his life turned out a little bit differently and he was in a sci-fi
01:19:50
◼
►
animated show.
01:19:51
◼
►
But anyway, getting back to Apple, I feel like that's the natural arc of someone's career.
01:19:59
◼
►
And by putting people in, replacing him with people in other, the people we just discussed,
01:20:06
◼
►
who are at different points in their career, none of those people made the iMac.
01:20:10
◼
►
None of them made all of those products or were responsible for a design when those products
01:20:15
◼
►
were produced or however you want to parse it.
01:20:18
◼
►
They're all at different parts in their careers.
01:20:20
◼
►
They all have their own personal design philosophies.
01:20:24
◼
►
Are they all subscribed 100% with the essentialism and all of the philosophy espoused by Johnny
01:20:29
◼
►
in all of his videos?
01:20:31
◼
►
Maybe, maybe not.
01:20:33
◼
►
I would imagine that the design group is filled with a diversity of opinion about what thing
01:20:38
◼
►
they should be pursuing in their products.
01:20:40
◼
►
I also think that the design group probably lacks some opinions that are important for
01:20:48
◼
►
Apple's products to be very good.
01:20:50
◼
►
Some of those opinions may be coming from the pro work group people, like some of them
01:20:54
◼
►
might be coming from the software side.
01:20:57
◼
►
When Johnny was the head of everything and he was so closely tied to the design group,
01:21:01
◼
►
there are aspects of successful laptops that may not be represented at all anywhere in
01:21:06
◼
►
the design group, not because Johnny I've expunged all contrary opinion, but just because
01:21:10
◼
►
it's a bunch of industrial designers and product designers.
01:21:13
◼
►
They think differently than someone who is a professional in some market that products
01:21:20
◼
►
are sold into or a marketing person.
01:21:24
◼
►
There are other perspectives.
01:21:28
◼
►
Having Apple's products now not only have a different decider in front of the design
01:21:32
◼
►
group, but have what has to be more influence from things outside the design group.
01:21:38
◼
►
I think that's the better way to make a well-rounded, successful, pleasing product
01:21:44
◼
►
than to have even the diversity of opinion that may be present in the design group.
01:21:49
◼
►
You need more perspective than that because in the end, products are more than just the
01:21:54
◼
►
things that people in the little walled off design group think about.
01:21:59
◼
►
There are also things that have prices and names and features and customers and jobs
01:22:06
◼
►
And those I feel like are not well represented by the design group.
01:22:09
◼
►
Hopefully that will change for the better now.
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I'm just so, I'm that kind of nerd who immediately replaced the Wi-Fi at a rental, but it was
01:23:48
◼
►
worth every second and every penny of it.
01:23:51
◼
►
So give Eero a chance to never think about Wi-Fi again.
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◼
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Get $100 off the Eero base unit and two beacons package with one year of Eero Plus by using
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code ATP at checkout.
01:24:03
◼
►
So go to Eero.com, E-E-R-O.com/ATP and use code ATP, take $100 off the package that has
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◼
►
the Eero base unit, two beacons and one year of Eero Plus.
01:24:14
◼
►
Thank you so much to Eero for sponsoring our show.
01:24:16
◼
►
(upbeat music)
01:24:20
◼
►
- Some Ask ATP.
01:24:21
◼
►
- Let's do it.
01:24:22
◼
►
- All right, we start tonight with Marcus Ernst who writes, "How does the recommendation
01:24:26
◼
►
engine in Overcast work?
01:24:28
◼
►
Did you try multiple approaches?
01:24:29
◼
►
Is it some fancy neural network?"
01:24:31
◼
►
- I have tried multiple approaches.
01:24:33
◼
►
It is not a neural network or anything remotely fancy like that, primarily because I don't
01:24:40
◼
►
know how to use those things or understand anything about them.
01:24:43
◼
►
- Use CoreML.
01:24:44
◼
►
- Honestly, I thought about that.
01:24:46
◼
►
CoreML and they, so as CoreML has evolved and other tools that are like CoreML, that
01:24:52
◼
►
are more like in the non-Apple world, I think like TensorFlow is one of these things.
01:24:57
◼
►
Forgive me, this is a whole world, the whole world of ML models and everything, I really
01:25:02
◼
►
don't understand much about it and I'm not familiar with any of the tools or any of the
01:25:08
◼
►
real concepts of it.
01:25:10
◼
►
The main reason I haven't gotten into all this stuff yet is because I haven't really
01:25:14
◼
►
needed to because I have some data with Overcast.
01:25:20
◼
►
I try to keep as little data as possible about people and their behavior and everything,
01:25:25
◼
►
but I do know the list of podcasts that each user subscribes to.
01:25:30
◼
►
So I can do simple correlations like, "People who subscribe to this tend to also subscribe
01:25:36
◼
►
That's stuff that you don't need fancy ML stuff to do that if you have decent data.
01:25:43
◼
►
And that's all the data you really need to do that.
01:25:46
◼
►
So the recommendation engine, the current one is based on Twitter stuff and it's like
01:25:53
◼
►
what people subscribe to, who you follow on Twitter.
01:25:58
◼
►
I will give you an exclusive news-breaking heads up here, I'm removing that feature.
01:26:06
◼
►
I'm getting rid of the Twitter integration for lots of reasons.
01:26:10
◼
►
Number one, almost nobody uses it.
01:26:13
◼
►
So it's already on the chopping block for that.
01:26:16
◼
►
And there's a bunch of liabilities of having Twitter integration and it causes a lot of
01:26:22
◼
►
confusion among users.
01:26:23
◼
►
I got a lot of support email about people who either don't understand it or wish to
01:26:27
◼
►
behave differently.
01:26:29
◼
►
And I've actually just rebuilt the recommendation engine over the last couple of weeks using
01:26:36
◼
►
an even better approach.
01:26:37
◼
►
Again, just involving subscription data, nothing super fancy.
01:26:41
◼
►
But I figured out better algorithms.
01:26:44
◼
►
And so I'm going to ship an update soon.
01:26:48
◼
►
Still before I was 12, before the beta was this fall, I'm going to ship an update soon
01:26:52
◼
►
that switches out the Twitter feature for my new recommendation engine.
01:26:56
◼
►
And I've been testing it with some testers here and there and it has significantly better
01:27:02
◼
►
recommendations for podcasts you might like.
01:27:04
◼
►
So I think it'll be a positive change and it also allows me to do things, which I don't
01:27:08
◼
►
think I'm going to have time to do for this update, but it'll allow me to do things like
01:27:11
◼
►
on a podcast's individual page to be able to say, "These podcasts are similar to this."
01:27:18
◼
►
Or you know, "People who like this also like this."
01:27:21
◼
►
It allows me to do all that stuff.
01:27:23
◼
►
And it's a way better engine than the one I had before.
01:27:27
◼
►
And it will allow me to integrate a lot more stuff more nicely into the app and not have
01:27:31
◼
►
to deal with weird interactions with an increasingly risky and toxic social network.
01:27:39
◼
►
Paul Wood III writes, "What is the best way for you to enter the zone while programming?
01:27:44
◼
►
Do you have any tricks you plan yourself to help you focus?
01:27:47
◼
►
And why do you think that this trick works?"
01:27:48
◼
►
For me, it's listening to Daft Punk's Discovery album because I listened to it at my first
01:27:52
◼
►
programming job.
01:27:54
◼
►
I don't have any great tips about getting in the zone, although I will say now that
01:27:58
◼
►
I don't have a office to go to in the traditional sense, I do like once or twice a week going
01:28:03
◼
►
somewhere else to get work done.
01:28:05
◼
►
And I think the change of scenery really does help me.
01:28:08
◼
►
And then, as I think I mentioned several times on this program in the past, I have my secret
01:28:13
◼
►
weapon which I deploy extremely tactically, which is if I have a programming problem that
01:28:19
◼
►
I just can't figure out, Tools 10,000 Days has not yet failed in getting me through that
01:28:26
◼
►
It usually takes one run-through or less to get me there, but if I deploy it very tactically,
01:28:31
◼
►
I can usually use that as my secret weapon to solve programming problems.
01:28:35
◼
►
Jon, how do you get in the zone?
01:28:40
◼
►
The only thing I've found that works for me consistently, because I think about times
01:28:42
◼
►
in my career when I have had a difficult programming challenge that I have put myself to dealing
01:28:50
◼
►
with either because there was a hard external deadline or I was very motivated to do it
01:28:54
◼
►
because I was super into a project or something like that, I think the thing that I've used
01:28:59
◼
►
is not isolation, but removal of distractions.
01:29:04
◼
►
So to give some examples, at one point I was dealing with a particularly, I think I've
01:29:08
◼
►
talked about this on the show, I was dealing with a particularly thorny thing having to
01:29:10
◼
►
do with the e-book site that I, for the company I used to work for, had to do with the complexities
01:29:17
◼
►
of royalty calculations for bundled products for e-books or whatever.
01:29:22
◼
►
And it was a fairly complicated system and I'd taken a couple of runs at it and I just
01:29:26
◼
►
wasn't satisfied that we were solving the problem in an elegant way.
01:29:29
◼
►
So I basically took a weekend and I said all I'm going to do this weekend is I'm going
01:29:32
◼
►
to rewrite everything having to do with royalty calculations and everything having to do with
01:29:37
◼
►
product bundles or whatever.
01:29:40
◼
►
I'd thought about it for weeks and weeks and months leading up to that point.
01:29:44
◼
►
The site was running ahead of thing, but it was unsatisfactory.
01:29:48
◼
►
Every time a new requirement would come in, it would be a problem.
01:29:50
◼
►
So I'm like, "I'm just going to tackle this."
01:29:52
◼
►
So I isolated myself for a weekend for something I could do before kids or before kids who
01:29:56
◼
►
were older because I had one little tiny baby at that moment.
01:29:58
◼
►
Just two days at home on a weekend, me and the computer.
01:30:02
◼
►
Similarly, at an earlier job, I had another very complicated system designed by product
01:30:08
◼
►
designers or marketing people essentially.
01:30:10
◼
►
It's like, "Here's how we want it to work," and they described it in a 17-page Word document.
01:30:14
◼
►
"Here's how we want this system to work."
01:30:16
◼
►
And I was like, "There's no way I'm going to be able to make this thing if I just come
01:30:20
◼
►
in every day and try to chip away at it."
01:30:22
◼
►
So again, I set myself a task.
01:30:24
◼
►
And this time it was at work, but I set myself a task of like, "I'm not doing anything else.
01:30:28
◼
►
I'm just going to hide in my then actual office."
01:30:32
◼
►
Those were the days.
01:30:34
◼
►
And just for this week, I'm going to turn that eight-page Word document written by non-technical
01:30:42
◼
►
people into an implementation that matches it exactly, clarifying all the ambiguities
01:30:47
◼
►
or whatever, and just spent that week doing it.
01:30:49
◼
►
Every time I feel like I've had to get in the zone and tackle a programming problem,
01:30:53
◼
►
I feel like I've had to shut out distractions and remove context switches.
01:30:58
◼
►
I imagine that's true for most people because it's a common thing that people measure, like
01:31:01
◼
►
the context switches are bad or whatever.
01:31:03
◼
►
But some people may be like, "Oh, I'd rather be in a café or whatever."
01:31:06
◼
►
I'm like, "No, I don't want to see or hear any other human.
01:31:08
◼
►
I don't want to see or hear any other noise.
01:31:11
◼
►
It's just going to be me and the computer.
01:31:13
◼
►
Absolutely no distractions.
01:31:14
◼
►
Absolutely no one else there.
01:31:16
◼
►
No music, no sound.
01:31:17
◼
►
No things on in the background.
01:31:18
◼
►
No people walking around, nothing.
01:31:20
◼
►
That's how I get in the zone.
01:31:24
◼
►
Headphones and fish.
01:31:26
◼
►
Nobody saw that coming.
01:31:29
◼
►
And I would also say, too, the way I work—I don't know if this is true, everybody.
01:31:32
◼
►
I think it might be.
01:31:33
◼
►
The way I work, I can't really create the zone at will.
01:31:39
◼
►
I can just recognize when I'm ready for it and encourage it and preserve the state
01:31:45
◼
►
as well as possible.
01:31:47
◼
►
It's like the zone is here, and I get a chance to harness it or not harness it.
01:31:53
◼
►
And so I choose, whenever I can, to harness it when the opportunity arises.
01:31:58
◼
►
When I have that motivation, when I have that focus, whatever causes that mode to happen,
01:32:03
◼
►
I try to recognize when that is happening and preserve that and harness it to get good
01:32:10
◼
►
When I can tell that I'm in the zone or that I'm able to be in the zone, I'm not
01:32:14
◼
►
going to do things like read Twitter or answer email.
01:32:18
◼
►
I'm going to want to harness that to—I'm going to ideally apply that to coding and
01:32:26
◼
►
things that are more substantial like that, as opposed to just administrative work or
01:32:31
◼
►
messing around.
01:32:32
◼
►
But I'm not perfect at this, but that is the idea.
01:32:39
◼
►
Leon Zandman writes, "Do you have any idea what should or could happen to Overcast in
01:32:43
◼
►
your other endeavors in the unfortunate event of you dying?
01:32:46
◼
►
Maybe a weird/creepy question, but I'm just wondering if and how you, as a one-person's
01:32:51
◼
►
business with paying clients, are handling this."
01:32:53
◼
►
And I thought this was fascinating in no small part because I just heard Independence No.
01:32:59
◼
►
55, the single point of failure where this exact conversation is discussed.
01:33:05
◼
►
For me, I mean, it's not as big as—and certainly not the financial powerhouse, let's
01:33:12
◼
►
say, that Overcast is.
01:33:14
◼
►
But for Vignette and all the other associated stuff with my business, I have written out
01:33:20
◼
►
kind of the instructions on, "Hey, if I disappear, where is everything?"
01:33:24
◼
►
And that's true not only of the business but actually my personal life as well.
01:33:28
◼
►
And I've given copies of those documents to people I trust.
01:33:31
◼
►
And so in the unfortunate event that I pass away, then both Erin as my wife and Erin as
01:33:40
◼
►
probably the person who will end up dealing with my business's stuff should hopefully
01:33:45
◼
►
be squared away.
01:33:46
◼
►
And I've actually been thinking about writing a blog post about what sorts of information
01:33:49
◼
►
I've included on these documents because I think it would probably be helpful.
01:33:52
◼
►
So I'll probably get around to that one day.
01:33:55
◼
►
But Marco, what are you doing if, God forbid, something happens to you suddenly?
01:33:59
◼
►
I mean, my family's taken care of with things like life insurance.
01:34:03
◼
►
But for the actual business, like for Overcast, I don't really have any plans.
01:34:11
◼
►
I'll be dead, so I won't care.
01:34:14
◼
►
I guess people can do whatever they want with it.
01:34:16
◼
►
I don't know.
01:34:17
◼
►
Like, I have not put anything in place.
01:34:18
◼
►
I also heard that episode.
01:34:20
◼
►
And I also thought about, like, "I wonder if I should put some process in place here."
01:34:26
◼
►
But I have found that transitions of app ownership rarely really preserve what the app was about
01:34:35
◼
►
and what made it good.
01:34:38
◼
►
And so I don't think it really matters.
01:34:41
◼
►
Like if I'm gone, Overcast is going to die with me or is going to be picked up by somebody
01:34:49
◼
►
else and changed in a way that you're all going to hate.
01:34:53
◼
►
So like, it kind of doesn't really matter, honestly.
01:34:56
◼
►
That's an interesting point.
01:34:57
◼
►
You know, a couple of years ago, maybe even several years ago now, a friend of the show,
01:35:02
◼
►
Underscore David Smith, went somewhere and he didn't tell his friends that he was going
01:35:07
◼
►
anywhere, which is fine.
01:35:08
◼
►
Like, he doesn't have to report in to us that he's going on a vacation.
01:35:12
◼
►
But he went somewhere, and this was, I think, when Feed Wrangler was fairly new.
01:35:16
◼
►
And something happened.
01:35:17
◼
►
I don't know if you remember this, Marco, but something happened when Feed Wrangler
01:35:21
◼
►
basically took a dump.
01:35:23
◼
►
And this was fairly significant and nobody could get in touch with Dave.
01:35:28
◼
►
And I can only speak for myself, but I was getting increasingly and increasingly and
01:35:32
◼
►
increasingly worried about what was going on.
01:35:34
◼
►
And it turned out everything was fine in, well, in his world.
01:35:39
◼
►
It's just that some server had had an issue or something like that.
01:35:41
◼
►
- Yeah, and he was just like on vacation, like at a cabin in the woods with no internet
01:35:44
◼
►
connectivity.
01:35:46
◼
►
- But like, yeah, it was like his server went down like at the worst possible time, basically
01:35:48
◼
►
like right after he left.
01:35:50
◼
►
And so like, it was down for a while.
01:35:53
◼
►
And you know, I've taken vacations where I've been offline, and you just kind of assume
01:35:56
◼
►
like, well, I just hope that in the next couple days my servers don't break, right?
01:36:00
◼
►
And his servers happen to break during that time.
01:36:04
◼
►
But yeah, we all thought the worst.
01:36:06
◼
►
- Yeah, I was genuinely like getting really concerned.
01:36:09
◼
►
Well, anyways, I bring all this up because there was a time when he went on a different
01:36:14
◼
►
trip later, and I genuinely don't know if this is still true or not, but there was a
01:36:18
◼
►
window of time where he had given me like a 400 character password to use and like the
01:36:25
◼
►
bare bones of server information that I could use to basically like log in and just restart
01:36:31
◼
►
the thing and hope for the best.
01:36:32
◼
►
And I honestly, I'm sure if I have it, it's in one password somewhere, and I don't even
01:36:37
◼
►
know if I do have this information anymore.
01:36:38
◼
►
And even if I do, I doubt it still works.
01:36:40
◼
►
But I thought it was an interesting point that, you know, it may not be terrible to
01:36:44
◼
►
take someone you trust and give them, you know, a key or the keys to the kingdom just
01:36:51
◼
►
in case something happens.
01:36:52
◼
►
Now, obviously, I wouldn't be able to like properly debug whatever, you know, Dave's
01:36:56
◼
►
issues may be, but I could go in there, like I said, and restart the server and hope for
01:37:01
◼
►
So that's another thing to think about as well if you ever go off the grid.
01:37:06
◼
►
In any case, Jon, what about you?
01:37:07
◼
►
Have you thought about any of this?
01:37:09
◼
►
- I have no kingdom for which keys must be handed to someone.
01:37:12
◼
►
When I'm dead, nobody cares and there's nothing that needs to continue.
01:37:15
◼
►
- I'll care.
01:37:16
◼
►
- But there's nothing that needs to keep running, so.
01:37:19
◼
►
- Fair enough.
01:37:20
◼
►
But not hypercritical.co, is that right?
01:37:22
◼
►
It's not com, right?
01:37:23
◼
►
- Nobody cares about that stuff.
01:37:24
◼
►
- Well, you only write on it once a year, so.
01:37:26
◼
►
- That's right.
01:37:27
◼
►
I mean, yeah, I don't have any ongoing endeavors like that.
01:37:28
◼
►
You know, other than the ones that actually involve me, in which case those, you know,
01:37:32
◼
►
no longer involve me.
01:37:33
◼
►
- Fair enough.
01:37:34
◼
►
- Thanks to our sponsors this week, Eero, Squarespace, and Casper.
01:37:40
◼
►
And we'll see you next week.
01:37:46
◼
►
[MUSIC PLAYING]
01:37:47
◼
►
Now the show is over.
01:37:48
◼
►
They didn't even mean to begin.
01:37:49
◼
►
'Cause it was accidental.
01:37:50
◼
►
- Accidental.
01:37:51
◼
►
- Oh, it was accidental.
01:37:52
◼
►
- Accidental.
01:37:53
◼
►
- Jon didn't do any research.
01:37:54
◼
►
Marco and Casey wouldn't let him.
01:37:55
◼
►
'Cause it was accidental.
01:37:56
◼
►
- Accidental.
01:37:57
◼
►
- Oh, it was accidental.
01:37:58
◼
►
- Accidental.
01:37:59
◼
►
- And you can find the show notes at ATP.fm.
01:38:00
◼
►
And if you're into it, you can visit the show notes at the ATP.fm website.
01:38:01
◼
►
[MUSIC PLAYING]
01:38:02
◼
►
- So, Jon, how can you not be so upset about this?
01:38:03
◼
►
- I don't know.
01:38:04
◼
►
I don't know.
01:38:05
◼
►
- I'm not sure.
01:38:06
◼
►
- I'm not sure.
01:38:07
◼
►
- You can find the show notes at ATP.fm.
01:38:14
◼
►
And if you're into Twitter, you can follow them at C-A-S-E-Y-L-I-S-S. So that's Casey
01:38:21
◼
►
Liszt, M-A-R-C-O-A-R-M, A-N-T, Marco Arman, S-I-R-A-C, USA, Syracuse.
01:38:30
◼
►
It's accidental.
01:38:31
◼
►
- It's accidental.
01:38:32
◼
►
- They didn't mean to.
01:38:37
◼
►
- Accidental.
01:38:38
◼
►
- Accidental.
01:38:39
◼
►
- Tech podcast so long.
01:38:44
◼
►
- I so desperately want-- I have a favorite spatula.
01:38:49
◼
►
Rubbermaid used to make utensils for some brief period.
01:38:52
◼
►
They no longer do.
01:38:53
◼
►
I have two Rubbermaid spatulas, one of which is my favorite spatula.
01:38:57
◼
►
And I cannot find one that is even remotely like it.
01:39:00
◼
►
It's not complicated.
01:39:01
◼
►
It's one piece of Rubbermaid plastic, but it's exactly the right size and shape.
01:39:05
◼
►
Doesn't have any weird places where gunk gets stuck.
01:39:10
◼
►
It's the right flexibility.
01:39:13
◼
►
It's a good spatula.
01:39:15
◼
►
Johnny might even like it.
01:39:16
◼
►
But I have to hope that it never breaks or accidentally melts on something or whatever,
01:39:21
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►
because I can't find a replacement.
01:39:23
◼
►
So yeah, he should make a spatula.
01:39:25
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►
It's a perfect Johnny Ive thing, because it should be basically featureless and white
01:39:28
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►
and just like a simple solid with no moving parts and no ports.
01:39:34
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►
Not white though, because then your sauce would discolor it.
01:39:37
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►
Mine's not white.
01:39:38
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►
It's like an off-white kind of color.
01:39:40
◼
►
And yeah, it is a little bit discolored, right?
01:39:42
◼
►
But the tomato sauce you make, of course it's going to be discolored.
01:39:46
◼
►
Well, no, you don't use the spatula and tomato sauce.
01:39:48
◼
►
But anyway, it is mostly like sort of discolored from like burny stuff being on it.
01:39:53
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►
So it's like a little bit of a brown--
01:39:54
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►
- Burny stuff.
01:39:55
◼
►
- Burny stuff.
01:39:56
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►
Yeah, like a little bit of a brown speckling.
01:39:58
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►
But it's not colored like purple or red or any kind of like food dye color.
01:40:04
◼
►
Rybur in the chat room, that's a bowl scraper.
01:40:07
◼
►
That's not that kind of spatula.
01:40:10
◼
►
- You're talking about the pancake turner?
01:40:11
◼
►
- Flipper, if anything, but yes.
01:40:14
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- Like it's shaped more like a hockey stick.
01:40:16
◼
►
Yes, you could like get it underneath.
01:40:18
◼
►
- I gotta say, what you're calling like a bowl scraper, I have been using those more--
01:40:27
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►
- Just like as like the thing that you stir stuff in a pan with.
01:40:30
◼
►
- Yeah, that's not the right tool for that job.
01:40:33
◼
►
Please stop doing that.
01:40:34
◼
►
- Honestly, I find, like I used to be a wooden spoon person.
01:40:37
◼
►
- Yeah, yeah, yeah, yeah.
01:40:38
◼
►
- But ultimately I find that a good flexible silicone spatula, that what you're calling
01:40:43
◼
►
the bowl scraper kind of spatula, like you know, not the pancake turner but the slots,
01:40:46
◼
►
but like the thing that you would like, you know, ice a cake with.
01:40:50
◼
►
Like that kind of thing.
01:40:51
◼
►
I have found that is actually a much better tool for stirring stuff around in a pan for
01:40:56
◼
►
most types of things that I'm stirring around in pans.
01:40:58
◼
►
I really enjoy it.
01:40:59
◼
►
I got converted to it a couple years ago by a friend and I am solidly in that camp now.
01:41:04
◼
►
Like that is the better tool for that job.
01:41:06
◼
►
- So the thing my wife does and it drives me nuts, but it is still one step up from
01:41:11
◼
►
the worst thing, which is using silverware.
01:41:13
◼
►
- Yeah, that's definitely the worst thing.
01:41:15
◼
►
- Oh, goodness.
01:41:16
◼
►
- Please do not use silverware for so many reasons.
01:41:18
◼
►
- Yeah, that I agree with.
01:41:20
◼
►
- Using the wrong cooking tool is a step up from that and then using the correct tool
01:41:25
◼
►
- Yeah, Erin always used to use one of these things that you're describing, Marco, for
01:41:30
◼
►
scrambled eggs.
01:41:31
◼
►
And for the longest time I was like, "What the hell are you doing?
01:41:34
◼
►
That's why you use a spatula."
01:41:35
◼
►
And then I tried it once, sir.
01:41:36
◼
►
I was like, she started them and left like the little scrapery, you know, plasticy whatever
01:41:42
◼
►
thing right near the pan.
01:41:45
◼
►
And so I was like, "Oh, screw it.
01:41:46
◼
►
I'll just use this."
01:41:47
◼
►
I think both you and Erin are correct for something along those lines.
01:41:51
◼
►
- When you're making eggs, you are in fact much of the time scraping the bowl essentially.
01:41:56
◼
►
- Yeah, yeah, that's perfect.
01:41:57
◼
►
- You know what I mean?
01:41:58
◼
►
So that actually is closer.
01:41:59
◼
►
- Yeah, especially if you're making scrambled eggs in a nonstick pan, this thing is perfect
01:42:03
◼
►
because you really do want to get it all off the side.
01:42:06
◼
►
Yeah, it makes it look like--
01:42:07
◼
►
- Well, so if your pan is properly nonstick, you shouldn't need this actually.
01:42:11
◼
►
This is to get things off the side that are sticking to the side.
01:42:13
◼
►
Really you should be able to not even touch it with anything and just flip it and it should
01:42:18
◼
►
slide right off just like in those commercials.
01:42:20
◼
►
But as nonstick degrades, they become less nonstick.
01:42:24
◼
►
They become more stick.
01:42:26
◼
►
And so then you might need a scraper.
01:42:29
◼
►
- Every pan eventually becomes a stick pan.
01:42:32
◼
►
- Except for the super duper cast iron thingies, supposedly.
01:42:37
◼
►
I've never successfully pulled this off, but the theory is the carbonization in a long
01:42:40
◼
►
period of time and smooth glassy surface, yada yada.
01:42:44
◼
►
- Yeah, I've never been convinced by the cast iron lifestyle.
01:42:49
◼
►
It seems like it is--
01:42:51
◼
►
- You need a grandma pan.
01:42:52
◼
►
You need a pan that someone's used for 100 years that has that glassy surface that no
01:42:55
◼
►
one has put their stupid metal utensils into and screwed up.
01:42:59
◼
►
- John, click that most recent link in the chat.
01:43:02
◼
►
It's circa 1972 spatula, so that's right in your wheelhouse in terms of era.
01:43:07
◼
►
- I didn't get, hey, that's it.
01:43:09
◼
►
That's not the one that I like.
01:43:10
◼
►
That's the big one.
01:43:11
◼
►
The small version of that is my spatula.
01:43:14
◼
►
We also have the big one and that's what we use for pancakes and stuff, but I'm not married
01:43:17
◼
►
to the big one.
01:43:18
◼
►
I feel like the big one is too big.
01:43:19
◼
►
The small one is maybe half that width.
01:43:21
◼
►
That is my spatula.
01:43:22
◼
►
- Okay, this is not at all what I thought you meant.
01:43:26
◼
►
- Doesn't it look like a Johnny Ive thing?
01:43:28
◼
►
Other than obviously the giant Rubbermaid thing, which is why I know it's Rubbermaid
01:43:30
◼
►
'cause you can't not know it's Rubbermaid, but that's the only--
01:43:33
◼
►
- So you can't find anything as good as that?
01:43:36
◼
►
- Nope, I cannot.
01:43:38
◼
►
- I hear the skepticism all the way from here.
01:43:40
◼
►
- And again, not the big one, the small one.
01:43:42
◼
►
God, if anyone sees the small one on eBay, I will buy it for a ridiculous price.
01:43:48
◼
►
- Like I'm already running low on my grated cheese, the Oxo thing, right?
01:43:56
◼
►
- Oh no, I remember you mentioned that in the past, right?
01:43:59
◼
►
You're holding onto an old cheese grater?
01:44:00
◼
►
- I think I have one or possibly two left unopened, but they're lifetime.
01:44:06
◼
►
And my current one, I'm just like, hang on a little bit longer.
01:44:08
◼
►
I'm trying to get the maximum life out of it.
01:44:09
◼
►
I have seen on television a few more commercial kitchens with electric ones and that's totally
01:44:15
◼
►
what I want.
01:44:16
◼
►
I may not do it by hand, but I haven't found a good electric one yet.
01:44:21
◼
►
So I'm always on the lookout for that.
01:44:24
◼
►
But in the meantime, I got to keep my hand ones.
01:44:25
◼
►
- Oh, do you see this Etsy link?
01:44:28
◼
►
- Is it really from the '70s?
01:44:29
◼
►
Yeah, that one in the middle, there you got it, right there.
01:44:31
◼
►
That's my spatula.
01:44:33
◼
►
Is it from the '70s?
01:44:34
◼
►
How could it, I mean, we bought it after we were--
01:44:35
◼
►
- You can buy one for $74.99, John.
01:44:38
◼
►
- We bought it after we were married.
01:44:40
◼
►
So it's not like this is, I mean, maybe they've made it since the '70s and yeah.
01:44:44
◼
►
I don't know, $70, hmm.
01:44:47
◼
►
- Jesus, you're actually thinking about it?
01:44:50
◼
►
I would love so much for you to go back in time to the '70s and explain to your parents
01:44:54
◼
►
or grandparents, whoever bought this, that in 2019 you're gonna buy one for $75.
01:44:59
◼
►
- We bought it.
01:45:00
◼
►
We bought it ourselves.
01:45:01
◼
►
After we were married, when you're buying stuff for your house, you gotta buy a kitchen
01:45:04
◼
►
table and utensils and plates and spatulas.
01:45:07
◼
►
We bought a spatula.
01:45:08
◼
►
We just probably went to whatever the kitchen store and bought a bunch of cheap, you know,
01:45:13
◼
►
we were like in our 20s, we were just married, we didn't have a lot of money, this is not
01:45:16
◼
►
an expensive product.
01:45:18
◼
►
God, I've never seen that weird soup ladle.
01:45:21
◼
►
I'm really not on board with that probably, but.
01:45:25
◼
►
- $75 for this piece of plastic.
01:45:27
◼
►
- Big and the small spatula.
01:45:29
◼
►
Rubbermaid, why did you stop making these?
01:45:32
◼
►
- Oh, and it's only available in black, apparently.
01:45:34
◼
►
Sorry, John.
01:45:37
◼
►
- Yeah, you can pay $75 and get the spatula pro.
01:45:41
◼
►
- Actually, now that I see it in black, it does look kind of Mac Pro-y.
01:45:46
◼
►
- It also, if you go to the very last photo where it's the black one and it's showing
01:45:49
◼
►
the underside, it looks like it might be used.
01:45:51
◼
►
You see that leading edge?
01:45:53
◼
►
- Oh yeah, they get scraped up.
01:45:55
◼
►
Mine is, it's like a cast iron pan where it becomes, you get a patina and sort of like,
01:46:00
◼
►
it has seen so much service, because again, I've had it for like 20 years now, that it
01:46:04
◼
►
is like, I don't know, I should take some pictures of it.
01:46:08
◼
►
It's a pretty good looking thing after 20 years.
01:46:10
◼
►
- Now, the real funny thing here is that at the bottom of this listing, it says, "Almost
01:46:13
◼
►
gone, there's only three left."
01:46:15
◼
►
I see that as, they have three of these, that's great.
01:46:18
◼
►
You could spend $225 and have three backup spatula pros.
01:46:24
◼
►
- John, you might want to consider it.
01:46:26
◼
►
- What is this picture with the thing with like a spoon with slots in it?
01:46:29
◼
►
I'm not on board with their spoons.
01:46:30
◼
►
I'm also in the market for a good wooden spoon.
01:46:32
◼
►
I have a lot of good wooden spoons, including wooden spoons for my grandmother, which are
01:46:35
◼
►
my best wooden spoons, but wooden spoons eventually do start to check and crack a little bit,
01:46:41
◼
►
So, a couple of my good wooden spoons have some cracks in them.
01:46:44
◼
►
- Are there advantages of using spatulas instead of wooden spoons?
01:46:47
◼
►
You can put them in the dishwasher.
01:46:48
◼
►
- Oh, we don't put these in the dishwasher, are you kidding?
01:46:50
◼
►
He's never gone in the dishwasher.
01:46:51
◼
►
The wooden spoons or the spatulas all wash my hand.
01:46:54
◼
►
- Your things from the '70s probably would melt if you put them in the dishwasher.
01:46:57
◼
►
They're probably--
01:46:58
◼
►
- I don't think they would.
01:46:59
◼
►
- They're probably leaching chemicals into your food when you use them.
01:47:02
◼
►
- They go directly into hot pans, they don't melt.
01:47:04
◼
►
But I wouldn't put them in the dishwasher.
01:47:06
◼
►
- It's plastic from the '70s.
01:47:09
◼
►
- It's not from the '70s.
01:47:10
◼
►
It was manufactured in the late '90s.
01:47:14
◼
►
I wouldn't put plastic from the '90s into my food today.
01:47:17
◼
►
- Don't worry about it, it's fine.
01:47:19
◼
►
- It's not fine.
01:47:20
◼
►
We know factually it's not fine.
01:47:23
◼
►
- Not all plastic is toxic.
01:47:25
◼
►
- Yeah, but like--
01:47:26
◼
►
- Only the stuff they use for water bottles.
01:47:28
◼
►
- Yeah, right.
01:47:29
◼
►
- It's not a water bottle.
01:47:30
◼
►
- And plastic, it degrades and leaches weird chemicals out of itself over time.
01:47:34
◼
►
It's not a good--
01:47:36
◼
►
- I'm sure it's fine.
01:47:38
◼
►
- This is not good.
01:47:39
◼
►
- In John's defense, I think I misread 1972 as a release year, not a model number, because
01:47:43
◼
►
apparently that is a model number.
01:47:45
◼
►
- There you go.
01:47:46
◼
►
- But it does say on this listing, item details vintage from before 2000, which is now basically
01:47:52
◼
►
20 years ago.
01:47:53
◼
►
- It's vintage, yeah.
01:47:54
◼
►
It's vintage from when I was married in the '90s.
01:47:56
◼
►
- Well, it's 20 years ago.
01:47:58
◼
►
- All three of us are quite vintage at this point by these definitions.
01:48:00
◼
►
- Wow, that's good to go.
01:48:02
◼
►
Looking at the little codes in the back, I should look.
01:48:03
◼
►
Probably that code is in the back of mine.
01:48:05
◼
►
It's got the recycle symbol, huh?
01:48:07
◼
►
- So there you go.
01:48:08
◼
►
- 1971 spatula.
01:48:09
◼
►
- Is it the '71?
01:48:10
◼
►
I can't tell what number.
01:48:11
◼
►
I don't know.
01:48:12
◼
►
I'll go look at mine.
01:48:14
◼
►
- You should go right now.
01:48:15
◼
►
- I want those spatulas.
01:48:18
◼
►
- You're really thinking about spending $75 on this thing, aren't you?
01:48:20
◼
►
- I mean, here's the thing.
01:48:22
◼
►
My current ones are fine.
01:48:24
◼
►
They're not broken.
01:48:25
◼
►
And unlike my cheese grater, there's not a shelf life where I know this is gonna break
01:48:29
◼
►
in three years.
01:48:30
◼
►
They've never broken, but I fear one day something happening to it, someone leaving it on a burner
01:48:36
◼
►
and actually does melt or something like that.
01:48:39
◼
►
People are sending me links to other things on Amazon that are not my spatula.
01:48:43
◼
►
This is not my spatula.
01:48:44
◼
►
I've seen these in the store.
01:48:45
◼
►
This is not what I want.
01:48:46
◼
►
- I think you have to buy this.
01:48:49
◼
►
You have to get Spatula Pro for $75.
01:48:51
◼
►
- I think you might be right.
01:48:53
◼
►
- The only question is how many.
01:48:57
◼
►
- Which utensil?
01:48:59
◼
►
Narrow spatula.
01:49:01
◼
►
No, I'm not gonna do it.
01:49:02
◼
►
I gotta keep my powder dry for the Mac Pro.
01:49:05
◼
►
- I mean, just think about how many of these spatulas you could buy.
01:49:09
◼
►
- The white is sold out anyway.
01:49:11
◼
►
I would have to get the black one.
01:49:13
◼
►
Yeah, no, forget it.
01:49:14
◼
►
I'm not, I mean, no.
01:49:15
◼
►
The Pro one looks cool, but it clashes with everything else.
01:49:19
◼
►
I like to see the food stuff stuck to it.
01:49:23
◼
►
It's hard to see what kind of gunk is on there.